La meilleure et la plus fidèle adaptation du roman de Robert Louis Stevenson.
Docteur Jekyll et M. Hyde (Dr. Jekyll and Mr. Hyde) est un film d'horreur et science-fiction américain réalisé en 1931 par Rouben Mamoulian et produit par Adolph Zukor pour la Paramount Pictures. Cette première adaptation pour le cinéma parlant du célèbre roman de Robert Louis Stevenson, aux fortes connotations érotiques, contribue à fixer durablement l'image hollywoodienne du mythe du médecin honorable progressivement submergé par son double aux pulsions incontrôlables. Elle est également l'occasion pour son réalisateur de se livrer à des expérimentations formelles audacieuses et elle permet à son acteur principal de remporter le prix d'interprétation aux Oscars du cinéma de 1932.
Docteur Jekyll et M. Hyde (Dr. Jekyll and Mr. Hyde) est un film d'horreur et science-fiction américain réalisé en 1931 par Rouben Mamoulian et produit par Adolph Zukor pour la Paramount Pictures. Cette première adaptation pour le cinéma parlant du célèbre roman de Robert Louis Stevenson, aux fortes connotations érotiques, contribue à fixer durablement l'image hollywoodienne du mythe du médecin honorable progressivement submergé par son double aux pulsions incontrôlables. Elle est également l'occasion pour son réalisateur de se livrer à des expérimentations formelles audacieuses et elle permet à son acteur principal de remporter le prix d'interprétation aux Oscars du cinéma de 1932.
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Court métrageTranscription
00:00:00 [music]
00:00:20 Come in.
00:00:21 What is it, Paul?
00:00:24 It's a Corset of Three, sir. And your address at the university is at three.
00:00:29 So it is, Paul. So it is.
00:00:32 You know, Paul, you're a nuisance.
00:00:37 Yes, sir.
00:00:38 But I don't know what I should do without you.
00:00:40 Thank you, sir.
00:00:41 Your sense of duty is as impregnable as Gibraltar. Even Bach can't move it.
00:00:47 Yes, sir. Thank you, sir. I'm afraid you'll be late, sir.
00:00:51 I see you want to get rid of me.
00:00:53 All right, Paul. All right.
00:00:59 [music]
00:01:05 You have lovely roses, Paul.
00:01:07 Thank you, sir.
00:01:10 Will you wear your own coat of cape, sir?
00:01:23 Give me my cape.
00:01:24 [footsteps]
00:01:36 [footsteps]
00:02:05 Good afternoon, Jasper.
00:02:07 Good afternoon, sir.
00:02:08 Nice day, isn't it?
00:02:10 Isn't it, sir?
00:02:11 St. Simon's.
00:02:13 Yes, sir.
00:02:14 [footsteps]
00:02:27 [indistinct]
00:02:28 How are you, sir?
00:02:31 Very good, thank you, sir.
00:02:34 [footsteps]
00:02:36 I won't need you anymore today, Jasper. Dr. Lanyon will take me where I'm going, madam.
00:02:40 Yes, sir.
00:02:41 How do you do, Dr. Jekyll?
00:02:47 How do you do?
00:02:48 Hello, Hampton.
00:02:53 Good afternoon, sir.
00:02:55 Youratorium's full, sir.
00:02:57 It always is when you speak, sir.
00:02:59 Flattery!
00:03:00 [indistinct]
00:03:21 I hope Jeke was informed today.
00:03:23 He's always informed.
00:03:24 The old codgers are in for another joke.
00:03:26 I await you, your friend, or something up his sleeve again, Dr. Lanyon.
00:03:30 Jekyll is always sensational, always indulging in spectacular fear.
00:03:33 Gentlemen!
00:03:34 London is so full of fog that it has penetrated our minds, set boundaries for our vision.
00:03:43 As men of science, we should be curious and bold enough to peer beyond it into the many wonders it conceals.
00:03:52 I shall not dwell today on the secrets of the human body, in sickness and in health.
00:03:57 Today I want to talk to you of a greater marvel, the soul of man.
00:04:02 My analysis of this soul, the human psyche, leads me to believe that man is not truly one, but truly two.
00:04:14 One of him strives for the nobilities of life.
00:04:18 This we call his good self.
00:04:21 The other seeks an expression of impulses that bind him to some dim animal relation with the earth.
00:04:28 This we may call the bad.
00:04:31 These two carry on an eternal struggle in the nature of man, yet they are chained together.
00:04:38 And that chain spells repression to the evil, remorse to the good.
00:04:43 Now, if these two selves could be separated from each other, how much freer the good in us would be.
00:04:50 What heights it might scale.
00:04:53 And the so-called evil, once liberated, would fulfill itself and trouble us no more.
00:04:59 I believe the day is not far off when this separation will be possible.
00:05:05 In my experiments I have found that certain chemicals have the power and...
00:05:11 ...speak of spitting it too like a jolly amoeba.
00:05:17 By Jove, it's marvelous. I confess it's too much for me.
00:05:20 Why don't you stay at home and send your other selves to the lecture?
00:05:23 To divide a human being in two, ridiculous.
00:05:26 I'm going to try to analyze my psyche.
00:05:28 I didn't expect you to agree with me, Lanyon.
00:05:30 Agree with you? You talk like a lunatic.
00:05:32 However, I hope you're sane enough to remember that we're expected for a consultation of the Duchess of Dinsmoor.
00:05:37 - I'm not going. - What?
00:05:38 Please give the Duchess my compliments and some castor oil.
00:05:42 I saw her yesterday, she's a bit bilious.
00:05:44 More in spirit than in body, I'm afraid.
00:05:46 I'm going along to the free wards.
00:05:47 My dear fellow, be reasonable.
00:05:49 You know how insistent the Duchess was on your coming, though heaven knows why.
00:05:52 You can't neglect her for a lot of charity cases.
00:05:54 Can't I, though, Lanyon?
00:05:56 If the things one can't do, they always tempt me.
00:05:58 Oh, well, just as you'd like.
00:06:00 But you will remember we have a dinner engagement at the Carouse tonight.
00:06:02 - Yes, indeed. - I'll pick you up later.
00:06:03 Thanks, old fellow. You'll find me in the wards.
00:06:05 See you in the arms.
00:06:07 Harry, what are you doing with those crutches?
00:06:12 I can't do without them, sir.
00:06:14 Yes, you can do without them, Harry.
00:06:16 I told you yesterday.
00:06:18 Believe me, I can't do anything for you.
00:06:20 I believe you, sir.
00:06:24 But I can't walk without them, sir.
00:06:26 Yes, you can.
00:06:28 Give them to me.
00:06:29 Don't be afraid.
00:06:30 Now walk, Harry.
00:06:33 Come on, come to me.
00:06:35 Yes, sir.
00:06:36 Walk, Harry.
00:06:40 Come on.
00:06:43 All right, sir.
00:06:45 I can walk, sir.
00:06:47 Of course you can.
00:06:49 I can walk, sir.
00:06:50 I can walk, sir.
00:06:54 I can walk, sir.
00:06:56 There, there, Mrs. Lucas.
00:07:06 It hurts, doesn't it?
00:07:09 Yes, sir.
00:07:11 Sometimes a doctor must hurt you a little to make you well.
00:07:14 Yes, sir.
00:07:15 And if a doctor thinks a slight operation is necessary, there's no need to be afraid, is there?
00:07:19 No, sir.
00:07:20 I want you to know it's going to cure you.
00:07:22 I believe you, sir.
00:07:24 We haven't much time, you know.
00:07:27 I'm sorry, Lanyon. I'm afraid I must miss the dinner.
00:07:30 I'll come afterwards for the dancing.
00:07:31 Why, what's keeping you?
00:07:32 I must operate on this patient at once.
00:07:34 Well, why not leave it to one of the house surgeons?
00:07:36 They're quite competent.
00:07:38 Perhaps.
00:07:39 I prefer to do it myself.
00:07:41 Will you make my excuses to General Carew and Muriel, please?
00:07:44 As you'd like.
00:07:45 Lanyon, you make my excuses to the General, and I'll make mine to Muriel myself.
00:07:50 Oh, all right.
00:07:52 Yes, Miss Muriel?
00:07:53 Will there be almond cakes with coffee, Hudson?
00:07:55 I'm sorry, miss, but I don't think so.
00:07:57 But we must have almond cakes. Send for them immediately.
00:07:59 Very good, miss.
00:08:00 What's this? What's this about almond cakes?
00:08:02 Dr. Jekyll likes them, father.
00:08:04 You know you'll spoil that fiancée of yours.
00:08:06 I like spoiling him.
00:08:07 So I observe. And what about your father?
00:08:10 You're already the most spoiled darling in the world.
00:08:12 Dr. Lanyon.
00:08:13 Ah, Lanyon. Delighted to see you.
00:08:16 Punctual for dinner, punctual in everything.
00:08:18 How do you do, sir?
00:08:19 What an astonishing motto, father.
00:08:21 How do you do, Muriel?
00:08:22 Where's Jekyll? He stayed to perform an operation.
00:08:24 Oh, isn't he coming?
00:08:25 He will be in after dinner. He asked me to make his excuses.
00:08:28 I hope the patient is worthy of Jekyll's attention.
00:08:30 A woman in the free wards.
00:08:32 Free ward?
