El paraíso de las señoras - T3 - Episodio 143 Completos HD
Category
🎥
Short filmTranscript
00:00 [music]
00:13 [speaking in Spanish]
00:15 [chatter]
00:25 [speaking in Spanish]
00:28 [speaking in Spanish]
00:30 [speaking in Spanish]
00:32 [speaking in Spanish]
00:34 [speaking in Spanish]
00:35 [speaking in Spanish]
00:37 [speaking in Spanish]
00:39 [speaking in Spanish]
00:41 [speaking in Spanish]
00:42 [speaking in Spanish]
00:43 [speaking in Spanish]
00:45 [speaking in Spanish]
00:46 [speaking in Spanish]
00:50 [speaking in Spanish]
00:51 [speaking in Spanish]
00:52 [speaking in Spanish]
00:57 It's going to be gorgeous.
00:59 I'm sure Mama has a lot of paintings in Paradise.
01:03 I have an appointment and I will be out all day.
01:06 That's why I brought him with me, so you can spend time together too.
01:09 Yes, okay.
01:11 We are aware that you have a lot of work here, right, Mama?
01:16 We don't want to bother you.
01:18 Yes, Mama. We don't want to bother you.
01:20 You never bother me, darling.
01:22 Are you sure?
01:24 Yes.
01:26 The neighbor told me you can stay with Carlos.
01:28 No, I just have to get organized.
01:30 Very well. I'll come by in the afternoon.
01:33 I trust you blindly.
01:37 I'm sure you'll have a fabulous time.
01:40 Will you draw something nice for Papa?
01:44 I'll do one for you and one for Mama.
01:46 What a good idea. Do you know what we'll do next?
01:48 We'll hang them side by side in our new house.
01:52 What do you think?
01:53 Will you give me a kiss?
01:57 Behave yourself. Mama has work to do.
02:01 Let's go.
02:05 Mama, Titi has a giant, red heart. You'll see.
02:12 Really? Is it going to be that big?
02:14 Yes.
02:15 You'll meet all my friends from the paradise. They'll be very excited to meet you.
02:25 Good morning, ladies.
02:31 Hello.
02:32 Good morning, Professor.
02:33 Hello.
02:34 We have a guest.
02:35 This is my son, Carlos.
02:36 Hello.
02:37 Nice to meet you, Carlos. I'm Dora.
02:38 Hello, Carlos. I'm Paola. He's so handsome.
02:41 What are you doing? Are you hiding?
02:43 Sorry, at first we were a little shy.
02:46 I see a very cute face.
02:48 I'm looking at some very cute fabrics. Can you show them to me?
02:51 How pretty!
02:52 How pretty!
02:53 What's your favorite color?
02:55 Yellow.
02:56 You know, when I was little I also had these fabrics. They were the same.
02:59 Come.
03:01 Can you draw lions?
03:03 Yes.
03:04 But what I liked the most was drawing dresses for princesses.
03:10 That's for girls, right? I'm sure you like cars better, don't you?
03:15 Yes, and lions.
03:16 Lions too?
03:18 Here you can paint anything you want. What do you say, Ciela?
03:21 Thank you.
03:22 Well, then let's draw a lion. With a big, big mane. Yes?
03:28 Oh, he'll stay here. I'm sorry if it's a problem.
03:32 It's not a problem. We are delighted to see him here.
03:35 Besides, we could organize the shifts to keep him company.
03:39 No, I really don't want to bother you. You focus on your work. I'll take care of it.
03:44 Miss, do you remember that Tina wasn't coming today?
03:47 True, the radio test.
03:49 Tomorrow will be her debut.
03:50 Let's hurry, miss. We have to open the paradise.
03:54 Yes, yes.
03:55 Are you done?
03:56 Goodbye, Carlo.
03:58 Goodbye, Carlo.
04:00 Take care, Carlo.
04:01 Honey, now Mom is going to change and then you'll stay here drawing, okay?
04:09 I admire you a lot, you know? I'd like to be at least half as strong as you.
04:15 You already are, Roberta.
04:17 It'll be fun, you'll see.
04:19 Let's hope it doesn't cause a lot of trouble.
04:22 Bye, little one. We'll see each other later.
