Frayeurs (Paura nella città dei morti viventi) est un film d'épouvante fantastique italien réalisé par Lucio Fulci et sorti en 1980. Il s'agit du premier volet de la trilogie de la mort, complétée l'année suivante par L'Au-delà et La Maison près du cimetière.
Frayeurs a été développé après le succès financier du film précédent de Fulci, L'Enfer des zombies, ce qui l'a amené à travailler avec le scénariste Dardano Sacchetti pour écrire un nouveau film d'épouvante inspiré des œuvres de H. P. Lovecraft. Le film a été lancé pendant la production de son poliziottesco La Guerre des gangs, que Fulci a quitté pour commencer à travailler sur Frayeurs. Le tournage s'est déroulé principalement aux États-Unis, les scènes en studio étant tournés à Rome.
Le film est sorti dans les salles italiennes en août 1980, et a rapporté 985 millions de lires. Il a été suivi d'une sortie dans toute l'Europe, y compris une projection au Festival international du film fantastique et de science-fiction de Paris, où Fulci a remporté le Grand Prix du public1, et aux États-Unis en avril 1983. À sa sortie, le film a été critiqué pour ses médiocres prestations d'acteurs, son intrigue poussive et sa violence crue, mais comme pour plusieurs films de Fulci, il est devenu avec le temps un film culte.
Frayeurs a été développé après le succès financier du film précédent de Fulci, L'Enfer des zombies, ce qui l'a amené à travailler avec le scénariste Dardano Sacchetti pour écrire un nouveau film d'épouvante inspiré des œuvres de H. P. Lovecraft. Le film a été lancé pendant la production de son poliziottesco La Guerre des gangs, que Fulci a quitté pour commencer à travailler sur Frayeurs. Le tournage s'est déroulé principalement aux États-Unis, les scènes en studio étant tournés à Rome.
Le film est sorti dans les salles italiennes en août 1980, et a rapporté 985 millions de lires. Il a été suivi d'une sortie dans toute l'Europe, y compris une projection au Festival international du film fantastique et de science-fiction de Paris, où Fulci a remporté le Grand Prix du public1, et aux États-Unis en avril 1983. À sa sortie, le film a été critiqué pour ses médiocres prestations d'acteurs, son intrigue poussive et sa violence crue, mais comme pour plusieurs films de Fulci, il est devenu avec le temps un film culte.
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Court métrageTranscription
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00:01:55 - I am there.
00:02:15 - Is she gone, Dad?
00:02:17 - Shh.
00:02:18 Yes, I am there.
00:02:21 I am there.
00:02:22 I see.
00:02:41 I see.
00:02:47 I see.
00:02:48 There's the contact.
00:02:56 She's just entered.
00:02:58 The contact.
00:03:00 She's entered.
00:03:01 Into contact.
00:03:03 Into contact.
00:03:05 (gunshot)
00:03:07 (eerie music)
00:03:15 (eerie music)
00:03:18 (screaming)
00:03:28 (gentle music)
00:03:31 (snoring)
00:03:33 (gentle music)
00:03:36 (eerie music)
00:03:56 (eerie music)
00:03:59 - The dead.
00:04:11 I see the dead.
00:04:12 The city of the dead.
00:04:15 - Hold the link, don't break it.
00:04:21 Hold it, it's critical for Mary.
00:04:22 Don't break the link, don't break it.
00:04:25 (screaming)
00:04:27 Mary.
00:04:28 Mary.
00:04:29 (eerie music)
00:04:32 (screaming)
00:04:38 (eerie music)
00:04:42 (screaming)
00:04:44 (eerie music)
00:05:09 - I'm afraid Mary's dead.
00:05:11 - No!
00:05:12 (crying)
00:05:14 No, no.
00:05:15 No.
00:05:17 No.
00:05:18 (screaming)
00:05:22 (eerie music)
00:05:24 (eerie music)
00:05:27 - All right.
00:05:50 Maybe I've got no imagination.
00:05:54 But your story is a little tough to swallow.
00:05:58 James McLuhan.
00:06:03 Busted twice for peddling and possession.
00:06:07 - That's right, so?
00:06:10 - And you expect me to believe that Mary Woodhouse
00:06:15 died out of sheer fright while you were having a seance?
00:06:19 - Mm-hmm.
00:06:22 - Okay, fellas, you help us, we'll help you.
00:06:26 What were you on?
00:06:29 Coke?
00:06:31 Grass?
00:06:32 Where's the stash down the toilet?
00:06:34 - You don't deserve any help.
00:06:35 You're a comic book version, Sergeant.
00:06:37 - Well, look better in your mug shot, you know.
00:06:41 The great Teresa, the master medium.
00:06:45 Yeah, for you it's all in the book of a,
00:06:49 your book of, what's it again?
00:06:52 - Enoch.
00:06:53 - Yeah, Enoch.
00:06:54 According to you, this poor girl is dead
00:06:58 because of a book that was written
00:07:00 4,000 years ago, correct?
00:07:03 - That's right.
00:07:04 I would find such an unusual paradox of tremendous appeal
00:07:07 terribly stimulating if I were a sleuth.
00:07:11 - Mm.
00:07:13 - The explanation in every detail of a crime
00:07:16 before it's been committed.
00:07:19 - Lady, you're either on grass or you're pulling my leg.
00:07:23 - No, the problem is in your mind.
00:07:26 It can't accept the truth.
00:07:28 But I'll help you just the same.
00:07:32 In the book of Enoch, the killer is--
00:07:34 - Jeeves, Sergeant, come here and look!
00:07:36 (thunder rumbling)
00:07:44 (dramatic music)
00:07:47 - Who's playing games here?
00:08:13 - Come out of the floor, out of nowhere.
00:08:16 - Who lived downstairs?
00:08:20 - It's vacant.
00:08:22 Has been for 26 years.
00:08:24 - But how the heck did--
00:08:25 - Don't you start acting up too.
00:08:28 It's only a prank, and I'll find out what's behind it
00:08:30 even if I have to tear the whole building apart.
00:08:33 - Keep refusing the truth.
00:08:36 At this very precise moment,
00:08:39 in some other distant town,
00:08:41 horrendously awful things are happening.
00:08:44 Things that would shatter your imagination.
00:08:47 (tires screeching)
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00:11:09 (dramatic music)
00:11:12 - Hi, officer, I'm looking for Sergeant Clay.
00:11:15 - And who are you?
00:11:16 - I'm Sergeant Bell, and you see I'm with the New York--
00:11:18 - Don't tell me.
00:11:19 You're a newspaper reporter, right?
00:11:21 I can smell you guys a mile away.
00:11:24 - You're right, I'm a journalist.
00:11:26 Look, there's this room down at the station house that,
00:11:28 well, someone kind of died mysteriously,
00:11:30 and I want to talk to Sergeant Bell about it.
00:11:32 - It's not gonna be any mystery how the next guy dies
00:11:34 if I let any unauthorized people in that house.
