Mondwest, ou Le Monde de L'Ouest au Québec, ((en) Westworld), est un film américain de science-fiction écrit et réalisé par Michael Crichton, sorti en 1973.
Synopsis:
En l'an 1983, le parc d'attractions Delos permet à ses visiteurs de se retrouver à l'époque de leur choix, romaine, médiévale ou celle de la conquête de l'Ouest (The Westworld, 18801), au milieu de robots presque humains.
Deux hommes d'affaires, Peter Martin et John Blane, ont choisi de passer quelques jours dans le vieux Far West. Malgré toutes les précautions et sécurités prises dans ce parc d'attractions hyperréalistes, leur séjour ne va pas se dérouler exactement comme ils l'espéraient : peu à peu, le centre de contrôle perd tout pouvoir sur les machines.
Synopsis:
En l'an 1983, le parc d'attractions Delos permet à ses visiteurs de se retrouver à l'époque de leur choix, romaine, médiévale ou celle de la conquête de l'Ouest (The Westworld, 18801), au milieu de robots presque humains.
Deux hommes d'affaires, Peter Martin et John Blane, ont choisi de passer quelques jours dans le vieux Far West. Malgré toutes les précautions et sécurités prises dans ce parc d'attractions hyperréalistes, leur séjour ne va pas se dérouler exactement comme ils l'espéraient : peu à peu, le centre de contrôle perd tout pouvoir sur les machines.
Category
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Court métrageTranscription
00:00:00 [Sounds of a plane taking off]
00:00:07 Hi, Ed Renfrew for Delos again.
00:00:22 If there's anyone who doesn't know what Delos is, well, as we've always said, Delos is the vacation of the future, today.
00:00:29 At Delos, you get your choice of the vacation you want.
00:00:33 There's medieval world, Roman world, and of course, Westworld.
00:00:37 Let's talk to some of the people who've been there.
00:00:39 Pardon me, sir. What is your name?
00:00:40 Gardner Lewis. Just got back from Westworld.
00:00:43 Tell us how you liked it, Mr. Lewis.
00:00:44 When you played cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would lie down and pretend dead.
00:00:49 Well, Westworld is the same thing, only it's for real.
00:00:53 I shot six people. Well, they weren't real people.
00:00:58 What Mr. Lewis means is he shot six robots, scientifically programmed to look, act, talk, and even bleed, just like humans do.
00:01:04 Now, isn't that right?
00:01:05 Well, they may have been robots. I mean, I think they were robots.
00:01:09 I mean, I know they were robots.
00:01:11 Yes, the robots of Westworld are there to serve you and to give you the most unique vacation experience of your life.
00:01:17 Thank you, sir.
00:01:19 And you, madam?
00:01:21 Hello.
00:01:22 What is your name?
00:01:23 My name is Janet Lane, and I was in Roman world.
00:01:27 What is the one thing that stands out in your mind about Roman world?
00:01:30 Oh, well, I think it would be the man.
00:01:35 I just feel marvelous. I mean, it's just a warm, glowing place to be.
00:01:40 Thank you very much.
00:01:42 Oh, thank you very much. Goodbye.
00:01:46 Goodbye.
00:01:48 And you, sir?
00:01:49 Yeah.
00:01:50 What is your name, sir?
00:01:52 Oh, I'm Ted Mann. I'm a stockbroker from St. Louis.
00:01:55 And which world did you just come from, sir?
00:01:57 Oh, you're not going to believe this, but I've just been the sheriff of Westworld for the last two weeks.
00:02:02 Did it seem real to you, sir?
00:02:04 It's the realest thing I've ever done. I mean that.
00:02:06 Thank you very much.
00:02:08 Yeah.
00:02:09 And you, sir?
00:02:11 My name's Arthur Kane. I've been in the castle.
00:02:13 I've had a couple of sword fights and three jousts, and I married a beautiful princess.
00:02:21 Is that something you always dreamed of doing, sir?
00:02:24 Oh, my life.
00:02:27 Well, there are some of the comments of the people who just returned from Dallas.
00:02:30 Why don't you make arrangements to take our hovercraft to Medieval World, Roman World, and Westworld?
00:02:36 Was it worth $1,000 a day?
00:02:40 Contact us today, or see your travel agent.
00:02:43 Boy, have we got a vacation for you.
00:02:49 505-345-675-Delta-9. 505-345-675-Delta-9.
00:02:56 Read you as Kappa 505-899, and on the Y-axis confirm a reading of Gamma 505-786.
00:03:03 See if you have all that. Kappa 5.
00:03:06 This is Delos Control to Station 3.
00:03:14 You're cleared on Vector 7-9-R, going to 195.
00:03:19 We anticipate scanning about three-quarter of an hour, thanks.
00:03:23 I'm not worried at all. I'm just...
00:03:41 I'm just curious.
00:03:43 How much do they weigh?
00:03:45 Three or four pounds.
00:03:47 That heavy?
00:03:49 Did they have much of a kick?
00:03:53 A gold .45?
00:03:56 Well, I never fired one before.
00:03:59 Hey, what about the thing where you go like this over the gun?
00:04:06 Fanning, yeah.
00:04:08 What about it? Is that hard to do?
00:04:12 No.
00:04:14 Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20 If that's the kind you want.
00:04:22 That's the kind I want. I think it's probably better for quick draws, you know?
00:04:26 It all depends.
00:04:30 What kind of gun belt did you have the last time?
00:04:33 I had the one without the strings.
