"Invasion of the Body Snatchers" de Philipp Kaufmann (1978) | VOST
L'Invasion des profanateurs (Invasion of the Body Snatchers) est un film américain réalisé par Philip Kaufman et sorti en 1978. Il est adapté du roman du même nom de Jack Finney paru en 1955, déjà adapté dans le film L'Invasion des profanateurs de sépultures (1956) de Don Siegel.
Synopsis:
Elizabeth Driscoll, scientifique dans un laboratoire de santé à San Francisco, s'aperçoit un jour du comportement étrange de son ami Geoffrey. Puis, peu à peu, d'autres personnes se transforment ainsi bizarrement. Pendant leur sommeil, une plante fabrique leur double parfait, tandis que l'original disparait. Elizabeth se confie à son collègue, Matthew Bennell.
Synopsis:
Elizabeth Driscoll, scientifique dans un laboratoire de santé à San Francisco, s'aperçoit un jour du comportement étrange de son ami Geoffrey. Puis, peu à peu, d'autres personnes se transforment ainsi bizarrement. Pendant leur sommeil, une plante fabrique leur double parfait, tandis que l'original disparait. Elizabeth se confie à son collègue, Matthew Bennell.
Category
🎥
Short filmTranscript
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00:17:37 Hi. How you doing?
00:17:41 [Music]
00:17:51 You think it's true that if you think you're losing your mind, then you're not?
00:17:55 Well, I hope so.
00:17:59 I know this is going to sound insane.
00:18:03 Jeffrey is not Jeffrey.
00:18:11 I know.
00:18:15 I mean, on the outside, Jeffrey is still Jeffrey.
00:18:17 But on the inside, I can tell you that there is something different.
00:18:21 Something is missing.
00:18:23 Emotions, feelings.
00:18:26 He's just not the same person.
00:18:31 Really, you know what I mean?
00:18:33 I know it sounds crazy.
00:18:35 Yeah, well, I don't care.
00:18:39 I'm not hungry.
00:18:41 I'm not.
00:18:45 [Music]
00:18:53 Can you hand me some of the ginger, the stuff that's chopped up there?
00:18:57 [Music]
00:19:06 You want to know something else?
00:19:08 It's really weird.
00:19:13 I went to see his sister Nora to talk to her about it.
00:19:18 But I couldn't. I stopped myself.
00:19:21 I think I've changed, too.
00:19:23 Do you think I'm crazy?
00:19:24 No.
00:19:28 Do you want to go see my friend David Kibler?
00:19:31 The psychiatrist?
00:19:32 Not like that.
00:19:33 I mean, you talk to him, and he will put things into perspective for you.
00:19:37 I'm not crazy.
00:19:38 No, no, no. I'm serious.
00:19:40 He would eliminate a lot of things.
00:19:42 He would eliminate whether Jeffrey was having an affair, whether he'd become gay,
00:19:45 whether he would have a social disease, whether he'd become a Republican.
00:19:50 He would eliminate all the alternatives, all the things that could have happened to him
00:19:52 to have made you feel that he had changed, something that he was doing.
00:19:54 You know what I mean?
00:19:56 Do you want to go see him?
00:20:00 You think I'm nuts.
00:20:03 I don't think you're crazy.
00:20:04 Can you still do the thing with your eyes?
00:20:08 If you're not crazy, you can do the thing with your eyes.
00:20:12 [laughing]
00:20:20 You're not crazy.
00:20:22 This is delicious.
00:20:24 You're a great cook.
00:20:26 What time's Jeffrey getting back?
00:20:29 He said not to wait up for him.
00:20:33 Want some more wine?
00:20:35 [laughing]
00:20:41 [phone ringing]
00:21:03 Morning.
00:21:06 One, two--Mrs. Tang, this one's got a coffee stew on it.
00:21:13 That's not coffee.
00:21:15 That is coffee. I put it there myself.
00:21:19 Maybe not come out.
00:21:23 You a doctor, right?
00:21:25 Me? No. Health department. Civil servant.
00:21:32 You need a doctor?
00:21:34 My wife, sick.
00:21:36 What's wrong with her?
00:21:38 She wrong.
00:21:41 She's not right?
00:21:43 That not my wife.
00:21:45 She's, uh--
00:21:47 No, no, different.
00:21:53 That not my wife.
00:21:55 [water running]
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00:22:24 How you doing, Harry?
00:22:26 Hey, pooch. How you doing?
00:22:33 [phone ringing]
00:22:41 [snoring]
00:22:50 [phone ringing]
00:23:11 What are you doing? You've been driving me crazy.
00:23:13 I've been looking all over for you.
00:23:17 What's the matter with you?
00:23:19 Are you all right?
00:23:27 Talk to me, Elizabeth.
00:23:33 [crying]
00:24:01 I keep seeing these people, all recognizing each other.
00:24:07 Something was passing between them all. Some secret.
00:24:15 It's a conspiracy. I know it.
00:24:18 That can't be a conspiracy.
00:24:20 Matthew, I'm telling you, something's going on here.
00:24:23 Something that scares me.
00:24:25 I tried to see Jeffrey today to talk to him.
00:24:28 He's always in his office in the morning.
00:24:37 Jeffrey?
00:24:39 [footsteps]
00:25:02 [footsteps]
00:25:12 It really was weird.
00:25:14 Jeffrey was meeting all sorts of strange people.
00:25:17 Things were being passed between them.
00:25:19 And none of them were people you knew?
00:25:21 I didn't know any of them.
00:25:22 Well, maybe they were patients of Jeffrey's.
00:25:25 Oh, no, no, Matthew. I know they weren't.
00:25:28 I followed him all day from one end of town to the other.
00:25:31 And everywhere he went, he had these meetings with strange people.
00:25:35 [footsteps]
00:25:48 I felt so stupid sneaking around spying on him.
00:25:51 But I can't talk to him. What can I do?
00:25:57 Okay. Well, Kibner will be able to explain something.
00:26:01 I don't need a psychiatrist.
00:26:03 Just forget that he's a psychiatrist.
00:26:05 Just think of him as a very intelligent man, which is what he is.
00:26:08 It's a book party.
00:26:10 He's a celebrity. He's very famous.
00:26:12 And you will really like him if you just forget that you think he's a psychiatrist.
00:26:16 I don't know. I don't know.
00:26:19 Matthew, I've lived in this city all my life.
00:26:22 But somehow today I felt everything had changed.
00:26:25 People were different. Not just Jeffrey, but everybody.
00:26:29 Yesterday it all seemed normal.
00:26:32 Today everything seemed the same, but it wasn't.
00:26:36 It was a nightmare.
00:26:38 It really became frightening.
00:26:42 It was like the whole city had changed overnight.
00:26:45 [music]
00:26:59 Did I ever tell you the one about the English camel car?
00:27:02 Did I?
00:27:03 Mm-mm.
00:27:04 They're trapped in the desert, in the Sahara Desert.
00:27:08 They've been surrounded by Rommel for 40 days and they've run out of food.
00:27:13 And the captain comes and makes an announcement to the men.
00:27:18 And he says, "Men, I have some good news for you and some bad news for you."
00:27:24 And one of the men says--
00:27:25 Oh, wait. You have told me this one.
00:27:27 Oh.
00:27:28 [laughter]
00:27:31 Can I tell it to you again?
00:27:33 Sure.
00:27:34 [screeching]
00:27:35 Oh, my God! Oh, my God! Oh, my God!
00:27:36 Lock the door. Lock the door.
00:27:37 They're coming! They're coming!
00:27:39 Help! Help!
00:27:41 They're coming! They're coming! Listen to me! Listen!
00:27:44 Oh, he's a bachelor of the sky.
00:27:45 Help me! Your next, please! Please! Your next!
00:27:48 They're in danger! Please, listen to me!
00:27:50 Something terrible! Please!