04:26 Come in.
04:37 I wanted to say hello. May I?
04:39 Of course. Come in, Lisa.
04:40 Sorry, I don't have time between Easter and the Paradise Market orders.
04:45 Don't worry about it. Besides, I like to see you so involved.
04:49 Yes, me too. But it makes me neglect everything else, especially in times like this.
04:54 You feel passion for what you do.
04:55 Yes, passion, obsession, madness. It depends on the point of view.
05:00 Although Marta also seems to be a bit like that, with regard to work.
05:05 Am I wrong, or has she not arrived yet?
05:07 She'll be here soon.
05:08 Excuse me.
05:13 Yes?
05:15 Mr. Berruti, good morning.
05:18 How's our egg doing?
05:20 I'm sure it's up to the expectations.
05:23 No, not yet.
05:27 Yes, some are better than others, but they don't convince me.
05:32 All right. I'll tell you something this afternoon.
05:35 Thank you. See you later.
05:38 Problems?
05:43 I can't think of a surprise we can put inside the egg.
05:48 I had thought of a good discount, but it's cold and impersonal.
05:55 And what did Marta propose?
05:57 I haven't had a chance to tell her.
06:00 You know, I had thought of something unique and exciting.
06:06 Something tender.
06:08 What could excite the person who opens a gift more than the very fact of opening it?
06:15 What would you like to find in such a big egg?
06:27 On Easter morning, after mass at the orphanage,
06:31 some ladies came to visit us,
06:33 who always brought us chocolates and sweets.
06:36 They were lovely, but they didn't stay long
06:39 because they had to go home to prepare the food.
06:42 And then I spent the whole afternoon fantasizing about them,
06:47 about their houses,
06:49 about the tables set with all their family around.
06:54 Happy, united.
06:57 So, if I could, I'd like to find a little piece of that feeling inside.
07:04 The joy of being surrounded by your family.
07:08 But, well, luckily, sometimes surprises come when you least expect it.
07:16 And I'm leaving now because the paradise must be open.
07:22 Yes, see you later.
07:24 You'll come up with the perfect idea.
07:27 Or maybe Marta has already thought of something extraordinary.
07:32 - Have a good day. - You too.
07:40 Are you going somewhere?
07:53 Of course not.
07:54 Tina is coming to the rehearsal. Don't tell me you forgot.
07:58 And that's why you put on the first thing you found in the closet?
08:02 Darling, elegance doesn't understand circumstances.
08:06 - That's what they say. - Yes, like you want to compete.
08:09 You're treating Tina as if she were your rival.
08:13 What are you saying? No, quite the opposite.
08:16 I want to do the same with her as I did with the diamonds.
08:19 I'll make her magnificent, valuable, unique.
08:23 But without being a pain in the ass.
08:26 Look, here she is.
08:30 - Good morning, Tina. - Good morning.
08:34 - Can you give me the coat? - Good morning, Tina.
08:36 - Hello. - Voila.
08:38 Thank you.
08:40 Can I be honest with you?
08:42 I've never liked this print.
08:45 But it looks divine on you.
08:47 It's a basic dress.
08:49 Yes, it's simple but not insulting, just like you.
08:52 Well, let's not waste any more time. We have a lot to do today.
08:55 Yes, that's right.
08:57 After countless discussions and having changed my mind at least a million times,
09:02 Sandro and I have decided that this is the ideal song.
09:05 "Romantic Moon".
09:07 - Romantic moon. - You already know it.
09:10 Besides listening to "A Life Without You", I've also listened to other of your songs.
09:14 Well, we've saved ourselves a step.
09:16 How about we start with a two-voice rehearsal?
09:18 Yes, just a moment.
09:20 Look, Tina, you can't reach this high note without breath,
09:23 so you take a breath here to reach it with a bit of agility.
09:27 - You mean I have to go faster? - No, no.
09:29 I mean we have to practice a bit with the voice.
09:32 Oh, but, well, since when haven't you taught the basics of singing?
09:35 For about a century, more or less.
09:38 Tina, it's just some exercises, just to train the voice, nothing more.
09:42 Well, let's start with the intervals.
09:44 Is that where I have to stop?