00:04:36 And you could draw fast?
00:04:39 Hm.
00:04:41 Maybe it doesn't matter after all.
00:04:44 The guns they give you are real guns?
00:04:50 Mm-hmm. Real guns.
00:04:53 That's incredible.
00:04:55 Give us a shift to 197 and take it down to 443.
00:05:00 Negative acceleration of 22, so long as you maintain passenger comfort.
00:05:07 Sequencing was transferred according to the log.
00:05:10 The orientation on the resort will now begin.
00:05:16 Please put on your earphones.
00:05:18 Don't you want to listen?
00:05:22 I heard it the last time.
00:05:24 It consists of three separate resort areas, each with its own special appeal.
00:05:28 Whichever resort you've chosen, we assure you'll have a fascinating and rewarding stay here.
00:05:33 Western World is a complete recreation of the American frontier of 1880.
00:05:38 Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42 Western World is a life of lawless violence, a society of guns and action.
00:05:47 This is Medieval World, where we have reconstructed 13th century Europe.
00:05:52 A world of chivalry and combat, romance and excitement.
00:05:56 Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:01 Then we have Roman World, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07 Here the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13 Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:19 This is Delos Control to Station 3.
00:06:22 Your negative acceleration should be 25 and downstream should be 355 and driving.
00:06:28 The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:33 Expensive and unusual, Delos is not for everyone.
00:06:36 But for those that choose it, it is truly a unique and rewarding experience.
00:06:40 [indistinct chatter]
00:06:44 [indistinct chatter]
00:06:50 We have you on grid 5.
00:06:53 [indistinct chatter]
00:07:01 Standby. Locking in now.
00:07:03 [alarm]
00:07:07 Shutdown 2, shutdown 3.
00:07:10 [indistinct chatter]
00:07:14 Nice job, everybody.
00:07:16 [music]
00:07:38 Welcome to Delos.
00:07:41 Please go to your color-coded tram, which will take you to the world of your choice.
00:07:46 Give your name to the attendant.
00:07:50 Welcome to Delos.
00:07:52 Please go to your color-coded tram, which will take you to the world of your choice.
00:07:57 May I have your name, please?
00:07:58 John Blaine. Peter Morton.
00:08:00 Thank you.
00:08:01 Please go to your color-coded tram, which will take you to the world of your choice.
00:08:08 We are sure you will enjoy your stay in Western...
00:08:10 Was she a... probably.
00:08:12 ...please do whatever you want.
00:08:13 That's amazing.
00:08:14 There are no rules, and you should feel free to indulge your every whim.
00:08:16 Supposedly, you really can't tell, except by looking at the hand.
00:08:19 You should not be afraid of hurting anything or of hurting yourself.
00:08:22 They haven't perfected the hands yet.
00:08:23 Nothing can go wrong.
00:08:25 You will enjoy your stay in Roman world.
00:08:27 While you are there, please feel free to indulge your every whim.
00:08:31 Medieval world exists for you, the guest.
00:08:35 Nothing can go wrong.
00:08:37 [Music]
00:08:40 [Music]
00:08:44 [Music]
00:08:47 [Music]
00:08:56 [Music]
00:09:07 [Music]
00:09:10 [Music]
00:09:16 [Music]
00:09:22 [Music]
00:09:28 [Radio chatter]
00:09:34 The fade in the CRT and my balance controls don't seem to help me.
00:09:38 I'm keeping this in real time.
00:09:39 Switch me over to an online status, and I'll do it manually.
00:09:42 Okay, you've got a three millisecond cycle delay.
00:09:44 We should be good to go.
00:09:46 I don't know what to do if the stagecoach is late.
00:09:48 [Music]
00:09:51 [Music]
00:09:56 [Music]
00:10:02 [Music]
00:10:05 [Music]
00:10:14 [Music]
00:10:21 Oh, it's fantastic!
00:10:28 [Music]
00:10:31 I reckon that's everything.
00:10:50 That's down the hall.
00:10:52 That'll cost you two bits for hot water.
00:10:55 Dinner at seven, breakfast at 6.30.
00:10:58 Get lunch on your own.
00:11:00 A couple of places in town to eat.
00:11:02 Don't look like much here, but we have everything.
00:11:05 Just a minute.
00:11:07 You mean to tell me he's a robot?
00:11:19 That's what I mean to tell you.
00:11:23 I'm paying a thousand dollars a day for this?
00:11:26 It's authentic.
00:11:28 The west of the 1880s.
00:11:31 Well, at least they could have made it a little more comfortable.
00:11:36 That's the point.
00:11:38 This is really the way it was.
00:11:41 If you wanted comfort, you should have stayed in Chicago.
00:11:44 Hey, Julie would have loved all this.
00:11:46 Poking around for hours in all those funny shops,
00:11:49 looking for silly...
00:11:52 Peter, what the hell's wrong with you?
00:11:54 You're a lawyer.
00:11:55 You know better than anybody else what a ride she took you for.
00:11:58 Well, the kids.
00:12:00 Fine, the kids.
00:12:02 Here you are six months later still thinking about it.
00:12:04 No, not really.
00:12:05 Just came to mind, is all.
00:12:07 There's a lot to do here.
00:12:16 [HORSE GALLOPING]
00:12:19 [GLASS SHATTERING]
00:12:34 [HORSE GALLOPING]
00:12:40 [HORSE GALLOPING]
00:12:43 [MUSIC PLAYING]
00:13:04 [HORSE GALLOPING]
00:13:07 Well, let's buy you a whiskey.