00:27:52 Your next! They're already here!
00:27:54 Help! Your next!
00:27:56 They're coming! They're coming!
00:27:58 They must have done something.
00:27:59 [screeching]
00:28:02 [gasp]
00:28:03 [music]
00:28:06 The policeman will help.
00:28:08 [music]
00:28:34 Oh, my God.
00:28:36 That poor man.
00:28:38 What was he talking about?
00:28:40 I'll phone a witness report him when I get to the bookstore.
00:28:43 [chatter]
00:28:45 Matthew, Matthew, thank God you're finally here.
00:28:47 These people are driving me nuts.
00:28:48 Are we going to have dinner later?
00:28:49 No, no, I can't. Do you know where there's a telephone?
00:28:51 There's a telephone right around the corner.
00:28:52 Elizabeth Bristol, Jack Donaldson.
00:28:53 Oh, is this the Elizabeth?
00:28:55 The book is awful. Kibner's book is awful.
00:28:58 His ideas are garbage.
00:29:00 Kibner's ideas are pure garbage.
00:29:02 How can you say that about a man like Kibner?
00:29:04 I'm not saying it about a man like Kibner.
00:29:06 I'm saying it about Kibner.
00:29:07 He dashes one of these things off every six months.
00:29:09 It takes me six months to write one line sometimes.
00:29:11 Why?
00:29:12 Because I pick each word individually, that's why.
00:29:14 What's so hard about that?
00:29:16 I wasn't even talking to you, was I?
00:29:18 On the corner of Leavenworth and, uh, Turk? Turk.
00:29:22 [chatter]
00:29:28 Yes. Yes.
00:29:31 What's so hard about that? What's so hard about that?
00:29:34 You must have a report on it,
00:29:36 'cause there was a motorcycle officer there,
00:29:38 and there was an ambulance on the way.
00:29:40 They follow me. They don't understand what I'm saying.
00:29:42 Well, ignore them. You don't have to prove yourself to anybody.
00:29:45 Well, that's easy for you to say. They don't jump all over you.
00:29:47 Of course I saw it. No, the man was running down the street.
00:29:49 He was being chased by people. He landed on my car.
00:29:52 He went off my car, and then he was hit by the other police.
00:29:55 Secondly, I am talking to the police.
00:29:57 No, he was lying bleeding on the road.
00:29:59 That must be the trouble officer. Hello? Yeah.
00:30:02 Don't ever give your name to cops. What do you want to do, get on their master list?
00:30:04 Leavenworth and Turk. I'll hold.
00:30:06 I know, but it isn't! He isn't my husband!
00:30:09 It's someone who looks like him! He's an imposter!
00:30:12 [chatter]
00:30:15 I had to wait till today, 'cause he has a scar on the back of his neck,
00:30:20 and when his hair is long, you can't see it.
00:30:23 He went to have a haircut today.
00:30:25 And the scar was gone.
00:30:27 No! It's still there!
00:30:30 Of course it's still there. What did you expect?
00:30:32 He's still Ted. He's still your husband.
00:30:34 Excuse me, can I just say one thing? Please.
00:30:36 He's still your husband, Ted. Please.
00:30:38 But I know something that you-- Catherine, please.
00:30:40 Could I just say one thing? Please. Catherine.
00:30:42 All right, just a minute. Just a minute. Catherine.
00:30:44 Just give me a minute, will you? Just a minute.
00:30:46 Will you trust me?
00:30:48 Will you please trust me, will you?
00:30:51 Officer, I work for the county. This is a public spirit.
00:30:54 I will give you my name if you will give me your name.
00:30:57 Because I want to be able to report this.
00:30:59 I'm trying to change the world to fit people.
00:31:01 Yeah, yeah, we'll talk about it in a second.
00:31:03 Where's Homer? Where's Cousin Zuckus? Where's Jack London?
00:31:06 Where's Elizabeth?
00:31:08 I'm afraid. I'm afraid.
00:31:10 I understand. I know. I understand.
00:31:12 Let me have your hand. Catherine, listen to me.
00:31:15 Just trust me. Come on.
00:31:18 There. That's not so bad, is it?
00:31:21 Who's this behind you?
00:31:23 Yes! That's right.
00:31:25 Hold on. Come on. Just hold on.
00:31:27 Hold on. Just relax now.
00:31:30 You're gonna be all right. Yes.
00:31:32 You feel better? Yes.
00:31:34 You want to go home now? Yes.
00:31:36 Yeah? All right. Will you come and see me tomorrow?
00:31:38 Please. Tomorrow. Yes, tomorrow we'll all talk.
00:31:41 Okay, the three of us? Okay, but I think I better take her home.
00:31:44 Yes, it's gonna be all right.
00:31:46 You're gonna be fine. See you tomorrow.
00:31:48 Okay? Yes. All right? Okay.
00:31:51 There's too many people here.
00:31:53 All right. Thank you.
00:31:57 I've never heard anything like it in my life.
00:31:59 They don't want to hear about the accident.
00:32:01 Right. Of course. It's a big conspiracy.
00:32:03 What's a conspiracy? Everything.
00:32:05 Excuse me.
00:32:07 Excuse me.
00:32:09 I understand what you're trying to say.
00:32:14 My name is Elizabeth Driscoll, the public health department.
00:32:17 Call me.
00:32:19 Come on, Catherine.
00:32:21 That woman's husband's not her husband.
00:32:25 I saw him today with Jeffrey. He's one of them.
00:32:28 And she knows about it, and nobody's helping her.
00:32:30 That's not true. Somebody's helping her.
00:32:32 I'm glad you heard that. David Kibner of Elizabeth Driscoll.
00:32:34 I've been hearing it all week. It's getting very popular.
00:32:36 What's that? What's getting popular?
00:32:38 I was trying to tell you that I also know somebody...
00:32:40 You know somebody who's changed.
00:32:42 Can we go outside and talk about it? Yes.
00:32:46 Listen, there's a lady up top, a red-haired bluegrass.
00:32:49 She's interested in your work.
00:32:51 I've heard the same damn story this week from six patients.
00:33:00 People are changing.
00:33:02 They're becoming less human. It's happening all around us.
00:33:05 That's not what we're talking about.
00:33:07 This has nothing to do with the man that I live with.
00:33:10 It has everything to do with it, don't you see?
00:33:13 People are stepping in and out of relationships too fast...
00:33:16 because they don't want the responsibility.
00:33:19 That's why marriages are going to hell.
00:33:21 The whole family unit is shot to hell.
00:33:23 David, you're not listening to what she's saying.
00:33:25 Matthew, please stay out of this. You see, that's the point.
00:33:28 I'm listening to you, but he doesn't think I am. Why?
00:33:31 Because he doesn't expect me to bother enough or to care.
00:33:34 I'm telling you for the last time, I want you to stop!
00:33:37 I want you to stand still, be quiet, and shut up!
00:33:39 Jack, how did you feel about what I just did?
00:33:42 Why? Why the stories and not--
00:33:44 How did you feel?
00:33:46 You were probably shocked.
00:33:48 You wanted to shut your feelings off, withdraw,
00:33:50 maybe make believe that it wasn't happening...
00:33:52 because then you don't have to deal with it.
00:33:55 I want to deal with that poor woman in the bookstore.
00:34:00 Why?
00:34:02 Do you identify with her?
00:34:05 Yes.
00:34:08 Okay.
00:34:10 Come on.
00:34:12 Suppose I were to tell you that Catherine is trying to escape from her relationship.
00:34:17 He's treating her, and this--
00:34:19 What's this treatment have to do with pushing me up against the wall?
00:34:21 She's upset. She looks fine to me.
00:34:23 She is upset, Jack.
00:34:25 Will you look upset to me now?
00:34:27 Do me a favor, will you? I'll do any favor you want.
00:34:29 Go home, and I'll call you later.