00:08:33 Free ward? Jekyll gives entirely too much time to his charity patients.
00:08:37 Oh, I love him for that.
00:08:38 Nonsense, my dear. He ought to come down to earth.
00:08:41 Mr. Utterson.
00:08:42 Ah, Utterson.
00:08:44 However, I promised Harry the first waltz.
00:08:47 And if he's late, I shall be furious.
00:08:49 Oh, you don't.
00:08:50 Your maiden lady, Lady Kate.
00:08:51 Hello.
00:09:06 I'm very glad he is late.
00:09:08 I'm obliged to him for a most delightful waltz.
00:09:11 Thank you.
00:09:20 Ah, General.
00:09:22 I'm very sorry to be late, sir.
00:09:24 Muriel.
00:09:25 No repentance of virtue, Jekyll.
00:09:27 But it's better to be punctual.
00:09:29 In 40 years, I've never been late for dinner.
00:09:31 It's indeed a remarkable record, sir.
00:09:33 It's merely a matter of training, my boy.
00:09:35 At the age of 40.
00:09:36 General.
00:09:37 You've not forgotten this is our dance.
00:09:39 Certainly not, Lady David.
00:09:41 I've been looking forward to it.
00:09:42 See you later, David.
00:09:44 May I?
00:09:45 I shouldn't.
00:09:46 But you will.
00:09:50 Was she pretty?
00:09:52 Ravishing.
00:09:53 Who?
00:09:54 Your patient.
00:09:55 Oh, I was thinking of someone else.
00:09:57 Someone to make you late again?
00:09:59 Are you chiding me?
00:10:00 Of course.
00:10:01 Because you hate me?
00:10:02 Of course, silly.
00:10:04 Well, then, will you come into the garden where I can bury?
00:10:07 Certainly not.
00:10:09 Why not?
00:10:10 Father, he'd be furious.
00:10:12 Do him good.
00:10:14 Well, he's not looking.
00:10:15 He's teaching Lady Dakin how to waltz.
00:10:25 Just there long?
00:10:26 Just for ever.
00:10:27 Oh, my, I didn't have to go to that.
00:10:38 Now my fathering, chide me, mock me, hate me, but don't send me away.
00:10:43 Silly.
00:10:44 Are you sorry you were late?
00:10:46 I'm not.
00:10:47 You're not?
00:10:48 If I hadn't been late, you wouldn't have parted.
00:10:50 I shall never forgive you.
00:10:51 If you hadn't parted, you wouldn't have looked so divinely pretty.
00:10:53 Will you talk his way to your patient?
00:10:55 If you hadn't looked so divinely pretty, I might have postponed...
00:10:58 fun?
00:10:59 Now, another word.
00:11:01 Well?
00:11:03 I might have postponed telling you that I love you so much that I don't want to wait any longer.
00:11:08 I want you to marry me now.
00:11:10 Darling, I want to with all my heart.
00:11:12 You know I do.
00:11:14 But father said difficult.
00:11:16 I don't want to marry your father.
00:11:18 I don't mind having a difficult father, nor you'd be worth it, my darling.
00:11:22 I don't think you love me seriously.
00:11:24 No, I love you better than that.
00:11:26 I love you gaily, happily, high-hearted.
00:11:29 I love you so much that I could laugh and sing and...
00:11:32 Oh, I shouldn't spoil it by trying to sing.
00:11:35 Oh, my darling.
00:11:36 I shall persuade your father to let us marry now.
00:11:38 I can't wait any longer.
00:11:40 We shall go to Devon for our honeymoon and live on love and strawberries and the sight of the sea.
00:11:45 And moonlight.
00:11:46 Endless moonlight.
00:11:49 Oh, I do love you seriously.
00:11:53 I love you so seriously that it frightens me.
00:11:58 You opened a gate for me into another world.
00:12:03 Before that, my work was everything.
00:12:06 I was drawn to the mysteries of science, to the unknown.
00:12:10 But now, the unknown wears your face.
00:12:15 Looks back at me with your eyes.
00:12:19 I wish this moment would last forever.
00:12:22 You can make it last, dear.
00:12:25 Oh, I love you.
00:12:27 Be near me always.
00:12:30 Always?
00:12:31 You and I?
00:12:33 Apart from the world.
00:12:34 I love you, darling.
00:12:37 I love you.
00:12:39 Then who shall ever separate us?
00:12:43 My sweet friend.
00:12:45 Oh, my love. My love.
00:13:14 You ought to wear squeaky shoes, Hobson.
00:13:17 Yes, sir. Thank you, sir.
00:13:19 The general asks you to come into the house, Miss Muriel.
00:13:21 Your guests are inquiring about you.
00:13:23 Coming, Hobson.
00:13:43 Good evening.
00:14:09 There you came, Vanna.
00:14:10 Good night, Muriel.
00:14:11 Good night.
00:14:12 Good night, my dear.
00:14:13 Good night, my dear.
00:14:14 Good night, General.
00:14:15 I don't know when I've enjoyed myself so much.
00:14:18 I'll see you at tea tomorrow, dear.
00:14:20 Yes. I won't forget any day, sir. Good night.
00:14:22 Good night.
00:14:23 Good night.
00:14:24 Ah, Jekyll, my boy.
00:14:25 Waiting to see me?
00:14:26 I beg your pardon, sir.
00:14:27 You would make Muriel and me very happy if you'd set an earlier date for our wedding.
00:14:31 I've already announced to you that you would be married on the anniversary of my own wedding.
00:14:36 That's eight months from now, sir.
00:14:37 Well, what of it?
00:14:38 We've already been engaged two months, sir.
00:14:40 We see no reason to.
00:14:41 I presume I have some rights in the matter.
00:14:43 Quite right, sir. That's why we're asking you.
00:14:45 Well, why this impatience?
00:14:47 It all meant it isn't done. It isn't done.
00:14:49 I'm sorry, sir, but I cannot regard that as a serious objection.
00:14:52 Do you hear this, Lanyon?
00:14:54 Is this another evidence of your eccentricity?
00:14:57 If it is eccentric to be impatient in love, sir, I am.
00:15:00 This is positively indecent.
00:15:02 Father, do you think it fair to keep us apart for so long?
00:15:05 I waited five years for your mother.
00:15:07 You have a sturdy temperament, General.
00:15:09 Yes. Yes, I pride myself on it.
00:15:12 Please don't make me wait that long for Muriel.
00:15:14 Now, my boy, you must leave these matters to me.
00:15:16 There's such a thing as decent observance, you know.
00:15:19 Good night.
00:15:20 Good night, sir.
00:15:22 Good night, Lanyon.
00:15:23 Good night, sir.
00:15:24 Au revoir, my sweet.
00:15:26 Come, Lanyon.
00:15:28 Good night, Muriel.
00:15:29 Good night.
00:15:37 Well, I'm afraid you offended the General.
00:15:40 Offended him?
00:15:41 It's a pity I didn't strangle the old walrus.
00:15:44 Did you hear him?
00:15:45 Wait. Wait.
00:15:47 What the devil does one wait for?
00:15:49 Well, I hope the responsibilities of marriage will sober you up.
00:15:54 I'm not marrying to be sober. I'm marrying to be drunk.
00:15:57 Drunk with love and life and experiment.
00:15:59 Your experiment is absurd, my dear fellow.
00:16:01 You have no interest in science at all.
00:16:03 You have no dreams, no curiosity.
00:16:05 There are bounds beyond which one should not go.
00:16:07 Yes, it isn't done, I suppose.
00:16:09 I tell you there are no bounds, Lanyon.
00:16:11 Look at that gas lamp.
00:16:13 But for some man's curiosity, we should not have had it.
00:16:15 And London would still be lighted by link boys.
00:16:17 And wait.
00:16:18 One day London will glow with incandescence.
00:16:20 And it will be so beautiful that even you will be moved by it.
00:16:23 Well, I find London quite satisfactory as it is.
00:16:26 And I'm not interested in your shortcuts and your byways.
00:16:28 But it's in the byways that the secrets and wonders lie.
00:16:31 In science and in life.
00:16:33 Look at the...
00:16:35 Are you finding her?
00:16:50 Where does this girl live?
00:16:52 Up this little... First go to the left, at the top of this field.
00:16:54 Bring her up here.
00:17:02 I'll help you.
00:17:04 Oh, shut up, you're laughing.
00:17:08 She was asking for it.
00:17:10 What was it all about?
00:17:14 Pardon me, dear. She said, "What have I repaired?"
00:17:16 I can tell you what, madam.
00:17:18 Shut up. "What have I repaired?"
00:17:20 It's mine. It's me, Willie.
00:17:23 You wished he hadn't. You wished he hadn't.
00:17:26 I ain't afraid of him. I ain't blasted his dirty mug.
00:17:29 He's killed me. That's what he's done.
00:17:31 He's broken me jaw and me knee, too.
00:17:33 I'll get him for this.
00:17:35 Look where he kicked me.
00:17:41 It's only a bruise.
00:17:45 It'll be quite well in a few days.
00:17:46 By the way, you mustn't wear so tight a garter.
00:17:48 It's bad for you.
00:17:50 It impedes the circulation.
00:17:53 How kind of you to look after me.
00:17:59 Anybody can see now that you're a real gent, you are.
00:18:02 Now, you're the kind a woman would do something for.
