Sienna and Chloe discuss the new baby (stay tuned for the gender reveal!), how the actress divides her time between London and the countryside, and avoiding the paparazzi.
Director: Nina Ljeti
Director of Photography: Andrew Maso
Editor: Evan Allan
Senior Producer: Jordin Rocchi
Associate Director, Creative Development: Alexandra Gurvitch
Camera Operator: Bernardo Garcia Elguezabal
Assistant Camera: Jack Kelly
Gaffer: Julia Gowesky
Grip: Megan Miller
Audio: Lily van Leeuwen
Set Designer: Taylor Horne
Set Design Assistant: Javier Scalley
Associate Producer: Lea Donenberg
Production Assistant: Noah Bierbrier
Hairstylist: Gonn Kinoshita
Makeup Artist: Sil Bruinsma
Groomer Tracy: Alfajora
Fashion Editor: Tabitha Simmons
Stylist Assistant: Kaia Carioli
Sienna Miller wears a Khaite dress and Gucci heels
Production Coordinator: Ava Kashar
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Post Production Supervisor: Edward Taylor
Assocate Director, Post Production: Nicholas Ascanio
Entertainment Director: Sergio Kletnoy
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming: Linda Gittleson
Executive Producer: Ruhiya Nuruddin
VP, Digital Video English: Thespena Guatieri
Director: Nina Ljeti
Director of Photography: Andrew Maso
Editor: Evan Allan
Senior Producer: Jordin Rocchi
Associate Director, Creative Development: Alexandra Gurvitch
Camera Operator: Bernardo Garcia Elguezabal
Assistant Camera: Jack Kelly
Gaffer: Julia Gowesky
Grip: Megan Miller
Audio: Lily van Leeuwen
Set Designer: Taylor Horne
Set Design Assistant: Javier Scalley
Associate Producer: Lea Donenberg
Production Assistant: Noah Bierbrier
Hairstylist: Gonn Kinoshita
Makeup Artist: Sil Bruinsma
Groomer Tracy: Alfajora
Fashion Editor: Tabitha Simmons
Stylist Assistant: Kaia Carioli
Sienna Miller wears a Khaite dress and Gucci heels
Production Coordinator: Ava Kashar
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Post Production Supervisor: Edward Taylor
Assocate Director, Post Production: Nicholas Ascanio
Entertainment Director: Sergio Kletnoy
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming: Linda Gittleson
Executive Producer: Ruhiya Nuruddin
VP, Digital Video English: Thespena Guatieri
Category
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PeopleTranscript
00:00 This is The Runthrough, I'm Chloe Mao, and today we're here with Sienna Miller.
00:05 All right. Hi, Sienna. Happy Sunday.
00:08 Thank you.
00:09 We're in the Vogue closet. This is a big moment for many people,
00:12 but we're just casually on this pink velvet sofa.
00:16 And then the Vogue, so that closes and there are more clothes when we're not in here.
00:20 Yeah.
00:21 And everyone can just help themselves to the shoes.
00:24 Well, these are available for shoots, but the Manolas have to be approved,
00:28 like a Manola library.
00:30 In a temperature controlled.
00:31 You just not let anyone get their mitts on Manolas.
00:34 Right.
00:35 What is it like fitting for a Vogue cover when you're quite a few months pregnant?
00:40 Pretty heavily pregnant now.
00:41 How many weeks are you feeling now?
00:43 I am 31 weeks.
00:45 Oh my God.
00:46 31 and a bit weeks. It's fun doing a fitting,
00:48 although in the last two weeks I've woken up and I'm like pregnant in my head and face.
00:53 What is the exact change that you feel?
00:56 There's a slight waddle.
00:58 Okay.
00:59 You know, there's a, "Whoa," when you stand up and sit down,
01:02 which I'm really trying to get a lid on and peeing like 18 times a night,
01:06 which is too much information, but welcome to the real world, people.
01:09 And I walked around with my daughter yesterday in Soho and I was like,
01:14 "We're going to be in New York. Let's go shopping."
01:16 And after an hour I was, you know, the lady that was sitting down in a free shop.