09:47 No, Tina, no.
09:48 Look, the intervals are the distance between two notes, the seventh, the fifth...
09:53 You haven't taught that either?
09:55 Then, what have you been doing in class until now?
09:59 Well, anyway, in "Romantic Moon" there's a diminished fifth interval,
10:04 so we have to do a specific exercise.
10:06 No, wait, we'll start with the second one, which is easier.
10:10 We'll go from a C to a D, and then a C.
10:13 And wouldn't it be better to start with the song?
10:19 No, Tina needs to gain more confidence in her vocal abilities.
10:22 - Trust me, Prue. - Yes.
10:24 Again.
10:29 Let's see, Tina, take a deep breath, prepare your diaphragm, and sing.
10:36 Do, re, do.
10:39 I just spoke to the company in Lugano.
10:42 They'll deliver the garments this afternoon.
10:44 I'll put them in the warehouse with the others.
10:46 Okay.
10:47 - What's going on? - Oh, my God!
10:49 - Carlo. - Carlo!
10:51 Carlo.
10:54 - What are you doing? - Playing hide and seek.
11:02 Carlo, are you coming with me?
11:04 Let's go get the notebook and the colors.
11:07 - Don't worry. - Thank you.
11:09 And now, let's paint.
11:12 I see we have a new employee.
11:15 I'm sorry, I should have told you.
11:18 I only cause problems.
11:20 Don't say that, not even as a joke.
11:22 Oscar showed up here this morning with Carlo,
11:25 and he told me he had a job commitment and that I could keep him.
11:29 - In an aggressive, threatening way? - No, on the contrary.
11:32 He's taken his charming side.
11:34 - What scares me the most? - The important thing is that Carlo is okay.
11:38 It seems so. He's very happy.
11:41 I know he can't be here, but I promise I'll do...
11:44 And why not? With so many veins, there could also be a little Cupid.
11:48 I'll try to make him as annoying as possible.
11:50 If you want, he can stay with me in my office.
11:53 - Are you sure? - Yes.
11:55 - I don't want it to be annoying. - It's not annoying at all.
11:57 He'll keep me company.
11:59 - Luchanones! - Hi!
12:01 What are you doing here, little one?
12:03 I came to work today to help Mom.
12:06 - Look what I have. - How pretty.
12:09 Do you want to come up to my office to paint with me?
12:11 - I have very large sheets. - Up there?
12:13 Yes, up there.
12:14 - Do you think it's okay? - Of course.
12:16 Behave yourself and let Luchano work.
12:18 Come on, let's go.
12:20 I just needed someone to help me with the accounts today.
12:24 I don't know how to count very well.
12:26 It's okay, I'll teach you.
12:28 Look, Mom, I'm taller than you.
12:31 You too.
13:00 Fantastic. Well done.
13:02 - Well, what do you think? - Yes, better.
13:05 Thanks to the exercises.
13:07 - Your debut on the radio will be a success. - I hope so.
13:10 Well, I have to go.
13:12 I have to be in paradise before the break is over.
13:15 Okay, I'll go with you.
13:17 - Good morning, dear. - Thank you.
13:19 Thank you.
13:29 You sang wonderfully.
13:31 - Goodbye. - Goodbye.
13:34 You see what a talent.
13:39 He can perfect the technique, but the truth is, he doesn't need it for this song.
13:43 He already knows it thanks to you.
13:45 You wanted to praise her so much that you didn't let her finish singing.
13:49 Well, yes, I've tried to give her back the little confidence
13:52 you've tried to crush with your pretty shoes.
13:55 All I'm trying to do is motivate her to improve.
13:58 Putting her in a bind?
14:00 With new and useless exercises?
14:03 - Useless? - Yes.
14:05 Sandro, those exercises are essential to sing this piece.
14:09 Come on, that's enough, let's be honest.
14:12 Tina has a limited vocal range.
14:14 You're wrong about that, you know that.
14:16 Tina has a vocal range even wider than yours.
14:19 I see that it is true that with age one softens.
14:24 Why do you put this pressure on her just the day before her debut on the radio?
14:29 Because she sings with me and I want her to be perfect.
14:32 Do you remember when you started, like her?
