El paraíso de las señoras - T3 - Episodio 146 Completos HD
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00:00 (The following footage was removed from the dub.)
00:06 (The following footage was removed from the dub.)
00:13 The Ladies' Paradise
00:15 Mom, this is Antonio's cup!
00:17 Yes, what's the problem?
00:18 And you're of the same blood, come on, sit down.
00:20 But it's warm, mom.
00:22 It's warm, it's warm.
00:24 If the little man woke up 20 minutes earlier,
00:26 he would find it warm, just like he likes it.
00:29 I was having a dream.
00:30 If I woke up, I wouldn't see the end.
00:32 And if you keep dreaming, you know what's going to happen?
00:34 They're going to kick you out of the cafeteria.
00:36 No way, mom.
00:37 Mrs. Anita adores me like a son.
00:39 Lately, she lets me take the cafeteria to myself.
00:42 Listen to me, listen to me.
00:44 Listen to your brother.
00:45 Go to the cafeteria and win Mrs. Anita over.
00:47 Hey, Anto!
00:49 What are you saying?
00:50 Blood of my blood.
00:51 Anyway, she's opening this morning.
00:53 So I still have some time.
00:55 Coffee?
00:56 Hey, did you wake up all jittery this morning?
01:00 Good morning.
01:03 Good morning.
01:03 Look, the other dreamer of the house has died.
01:06 My congratulations, Tina.
01:07 You've been working hard, huh?
01:09 I got here very late.
01:11 Sit down, have some coffee.
01:13 No, mom, thank you. I don't have time.
01:15 But it's not late.
01:16 Yes, it's not late.
01:18 Last night you did get here late.
01:20 I didn't even hear you. You got here at 12 or even later.
01:23 The carriage had already turned into a pumpkin when she got back.
01:27 How funny.
01:28 These company dinners are like...
01:31 Petrucci talked and talked and talked.
01:33 And the others didn't say anything?
01:35 Were you alone, you and Petrucci?
01:40 No, how could we be alone, Petrucci and I?
01:42 The woman from Recalcatee was there too.
01:43 She's talking in fours.
01:45 That's right, a volcano.
01:46 Between her and Petrucci...
01:49 What were you doing then?
01:51 Because she and Nora are now a...
01:54 duo.
01:55 They do everything together.
01:57 And you're happy?
01:58 Like a Easter.
01:59 See you tonight.
02:00 Like a Easter.
02:03 Miss Tina Amato?
02:05 It's me.
02:06 Here, from Mr. Petrucci.
02:09 Thank you.
02:10 Your tea.
02:11 Excuse me.
02:12 That's how a bouquet of flowers for a business dinner works.
02:19 Mom, people in the world of show business are eccentric.
02:23 And you're not going to read the note?
02:25 Come on, come on, bring it.
02:26 Come on, share with us.
02:27 But what do you want me to say?
02:28 Thank you for a lovely evening, goodbye and good night.
02:31 Shall I walk you home?
02:33 First me and then Mrs. Recalcatee.
02:35 Mom, they treat me well because I'm new here.
02:38 Besides, they think I'll do great things.
02:41 Don't you believe in me?
02:44 Do you think you deserve it, Tina?
02:46 Of course.
02:48 See you tonight.
02:51 Goodbye.
02:53 Sometimes you look like a wild boar.
02:59 Do you think Miss Caligari will come today?
03:01 I have no idea.
03:02 I imagine she wants to spend time with her son.
03:05 She can't blame him.
03:07 After what happened...
03:08 Ladies, may I?
03:10 One moment, Mr. Conti.
03:12 Wait.
03:13 Come in.
03:18 Thank you.
03:19 Good morning.
03:20 Good morning.
03:22 Now that we're calmer, we can be happy
03:26 about the very promising results of our Easter initiative, right, accountant?
03:30 Yes, since Friday we've had an increase in revenue
03:34 and we think things will continue to go well soon.
03:37 And this result is the result of your motivation and professionalism,
03:41 which have never failed despite your concerns these days.
03:44 It's going very well.
03:46 We've already reached client 149.
03:48 Yes, and that information, Miss Catania,
03:50 is better not to leave your notebook.
03:52 Of course.
03:53 Good.