00:34:31 Just go home and leave us alone for a little bit, okay?
00:34:33 Okay. Okay.
00:34:35 Thank you.
00:34:38 You jump into a very bizarre conclusion--
00:34:41 that this man you live with has been replaced by somebody else.
00:34:45 Is it more likely that you want to believe that he's changed...
00:34:48 because you're really looking for an excuse to get out?
00:34:51 I don't know.
00:35:05 Will you think about it, please?
00:35:07 Before you make a move, before you jump and destroy something you have.
00:35:11 Will you?
00:35:13 Please?
00:35:15 Yeah.
00:35:22 Thank you.
00:35:31 I just gave her a psychological band-aid, Matthew.
00:35:33 I should talk to her some more.
00:35:35 I could bring her by my office tomorrow around 4.
00:35:38 What's the matter with her?
00:35:40 It's like there's some kind of a hallucinatory flu going around.
00:35:44 People seem to get over it in a day or two.
00:35:46 All I can do is treat the symptoms.
00:35:48 She's gonna be okay.
00:35:50 A good night's sleep wouldn't hurt.
00:35:52 Is it contagious?
00:35:54 Oh, Matthew.
00:35:56 Take her home to her boyfriend.
00:35:58 That wasn't what I was thinking.
00:36:00 I was just wondering whether the health department should look at it.
00:36:04 Who knows? I don't know.
00:36:06 I wish I did.
00:36:08 Okay.
00:36:11 Take her home, Matthew.
00:36:14 Okay.
00:36:16 Ah, Jack.
00:36:40 How was the book party?
00:36:43 Is that Kibner's new book?
00:36:45 Didn't get to read your poetry?
00:36:50 I'm sorry, Jack.
00:36:54 Good evening, Belichick Bass.
00:36:56 Yes, we recommend the 15-minute soak in Calistoga volcanic ash
00:37:03 that's followed by an aqua surge whirlpool deck.
00:37:06 [♪♪♪]
00:37:08 Hey, can you help me out here?
00:37:25 Belichick!
00:37:29 I'm talking to you. Give me a hand.
00:37:31 Help me out of this thing.
00:37:34 [♪♪♪]
00:37:36 Every week we go out with this one.
00:37:39 Why can't you just watch?
00:37:41 You are really going to get hurt one of these days.
00:37:44 You've got to learn to be more cautious.
00:37:46 Get another towel. I'll get another towel right away.
00:37:48 Go on.
00:37:50 [♪♪♪]
00:37:55 [♪♪♪]
00:37:57 Nancy, shut the music off.
00:38:06 It's for the plants, Stan.
00:38:08 Screw the plants. I hate the music.
00:38:11 It's wonderful for my plants.
00:38:13 They just love it.
00:38:15 Plants have feelings, you know, just like people.
00:38:18 It's fascinating.
00:38:20 This type of music stimulates the growth of the plants.
00:38:23 I've done tons of experiments on it.
00:38:25 Come on, Nancy. Turn the music off.
00:38:27 Relax. Now, you're not going to enjoy this if you don't.
00:38:30 [♪♪♪]
00:38:36 [♪♪♪]
00:39:02 Oh, Mr. Gianni, what are you doing here?
00:39:05 This is "Must Reading," Mrs. Belichick.
00:39:07 "Worlds in Collision" by Velikovsky.
00:39:10 Oh, yes, I've read that many times.
00:39:12 Have you read "Star Maker" by Olaf Stapleton?
00:39:15 That's "Must Reading" too.
00:39:17 It's awfully late, Mr. Gianni.
00:39:21 You're so smart.
00:39:23 Oh, Mr. Gianni, you've been sitting in that mud too long.
00:39:26 It's possible to overdo it, you know.
00:39:29 Oh, by the way, thank you for that plant you gave me last time.
00:39:32 [♪♪♪]
00:39:36 [♪♪♪]
00:40:04 I'll walk you inside.
00:40:06 You don't have to.
00:40:09 Jeffrey?
00:40:19 That was sweet of him.
00:40:26 [♪♪♪]
00:40:28 Jeffrey!
00:40:39 [GIGGLING]
00:40:41 You all right?
00:40:45 I'll see you tomorrow morning.
00:40:54 Thank you, Matt. You really made me feel better.
00:40:57 And I'm gonna think about what your friend can do for Sam.
00:41:00 Okay.
00:41:02 Thanks for helping. Good night.
00:41:04 Jack?
00:41:14 Honey, where are you?
00:41:16 I don't want to disturb you if you're thinking,
00:41:20 but all I could sure do is some Chinese food.
00:41:23 I haven't eaten all day.
00:41:25 Oh, Jack, you're gonna suffocate.
00:41:30 [SCREAMING]
00:41:33 My nose!
00:41:37 [SCREAMING]
00:41:39 Let me out!
00:41:41 My nose! Please!
00:41:43 [♪♪♪]
00:41:45 [KNOCKING]
00:42:08 Who is it?
00:42:10 Who is it?
00:42:13 It's me, I think.
00:42:15 I don't know. I called you here as a friend.
00:42:20 Oh, Jack.
00:42:22 Do you report certain things when you run into them,
00:42:24 like contagious disease or a dead body in a place of interest?
00:42:27 Jack, would you let him look at it?
00:42:29 You found the body?
00:42:31 No, not necessarily. We didn't know.
00:42:33 I thought it was Jack.
00:42:35 Is that him?
00:42:40 What kind of joke is this?
00:42:42 It's not a joke.
00:42:44 What is it?
00:42:46 What the hell is it?
00:42:57 Keep calm, Nancy. Keep calm.
00:42:59 Is it contagious?
00:43:01 Have any of your customers seen this?
00:43:03 No. It'd ruin us. It's all we'd need.
00:43:06 Look, I am calling the police.
00:43:08 You can't do that.
00:43:10 Why?
00:43:12 Because I think Jack is right.
00:43:14 Not immature, exactly.
00:43:16 He's got an adult face.
00:43:18 It's a monster. It's got hair all over it.
00:43:21 It's vague.
00:43:23 Nose, lips, ear.
00:43:25 Hands, everything, but it's got no detail, no character.
00:43:27 It's unformed.
00:43:29 Jack, don't touch it.
00:43:31 You don't know where it's been.
00:43:33 No respiration.
00:43:35 It's got no fingerprints.
00:43:37 No fingerprints?
00:43:39 Like a fetus.
00:43:43 You just said it was an adult.
00:43:45 I said it was an adult because it was tall.
00:43:48 How tall are you, Jack?
00:43:50 Six foot four.
00:43:52 How much do you weigh?
00:43:54 170. Why?
00:43:56 Oh, no.
00:43:58 Oh, no.
00:44:00 Matthew.
00:44:02 Oh, Jack.
00:44:04 Who are you calling? Elizabeth?
00:44:06 Why?
00:44:08 Why are you calling Elizabeth?
00:44:10 Matthew.
00:44:12 Why?
00:44:14 Hello?
00:44:26 Can you hear me? It's Matthew, Elizabeth.
00:44:28 Hello?
00:44:30 Elizabeth, what's the matter?
00:44:32 Elizabeth? Can you hear me?
00:44:34 Can you hear me?
00:44:36 Who is this?
00:44:38 Hello?
00:44:40 Elizabeth?
00:44:42 Where are you going?
00:45:03 I'm going to see a friend of mine who's in trouble.
00:45:05 What are we to do?
00:45:07 Go and David Kibner, ask him to meet me here right away.
00:45:10 I'm tired.
00:45:12 Stand up.
00:45:14 Stand up.
00:45:16 Now walk around.
00:45:18 Honey, I'm dry. I'm very dry.
00:45:20 I'll get you something to drink. Just don't fall asleep.
00:45:31 Here, sweetie. Thanks, sweetie.
