Category
🎥
Short filmTranscript
00:00 [Music]
00:14 [Music]
00:18 [Music]
00:26 [Music]
00:31 Have they slept like this?
00:33 I think so.
00:34 [Music]
00:38 The dress is finished.
00:41 Pretty, right?
00:43 Yes, but what if we wake them up?
00:45 I'll go make coffee.
00:47 I'm coming with you.
00:48 [Music]
00:57 Good morning.
00:58 Good morning.
00:59 Good morning.
01:00 [Music]
01:03 I think we fell asleep.
01:05 A little bit, yes.
01:07 [Music]
01:08 Wake up, Gabriela.
01:10 Gabriela.
01:11 [Music]
01:14 Gabriela.
01:15 Gabriela.
01:18 [Music]
01:20 Good morning.
01:21 [Music]
01:27 Good morning.
01:28 Good morning.
01:29 What happened?
01:32 We're wondering the same thing.
01:35 What happened?
01:36 Nothing.
01:37 [Music]
01:42 I finished sewing the dress.
01:44 I worked until late and then he fell asleep and I couldn't do anything.
01:48 Of course.
01:50 Yes, that's fine.
01:52 The dress is a masterpiece.
01:54 Yes, thank you.
01:56 In fact, it's beautiful.
01:57 We have to take it to Paradise right away.
01:59 We dress up, we have breakfast.
02:00 No, now.
02:01 I need one last touch on the neckline.
02:03 Dinner is tonight.
02:04 No, you have to let Nicoleta try it.
02:07 If not...
02:08 If not, how does she do it?
02:09 You're right.
02:10 Of course we're right.
02:11 So get ready, hurry up.
02:13 We're taking it, let's go.
02:14 Yes, I'm leaving too.
02:15 Because if not, I'm sure my mother will have already called the police.
02:20 Thank you.
02:22 Why?
02:23 I haven't done anything.
02:25 For having accompanied me.
02:29 It has been a pleasure.
02:34 And besides, the dress has been very good.
02:38 I don't understand.
02:45 You're very good.
02:50 Have a good day.
02:51 See you later.
03:06 Vittorio, good morning.
03:07 Hi, Luciano, good morning.
03:08 How are you?
03:09 Happy with the initiative of May 1?
03:11 Well, I would say a lot.
03:13 It was good advertising for Paradise.
03:15 Yeah.
03:16 We have breakfast together?
03:17 No, thank you.
03:18 I don't feel like it.
03:19 Is there something that worries you?
03:21 I thought I saw Lisa around here.
03:24 Did you think or did you see her?
03:26 Sure it was her.
03:28 I tried to get closer, but there were a lot of people and she disappeared in a second.
03:32 So what are you going to do?
03:33 Follow your son's advice.
03:35 I want to publish an ad in the Serat Echo.
03:37 Maybe someone can help me find her.
03:39 Maybe she doesn't want you to find her.
03:41 So why did she come yesterday?
03:43 I'm sure she wants to come back, but she doesn't have the courage to do it.
03:47 And that ad will make her see that she has nothing to fear.
03:51 It could be.
03:53 And have you been able to talk to Clelia again?
03:55 Since she resigned, I have done my best to stay away.
03:59 I don't like her to go either.
04:01 And I'm convinced, like you, that hers is not a free choice.
04:05 This is not good for you, Luciano.
04:08 What are you telling me? That I should close the chapter?
04:11 As painful as it is, yes.
04:14 If I told you to do the same with Marta, would you do it?
04:17 Good morning, Vittoria. Accountant?
04:20 Good morning.
04:22 To each one more sympathetic in the Catania family.
04:24 It is a characteristic that goes from parents to children.
04:29 Is there any news of the ad?
04:31 If I can send it in a couple of hours,
04:33 they should publish it in the afternoon edition, next to the horoscope, as you wanted.
04:36 Very well. Let's go.