00:13:20 What about you?
00:13:21 Black to martini on the rocks with a twist of lemon.
00:13:23 Very dry, please.
00:13:25 Just give him whiskey.
00:13:27 He's new in town.
00:13:30 [MUSIC PLAYING]
00:13:33 You've got to get into the feel of the thing.
00:13:35 I feel silly.
00:13:36 Why?
00:13:38 It's like a joke.
00:13:41 It's not a joke.
00:13:42 It's an amusement park.
00:13:43 It's the best amusement park in the world.
00:13:46 All you have to do is have fun.
00:13:47 Some pretty rough looking customers here.
00:13:52 How many of them are--
00:13:54 Guests, I guess.
00:13:55 Who knows?
00:13:56 That's the beauty of this place.
00:13:58 It doesn't matter.
00:13:59 It may look rough, but it's still just a resort.
00:14:02 There's no way to get hurt here.
00:14:19 Just enjoy yourself.
00:14:25 [COUGHING]
00:14:28 What is this stuff?
00:14:34 It doesn't say.
00:14:36 God.
00:14:37 Give me this.
00:14:38 Puts hair on your chest.
00:14:40 Yeah.
00:14:41 [MUSIC PLAYING]
00:14:44 Slop it with your drink.
00:15:05 [MUSIC PLAYING]
00:15:08 Get his boy a bib.
00:15:17 Go on.
00:15:22 [MUSIC PLAYING]
00:15:25 He needs his mama.
00:15:32 Kill that.
00:15:34 [MUSIC PLAYING]
00:15:37 You talk too much.
00:15:43 You say something, boy?
00:15:51 I said you talk too much.
00:15:58 [MUSIC PLAYING]
00:16:01 I had to make me shut up.
00:16:08 [MUSIC PLAYING]
00:16:11 [MUSIC PLAYING]
00:16:14 Your move.
00:16:34 [SIREN]
00:16:40 [GUNSHOTS]
00:16:43 [GUNSHOTS]
00:16:48 [GUNSHOTS]
00:16:52 [FOOTSTEPS]
00:17:20 Pretty realistic, huh?
00:17:22 Listen, are you sure he was--
00:17:24 Of course.
00:17:25 You don't really think he shot anybody, do you?
00:17:27 Wow.
00:17:31 Hey, John.
00:17:35 How do I know I'm not going to kill another guest
00:17:37 with this thing?
00:17:38 Try it.
00:17:43 Shoot me.
00:17:47 [DOG BARKING]
00:17:50 Go on, shoot.
00:17:51 Shoot!
00:17:58 The gun has a sensing device.
00:18:04 It won't fire at anything with a high body temperature.
00:18:07 Only something cold like a machine.
00:18:11 I thought of everything.
00:18:16 The Black Knight won't be repaired till tomorrow afternoon.
00:18:18 There's a distortion change on the 4C5.
00:18:20 The lens I'm lighting is 5D355.
00:18:23 Yeah, I have the banquet scheduled for 930 if that conforms.
00:18:27 [MUSIC PLAYING]
00:18:30 [LAUGHING]
00:18:45 [MUSIC PLAYING]
00:19:13 What do folks do for companionly entertainment in this town?
00:19:16 I wouldn't know about such things.
00:19:18 I'm just running this hotel.
00:19:19 Miss Carrie has a real nice saloon
00:19:21 down at the end of the street.
00:19:22 Now, I won't have talk of that woman in this house.
00:19:25 Not over my dinner.
00:19:27 Food's real good, ma'am.
00:19:29 Thank you, stranger.
00:19:30 You're a gentleman of some breeding.
00:19:33 Isn't she terrific?
00:19:36 Who's Miss Carrie?
00:19:37 [MUSIC PLAYING]
00:19:40 [MUSIC PLAYING]
00:19:44 [MUSIC PLAYING]
00:19:47 [MUSIC PLAYING]
00:19:57 [MUSIC PLAYING]
00:20:08 [MUSIC PLAYING]
00:20:11 The fellas new in town?
00:20:27 Yep.
00:20:29 Whiskey?
00:20:31 Just passing through.
00:20:34 Maybe.
00:20:35 Looking for some fun?
00:20:36 Maybe.
00:20:41 Well, you've come to the right place.
00:20:43 There's plenty of fun here.
00:20:45 That's Cindy and Arlette.
00:20:49 Arlette's from Paris.
00:20:52 Perhaps you gentlemen are taking a liking to them.
00:20:55 Perhaps?
00:20:56 They're real accommodating.
00:20:59 They, uh, good-looking gentlemen.
00:21:02 Why don't you just go on upstairs, and we'll
00:21:05 reckon accounts later.
00:21:06 John, those--
00:21:07 It sounded good to me.
00:21:08 Are those two girls machines?
00:21:11 Now, how can you say a thing like that?
00:21:15 Come on.
00:21:16 What's going on?
00:21:31 They're robbing the bank.
00:21:33 Robbing the bank?
00:21:34 Hey, maybe we ought to go help out.
00:21:36 How?
00:21:37 Well, you don't know.
00:21:38 It might be fun to fight bank robbers.
00:21:40 Look, Pete, this is better.
00:21:43 [MUSIC PLAYING]
00:21:46 [MUSIC PLAYING]
00:21:49 [MUSIC PLAYING]
00:21:52 [MUSIC PLAYING]
00:21:56 [MUSIC PLAYING]
00:21:59 [gunshots]
00:22:23 Uh, there, uh, there is something I have to tell you. I don't know if it matters, but it matters to me.