00:11:37 - Look, uh, isn't there a way that maybe you and I
00:11:45 could get to a gentleman's agreement?
00:11:47 - You're talking into my deaf ear, pal.
00:11:49 Now take my advice and beat it before the sergeant comes out.
00:11:52 - Okay, I'll take your advice.
00:12:00 (wind howling)
00:12:09 (wind howling)
00:12:12 - Like we're in the wrong season suddenly.
00:12:24 Damn dust, all these high winds, pretty unusual.
00:12:28 By the way, I hear Cindy Horan never went home last night.
00:12:33 - So? Huh, it sure wouldn't be the first time.
00:12:36 I remember once she was sitting in--
00:12:39 (glass shattering)
00:12:42 (alarm blaring)
00:12:45 (alarm blaring)
00:12:48 (alarm blaring)
00:13:16 - You know something?
00:13:19 Ever since Father Thomas hanged himself,
00:13:22 Dunwich ain't been the same.
00:13:25 It's kind of scary.
00:13:27 - Uh, a few beers and you fellas start seeing
00:13:30 ghouls and devils all over the place.
00:13:32 - Well, you saw what happened, didn't you?
00:13:34 - Sure, but that doesn't mean there isn't any explanation.
00:13:37 Could have been a truck passing by, a vibration.
00:13:40 Anyway, I've lost my mirror.
00:13:42 - You forget who our ancestors were.
00:13:45 - No, I forgot how many beers you've drunk.
00:13:49 So let's have another house pies.
00:13:52 (thunder rumbling)
00:13:55 (eerie music)
00:13:58 - I gotta go.
00:14:07 - But wait, what about the--
00:14:08 - See you. - Me too.
00:14:09 Wait up, Mike.
00:14:10 I'll see you around, so long.
00:14:11 - No, wait, Mike, rise!
00:14:14 (eerie music)
00:14:17 - Brand new building, new construction.
00:14:22 I'm telling you.
00:14:24 Build garbage like this,
00:14:29 I'm gonna lose all of my customers.
00:14:32 - The language is risque, I admit it,
00:14:38 but the overall message couldn't have been more puritanical.
00:14:42 - And why did you choose the topic of incest?
00:14:46 - When I was eight years old, I wanted to marry my father.
00:14:51 I guess all girls that age want to marry their fathers.
00:14:55 Anyway, I got over it pretty quickly.
00:14:58 He was a drunk.
00:15:00 One day, he just picked up and left my mother and me.
00:15:05 - Did this leave any particular emotional feeling
00:15:08 in you at the time?
00:15:10 - Emptiness.
00:15:12 That and pity for my mother.
00:15:14 I began to hate all men, and I--
00:15:17 - Excuse me, Jerry.
00:15:20 Oh, hi, Sandra.
00:15:21 How are you?
00:15:22 Hello, Emily.
00:15:23 - Well, what comes so early?
00:15:26 I mean, I thought we'd made it for eight.
00:15:29 - That's the trouble, I can't make it tonight.
00:15:31 - Huh?
00:15:32 - I have to see Bob.
00:15:33 - Oh, Bob.
00:15:35 - You're not upset, are you?
00:15:37 - No, I'm not upset.
00:15:39 I may be a little worried, perhaps.
00:15:41 I mean, you have been seeing an awful lot of him,
00:15:43 haven't you, lately?
00:15:45 - Oh.
00:15:46 Poor Bob.
00:15:48 - Hmm?
00:15:49 - He's a sick and lonely kid.
00:15:52 I don't see why people hate him so.
00:15:57 His mother was what you'd call a woman of easy virtue.
00:16:00 No husband, no morals.
00:16:02 Here in Dunwich, anybody like that is also branded a witch.
00:16:08 - Look, Sandra, I don't believe those idiots
00:16:12 who tell me that our ancestors were Salem witch burners,
00:16:16 all right?
00:16:17 - Okay, okay.
00:16:18 - Jerry, I am sorry.
00:16:21 - Don't worry.
00:16:22 - I'll see you tomorrow, around nine?
00:16:24 - Sure thing.
00:16:25 - Bye.
00:16:26 - Bye.
00:16:27 - So long, Sandra.
00:16:29 - Bye-bye, and take it easy.
00:16:31 - Jack, bye.
00:16:33 - Bye.
00:16:35 (eerie music)
00:16:37 - Okay, Sandra, where were we?
00:16:39 - On the same old problem, men.
00:16:43 Why do they have to make life so difficult?
00:16:47 (growling)
00:16:48 (screaming)
00:16:50 (screeching)
00:16:51 - Sandra, Sandra.
00:16:53 (gasping)
00:16:54 Did he hurt you?
00:16:56 Did he claw you?
00:16:57 - Oh, he was just frightened.
00:16:59 Strange, it's the first time he ever acted up like that.
00:17:02 (eerie music)
00:17:04 - He loves to have you pet him.
00:17:07 He always comes to you when you're here.
00:17:09 Something must have frightened him.
00:17:11 (screeching)
00:17:13 - You give me the dirtiest thoughts.
00:17:20 - I'm telling you, you're gonna end up a dirty old man.
00:17:24 A pervert, peeping Tom.
00:17:29 Peeping Tom.
00:17:30 - Talk about box lunches, man.
00:17:34 - Saw a porno flick once,
00:17:38 where this guy got so carried away,
00:17:40 he humped himself to death.
00:17:42 Too much of a good thing.
00:17:44 - Yeah, but what a way to go.
00:17:46 (sighing)
00:17:50 - What's the matter, never see a body on Earth before?
00:17:56 - Any law against looking?
00:17:58 - Yeah.
00:17:59 - Okay, I'm leaving.
00:18:01 Time you got.
00:18:05 Let's flip to see who goes in the hole.
00:18:08 - All right.
00:18:09 - Call it.
00:18:11 - Heads.
00:18:12 - Tails, in the hole, sucker.
00:18:15 - Shit.
00:18:16 (whistling)
00:18:27 (whistling)
00:18:29 (whistling)
00:18:31 (whistling)
00:18:34 (whistling)
00:18:36 (whistling)
00:18:52 (whistling)
00:18:55 (whistling)
00:19:23 - What are you still doing here, pal?
00:19:25 - Oh, come on, fellas.
00:19:26 - What do you want from us?
00:19:28 - Nothing, I'm just curious about this girl here, that's all.
00:19:31 - Look, why don't you guys go ahead with your work,
00:19:33 and I'll pretend I'm not around.
00:19:35 - Well, move, 'cause we're almost finished.
00:19:39 (birds chirping)
00:19:42 (doorbell buzzing)
00:19:54 (doorbell buzzing)
00:20:03 (birds chirping)
00:20:06 (thudding)
00:20:12 (grunting)
00:20:15 (grunting)
00:20:29 (grunting)
00:20:31 - It's five o'clock.