03:55 Focus on the most distracted clients
03:57 and explain to them the details of our initiative, okay?
03:59 - Of course. - We will.
04:00 Excuse me, for today's opening we're expecting Miss Caligari?
04:04 She just told us she'll join us after lunch.
04:07 Oh, and Miss Pelegrino,
04:08 can you take care of the opening and management of the store?
04:11 - Of course, with pleasure. - Thank you.
04:12 - Come on, girls, let's go. - Yes.
04:14 - Good work. - Thank you.
04:16 Have a good day.
04:17 So, what did Clelia tell you exactly?
04:24 That Carlo still had a fever.
04:26 But he was weird, he said monosyllables,
04:28 as if he didn't have the freedom to speak.
04:30 He was probably in a public place.
04:33 I think Mr. Bacchini doesn't have a telephone line at home.
04:36 Or he was there with her,
04:38 and he was controlling her.
04:39 Doesn't your day offer anything more interesting
04:54 than to just sit there and stare at me like that?
04:56 I'm still waiting for an answer.
04:59 Remind me, what was the question?
05:01 Have you really decided
05:03 to go on with your absurd marriage proposals?
05:07 Well, to get married,
05:09 you only need the consent of two people.
05:11 In this case, mine and Andreina's.
05:14 And we both agree.
05:16 So, you're going to choose a church,
05:18 you'll make a list of guests,
05:21 and you'll give everyone a wedding souvenir
05:23 like two naive and passionate young men?
05:26 Yes, correct, except for the souvenirs,
05:29 which seem like a waste,
05:32 quite superfluous and useless.
05:34 So you're getting married just to have
05:36 a wife to introduce to your electorate.
05:39 I don't have to tell you my reasons,
05:42 don't you think?
05:43 And are you sure that this image,
05:46 obviously false,
05:48 is better than the one you've offered to everyone so far?
05:51 And are you going to tell me
05:53 what my image has been so far?
05:56 The image of a widow consecrated to the memory of her wife
05:59 and the family that survived her.
06:02 Margarita will always be in my heart.
06:05 But that doesn't mean that I have to live
06:07 the rest of my life in unhappiness.
06:10 Unhappy and worthy is much better
06:12 than happy and stupid.
06:14 I see that you can't believe
06:17 that I can be in love with that woman, right?
06:21 I know you, Humberto.
06:23 In two years, that woman will have tired you
06:27 or betrayed you.
06:29 And you will find yourself without the respect of your children
06:32 and without mine.
06:34 You know what worries me?
06:36 Especially, I will miss these
06:39 so affectionate talks.
06:41 Please, tell me what I can do
06:43 so I don't lose all this love, this understanding.
06:46 Make sure that the women you put in your bed
06:49 don't try to do the same with your inheritance.
06:53 Make sure that your heart's affairs
06:55 don't interfere with your children's future.
06:58 You don't have to worry about that.
07:00 My children can live with all the luxuries,
07:03 even if I marry at least four other women.
07:06 I'm afraid you underestimate certain women.
07:09 You see, Adraide, you know that many times
07:12 I've listened to your advice, but not this time.
07:16 We already have a date for the wedding
07:18 and I intend to get married.
07:20 You will find a way to get the idea
07:24 and to support me in absolutely everything.
07:27 Absolutely everything?
07:29 Of course, as it should be for a head of family.
07:33 If that man defends her, his family.
07:37 Your Easter initiative rewards customer purchases
07:41 and I've bought five garments.
07:43 Yes, ma'am, but you only bought one.
07:45 But if I had gone in and out five times
07:47 to buy these garments
07:49 and I had bought one each time,
07:51 I would have given myself five numbers.
07:53 Am I wrong?
07:54 Yes, but really, ma'am, I can't...
07:56 Then I don't see where the difference is.
07:58 In fact, all I do is save time.
08:00 Can I help you?
08:02 I was explaining to the lady
08:04 that these five purchases...
08:06 Your partner says she can't separate my purchases
08:08 and give me different numbers.
08:10 And I've already explained to her
08:12 that when I was told the rules,
08:14 no one said anything to me.
08:16 That's right.
08:18 Maybe I should ask the director.
08:21 Excuse me a moment.
08:23 Vittorio.
08:24 Yes, Lisa, tell me, is there a problem?