00:18:06 You'll be all right.
00:18:08 You're not.
00:18:09 Oh!
00:18:10 What is it?
00:18:11 He's hurt me here, too, the blighter.
00:18:12 He's broken me ribs. That's what he's done.
00:18:15 I'm going to faint.
00:18:17 You're not seriously hurt.
00:18:21 A bit of arrest'll do you no harm, though.
00:18:24 You think I ought to go to bed?
00:18:26 I know of no better place for arrest.
00:18:29 Oh, all right.
00:18:31 You turn your eyes away now.
00:18:33 [chuckles]
00:18:35 [laughs]
00:19:02 [chuckles]
00:19:04 [laughs]
00:19:22 [laughs]
00:19:24 How's the pain now?
00:19:35 I see.
00:19:42 Oh, Lanyon.
00:19:44 [laughs]
00:19:46 Coming?
00:19:48 I'm a doctor, you know, and I'll call that kiss my fee.
00:19:52 Well?
00:19:57 Come back soon, won't you?
00:20:02 Sorry, I'm afraid I can't.
00:20:03 Oh, yes, you can.
00:20:05 Soon.
00:20:07 You're not.
00:20:08 Come back.
00:20:17 Come back soon, won't you?
00:20:21 Oh, yes, you can.
00:20:23 Soon.
00:20:25 Come back.
00:20:27 I thought your conduct quite disgusting, Keegle.
00:20:31 Conduct? Why, a pretty girl kissed me.
00:20:33 Should I have called the constable?
00:20:35 Even suppose I'd liked it?
00:20:36 What?
00:20:37 Yes. That's not a matter of conduct, but of elementary instinct.
00:20:39 You ought to control those instincts.
00:20:41 Are you pretending that you either can or do?
00:20:44 We may control our actions, but not our impulses.
00:20:47 Perhaps you've forgotten your engaged emerald.
00:20:50 Forgotten it?
00:20:52 Can a man dying of thirst forget water?
00:20:56 And do you know what would happen to that thirst if it were denied water?
00:20:59 If I understand you correctly, you sound almost indecent.
00:21:03 What names you give things.
00:21:05 Why aren't you frank enough to admit that other, that indecent self in you?
00:21:09 No, you prefer to hide it, pretend it isn't there.
00:21:11 We have to accept certain things.
00:21:13 I don't want to accept them.
00:21:14 I want to be clean, not only in my conduct, but in my innermost thoughts and desires.
00:21:18 There's only one way to do it.
00:21:19 How?
00:21:21 Separate the two natures in us.
00:21:22 Oh, that absurd theory of yours.
00:21:24 I tell you it's unscientific not to admit the possibility of anything.
00:21:27 Oh, you're mad.
00:21:29 Mad, eh, Lanyon?
00:21:31 We'll see.
00:21:33 We'll see.
00:21:35 [Lanyon's footsteps]
00:21:50 [Lanyon's footsteps]
00:22:12 [knock on door]
00:22:13 Come in.
00:22:22 What is it, Poole?
00:22:23 Begging your pardon for the intrusion, sir, but did you sleep last night, sir?
00:22:27 Don't worry about me.
00:22:28 Yes, sir, but you had only a cup of tea for breakfast, sir, for three days.
00:22:31 You're ill.
00:22:33 Now, Poole, you didn't come here to inquire after my health, did you?
00:22:36 One of General Carew's servants brought this, sir.
00:22:48 Miss Muriel is scolding me for having missed a dinner last night.
00:22:51 Go to her at once and tell her that I shall certainly come to dinner tomorrow night.
00:22:54 Very good, sir.
00:23:18 [door opens]
00:23:29 [Lanyon sighs]
00:23:31 [Lanyon sighs]
00:23:44 [Lanyon's footsteps]
00:23:59 [door opens]
00:24:12 [door closes]
00:24:28 [door opens]
00:24:43 [Lanyon's footsteps]
00:25:00 [Lanyon's footsteps]
00:25:20 [Lanyon's footsteps]
00:25:30 Marry me, Harker.
00:25:32 I can't wait another month.
00:25:34 Positively indecent.
00:25:35 Look where he dipped me.
00:25:37 Your conduct was disgusting.
00:25:38 It isn't done.
00:25:39 It isn't done.
00:25:41 Strangle.
00:25:43 Strangle.
00:25:44 Indecent.
00:25:45 Indecent.
00:25:46 Can a man die of thirst?
00:25:48 Forget water.
00:25:50 Disgusting.
00:25:51 You're mad, mad.
00:25:52 Come back soon, won't you?
00:25:55 Come back.
00:25:57 Come back.
00:25:59 Come back.
00:26:01 Come back.
00:26:03 [Lanyon sighs]
00:26:06 [Lanyon's footsteps]
00:26:35 [Lanyon's footsteps]
00:26:59 Free.
00:27:02 Free at last.
00:27:05 [Lanyon groans]
00:27:08 Mad, eh, Lanyon?
00:27:09 Eh, Caru?
00:27:11 You hypocrites.
00:27:12 Deniers of life.
00:27:14 If you could see me now, what would you think?
00:27:18 Hmm?
00:27:19 [Lanyon laughs]
00:27:22 [Lanyon groans]
00:27:26 [Lanyon sighs]
00:27:28 [Lanyon pants]
00:27:34 [Lanyon grunts]
00:27:37 [Lanyon's footsteps]
00:27:40 [Lanyon's footsteps]
00:27:52 [knocking]
00:27:54 Who is it?
00:27:55 Who is it?
00:27:56 Who's there?
00:27:57 [door opens]
00:28:00 [door closes]
00:28:03 Dr. Jekyll?
00:28:05 Dr. Jekyll, sir.
00:28:06 [knocking]
00:28:07 Is that you?
00:28:09 Do you hear me, sir?
00:28:11 [knocking]
00:28:12 Please let me in, sir.
00:28:14 Let me in.
00:28:16 [knocking]
00:28:25 I beg your pardon, sir.
00:28:27 I thought I heard a strange voice.
00:28:30 That's quite all right, Poole.
00:28:31 There was someone here, a friend of mine.
00:28:33 His name is, uh, Hyde.
00:28:35 Mr. Hyde.
00:28:36 He's just gone out the back door.
00:28:37 Y-yes.
00:28:39 [door closes]
00:28:41 [footsteps]
00:28:44 [footsteps]
00:29:08 Marry me now, my darling.
00:29:10 You don't know how much I need you.
00:29:12 I want to with all my heart.
00:29:14 But Father--
00:29:15 I'll speak to him.
00:29:16 I'll convince him.
00:29:17 No, no, let me talk to him.
00:29:19 I'll try to change his mind while we're away.
00:29:21 Away?
00:29:22 Yes.
00:29:23 Oh, darling, I've dreaded telling you.
00:29:25 But Father's taking me to Boston tomorrow.
00:29:28 He has no right to take you away from me.
00:29:30 Why must we put up with this?
00:29:33 You want to marry me?
00:29:35 With all my heart.
00:29:36 We'll marry without his consent.
00:29:37 Say you will, my darling.
00:29:39 We'll go to Paris for our honeymoon.
00:29:41 We'll be so gloriously happy that--
00:29:43 that even the French will be jealous of us.
00:29:45 I'm so thrilled and tempted.
00:29:47 I don't want to hurt my father.
00:29:49 It's only a little hurt to his vanity.
00:29:51 You'll do me a greater hurt if you refuse.
00:29:54 Do be patient just a little while.
00:29:56 I'm sure I can persuade him while we're gone.
00:29:59 But Muriel--
00:30:00 Darling, don't you love me enough to wait a little while?
00:30:04 Of course.
00:30:07 Of course I love you enough, dear.
00:30:10 I'll wait.
00:30:11 I'll wait.
00:30:15 Wait.
00:30:22 Wait.
00:30:25 Wait.
00:30:26 Come in.
00:30:42 A letter from Boston.
00:30:50 Yes, sir.
00:30:51 Miss Muriel won't be home for another month.
00:31:06 Can't even go to see her.
00:31:07 I'm sorry to hear it, sir.
00:31:10 Another month.
00:31:11 I beg your pardon, sir.
00:31:12 But may I suggest that you ought to amuse yourself.
00:31:16 Amuse myself?
00:31:17 Now, what do you suggest, Poole?
00:31:19 I think you ought to go out, sir.
00:31:21 London offers many amusements for a gentleman like you, sir.
00:31:25 Yes, but a gentleman like me dare not take advantage of them, Poole.
00:31:28 Gentlemen like me have to be very careful of what they do and say.
00:31:31 That's all, Poole.
00:31:32 Yes, sir.
00:31:33 [FOOTSTEPS]
00:31:36 [KNOCKING]
00:31:51 [GUNSHOT]
00:31:57 [CRASH]
00:31:58 [FOOTSTEPS]
00:32:01 [FOOTSTEPS]
00:32:04 [FOOTSTEPS]
00:32:07 [FOOTSTEPS]
00:32:10 [FOOTSTEPS]
00:32:17 [GLASS CLINKING]
00:32:22 [GLASS CLINKING]
00:32:26 [GUNSHOT]
00:32:30 [GUNSHOT]
00:32:36 [GLASS CLINKING]
00:32:37 [GUNSHOT]
00:32:38 [GASPING]
00:32:46 [GASPING]
00:32:49 [WHIMPERING]
00:33:01 [GASPING]
00:33:06 [GASPING]
00:33:09 [GASPING]
00:33:22 [GASPING]
00:33:32 [WHIMPERING]
00:33:35 [GUNSHOT]
00:33:47 [GASPING]
00:33:50 [GUNSHOT]
00:33:55 [FOOTSTEPS]
00:34:01 [GROANING]
00:34:04 [GROANING]
00:34:16 [GUNSHOT]
00:34:23 [FOOTSTEPS]
00:34:51 [KNOCKING]
00:34:54 Here, here.