00:20:45 We've bust our balls enough, let's go.
00:20:48 - Amen.
00:20:53 - Hey, hey, you're not gonna,
00:20:56 you're not gonna leave her like that, are you?
00:20:58 - Uh, union hours.
00:21:00 Anyways, what does she care?
00:21:01 She's not in any hurry.
00:21:03 Is she?
00:21:05 (sighing)
00:21:09 (door opening)
00:21:12 (groaning)
00:21:37 (groaning)
00:21:39 (groaning)
00:21:50 (glass shattering)
00:21:52 (groaning)
00:21:54 (groaning)
00:21:57 (birds chirping)
00:22:02 (birds chirping)
00:22:05 (screaming)
00:22:21 (groaning)
00:22:23 (coughing)
00:22:25 (dramatic music)
00:22:28 (dramatic music)
00:22:31 (groaning)
00:22:38 (glass shattering)
00:22:41 (groaning)
00:22:51 (groaning)
00:22:53 (groaning)
00:22:56 (groaning)
00:22:58 (birds chirping)
00:23:01 (groaning)
00:23:04 (groaning)
00:23:06 (groaning)
00:23:08 (groaning)
00:23:12 (dramatic music)
00:23:16 (groaning)
00:23:23 (birds chirping)
00:23:26 (screaming)
00:23:40 - Oh my God.
00:23:46 (screaming)
00:23:48 (groaning)
00:23:50 (groaning)
00:23:52 (groaning)
00:23:57 (screaming)
00:24:01 (glass shattering)
00:24:03 (screaming)
00:24:05 (screaming)
00:24:15 (groaning)
00:24:18 (groaning)
00:24:20 (screaming)
00:24:24 (screaming)
00:24:32 - But for you, Mary would have suffered a terrible death.
00:24:47 - I was just lucky.
00:24:49 - No, it was written.
00:24:51 Are you acquainted with the Book of Enoch?
00:24:55 A text which dates back to more than 4,000 years ago.
00:24:59 It contains man's first recorded description
00:25:02 of his boundless mortal fear in the face of malice itself.
00:25:07 A demanding, implacable enemy
00:25:09 whose search for blood is never satiated.
00:25:12 Mary, tell your experience to the man
00:25:15 who witnessed the death of Enoch.
00:25:18 Tell your experience,
00:25:19 everything you witnessed during our last seance.
00:25:23 - The city of the dead.
00:25:25 The living dead.
00:25:28 A cursed city.
00:25:31 Where the gates of hell have been opened.
00:25:35 - Where, uh, where exactly is this city?
00:25:41 - I don't know where it is.
00:25:44 It's called Dunwich.
00:25:46 - Well, I've never heard of it.
00:25:49 How do you know?
00:25:51 I mean, how can you be so sure?
00:25:53 - I read the name.
00:25:55 On a tombstone.
00:25:58 - Mr. Bell, if those gates are left open,
00:26:01 it may be the end of humanity.
00:26:03 We've got to try to get them shut again.
00:26:06 At midnight on Monday, we go into All Saints Day.
00:26:09 The night of the dead begins then.
00:26:11 And if the portals of hell don't get shut before,
00:26:14 no dead body will ever be able to rest in peace again.
00:26:17 And so the dead will rise up and take over the earth,
00:26:20 and you must, you've got to get to Dunwich.
00:26:22 You must reclose those gates.
00:26:25 (dramatic music)
00:26:29 (dramatic music)
00:26:32 (birds squawking)
00:26:48 (dramatic music)
00:26:51 (dramatic music)
00:26:54 - Bob?
00:27:02 Bob, are you here?
00:27:04 (gasps)
00:27:07 Bob?
00:27:11 Bob?
00:27:15 (gasps)
00:27:17 (whimpers)
00:27:21 (whimpers)
00:27:24 Bob?
00:27:26 (whimpers)
00:27:29 Bob?
00:27:31 Bob!
00:27:33 What's happened?
00:27:35 Did you hurt yourself?
00:27:36 (screeches)
00:27:39 Bob?
00:27:42 (screeches)
00:27:45 Bob!
00:27:49 Bob!
00:27:51 Bob!
00:27:54 Bob, don't leave me alone!
00:27:56 I'm going crazy!
00:27:58 (whimpers)
00:28:01 (dramatic music)
00:28:04 (screeches)
00:28:12 (thuds)
00:28:16 (whimpers)
00:28:19 (dramatic music)
00:28:22 (phone rings)
00:28:36 - Hello.
00:28:38 Ah, it's you, Mr. Robbins.
00:28:40 No, Emily's not here, I'm afraid.
00:28:43 What's that?
00:28:45 - She's usually home this hour of the night.
00:28:47 I hope nothing's happened to her.
00:28:49 There's been a lot of strange talk circulating.
00:28:51 - Oh, come now, Mr. Robbins, ignore it.
00:28:54 People here in this town thrive on that stuff.
00:28:56 You should know that by now.
00:28:58 She'll be home in another couple of minutes.
00:29:01 If you need me for any reason, though, feel free to call.
00:29:03 I should be at the studio for at least another hour or so, okay?
00:29:07 Goodbye, Mr. Robbins.
00:29:09 Goodbye.
00:29:11 (thuds)
00:29:13 (whistles)
00:29:17 (sighs)
00:29:19 (scratching)
00:29:23 (whistles)
00:29:29 (whistles)
00:29:32 (whistles)
00:29:37 (whistles)
00:29:41 - No, no, come on, tell me, please.
00:29:44 No, please, tell me.
00:29:45 - Hey, what the devil's the matter, honey?
00:29:48 You treat me like I was a stranger.
00:29:49 What have I done, tell me.
00:29:51 - How come you picked out here to park?
00:29:53 This place gives me the wheelies.
00:29:55 - Oh, Rose, go on, you're not a little child now.
00:29:58 You don't really believe in that stupid Salem witch stuff,
00:30:00 do you?
00:30:01 - No, of course not.
00:30:03 (sniffles)
00:30:09 (sniffs)
00:30:11 (sniffs)
00:30:13 (sniffs)
00:30:17 (sniffs)
00:30:20 (whimpers)
00:30:26 (whimpers)
00:30:30 - Now what's wrong?
00:30:33 - Sorry, tell me, but I keep thinking that,
00:30:36 like somebody's out there spying on us.
00:30:39 - Come on, there isn't anyone out there.
00:30:42 Watch, I'll turn on the headlights.
00:30:45 (thunder rumbles)
00:30:49 (whimpers)
00:30:51 (whimpers)
00:30:53 (thunder rumbles)
00:30:56 (thunder rumbles)
00:31:03 (thunder rumbles)
00:31:06 (thunder rumbles)
00:31:22 (screams)
00:31:24 (thunder rumbles)
00:31:28 (gasps)
00:31:30 (gags)
00:31:46 (gags)
00:31:57 (gags)
00:31:59 (gags)
00:32:07 (gags)
00:32:13 (gags)
00:32:24 (gags)
00:32:26 (gags)
00:32:38 (gags)
00:32:42 (screams)
00:32:44 (screams)
00:32:46 - You know this Dunnage?
