El paraíso de las señoras - T3 - Episodio 145 - Vídeo Dailymotion
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Short filmTranscript
00:00 The following footage is from our vault of classics, taken ten years before. Those ages 30+ can also get nostalgic from watching this.
00:06 (Cinematic music)
00:13 The Ladies' Paradise
00:15 (Car engine)
00:17 (Knock on the door)
00:19 Luciano, I knew you'd spend the night here. Here, thank you.
00:30 We gave the police this number and they didn't want to leave. Do you have any news?
00:37 I just got back from the barracks. They've searched the area, they've interrogated the neighbors, the merchants, but they haven't seen him.
00:44 You've done too much for Clelia, but no, please, I don't want to involve you in anything else.
00:49 Don't worry, Luciano. Clelia and her secret are safe. Why don't you go home and rest?
00:54 No, I'd rather stay here.
00:57 But now I'm here, and if there's any news, I'll call you.
01:01 I just can't rest. I feel guilty.
01:07 That boy has escaped from his father. What's your fault?
01:11 That boy was safe, in the Echo Convent.
01:15 Yes, but you still couldn't stop him from taking him.
01:18 If Clelia had taken him with her when she left weeks ago, I convinced her to leave him there.
01:24 I did it out of selfishness, because having him close was like having her a little more.
01:32 I did it so I could spend another day with her when she came to take him.
01:37 You're in love. It's not your fault.
01:41 Yes, it is.
01:43 It is because I'm married.
01:46 And I don't have the courage to leave my family, just like I don't have the courage to leave Clelia.
01:52 In this stupid, stupid attempt to have it all,
01:57 to hurt everyone and put her and Carlo in danger.
02:04 Well, it doesn't really matter how honest and loyal we are.
02:11 There are emotions we can't control.
02:18 Last night Silvia was here, you know. She brought me dinner. We were talking.
02:24 She knows everything. She knows everything about me and Clelia.
02:30 However, she has never been as loving as she is now.
02:35 And it's impossible for me to be like her.
02:43 Vittorio, I've become the man I've never wanted to be.
02:47 What do you want me to tell you, Luciano?
02:52 We are human beings and we are not always prepared for what life has in store for us.
02:58 Vittorio, less than a month ago I was ready to leave with Clelia.
03:03 And you would have been wrong, because I'm sure you would never have abandoned Silvia and your children.
03:09 Besides, Bacchini would have reported you, putting your life at risk.
03:15 Her life is already at risk.
03:17 And you have to be strong for her.
03:21 Yes?
03:24 It's me. Do you have any news?
03:27 Good morning, Silvia. No, there is no news.
03:31 Listen, why don't you come home? Have breakfast, rest a little.
03:36 No, no, I'd rather stay here.
03:39 Please, have Nicoleta bring a clean shirt.
03:42 Yes, of course. We'll take it to you right away.
03:45 Do you need anything else?
03:47 No, no, nothing else. Sorry, I have to keep the line free, you know?
03:51 Of course. Everything will be fine, I'm sure.
03:55 Yes. If there is news, I'll call you.
03:59 See you later, Luciano.
04:04 They haven't found him?
04:06 Tell Nicoleta to bring a clean shirt to your father.
04:09 But he has already left.
04:11 Without saying goodbye or anything?
04:12 Maybe you haven't heard it, but don't worry, I'll take it.
04:15 Yes, thank you. And also remind him about today's appointment.
04:20 What appointment?
04:21 With Don Hermano. We must ask him for advice on everything related to the ceremony.
04:26 Are you sure Nicoleta knows?
04:29 I would say so.
04:31 I don't think so.
04:33 Mom, if you want advice, forget it.
04:36 With everything that's happening to Miss Kaliharis,
04:38 organizing the wedding is the last thing Nicoleta thinks about.
04:42 You're right, but I'm going anyway.
04:44 So I keep my shirt busy.