14:39 It's been a long time anyway.
14:43 I'm going to take a hot bath.
14:47 Yes, good idea.
14:52 Miss, excuse me.
14:54 Welcome, ma'am.
14:56 Did you like your new purchase?
14:58 Do you remember me?
15:00 Well, it's not easy to forget a lady as elegant as you.
15:03 Thank you.
15:05 In fact, I came for the dress I took.
15:08 Unfortunately, when I tried it at home, I realized that...
15:12 I had a terrible defect here.
15:15 - May I? - Yes.
15:17 Yes, yes, you're absolutely right.
15:19 The fishbone is not well done.
15:21 And as you understand, I can't do it like that.
15:24 Of course, of course.
15:25 I'll talk to our fashion designer as soon as possible to fix it.
15:28 I'd rather change it if possible.
15:30 Unfortunately, this model is already exhausted.
15:32 I also liked the other one, the green one, remember?
15:35 Yes, but I can't change the dress for another different one.
15:39 I guarantee you that after going through the fashion designer, it will be perfect.
15:43 Are you sure you couldn't do me that favor?
15:46 Well, I don't know, I'm not even convinced that it will look good on me.
15:51 Okay, let's do one thing.
15:53 I'm going to talk to the manager and I'm sure she can think of a much better solution.
15:58 Thank you.
16:00 Miss, I need you to help us for a moment.
16:05 The lady, the client, well, she wants to return a defective dress, but she has already put it on.
16:12 Let's talk to her.
16:15 I'm here.
16:17 Good morning, ma'am.
16:19 Good morning.
16:20 Yes, look, I bought this dress yesterday.
16:22 The lady was very patient and helped me choose it.
16:25 It's always hard for me to decide, but look, it's defective.
16:29 Yes, you're right.
16:32 I apologize on behalf of the company.
16:35 It's true that I've already put it on, but I'd like to be able to change it for another model.
16:39 Yes, the lady was very interested in the silk green dress with a jacket.
16:44 I haven't thought of anything else since I left the store.
16:47 Then I decided to keep this one, but ...
16:49 Well, in reality, the policy of the paradise does not allow it, but this time we will make an exception.
16:56 Miss Conterno can take out the green dress if she wishes.
17:00 I thank you very much.
17:02 You're welcome. The satisfaction of our clients is what matters most to us.
17:06 You guys make me feel at home.
17:09 I'm glad to hear it. We want to be like a big family.
17:13 Well, you can wait in the test room, I'll take the dress now.
17:17 See you later.
17:18 Thank you.
17:19 Sorry, Lisa. When you finish, could you come up to my office?
17:24 I want you to give me your opinion.
17:27 Thank you.
17:30 How's that drawing going?
17:35 It's almost finished.
17:37 And what is it?
17:38 This is you, this is mom, and this one here is me playing with the colors.
17:44 How nice. Can I see it?
17:46 Are you an artist?
17:50 Do you think we should go outside? There's a man who sells balls.
17:54 I prefer to stay here, my mom is here.
17:57 So what do you think if I show you the secret drawer I have here?
18:03 You have a secret drawer?
18:05 Yes, I only open it when important guests come.
18:08 I drew this.
18:10 Come on, does it ring a bell?
18:11 Look, your glasses.
18:13 Yes, these are magic glasses. With them you become countless.
18:19 It's not true.
18:20 What do you mean? Do you remember the first time we met at the convent?
18:24 I didn't wear them, and you didn't recognize me.
18:27 Can I try them on?
18:29 Of course, but only for a moment, because otherwise your eyes will hurt.
18:34 That's it, so anyone would mistake you for a real accountant.
18:38 May I, accountant Catania?
18:41 One second.
18:43 Now you are me. You have to say "go ahead".
18:49 Go ahead.
18:56 Sorry for the inconvenience, accountant.
18:58 He believed it.
19:00 No, miss, you never bother.
19:03 No, miss, you never bother.
19:06 I just wanted to know if I was okay.
19:09 Yes, thank you, miss. It's all a detail.
19:12 Yes, miss, thank you, it's all a detail.
19:15 Then I can go back to work.
19:17 If there's something I can do for you.