08:27 The lady wants a correlative number
08:29 for each garment she's bought.
08:31 And Nicoleta doesn't know what to do,
08:33 and frankly, neither do I.
08:35 Hello, ma'am.
08:36 I've been told there's a little dispute.
08:38 Your Easter egg is so beautiful
08:40 that I'd like to have more chances to win it.
08:43 I understand, and we're here to help you.
08:45 A pleasure.
08:46 Simonetta Martelli, the pleasure is mine.
08:48 Vittorio Conti, I'm the director of Paradise.
08:51 I think Mrs. Martelli deserves a prize
08:53 for finding, let's say, a flaw in the system.
08:57 Thank you very much. You're very kind.
08:59 I recommend you visit us in the next few days
09:02 to increase your chances of winning.
09:04 Of course, director. See you soon.
09:06 Goodbye.
09:08 And, miss, give the lady a 30% discount.
09:11 Of course, Mr. Conti.
09:14 If you keep this up, you'll make all the clients fall in love.
09:18 Unfortunately, I'm much less successful
09:20 with the people I care about.
09:22 Any plans for the holidays?
09:25 There's still no peace between you and Marta.
09:28 None.
09:30 Well, I don't have any plans either.
09:32 If you want, we can join our loneliness
09:35 and do something as a family.
09:37 I appreciate it, but I hope things get better
09:39 between Marta and me first.
09:41 After all, Easter isn't the time of the Resurrection.
09:45 Now you're listening to your brother's advice?
09:48 Let's just say I want to keep my reputation
09:51 as an unhealed optimist.
09:53 Ah.
09:55 Well, if the miracle doesn't happen,
09:57 you know where to find me.
09:59 You're very kind, but you'll find someone better
10:03 than a grumpy brother who bores you with his love.
10:06 I couldn't find a better company than yours.
10:10 Of course.
10:12 What are we doing here?
10:26 Are you planning a coup?
10:28 A legitimate act of defense.
10:31 Our family and our heritage are in danger.
10:35 What are you talking about?
10:37 About Dad's wedding to Andreina.
10:39 Don't you think you're exaggerating?
10:42 I understand that at this point,
10:44 you're only feeling philanthropic,
10:47 but at least you should put your feet on the ground, please.
10:51 Your father is out of his mind.
10:55 I think it's time to shake him up,
10:59 and give him a good beating where it matters most.
11:02 You're not talking about the three of us.
11:05 Honey, we're not here to talk about that.
11:07 The elections.
11:09 Welcome back, my dear.
11:11 The elections, exactly.
11:14 The perfect family,
11:16 supporting the perfect candidate.
11:18 Yes, but lately the press
11:20 hasn't portrayed us as a perfect family.
11:22 But united, yes.
11:25 And we'll work to make them believe otherwise.
11:28 Because there's a time to sew,
11:31 and another to undo.
11:33 I thought the same about Salmo.
11:36 We'll call the press to say
11:39 that Umberto Guarnieri's family
11:41 doesn't intend to support him
11:43 in his candidacy.
11:45 I don't think it's a good idea.
11:47 Besides, are we sure it'll work?
11:49 Dad would feel attacked, cornered.
11:52 It would be a war.
11:54 This is already a war.
11:56 And we won't win it,
11:58 because we're his family,
12:00 and he's a single man.
12:02 He doesn't realize
12:04 that there's only one opportunist
12:06 and a bunch of scoundrels
12:08 who want to exploit him
12:10 to get a place in the city council.
12:13 Aunt, you know what I think about Andreina,
12:16 and I don't trust her.
12:18 But we have to think calmly
12:20 about the consequences
12:22 of what we're going to do
12:24 about this wedding.
12:26 Marta's right.
12:28 We should try to stop for a second
12:30 and look at things from a different perspective.
12:32 You guys take all the time you need.
12:36 I don't like playing hard to get either,
12:39 but obviously the world does.
12:42 And your life has been built
12:44 on my hard game against the world.
12:47 I had no doubt, Enrico.
12:50 See you soon.
12:52 Goodbye.
12:54 We can be very proud of our girl.
12:59 I think Tina will be able to take off on her own
13:01 much earlier than expected.
13:03 What do you mean exactly?