04:47 [footsteps]
04:50 [music]
04:59 [music]
05:02 Miss Kaliharis, good morning. How are you?
05:21 Good morning.
05:22 Useless.
05:25 My son is out there, who knows where.
05:28 And all I can do is pray.
05:31 But praying is never useless.
05:33 It helps us alleviate our suffering.
05:36 God has never heard my prayers.
05:40 Why should I start doing it now?
05:43 God does not forget us.
05:46 We must not stop believing.
05:51 My husband had to leave the country overnight.
05:55 Me and the kids.
05:58 Since then I've prayed every day.
06:01 What else can I do? Days, weeks, months, years.
06:05 Waiting for him.
06:09 Then when I met him, it seemed like it hadn't even been a day.
06:17 He won't have to wait so long to see his son again, I'm sure.
06:21 But he can't lose hope.
06:24 Hail Mary, full of grace.
06:31 No sin conceived.
06:33 Is she the child's mother?
06:35 Yes.
06:36 All the pilgrims, all the choir boys, know about Carlo.
06:40 If they see a child that matches his description,
06:43 they will immediately take him home.
06:46 Thank you.
06:48 Let us entrust our Lady, our mother, to protect him.
06:54 I am at your complete disposal.
06:58 Thank you, Father.
07:00 Let's pray.
07:07 [music]
07:10 I've made more coffee. Would you like some?
07:25 No, thank you.
07:27 You haven't spoken to me since yesterday.
07:35 How long are we going to keep this up?
07:38 What you did to Tina on the radio was unpleasant and risky.
07:43 Instead of getting angry, you should thank me.
07:47 Thank you for making me feel bad?
07:50 No. Because a singer's life is made up of unforeseen events.
07:55 And if Tina hadn't reacted to a small change in the program,
07:59 you shouldn't be wasting your time with her.
08:02 So it was a test.
08:04 The first in a long series.
08:07 Is it a threat?
08:09 I'm coming.
08:13 Enrico.
08:17 Good morning.
08:18 Good morning.
08:20 Am I bothering you?
08:21 Come in, please.
08:22 Hello. Sandro.
08:24 Tell us. What news do you have? How did the live show go yesterday?
08:28 Well, how can I say? It was a great success.
08:32 Dozens of people are calling the radio.
08:34 They want to know when there will be a live show.
08:37 That's great.
08:39 We can organize a concert in a couple of weeks, right?
08:44 Nora, I have no doubt that you will be exhausted.
08:48 But...
08:50 You're already known.
08:52 But Miss Mato is a novelty.
08:54 And you know how popular she is, right?
08:56 Of course.
08:57 So they're asking about Tina?
08:59 Yes.
09:00 Her fresh and natural voice has hooked everyone.
09:03 Everyone.
09:05 I'm sure that when they see her live, she will win everyone over.
09:09 Like it happened to me.
09:11 He's back.
09:24 You didn't find him either?
09:26 No.
09:28 Are you sure?
09:29 I would have told you, don't you think?
09:31 I don't know.
09:32 You've kept it hidden from me. You could do it again.
09:35 Or maybe this is just a staging to escape again.
09:39 But how can he even think of something like that?
09:43 Don't you see how worried his wife is?
09:46 Who is she? What does she want?
09:48 I'm a friend of the lady.
09:50 It doesn't matter, Miss Mato. Forget it.
09:52 And your friend didn't tell you that she abandoned me and kidnapped my son?
09:55 Yes. I know everything about her and about you, Mr. Bacchini.
09:58 Will you help me?
10:00 I'm not afraid. Come on.
10:02 But be careful, because I'll answer.
10:05 Do you like to describe me as a monster?
10:10 Congratulations.
10:12 But we both know that you destroyed our family.
10:15 And that if Carlos has escaped, it's your fault.
10:17 Carlos was fine before you came back.
10:20 He had never escaped.
10:22 You locked up Carlos in a boarding school with the nuns.
