Last Looks: Doja Cat

English Movies Only

Director: Starr Nathan Director of Photography: Dane Brown Editor: Edward Schorer Senior Producer: Naomi Nishi Producer, On Set: Jeff Wallace Associate Producer: Lea Donenberg Assistant Camera: Mar Alfonso Audio: Brianna Simons Polaroids by Jacob Webster Assistant Editors: Ben Harowitz, Justin Symonds Post Production Coordinator: Ian Bryant Arts & Graphics Lead: Léa Kichler Supervising Editor: Erica DeLeo Post Production Supervisor: Alexa Deutsch Production Coordinators: Ava Kashar, Bailey Lica Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Entertainment Director: Sergio Kletnoy Supervising Producer: Felicia Kelley Director of Content, Production: Rahel Gebreyes Senior Director, Programming: Linda Gittleson VP, Digital Video English: Thespena Guatieri  COSMO POST HOUSE Assistant Editor: Meaghan Rahamut Managing Partner: Yvette Cobarrubias Executive Producer: Idalia Deshon Executive Producer: Marie Mangahas Head of Production: Kacie Gomez Head of Production: Tina Evanow Wolske Producer: Edwina Lantigua Producer: Jesse Lehrhoff  Filmed on Location: The Mark Hotel, New York

Transcript

00:00 [MUSIC PLAYING]

00:03 Hi, everyone.

00:11 We're getting ready for the Met Gala.

00:13 And I am wearing Vetements.

00:17 So this is our second Met Gala.

00:19 And obviously, last year, we dove head first

00:22 and did the most.

00:24 We're very excited this year teaming up with Vetements.

00:28 Just doing something very different than she's ever

00:31 done before and not taking it so serious this time around.

00:35 [MUSIC PLAYING]

00:39 The aesthetic is fuck you, in a way.

00:42 And I just-- I like how that sounds.

00:45 And it's kind of-- it just feels sexy and fun and different

00:49 and refreshing to me to kind of go in a wet t-shirt, butt ass

00:54 naked to the Met Gala.

00:55 I don't think people know or have

00:58 any idea what we're going to do.

01:00 I've seen many jokes of like, oh, she's going to show up naked.

01:03 She's like doing this.

01:04 She's doing that.

01:05 But we always have a good sense of shock value

01:09 that no one ever knows what's next.

01:11 It's like-- it's almost like we're trying--

01:13 we're laid back, but it's not because I'm

01:15 soaking and like sopping wet.

01:18 Pause.

01:19 What about a silver?

01:20 Silver bags.

01:21 Silver bags.

01:22 Silver bags.

01:23 Silver bags.

01:24 Silver bags.

01:25 It's Monday night.

01:29 We're doing a--

01:31 it's almost-- it's crying.

01:32 It's kind of like crying.

01:33 It's almost like I've just been doused with something

01:36 where I got out of the pool in a way.

01:37 So it's like tears coming down from the eye line.

01:41 And then they're going to mix like a loose glitter

01:44 into the tears.

01:45 We're going to finish the face, powder it down like we're just

01:48 going to be done and go out.

01:49 But then we're going to stop and do the tears.

01:52 And it's going to break down the makeup a little bit.

01:54 But we're going to add in that loose glitter to the tears

01:57 to give it a little bit more of a purpose.

01:59 In a way, like we're in an enchanted garden.

02:02 Exactly.

02:02 Could be tears of beauty.

02:04 Tears and happiness.

02:05 Yeah, tears of joy.

02:07 And so now we've crystallized them

02:09 with a really fine, beautiful pigment.

02:13 And this beautiful kind of dojo, beautiful, smoky eye,

02:17 you know, pulled out into a point.

02:19 And the beautiful brows that we always have, perfected skin,

02:23 outlined lip, right?

02:25 Exquisite.

02:26 Absolutely.

02:27 As a creative director and as a stylist,

02:29 it's been really one of my favorite things

02:31 I've ever able to be a part of because it

02:34 is a real and true collaboration.

02:36 It's not me just showing up with a rack of clothes

02:38 and being like, you're going to wear this because it's fashion.

02:41 There's a thought behind it.

02:42 And it's just really exciting.

02:44 So last year, we wanted to hide the look

02:48 before we hit the carpet.

02:50 So this year, Guram had the idea to wrap her in a towel

02:54 because when she first came in for the fitting,

02:56 she was just in a towel.

02:57 And he was like, oh my god, I love this.

02:59 Let's do a Vetement towel.

03:00 And it kind of just came together.

03:02 And then he also brought up the idea

03:03 to hide her face with a Vogue magazine.

03:05 So we literally see nothing.

03:06 It's not giving the look away.

03:08 It feels part of the vibe.

03:10 It's just something to add to the book.

03:13 Yeah.

03:15 I think the idea of not taking it so serious

03:19 and really focusing on the art of things

03:21 is the more exciting thing.

03:22 There are so many amazing young and fresh designers

03:26 out there that are doing really cool and exciting stuff that

03:29 like, don't take it serious.

03:30 If it looks good on you and you feel good in it,

03:33 happy Met Gala.

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04:06 [BLANK_AUDIO]

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