13:06 Tina and Enrico Petrucci
13:08 had a wonderful evening together.
13:11 They enjoyed a barolo from '56
13:13 in the Frassino d'Oro until dawn.
13:16 Just the two of them.
13:18 If this goes on,
13:20 Tina won't need your protective wing.
13:23 I told you she's much less naive than you think.
13:28 What you call naivety
13:30 is moral correction to me.
13:33 But we both know that talent and moral rigor
13:37 are not enough to achieve success.
13:40 You also need...
13:42 what do we call it?
13:44 Malice.
13:46 Improper conduct, you say?
13:48 Whatever it is, Tina has learned it well.
13:51 You should have heard Petrucci.
13:53 He's excited.
13:55 I've always admired your ability
13:57 to denigrate people
13:59 while you pretend to praise them.
14:01 Do you think I'm so hypocritical?
14:03 You're a bitter woman.
14:06 The Tina I know doesn't seem like a person
14:08 who seeks certain shortcuts.
14:12 If you hadn't...
14:14 made fun of her with your lessons
14:16 of...
14:17 wickedness, strategy,
14:19 Petrucci would only have received a handshake.
14:23 He probably only accepted her invitation
14:25 because she seemed so rude to reject it.
14:28 Or he was afraid to disappoint you.
14:31 Wait, let's see if I understand.
14:33 I would be the ambitious and cynical diva
14:37 who corrupts the naive young woman
14:39 destined for the postulate
14:41 along with her uninterested producer.
14:45 What a beautiful picture.
14:47 So much truth.
14:49 And what would the real image be, in your opinion?
14:52 The opportunist Tina?
14:53 The mentor who idealizes her
14:55 and you, the generous diva who says goodbye
14:57 to fill her path?
15:00 Do you really believe that?
15:03 I don't. And do you know why?
15:06 Enlighten me.
15:08 Because I know you.
15:12 Stop, stop, wait, wait.
15:14 I'm sorry.
15:16 I have a bad day today.
15:18 Why? Was last night's dinner with Petrucci bad?
15:22 Bad?
15:23 Yes, let's say it was bad.
15:25 That's why you look like that. And why?
15:28 Nora.
15:29 Did she behave badly?
15:31 You see, Mrs. Recalcati decided to leave me alone.
15:34 And this morning I had to make up a story
15:36 to explain that Petrucci sent me roses.
15:38 More roses?
15:39 And that he had a florist.
15:41 Are we talking about Enrico Petrucci?
15:43 The radio host?
15:45 You impressed him.
15:47 You decided to open your horizons
15:49 and see beyond Mr. Recalcati, I mean.
15:51 Look, my horizons are very closed.
15:55 I wouldn't have gone out with Petrucci
15:57 if Nora hadn't assured me that she would accompany us to dinner.
16:00 She lied to me and did it on purpose.
16:02 She made it up to leave you and Petrucci alone?
16:05 What a bad, bad person.
16:08 Yes, I know that said, it sounds like she did me a favor
16:11 because Petrucci is handsome, he's elegant and famous.
16:16 It sounds like a joke to leave you alone with him.
16:20 But I'm not interested in Enrico Petrucci.
16:23 At that moment I was forced to accept the invitation
16:26 because of work.
16:27 Maybe Nora thought it was a way to help you
16:30 to overcome your shyness.
16:32 Maybe she was being kind.
16:35 Yes, kind like a viper inside the sleeve.
16:38 I wish I had a viper to introduce me to Enrico Petrucci.
16:41 Anyway, his wife has her reasons too.
16:47 Weren't you the one who said that women should be able to choose?
16:50 Marriage can't be a sentence.
16:52 What does it have to do with it? I'm not talking about a divorce.
16:54 It's about two people who want to try to get back together
16:57 and they have the right to do it.
16:58 Yes, if their marriage were a path of roses
17:00 I wouldn't have to take these low blows.
17:03 It's also true.
17:04 It wasn't an elegant behavior and I agree.
17:06 But try to put yourself in his place.
17:08 Given his story, it's normal for him to be a little jealous.
17:12 Yes.
17:14 She was the one who slept with her best friend.
17:17 I didn't do anything.
17:18 Anyway, the best forgiveness is not revenge.
17:23 Don't say that, Mr. Brother.