00:32:56 He's not even on the map.
00:32:58 - So, you don't believe me, do you?
00:33:01 - That's not the point.
00:33:03 Just gonna be hard to find, that's all.
00:33:05 - We don't even know where to start, do we?
00:33:08 - You know, I get my inner visions too, you know.
00:33:11 Just let me meditate over a bottle of scotch and...
00:33:15 I'll take you anywhere.
00:33:20 (engine rumbles)
00:33:26 (tires screech)
00:33:29 (car door slams)
00:33:32 (indistinct radio chatter)
00:33:47 (sobs)
00:33:52 - Well, she certainly wasn't strangled.
00:33:55 Doesn't seem to have been any kind of physical abuse.
00:33:58 - What was the cause of her death, then?
00:34:00 - Some kind of cardiac arrest.
00:34:02 Only that expression on her face looks like pure fear,
00:34:04 like something scared her to death.
00:34:06 - Scared her? - Excuse me, Mr. Robbins.
00:34:08 Do you know if your daughter had a heart condition?
00:34:10 - No. - No?
00:34:12 - No, no, she was... - Mr. Robbins.
00:34:14 - Oh, God, God. - I'll take you with me.
00:34:16 - Well, what's our procedure? - Sit tight.
00:34:18 Everything depends on the autopsy.
00:34:20 - I'll sit tight. - You'll get your orders after that from the DA.
00:34:23 - Okay, but let me hear from you, Joe.
00:34:25 What's your opinion, Jerry?
00:34:29 (siren wails)
00:34:31 - What's there to say? I'm at a total loss.
00:34:33 - It was... it was Bob.
00:34:35 - That pervert, you can bet on it.
00:34:37 They should have put him away for life
00:34:39 after what he tried to do with poor little Ann Ross.
00:34:41 - Listen, I'll call out all cars after that boy.
00:34:44 And I wouldn't be surprised if he could tell us
00:34:47 what happened to Rosie Kelvin and Frank's kid, too.
00:34:50 - Sheriff Russell!
00:34:52 Sheriff, what the dickens is this?
00:34:55 - Good Lord.
00:35:07 That kid's gonna fry.
00:35:09 Mark my words.
00:35:11 (siren wails)
00:35:14 (tires screech)
00:35:16 - So your newspaper editor wouldn't believe you, huh?
00:35:23 - Listen, when Adrian De Niro told me about Ann
00:35:28 two years ago that I'd meet a girl who'd been buried alive,
00:35:31 I didn't believe him either.
00:35:33 I mean, I laughed right in his face.
00:35:35 - De Niro was aware of many things.
00:35:38 He knew all about the City of the Dead.
00:35:42 - Okay, okay.
00:35:44 Say I believe you.
00:35:46 Did you see, when you were in this trance,
00:35:48 did you see anything besides that tombstone?
00:35:51 - Oh, yes.
00:35:53 I saw a priest...
00:35:55 who by hanging himself
00:36:01 opened the gates of hell.
00:36:04 He must be destroyed.
00:36:07 (bells chime)
00:36:09 - May he forgive us our trespasses,
00:36:12 as we forgive those who trespass against us.
00:36:15 And lead us not into temptation,
00:36:17 but deliver us from evil.
00:36:19 For thine is the kingdom and the power and the glory.
00:36:22 - Oh, amen.
00:36:25 The Lord is my shepherd.
00:36:27 I shall not walk... - This way, please.
00:36:30 - We lie down in green pasture.
00:36:32 Yes.
00:36:33 I walk through the valley of the shadows.
00:36:35 - Where is she? Where is my Emily?
00:36:37 - We're still preparing, Mrs. Robbins.
00:36:40 (sobbing)
00:36:43 (sobbing)
00:36:45 (liquid pouring)
00:36:50 (liquid pouring)
00:36:56 (water running)
00:37:01 (water running)
00:37:07 (lid clatters)
00:37:09 (water running)
00:37:14 (water running)
00:37:19 (water running)
00:37:24 (water running)
00:37:29 (water running)
00:37:34 (water running)
00:37:39 (footsteps)
00:37:42 - Mrs. Holden.
00:37:44 - Mrs. Holden?
00:37:45 - Yes.
00:37:46 - Mrs. Holden died last night,
00:37:48 and according to Dr. Thompson, was frightened to death.
00:37:50 - Frightened to death?
00:37:52 - That's what he said.
00:37:53 - Fear.
00:37:54 - Of what?
00:37:55 - Damned if I know, Doc.
00:37:57 It's the strangest thing I ever heard of.
00:38:00 - Fear.
00:38:02 - There's been talk that Rose Calvin
00:38:04 and Tommy Fisher disappeared too.
00:38:06 They went to the movies last night,
00:38:07 and nobody's seen them since.
00:38:09 - That makes five people that have disappeared
00:38:10 in the last 48 hours.
00:38:12 I think it's Bob.
00:38:14 I don't believe in this superstitious nonsense.
00:38:17 Yeah, maybe you're right.
00:38:19 - Sure.
00:38:21 Remember two years ago when Bob took my little Ann
00:38:23 into the woods?
00:38:25 It was a miracle we found him in time.
00:38:27 - Yeah, well I say it's him.
00:38:29 He's the one causing all the trouble around here.
00:38:32 God only knows what he did to poor Emily.
00:38:34 - All I know is the air in Dunwich is getting awful thick.
00:38:38 Soon as I can find somebody to buy my shop and my house,
00:38:41 I'm for moosin'.
00:38:43 You can bet your ass.
00:38:45 - Calm down, dear.
00:38:46 Take it easy.
00:38:47 Calm down.
00:38:49 - My baby.
00:38:50 My poor baby.
00:38:52 - You'd...
00:38:54 You'd...
00:38:55 You'd better take John John out.
00:38:58 Yes, of course.
00:39:00 John John, come on, let's go outside.
00:39:02 We'll take a walk.
00:39:04 You have to be strong now.
00:39:05 You have to find the courage to face life.
00:39:07 You have to be a man now.
00:39:09 You know what I mean?
00:39:12 [car approaching]
00:39:15 [car door closes]
00:39:17 [car engine]
00:39:19 [car engine]
00:39:21 [car engine]
00:39:23 [car engine]
00:39:25 [car engine]
00:39:27 [car engine]
00:39:29 [car engine]
00:39:31 [car engine]
00:39:33 [car engine]
00:39:35 [car engine]
00:39:37 [car engine]
00:39:39 [car door opens]
00:39:41 [footsteps]
00:39:43 [footsteps]
00:39:45 [footsteps]
00:39:47 [footsteps]
00:39:49 [car engine]
00:39:51 [car engine]
00:39:53 [crying]
00:39:56 [crying]
00:39:58 [crying]
00:40:00 [car engine]
00:40:02 [crying]
00:40:04 [crying]
00:40:06 [car engine]
00:40:08 [car engine]
00:40:10 [car engine]
00:40:12 [car engine]
00:40:14 [car engine]
00:40:16 [car engine]
00:40:18 I'm hungry.