19:20 If there's something I can do for you.
19:22 The truth is that you can do something.
19:25 If my son came here, Carlos, could you tell him I'm looking for him to kiss him?
19:30 Mom, it's me. You didn't recognize me.
19:33 You didn't recognize me.
19:35 I'm wearing some magic glasses.
19:37 Well, no, I didn't recognize you.
19:40 Our new accountant.
19:42 Can I have a magic box too?
19:47 Of course.
19:48 I think it's a great idea.
19:50 I think it's a great idea.
19:52 Come in, Alisa.
20:03 Sorry, but the client didn't decide...
20:05 I have an idea for the surprise.
20:07 What do you think?
20:09 Have you heard what Caligari told the client before?
20:12 Yes, that he could change the dress?
20:14 No, that paradise is like a family.
20:17 Lelia has perfectly captured the essence of this place.
20:20 And that's just what the surprise of the egg should represent.
20:24 Family life.
20:25 Elegance.
20:27 Closeness.
20:29 Reciprocity.
20:31 Do you want to hide in the egg something useful for a family?
20:35 A household appliance?
20:36 No, there won't be a washing machine.
20:38 It will go much further.
20:40 The family itself.
20:42 We will have the opportunity to publish the photos in the wax echo.
20:47 All women, three or four generations of the family of the winner,
20:51 will pose with our garments, which of course we will give them to you.
20:55 The family paradise.
20:58 That will be the title.
21:00 I like it.
21:01 Sorry, but the handsome guy we saw only has eyes for me.
21:13 Normal, you have him stuffed with chocolates.
21:15 No, you have cheated.
21:17 Sorry for the delay, but today the tram has taken a long time.
21:20 Can I?
21:21 So, any news? Have I missed something?
21:27 Gabriela has a new admirer.
21:29 Have you received more letters?
21:30 No, I've met this one in person.
21:32 I was impressed by his beautiful eyes.
21:35 One more morning and this woman is already engaged.
21:41 And it's not a small thing.
21:42 Handsome young man and also an artist.
21:45 Have you seen him? Do you confirm it?
21:47 Look, this is what Gabriela has done.
21:49 This.
21:52 Well, it's interesting.
21:56 We are taking your hair, Carlo has done it, the son of Caligari.
22:00 Look, you are fools.
22:02 Today he is with us.
22:03 In paradise?
22:04 Yes.
22:05 Yes, it's a charm.
22:06 And he is the cutest applicant I've ever had.
22:08 Yes.
22:09 How was the rehearsal? Ready for tomorrow?
22:12 No, today it was horrible.
22:13 Why?
22:14 Has Sandro not liked it?
22:16 No, no, he liked it.
22:17 So?
22:18 Girls, I don't know if I'm ready to sing with a professional like Nora.
22:23 You are also a professional, as good as her.
22:26 Have you acted in "Paradise", in the contest, in the circus?
22:32 Besides, if Mr. Recalcati likes how you do it, what is important?
22:35 What worries you?
22:36 This is a bit big for me, girls.
22:39 Just because a million people will listen to you?
22:41 And DNA.
22:42 You take it as a challenge.
22:44 You are made for challenges.
22:46 Compared to Nora, I look like Don Herman's dog.
22:49 Don't say that, you only have different voices, you are two different people.
22:52 Yes, she is good and I am not.
22:54 Tina, to reach Nora's level, you would have to study for 100 years and not with those you get ...
22:58 If Recalcati says you're ready, it's because you're ready.
23:02 I think he has also changed his mind.
23:04 Nora made me practice some exercises and I haven't given a single one.
23:07 Do you know what that's called?
23:09 Incompetence?
23:10 Fear.
23:11 And that's healthy.
23:12 That's what you lacked the day you were so bad in the circus, when you introduced yourself saying you were Stella Dana.
23:18 Thank you, I almost forgot.
23:21 I'm not going to the radio.
23:23 Hey, don't even talk about that.
23:24 What about the successor of Nila Pizzi?
23:26 That, that you have been from the Tina who never gives up and who is so ...
23:30 Shameless?
23:31 And I was going to say thrown.
23:32 Brave.
23:33 And talented.
23:34 Besides beautiful.