17:25 I'm just worried about what you're planning to do.
17:27 Now that I've gotten to know Petrucci, I can use that to my advantage.
17:32 Sandro might get jealous.
17:34 I don't think it's a good idea.
17:36 Sandro might think you're a little light-headed, but you're not.
17:40 It's a very dangerous game.
17:42 Yes, but Sandro will have to express his feelings sooner or later, right?
17:46 Shall we toast to our conspiracy?
17:52 There's something sad and funny about these paintings, don't you think?
17:57 The fact that the aunt chose them?
17:59 They seem to be hung to remind us how we should live.
18:02 Charming landscapes, heavenly scenes...
18:05 However, we only have palatial intrigues.
18:08 And we had them before Andreina arrived.
18:10 But it wasn't like that before.
18:12 I'd do anything to see Andreina pack her bags and leave.
18:16 Anything.
18:17 But not to deny your father.
18:19 I wouldn't forgive him.
18:21 I see.
18:24 And after knowing what he did with Paradise and the Guarnieri Tower,
18:27 the relations with the Nervi family...
18:29 Ricardo, we almost had to close the deal.
18:32 And now, publicly rejecting him is a stroke of grace.
18:38 I think the aunt is collapsing.
18:40 And we're her only purpose.
18:44 Maybe we should reward her.
18:48 We have to solve this crisis. I must solve it.
18:52 And what do you want to do? Talk to him?
18:54 I think I'm the last person Dad expects a constructive speech from, so...
18:58 Let's count on the surprise effect.
19:00 Okay. Do you think you can do it?
19:03 At least try.
19:06 [Gasps]
19:07 Here I am.
19:14 Let's see.
19:15 Today we have delicious York and Cheese sandwiches,
19:18 Serrano and Estraquino ham, or salami.
19:20 A second plate of meat?
19:22 Uh...
19:23 No, we don't really have a kitchen.
19:25 We only make cold dishes. Sorry.
19:27 Okay, then a York and Cheese sandwich.
19:30 - For me, the usual. Salvo, thank you. - Right away.
19:33 Thank you.
19:34 If you prefer, we can go somewhere else.
19:36 No, not at all. It's fine here.
19:38 It's just that now I'm used to eating alone in restaurants.
19:41 In our environment, we always end up with long dinners after the show.
19:46 You'll find out soon enough.
19:48 Or maybe you already found out last night,
19:52 having dinner with Enrico Petrucci.
19:54 Why didn't you tell me?
19:57 I didn't think I had to tell you.
19:59 It's not necessary, but...
20:01 You live with your wife. I thought I should leave you alone, or am I wrong?
20:05 She didn't speak for me. She spoke for you.
20:09 Enrico Petrucci is an important radio announcer,
20:13 but he also has a certain reputation.
20:16 What kind of reputation?
20:18 Let's say he's a man who has bought more roses than records in his life.
20:22 - Thank you, Salvo. - Thank you.
20:30 Here you go.
20:31 Let's say he was very gallant with me.
20:36 I don't doubt it.
20:38 His gallantry is overwhelming.
20:40 So much so that he doesn't usually dedicate himself to just one woman at a time.
20:45 I didn't think you were so protective.
20:47 I try to protect your talent and your career.
20:51 Because the most important radio announcer in Italy could damage my career.
20:59 So that's that.
21:01 Let's say my naivety hasn't taken me far lately.
21:05 You've made your decisions, and I've respected them.
21:10 So, for the sake of our friendship, you should respect mine.
21:14 I don't like this one.
21:21 - This one? - I like this one.
21:23 No, it looks like... "Mrs. Mayor."
21:26 - Yes? - I don't like it.
21:28 Wait, wait. Can you take this hand off?
21:30 Does it bother you?
21:32 Ricardo, what a surprise.
21:35 - Come, sit down. - Thank you.
21:37 We were choosing the table decoration.
21:42 I like this one, but Andreina says it's old-fashioned.
21:45 I don't think your son is here to talk about decorations.
21:48 No?
21:50 Too bad, because I wanted to take advantage of his good taste.
21:53 If you don't mind, I'd like to...
21:57 I'm going to talk to Ludovica.
21:59 See you later.