00:40:20 Good. There's a lollipop in the glove box.
00:40:24 [footsteps]
00:40:26 Look, I'm not joking. I'm starved.
00:40:28 Look, you're the one that got me out here in the armpit of the world
00:40:31 chasing your galloping cadavers.
00:40:35 Come on.
00:40:37 Let's go have a snack someplace, huh?
00:40:39 Okay.
00:40:42 You, uh, want to give up?
00:40:45 Look, why don't you get in the car and we'll go and check out the local cuisine?
00:40:49 [sighs]
00:40:54 Don't be upset.
00:40:56 Upset? Who's upset?
00:40:59 According to your theory, we have less than 48 hours before this, uh, All Saints Day.
00:41:05 Oh, please, not now. Do you mind?
00:41:07 Come on. Let's go check out the, uh, local cuisine, huh?
00:41:11 [engine starts]
00:41:25 [engine revs]
00:41:27 [car engine]
00:41:33 [engine revs]
00:41:35 [doorbell rings]
00:41:43 [doorbell rings]
00:42:02 [doorbell rings]
00:42:04 [doorbell rings]
00:42:13 [roaring]
00:42:20 [screaming]
00:42:22 [screaming]
00:42:24 [screaming]
00:42:26 [roaring]
00:42:52 [roaring]
00:42:54 [roaring]
00:43:13 [roaring]
00:43:15 [roaring]
00:43:43 [roaring]
00:43:45 [roaring]
00:43:57 [roaring]
00:44:03 [roaring]
00:44:11 [roaring]
00:44:13 [roaring]
00:44:18 [roaring]
00:44:25 [roaring]
00:44:30 [roaring]
00:44:36 [roaring]
00:44:38 [roaring]
00:44:47 [roaring]
00:44:58 [roaring]
00:45:03 [screaming]
00:45:06 Mommy!
00:45:08 Daddy! Mommy! Daddy!
00:45:12 Mommy! Mommy!
00:45:14 What's the matter, honey?
00:45:16 Emily's back. I saw her looking in the window.
00:45:18 She wanted to catch me.
00:45:20 Oh, Emily went away forever, John John.
00:45:23 She's in heaven.
00:45:25 I saw her. I swear I saw her. I really did.
00:45:28 We better call the doctor.
00:45:31 I'm all right. I don't need a doctor.
00:45:34 I don't want a doctor. I saw her.
00:45:37 You've had a big day. You're upset.
00:45:40 We all are.
00:45:42 Off you go now. Go to bed.
00:45:44 I don't want to go, Mommy. I'm scared.
00:45:46 Emily's going to catch me. I know it.
00:45:49 Oh.
00:45:52 [sobbing]
00:45:55 [music playing]
00:45:58 [music playing]
00:46:00 [music playing]
00:46:29 [thud]
00:46:31 [phone ringing]
00:46:52 [phone ringing]
00:46:59 [phone ringing]
00:47:01 Hello?
00:47:13 It's me, Sandra. You have to come right away.
00:47:16 No, there's no time to explain.
00:47:18 You wouldn't believe me anyway.
00:47:20 Just come, please. I'm having a nervous breakdown.
00:47:23 Yes, okay, Sandra. Just calm down and control yourself.
00:47:26 What is it?
00:47:28 There are only 2 possibilities.
00:47:30 Either I'm going out of my mind
00:47:32 or something very, very strange is happening.
00:47:34 Look, take it easy. I'll be there in 10 minutes, honey.
00:47:37 Bye.
00:47:39 [sobbing]
00:47:53 [sobbing]
00:47:55 [sobbing]
00:48:13 [sobbing]
00:48:15 [doorbell ringing]
00:48:33 [doorbell ringing]
00:48:41 [doorbell ringing]
00:48:43 Jerry, is that you?
00:48:49 Yeah, it's me.
00:48:51 Come in.
00:48:57 Come in.
00:49:00 [footsteps]
00:49:02 What do you need that for?
00:49:12 I don't know. Maybe a crucifix would be better.
00:49:16 A crucifix? What the hell are you talking about?
00:49:20 Tell me the truth.
00:49:25 Do you consider me a basket case?
00:49:27 No, not at all. Why?
00:49:29 You're nurturing a pet neurosis, that's all.
00:49:32 Like about 70% of the female population of this country.
00:49:35 So according to you, I'm not star-graving mad.
00:49:38 At least not yet.
00:49:40 Don't be silly. Of course not.
00:49:42 Sometimes you may drink a little more than you should,
00:49:45 but that's no reason to be taken away and put into a loony house.
00:49:48 No, no, I'd rather not right now, and you really shouldn't either.
00:49:51 All right.
00:49:53 You better see for yourself.
00:49:55 It's in the kitchen.
00:49:57 The kitchen?
00:49:59 Uh-huh.
00:50:01 Oh, Christ.
00:50:13 [hissing]
00:50:15 [music playing]
00:50:23 [music playing]
00:50:25 Was I just imagining things?
00:50:39 No, get me. It's not--
00:50:41 Oh, it's her, Mrs. Holden.
00:50:43 This morning she was inside a coffin at the funeral home,
00:50:46 and now she's here in my kitchen.
00:50:48 How? How did she get here?
00:50:50 I don't know. I heard a noise.
00:50:52 I came to look, and there she was on my floor.
00:50:55 I called you right after.
00:50:57 I thought I was losing my mind.
00:50:59 Okay. Let's use our heads and not panic.
00:51:02 Calm down. We've got to find out how she got here, all right?
00:51:06 I couldn't give a damn how she got here.
00:51:08 I just want her gone.
00:51:10 Look, let's get out of here.
00:51:12 I can't take the sight of her.
00:51:14 Yeah, yeah, yeah.
00:51:16 [music playing]
00:51:18 [gurgling]
00:51:20 At this point, a good stiff drink is the only medicine.
00:51:26 What are you going to do?
00:51:28 Well, I don't believe in the twilight zone,
00:51:31 so I guess I'll call the sheriff on this matter.
00:51:34 And what did he tell him?
00:51:36 Exactly what you told me--
00:51:38 that you heard this noise, that you came running and saw her there,
00:51:41 and the rest is up to them.
00:51:43 [growling]
00:51:45 [gasp]
00:51:47 [growling]
00:51:49 [music playing]
00:51:51 [ringing]
00:51:53 [music playing]
00:51:55 [ringing]
00:51:57 [music playing]
00:51:59 [ringing]
00:52:01 [music playing]
00:52:03 [ringing]
00:52:05 [music playing]
00:52:07 [ringing]
00:52:09 [ringing]
00:52:11 It's all closed. We left it wide open.