04:38 Were you thinking of a written text or do you want to add a photograph?
04:48 I hadn't thought of it.
04:50 Yes, of course. With a photo it would be better.
04:53 Perfect. Do you have any to give me?
04:55 Let's see, let me think.
04:58 Yes, the photos from the catalogue.
05:01 Let's see.
05:09 It seems that a lifetime has passed.
05:16 And yet only a few months have passed.
05:19 This one.
05:22 This one will be fine.
05:27 Marta took these photos, right?
05:29 Yes.
05:31 It's time to think of a new catalogue for the new collection.
05:36 Yes, a catalogue is not a cutting album.
05:39 You have to throw away the old and give way to the new.
05:42 Will you help me?
05:43 With pleasure.
05:44 As long as this does not obstruct your career as a writer.
05:47 How is your novel going?
05:49 The more I review, the more I realize that publishing it would have been hasty.
05:53 Basically, I'm rewriting it.
05:55 Words are a difficult beast to tame.
05:58 It is not easy to express what we really want to say.
06:01 Do you have anything in mind for the article?
06:04 Help us find this woman's smile.
06:14 What do you think?
06:16 It's a good start.
06:18 Thank you. See you later.
06:20 See you later.
06:23 "I'm sorry, I'm late."
06:25 What are you doing?
06:35 We work. You?
06:37 Are you waiting for someone?
06:40 No, no. Why?
06:42 It seemed.
06:44 Yesterday, Sandro went to see his wife to sign the divorce.
06:49 And you don't know anything about him?
06:51 You knew.
06:53 I think something has happened.
06:55 And if they made peace?
06:57 And if they don't get divorced anymore?
06:59 Don't be silly. Come on.
07:01 Maybe he's been bewitched.
07:02 The spells are like the evil eye.
07:04 They don't exist.
07:06 And if they exist, they're worthless.
07:09 Can you cover me for five minutes?
07:16 Of course.
07:20 Good morning, ladies.
07:22 Good morning.
07:23 Can you come here for a moment?
07:25 Should I be worried?
07:30 Nora, have you signed the papers?
07:34 Not yet.
07:35 Not yet? What does that mean?
07:38 I assure you, she will sign them this afternoon.
07:43 Why not yesterday?
07:45 There has been a problem.
07:48 I knew something had happened. I knew it.
07:51 What else does that woman want?
07:53 Impossible love.
07:55 She wants the song and record it as her own.
07:58 She thinks it will be her artistic renaissance.
08:01 That song is our song. You wrote it for me.
08:06 Yes, and I will write another one for you. Even more beautiful.
08:10 But that song speaks of our love. I don't want your wife to sing it.
08:14 Ex-wife. With a little patience.
08:17 This is not about patience. It's a blackmail.
08:20 Tina, look at it this way.
08:24 That's our song. It's the song that speaks of our love.
08:27 But if we want to live this love, we have to sacrifice it.
08:31 Don't think I like it.
08:36 But Nora has been inflexible.
08:38 She won't sign the divorce papers if she doesn't keep "Impossible Love".
08:45 We can sacrifice a song for our happiness.
08:48 Very well.
08:52 But keep in mind that she will never sing it as well as I would have.
08:56 I have no doubt about it.
08:58 Here it is.
09:04 Yes, can you sign it?
09:06 Yes, of course.
09:07 The lady who sends it has asked you not to spoil the transport.
09:10 It's for a contest, right?
09:12 Something like that. Thank you.
09:14 You're welcome.
09:16 I'm still on time, right?
09:27 Breathe. There's still time before I show it to Vittorio.
09:30 Here.
09:31 Oh, God, when I saw the delivery man, I almost died.
09:33 I almost saw Mr. Conti.
09:35 I don't want to repeat this.
09:38 I've lost a year of my life because of nerves.
09:40 Come here for a moment.
09:42 Let's take advantage of the time you have left.
09:44 Excuse me if I interrupt.