00:22:41 I, uh, I haven't ever had a, uh, uh, well, I hardly know you, if you know what I mean. I mean, uh, we just met a few minutes ago, and, uh, you're probably very nice.
00:23:01 [gunshots]
00:23:18 I feel funny.
00:23:23 Why?
00:23:34 [gunshots]
00:23:48 [gunshots]
00:24:09 [sirens]
00:24:17 Thank you very much.
00:24:28 How was it? Wasn't it terrific? Boy, machines are the servant of man. Wasn't that great?
00:24:36 Not bad.
00:24:37 Not bad. Now you're the big lover. Well, you know how it is. Some guys have a way with women.
00:24:48 Shooting stopped. I guess we missed the robbery.
00:24:55 You can't have everything.
00:24:57 Mm-mm.
00:25:00 John?
00:25:01 Hmm?
00:25:02 This place is really fun.
00:25:07 [sirens]
00:25:36 [sirens]
00:26:01 [sirens]
00:26:11 [sirens]
00:26:31 [sirens]
00:26:51 [sirens]
00:27:01 [sirens]
00:27:11 [sirens]
00:27:21 [sirens]
00:27:41 [sirens]
00:28:01 [sirens]
00:28:16 [sirens]
00:28:34 Mm-hmm.
00:28:37 I think it's the gyro unit.
00:28:46 What do you think?
00:28:47 I wonder if we should try and rewire it.
00:28:49 No, I'd replace the whole unit rather than try to repair it.
00:28:52 With a tin?
00:28:53 Use an XX-50 if we have any in stock. The XXs have a longer lifespan.
00:28:56 A 50 may not fit in here.
00:28:58 Well, maybe you can shift the integrator unit further up into the cavity.
00:29:02 I'll try.
00:29:08 Hmm.
00:29:09 Valenservo again?
00:29:10 Yeah, she fell over this afternoon.
00:29:13 I think it's the sensor.
00:29:16 But if it's the central unit, we'll have to open her up.
00:29:18 Well, you get a confirmation before you do that.
00:29:24 What's he in for?
00:29:26 Central malfunction.
00:29:28 Another one?
00:29:46 From the day we opened the resort, we had a failure and breakdown rate conforming to computer predictions.
00:29:51 That is, 0.3 malfunctions for each 24-hour activation period, concurrent or not.
00:29:57 Now, this was an anticipated operations aspect of the resort, and we were fully able to handle it.
00:30:02 The majority of the breakdowns were minor or peripheral until about six weeks ago.
00:30:08 Then Roman world had a rise in breakdown rate which doubled in a week.
00:30:13 In addition, we saw a disproportionate rise in central as opposed to peripheral breakdowns.
00:30:18 Now, we identified some problems with humidity control and regained homeostasis.
00:30:24 Well, despite our corrections, the breakdown rate continued to climb.
00:30:27 Then medieval world began to have trouble.
00:30:30 Now we're seeing more western world breakdowns.
00:30:33 And there's a clear pattern here which suggests an analogy to an infectious disease process spreading from one resort area to the next.
00:30:40 Perhaps there are superficial similarities to disease.
00:30:44 It's only a theoretical concept.
00:30:46 There are many ways to order that data.
00:30:48 I must confess I find it difficult to believe in a disease of machinery.
00:30:53 We are dealing with ordinary machines here.
00:30:55 These are highly complicated pieces of equipment, almost as complicated as living organisms.
00:31:01 In some cases, they've been designed by other computers.
00:31:05 We don't know exactly how they work.
00:31:07 [Music]
00:31:15 [Background conversation]
00:31:39 All right, thank you.
00:31:40 [Background conversation]
00:32:09 We're ready for activation.
00:32:10 [Background conversation]
00:32:16 You ready on phase 443?
00:32:19 [Background conversation]
00:32:22 443.
00:32:23 [Background conversation]
00:32:25 Okay, we're going to activate at 59.
00:32:27 [Background conversation]
00:32:30 Lower gain alpha 2.
00:32:31 [Background conversation]
00:32:35 Ready on 6, on 5, on 4, on 3, on 2.
00:32:40 Activate now.
00:32:42 [Background conversation]
00:32:45 [Groaning]
00:33:02 [Whistling]
00:33:26 [Singing]
00:33:52 [Door opening]
00:34:15 What do you want?
00:34:17 [Singing]
00:34:36 How do you know sentences?
00:34:37 [Screaming]
00:34:47 No, no, no.
00:34:49 [Screaming]
00:35:07 [Background conversation]
00:35:19 Was he bothering you?
00:35:22 He's not going to bother you again.
00:35:24 Well, I'm here to tell you that things have changed.
00:35:26 There's law here now.
00:35:27 You can't go around plugging whoever you please.
00:35:32 But, Sheriff, it was self-defense.
00:35:34 It's what they all say.
00:35:36 If you shot a man, you'll have to stand trial.
00:35:39 The judge will be here next week.
00:35:41 If I were you, I wouldn't trouble over your friend here.
00:35:44 Judge Benson likes to hang them.
00:35:46 Hang them high.
00:35:47 Look, Sheriff.
00:35:48 Beat it.
00:35:51 I said beat it.
00:35:54 [Background conversation]
00:36:12 I've never been in jail before.
00:36:15 First time for everything.