00:34:59 What are you after down there?
00:35:01 Ah, I was calling on the young lady who occupies the little nest.
00:35:05 If it's Ivy Pearson, you mean.
00:35:07 She ain't in.
00:35:08 Ah.
00:35:09 Do you know where I can find her?
00:35:12 If I was wanting her, I'd try the variety music hall.
00:35:15 Oh, I thank you.
00:35:17 I thank you.
00:35:18 [LAUGHING]
00:35:19 Now, get out.
00:35:20 What do you take me for?
00:35:21 [LAUGHING]
00:35:22 Get out.
00:35:23 Stay out of here.
00:35:46 I didn't do nothing, mister.
00:35:47 [LAUGHING]
00:35:50 [MUSIC PLAYING]
00:35:54 [MUSIC PLAYING]
00:36:21 [INAUDIBLE]
00:36:24 What are you staring at?
00:36:25 Nothing, sir.
00:36:26 [MUSIC PLAYING]
00:36:29 [MUSIC PLAYING]
00:36:32 [MUSIC PLAYING]
00:36:36 [MUSIC PLAYING]
00:36:39 [MUSIC PLAYING]
00:36:54 [MUSIC PLAYING]
00:36:57 Now, what are you waiting for?
00:37:09 A tip, eh?
00:37:10 Get out.
00:37:12 Now, get out.
00:37:13 [GUNSHOTS]
00:37:18 I'm sorry, sir.
00:37:19 I'm sorry.
00:37:20 Swine.
00:37:23 He's a Roman.
00:37:24 Let's have a drink.
00:37:31 [APPLAUSE]
00:37:49 [SINGING]
00:37:52 I will.
00:38:03 [LAUGHING]
00:38:05 You ought a bit of something to look at and listen to, Jerry.
00:38:08 Not our plan, so they say.
00:38:10 [LAUGHING]
00:38:11 You ain't conceited, are you?
00:38:12 Well, I has me point.
00:38:14 [LAUGHING]
00:38:15 Hey, sorry.
00:38:16 I'll be the herb.
00:38:17 I'll be taking off the bell.
00:38:19 Hey, hey, you.
00:38:20 Hey.
00:38:21 Tell that wench in black to come over and have a bottle of wine with me.
00:38:27 Yes, sir.
00:38:28 Yes, sir.
00:38:29 [MUSIC PLAYING]
00:38:32 The gent in the box wants you to have a bottle of wine with him.
00:38:36 Oh, he does, does he?
00:38:37 What of it?
00:38:38 Well, you better come in to know what's good for you.
00:38:40 The gent won't be trifled with, eh?
00:38:42 Strike me pink.
00:38:43 You interest me.
00:38:45 I'll take a chance.
00:38:48 Where is he?
00:38:49 I'll take you to him.
00:38:51 [MUSIC PLAYING]
00:38:54 This is indeed a great honor.
00:39:03 I noticed you as you came in, my dear.
00:39:05 There, I said to myself, it's too pretty a girl to waste on such a companion.
00:39:10 Oh, but you are pretty.
00:39:13 And what a figure, my dear.
00:39:16 What a figure.
00:39:18 Glass of champagne.
00:39:20 To you.
00:39:21 To you, my dear.
00:39:23 To your beauty.
00:39:24 Hm?
00:39:25 [MUSIC PLAYING]
00:39:28 You must be going now.
00:39:33 Going?
00:39:34 Where?
00:39:35 Home.
00:39:36 You call that home?
00:39:37 That pigsty of yours in Babylon's Court?
00:39:40 Stye, is it?
00:39:41 You come off that.
00:39:42 You and your tempers, out, my dear.
00:39:44 How do you know where I live?
00:39:47 I saw you on the street and followed you.
00:39:49 Ah, my pretty, you deserve better than that.
00:39:51 You ought to live in a place worthy of you.
00:39:53 Buckingham Palace, I suppose.
00:39:55 [LAUGHTER]
00:39:57 That's the spirit.
00:39:58 I like you.
00:39:59 Sit down, my dear.
00:40:00 Sit down just for a moment, eh?
00:40:01 You should have a place that would set off that fine body of yours.
00:40:05 Yellow hair and pale face, hm?
00:40:08 Clothes to match, too, my dear.
00:40:10 Silk, eh?
00:40:11 And a bracelet, too, hm?
00:40:14 Champagne to drink, eh?
00:40:16 How'd you like that?
00:40:18 And how am I to get it?
00:40:20 How, uh, do you think you're going to get it, my bright little bird, hm?
00:40:26 Uh, I'm no gentleman, uh, but I have money.
00:40:33 Perhaps my looks don't please you.
00:40:35 Well, you ain't no beauty.
00:40:37 That's right.
00:40:38 I am no beauty.
00:40:40 You prefer a gentleman, eh?
00:40:42 One of those fine-mannered, virtuous, and honorable gentlemen.
00:40:47 One of those canting hypocrites who like your lady but talk about your garter.
00:40:52 What are you talking about?
00:40:54 Oh, my poor little innocent.
00:40:56 It doesn't know what I'm talking about, eh?
00:41:00 Well, it's afraid of me, isn't it?
00:41:03 No.
00:41:04 I ain't afraid of you.
00:41:05 Aren't you?
00:41:06 Good.
00:41:07 Hey, you.
00:41:08 You're a girl, are you, you dirty blighter?
00:41:10 Come back, you.
00:41:11 I'll fix you.
00:41:12 Get out.
00:41:13 I'll knock your blimmin' head out.
00:41:14 Get out of here, you.
00:41:15 Ah!
00:41:16 Ah.
00:41:17 You couldn't have done it.
00:41:26 Couldn't I, though?
00:41:27 Why not?
00:41:28 This face was just made for it.
00:41:31 Oh, no.
00:41:32 It's not that.
00:41:33 Let me go.
00:41:34 Oh, no.
00:41:35 Oh, no.
00:41:36 You're not going anywhere.
00:41:37 I'm going home.
00:41:38 Ah!
00:41:39 Ah!
00:41:40 Forgive me, my dear.
00:41:43 You see, I hurt you because I love you.
00:41:46 I want you.
00:41:48 And what I want, I get.
00:41:52 I grant you I'm no beauty.
00:41:55 But under this exterior, you'll find a very flower of a man.
00:42:02 Look at me.
00:42:04 You suppose I'd let anybody stand in my way?
00:42:08 I love you.
00:42:09 I love you.
00:42:10 Do you understand?
00:42:12 You'll come with me, eh?
00:42:17 You'll come with me.
00:42:31 Come in, sir.
00:42:34 I presume your master is out?
00:42:36 Yes, sir.
00:42:37 So he is, sir.
00:42:38 He's always out when I call.
00:42:40 Tell your master I've had a letter from General Carew.
00:42:42 He tells me that Dr. Jekyll has not replied to any of Miss Muriel's letters.
00:42:46 She's worried about him.
00:42:47 I'll tell him, sir.
00:42:49 At any rate, I'm relieved to know he's not confined to his bed.
00:42:51 I'm begging your pardon, sir.
00:42:53 It's my opinion that my master isn't well.
00:42:55 Yardley sees his patients, sir.
00:42:57 I haven't seen him myself for days at a time.
00:43:00 He often comes and goes by the back door of the laboratory, sir.
00:43:04 Well, I must be going, Paul.
00:43:06 Good day.
00:43:07 Who's there?
00:43:16 Me, dearie.
00:43:17 Your landlady.
00:43:18 Come in, Mrs. Ockels.
00:43:21 Well, where are you, dearie?
00:43:24 You don't have to answer.
00:43:26 I can see for myself you ain't as fit as you ought to be.
00:43:29 And no wonder.
00:43:30 Oh, here, dearie.
00:43:31 I've brought you the newspaper.
00:43:33 Thank you, Mrs. Ockels.
00:43:35 You're having a cup of tea, I see.
00:43:37 If you don't mind, dearie, I'll sit with you a minute.
00:43:39 I'm that done in.
00:43:41 Oh, will you have a cup of tea, Mrs. Ockels?
00:43:44 Thank you, dearie.
00:43:45 I don't mind if I do.
00:43:47 After all, a neighbor's a neighbor, says I.
00:43:49 Here's a bit of a surprise for you.
00:43:52 There's an arduous of mine and a very likely lad he is, too.
00:43:55 His name's Horace.
00:43:56 And he says to me, says he, "Who's the pretty lass what has the parlor?"
00:44:01 I wonder if she'd be inclined to drop in at a music hall with me one of these fine nights.
00:44:06 You ask her, says he.
00:44:08 Now, my advice, dearie--
00:44:09 No, no, no.
00:44:10 I don't want to hear any more about it.