22:00 I'm listening, but keep in mind that these are my first minutes of peace,
22:08 after a long day.
22:10 - I'm not here to argue. - I'm glad to hear that.
22:13 Andreina and you always have a lot to do.
22:16 What do you mean?
22:19 We're organizing a wedding. We're practical people.
22:23 Or maybe you're always busy with other people's business,
22:26 because you don't know each other. You don't have much to say.
22:29 - I'll send your aunt. - Dad, can you take me seriously for five minutes?
22:35 - I'll give you three. - Two is enough.
22:38 You're going to marry a woman you don't even know.
22:43 With a vague past and a rather ambiguous present.
22:46 Do you think she's only jealous because she's hostile?
22:49 No, not at all. She's also afraid of losing her power.
22:52 But I told her, and now I'm telling you.
22:54 I don't have to justify my decisions in front of anyone.
22:57 And I'm sorry, when it comes to marriage,
23:00 I don't have to justify them to you.
23:02 You don't have to justify yourself. I'm not attacking you.
23:05 Thank goodness, because you're always attacking me.
23:08 If it's not at the circus, it's at home. If it's not at home, it's at the bank.
23:11 If it's not with you, it's with your sister. And if it's not your sister, it's your aunt.
23:14 - And you don't ask why? - Of course, and I also give an answer.
23:17 You and your sister are being manipulated by your aunt,
23:21 who is now a woman hardened by an excessive loneliness.
23:24 Is this how you thank the woman who has been by your side for so many years?
23:28 Making her look like a hysterical single woman?
23:31 Dad, maybe it doesn't seem like it, but I'm worried about you.
23:37 You're making a serious mistake.
23:39 And if there's anything I've learned from the bad guys,
23:42 it's that life doesn't forgive anything.
23:44 Ah, we've gone from threats to anathemas.
23:48 Call them whatever you want.
23:51 And if it's in your best interest, keep believing that the people who love you
23:54 actually want to sabotage you.
23:56 If I were you, I'd choose the one who likes Andreina.
24:02 That's what your electorate is waiting for, right?
24:05 A triumph of the white, transparency and purity.
24:15 Ah, you're here.
24:16 Yes, sorry, I'm late. Have you all returned?
24:19 - Yes, we're in our seats. - Let's go.
24:21 Wait.
24:22 Oh, my God.
24:26 Breathe. There's no rush. Sit down.
24:31 Everything's fine out there. We'll fix it.
24:34 How are you?
24:35 This morning we were worried.
24:38 Everything's fine.
24:39 And Carlo?
24:41 Last night he had a fever and he hasn't gone down yet.
24:44 Why are you here? You should have stayed with him.
24:46 I could, but I don't want to.
24:48 My neighbor is with him.
24:50 I know. You think I'm a horrible mother, don't you?
24:53 No, I don't think so. Seriously.
24:55 I needed to get out of that house.
24:57 And above all, to be far from Oscar.
25:00 I feel like I'm going to die when I'm near him.
25:03 And that's why I end up leaving my son with a fever taking care of the neighbor.
25:07 I understand you, Lelia. You're safe here.
25:10 I want to work.
25:12 Every hour here feels like a step towards...
25:14 Towards freedom.
25:16 Far from it.
25:18 Well, come on. Let's go.
25:20 Come on.
25:21 I'm not used to seeing you drink lemonade.
25:29 I'll have them serve it to me in a cocktail glass, like the old days.
25:33 I haven't missed the old days.
25:36 Me neither.
25:38 And now you're much more interesting.
25:42 Thank you.
25:44 I've seen you argue with your father before.
25:47 And that's not something that happens every day.
25:50 Now you've also learned to read lips?
25:52 Only yours.
25:54 And what have you read in my lips?
25:58 That you're not afraid of a man who scares you to the walls.
26:01 I feel like I'm not afraid of anything anymore.
26:04 Not even me.
26:06 You're exaggerating.
26:08 A lemonade for me too, please.
26:10 Very well.
26:12 What are you going to do now?
26:16 I'll try to close some accounts.
26:18 I have a lot of things to recover.
26:20 For example?
26:21 Do you want me to improvise or should I start with the...
26:24 Start with the L.
26:26 Ludovica's L.
26:27 I don't have any unfinished business with you.