00:36:20 But I haven't done anything wrong.
00:36:23 You shot a man.
00:36:24 That's something.
00:36:26 Where are you from?
00:36:28 Chicago.
00:36:30 Well, Chicago's a long way from here, fella.
00:36:34 A thousand miles and more.
00:36:38 [Music]
00:37:07 [Music]
00:37:36 [Music]
00:38:05 [Music]
00:38:15 [Music]
00:38:35 [Music]
00:38:59 Hold it.
00:39:07 [Music]
00:39:27 I guess that sort of makes us desperados.
00:39:30 Yeah, I guess.
00:39:34 Well, what do we do now?
00:39:36 Well, the way I figure it, anything we want.
00:39:39 There's no law in that town now.
00:39:41 I'll say.
00:39:42 We go in there, we do anything we want.
00:39:47 You know what?
00:39:49 What?
00:39:50 I almost believe all this.
00:39:53 Why shouldn't you believe it?
00:39:55 It's as real as anything else.
00:39:57 Yep, I reckon.
00:40:00 What can you give me in grid seven?
00:40:02 We have that on SM-514.
00:40:04 Transfer.
00:40:06 Now.
00:40:09 Transfer.
00:40:10 Reschedule.
00:40:11 Listen, she wants to meet the king, and we have to restructure for that.
00:40:14 Can't disappoint a guest.
00:40:15 Yeah, listen, this is the third day in a row that I've called you about my laundry.
00:40:19 You've got all my shirts and most of my--
00:40:21 Yeah, you're checking the tapes on the mechanism now.
00:40:24 We have programmed infidelity, and the queen has a--
00:40:27 Two minutes to go.
00:40:29 All right, coming up on the castle.
00:40:31 Zero.
00:40:33 Now.
00:40:34 It also conforms with your five-year history at this time of year.
00:40:41 Leave me now.
00:40:43 [music]
00:40:57 My queen.
00:41:04 The king should hear of this, we would both be put to death.
00:41:08 I would be more than happy to die for you, my lady.
00:41:11 Let us pray it shall not be so.
00:41:15 I have news.
00:41:17 The black knight has returned and seeks a match with you.
00:41:21 The black knight?
00:41:22 None other.
00:41:24 Is he pretty tough?
00:41:27 He has the strength of ten, and cunning besides.
00:41:31 But his sight is weak in his left eye.
00:41:35 Stay to his left and you will prevail and win the day.
00:41:38 Confirmation of the reprogramming of that black knight for left lateral weakness and instability for tomorrow.
00:41:45 I shall see you on the morrow.
00:41:47 My lady.
00:41:48 [music]
00:42:17 Schedule for tomorrow a.m.
00:42:18 It's the last day in the resort.
00:42:20 Let's make it a lulu.
00:42:22 Tomorrow a.m. broadsword, schedule alive.
00:42:25 We have a problem with the air conditioning in beta section.
00:42:28 Send a crew out.
00:42:29 Yes, he can be sheriff any time he wants.
00:42:32 That is correct.
00:42:33 Just give him the badge.
00:42:46 Now I'm the new law around here.
00:42:50 You think you can handle things?
00:42:55 You want to try me?
00:43:13 [music]
00:43:24 A thousand pardons, my lord.
00:43:28 What is your name, child?
00:43:31 Daphne.
00:43:33 Daphne.
00:43:37 Oh, I love this place.
00:43:39 I love my horse.
00:43:41 I love my horse and I love Julie.
00:43:43 Oh, shut up.
00:43:45 I like the spots on my horse.
00:43:47 You see the spots on the horse?
00:43:49 Your horse is beautiful.
00:43:50 Yeah, thank you very much.
00:43:51 I liked yours, too.
00:43:52 Thank you.
00:43:54 Look out.
00:43:55 Let me handle this.
00:43:57 [gunshot]
00:44:02 Get him, Joe.
00:44:05 [gunshots]
00:44:19 God damn it.
00:44:21 Do you suppose it's real?
00:44:22 Hell no.
00:44:24 That's not supposed to happen.
00:44:26 Maybe it is.
00:44:27 Maybe it's part of the thing.
00:44:29 The hell?
00:44:30 God damn machines anyway.
00:44:31 That's not supposed to happen.
00:44:34 A rattlesnake struck a guest?
00:44:35 Yeah, he was shooting at it.
00:44:36 He missed.
00:44:37 Even so, the snake's a program never to hit on a strike.
00:44:39 Was the guest injured?
00:44:40 His minor puncture was.
00:44:42 Inexcusable to injure a guest.
00:44:44 Pick up that snake for a total post at once
00:44:46 and check all the snake central mechanisms tonight during the repair period.
00:44:57 Isn't anything in work around here?
00:45:00 [music playing]
00:45:05 [gunshots]
00:45:08 [music playing]
00:45:12 [music playing]
00:45:16 [music playing]
00:45:19 (dramatic music)
00:45:21 (device beeping)
00:45:35 (device beeping)
00:45:38 (device beeping)
00:45:41 (device beeping)
00:45:44 (device beeping)
00:46:13 - The logic circuits on the snake simply failed to respond.
00:46:15 There was no sign of mechanical damage or tampering
00:46:18 and no clue to the malfunction.
00:46:20 - Central mechanism, say Cousins.
00:46:22 - I feel we should shut down the resort for a month.
00:46:24 - Oh, that seems rash.
00:46:26 - Well, the snake injured a guest.