09:57 Are you crazy? I thought it was Miss Caligari.
09:59 You almost killed me.
10:01 Indeed, the lady is looking for you.
10:03 I wonder how she knows you could be here.
10:06 Don't say anything.
10:08 Remember how I found you today.
10:10 What happened today?
10:11 Nothing, nothing.
10:12 Nothing this morning, but who knows?
10:14 Maybe something last night.
10:16 Come on, come on, come on.
10:18 It's late. Come on, come on.
10:20 But that's my dress.
10:25 Which one?
10:27 That's my dress.
10:29 The one I made for Nicoleta.
10:31 This one.
10:32 And these are the garments that Mr. Conti will evaluate for the maternity gown.
10:37 There must be a mistake, right?
10:39 And what is my dress doing right here?
10:41 Well, it was a mistake. Come on, or Miss Caligari will be angry.
10:45 No, no, no, no, no, wait, wait, wait.
10:47 Nicoleta is not going to dinner with Cesar and his companions, right?
10:51 But how not?
10:52 If not, why would Nicoleta have asked for that dress?
10:55 A dress that is casually for the day the clothes arrive for the contest.
10:59 But it's just a coincidence.
11:00 Yes, a coincidence.
11:02 It's a montage to get me to participate in the selection, right?
11:05 Is that so?
11:07 It is.
11:10 I can't believe it.
11:14 Come on, Gabriel. I'm sorry. It was my fault.
11:17 It seemed absurd to me that you didn't go to present.
11:20 In fact, even I, who don't understand it, see that you have talent.
11:23 They had already chosen four professional designers.
11:26 And it will mean that instead of four dresses, there will be five.
11:29 And now lost to the river, right?
11:31 But I didn't want this, Roberta, I didn't want it.
11:33 Yes, very good, but the dress is there and it's beautiful.
11:37 Don't waste this opportunity.
11:39 You're going to pay me.
11:47 I love you so much.
11:49 Can I?
12:01 Excuse me.
12:03 Nothing.
12:05 I saw you recently with Mr. Recalcati.
12:09 What a beautiful story you have.
12:12 We have to work.
12:14 Ten minutes ago you also had to work.
12:17 But for him, it's every time.
12:19 Well, he's a little nicer than you.
12:21 It would be more.
12:22 Just tell me how it goes and I'll leave you alone.
12:25 And why?
12:26 Because deep down, deep down, you love me?
12:30 So deep and so low that you'll see, I practically don't notice it.
12:35 A relationship like this with a married man is not something easy to carry.
12:43 Not all marriages are forever.
12:46 I don't think there is a possibility of divorce in Italy.
12:49 In fact, Sandro married in London.
12:52 Interesting.
12:53 And his wife? What does she say?
12:56 She's a horrible woman.
12:58 Doesn't she remind you of someone?
13:00 Dora.
13:01 When did you become so nice?
13:04 I'm learning.
13:06 Is Mrs. Recalcati ready to give up her husband?
13:11 She plays her own game.
13:15 And what does she want in return?
13:17 Money? A house?
13:19 Something like that.
13:20 Then she blackmails you.
13:22 This conversation is not over.
13:24 Very well.
13:27 But first, let me tell you something.
13:29 Really?
13:30 Don't let anyone blackmail you.
13:34 Never.
13:36 It's for a good cause.
13:41 She will sign the divorce and Sandro and I will be free.
13:44 Yes, free, so to speak.
13:46 If Mr. Recalcati gives up once,
13:49 his wife will think she can do it again and again.
13:53 And she will get everything she wants from him.
13:57 Will you be divorced?
13:59 Yes, but once divorced,
14:01 she will want money not to talk about your relationship in the magazines
14:05 or money not to appear anymore.
14:08 I'll think about it.
14:12 Let her see who's in charge
14:14 before she thinks she can do it.
14:16 I said I'll think about it.
14:18 No, do it now.