00:44:11 Oh, afraid of what I'll do to you, ain't you?
00:44:14 No, I ain't afraid.
00:44:16 If that blighter was my man, he wouldn't dare to lay a hand on me.
00:44:20 Not if he know what was good for him.
00:44:22 He's a brute, that's what he is.
00:44:24 And my advice, dearie--
00:44:26 What do you want?
00:44:44 I come for the rent, sir.
00:44:46 You'll get it when it's due.
00:44:48 Very good, sir.
00:44:49 What did that filthy herring want?
00:44:58 She, she, uh, brought me the paper.
00:45:01 What else?
00:45:02 Nothing.
00:45:03 You ain't lying to me, are you, my little bird?
00:45:06 No, no, no.
00:45:07 I ain't lying to you.
00:45:08 If I ever catch you lying, these are a trunkle of what you'll get.
00:45:12 A trunkle!
00:45:13 A trunkle!
00:45:15 [papers rustling]
00:45:25 [grunts]
00:45:27 [papers rustling]
00:45:47 Come here.
00:45:54 Sit down.
00:45:57 So that I can look at you, my sweetling.
00:46:04 Say it aloud.
00:46:06 What do you mean?
00:46:09 Don't you think I can read your thoughts, you troll?
00:46:12 You hate me, don't you?
00:46:14 I'm not good enough for you.
00:46:16 I'm not a nice, kind gentleman like that--
00:46:19 Nice, kind gentlemen who are so good to look at and are so--
00:46:24 Cowards!
00:46:25 Sweetlings!
00:46:29 Tell me you hate me.
00:46:31 Please, my lamb.
00:46:32 Please, my dear, sweet, pretty little bird, tell me that you hate me.
00:46:35 I don't know what you mean.
00:46:37 Don't you, my lamb?
00:46:39 Then you don't hate me, eh?
00:46:42 No, sir.
00:46:43 Ah.
00:46:44 If you don't hate me, you must love me.
00:46:48 Isn't that so, my little one?
00:46:50 Isn't it?
00:46:51 Yes, sir.
00:46:52 Ah, how you must love me.
00:46:56 I want to hear you say it.
00:46:57 Say it.
00:46:58 Come on, say it.
00:46:59 Say it.
00:47:00 Say it!
00:47:01 Yes, sir!
00:47:02 Oh, good.
00:47:06 I've got bad news for you, my dear.
00:47:09 Very bad.
00:47:12 I'm going away for a few days.
00:47:18 And I'll ponder my word if you don't seem pleased.
00:47:23 You are pleased, aren't you?
00:47:26 No, sir.
00:47:27 I am pleased.
00:47:28 You are pleased!
00:47:29 But pleasure is brief in this world, my sweet.
00:47:33 And yours is most uncertain because you don't know when I'll be back, do you?
00:47:41 No, sir.
00:47:42 No, sir.
00:47:43 No, sir.
00:47:44 Remember, you belong to me, do you hear?
00:47:47 You belong to me!
00:47:49 And if you do one thing that I don't approve of while I'm gone, the least little thing,
00:47:55 mind you, I'll show you what horror means.
00:48:00 Are you going now?
00:48:10 Now?
00:48:11 Tonight?
00:48:12 Now!
00:48:13 Why, my dear, I'm surprised at you.
00:48:19 What a leave-taking that would be.
00:48:23 You wouldn't have me go tonight, would you?
00:48:26 Would you let me go tonight?
00:48:29 Would you?
00:48:31 No, sir.
00:48:33 Of course not.
00:48:35 Quite unworthy of our great love, hm?
00:48:40 No, no, my dear.
00:48:42 I'm not going now.
00:48:45 I'm going to spend the evening here with you, just as you want.
00:48:50 Say, "Just as I want."
00:48:51 Say, "Just as I want."
00:48:53 Just as I want!
00:48:54 That's right, my little bird.
00:48:57 The last evening is always the sweetest, you know.
00:49:02 And what a farewell this one will be.
00:49:05 What a farewell.
00:49:08 I don't know whether I shall be able to tear myself away from you at all.
00:49:11 Perhaps I shall go only as far as the door, and the sight of your tears will bring me back.
00:49:18 Does that please you, my dear?
00:49:20 Yes, sir.
00:49:22 Why don't you show it, then?
00:49:24 Why don't you dance?
00:49:26 Why don't you sing?
00:49:28 Sing, my dear.
00:49:30 Sing, my little pigeon.
00:49:32 Get up and sing, do you hear?
00:49:35 Sing!
00:49:37 # Champagne Ivy is my name #
00:49:40 # Champagne Ivy is my name #
00:49:43 # Good for any game at night, my boy #
00:49:47 # Good for... #
00:49:49 [ Screams ]
00:49:51 [ Laughing ]
00:49:56 Look, my darling, how tight your garter is.
00:49:59 You mustn't wear it so tight.
00:50:01 It'll bruise your pretty, tender flesh.
00:50:04 [ Gasps ]
00:50:06 [ Silence ]
00:50:34 Your key, sir.
00:50:36 Thank you, Poole.
00:50:40 I shall be going out presently.
00:50:42 Yes, sir.
00:50:43 Miss Muriel is returning to London today.
00:50:45 Oh, very good, sir.
00:50:47 See this key, Poole?
00:50:52 Yes, sir.
00:50:54 It's the key to the back door of the laboratory, sir.
00:51:01 I'll have no further use for it.
00:51:04 [ Gunshot ]
00:51:09 From now on, I'll use only the front door.
00:51:17 Yes, sir.
00:51:20 [ Sighs ]
00:51:22 Deliver this to Miss Ivy Pearson, Diadem Court, Soho.
00:51:37 Any message, sir?
00:51:39 None. Deliver it and come away.
00:51:42 I'll kill you one day.
00:51:44 I wish he would kill me. I wish he would.
00:51:46 Why don't you run away?
00:51:48 Where to? He'd find me wherever I was.
00:51:51 Then why don't you go to the police? They'd fix this hive, ma'am.
00:51:54 No, no, I'm afraid.
00:51:56 There ain't nobody to help me, nobody.
00:51:59 Who cares what becomes of the likes of me?
00:52:01 [ Bell Ringing ]
00:52:03 Come in.
00:52:07 Miss Ivy Pearson?
00:52:11 That's me.
00:52:14 This is from my master, Dr. Jekyll, miss.
00:52:17 Not Dr. Henry M. Jekyll?
00:52:19 Quite so. He said there was no answer.
00:52:22 Good day, miss.
00:52:24 I don't know Dr. Jekyll.
00:52:30 50 pounds!
00:52:35 Well, he knows you, dearie.
00:52:38 Strike me pink.
00:52:40 50 pounds from the celebrated Dr. Jekyll.
00:52:43 He's a brand gentleman, always helping them what needs him.
00:52:46 Now, dearie, he sends you 50 pounds, shows he takes interest in you.
00:52:50 Now, why don't you go and thank the gentleman proper?
00:52:53 Then you could tell him all about this year-end business.
00:52:56 He'll tell that blighter what's what. You'll see if he don't.
00:53:00 You've made me suffer so. Now you tell me nothing.
00:53:03 I tell you no man ever needed another or loved another as I need and love you.
00:53:08 I don't know what to say.
00:53:10 But if you'd been ill, that would have been different.
00:53:13 I was ill, my darling.
00:53:15 Then why didn't you let me know? I should have come at once.
00:53:18 But I wasn't ill in body. I was ill in soul.
00:53:21 The sufferings of the spirit are so difficult to communicate, even to those who love you.
00:53:26 Do you think there's anything that has to do with you that I wouldn't understand?
00:53:30 I know that you're gentle and understanding, but...
00:53:34 I can't explain to you.
00:53:38 I've played with dangerous knowledge.
00:53:44 I've walked a strange and terrible road.
00:53:48 Help me to find my way back.
00:53:51 Oh, my sweet.
00:53:53 When you're all mine to love and keep, I shall be patient as the earth with you.
00:54:00 And let's not wait any longer. Let us be married at once.
00:54:03 I want you with all my heart.
00:54:05 Take me. Take me soon. I love you and I want to help you.
00:54:10 Muriel.
00:54:12 Muriel.
00:54:16 I didn't expect to find you here, sir.
00:54:20 I've just made my profoundest apologies to Muriel.
00:54:23 Well, what about me?
00:54:24 Permit me to make them to you, sir.
00:54:26 And to trust that you will be indulgent.
00:54:28 You haven't explained anything yet, sir.
00:54:31 I... I was not quite myself, sir. I was ill.
00:54:35 Ill? Ill?
00:54:37 Well, in that case, of course, we'll say no more about it.
00:54:40 Thank you, sir. May I take further advantage of your indulgence?
00:54:43 Yes. What is it?
00:54:45 Your consent to our early marriage.
00:54:47 Oh, please, father, do say yes. Harry needs me.
00:54:50 I've already told you.
00:54:51 We're too unhappy apart.
00:54:53 Oh, please, father, this is the most important request of my life.
00:54:56 I see no reason to change my mind.
00:54:58 Isn't my happiness reason enough?
00:55:00 I assure you, sir, you'll have no cause to regret it.
00:55:03 Well, to be frank, Jekyll, I'm not at all satisfied with your conduct.
00:55:07 I don't understand you, sir.