00:52:14 [music playing]
00:52:16 [ringing]
00:52:18 [music playing]
00:52:20 [ringing]
00:52:22 [ringing]
00:52:24 [music playing]
00:52:26 [ringing]
00:52:28 [music playing]
00:52:30 What the--
00:52:31 [music playing]
00:52:34 Well, someone took her away.
00:52:36 Or maybe she just left.
00:52:38 Don't be ridiculous.
00:52:39 Bodies don't get up and walk away by themselves.
00:52:42 [growling]
00:52:43 [gasp]
00:52:44 [growling]
00:52:45 She's still here.
00:52:46 She's still in the house.
00:52:48 [growling]
00:52:49 Oh, she's in here.
00:52:50 Sandra.
00:52:51 I know she's in the house.
00:52:52 I don't want to see her anymore.
00:52:54 Sandra, this is no way--
00:52:55 Jerry, get her out, please.
00:52:57 Tell her to go.
00:52:58 Yes.
00:52:59 She's in here.
00:53:00 Do you hear her?
00:53:01 Jerry, she's in here.
00:53:02 I can't take it anymore.
00:53:03 Sandra.
00:53:04 Sandra, calm down.
00:53:06 Calm down.
00:53:07 Here?
00:53:08 Don't let your imagination run away with you.
00:53:10 I don't know what the hell is going on in here either.
00:53:12 So we're going to take it step by step
00:53:15 and search every room in the house, all right?
00:53:17 And we'll find the reason.
00:53:19 All right, Sandra?
00:53:20 Now, you're going to follow me.
00:53:21 Follow me now.
00:53:22 Come on now.
00:53:24 That's it.
00:53:25 All right?
00:53:26 All right.
00:53:27 I'll do whatever you say.
00:53:30 [knocking]
00:53:32 [music playing]
00:53:45 [music playing]
00:54:14 I don't think I'll manage to sleep here tonight.
00:54:16 Well, if you want to stay at my studio or the house,
00:54:18 you're always welcome.
00:54:19 [gasp]
00:54:20 [growling]
00:54:22 [scream]
00:54:25 [glass shattering]
00:54:26 [music playing]
00:54:29 [gasp]
00:54:30 [music playing]
00:54:33 [gagging]
00:54:42 [moaning]
00:54:45 Good god, it's blood!
00:54:48 Blood!
00:54:49 [moaning]
00:54:52 [music playing]
00:54:55 Dunwich?
00:55:04 Yeah.
00:55:05 Yes, yes, I know it.
00:55:07 Odd that you're looking for Dunwich.
00:55:10 Yes, matter of fact.
00:55:11 Dunwich is right there.
00:55:13 Yes, that's the town where Father Thomas--
00:55:16 terrible, oh, terrible.
00:55:19 You know that Dunwich was built on the ruins
00:55:22 of the original Salem, the village of witches
00:55:25 and heresy and evil.
00:55:28 Yes, but can you tell us how to get there?
00:55:31 It's not easy.
00:55:32 You'll have to go back towards the highway.
00:55:35 And as you approach it, there's a road going left,
00:55:40 that'll take you to Dunwich.
00:55:41 Thanks a lot.
00:55:43 Uh, just out of curiosity, why are you folks going down there?
00:55:49 Uh--
00:55:50 Well, we're just looking up a friend.
00:55:52 Oh, I see.
00:55:54 Thanks again.
00:56:00 [birds chirping]
00:56:03 The Lord help us.
00:56:20 [sighs]
00:56:22 [groans]
00:56:40 Hey, Bob.
00:56:48 Hi, Ann.
00:56:50 What are you doing in the backseat of my dad's car?
00:56:57 I didn't know where to sleep.
00:56:59 You won't tell on me, will you?
00:57:01 No, of course not.
00:57:02 Only you get some awful weird ideas.
00:57:04 Come on, smoke a little joint with me.
00:57:06 Only then you better split, okay?
00:57:08 It's him!
00:57:09 Go on, get out of here!
00:57:10 What are you doing?
00:57:11 I'm not the dog!
00:57:12 You're getting out of here!
00:57:14 I can explain everything, Mr. Ross!
00:57:17 Shut up, you bastard!
00:57:19 What were you trying to do to my daughter, huh?
00:57:26 Please let me explain, Mr. Ross.
00:57:30 I was only looking for a place to sleep.
00:57:32 I swear.
00:57:34 Pervert!
00:57:38 No!
00:57:39 Murderer!
00:57:40 No.
00:57:41 No.
00:57:43 [groans]
00:57:46 [grunts]
00:57:49 [grunts]
00:57:51 [groans]
00:57:56 [grunts]
00:58:03 [grunts]
00:58:17 [grunts]
00:58:19 [screams]
00:58:40 [screams]
00:58:42 [sizzling]
00:58:45 [sizzling]
00:58:48 [sizzling]
00:58:50 [snoring]
00:59:16 [snoring]
00:59:18 [snoring]
00:59:23 I guess there's nobody in.
00:59:30 That's strange.
00:59:32 What do you plan on doing?
00:59:34 I have a feeling this is where the answer is.
00:59:36 We've got to find the undertaker or someone from the funeral parlor.
00:59:39 Maybe they've gone to the cemetery.
00:59:41 You go. I'll wait in your office.
00:59:43 I don't think I could take a cemetery right now.
00:59:46 Fair enough.
00:59:48 [footsteps]
00:59:50 [engine starts]
01:00:01 [music playing]
01:00:12 [music playing]
01:00:14 Dweller of the Twilight Void.
01:00:21 That's heavy. Well?
01:00:23 Yes. That's it.
01:00:26 That's the very same tombstone that I saw in my trance.
01:00:31 Great.
01:00:33 Welcome to the City of the Dead.
01:00:35 Now what do we do?
01:00:37 We must find the priest's grave and uncover him.
01:00:40 There isn't much time left.
01:00:42 All Saints Day begins at midnight.
01:00:44 Well, where do we start?
01:00:46 Okay, well, it's got to be one of these.
01:00:51 You know, good thing he didn't hang himself in Arlington.
01:00:54 [music playing]
01:00:59 [music playing]
01:01:02 [music playing]
01:01:04 [music playing]
01:01:30 [music playing]
01:01:32 Hey!
01:01:36 Yes?
01:01:38 Excuse me. I wonder if you could give us some information.
01:01:41 Sure.
01:01:43 Well, we're looking for a tombstone of a priest who hanged himself.
01:01:49 Father Thomas?
01:01:51 We don't know his name.
01:01:58 Well, why are you looking for his burial site?
01:02:00 It's, uh...
01:02:02 It's a long story.
01:02:04 One you might not want to believe.
01:02:06 Try me. I'm just about ready to believe anything at this point.
01:02:10 That's the whole story.
01:02:12 My God in heaven.
01:02:16 The living dead.