26:30 You took advantage of me in the lowest moment of my life.
26:34 Just because I was trying to get to the top of mine.
26:38 Besides, look at you.
26:40 You're a new man.
26:43 You give serious and direct speeches.
26:48 You drink lemonade.
26:51 And you treat your father the same way.
26:54 But...
26:56 But I'll wait for you.
26:58 Wherever you want to find me in your new life, I'll be there.
27:02 If that's what you want.
27:05 It's not bad.
27:11 I admit it.
27:13 But I still prefer my old cocktails.
27:16 Have you ever thought that in less than six months we would get these results?
27:26 Honestly?
27:28 No.
27:29 You know, the Italian economy grew 7% last year.
27:33 Which means that people want to live well, be happy.
27:36 And it's not just about numbers.
27:38 It's about feelings, Luciano. Feelings.
27:40 And that's also because of you?
27:43 We won't see Miss Guarnieri again soon, will we?
27:46 I don't know, Luciano.
27:48 I don't know.
27:49 -Count, good morning. -Good morning.
27:51 Mr. Conti, I wanted to apologize for these constant setbacks.
27:55 You don't have to apologize for anything, miss.
27:57 I don't know if you've noticed, but we can't complain about how things are here in paradise.
28:02 I'm in debt with you once again.
28:05 There are no debts in a family.
28:07 You worry about solving your situation.
28:09 We all know it's not an easy time.
28:11 But I'm sure Miss Pellegrino will be willing to replace you whenever necessary.
28:16 Thank you.
28:18 I'm sorry, but I have to go see a new supplier.
28:21 And I don't want to be late.
28:22 Now they are the ones looking for us.
28:24 And that's another sign of our success.
28:27 You look tired.
28:32 Yes, Carlo had a fever last night and I haven't slept much.
28:35 Do you want to rest in my office?
28:37 No, thank you.
28:38 You won't believe it, but I rest better working.
28:42 As soon as I stop, I start thinking and...
28:44 Is Oscar pressuring you?
28:46 No, also because I live in the same room as Carlo.
28:50 I can't imagine how you feel.
28:52 He's always the one I'm stressed with.
28:54 But...
28:55 This will all end soon, you know that.
28:58 I've almost lost hope.
29:00 You don't have to.
29:01 Oscar just found his son.
29:03 And his wife will never leave.
29:05 But Carlo will get better and then at least you can leave.
29:09 He's too young.
29:10 I would never forgive him.
29:12 Are you insinuating that you will continue to live with your husband?
29:14 Is it a guilt you have to pay for marrying him?
29:17 No, but maybe I can prevent him from paying for my son.
29:20 But that's not fair.
29:22 But it is.
29:24 You won't get away with this.
29:30 You have to tell us about the lunch with Mrs. Calcati.
29:33 You haven't told us anything yet.
29:35 Because there's nothing to say.
29:36 Come on, sit down.
29:37 I've done my part and he's done his.
29:43 In what way?
29:44 I've made him jealous and he's become jealous.
29:46 Girls, I don't like doing this.
29:49 But I can't take it anymore.
29:50 Nora is making war on me and Sandro is staying neutral like Switzerland.
29:54 Yes, but how has he reacted?
29:55 He hasn't reacted.
29:56 When it comes to his wife, he doesn't position himself.
30:00 Are you thinking of killing her?
30:02 Because it's the only way to get rid of her.
30:04 No, he doesn't like it.
30:08 I don't know why I'm talking to you.
30:11 I know what you're thinking.
30:13 We're your friends.
30:14 We don't want to upset you.
30:15 We're just worried about you.
30:17 The problem is that he's a married man.
30:19 If he chooses you, you'll always be a homewrecker.
30:21 Can you imagine the face people would make?
30:23 "Your mother?"
30:24 From Salvatore.
30:25 And from Antonio, let's not even talk about him.
30:27 Yes, and from a brother too, right?
30:29 Girls, I know you love me.
30:31 But if a man is forced to stay with the wrong woman and give up the woman he loves,
30:37 what's the point of living?
30:45 We're making progress, but the situation is very delicate.
30:48 Everyone's gone to the gym, even the kids.
30:51 Ricardo too?
30:53 Especially him.