14:20 Now?
14:22 Yes.
14:23 We're working.
14:24 I'll cover you.
14:25 I'll cover you.
14:26 Why would you do that?
14:29 Because deep down, deep down,
14:32 I love you too.
14:34 Don't expect me to thank you.
14:40 I wouldn't have imagined it.
14:43 Yes, I wanted to thank you.
14:48 This batch of dresses from Paris is exceptional.
14:51 I wanted to know if you have accessories as pretty as these.
14:54 Yes, we can meet here, in the ladies' paradise.
14:57 Okay, thank you very much. See you soon.
15:00 Goodbye.
15:01 Yes, come in.
15:04 Vittorio.
15:06 Yes, Federico, come in.
15:07 I'm sorry to bother you.
15:09 I've spoken to the editor-in-chief.
15:12 He assured me that the ad will be published in the afternoon edition.
15:15 Then we just have to wait for someone to call us.
15:18 Maybe Lisa.
15:19 It would be a relief
15:21 not to know where she is,
15:23 who she is with, and how she is.
15:25 I don't like it at all.
15:27 Are you sure she was the person you saw yesterday?
15:30 I hope so.
15:31 It would mean that she's in Milan and that she's okay.
15:33 Of course.
15:35 I can't even imagine how I would feel
15:37 if I suddenly didn't hear from Nicoleta.
15:40 Nervous.
15:41 And terribly lonely.
15:44 She and I have grown up together.
15:46 It's part of the memories of my life.
15:51 For Lisa and for me it's different.
15:53 We've only known each other for a few months.
15:57 And before she came to my office,
15:59 I didn't even know I had a sister.
16:01 And then everything changed.
16:03 I know it's not easy to understand what I feel for my sister.
16:07 And in fact, Marta doesn't understand it.
16:09 I feel like everything's over between us.
16:12 You seemed perfect.
16:14 It hasn't been enough, obviously.
16:19 I've done everything I could to see her again.
16:22 But I don't want to feel guilty
16:25 just because I want my sister by my side.
16:28 Of course not.
16:31 Let's see if we can find Lisa.
16:33 We'll see about the rest.
16:34 I hope so.
16:36 - Have a good day. - Thank you, Federico.
16:39 You're welcome.
16:48 Has Tina left?
16:49 She ran off. She was in a hurry.
16:51 She's gone to meet her lover's wife.
16:54 I suppose she told you not to say anything, right?
16:57 I'm telling you because I'm her friend.
17:00 Excuse me, what did she say to Rekhal Kati's wife?
17:03 She told me she was blackmailing them
17:05 and I convinced her to deal with the situation.
17:07 You've given her a friend's advice?
17:10 It's the best I could tell her.
17:12 Trust me.
17:14 Are you ready?
17:15 Let's go.
17:17 - See you. - See you.
17:19 Why has Tina trusted Irene and not told us?
17:28 I don't know. It's strange.
17:30 But you know how she is.
17:32 When she's up to something, it's hard for her to change her mind.
17:36 Yes.
17:37 I've made a decision too.
17:40 I met up with Ricardo yesterday.
17:43 He told me things I didn't like.
17:46 I've decided that Cesare will be the man who will be with me and my daughter.
17:52 And I'm sure he'll be a good father.
17:56 I'm so glad to hear that.
17:59 And I'm sure you'll be very, very happy.
18:02 I think so too.
18:04 Yes.
18:05 I suppose you'll talk to Cesare about that tonight at dinner.
18:10 - Yes, no, actually... - I've already told him everything.
18:14 You're so mean.
18:16 So mean.
18:17 You really drove me crazy with that story about Cesare and his friends.
18:21 If I'd known the dress was for Mr. Conti, I wouldn't have done it.
18:26 See how we were right to lie to you?
18:28 Besides, it was a pitiful lie.
18:30 And given the results, we've done a great job.
18:33 Do you really like it?
18:34 It's beautiful.