23:36 Girls, sorry.
23:38 Roberta, can we talk for a moment?
23:42 Yes, of course.
23:43 You eat it, Tina.
23:45 But ...
23:57 I'm sorry.
23:58 This morning I went to the orphanage where Lisa grew up.
24:09 I thought you had already forgotten the matter.
24:12 I tried, Roberta.
24:14 But I have not been able.
24:16 I've been going around all these days and that's why I decided to go there.
24:21 I have spoken with SORPRA Sede and with the rest of the staff, but they have not told me anything that I did not know.
24:26 And what did you think you could discover?
24:29 I don't know, but something else.
24:30 Instead, I have not discovered a single detail, no one who was your friend or anything.
24:36 But given his past, it is also possible.
24:39 Should I feel guilty?
24:40 No.
24:41 No, I understand you.
24:42 Or at least I try, only ...
24:44 Can I be honest with you?
24:46 Sure.
24:48 You don't realize it, but in the end, this whole thing has become an obsession for you.
24:52 Victoria and you love each other and that's all that matters.
24:55 I know, but ...
24:57 Since Lisa appeared in his life, it's like there's a wall between us.
25:03 And I want to know who wanted it that way, who raised it.
25:07 And are you sure you didn't raise it?
25:10 I just want to break that wall.
25:13 And if I give up now, it's over.
25:17 And I don't want that to happen.
25:19 That will not happen.
25:21 Come on, let's go.
25:22 Thank you.
25:25 Pay attention.
25:29 Have you seen, mom? They are magical.
25:34 Well, what? Can I take this off now?
25:38 Let's see, here is the water for the lady and a good whiskey for the commander.
25:46 I'm not a commander, I'm just a kid.
25:49 Oh, you're not a commander? Damn, I was wrong, I apologize.
25:54 I had confused you with a commander.
25:56 I'm not a commander, I'm just a kid.
25:59 Come on, my life is low.
26:01 Well, I propose one thing to you, Mr. Child.
26:03 Do you want to choose the sandwiches?
26:05 Great, I'll take it.
26:07 Let's see.
26:09 These.
26:10 I wish this moment were eternal.
26:15 When I was not, it was what I thought.
26:17 I just wanted to be with Carlos and see you.
26:20 Now we are here.
26:22 We have to enjoy the moment.
26:26 Carlos is fine and that's all that matters.
26:28 But soon I will have to say goodbye to him again.
26:30 Yes, there is no other.
26:32 Look how happy.
26:35 Are you sure?
26:36 He is a very special child, one day you will understand.
26:39 But you have to eat them all.
26:41 Understood?
26:42 Good profit, commander.
26:43 I'm not a commander.
26:45 Thank you, Mr. Waiter.
26:47 I'm not a waiter either, I'm just a kid.
26:50 Mom, this is for you.
26:52 And this is for you.
26:54 Thank you.
26:55 Why are you sad?
26:57 No, honey, I'm not sad.
27:00 On the contrary, I am very happy to be here with you.
27:03 Mom, can I take the lettuce off?
27:08 Sure, if you don't like it.
27:10 For the anemia.
27:12 Thank you.
27:13 Ready?
27:16 Good profit.
27:17 Good profit.
27:18 Profit.
27:19 Do you need help?
27:29 You're going to tell me that I'm better at thinking than combining, right?
27:33 You are good at thinking, but why don't you try them on the showcase?
27:37 I prefer to wait for us to close.
27:39 The customers want to see the clothes exposed, not me hesitating.
27:42 I think that being you in the showcase, you will attract many more.
27:46 Marta.
27:50 Are you early at work?
27:51 How good.
27:52 Well, Easter is around the corner.
27:54 You're right, I should have told you that I wasn't going to be able to come this morning.
27:58 But as you know, these are complicated days.
28:01 Vittorio has had a wonderful idea for the surprise that will go on the Easter egg.
28:06 I have no doubt.
28:07 Especially if you've been helping him.
28:10 Thank you very much, Lisa.
28:13 You're welcome.
28:15 Goodbye.
28:16 And what is that wonderful surprise?
28:22 The winner will pose for a photo with all the other women in her family.
28:29 They will all be dressed in our garments.