00:55:09 I expect the men in your position to observe certain traditions.
00:55:14 I want to see you more settled down before I entrust my daughter to your care.
00:55:19 You're too flighty, too impatient.
00:55:21 Believe me, sir, these faults will be corrected.
00:55:23 I give you my word of honor.
00:55:25 Oh, please, father, my whole life is concerned.
00:55:29 Please.
00:55:30 Well, well, well, I see you're overriding me.
00:55:35 Jekyll, remember you gave me your word of honor?
00:55:38 Yes, sir.
00:55:39 Very well. You shall be married next month.
00:55:42 Come to dinner tomorrow, eh?
00:55:44 And we'll make a formal announcement to our friends.
00:55:47 Oh, thank you, sir. By Jove, you've made me happy, sir.
00:55:49 I could sing, or dance, or roll a hoop.
00:55:51 Jekyll, no, no, no, no, no.
00:55:52 I beg your pardon, sir.
00:55:54 Until tomorrow, my sweet.
00:55:55 Goodbye.
00:55:56 Goodbye, sir.
00:55:58 Goodbye.
00:55:59 [sighs]
00:56:00 Ah, Poole, my dear fellow.
00:56:13 I'm a very happy man.
00:56:15 I'm happy to hear it.
00:56:17 Ah, happy, by Jove, happy.
00:56:19 Jack and Day stands tiptoe on the misty mountain tops.
00:56:23 Yes, sir.
00:56:24 May I take your cape, sir?
00:56:26 You may, Poole, you may, my dear fellow.
00:56:29 I'm going to be married, Poole, next month.
00:56:31 Think of it.
00:56:32 In a few weeks, you'll be under this very roof,
00:56:34 in this very room, as my wife.
00:56:37 Think of it, Poole, and let me see your face.
00:56:39 Yes, sir.
00:56:40 I beg to congratulate you, sir.
00:56:43 Ah, if music be the food of love, play on.
00:56:48 Yes.
00:56:49 Sir.
00:56:50 [music playing]
00:56:53 I beg your pardon, sir, but Miss Pearson
00:57:16 is waiting for you in the consulting room.
00:57:18 Miss Pearson?
00:57:19 The young woman that you sent the envelope to, sir.
00:57:22 What does she want?
00:57:24 She wishes to consult you, sir.
00:57:26 Very well.
00:57:34 Show her in here.
00:57:35 Yes, sir.
00:57:36 [music playing]
00:57:39 Why, it's you, sir.
00:57:58 So it is.
00:58:01 Now, who'd have thought it?
00:58:03 Who'd have thought that I'd find the celebrated Dr. Jekyll?
00:58:06 So it was you who sent me this money?
00:58:12 Yes.
00:58:14 The minute I laid eyes on you, I knowed you had a kind heart.
00:58:18 But whatever made you do it, sir?
00:58:20 Someone told me that you needed it.
00:58:22 Who, sir?
00:58:23 It doesn't matter.
00:58:24 The important thing is that you have it,
00:58:25 and you're welcome to it.
00:58:27 I can't take it, sir.
00:58:29 Why not?
00:58:31 Why?
00:58:32 Why?
00:58:33 It is why.
00:58:34 It is why.
00:58:35 Pretty ain't it?
00:58:36 It's a whip.
00:58:37 That's what it is, a whip.
00:58:39 Horrible.
00:58:40 Horrible.
00:58:41 I'll give you a lotion to soothe that.
00:58:43 Thank you, sir.
00:58:44 But a lotion won't do the trick, sir.
00:58:46 No, sir.
00:58:47 It's more than that, sir.
00:58:49 I need help, I do.
00:58:50 I can't stand it anymore.
00:58:52 What is it, my dear?
00:58:53 It's hide, sir, hide.
00:58:55 It's him that's done that, and more is I can't tell you, sir.
00:58:59 He ain't human, he ain't, sir.
00:59:01 He's a beast.
00:59:02 He won't let me go, and I'm afraid, I'm afraid to run away.
00:59:06 I've tried to drown myself, but I can't.
00:59:11 And if you don't help me, you as has the kindest heart in the world, sir,
00:59:17 then give me poison so I can kill myself.
00:59:20 Why didn't you seek help before?
00:59:21 Why didn't you go to the police?
00:59:22 I was afraid.
00:59:24 You don't know him, sir.
00:59:25 He ain't a man, he's a devil.
00:59:27 He knows what you're thinking about he does.
00:59:29 I'm afraid of him, I'm afraid of him now.
00:59:32 If he knows that I've been here today, I don't know what he'll do.
00:59:35 It won't be anything human, sir.
00:59:37 Oh, save me, save me.
00:59:39 Keep him off me, I'll do anything you ask.
00:59:42 I'll be your slave.
00:59:44 Oh, help me.
00:59:56 You'll dress him up.
00:59:59 You won't let me go back to him, will you?
01:00:04 You're an angel.
01:00:08 You're an angel, sir.
01:00:11 I'll do anything you like.
01:00:19 I ain't as bad as you think.
01:00:22 And I ain't a bad looker either.
01:00:26 I'll work for you.
01:00:28 I'll slay for you.
01:00:30 I'll love you.
01:00:32 You... you liked me once, didn't you?
01:00:38 Why don't you?
01:00:42 I'll kill you.
01:00:45 I give you my word.
01:00:56 You will never be troubled with Hyde again.
01:00:58 No, no, no, sir, he'll come back and he'll kill me, sir.
01:01:00 He will not come back.
01:01:02 I'll see to it.
01:01:03 But you don't know him, sir. He ain't human, he ain't.
01:01:07 I've given you my word, and that I'll never break.
01:01:11 You will not see Hyde again.
01:01:14 Believe me.
01:01:16 I believe you, sir.
01:01:22 I believe you.
01:01:24 Well, you must go now.
01:01:32 Yes, sir.
01:01:34 Yes, sir.
01:01:37 Yes, sir.
01:01:39 Begging your pardon, sir, will it be a large affair?
01:02:03 Not particularly. General Carew's cronies, chiefly.
01:02:07 They wouldn't regard the marriage as authentic unless it were formally announced at a dinner table, you know.
01:02:12 Perhaps soon, sir, you'll be giving a formal dinner yourself, sir.
01:02:15 I may, fool, I may.
01:02:17 Shall I call the Ansem, sir?
01:02:18 Oh, thank you. Walk through the park will do me good.
01:02:20 Yes, sir.
01:02:21 Oh, where are they?
01:02:22 I'm glad you are.
01:02:23 My dear. Of course, I wish you all happiness, all happiness.
01:02:27 Oh, thank you, Dr. Lanyon.
01:02:28 How are you, General?
01:02:30 I'm fine.
01:02:32 Thou was not born for death, you mortal bird.
01:02:53 No hungry generations tread thee down.
01:02:59 Thou was not born for death.
01:03:02 Oh, no. No!
01:03:06 Thou was not born for death.
01:03:23 Oh, no.
01:03:25 Oh, no.
01:03:28 Oh, no.
01:03:31 Oh, no.
01:03:58 It is dead. Dead.
01:04:02 It's rather late.
01:04:27 It's very weird.
01:04:29 I don't see him.
01:04:31 He was a very busy man. He would probably be paid.
01:04:38 Do you think anything could have happened to Harry, Mr. Allison?
01:04:42 On a night like this, my dear, nonsense.
01:04:44 Why is he late then?
01:04:46 There, there, my dear. It's not his lateness. It's your impatience.
01:04:49 He'd be along pleasantly.
01:04:51 I must tell you.
01:04:54 I hope so.
01:04:56 I hope so.
01:04:59 Here's hoping that Hyde rots wherever he is and burns where he ought to be.
01:05:23 And here's hoping that Dr. Jekyll will think of Ivy once in a while.
01:05:29 He's an angel, he is.
01:05:32 Here's to you, my angel.
01:05:36 Here's to you, my angel.
01:05:38 Here's to you, my angel.
01:05:40 (Gunshot)
01:05:43 (Gunshot)
01:06:10 You thought I wouldn't come back, didn't you?
01:06:13 You took the word of that sniveling hypocrite Jekyll against mine.
01:06:16 Jekyll's word against Hyde's, eh?
01:06:19 I know everything you do and everything you think.
01:06:23 You went down on your knees, George.
01:06:25 A man I hate more than anybody in the world.
01:06:28 No, I'll slay for you. I love you.
01:06:32 You're an angel, sir.
01:06:34 You wanted him to love you, didn't you?
01:06:38 I'll give you a lover now.
01:06:41 His name is Death.
01:06:43 No, no, it ain't so!
01:06:45 Yes, it is.
01:06:46 No, it ain't so!
01:06:48 No, it is so, my little bird, my little starling.
01:06:53 Why, you lying wench! You'd better get out of here now!
01:06:58 You must be the devil. There was nobody there but me and Dr. Jekyll.
01:07:01 He wouldn't have told you. No, he wouldn't, sir.
01:07:04 He wouldn't, he'd always.
01:07:05 He's a devil.
01:07:06 Wouldn't he? Listen, my dear. Listen!
01:07:09 I'm going to let you into a secret.
01:07:12 A secret so great that those who share it with me cannot live.
01:07:17 I am Jekyll.
01:07:22 I am the angel whom you wanted to slay, fall in love.