18:35 It's comfortable, it's pretty, it's modern.
18:39 And if I like it, Mr. Conti will like it too.
18:42 Gabriela, you're the best.
18:44 You can't say that.
18:45 We haven't seen the professional designers' clothes yet.
18:48 Maybe they're better than mine.
18:50 A little optimism.
18:52 No, I prefer to be realistic and not get my hopes up.
18:55 Yes, come on.
18:56 Wait, wait, wait.
18:57 Come on, I'm hungry. Let's go.
19:01 Come on.
19:02 If not, Irene will eat it all.
19:10 One signature and we're done with our marriage.
19:15 You should be happy.
19:17 One moment, please.
19:22 What are you doing here?
19:29 Have you signed?
19:30 No, but...
19:32 I don't want you to sign.
19:33 We shouldn't give in to that woman's blackmail.
19:35 You're so cute.
19:36 You've escaped from work to come here and say nonsense?
19:40 We have nothing to say.
19:42 Tina, please, we've already talked about this.
19:45 It's the right thing to do.
19:46 You have to be patient.
19:48 You know, these things happen when you choose such young and neighborhood girls.
19:52 Please, not a word more.
19:54 But what did I say?
19:56 We know Tina is a girl with strong principles.
19:59 She's simple, devoted.
20:01 Well, except when it comes to the Sixth Commandment.
20:03 I can make another exception for "You won't kill if you want to."
20:06 Tina, don't start.
20:08 It's not fair.
20:10 This is our song.
20:13 Oh, yeah?
20:16 And this is our marriage that you've ruined.
20:18 Your marriage ended long before I got here and you know it.
20:21 You know nothing about our marriage.
20:23 However, I'm not in a hurry.
20:26 As long as we're still husband and wife, who knows?
20:31 Anything can happen.
20:33 Keep your song.
20:35 And I'll keep my husband.
20:37 Is this what you want?
20:39 I don't want us to give in to blackmail.
20:41 Because if we do now, he'll think he can repeat it whenever he wants.
20:44 Tina, this is not blackmail.
20:46 It's a commercial transaction that we could all benefit from.
20:49 What a romantic man, isn't he?
20:51 Can you give me the contract?
20:56 Please.
20:57 Are we done with this drama or not?
21:01 One moment.
21:02 Now it's your turn, Amy.
21:17 Of course.
21:28 And voilà.
21:30 Now we're all happy.
21:33 You have your love and I have my song.
21:38 [knocking]
21:39 Hey.
22:06 We've done the right thing, believe me.
22:08 Nora is out of our lives now.
22:11 And we'll have a thousand songs.
22:14 Here you go.
22:34 You don't like the sandwich?
22:36 Yes, but I have a stomachache.
22:39 I'm not hungry.
22:40 Did you know?
22:43 Know what?
22:44 That the dress wasn't for Nicoleta, but for Mr. Conte.
22:47 Did you all know?
22:50 All of us who love you.
22:52 But why are you so nervous?
22:59 Because... because...
23:01 Because I'm not a professional.
23:04 Because I make models sketches for fun.
23:07 Because I'm not an expert seamstress.
23:09 And that dress will have millions of flaws that I haven't noticed.
23:13 Well, but you always have to start somewhere, right?
23:15 Yes, but not in the end.
23:17 Not for such an important selection.
23:19 I...
23:24 I'm one of those who don't leave the house if I don't have my hair well combed.
23:29 And if I have the wrong handkerchief, I'm embarrassed all day.
23:33 Or even worse, if I say something wrong at the wrong time,
23:37 I'm embarrassed for weeks.
23:39 Imagine how I am now.
23:41 The best is the enemy of the good.
23:43 Isn't that what they say?
23:45 No, I had never heard it.
23:47 It means that if you always try to be perfect,
23:50 do things right, as they should be,
23:52 you stay there, at the same point.
23:54 Like a fish out of water,
23:56 and everyone...