01:02:18 And that's why you're here in Dunwich?
01:02:20 What do you want to do? What are you hoping to accomplish?
01:02:23 The death of Father Thomas
01:02:25 gave birth to some... some evil.
01:02:29 [gunshots]
01:02:31 [gasps]
01:02:33 It worked! It worked!
01:02:37 [music playing]
01:02:39 [screaming]
01:02:42 [screaming]
01:02:45 [screaming]
01:02:47 [screaming]
01:02:54 [screaming]
01:03:06 [screaming]
01:03:08 [moaning]
01:03:32 [moaning]
01:03:34 [moaning]
01:03:46 [moaning]
01:03:48 Yeah? Who's speaking?
01:04:09 [moaning]
01:04:11 All right, John-John.
01:04:21 Now listen to me.
01:04:23 You take it easy, and you stay right there and don't move,
01:04:26 and I'll be right over.
01:04:28 What happened?
01:04:30 That was Emily's little brother, John-John.
01:04:33 He just told me that Emily killed her parents.
01:04:37 Emily died two days ago.
01:04:40 [music playing]
01:04:43 [music playing]
01:05:10 [music playing]
01:05:12 [child crying]
01:05:25 I'm scared, Jerry. I'm scared.
01:05:27 It's all over. Everything's going to be all right.
01:05:30 Would you girls take care of him, please?
01:05:32 Sure. Come on.
01:05:34 My car?
01:05:38 Yeah.
01:05:39 In you get.
01:05:41 God.
01:05:43 God almighty.
01:05:45 Totally butchered.
01:05:47 Literally ripped to shreds, those two.
01:05:50 You're sure it was Emily?
01:05:53 Yeah, but she was all different.
01:05:56 Emily was like--
01:05:58 She was like-- She was dead.
01:06:01 And she wasn't even Mommy and Daddy.
01:06:03 Poor kid. You poor darling.
01:06:06 Jerry! Jerry, listen!
01:06:08 We gotta go to the funeral parlor.
01:06:10 And then we gotta look for that-- that grave of the priest.
01:06:13 All right.
01:06:14 Well?
01:06:16 Get out of here.
01:06:17 Scared to death.
01:06:19 John-John, it's all right.
01:06:25 It's going to be all right.
01:06:27 It's all over now.
01:06:29 [music playing]
01:06:32 [music playing]
01:06:34 [music playing]
01:07:02 Now listen, Sandra.
01:07:04 Go to the studio with John-John.
01:07:06 Stay there and don't let him out of your sight.
01:07:08 Yeah, sure.
01:07:09 Not for any reason.
01:07:10 Listen, Jerry, we better get a move on.
01:07:12 We only have a couple hours before All Saints Day.
01:07:14 God knows what else could happen.
01:07:16 [music playing]
01:07:18 [music playing]
01:07:20 [music playing]
01:07:22 [music playing]
01:07:24 [music playing]
01:07:26 [music playing]
01:07:28 [music playing]
01:07:30 [music playing]
01:07:40 [music playing]
01:07:50 [music playing]
01:07:52 [howling]
01:08:11 [howling]
01:08:18 [howling]
01:08:20 [howling]
01:08:26 [howling]
01:08:44 [howling]
01:08:47 [howling]
01:08:49 [howling]
01:08:53 [howling]
01:08:57 [howling]
01:09:06 [music playing]
01:09:11 [music playing]
01:09:13 [music playing]
01:09:23 [music playing]
01:09:33 [music playing]
01:09:35 [howling]
01:09:43 [howling]
01:09:47 [howling]
01:09:51 [howling]
01:09:57 [music playing]
01:10:24 [howling]
01:10:26 [howling]
01:10:30 [howling]
01:10:36 [howling]
01:10:40 [howling]
01:10:44 Oh, John, John, thank God you're safe, boy.
01:10:48 Listen, there's a police car around the corner.
01:10:50 Mary's there, too.
01:10:51 You go straight to it.
01:10:52 Go!
01:10:53 [music playing]
01:10:55 Yeah, I'm in car two with Sheriff Russell.
01:11:22 We're in Main Street.
01:11:23 We've got to go look for Father Thomas' grave.
01:11:26 You want some of my men?
01:11:27 No, I think you'd be better if you took care of the kids.
01:11:30 All right, I'll take care of the kids.
01:11:33 Mary.
01:11:34 Coming.
01:11:35 Did he call?
01:11:39 Yeah.
01:11:40 Let's get going.
01:11:41 [music playing]
01:11:44 [car driving]
01:11:46 [music playing]
01:11:48 [music playing]
01:11:50 [music playing]
01:11:52 [train whistle]
01:12:15 [music playing]
01:12:17 [train whistle]
01:12:19 [music playing]
01:12:22 [train whistle]
01:12:24 [music playing]
01:12:26 [train whistle]
01:12:28 [music playing]
01:12:30 [train whistle]
01:12:32 [music playing]
01:12:34 [train whistle]
01:12:36 [music playing]
01:12:38 [music playing]
01:12:40 [train whistle]
01:12:42 [music playing]
01:12:44 [train whistle]
01:12:46 [music playing]
01:12:48 [train whistle]
01:12:50 [music playing]
01:12:52 [train whistle]
01:12:54 [music playing]
01:12:56 [train whistle]
01:12:58 [music playing]
01:13:00 [train whistle]
01:13:02 [music playing]
01:13:04 [train whistle]
01:13:06 [music playing]
01:13:08 [train whistle]
01:13:10 [music playing]
01:13:12 [train whistle]
01:13:14 [music playing]
01:13:16 [train whistle]
01:13:18 [music playing]
01:13:20 [train whistle]
01:13:22 [music playing]
01:13:24 [train whistle]
01:13:26 [music playing]
01:13:28 [train whistle]
01:13:30 [music playing]
01:13:32 [train whistle]
01:13:34 [music playing]
01:13:36 [train whistle]
01:13:38 [music playing]
01:13:40 [train whistle]
01:13:42 [music playing]
01:13:44 [train whistle]
01:13:46 [music playing]
01:13:48 [train whistle]
01:13:50 [music playing]
01:13:52 [train whistle]
01:13:54 [music playing]
01:13:56 [train whistle]
01:13:58 [music playing]
01:14:00 [train whistle]
01:14:02 [music playing]
01:14:04 [train whistle]
01:14:06 [music playing]
01:14:08 [train whistle]
01:14:10 [music playing]
01:14:12 [train whistle]
01:14:14 [music playing]
01:14:16 [train whistle]
01:14:18 [music playing]
01:14:20 [train whistle]
01:14:22 [music playing]
01:14:24 [train whistle]
01:14:26 [music playing]
01:14:28 [train whistle]
01:14:30 [music playing]
01:14:32 [train whistle]
01:14:34 [music playing]
01:14:36 [train whistle]
01:14:38 [music playing]
01:14:40 [train whistle]
01:14:42 [music playing]
01:14:44 [train whistle]
01:14:46 [music playing]