01:07:28 And I'm going to take you in my arms now and hold you close.
01:07:31 Close, my little lamb, my dove, my bird.
01:07:58 There, my sweet.
01:08:01 There, my dove.
01:08:05 There, my little bride.
01:08:09 Isn't I the lover after your own heart?
01:08:27 There's something horrible happening up there.
01:08:29 You hear it? Come on.
01:08:31 There's something horrible happening.
01:08:34 You murdering devil!
01:08:38 Stop! Stop it!
01:08:46 Stop it!
01:08:49 The monster did this. I know him. I know him. His name is Hyde.
01:09:01 Hyde.
01:09:04 Hyde.
01:09:33 Knock me in. I'm a friend of Dr. Jekyll.
01:09:35 Dr. Jekyll, this is over.
01:09:36 I know it, you fool. He told me to wait for him.
01:09:39 You have to come back later.
01:09:41 Open that door or I'll break it in.
01:09:44 My dear, I can't tell you how sorry I am.
01:09:54 And I hope with all my heart that Jekyll will have something to say for himself.
01:09:58 Good night, sir.
01:09:59 Good night, Lanier.
01:10:03 I'll clean that scoundrel Jekyll if I ever set eyes on him again.
01:10:06 No, father. Something terrible must have happened.
01:10:08 I'm sure he can explain. I believe in him.
01:10:11 I forbid you to see this man again.
01:10:13 I love him, father. And I'm going to marry him.
01:10:16 Muriel, you will have nothing more to do with that man.
01:10:19 Give me pencil and paper. Quick!
01:10:21 Yes, sir.
01:10:22 Hey, you. Be ready to carry a message for me.
01:10:25 Yes, sir.
01:10:31 Hello, Briggs.
01:10:32 Good evening, sir.
01:10:34 I beg your pardon, sir.
01:10:36 A messenger brought this a little while ago.
01:10:39 Really?
01:10:40 He said it was very important, sir.
01:10:44 [Paper rustling]
01:10:47 I'm going out, Briggs. But I'll be back soon.
01:11:12 Yes, sir.
01:11:14 You may go to bed. I won't need you anymore tonight.
01:11:20 Thank you, sir.
01:11:39 I come from Dr. Jekyll.
01:11:41 Come in.
01:11:43 Have you got it?
01:11:46 Follow me.
01:11:48 Have you got it? Have you got it?
01:11:56 Come, sir. You forget I am not the pleasure of your acquaintance.
01:12:00 I beg your pardon, Dr. Lanyon.
01:12:02 You know what I came for. Dr. Jekyll sent me.
01:12:04 It's important. A package. Is it here?
01:12:07 Yes.
01:12:09 Here it is.
01:12:13 But before I give it to you, I must be assured of Dr. Jekyll's safety.
01:12:18 Where is he?
01:12:19 He's alive and safe. I'll take these two.
01:12:21 I'll go with you. I must see for myself that Jekyll is safe.
01:12:24 This is no concern of yours. I warn you not to meddle.
01:12:26 You'll take me to Dr. Jekyll or you'll not leave this room.
01:12:29 I warn you, Lanyon, to let me go.
01:12:31 Well, I warn you, if you make another step towards that door, I'll shoot you.
01:12:34 You don't know what you're doing. I can't tell you anything.
01:12:37 Ask Jekyll tomorrow if you want to.
01:12:38 I'll be sure of Dr. Jekyll's safety or I'll make you answer for it.
01:12:41 For the last time, Lanyon, will you let me go?
01:12:47 For the last time, no.
01:12:49 Very well, Lanyon.
01:12:52 Piss me on your own head.
01:12:54 [Door opens]
01:12:55 [Door closes]
01:12:58 [Door slams]
01:13:02 [Glass clatters]
01:13:06 [Door opens]
01:13:22 [Door slams]
01:13:23 Now, Lanyon, will you let me take this glass and leave without further question?
01:13:32 I've gone too far not to see this through to the end.
01:13:35 Think before you decide, I tell you.
01:13:37 Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?
01:13:45 I'm not to be persuaded by this rigmarole.
01:13:47 Very well, Lanyon.
01:13:50 Remember your vows to your profession.
01:13:52 What you are about to see is a secret you are sworn not to reveal.
01:13:57 And now, you who have sneered at the miracles of science,
01:14:04 you who have denied the power of man to look into his own soul,
01:14:09 you who have derided your superiors,
01:14:12 look.
01:14:14 Look.
01:14:16 Look.
01:14:20 [Lanyon grunts]
01:14:21 [Lanyon grunts]
01:14:23 [Lanyon grunts]
01:14:25 [Lanyon grunts]
01:14:27 [Lanyon pants]
01:14:29 [Lanyon pants]
01:14:31 [Lanyon pants]
01:14:33 [Lanyon pants]
01:14:35 [Lanyon pants]
01:14:37 [Lanyon pants]
01:14:39 [Lanyon pants]
01:14:41 [Lanyon pants]
01:14:43 [Lanyon pants]
01:14:45 [Lanyon pants]
01:14:48 [Lanyon pants]
01:14:49 [Lanyon pants]
01:14:51 [Lanyon pants]
01:14:53 [Lanyon pants]
01:14:56 [Lanyon pants]
01:14:58 [Lanyon pants]
01:15:00 [Lanyon pants]
01:15:02 [Lanyon pants]
01:15:04 [Lanyon pants]
01:15:06 [Lanyon pants]
01:15:08 [Lanyon pants]
01:15:10 [Lanyon pants]
01:15:12 [Lanyon pants]
01:15:14 [Lanyon pants]
01:15:17 [Lanyon pants]
01:15:18 [Lanyon pants]
01:15:20 [Lanyon pants]
01:15:22 [Lanyon pants]
01:15:24 [Lanyon pants]
01:15:26 [Lanyon pants]
01:15:28 [Lanyon pants]
01:15:30 [Lanyon pants]
01:15:32 I can't believe what I've seen.
01:15:35 I don't understand.
01:15:37 I'm in your hands to do with as you wish.
01:15:39 Horrible, horrible.
01:15:41 I'm a murderer, Lanyon. Help me, help me.
01:15:42 There is no help for you, Jekyll.
01:15:44 You've committed the supreme blasphemy.
01:15:46 I warned you.
01:15:47 I told you that no man could violate the traditions of his kind and not be damned.
01:15:50 That I still do not believe.
01:15:52 Don't be my inquisitor, Lanyon.
01:15:54 Don't judge me. Help me, if you will.
01:15:56 I'm at your mercy.
01:15:57 There is no help for you here.
01:15:58 A mercy beyond.
01:16:00 You're a rebel.
01:16:02 And see what it has done for you.
01:16:05 You're in the power of this monster that you've created.
01:16:08 I'll never take that drug again.
01:16:10 Yes.
01:16:12 But you told me you became that monster tonight.
01:16:15 Not of your own accord.
01:16:16 It will happen again.
01:16:18 Never. I'm sure of it. I'll fight it.
01:16:20 I'll conquer it.
01:16:22 Too late. You cannot conquer it.
01:16:23 It has conquered you.
01:16:25 No, no, no. I'll fight it.
01:16:27 I know it will not happen again.
01:16:29 Oh, help me.
01:16:31 You'll promise at least never to mix this drug again?
01:16:35 With all my heart.
01:16:37 And what about Muriel?
01:16:41 Muriel.
01:16:42 I'll give her up.
01:16:47 I'll go to her tomorrow.
01:16:51 Set her free.
01:16:56 Set her free.
01:16:57 [door opens]
01:16:58 [door closes]
01:17:00 [door closes]
01:17:02 [door opens]
01:17:03 [door closes]
01:17:05 [door opens]
01:17:07 [door closes]
01:17:09 [door opens]
01:17:11 [door closes]
01:17:13 [door opens]
01:17:15 [door closes]
01:17:17 [door opens]
01:17:19 [door closes]
01:17:21 [door opens]
01:17:23 [door closes]
01:17:25 [door opens]
01:17:27 [door closes]
01:17:30 [door opens]
01:17:31 [door closes]
01:17:33 [door opens]
01:17:35 [door closes]
01:17:37 [door opens]
01:17:39 [door closes]
01:17:41 [door opens]
01:17:43 [door closes]
01:17:45 [door opens]
01:17:47 [door closes]
01:17:49 [door opens]
01:17:51 [door closes]
01:17:53 [door opens]
01:17:55 [door closes]
01:17:57 [door opens]
01:18:00 Help me.
01:18:01 [music]
01:18:03 [music]
01:18:04 [music]
01:18:06 [music]
01:18:08 [music]
01:18:10 [music]
01:18:12 [music]
01:18:14 [music]
01:18:16 [music]
01:18:18 [music]
01:18:20 [music]
01:18:22 [music]
01:18:24 [music]
01:18:26 [music]
01:18:28 [music]
01:18:31 [music]
01:18:32 [music]
01:18:34 [music]
01:18:36 [music]
01:18:38 [music]
01:18:40 [music]
01:18:42 [music]
01:18:44 [music]
01:18:46 [music]
01:18:48 [music]
01:18:50 [door opens]
01:18:52 [music]
01:18:54 [music]
01:18:56 [door closes]
01:18:58 [music]
01:19:00 [music]
01:19:01 [music]
01:19:03 [music]
01:19:05 [music]
01:19:07 [music]
01:19:09 [music]
01:19:11 [music]
01:19:13 [music]
01:19:15 [music]
01:19:17 [music]
01:19:19 [music]
01:19:21 [music]
01:19:23 I beg your pardon, sir. Dr. Jekyll is calling.