00:46:27 We can't allow that to happen.
00:46:29 Many elements of the Delos resort are potentially dangerous.
00:46:32 That's part of the appeal,
00:46:33 but if they should become truly dangerous--
00:46:34 - I agree.
00:46:35 We can announce that the resort is overbooked
00:46:38 and not allow any further new guests to arrive.
00:46:41 I think we can take care of the ones already here.
00:46:43 - If we can't ensure the safety of the guests,
00:46:45 we're gonna be in desperate trouble.
00:46:46 - But we can ensure their safety.
00:46:48 Everything's fine.
00:46:50 (dramatic music)
00:46:54 (people chattering)
00:46:57 (dramatic music)
00:46:59 (people chattering)
00:47:02 (people chattering)
00:47:05 (people chattering)
00:47:33 - All right, let's start that bar fight.
00:47:37 - Cheat!
00:47:37 (people shouting)
00:47:39 (glass shattering)
00:47:40 (dramatic music)
00:47:43 - John, what do you say?
00:47:46 - Uh, hit.
00:47:47 (people shouting)
00:47:50 (glass shattering)
00:48:02 (dramatic music)
00:48:05 - Now that's just rude.
00:48:08 - You want?
00:48:15 (people shouting)
00:48:17 - Woohoo!
00:48:29 (people shouting)
00:48:33 (people shouting)
00:48:35 (people shouting)
00:48:44 (glass shattering)
00:48:47 (people shouting)
00:48:52 (people shouting)
00:48:56 (glass shattering)
00:49:02 (people shouting)
00:49:05 - Come on, that's the last of you.
00:49:21 (people shouting)
00:49:29 (people shouting)
00:49:32 (glass shattering)
00:49:38 (people shouting)
00:49:40 (people shouting)
00:49:45 (glass shattering)
00:49:48 (people shouting)
00:49:55 (people shouting)
00:49:58 (glass shattering)
00:50:03 (people shouting)
00:50:14 (dramatic music)
00:50:17 - What's his problem?
00:50:34 - Nothing, he gets shot up today,
00:50:35 so we're taking the opportunity
00:50:37 to replace the visual cortex.
00:50:39 Using the new infrared units.
00:50:42 And we're increasing audio sensitivity.
00:50:44 - You called for me, my lord?
00:50:50 - Yes.
00:50:51 How long have you been in the palace, Daphne?
00:50:56 - Since I was three, my lord.
00:50:57 - Charming.
00:51:00 I think we ought to get to know each other better, Daphne.
00:51:05 - Better, my lord?
00:51:05 - I can reward you well.
00:51:10 (gentle music)
00:51:12 - My lord.
00:51:13 - Daphne.
00:51:15 - My lord.
00:51:18 - Daphne.
00:51:19 - My lord forgets himself.
00:51:23 - Uh-oh, problem with a girl.
00:51:26 Program breakdown.
00:51:27 - What's the trouble?
00:51:30 - One of the castle machines isn't responding.
00:51:32 Refusing a guest's seduction.
00:51:34 - Get her out of there and report it to central repair.
00:51:36 - Right.
00:51:38 - Refusing any other animal trouble.
00:51:41 - Did you find the trouble?
00:51:58 - No apparent trouble.
00:51:59 - But she wasn't following programming.
00:52:01 She refused a guest's seduction and she is a sex model.
00:52:04 - Certainly is.
00:52:05 - You think they're gonna shut down?
00:52:07 - No, the directors feel the close down now
00:52:09 would hurt tourist confidence.
00:52:10 - I don't like it.
00:52:13 - Breakfast.
00:52:21 (footsteps)
00:52:23 (groaning)
00:52:38 - I'm never gonna drink again.
00:52:43 (groaning)
00:52:45 - Okay, obtain 437.
00:53:10 I'm not getting sound pick up from the 10th quadrant.
00:53:12 Please check my list of consoles.
00:53:14 - Fine guys, we're...
00:53:15 - Hold, Barnett.
00:53:33 (footsteps)
00:53:36 - Are you speaking to me?
00:53:45 - None other, sir.
00:53:46 - Look, I'm hungry and I...
00:53:50 (glass shattering)
00:53:52 - Prepare for thy doom, thy scurrilous name, huh?
00:53:56 - Wait a minute.
00:53:58 Can't we talk this over?
00:53:59 - What have you no...
00:54:00 - Fine, Barnett.
00:54:02 - Well, I...
00:54:03 - McQueen.
00:54:05 - Full monitor.
00:54:10 Okay.
00:54:15 Let him go.
00:54:18 (gunshot)
00:54:21 (gunshot)
00:54:23 (gunshot)
00:54:26 (gunshot)
00:54:29 (gunshot)
00:54:32 - Hands up!
00:54:35 (gunshot)
00:54:37 (gunshots)
00:54:42 (glass shattering)
00:54:45 (glass shattering)
00:54:48 (footsteps)
00:54:51 - Oh, hang on there.
00:55:17 Hang on there.
00:55:18 (gunshots)
00:55:22 - Aye, Barnett.
00:55:40 Aye.
00:55:46 - Losing a little tolerance, bring me up.
00:55:47 - Ha!
00:55:48 (gunshots)
00:55:55 (gunshots)
00:55:57 - Shut down.
00:56:19 Shut down immediately.
00:56:20 (laughing)
00:56:23 (gunshot)
00:56:25 - Six on the sponsor.
00:56:27 - Then cut the robot power.
00:56:29 - Power cut.