28:31 The photo will be published in the newspaper along with an interview.
28:34 The family's paradise.
28:36 It's a great idea.
28:37 Yes.
28:39 I would like to consult it with you, but Berruti wanted the answer this afternoon.
28:43 Is that why you consulted it with Lisa?
28:45 Because you weren't here, Marta.
28:47 Not today, not yesterday.
28:49 Where were you?
28:51 What is keeping you away from paradise and me?
28:53 I've already apologized to you, Vittorio.
28:55 I'm sorry, Vittorio.
28:56 May Lisa help you.
29:04 It doesn't look like I'm walking on a...
29:18 You're right, they're very comfortable, but I'd prefer something more colorful.
29:22 Could I try the blues?
29:24 No, the reds.
29:26 Yes, try them. The red is...
29:29 Excuse me, I didn't understand.
29:31 The red is very elegant, excuse me.
29:34 It looks good.
29:35 And if I didn't, I could...
29:40 Gabriela!
29:41 Excuse me, ma'am, I'll be right back.
29:43 What's wrong? What's wrong?
29:46 It's happening again.
29:47 What?
29:48 I'm not in the singing contest.
29:50 You're missing the judging.
29:52 I must have caught a cold.
29:54 Calm down.
29:56 Is it me or is something happening here?
29:58 It's the intervals.
30:00 If you calm down, I'll help you, okay?
30:02 I'm going with the lady.
30:03 Tina, Tina, calm down.
30:05 Whenever you have to act, you lose your voice.
30:08 Have you noticed?
30:09 Tell me, ma'am.
30:11 These shoes don't fit me.
30:13 It's normal, it happens to me too.
30:15 When I have an exam, I lose my memory.
30:17 The only remedy is to repeat it until I'm satisfied.
30:20 I'm capable and I can do this.
30:21 I'm capable and I can do this.
30:23 I'm...
30:24 A disaster, it's going to be an exam.
30:28 My son.
30:41 Come.
30:43 Did you have a good time with Mom?
30:47 What have you done?
30:50 Can you see my drawings?
30:51 Of course I want to see them.
30:52 When we get home, you show them to me, okay?
30:54 Say goodbye.
30:57 Bye, Mom.
30:58 Goodbye, honey.
30:59 Let's go.
31:02 We had a wonderful day.
31:12 I have no doubt.
31:18 You'll have to give him a good bath tonight.
31:20 His hair is all stained with wax.
31:22 You could give it to him, right?
31:25 We've already talked about that.
31:26 What am I going to do with you?
31:30 What do I have to do to convince you that I've changed?
31:33 I've left you with Carlos all day.
31:34 Don't you see the risk I'm taking?
31:36 You knew I wouldn't go anywhere.
31:38 No, I didn't know.
31:39 I've only trusted you.
31:41 Let's see if you trust me.
31:44 [SUSPENSEFUL MUSIC]
31:46 You know my patience has a limit.
31:52 You know I could go to the police and you'd never see us again.
31:56 Do it.
31:57 I'm serious.
31:58 Report me.
31:59 I'm tired of your blackmail.
32:00 Don't make me do it, Clelia.
32:02 Don't make me do it.
32:04 Come on.
32:12 You know I love you.
32:14 Prison is nothing compared to what I went through with you.
32:40 [SPEAKING SPANISH]
32:42 Amen.
32:51 Amen.
32:52 Splendid.
32:57 Seeing you all together really makes my heart happy.
33:01 We still have one more member to go, Father, but we'll manage.
33:05 Thank you very much.
33:07 Thank you.
33:08 [SIGHS]
33:09 Here.
33:14 Thank you.
33:15 I'm leaving now. It's a long journey.
33:17 See you on Sunday at mass?
33:19 No problem.
33:20 -Sure. -See you on Sunday.
33:21 -I'll walk you out. -Thank you.
33:23 -Goodbye. -Goodbye, Father.
33:25 -Good night. -Good night.
33:29 Well, what's for dinner tonight?
33:31 -Cheese and meat. -How can he have such clean children?
33:34 The priest comes home, gives his blessing, and you just think about eating?
33:37 Mom, calm down.