01:20 What are you loving to wear right now?
01:21 Big baggy knitted.
01:24 Yeah. What is Sienna maternity wear?
01:26 I've tried to avoid buying maternity wear.
01:30 Me too. It's very hard.
01:31 It's very hard. I feel like I'm probably at the stage where I need
01:34 some maternity leggings. That would be nice.
01:37 I've found clothes in my wardrobe that will stretch
01:40 and I have borrowed Olly's jeans for the first four months. I have now outgrown them.
01:44 Oh, wow.
01:45 I think that the timing of this pregnancy is great.
01:48 I got to be sort of floaty in the summer and, you know,
01:51 in the good stage of pregnancy was in easy clothes and now I can just, like, jumper it up.
01:56 Well, I was obsessed with your Vogue World Schiaparelli moment.
02:00 It was a good thing.
02:01 How would you describe it?
02:02 I would have said kind of couture meringue.
02:06 Yes, it was a couture meringue with your bumps.
02:08 With my bumps. Every area that you would want disguised as a woman was disguised beautifully,
02:14 artfully by this incredibly created, like, masterpiece of art.
02:19 Harry Lambert was styling everybody who was taking part in the show and I was doing a little skit.
02:24 Oh, yes, you were in Usher.
02:26 I was in Usher, yes. And Harry Lambert, for those who don't know, is a brilliant,
02:30 very avant-garde creative stylist and he had sent some options of clothes that he thought
02:35 would be good and that was the most exciting/scary.
02:39 I didn't know I was a kind of bump-out pregnant person, but it felt incredibly empowering.
02:44 Is this pregnancy style different than with Marlowe?
02:47 Do you remember what you wore when you were pregnant with her?
02:48 I think with Marlowe I really tried to stay in my own clothes and it just didn't work.
02:53 I think I have, I think I'm just much more conscious now than I was then.
02:57 How is this pregnancy different from 10 years ago with Marlowe?
02:59 It's honestly been so much easier. I have sailed through this pregnancy.
03:05 Yeah, I don't know whether you're just so perpetually tired being a parent already
03:08 that you can just manage better with a second baby, but I felt great.
03:13 Well, I'm thrilled to hear that.
03:15 Until about six days ago.
03:17 This pregnancy became publicly known when you were on a private vacation in Minnesota this summer.
03:26 What is it like having...
03:28 People take photos of you in a bikini pregnant. Do you know what? It's great.
03:33 It was so funny. I got through the entire summer and I'd had a very decadent summer
03:38 of traveling around and being on lots of beaches and I got away with it.
03:42 That was the last swim on the last day of the last holiday.
03:46 You almost did it.
03:47 Thank Christ it was like 5pm and not glaring sunlight.
03:51 Is Marlowe excited?
03:52 To have a sister?
03:54 Yeah.
03:54 A baby sister?
03:55 I was a little girl.
03:55 Gender reveal by accident.
03:57 I was going to ask, but there we go.
03:59 I'm having a baby girl. Is Marlowe excited? She is now excited.
04:06 She's like, this was great. Why would we change this?
04:09 We were the Gilmore girls and what if the babies cute her?
04:13 The normal feelings, which she's very honest about.
04:16 How do you hope her experience as a girl and eventually a woman will be different from yours?
04:21 How long have you got?
04:25 No, I think it's really hard to be a young woman in this day and age.
04:33 I think it's also a lot easier in many ways. So there are pros and cons to both versions.
04:37 She can self-advocate and she has the word no in her repertoire.
04:41 And I think in the 90s when I was a kid growing up,
04:47 you know, God forbid you offend a man's ego by disagreeing.
04:50 And I just don't think that exists at all. And that's wonderful.
04:54 Can you describe like Marlowe's family dinners where it's you, Tom, he's now with Alexa,
05:00 Ollie. Does Marlowe know that she has access to two of the great British wardrobes?
05:05 We tell her she doesn't. She's never going to give me that. I think it's might she might
05:10 be starting to cotton on to the fact that I have got an aesthetic and maybe it was appreciated,
05:15 but she's still like, no, Alexa, she is much more generous too, because she's
05:21 exquisitely dressed and not her actual mother. It's very genuinely, very loving and cozy and great.