00:56:30 - Oh, my head.
00:56:33 Oh.
00:56:38 Freezing.
00:56:40 Gotta get to the hotel.
00:56:48 Think I'm gonna be sick.
00:56:51 (footsteps)
00:56:54 - They're not responding.
00:57:04 - Should we cut the main power grid, sir?
00:57:06 It'll kill the life support system.
00:57:06 - Shut it all down.
00:57:07 Shut it all down.
00:57:08 Hold it.
00:57:20 Oh.
00:57:21 Come on, not now.
00:57:27 Not you again.
00:57:29 It's too early.
00:57:29 - Let me do it this time.
00:57:34 - Your move.
00:57:38 (gunshot)
00:57:43 (gunshot)
00:57:45 - I'm shot.
00:57:53 - What?
00:57:54 - I'm shot.
00:57:55 (gunshot)
00:57:59 - John?
00:58:07 (birds chirping)
00:58:10 - Oh, my God.
00:58:20 - Draw.
00:58:24 (dramatic music)
00:58:28 (gunshot)
00:58:35 - Sir, we have no control over the robots at all.
00:58:37 (gunshots)
00:58:41 (dramatic music)
00:58:43 (gunshots)
00:58:47 (dramatic music)
00:58:49 (gunshots)
00:58:52 (dramatic music)
00:59:00 (dramatic music)
00:59:03 (dramatic music)
00:59:06 (dramatic music)
00:59:27 (dramatic music)
00:59:30 (gunshots)
00:59:39 - They're running on stored charge out there.
00:59:46 - How long can they go?
00:59:48 - Some will begin to run down in an hour.
00:59:49 Others can go for 12.
00:59:51 (screaming)
00:59:54 (dramatic music)
00:59:57 - Turn the main grid back on.
01:00:06 - The relays must be frozen.
01:00:07 - We can't get back our power.
01:00:09 Hello?
01:00:10 Hello, hello?
01:00:11 (dramatic music)
01:00:14 (dramatic music)
01:00:17 (dramatic music)
01:00:20 (dramatic music)
01:00:22 (dramatic music)
01:00:36 (dramatic music)
01:00:46 (dramatic music)
01:00:49 - How are we gonna get out of here?
01:00:53 All these doors are electrically powered.
01:00:55 - I get these doors open in here before we all suffocate.
01:01:00 (dramatic music)
01:01:03 (dramatic music)
01:01:06 (gunshots)
01:01:29 (dramatic music)
01:01:32 (dramatic music)
01:01:37 (dramatic music)
01:01:39 (dramatic music)
01:01:42 (dramatic music)
01:01:45 (dramatic music)
01:01:52 (dramatic music)
01:01:58 (dramatic music)
01:02:04 (dramatic music)
01:02:08 (dramatic music)
01:02:11 (dramatic music)
01:02:16 (dramatic music)
01:02:21 (dramatic music)
01:02:25 (dramatic music)
01:02:32 (dramatic music)
01:02:35 (dramatic music)
01:02:38 (heavy breathing)
01:02:49 (heavy breathing)
01:02:51 (gunshots)
01:03:14 (gunshots)
01:03:17 (dramatic music)
01:03:27 (dramatic music)
01:03:37 (dramatic music)
01:03:40 - Temperature elevated, 98 degrees.
01:04:07 Oxygen, 17% and dropping.
01:04:11 Get that power on so we can open these doors.
01:04:13 (door slams)
01:04:17 (door slams)
01:04:22 (door slams)
01:04:25 (dramatic music)
01:04:32 (dramatic music)
01:04:37 (dramatic music)
01:04:40 - Hey!
01:04:48 - Don't shoot me.
01:04:49 - Hey, wait a minute.
01:04:52 What's the matter with you?
01:04:56 - Hold out your hands.
01:05:00 Let me see your hands.
01:05:06 - You're a guest.
01:05:08 You really gave me a scare.
01:05:09 - Look, everything's broken down.
01:05:11 The machines have gone crazy.
01:05:12 - You know about the machines?
01:05:14 - Yeah, I repair 'em.
01:05:15 - There's one chasing me now, a gunslinger.
01:05:18 - Gunslinger?
01:05:19 Must be a model 404, maybe a 406.
01:05:23 These are 406.
01:05:24 He's got all the sensory equipment.
01:05:27 It's a beautiful machine.
01:05:28 - He's after me!
01:05:29 - I don't doubt it.
01:05:30 - What can I do?
01:05:31 - There's nothing you can do.
01:05:32 If he's after you, he'll get you.
01:05:33 You haven't got a chance.
01:05:35 - There must be something.
01:05:37 - Hell, don't kid yourself.
01:05:38 There are things he could try.
01:05:39 Acid for his visual system, noise for his hearing.
01:05:43 No matter what you did,
01:05:44 he'll always be one jump ahead of you.
01:05:46 You haven't got a chance.
01:05:47 - Yes, I do.