33:39 Blessings are better when you're full.
33:41 Don't leave the snails where they are. They're for Easter.
33:44 We'll have a soup for dinner.
33:46 Ketina needs to have something light.
33:48 Why? Are you not feeling well?
33:50 Are you sick? Does your stomach hurt?
33:52 What stomach? This woman will sing on the radio tomorrow.
33:55 Are you happy?
33:56 Mm.
33:57 Mom, can you make me that thing with garlic?
34:00 What thing with garlic?
34:02 That dish of yours.
34:03 She's asking for the thing you made her before the concert.
34:07 Ketina, that thing I made you was a dish I made up
34:15 because you looked tense, nervous, worried.
34:18 I thought eating that would comfort you.
34:21 I was the one who said to add garlic. Do you remember?
34:24 You're so grumpy. You're such jerks.
34:27 How dare you do this to me?
34:29 She's got a voice. It's a miracle.
34:31 See? She's got a voice. See how she's got a voice?
34:34 It's not funny. I'm just scared.
34:36 But if you're scared, the crows don't grow the fern.
34:39 Then there's no blouse.
34:41 And you never give up. That's what she always says.
34:44 Well, neither does Pitsy.
34:46 It's a famous quote from Winston Churchill.
34:49 May I?
34:58 Yes, of course.
35:00 How come you're still here?
35:03 It seems like work never ends.
35:06 It's been nice having Carlo here today.
35:09 Yes, it's been wonderful.
35:11 I bet he hasn't stopped for a second, has he?
35:14 Not for a moment.
35:16 I think Oscar's going to the police station soon.
35:20 Why do you say that? Has something happened?
35:23 I told him I wouldn't give in. I won't live with him again.
35:27 I won't let you go to jail.
35:30 We could leave.
35:32 This time we'll do things right.
35:34 I'll take you to a faraway place where Oscar won't find you.
35:36 No, Luciano. I haven't thought about it.
35:39 And that can't be the solution.
35:45 I'm tired of running away.
35:49 I want to stop being afraid.
35:52 So I'll face whatever comes.
35:56 Even jail, if that allows me to be away from him.
36:00 I'll be by your side, no matter what.
36:08 Forever.
36:10 I know.
36:12 This dress looks better.
36:24 Do you want me to help you?
36:26 No, I can do it myself.
36:29 Martha, please stop.
36:35 Stop what?
36:37 Stop talking to me like that.
36:39 I don't like it.
36:41 It's not like you, and it's not like me.
36:43 I'm sorry, but you can't control everything.
36:45 And even less my emotions.
36:47 Then tell me what the problem is.
36:49 Lisa has made decisions that we should make.
36:52 She was a good girl. You know how this works.
36:54 What did you want her to do?
36:56 Since Lisa's here, we're not the same anymore.
36:58 Again, please. Stop.
37:00 Look at us. We're the same, Martha.
37:03 I don't know who I am anymore, Vittorio.
37:06 And this story is forcing me to do things I didn't think I could.
37:11 This morning I went to the orphanage where Lisa was.
37:13 Again? Why?
37:15 Because Lisa is not lying to us. She's taking advantage of us.
37:18 She's taking advantage of you, and I'm not going to let her.
37:20 I don't recognize you anymore, Martha.
37:22 The woman I fell in love with would never have acted like that.
37:25 All I'm trying to do is protect you.
37:27 You don't want to protect me.
37:29 You're just afraid I won't pay attention to you.
37:33 Maybe you're used to people with a small heart.
37:36 And deep down, you're just like your father.
37:42 So that's what you think.
37:48 I can't stand it anymore.
37:50 This is a torture.
37:53 I don't know who you are anymore.
37:55 Maybe...
37:59 Maybe it's better if...
38:03 Yes, maybe it is.
38:09 [Music]
38:11 [Music]
38:14 [Music]
38:17 [Music]
38:19 [Music]
38:29 [Music]
38:40 [Music]
38:42 [Music]
38:51 [Music]
39:02 [Music]
39:04 [Music]
39:17 [Music]
39:30 [Music]
39:32 [Music]
39:41 [Music]
39:51 [Music]
39:53 (upbeat music)
39:55 (bell dings)