00:45:33 Dr. Kibner will be here soon.
00:45:35 Kibner, Kibner, Kibner, Kibner.
00:45:37 Okay.
00:45:39 I'm going to lie down and think, honey.
00:45:42 Where's our drink?
00:45:44 [water dripping]
00:45:46 [water dripping]
00:45:48 [music playing]
00:45:56 [music playing]
00:45:59 [music playing]
00:46:02 [music playing]
00:46:29 Jack!
00:46:31 Jack!
00:46:33 Jack! Jack, wake up!
00:46:35 His eyes!
00:46:37 Oh, Jack, it opened its eyes.
00:46:39 See?
00:46:53 Huh?
00:46:57 Jack.
00:46:59 Oh!
00:47:03 Oh, Jack!
00:47:05 [screaming]
00:47:07 [screaming]
00:47:21 [car approaching]
00:47:24 [car approaching]
00:47:27 [car approaching]
00:47:30 [car door opening]
00:47:32 [car door closing]
00:47:34 [car door closing]
00:47:40 [car door opening]
00:47:42 [car door closing]
00:48:09 [car door closing]
00:48:11 [glass shattering]
00:48:37 [glass shattering]
00:48:39 [footsteps]
00:49:08 [music playing]
00:49:10 [music playing]
00:49:12 [music playing]
00:49:31 [music playing]
00:49:33 [footsteps]
00:49:39 [music playing]
00:49:51 [music playing]
00:49:53 [music playing]
00:50:19 [music playing]
00:50:21 Elizabeth.
00:50:35 Wake up.
00:50:37 Wake up.
00:50:39 [door opening]
00:50:41 [door closing]
00:50:47 [music playing]
00:50:49 [door closing]
00:51:14 [music playing]
00:51:16 [music playing]
00:51:34 [music playing]
00:52:03 [music playing]
00:52:05 [music playing]
00:52:19 [music playing]
00:52:21 [tires screeching]
00:52:36 [tires screeching]
00:52:45 I can't find anything in here that looks like a body.
00:52:49 No body?
00:52:51 What are you talking about?
00:52:53 Did you check the last--
00:52:55 I looked everywhere.
00:52:57 Hey, did you check the last booth on the left?
00:52:59 There's no body there.
00:53:01 It's got to be.
00:53:03 Did it have a pulse, a heartbeat?
00:53:07 It opened its eyes.
00:53:09 You actually saw that?
00:53:11 I saw its nose bleed,
00:53:13 and then it touched my hand.
00:53:15 There's something in here.
00:53:17 Nancy lost an old guy in here once.
00:53:22 He had a heart attack and sank.
00:53:24 Face it, Belichick.
00:53:30 You've got some friends who enjoy playing practical jokes.
00:53:33 I don't have any friends, Dr. Kibler.
00:53:35 Then some enemies.
00:53:39 Look.
00:53:42 Who opened this?
00:54:08 [knocking]
00:54:10 Wait a second, wait a second.
00:54:12 Who is it?
00:54:14 Matthew, the body's gone.
00:54:18 Somebody took it.
00:54:20 How long did you see it?
00:54:22 There was nothing here to see.
00:54:24 Who are we waking up now, Matthew?
00:54:26 Police.
00:54:28 I would like to report a body.
00:54:30 Take her to my place, fast.
00:54:34 Don't let anybody in until we get back there.
00:54:36 [door opens]
00:54:38 [tires screech]
00:55:04 [indistinct chatter]
00:55:33 Where?
00:55:35 It's Elizabeth's double.
00:55:37 Where, Matthew?
00:55:39 That's leaves and a plaque.
00:55:41 It was there, David. I swear to God it was there.
00:55:43 Officer, there was a body in there.
00:55:45 It was a duplicate of Elizabeth Driscoll, and it's been taken away.
00:55:47 Elizabeth Driscoll is a missing woman.
00:55:49 No, no, she's not missing.
00:55:51 Where is she?
00:55:53 She's okay. She's at Matthew's.
00:55:55 Don't tell him where she is.
00:55:57 There is a missing body, and he's taken it away.
00:55:59 No, he took Elizabeth.
00:56:01 He took her because she was not safe in there.
00:56:03 Then you took Elizabeth Driscoll out of here.
00:56:05 No, no, I took her from there.
00:56:07 Her other body was in here.
00:56:09 That's what I've been trying to explain.
00:56:11 Please stop. Matthew, that's enough.
00:56:13 Lieutenant, my name is Dr. David Kibner, the psychiatrist.
00:56:15 My wife reads your books. It's changed her life.
00:56:17 Good. I'm glad.
00:56:19 Look, this sounds terribly complicated,
00:56:21 but my friend has had some difficult emotional experiences
00:56:23 during the last couple of days.
00:56:25 But I think this is something that we could work out amongst ourselves.
00:56:27 All right, I'll leave this part of it with you.
00:56:29 I appreciate it.
00:56:31 It's enough. You can't accomplish anything here.
00:56:33 You've got to get outside.
00:56:35 Stop all of this.
00:56:37 I think you might want to consider filing an unlawful entry against Mr. Bernoulli.
00:56:39 I'll leave you outside later.
00:56:41 You know what you're saying. I believe you.
00:56:43 We'll be outside later.
00:56:45 I'll take Dr. Kibner's word that Elizabeth is all right.
00:56:47 Fine.
00:56:49 Then let's go.
00:56:51 Okay.
00:56:53 Will Elizabeth be coming home?
00:56:57 No.
00:56:59 I have to pick up some of her clothes.
00:57:01 All right.
00:57:07 All right.
00:57:09 ( <i>distant chatter</i> )
00:57:37 All right, let's back up and go through it once more,
00:57:40 step by step.
00:57:42 You all thought you saw a body at the baths.
00:57:47 You thought it was dead.
00:57:49 You didn't know what it was.
00:57:51 You touched it.
00:57:55 All of you touched it.
00:57:57 Nancy, you saw it open its eyes.
00:58:02 It looked right at me.
00:58:05 Belichick, you saw its eyes open.
00:58:08 No, I saw its nose bleed.
00:58:10 Well, if you saw its nose bleed,
00:58:12 and Nancy saw its eyes open, he must have been alive.
00:58:15 No, David, what you're doing,
00:58:19 you're looking at it as if it was human.
00:58:21 It was not human.
00:58:23 Matthew, what else would it be?
00:58:25 It was something, but it was not human.
00:58:27 It had white hair on it.
00:58:29 It was growing.
00:58:31 I mean, the one at Jack's place was--
00:58:33 The one at Elizabeth's place.
00:58:35 It had tendrils on it.
00:58:37 The one at Elizabeth's place was duplicating her.
00:58:39 And if Matthew hadn't taken me out of there,
00:58:41 the same thing that's happened to Jeffrey
00:58:43 would have happened to me.
00:58:45 Elizabeth, would you please tell me, in your opinion,
00:58:48 exactly what is happening?
00:58:50 People are being duplicated.
00:58:55 And once it's happened to you,
00:58:57 you're part of this thing.
00:59:00 It almost happened to me.
00:59:03 Look, the reason that you don't believe Elizabeth
00:59:07 is because the other body disappeared.
00:59:10 Now it disappeared because Jeffrey took it.
00:59:13 Yeah, well, then what happened to my other body, then?
00:59:16 Oh, people, will you please listen to yourselves?
00:59:19 Will you please listen to what you're saying?
00:59:21 Look, I can deal with a body being moved.
00:59:23 I can even deal with a body getting up and leaving.
00:59:26 But when you start talking about his other body, her other body,
00:59:29 people being duplicated, will you listen to how that sounds?
00:59:32 Don't you think we know how insane this sounds?
00:59:34 But what do you think we're doing? You think we're making it up?
00:59:37 What are you having trouble accepting?
00:59:39 Do you believe that my body looked like me?