01:19:26 Jekyll?
01:19:27 Tell him we're not home hops.
01:19:29 Father, no, for my sake.
01:19:30 He dares to enter this house?
01:19:32 Neither you nor I have the right to judge him, Jim.
01:19:34 Judge him? Are you mad? The fellow's a black eye.
01:19:36 I won't hear you say one word against him.
01:19:38 Show him in, Hobson.
01:19:40 But I...
01:19:41 Father.
01:19:42 I don't know what he's done.
01:19:45 I know that he's a finer and greater person than any of us.
01:19:47 Silence! I won't hear another word.
01:19:49 I shall say it.
01:19:50 We've never understood him. We've never tried to understand him.
01:19:53 You've tried to bend him to your will and I haven't fought for him enough.
01:19:56 I don't know what's happened to him.
01:19:58 I know he's been suffering.
01:19:59 And it's our fault. Mine more than yours.
01:20:02 I love him and I'm going to help him.
01:20:05 This is preposterous. I'll have nothing to do with it.
01:20:08 I can offer you no welcome, sir.
01:20:18 Had the matter been left in my hands, I would have turned you from the door.
01:20:23 I'm going to the doctor.
01:20:24 Forgive me.
01:20:45 Forgive me, Meryl.
01:20:48 Forgive me.
01:20:51 Darling, are you ill?
01:20:52 What is it?
01:20:54 What?
01:20:55 What is it?
01:20:56 My sweet, why are you suffering so?
01:20:59 Tell me, tell me what it is.
01:21:01 Tell you?
01:21:02 I've come to tell you.
01:21:06 I've come to...
01:21:09 to set you free.
01:21:11 Set me free?
01:21:14 Yes, yes.
01:21:15 What are you saying?
01:21:16 How could you ever love me? Tell me what's wrong.
01:21:18 Everything's wrong.
01:21:21 I... I no longer...
01:21:23 have any claim on you.
01:21:25 But that's for me to say.
01:21:27 No, no.
01:21:28 Oh, my darling, I beg you to tell me what it is.
01:21:30 No, you don't have to explain anything.
01:21:35 Whatever it is, I know you've done nothing base.
01:21:38 Oh, please, my dear.
01:21:39 Please, please, angel of God.
01:21:42 Don't say any more.
01:21:44 I set you free.
01:21:49 I set you free.
01:21:50 Darling, is that all you have to say to me?
01:21:53 Don't you want me any longer?
01:21:55 Want you?
01:21:56 I want you...
01:21:58 so that I can end be the damned.
01:22:01 I am damned.
01:22:04 I don't know what you're saying.
01:22:06 Do you think I'd let you go?
01:22:08 Only tell me that you love me and I'm yours.
01:22:10 Don't keep anything from me, darling.
01:22:12 I love you and I'll help you.
01:22:13 Oh, my love.
01:22:14 My darling.
01:22:16 My beautiful.
01:22:18 If I could take you in my arms.
01:22:20 If I could only touch you.
01:22:22 Oh, thank you, my dear.
01:22:25 I dare not even touch you.
01:22:28 Never again.
01:22:30 In this world or the next.
01:22:32 What are you hiding from me?
01:22:34 Oh, trust me, believe in me.
01:22:36 I'll help you.
01:22:37 No, I'm beyond help, you hear?
01:22:39 I'm in hell.
01:22:40 I... I... I'm in hell.
01:22:44 I must give you up.
01:22:47 I won't let you.
01:22:48 No.
01:22:49 I'll go with you, whatever you say.
01:22:50 I'll help you no matter what it is.
01:22:52 If I...
01:22:54 If I could only have you.
01:22:55 I'd give my soul, but I...
01:22:58 I have no soul.
01:23:00 I'm beyond the pale.
01:23:03 I'm one of the living dead.
01:23:05 No, I won't let you go.
01:23:07 No, no.
01:23:08 Oh, my poor, dear, suffering love.
01:23:10 Be quiet.
01:23:11 Rest.
01:23:12 Don't say any more.
01:23:13 Be quiet.
01:23:14 Rest.
01:23:15 Rest.
01:23:16 Be quiet.
01:23:17 Oh.
01:23:18 Don't say any more, darling.
01:23:19 Oh, let me go.
01:23:24 Let me go quickly.
01:23:25 No, no, I love you.
01:23:26 I won't let you go.
01:23:27 I love you.
01:23:28 I love you.
01:23:29 No.
01:23:32 No.
01:23:33 I give you up because I love you so.
01:23:37 This is my proof.
01:23:39 This is my penance.
01:23:41 Do you hear, oh God?
01:23:44 This is my penance.
01:23:46 Shh.
01:23:47 Shh.
01:23:48 Shh.
01:23:49 Shh.
01:23:50 Shh.
01:23:51 [sobbing]
01:23:53 [sobbing]
01:23:56 [sobbing]
01:23:59 [sobbing]
01:24:02 [sobbing]
01:24:05 [sobbing]
01:24:08 [sobbing]
01:24:10 [sobbing]
01:24:13 [sobbing]
01:24:15 [sobbing]
01:24:18 [sobbing]
01:24:20 [sobbing]
01:24:38 [panting]
01:24:46 [panting]
01:24:48 Oh God.
01:24:50 Oh God, don't let me.
01:24:51 Don't let me.
01:24:52 Save me.
01:24:53 Save me.
01:24:54 Shh.
01:25:13 [sobbing]
01:25:16 [sobbing]
01:25:19 [sobbing]
01:25:47 I don't...
01:25:48 [screaming]
01:25:50 I don't have a daughter.
01:25:55 Father, no.
01:25:56 [screaming]
01:25:58 [screaming]
01:26:00 Help.
01:26:03 Help.
01:26:04 Help, help, get in.
01:26:07 Bill, help.
01:26:09 [glass shattering]
01:26:12 [grunting]
01:26:14 [grunting]
01:26:19 [screaming]
01:26:30 Help, help, help.
01:26:32 Help.
01:26:33 You stay here, I'll go ahead.
01:26:35 [screaming]
01:26:38 [whistle blowing]
01:26:40 [whistle blowing]
01:26:47 [whistle blowing]
01:26:50 [screaming]
01:26:53 This way, officer.
01:26:54 [grunting]
01:26:56 Stop him.
01:27:06 [dog barking]
01:27:08 [whistle blowing]
01:27:10 [screaming]
01:27:21 Bill, stop.
01:27:33 This is the weapon, doctor.
01:27:35 I know whose cane this is.
01:27:40 I can take you to the man.
01:27:42 Break it down.
01:27:43 Come on, Bill, give it to us.
01:27:45 This one's locked too.
01:27:54 Open.
01:27:55 He's in there.
01:27:56 Open in the name of the law.
01:27:57 Break it down.
01:27:58 Break it down.
01:27:59 Open in the name of the law.
01:28:01 [thudding]
01:28:03 Hurry.
01:28:16 He's gone out there, through the back door.
01:28:18 Don't stand there staring, you fool.
01:28:22 Yes, sir, yes, sir.
01:28:24 [footsteps]
01:28:26 The door down there is locked on the outside, sir.
01:28:34 Well, then go out through the front of the house.
01:28:36 Come on, scum.
01:28:37 You stay there.
01:28:38 Wait.
01:28:39 He has escaped, sir.
01:28:41 Your man has not escaped.
01:28:53 There.
01:28:54 There he is.
01:28:56 There's your man.
01:28:57 But, doctor, this is impossible.
01:28:59 I know it is, but there's your man.
01:29:02 I'm sorry, sir, you appear to be serious, but--
01:29:05 Look.
01:29:06 [breathing heavily]
01:29:08 [screaming]
01:29:21 [screaming]
01:29:22 [thudding]
01:29:23 [groaning]
01:29:24 Hold him.
01:29:25 Hold him.
01:29:26 [thudding]
01:29:27 Hold him.
01:29:28 Hold him.
01:29:29 Come on, we're after him, boy.
01:29:31 [thudding]
01:29:32 [shouting]
01:29:33 [thudding]
01:29:34 Get that door.
01:29:35 [thudding]
01:29:36 Get that door, there.
01:29:38 [thudding]
01:29:39 [shouting]
01:29:40 [thudding]
01:29:42 [shouting]
01:29:43 [thudding]
01:29:47 [clattering]
01:29:48 [clattering]
01:29:49 [clattering]
01:29:50 [clattering]
01:29:51 [clattering]
01:29:53 All right, boys, drop that knife.
01:29:56 [gunshot]
01:29:57 [clattering]
01:29:58 [clattering]
01:29:59 [clattering]
01:30:00 [clattering]
01:30:01 [clattering]
01:30:02 [groaning]
01:30:03 [meowing]
01:30:05 [clattering]
01:30:07 [clattering]
01:30:34 Dr. Eagle.
01:30:37 [sobbing]
01:31:03 [theme music]
01:31:06 [train whistle]
01:31:07 [train whistle]
01:31:09 [train whistle]
01:31:10 [Music]
01:31:39 (thud)