30:55 Today he talked to his father for 15 minutes,
30:57 and then Humberto didn't say a word all afternoon.
31:01 He was like a different person.
31:03 That makes me happy.
31:05 Not me.
31:06 I don't like surprises.
31:09 You think too much.
31:12 And you act too little.
31:15 How are you and Adelaide?
31:17 I told you not to worry about anything.
31:20 I am worried, especially when they tell me not to worry.
31:24 I want Adelaide out of Villaguarnier, and we have to break that barrier as soon as possible.
31:28 Vittorio and Marta barely talk, nor do they see each other.
31:31 You should be happy and plan your next move.
31:36 Vittorio needs a man to cry over.
31:39 He won't be mine.
31:41 Vittorio with you is no longer your object of desire.
31:44 Let's just say I'm not his.
31:47 It seems you've taken it philosophically.
31:50 I know how to accept defeat.
31:53 I suppose the fact that you've already set the date of the wedding helps you in that sense.
31:59 Are you worried?
32:01 Intrigued, rather.
32:03 Why?
32:06 I want to see if you'll stay focused on the goal when you realize you're married to one of the richest men in Italy.
32:12 A man who, by the way, you like.
32:15 Who flatters me.
32:17 Who you like.
32:20 Umberto pays me a lot of attention.
32:23 But I assure you that seeing that his family is falling apart because of me
32:29 gives me a pleasure that's very difficult to describe.
32:34 [sniffles]
32:35 [chuckles]
32:37 [doorbell rings]
32:41 Clelia, I was afraid you'd left.
32:48 No, there were still some things to fix.
32:51 Do you want me to come with you?
32:52 I'd like that, but I don't want Oscar to see you.
32:55 I've been thinking about it all day.
32:58 If I provoked him, he would have to get his true nature out.
33:01 That could be a way out.
33:03 If he attacked me, I could report him and it would all be over.
33:05 No, don't even think about it. It's too dangerous.
33:08 You're so considerate that sometimes I forget you have nothing to do with this.
33:13 No, you forget I love you.
33:15 Luciano, you have a family and children to think about.
33:21 You have a whole life to protect.
33:24 Yes.
33:25 And now you're part of that life that I must protect.
33:30 You sure you don't want me to come with you?
33:32 No, really.
33:34 Good night.
33:36 Splendid scene.
33:50 I see you're inseparable.
33:53 Where did you leave my son?
33:55 At the neighbor's house.
33:57 You'd better go, because I'm not going to look for him in churches and monasteries.
34:00 I've already confessed.
34:01 And have they given you the absolution?
34:03 I don't need any absolution.
34:05 Come on, let's go.
34:07 Come on.
34:08 [Music]
34:37 Re.
34:38 Fa.
34:41 Sol, sol, sol.
34:45 Fa, sol.
34:47 Dad?
34:50 I'm sorry, I didn't mean to scare you.
34:52 Are you having fun spying on me?
34:55 No, on the contrary, I'm surprised.
34:58 You hardly touch me.
34:59 Because when I do, I get sad.
35:04 I think of Mom.
35:06 When she played the piano with her.
35:10 The afternoons with her in Rapallo.
35:13 When we played the piano together.
35:15 You're on his side, aren't you?
35:31 Come on, you've understood him well.
35:33 I'm impressed that you speak like that.
35:37 And not call them by their names.
35:39 Yes, but you haven't answered my question.
35:45 Yes, I agree with them.
35:47 But I won't do anything against you.
35:51 Life has been very generous with us.
35:58 And it has given us the opportunity to choose who to live with.
36:01 And we will do it with the people we love.
36:04 And above all, we appreciate.
36:07 And despite our fights, our discussions, our unhappiness.
36:12 We have remained here until today because we love you.
36:16 But Andreina doesn't deserve our appreciation.
36:24 And much less our affection.
36:26 You just said you wouldn't do anything against us.
36:32 If you force me to choose.
36:35 You forced us to make a decision.
36:37 And we have made it.
36:40 Now it's your turn, Dad.
36:44 Now it's your turn, Dad.
36:47 Now it's your turn, Dad.
36:49 Now it's your turn, Dad.
36:51 Now it's your turn, Dad.
36:53 Now it's your turn, Dad.
36:55 Now it's your turn, Dad.
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