05:28 How wonderful for her.
05:29 It's ideal. It's incredible. We're very lucky.
05:32 What's been your favorite role that you've played and why?
05:35 Sally Bowles in Cabaret on Broadway, because she is a nihilistic sort of tragedy
05:42 that sings and dances. And my guilty pleasure is singing and dancing.
05:47 What is the most challenging role?
05:49 I did a movie called American Woman that was very emotionally draining. And I loved that character,
05:56 probably more than any character. But it was very hard to imagine the loss of a child
06:01 as a parent, as anyone. I have tended to be drawn to very dark material. My formative youth was
06:09 intense, very, very intense. And to have an outlet for some of that intensity was
06:14 probably made me drawn to dark work.
06:17 Your formative youth while you when you were first starting to act or before that?
06:21 I think my 20s, my very public 20s.
06:24 You were covered so intensely from such a I was reading about the ages when you were first with
06:30 Jude Law. I mean, you were 21. It's just, do you ever look back now and think, oh, poor 21 year
06:36 old Sienna, I wish I could tell her this.
06:39 Yeah, of course. I mean, honestly, it feels like a different life and a different person's
06:44 experience. It was also surreal and chaotic. But it's sometimes it's hard to connect that
06:49 that's the same person. I do have sympathy, yes, for all the women at that moment.
06:55 It was this frenzy before phones and social media, before all of that. I think a lot of
07:01 people really derailed because of it.
07:03 I love Anatomy of a Scandal. And I then remember reading the article about how you could hear
07:09 your heartbeat in the scene when the infidelity is revealed. And it just made me wonder about
07:16 how personally and emotionally invested you get when you're doing a scene like that.
07:20 I think that in order to successfully achieve an emotional state, you probably have to connect
07:29 it to things that happened in your life. There was something incredibly familiar about that
07:34 particular scene and dynamic. And knowing that on the other side of that scene of him
07:41 revealing an affair was a huge amount of tabloid attention. And it was it was just very easy to
07:45 sense memory. I was surprised by the fact that my heart started to thump.
07:50 It's weird, but you really do store obviously you store trauma and memory in your body and
07:56 when you can access it for work, I think that's great versus it coming out in other relationships.
08:02 You have been very vocal about pay equity and earning the same or at least closer to the same
08:13 as your male counterparts. Has that been something that you felt has been successful? Has there been
08:19 progress made?
08:20 Definitely been progress made for sure. I mean, I think I'm in an industry where the disparity
08:27 was enormous, but I think it was more important to focus on how that translates across the world
08:32 in every industry. And I think that I was very fortunate and I worked with Chadwick Boseman,
08:38 who donated some of his salary to get me up to a number that I had asked for for a film that we did
08:42 together, which was astounding. And I've shared that story with many a male actor who has gone
08:48 very quiet in the aftermath. A lot of it comes down from being able to advocate for yourself,
08:54 which is something I've had to learn. I think I would have happily done any of the work that
08:57 I've done for free. And it's been a reckoning to try to realize your own value.
09:03 Did that come naturally or was that something?
09:05 No.
09:06 Okay. Because I mean, you famously you took on news of the world.
09:11 Yes, that did come naturally.
09:13 Interesting. Do you regret any part of that? Because it just felt like you had to do
09:18 it. For people who don't know, in 2019, you sued News of the World or Murdoch Organization.
09:22 Was it 2019? It must have been earlier.
09:24 The OG suing.
09:24 Infraction was in 2005.
09:27 I think I then, so then the News of the World shut down 2000 and something.
09:31 I mean, in great part due to your lawsuit, which is kind of amazing.
09:35 So I don't regret that. I'm very, very proud of that. I would love to have not had to do any of
09:40 it, you know, but it does feel like a reclaiming of a narrative or just taking something on a
09:47 Goliath.
09:48 What is the worst thing a tabloid has ever printed about you or the most painful?
09:52 Oh my God. Again.
09:53 I mean, not to make it-
09:55 It's really fun. Happy Sunday to you too. The worst thing a tabloid has ever printed about me.