23:57 beats you.
23:59 Is that how you see me?
24:01 Like a fish out of water?
24:03 No, I don't see you as a fish.
24:05 It's just that you have to have more confidence in yourself.
24:09 Because you have a lot of talent.
24:11 Thank you.
24:12 Why?
24:13 I haven't said anything.
24:15 But you've done a lot.
24:17 Without you, I would never have done it tonight.
24:20 Let's do something.
24:23 When you become a famous designer,
24:25 you invite me to a good dinner.
24:27 But now eat the sandwich.
24:29 You can't be fasting.
24:31 And when you know something,
24:34 whether it's good or bad news,
24:36 tell me, okay?
24:38 Of course.
24:39 Enjoy.
24:40 Thank you.
24:51 [sighs]
24:53 [breathing heavily]
24:56 [breathing heavily]
24:58 I think you have to go.
25:00 No, don't talk.
25:01 Because you don't know what time it is.
25:04 What time is it?
25:06 You'll be on time for the reopening.
25:08 But we have to hurry.
25:11 If you want, I'll take you in the car.
25:14 I also have to go.
25:16 But what are you doing with that?
25:18 I'll take it to your mother.
25:20 Are you kidding?
25:21 Absolutely.
25:23 I want to show her that I'm a free man again
25:26 and reiterate my intentions.
25:28 I'd better go with you, Sandro.
25:30 I don't think it's a good idea.
25:32 I don't think she wants to see us get together.
25:34 Sandro, I'm not going to leave you alone with my mother.
25:36 Why? You don't have to worry.
25:38 I can handle it myself.
25:40 No, I'm going with you.
25:41 But let me call Paradise.
25:43 I'll make up an excuse and I'll take the afternoon off.
25:45 Have you ever been told that you're a very stubborn girl?
25:48 Never.
25:52 Leave it to me.
25:54 I'll call the boss.
25:56 The boss?
26:00 Here you go, ma'am.
26:07 You'll see how this one will suit you too.
26:09 Miss Caligaris.
26:12 Yes?
26:13 Excuse me, do you have a minute?
26:14 Sure.
26:15 The garments we asked our designers to come in have arrived.
26:18 I'd need your advice. It would be of great help.
26:21 Of course. I can send the client to one of the Venuses.
26:23 I'd like it to be after the closing.
26:25 I have urgent matters to attend to.
26:27 Can you wait?
26:28 Yes, but not more than half an hour.
26:30 My son and my husband are waiting for me at home.
26:32 I understand, but half an hour will be more than enough.
26:35 I'll be happy to help you.
26:36 A feminine eye is essential.
26:38 Especially now that Miss Guarnieri is no longer working with us.
26:41 It would be a good way to say goodbye.
26:43 To choose the person who will design the new line of Paradise.
26:46 It will be an honor for me.
26:48 Then I'll wait for you after the closing.
26:50 If you want, you can tell the Venuses.
26:52 It would be great to have your opinion.
26:54 Yes, I will.
26:55 By the way, Miss Amato has not returned from lunch.
26:59 She has not called to notify...
27:00 Yes, it's my fault.
27:02 I forgot to tell you.
27:03 She's with Mr. Recalcati.
27:04 He just called me.
27:05 It's for an urgent family matter.
27:08 I understand.
27:09 Well, see you later.
27:10 See you.
27:11 Thank you.
27:12 As I imagined, ma'am.
27:15 This model looks great on you.
27:17 Thank you.
27:18 Now take all the time you need.
27:20 And while I bring these articles to the box.
27:23 You have devised an evil plan.
27:29 You drove me crazy to finish the dress on time.
27:32 And now you don't know how to present it to Mr. Connolly.
27:34 No, it's not true that we don't know.
27:36 We're just looking for the right way.
27:39 The right way.
27:40 The right way is not to present it.
27:41 Shut up and let us think.
27:43 I have an idea.