00:59:41 Do you believe that her body looked like hers?
00:59:43 You think we've all gone crazy?
00:59:45 You are trying to make us believe that we are seeing things.
00:59:48 Why are you trying to do that?
00:59:50 All I'm trying to do is help.
00:59:52 You called me in the middle of the night.
00:59:54 You asked me to come here and help. That's all I'm trying to do.
00:59:57 You called me up in the middle of the night.
00:59:59 If we inconvenienced you, I guess we owe you an apology.
01:00:02 I mean, I guess that's a rotten thing to do.
01:00:05 You've upset my wife, too.
01:00:09 David, I don't know what it is or where it comes from,
01:00:19 but it was there, and I saw it, and I'm going to fight it.
01:00:22 Matthew, my friend, I believe you.
01:00:25 I've known you too long not to believe you.
01:00:27 What do you want to do?
01:00:29 Well, if I could get official support,
01:00:32 I'd institute the same kind of emergency procedures
01:00:34 that we use for a cholera epidemic or Legionnaire's disease.
01:00:37 What do you want me to do?
01:00:39 I can handle the health department, I think,
01:00:41 but if panic breaks out, then we're going to need the police and the guard,
01:00:44 and that means the mayor, and...
01:00:46 The mayor's a patient of yours, isn't he?
01:00:50 How did you know that?
01:00:54 What do you want me to do?
01:00:56 Would you ask him to accept my telephone call?
01:00:59 I'll call him in an hour. I'll be at my office.
01:01:01 If you have any other ideas, get in touch.
01:01:04 Call me.
01:01:08 Thank you.
01:01:12 [footsteps]
01:01:14 The sooner, the better.
01:01:40 [engine starts]
01:01:42 This smells lovely.
01:01:45 Now, I want you to listen to me.
01:01:47 I am listening to you, Nancy.
01:01:49 I am not seeing things. I know I saw what I saw.
01:01:52 And I know it was turning into you, Jack.
01:01:54 All right, now, that body that we found, that flower,
01:01:57 where did you get that?
01:01:59 In the place where the other flowers--
01:02:01 Just stuck in there?
01:02:03 Yeah, why?
01:02:05 Jeffrey gave me one of those last night.
01:02:07 Johnny, he brought one of those to the bats.
01:02:09 So what?
01:02:11 Put it down, Jack.
01:02:13 It's a pod with a flower on it.
01:02:15 I could not find that flower in any of the books I looked in.
01:02:17 Jack, put it down.
01:02:19 It's a pink flower, honey.
01:02:21 It could be toxic.
01:02:23 Look it. I have seen these flowers all over.
01:02:25 They're growing like parasites on other plants.
01:02:27 All of a sudden, where are they coming from?
01:02:29 Outer space.
01:02:31 Why not, Jack?
01:02:33 They're not coming from outer space, Nancy.
01:02:35 Well, why not a space flower?
01:02:37 Why do we always expect metal ships?
01:02:39 I've never expected metal ships.
01:02:41 Look, there's bound to be other ways
01:02:43 they can get into our systems.
01:02:45 That's right. They could be getting into us
01:02:47 through touch or through their fragrance.
01:02:49 We would never even notice it,
01:02:51 not from the impurities that we have.
01:02:53 I mean, we eat junk and we breathe junk.
01:02:55 Look, I don't know where they're coming from,
01:02:57 but I know I feel as though I've been poisoned today.
01:02:59 We've got to take those flowers in and have them analyzed.
01:03:01 This is the only thing we know.
01:03:03 I'm sure they're here.
01:03:05 Now, they could start getting into our systems
01:03:07 and screwing up our genes like DNA,
01:03:09 recombining us, changing us.
01:03:11 Of course, this is just the same way
01:03:13 those rocket ships landed thousands of years ago
01:03:15 so those spacemen could mate with monkeys and apes
01:03:17 and create the human race.
01:03:19 It's happening now.
01:03:31 Hello. Who do you wish to speak to?
01:03:33 David Kibner?
01:03:35 He's not in right now. He'll be back later this afternoon.
01:03:37 Oh, could you leave a message for him, please?
01:03:39 Would you say Matthew Bunnell, B-E-N-N-E-L-L?
01:03:41 And your number, please?
01:03:43 Oh, he's got my number. Thank you.
01:03:45 James Growler, deputy city attorney. Can I help you?
01:03:55 Yes, my name is Matthew Bunnell,
01:03:57 B-E-N-N-E-L-L.
01:03:59 I'm a deputy public health inspector.
01:04:01 Yeah, is this another call about impostors?
01:04:03 Yes.
01:04:05 We're the first agency you've called? Yes.
01:04:07 That's good. Listen, Mr. Bunnell, we don't want to create a panic.
01:04:09 And no one in my department knows?
01:04:11 Look, Mr. Bunnell, I'm going to ask you
01:04:13 to stay by your phone for a while.
01:04:15 I'm going to have somebody call you back and take down everything you know.
01:04:17 All right. Thank you.
01:04:19 This is a busy lab, Elizabeth.
01:04:23 We're not supposed to test flowers.
01:04:25 They go to the Department of Agriculture.
01:04:27 They go.
01:04:29 I think this is our problem. I think it is affecting people.
01:04:31 How?
01:04:33 Look, Alan,
01:04:37 I have already said that I'm going to do all of the testing.
01:04:39 You don't have to lift a finger.
01:04:41 Can I?
01:04:43 You've been consistently late, Elizabeth,
01:04:45 and you're behind in your work.
01:04:47 So I'll do the test for you.
01:04:49 Thank you.
01:04:51 It'll take 48 hours.
01:04:53 Alan, 24.
01:04:55 I can't understand
01:04:57 why you've become so emotional
01:04:59 about a little flower.
01:05:01 [phone ringing]
01:05:03 Hello? Mr. Bunnell?
01:05:07 Yes. Here with the Health Department.
01:05:09 Yes, that's right. This is Ted Jessup,
01:05:11 the Mayor's Special Assistant. Yes.
01:05:13 Have you come across something strange in the last few days?
01:05:15 Yes. Well, I'd like to suggest
01:05:17 that we meet at Union Square.
01:05:19 We can't talk over the phone.
01:05:21 Right away.
01:05:24 So then you'll meet me here again tomorrow, right, Mr. Bunnell?
01:05:27 Yeah. Now, don't say a word to anyone.
01:05:29 Keep it quiet.
01:05:31 Whatever you say.
01:05:33 [phone ringing]
01:05:39 Please deposit this piece now.
01:05:41 Operator, no, I put in a quarter. I have--
01:05:43 [phone ringing]
01:05:45 This is Judy Hinkle, the Mayor's Special Assistant.
01:05:47 Yes. My name is Matthew Bunnell.
01:05:49 The Mayor's in conference right now,
01:05:51 but he wants you to know that Dr. Kibner
01:05:53 called him personally to express his concern as well.
01:05:55 And, Mr. Bunnell,
01:05:57 we're asking for your discretion from now on
01:05:59 because this whole thing might be a fading.
01:06:01 [phone ringing]
01:06:05 Hello?
01:06:07 Matthew Bunnell? Yes.
01:06:09 I'm Michael. I'm with the Federal Preparedness Agency.
01:06:11 Yes. Now, these reports of strange,
01:06:13 unexplained disease bodies,
01:06:15 my understanding is that you haven't actually
01:06:17 analyzed anything. You have no tissue samples.
01:06:19 No, no, no, no.
01:06:21 Mr. Bunnell, it does seem you're just winging your conclusion.
01:06:23 Please keep an open mind.
01:06:25 I had no intention at all of--
01:06:27 Don't mention to anyone about duplicate bodies, for God's sakes.
01:06:29 I was going to treat it just--
01:06:31 Excuse me. My other phone is ringing.
01:06:33 [phone ringing]
01:06:35 Yes?