01:14:48 [train whistle]
01:14:50 [music playing]
01:14:52 [train whistle]
01:14:54 [music playing]
01:14:56 [train whistle]
01:14:58 [music playing]
01:15:00 [train whistle]
01:15:02 [music playing]
01:15:04 [train whistle]
01:15:06 [music playing]
01:15:08 [train whistle]
01:15:10 [music playing]
01:15:12 [train whistle]
01:15:14 [music playing]
01:15:16 [train whistle]
01:15:18 [music playing]
01:15:20 [train whistle]
01:15:22 [music playing]
01:15:24 [train whistle]
01:15:26 [music playing]
01:15:28 [train whistle]
01:15:30 [music playing]
01:15:32 [train whistle]
01:15:34 [music playing]
01:15:36 [train whistle]
01:15:38 [music playing]
01:15:40 [train whistle]
01:15:42 [music playing]
01:15:44 [train whistle]
01:15:46 [music playing]
01:15:48 [train whistle]
01:15:50 [music playing]
01:15:52 [train whistle]
01:15:54 [music playing]
01:15:56 [train whistle]
01:15:58 [music playing]
01:16:00 [train whistle]
01:16:02 [music playing]
01:16:04 [train whistle]
01:16:06 [music playing]
01:16:08 [train whistle]
01:16:10 [music playing]
01:16:12 [train whistle]
01:16:14 [music playing]
01:16:16 [train whistle]
01:16:18 [music playing]
01:16:20 [train whistle]
01:16:22 [music playing]
01:16:24 [train whistle]
01:16:26 [music playing]
01:16:28 [train whistle]
01:16:30 [music playing]
01:16:32 [music playing]
01:16:34 [train whistle]
01:16:36 [train whistle]
01:16:38 [music playing]
01:16:40 [train whistle]
01:16:42 [music playing]
01:16:44 [train whistle]
01:16:46 [train whistle]
01:16:48 [music playing]
01:16:50 [train whistle]
01:16:52 [train whistle]
01:16:54 [music playing]
01:16:56 [train whistle]
01:16:58 [train whistle]
01:17:00 [music playing]
01:17:02 [train whistle]
01:17:04 [music playing]
01:17:06 [train whistle]
01:17:08 [music playing]
01:17:10 [train whistle]
01:17:12 [music playing]
01:17:14 [train whistle]
01:17:16 [music playing]
01:17:18 [train whistle]
01:17:20 [music playing]
01:17:22 [train whistle]
01:17:24 [music playing]
01:17:26 [train whistle]
01:17:28 [music playing]
01:17:30 [train whistle]
01:17:32 Be careful.
01:17:34 [train whistle]
01:17:36 [music playing]
01:17:38 [train whistle]
01:17:40 [music playing]
01:17:42 [train whistle]
01:17:44 [music playing]
01:17:46 [train whistle]
01:17:48 [music playing]
01:17:50 [train whistle]
01:17:52 [music playing]
01:17:54 [train whistle]
01:17:56 [music playing]
01:17:58 [train whistle]
01:18:00 [music playing]
01:18:02 [train whistle]
01:18:04 [music playing]
01:18:06 [train whistle]
01:18:08 [music playing]
01:18:10 [train whistle]
01:18:12 [music playing]
01:18:14 [train whistle]
01:18:16 [music playing]
01:18:18 [train whistle]
01:18:20 [music playing]
01:18:22 [train whistle]
01:18:24 [music playing]
01:18:26 [train whistle]
01:18:28 [music playing]
01:18:30 [train whistle]
01:18:32 [music playing]
01:18:34 [train whistle]
01:18:36 [music playing]
01:18:38 [train whistle]
01:18:40 [music playing]
01:18:42 [train whistle]
01:18:44 [music playing]
01:18:46 [train whistle]
01:18:48 [music playing]
01:18:50 [train whistle]
01:18:52 [music playing]
01:18:54 [train whistle]
01:18:56 [music playing]
01:18:58 [train whistle]
01:19:00 [music playing]
01:19:02 [train whistle]
01:19:04 [music playing]
01:19:06 [train whistle]
01:19:08 [music playing]
01:19:10 [train whistle]
01:19:12 [music playing]
01:19:14 [train whistle]
01:19:16 [music playing]
01:19:18 [train whistle]
01:19:20 [music playing]
01:19:22 [train whistle]
01:19:24 [music playing]
01:19:26 [train whistle]
01:19:28 [music playing]
01:19:30 [train whistle]
01:19:32 [music playing]
01:19:34 [train whistle]
01:19:36 [music playing]
01:19:38 [train whistle]
01:19:40 [music playing]
01:19:42 [train whistle]
01:19:44 [music playing]
01:19:46 [train whistle]
01:19:48 [music playing]
01:19:50 [train whistle]
01:19:52 [music playing]
01:19:54 [train whistle]
01:19:56 [music playing]
01:19:58 [train whistle]
01:20:00 [music playing]
01:20:02 [train whistle]
01:20:04 [train whistle]
01:20:06 My God! Someone must have broken in from the other side.
01:20:10 Or broken out.
01:20:12 [scoffs]
01:20:14 Well, now what do we do?
01:20:16 I want to go take a look.
01:20:18 [clattering]
01:20:20 [clattering]
01:20:22 [coughing]
01:20:24 [splat]
01:20:26 [splat]
01:20:28 Having received no further bulletins on police emergency operations,
01:20:32 which are still in progress,
01:20:34 we can only confirm our previous special broadcast.
01:20:37 Citizens are requested to remain in their homes.
01:20:40 Under no circumstances should anyone try to reach the state turnpike.
01:20:44 Do not panic. Remain in your homes.
01:20:48 Stay tuned to WDWC for further bulletins.
01:20:51 For those who have just tuned in, repeat our previous bulletins.
01:20:56 Dunwich Police Authority has declared a state of emergency.
01:21:00 Effective immediately within Dunwich County.
01:21:03 All citizens...
01:21:05 [music playing]
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01:21:15 [music playing]
01:21:17 [music playing]
01:21:19 [music playing]
01:21:21 [music playing]
01:21:23 [music playing]
01:21:25 [screaming]
01:21:27 [shrieking]
01:21:29 No!
01:21:31 [shrieking]
01:21:33 [shrieking]
01:21:35 [shrieking]
01:21:37 [shrieking]
01:21:39 [sobbing]
01:21:41 [sobbing]
01:21:43 [explosion]
01:21:51 [music playing]
01:22:08 Sandra.
01:22:10 [music playing]
01:22:21 [screaming]
01:22:33 [screaming]
01:22:43 [music playing]
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01:23:48 [music playing]
01:23:53 [sobbing]
01:24:03 [sobbing]
01:24:13 [sobbing]
01:24:23 [sobbing]
01:24:30 [music playing]
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01:32:42 [BLANK_AUDIO]