27:44 We take your dress, we put it with the others.
27:46 We ask Federico to remove the labels with the names.
27:49 So that Mr. Conti can't recognize who each one is.
27:52 He'll take yours and say, "Oh, I had to pay for it."
27:54 Because he'll have lost his ability to count.
27:57 And he won't notice that there are five instead of four.
27:59 Right.
28:00 I hadn't thought about it.
28:01 You're right.
28:02 Lunch break is over, ladies.
28:05 Yes, sorry.
28:06 Excuse us.
28:07 The client is still buying.
28:09 In the meantime, can you put them there?
28:11 Sure.
28:12 After the closing, Mr. Conti wants to see the designers' proposals for the premama line.
28:17 Those who are interested can come and give us their opinion.
28:21 With pleasure.
28:22 I'm very curious.
28:24 Especially me.
28:25 Well, I'll get back to work.
28:28 And I hope you do the same.
28:30 Yes, of course.
28:31 Did you see?
28:34 We have the opportunity to present the dress.
28:37 We just have to be effective.
28:39 Effective?
28:40 How are you going to do it, excuse me?
28:41 With fireworks?
28:42 Yes, that's it.
28:43 Something like that.
28:44 Yes.
28:45 Something like that, yes.
28:46 You're completely crazy.
28:48 One moment.
28:53 Hi, Mom.
28:59 Good evening.
29:00 What are you doing here?
29:01 And the job?
29:02 I asked for permission.
29:03 Sandro and I wanted to tell you something.
29:05 You're not even going to let me talk?
29:11 Mrs. Amato, I understand that you are angry with me.
29:14 But believe me, this time it is for an important reason.
29:17 Listen to us.
29:18 Go ahead.
29:20 These are the papers for my divorce.
29:24 As you can see, there is my signature and that of my now ex-wife.
29:28 Mr. Calcatti, I think we have already talked enough about this topic.
29:34 Sure, but things have changed.
29:37 Are you saying that you think that two people should be together for life, even if they don't love each other anymore?
29:43 Yes.
29:45 And continue to make each other unhappy, day after day, without any way out?
29:51 I only know one commandment.
29:53 Man cannot separate what God has joined.
29:57 Mom, remember that if you are close, I can be much more.
30:01 Ina.
30:05 Ina.
30:06 So, what's going on here, Mom?
30:09 Good evening, Mr. Calcatti.
30:10 Good evening.
30:11 It's happening that Mr. Calcatti has brought us the papers for his divorce and therefore he thinks he is a free man.
30:19 Under the guise of the English law, if you allow me.
30:23 I don't know if you've noticed, but we're in Italy, you know?
30:29 So, for me, he's a married man.
30:32 And therefore the wrong man for my daughter.
30:35 I decide who is the right man for me.
30:37 Hey, Tina, this is not the way to talk to your mom.
30:39 Leave it, Antonio. I'm used to it.
30:41 I'm an adult now.
30:43 So what?
30:44 I don't need to ask you permission to live my life the way I want. Come on.
30:48 Wait, Tina.
30:49 Don't change your mind.
30:53 One moment.
30:56 Be patient. Can't we sit down for a moment, stop arguing and talk about it calmly?
31:01 Mom, come on.
31:02 I won't stop loving him and you can't stop me.
31:05 Now I'm leaving and I'll never set foot here again.
31:08 Tina, don't say things that we can regret.
31:11 And I say all of them.
31:12 Your brother is right.
31:15 Tina.
31:18 I don't want this.
31:21 I don't want you to face your family.
31:23 I came here to try to convince your mother that I'm not a shameless or a shameless man.
31:33 But obviously I haven't succeeded.
31:36 Tina, the solution is not to run away.
31:46 I don't want this for us.
31:52 What do you mean?
31:54 If your mother doesn't change her mind, we can't do anything.
31:59 We have no future.
32:04 Good night.