01:06:37 This is serious business, Mr. Bunnell. Hello?
01:06:39 Is this just a case of paranoia, Mr. Bunnell?
01:06:41 No, no, no, no.
01:06:43 [overlapping chatter]
01:06:45 We don't want to create a panic.
01:06:47 We have the primary authority in this matter.
01:06:49 Extremely cautious.
01:06:51 We've got to run. Come back from it.
01:06:53 I think the horizon is bright.
01:06:55 People are returning to normal.
01:06:57 No, no. She all right.
01:06:59 She better now.
01:07:01 Much better now.
01:07:03 Did your husband ask you to come here?
01:07:09 No, no. I want everybody to see
01:07:11 that I'm back to myself again.
01:07:13 No, wait.
01:07:15 Please.
01:07:17 I'll see you soon, I hope.
01:07:19 [door opens]
01:07:21 [door closes]
01:07:23 [door opens]
01:07:25 [door closes]
01:07:27 [door opens]
01:07:29 [door closes]
01:07:31 [door opens]
01:07:33 [door closes]
01:07:35 [door opens]
01:07:37 [door closes]
01:07:39 [door opens]
01:07:41 [door closes]
01:07:43 [siren wailing]
01:07:45 [siren wailing]
01:07:47 [siren wailing]
01:07:49 [siren wailing]
01:07:51 [siren wailing]
01:07:53 [siren wailing]
01:07:55 [siren wailing]
01:07:57 Matthew, I'm not getting a thing here.
01:07:59 [siren wailing]
01:08:01 Where's the, uh...
01:08:03 I'm not getting any news here.
01:08:05 Isn't there a 24-hour news?
01:08:07 I would think you'd have
01:08:09 a very good reception up here on the hill.
01:08:11 There's a repair truck out here.
01:08:13 That have anything to do with it?
01:08:15 [siren wailing]
01:08:17 [siren wailing]
01:08:19 [footsteps]
01:08:21 [footsteps]
01:08:23 [cork pops]
01:08:39 [water running]
01:08:47 [footsteps]
01:09:15 [sighs]
01:09:17 She just needs something to help her sleep tomorrow.
01:09:19 She'll be good as new.
01:09:21 I would suggest you get some sleep, too.
01:09:23 You've done everything you possibly can.
01:09:25 Can I give the Belichicks a ride?
01:09:31 No, I'm not going back there.
01:09:33 We'll just get a motel.
01:09:35 You can stay here.
01:09:37 Come on.
01:09:43 I appreciate everything you've done, David.
01:09:45 Thank you.
01:09:47 Get some sleep.
01:09:51 Sure. See you.
01:09:53 [door opens]
01:09:55 [door closes]
01:10:03 [door creaks]
01:10:11 [door opens]
01:10:13 [door closes]
01:10:15 [footsteps]
01:10:17 [footsteps]
01:10:19 [footsteps]
01:10:21 [footsteps]
01:10:23 [footsteps]
01:10:25 [footsteps]
01:10:27 [footsteps]
01:10:29 [footsteps]
01:10:31 [footsteps]
01:10:33 [footsteps]
01:10:35 [footsteps]
01:10:37 [footsteps]
01:10:47 [footsteps]
01:10:49 [footsteps]
01:10:51 [footsteps]
01:11:05 [footsteps]
01:11:07 [David sighs]
01:11:11 [David sighs]
01:11:17 [David sighs]
01:11:21 [David sighs]
01:11:29 [David sighs]
01:11:31 [David sighs]
01:11:39 [footsteps]
01:11:51 [footsteps]
01:11:57 [footsteps]
01:11:59 [footsteps]
01:12:09 [footsteps]
01:12:13 [footsteps]
01:12:25 [footsteps]
01:12:27 [footsteps]
01:12:33 [footsteps]
01:12:39 [footsteps]
01:12:45 [footsteps]
01:12:51 [footsteps]
01:12:53 [footsteps]
01:12:59 [footsteps]
01:13:05 [David sighs]
01:13:09 [footsteps]
01:13:11 [footsteps]
01:13:19 [footsteps]
01:13:21 [footsteps]
01:13:25 [David sighs]
01:13:29 [footsteps]
01:13:31 [David sighs]
01:13:35 [footsteps]
01:13:37 [footsteps]
01:13:41 [footsteps]
01:13:47 [footsteps]
01:13:49 [David sighs]
01:13:55 [David sighs]
01:13:57 [footsteps]
01:14:01 [David sighs]
01:14:05 [David snores]
01:14:15 [David snores]
01:14:17 [David snores]
01:14:25 [David snores]
01:14:31 [David snores]
01:14:41 [David breathes heavily]
01:14:43 [David snores]
01:14:47 [David's voice echoes] Matthew?
01:14:53 Matthew?
01:14:55 Matthew!
01:14:57 Matthew!
01:14:59 Matthew!
01:15:01 Matthew!
01:15:03 Matthew, they're throwing!
01:15:05 They're out of it!
01:15:07 [David screams]
01:15:09 [David screams]
01:15:11 Matthew!
01:15:13 Like the others!
01:15:15 [David screams]
01:15:17 [David screams]
01:15:19 [David screams]
01:15:21 [David screams]
01:15:23 Elizabeth, wake up!
01:15:25 They're growing out of these pods!
01:15:27 I'll get the police.
01:15:29 Elizabeth, wake up!
01:15:31 They get you when you sleep.
01:15:33 Sit up!
01:15:35 Elizabeth, would you wake up!
01:15:37 I'll get the police.
01:15:39 Officer, I would like to report four bodies in my backyard.
01:15:41 You all right?
01:15:43 Wait right there, Mr. Bunnell.
01:15:45 How do you know my name?
01:15:47 Hang up, Matthew.
01:15:49 I didn't tell you my name.
01:15:51 Hang up.
01:15:53 I didn't tell him my name.
01:15:55 They're all a part of it.
01:15:57 They're all pods, all of them.
01:15:59 Who are you calling?
01:16:01 Washington.
01:16:03 What, the CIA, the FBI?
01:16:05 I know his home number.
01:16:07 I can avoid the sentence.
01:16:09 What are you going to tell him?
01:16:11 Oh, my God.
01:16:13 They grow out of those pods.
01:16:15 They cut our power.
01:16:17 Matthew, they're barricading the street.
01:16:29 No!
01:16:31 [siren wailing]
01:16:33 What number are you calling from, please?
01:16:43 Operator, I was dialing direct.
01:16:45 Try the number for you, Mr. Bunnell.
01:16:47 Coming up here.
01:16:55 Hang up, Matthew.
01:16:59 Hang up, Matthew.
01:17:01 If you have a gun...
01:17:03 What are we going to do?
01:17:05 I'll talk to you later.
01:17:07 Hurry up. Jack!
01:17:09 Around that way, under the stairs.
01:17:17 Go on. I'll catch up with you.
01:17:19 [siren wailing]
01:17:21 [siren wailing]
01:17:23 [tires screeching]
01:17:49 [tires screeching]
01:17:51 Go on. Keep on running.
01:18:05 Don't stop.
01:18:07 Go on.
01:18:11 [tires screeching]
01:18:13 [tires screeching]
01:18:15 This way. Follow me.
01:18:29 [tires screeching]
01:18:31 [tires screeching]
01:18:33 [tires screeching]
01:18:35 [tires screeching]
01:18:37 [tires screeching]
01:18:39 [tires screeching]
01:18:41 [tires screeching]
01:18:43 [gunshot]
01:19:09 [tires screeching]
01:19:11 [tires screeching]
01:19:13 [tires screeching]
01:19:15 [horn honking]
01:19:33 [tires screeching]
01:19:41 [tires screeching]
01:19:43 [tires screeching]
01:19:45 [tires screeching]
01:19:47 [footsteps]
01:19:49 [train rumbling]
01:20:07 [train rumbling]
01:20:09 [train screeching]
01:20:23 We're being cornered.