01:05:52 (gunshot)
01:06:00 (dramatic music)
01:06:04 (dramatic music)
01:06:07 (dramatic music)
01:06:10 (dramatic music)
01:06:12 (dramatic music)
01:06:17 (dramatic music)
01:06:26 (dramatic music)
01:06:35 (dramatic music)
01:06:38 (dramatic music)
01:06:40 (dramatic music)
01:06:45 (dramatic music)
01:06:50 (dramatic music)
01:06:55 (dramatic music)
01:07:04 (dramatic music)
01:07:07 (dramatic music)
01:07:23 (dramatic music)
01:07:30 (dramatic music)
01:07:32 (dramatic music)
01:07:38 (dramatic music)
01:07:45 (dramatic music)
01:07:50 (dramatic music)
01:07:58 (dramatic music)
01:08:02 (dramatic music)
01:08:06 (dramatic music)
01:08:10 (dramatic music)
01:08:12 (dramatic music)
01:08:18 (dramatic music)
01:08:23 (dramatic music)
01:08:30 (dramatic music)
01:08:38 (dramatic music)
01:08:41 (dramatic music)
01:08:49 (dramatic music)
01:08:55 (dramatic music)
01:09:04 (gunshots)
01:09:06 (gunshots)
01:09:08 (gunshots)
01:09:10 (dramatic music)
01:09:13 (dramatic music)
01:09:16 (dramatic music)
01:09:41 (dramatic music)
01:09:44 (breathing heavily)
01:09:52 (airplane engine roaring)
01:10:06 (airplane engine roaring)
01:10:10 (airplane engine roaring)
01:10:37 (dramatic music)
01:10:40 (airplane engine roaring)
01:10:59 (dramatic music)
01:11:02 (airplane engine roaring)
01:11:17 (dramatic music)
01:11:20 (airplane engine roaring)
01:11:33 (footsteps)
01:11:40 (footsteps)
01:11:44 (footsteps)
01:11:47 (footsteps)
01:11:49 (footsteps)
01:11:52 (footsteps)
01:11:54 (footsteps)
01:11:56 (footsteps)
01:12:00 (footsteps)
01:12:02 (footsteps)
01:12:12 (footsteps)
01:12:20 (footsteps)
01:12:28 (footsteps)
01:12:30 (footsteps)
01:12:56 (footsteps)
01:12:58 (gunshots)
01:13:02 (footsteps)
01:13:04 (footsteps)
01:13:07 (footsteps)
01:13:16 (footsteps)
01:13:25 (footsteps)
01:13:27 (gunshots)
01:13:52 (footsteps)
01:13:55 (footsteps)
01:14:05 (footsteps)
01:14:20 (airplane engine roaring)
01:14:24 (footsteps)
01:14:48 (footsteps)
01:14:51 (gunshots)
01:15:04 (dramatic music)
01:15:12 (gunshots)
01:15:14 (airplane engine roaring)
01:15:26 (airplane engine roaring)
01:15:33 (dramatic music)
01:15:36 (footsteps)
01:15:46 (footsteps)
01:16:02 (gunshots)
01:16:04 (footsteps)
01:16:26 (footsteps)
01:16:28 (airplane engine roaring)
01:16:52 (footsteps)
01:16:54 (footsteps)
01:17:05 (footsteps)
01:17:07 (airplane engine roaring)
01:17:29 (footsteps)
01:17:32 (gasps)
01:17:44 (footsteps)
01:17:55 (footsteps)
01:17:57 (footsteps)
01:18:05 (footsteps)
01:18:10 (footsteps)
01:18:23 (footsteps)
01:18:25 (airplane engine roaring)
01:18:42 (dramatic music)
01:18:46 (footsteps)
01:18:49 (airplane engine roaring)
01:19:02 (airplane engine roaring)
01:19:09 (footsteps)
01:19:11 (footsteps)
01:19:23 (footsteps)
01:19:26 - Help me.
01:19:43 Help me.
01:19:47 Help me.
01:19:51 Help me.
01:19:52 Help me.
01:19:58 Help me.
01:20:06 - All right, it's all right.
01:20:12 (glass shattering)
01:20:16 (groaning)
01:20:18 It's okay.
01:20:33 - Help me.
01:20:34 - All right, all right.
01:20:35 You're gonna be all right.
01:20:37 - Help me.
01:20:38 (footsteps)
01:20:40 - No water.
01:20:52 - Go ahead.
01:20:53 - No water.
01:20:54 - Go ahead and drink.
01:20:55 - No water.
01:20:56 - I'm trying to help you.
01:20:57 - No.
01:20:58 (glass shattering)
01:21:01 (airplane engine roaring)
01:21:04 (footsteps)
01:21:32 (airplane engine roaring)
01:22:00 (dramatic music)
01:22:03 (airplane engine roaring)
01:22:07 (glass shattering)
01:22:15 (footsteps)
01:22:20 (glass shattering)
01:22:23 (airplane engine roaring)
01:22:34 (airplane engine roaring)
01:22:38 (airplane engine roaring)
01:22:42 (airplane engine roaring)
01:22:46 - Why don't you make a race to take our hovercraft
01:23:10 to the beautiful world, Roman world and West world.
01:23:13 Contact us today or see your travel agent.
01:23:16 Boy, we got a vacation for you.
01:23:18 Vacation for you, for you, for you.
01:23:21 (dramatic music)
01:23:25 (upbeat music)
01:23:29 (upbeat music)
01:23:32 (upbeat music)
01:23:36 (upbeat music)
01:23:39 (upbeat music)
01:23:42 (upbeat music)
01:23:51 (upbeat music)
01:24:01 (upbeat music)
01:24:04 (upbeat music)
01:24:14 (upbeat music)
01:24:24 (upbeat music)
01:24:26 (airplane engine roaring)
01:24:53 (dramatic music)
01:24:56 (airplane engine roaring)
01:24:59 (airplane engine roaring)
01:25:04 [BLANK_AUDIO]