10:00 I guess, you know, they hacked my medical records. They blagged them from my doctor
10:04 and printed that I was pregnant.
10:05 I know. I have to say researching this was the first time I'd ever heard about a blagger.
10:08 I wondered if when this new pregnancy was revealed, did it have any, not repercussions,
10:16 but re-reminders of that earlier breaking up your medical privacy?
10:22 I think in all honesty, they knew for months that I was pregnant. I remember they were emailing my
10:28 publicist saying, "We've heard rumors, but obviously we would never print anything that,
10:31 you know, and we just wouldn't respond." That did feel like a giant step because there was
10:38 no respect for that kind of sensitivity of information back then. For any woman,
10:43 it was a very different time.
10:45 Is there a way to sort of quiet the noise of the media and just sort of power on in your own
10:51 personal life? Can you sort of separate the two?
10:53 You don't look.
10:54 Really?
10:55 Yeah.
10:56 People say that and I just find it remarkable.
10:57 There are moments where you're aware of something like my pregnancy being
11:01 photographed on a beach when I was pregnant. I just was like, "I have to see what that is."
11:04 Wow.
11:05 But on the whole, you can turn down the noise by not engaging. And I think there can be a
11:09 tendency, especially on like a hangover, to like read the comments. And it's a form of self-harm
11:14 that's not healthy.
11:15 Sure.
11:16 But if you don't engage with it and you don't read it and you don't give it power,
11:20 it really becomes an irrelevant force.
11:23 I have to say, I found it quite shocking after the news of your pregnancy came out that there
11:27 was a lot of discussion online. "Wow, she's having a child at such an advanced age." And I thought,
11:33 "How old is Sienna Miller?" I thought she was in her late 30s. And I was like,
11:36 expecting they were talking about a 50-year-old. What do you think that culturally is about? Is
11:40 that people truly aren't familiar with that?
11:44 I think that people are comfortable with a way of living that has existed for many years, which is
11:51 very misogynistic and patriarchal. And like me being the older woman in a partnership with a
11:58 younger person or being pregnant over 40 and that that's irresponsible and a poor child, it's such
12:04 double standards. And I think it's so unquestioned in people's minds. It's just a trite, easy target.
12:11 But it's absurd. I mean, I was very fortunate. I wasn't necessarily trying to get pregnant. This
12:17 happened as a total surprise and biologically was something that my body was able to do. And
12:23 I just find that judgment, it's so one-sided and it's so sad.
12:28 Do you have different expectations of motherhood this time around? 10 years on, do you feel like
12:34 you're more realistic or are you?
12:36 I have expectations, whereas I had none before.
12:39 Oh, interesting.
12:40 I think. I feel much more prepared psychologically than I was before with Marlo.
12:44 And the reality was quite, it was quite a shock. I was 29 when I got pregnant and I had her at 30
12:49 and I just hadn't given it the thought that I guess you can't prepare for it. In my mind,
12:55 this is going to be the easiest, coziest, sweetest, because I've completely forgotten
12:59 the reality of having a newborn baby.
13:01 I loved reading that British Vogue last year described it as there's something of a
13:06 Ciena-Zonce afoot. Does it feel that way to you? Does this feel like a new chapter or new moment?
13:12 I feel like every decade there's a Ciena, you know, I ebb and flow.
13:16 My plan is to still be ebbing and flowing at 80.
13:21 I'm excited. I have some really great work next year that I can't talk about. And
13:27 I am having a baby and I'm so happy about that. And I do find myself happier and happier the
13:34 older I get. So in that sense, yes, I've never been particularly able to comprehend
13:41 whatever perspective people have of me. So if there is a Ciena-Zonce, I wouldn't
13:46 be able to connect to it, but I'm yes, it sounds like a nice thing.
13:50 Ciena, this has been such a pleasure. I'm so excited for your journey now to
13:54 the Hamptons for your big shoot. And many, many happy returns of the day with Annie LeWitt and
14:01 Tabitha tomorrow. I think it's going to be fantastic. And goodbye to everyone from the Vogue
14:07 closet.
14:19 [Music]