32:13 [Music]
32:26 See you later.
32:40 Mr. Conti, we are at your disposal.
32:43 Come on, ladies, let's see what our designers propose.
32:47 What do you think?
32:50 This is a bit of a complex model, isn't it?
32:54 It seems very structured to me.
32:56 Let's see the others.
32:59 Well, in my opinion, this is the most interesting.
33:04 It has a nice line without being too capricious and very suitable for the uncomfortable pregnancy.
33:10 Good.
33:14 And you, ladies, what do you think?
33:18 I like the first one on the left.
33:21 I like the second one better.
33:23 Me too.
33:24 Miss Rosie.
33:33 I agree with Miss Caligari.
33:36 The first one seems to me the most beautiful, but not very practical.
33:40 In fact, maybe the zipper is too short to allow a pregnant woman to use it comfortably.
33:46 It's true, you're right.
33:48 Very relevant observation.
33:50 Miss Pelegrino.
33:52 I think it is necessary to see these garments on to evaluate their practicality and the model.
33:58 Deep down, that's why he asked them to be sewn, right?
34:01 Yes, of course, you're right.
34:03 And where is Miss Catania?
34:05 Here she is.
34:08 Miss, do you have a new dress or am I wrong?
34:23 Yes, that's right.
34:25 But it's more yours than mine, Mr. Conti.
34:27 This is one of the candidates for the project.
34:31 Can I?
34:32 Sure.
34:33 Well, Federico, tell me, now we have five designers, right?
34:39 In a way.
34:40 Wow, well, I find it very interesting.
34:43 Yes, it's classic, but bold at the same time.
34:46 Yes.
34:47 Can I know who made it?
34:49 Was it you, Miss Rosie?
34:55 Yes.
34:56 And why did you hide it from me?
34:58 Because... because she's too modest and doesn't have much confidence in herself.
35:03 She's wrong, because she's very good at it, even getting her boss in trouble.
35:07 Well, Miss Caligari, in your opinion, who has what it takes to design the pre-mama line of the ladies' paradise?
35:17 Well done, Gabriela!
35:23 Well, are you ready for this challenge?
35:26 I'll try.
35:27 And if I see that I'm in a crisis, I'll know that I can count on all of you, girls.
35:31 Thank you.
35:35 Thank you, girls, for you.
35:37 For your talent.
35:40 And for yours.
35:42 Mine? And what's mine?
35:44 Knowing how to make cappuccinos?
35:46 No, knowing how to say the right thing at the right time.
35:49 That's not talent.
35:50 It is.
35:51 And this success is also your merit.
35:55 You're a diamond. I've only made you shine.
35:58 To Gabriela, the most beautiful diamond in paradise.
36:02 To Gabriela.
36:04 I toast to Gabriela, la la la la la la la
36:11 I toast to Gabriela, la la la la la la la
36:14 I toast to Gabriela, because she's the best.
36:18 Gabriela, bravo.
36:21 Thank you.
36:22 Thank you.
36:24 Thank you.
36:52 Help us find this woman's smile.
36:55 Lisa! Are you there?
37:06 I'm coming.
37:07 How about we go out for dinner tonight?
37:11 Sounds good.
37:12 Yes. I know a pizzeria nearby that's pretty cheap.
37:16 Help us find this woman's smile.
37:18 I'll put on my coat and we'll go out.
37:20 Is this you?
37:23 Let me see.
37:25 Look.
37:26 But who's looking for you?
37:34 It's Vitor.
37:37 Vitor?
37:39 Vitor, it's me.
37:41 I'm here to see you.
37:43 What's going on?
37:44 It's Vitor.
37:46 I've done wrong by going through paradise.
37:50 He saw me and he's gone mad.
37:52 You must be a very good person if you're willing to do all this to find yourself.
37:57 He thinks I'm his sister.
37:59 And he'd do anything for his family.
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39:50 (upbeat music)
39:52 (bell dings)