01:20:33 [train rumbling]
01:20:35 Jack!
01:20:41 Jesus!
01:20:43 Get down!
01:20:49 Matthew, keep them here and I'll come back with help.
01:20:55 Jack.
01:20:57 Jack!
01:21:01 No, no, no, Jack!
01:21:03 Jack!
01:21:05 Get down.
01:21:07 Jack!
01:21:09 Here I am, you pod bastard!
01:21:11 Hey, pods!
01:21:13 [indistinct]
01:21:15 [train rumbling]
01:21:29 [indistinct radio chatter]
01:21:31 [indistinct radio chatter]
01:21:33 [indistinct radio chatter]
01:21:35 [indistinct radio chatter]
01:21:37 [indistinct radio chatter]
01:21:39 [train rumbling]
01:21:41 [indistinct radio chatter]
01:21:45 [indistinct radio chatter]
01:21:47 [train rumbling]
01:21:49 [train horn]
01:22:15 [train rumbling]
01:22:17 [train horn]
01:22:35 [train rumbling]
01:22:37 [train rumbling]
01:23:03 [train rumbling]
01:23:05 [train horn]
01:23:11 [train screeching]
01:23:13 Oh, yeah, showtime!
01:23:21 Yes, sir, you're walking the right way.
01:23:23 Right here, we got totally new girls right on stage.
01:23:25 How's it going?
01:23:27 The world-famous Big Al. It's all going on right here, sir.
01:23:29 It's all live, it's all naked, sir.
01:23:31 This is the first heat action here. This is it.
01:23:33 Guaranteed to make you feel like a new man.
01:23:35 This is the one. This is it. Come on back here.
01:23:37 Come on back here. You hear me?
01:23:39 Come on back here. This is it.
01:23:41 Male and female all back here, folks.
01:23:43 Six different acts, no color.
01:23:45 [indistinct chatter]
01:23:47 Where to?
01:23:59 [indistinct chatter]
01:24:01 Six-ton proceeding south to airport.
01:24:10 Carrying two passengers.
01:24:12 Type H. Repeat, type H.
01:24:15 Some night, eh?
01:24:19 Yeah.
01:24:22 [wind howling]
01:24:24 [jet engine roaring]
01:24:47 [jet engine roaring]
01:24:49 Where exactly are you heading?
01:24:59 I said, the airport.
01:25:01 No, I mean, which airline?
01:25:03 United.
01:25:05 You got business out of town?
01:25:09 No, we're not leaving.
01:25:11 I'm meeting someone coming in from Boston.
01:25:14 [jet engine roaring]
01:25:16 What is it?
01:25:24 What's going on?
01:25:26 Oh, nothing.
01:25:28 [man shouts]
01:25:33 [siren wailing]
01:25:43 Ball top.
01:25:45 [alarm blaring]
01:25:50 [alarm blaring]
01:26:18 [alarm blaring]
01:26:20 Harry, move. Wake up.
01:26:24 Look, there's a pod.
01:26:26 [alarm blaring]
01:26:29 [water sloshing]
01:26:32 [water sloshing]
01:26:34 [sighs]
01:26:38 [footsteps]
01:26:40 [jet engine roaring]
01:26:47 [water sloshing]
01:27:00 [water sloshing]
01:27:02 [footsteps]
01:27:16 [door closes]
01:27:21 [jet engine roaring]
01:27:25 [footsteps]
01:27:27 [music playing]
01:27:43 [footsteps]
01:27:45 [door opens]
01:28:10 [music playing]
01:28:12 [music playing]
01:28:14 [music playing]
01:28:16 [music playing]
01:28:18 [music playing]
01:28:20 [music playing]
01:28:22 [music playing]
01:28:24 [music playing]
01:28:26 [music playing]
01:28:28 [music playing]
01:28:30 [music playing]
01:28:32 [music playing]
01:28:34 [music playing]
01:28:36 [music playing]
01:28:38 [music playing]
01:28:40 [music playing]
01:28:42 [music playing]
01:28:45 [music playing]
01:28:50 [music playing]
01:28:53 [music playing]
01:28:56 [music playing]
01:28:59 [music playing]
01:29:02 [music playing]
01:29:05 [music playing]
01:29:09 [music playing]
01:29:11 [music playing]
01:29:14 [music playing]
01:29:17 [music playing]
01:29:20 [music playing]
01:29:23 [music playing]
01:29:26 [music playing]
01:29:29 [music playing]
01:29:32 [music playing]
01:29:37 [music playing]
01:29:39 [music playing]
01:29:42 [music playing]
01:29:45 [music playing]
01:29:48 [music playing]
01:29:51 [music playing]
01:29:54 [music playing]
01:29:57 [music playing]
01:30:00 [music playing]
01:30:04 [music playing]
01:30:06 [music playing]
01:30:09 [music playing]
01:30:12 [music playing]
01:30:15 [music playing]
01:30:18 [music playing]
01:30:21 [music playing]
01:30:24 [music playing]
01:30:27 [music playing]
01:30:30 [music playing]
01:30:33 [phone ringing]
01:30:35 [phone ringing]
01:30:38 [radio playing]
01:30:41 [door opening]
01:30:44 Yep, Ricardo's pills.
01:30:47 He eats these like candy, where he used to.
01:30:49 Take some.
01:30:51 What are they?
01:30:52 Speed, it'll keep us awake.
01:30:53 How many are you supposed to take?
01:30:55 It says take one.
01:30:57 Take five.
01:30:59 [phone ringing]
01:31:02 [phone ringing]
01:31:04 [phone ringing]
01:31:07 [phone ringing]
01:31:11 Come over here.
01:31:13 [door opening]
01:31:15 Jack, my God.
01:31:23 It would have been a lot easier if we'd just gone to sleep last night.
01:31:30 Oh, my God, no!
01:31:32 No, Matthew!
01:31:33 Don't touch her!
01:31:34 David, don't let them touch her!
01:31:35 David, don't let them touch her!
01:31:37 Don't let them touch her!
01:31:38 What are you going to do?
01:31:39 Please listen to me.
01:31:40 We'll leave the city.
01:31:41 Please, Jeffrey.
01:31:42 David, please let us go.
01:31:43 We don't want to leave the city.
01:31:45 You don't have to leave the city.
01:31:46 Nothing changes.
01:31:47 You can have the same life, the same clothes, the same car.
01:31:50 But what happens to us?
01:31:52 You'll be born again into an untroubled world,
01:31:55 free of anxiety, fear.
01:31:58 Wait.
01:32:00 Hate.
01:32:01 David, you're killing us.
01:32:02 That's not true.
01:32:03 David's right.
01:32:04 Your minds and memories will be totally absorbed.
01:32:07 Everything remains intact.
01:32:09 You've never agreed with him in your life before.
01:32:11 What are you talking about?
01:32:13 What are you--
01:32:14 [police radio chatter]
01:32:26 David, you're killing me.
01:32:28 David?
01:32:33 I want somebody in transportation to report
01:32:35 to the Grove Street Turnabout.
01:32:37 David!
01:32:38 What is this supposed to do?
01:32:52 Just a mild sedative to help you sleep.
01:32:55 I hate you.
01:32:56 We don't hate you.
01:32:58 There's no need for hate now.
01:33:01 Or love.
01:33:04 I love you, Matthew.
01:33:05 There are people who will fight you, David.
01:33:11 They'll stop you.
01:33:13 In an hour.
01:33:15 You won't want them to.
01:33:18 [police radio chatter]
01:33:20 Don't be trapped by old concepts.
01:33:33 Matthew, you're evolving into a new life form.
01:33:37 Come and watch.
01:33:43 You.
01:33:44 I want somebody in transportation to report
01:33:53 to the Grove Street Turnabout.
