Last Looks: Shakira

Vogue

Last Looks: Shakira  Director: Gabriela Cavanagh Director of Photography: Carrie Cheek Editor: Mauricio Rivera Hoffman Producer: Gigi Chavarria Producer, On Set: Choyce Miller Associate Producer: Haley Chang Assistant Camera: Lauren Mendoza Audio: Bill Hennessy CondéFuture Intern: Jayden Bier Assistant Editors: Ben Harowitz, Justin Symonds Post Production Coordinator: Ian Bryant Arts &amp; Graphics Lead: Léa Kichler Supervising Editors: Erica DeLeo, Eduardo Araujo Post Production Supervisors: Alexa Deutsch, Andrea Farr Production Coordinators: Ava Kashar, Bailey Lica Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Entertainment Director: Sergio Kletnoy Supervising Producer: Felicia Kelley Director of Content, Production: Rahel Gebreyes Senior Director, Programming: Linda Gittleson VP, Digital Video English: Thespena Guatieri Filmed on Location: The Pierre New York, a Taj Hotel

Transcript

00:00Let's go, we gotta go, we gotta go, we gotta go.

00:02I feel like that's an iconic thing we're witnessing right now.

00:19So I'm getting ready for my first Met Gala.

00:22And I'm being dressed by Carolina Herrera.

00:26Wes Gordon designed my dress.

00:29It's a beautiful dress. I'm very excited.

00:31The day has come. We're almost ready.

00:33So we're fitting until the wee hours in the morning

00:36because we're waiting for the final dress to be done

00:39and we finally got to see the magic on.

00:41And when she put on the cape last night, it was just so breathtaking.

00:45She's so nice. She's so fun.

00:49I was a huge fan before, and I'm going to leave this experience an even bigger fan.

00:53She arrived yesterday, and it's been a whirlwind.

00:56Okay, I don't know, earrings?

00:58Like a star?

00:59It's too much.

01:00Maybe not, okay.

01:01The shoes, they dyed them, they came out the wrong color.

01:03So they're like emergency re-dyeing everything

01:05just to make sure we get the perfect monochromatic look.

01:09For the look tonight, we love the texture on the painting,

01:13Birth of Venus, which is like whimsical, soft waves,

01:18but also very Shakira.

01:20We don't want to lose the essence.

01:22I'm supposed to make my lips bigger.

01:26I'm waiting. I'm waiting.

01:29Today, this gala has a lot to do with female empowerment,

01:32female strength, female resilience, and female beauty.

01:37So today, I feel like a rose, because that's what the designer intended.

01:45So the dress itself is a super clean, architectural column dress on her body

01:51as the stem, and then surrounding her by the blossom of the rose.

01:55It was asked me what color I wanted to be in,

01:58and I pictured myself in red.

02:00It's kind of the color of Shakira.

02:02I mean, red is passion.

02:04It's strength.

02:06It's this kind of Latin fire.

02:08It's, you know, all things fabulous and glamorous that she embodies.

02:18And then for jewelry, we're working with this beautiful 1965 brooch

02:23from Cartier Paris.

02:25That is from their Patrimoine collection.

02:28And it has this beautiful Burmese ruby in the center

02:31and kind of baguette diamonds around.

02:33I will break your jewelry if you don't break my dress.

02:35No, no, no. We need to.

02:39But now we need to go so people can get pictures up in here.

02:41Let's go. Let's go.

02:43I need to see the luggage.

02:45No, don't, don't.

02:51Okay!

02:59Am I getting in the car with this?

03:01We're standing the whole way.

03:02Let's go.

03:03We gotta go, we gotta go, we gotta go.

03:11No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

03:41.

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