01:33:55 We came here from a dying world.
01:33:58 We drift through the universe from planet to planet,
01:34:01 pushed on by the solar winds.
01:34:04 We adapt, and we survive.
01:34:08 The function of life is survival.
01:34:10 [screaming]
01:34:12 [screaming]
01:34:18 Open the freezer, quick.
01:34:30 This door?
01:34:31 Yep.
01:34:32 [whistles]
01:34:39 [indistinct radio chatter]
01:34:41 Shut the door.
01:34:42 How are we going to get out of here?
01:34:53 Through the door.
01:34:54 Come on.
01:34:56 [indistinct radio chatter]
01:34:58 [music playing]
01:35:12 [music playing]
01:35:14 What's that?
01:35:31 Glass jack.
01:35:40 We got separated.
01:35:41 Oh, man.
01:35:42 Elizabeth.
01:35:43 I don't know where he is.
01:35:47 I looked everywhere.
01:35:49 Have you seen him?
01:35:52 Nancy, they've got this building surrounded.
01:35:54 How did you get in here?
01:35:55 I've been wandering among them for hours.
01:35:58 They can be fooled.
01:35:59 How?
01:36:01 Don't show any emotions.
01:36:03 Hide your feelings.
01:36:05 When you sleep?
01:36:06 We'll watch over each other.
01:36:08 OK.
01:36:09 That's fine, Jack.
01:36:12 We're going to beat them, OK?
01:36:16 OK.
01:36:17 OK.
01:36:18 [indistinct radio chatter]
01:36:29 [music playing]
01:36:31 Hey, the lines are over there.
01:36:41 XB-25, XB-25, Station 5, come in.
01:36:53 Yes, Station 5.
01:36:55 Proceeding as per plan B.
01:36:57 Station 5, come in.
01:36:59 XB-25, in front of the health department,
01:37:02 request instructions.
01:37:04 If you are in a confined space, it means Sausalito.
01:37:07 Please keep moving right along.
01:37:11 Sausalito only, please.
01:37:15 Ask if you have a question.
01:37:17 The yellow zone is for loading and unloading only.
01:37:25 If you have other business, stay clear of the yellow.
01:37:31 Stay clear of the yellow unless you're loading or unloading.
01:37:36 [screaming]
01:37:41 Listen.
01:37:42 [screaming]
01:37:45 Get down!
01:37:50 Get down!
01:37:52 Get down!
01:37:53 [screaming]
01:37:54 [music playing]
01:37:57 [screaming]
01:38:00 [screaming]
01:38:02 [music playing]
01:38:05 [screaming]
01:38:07 [music playing]
01:38:09 [screaming]
01:38:24 [screaming]
01:38:32 [music playing]
01:39:00 Come on, get up.
01:39:02 Oh, God.
01:39:16 [hissing]
01:39:19 [hissing]
01:39:21 [hissing]
01:39:23 [hissing]
01:39:34 [hissing]
01:39:36 See them?
01:39:54 This is where they grow them.
01:39:55 This is where they cultivate them.
01:39:57 It's enormous.
01:40:03 [hissing]
01:40:05 What are we going to do?
01:40:10 There are so many.
01:40:11 We've got to figure out a way of stopping them.
01:40:13 [grunt]
01:40:19 Can you walk?
01:40:22 I'll try.
01:40:23 Here, hold onto me.
01:40:24 Try and walk.
01:40:26 [hissing]
01:40:28 [hissing]
01:40:39 [grunt]
01:40:40 Oh, God, you all right?
01:40:42 The factory.
01:40:48 They're growing them.
01:40:51 Elizabeth.
01:40:54 Elizabeth.
01:40:56 I love you.
01:40:58 I love you.
01:41:00 I love you.
01:41:01 Oh, I can't.
01:41:08 I can't.
01:41:10 [sobbing]
01:41:12 Are you sick?
01:41:38 Chips.
01:41:39 Chips.
01:41:43 Chips.
01:41:45 Chips, we can get away.
01:41:47 I'll go down there.
01:41:54 I'll be right back.
01:41:55 See you.
01:41:57 See you.
01:41:59 [music playing]
01:42:02 [music playing]
01:42:04 [music playing]
01:42:07 [music playing]
01:42:09 [music playing]
01:42:11 [music playing]
01:42:13 [music playing]
01:42:15 [music playing]
01:42:18 [music playing]
01:42:20 [music playing]
01:42:22 [music playing]
01:42:24 ♪♪
01:42:34 ♪♪
01:42:46 [Coughing]
01:42:53 Oh, God. Well...
01:42:56 [Radio chatter]
01:42:59 There will be a cooling trend with improved visibility
01:43:01 three miles off the coast.
01:43:03 Nighttime lows in the low 50s tonight
01:43:05 and in the 40s Saturday night.
01:43:07 Light winds becoming northwesterly
01:43:08 10 to 20 miles per hour.
01:43:10 [Radio chatter]
01:43:13 [Indistinct radio chatter]
01:43:16 [Door opens]
01:43:19 Elizabeth.
01:43:27 Elizabeth, no! No!
01:43:30 Wake up. Wake up. Wake up!
01:43:36 Wake up!
01:43:38 ♪♪
01:43:51 Elizabeth, I love you.
01:43:54 ♪♪
01:43:57 The boat's there, Elizabeth.
01:43:59 The boat's there.
01:44:01 It's gonna take us away.
01:44:04 ♪♪
01:44:13 [Footsteps]
01:44:16 ♪♪
01:44:26 [Crackling]
01:44:32 [Barking]
01:44:36 Matthew?
01:44:38 ♪♪
01:44:44 There's nothing to be afraid of.
01:44:47 They were right. It's painless.
01:44:50 It's good.
01:44:55 Come.
01:44:58 Sleep.
01:45:01 Matthew.
01:45:03 Matthew.
01:45:07 Matthew!
01:45:11 ♪♪
01:45:21 ♪♪
01:45:31 ♪♪
01:45:41 ♪♪
01:45:46 [Wind howling]
01:45:49 ♪♪
01:45:59 ♪♪
01:46:09 ♪♪
01:46:19 ♪♪
01:46:29 ♪♪
01:46:39 ♪♪
01:46:49 ♪♪
01:46:59 ♪♪
01:47:09 ♪♪
01:47:19 ♪♪
01:47:29 ♪♪
01:47:39 ♪♪
01:47:49 ♪♪
01:47:59 ♪♪
01:48:09 ♪♪
01:48:19 ♪♪
01:48:29 ♪♪
01:48:39 ♪♪
01:48:49 ♪♪
01:48:59 ♪♪
01:49:09 ♪♪
01:49:19 ♪♪
01:49:29 ♪♪
01:49:39 ♪♪
01:49:49 ♪♪
01:49:59 ♪♪
01:50:09 ♪♪
01:50:19 ♪♪
01:50:29 ♪♪
01:50:39 ♪♪
01:50:49 ♪♪
01:50:59 ♪♪
01:51:09 ♪♪
01:51:19 ♪♪
01:51:29 ♪♪
01:51:39 ♪♪
01:51:49 ♪♪
01:51:59 ♪♪
01:52:09 ♪♪
01:52:19 ♪♪
01:52:29 ♪♪
01:52:39 ♪♪
01:52:49 ♪♪
01:52:59 ♪♪
01:53:09 ♪♪
01:53:19 ♪♪
01:53:29 ♪♪
01:53:39 ♪♪
01:53:49 Matthew?
01:53:51 Matthew?
01:53:53 [Crickets chirping]
01:54:03 [Screaming]
01:54:13 [Screaming]
01:54:19 ♪♪
01:54:29 ♪♪
01:54:39 ♪♪
01:54:49 ♪♪
01:54:59 ♪♪
01:55:09 ♪♪
01:55:19 ♪♪
01:55:29 ♪♪