10:24 They were the ones in charge of him, not you.
10:27 He didn't escape because he was calm.
10:30 Since you came back, you've done nothing but upset him.
10:33 You think he didn't hear our arguments?
10:35 That they didn't make him suffer?
10:37 I should have reported you a long time ago.
10:40 But I wanted to save our son from that suffering.
10:43 But I realize that I was wrong about you.
10:46 Because you deserve to go to jail.
10:48 Oscar, I've told you.
10:49 You can keep threatening me, blackmailing me if you want.
10:52 But I'll never go back to you.
10:53 Yes, you will.
10:54 But you'll never see your son again.
10:57 And I pray that nothing happens to him.
10:59 Otherwise, I swear you'll see them with me.
11:01 If you think he's a good father, it's time to prove it.
11:05 Stop threatening his wife and go find his son.
11:08 I'm going to the police station to see what they say.
11:22 I'm sorry I had to witness all this.
11:25 He's the one who should be ashamed, not you.
11:28 Grelia, please.
11:41 Cheer up.
11:43 Be strong and never lose hope.
11:47 Thank you.
11:48 Let's go.
11:51 Have a nice day.
11:52 Poor little one.
12:08 Who knows where he spent the night?
12:11 I feel so helpless.
12:13 I wish I could help in the search.
12:16 Unfortunately, there's not much we can do.
12:19 Let's hope the picture will help.
12:22 I can't even look at it. It makes me want to cry.
12:25 Miss Caligari.
12:28 Miss, what are you doing here?
12:30 We didn't expect to see you.
12:32 If you want, we can take care of the Paradise.
12:34 I know. Thank you very much.
12:36 But I'd rather stay busy.
12:39 I can't do anything else right now.
12:41 Of course, I understand.
12:43 Have you spread the news about Carlo?
12:47 Yes, there's a call for all the citizens to help in the search.
12:51 Can I?
12:52 Of course.
12:53 It could be very useful, don't you think?
12:55 It certainly will.
12:57 The more people look for him, the easier it will be to find him.
13:00 My little one.
13:04 Cheer up.
13:07 He shouldn't break.
13:08 Everything will be fine.
13:10 Thank you.
13:12 Now, go to your positions.
13:14 It's almost time to open.
13:16 I'll change and join you right away.
13:19 Good.
13:20 If you want, I can open it.
13:23 So don't rush.
13:25 Yes, okay. Thank you.
13:27 I'm sure someone will recognize him soon.
13:39 And he'll bring him to you.
13:41 Let's hope so.
13:45 I'm going to work.
13:47 Are you sure you don't want to go home?
13:53 You look tired.
13:54 Federico, I'm not old enough to not be able to spend a night in the candlelight.
13:58 We're all very worried about Miss Caligari's son.
14:02 The Echo of the Serpent has published the ad.
14:05 Have you seen it?
14:06 Let's hope it's useful.
14:09 But I don't understand how...
14:10 How is it possible that they haven't found him yet?
14:12 He's a five-year-old boy. He can't have taken a train or a bus.
14:15 But children are unpredictable.
14:17 Come in.
14:19 I'm sorry.
14:22 I just wanted to deliver some unfinished business.
14:26 Miss, I thought you'd stay home. What are you doing here?
14:30 I'd rather be here than alone in a boarding house.
14:32 And if the police found out something, they'd call here.
14:36 So I'd like to be present.
14:39 Have you had breakfast?
14:41 Do you want me to get you something at the bar?
14:43 No, it's not necessary. Thank you.
14:45 I wonder if Carlos has eaten.
14:48 I keep asking myself these useless questions.
14:52 Is he afraid?
14:53 Is he cold?
14:55 Who knows if he's okay?
14:57 He'll be fine, I'm sure.
14:58 So many hours have passed.
15:01 Your son is a smart boy.
15:03 And he's smart.
15:04 Yes, but he's five years old.
15:06 Wherever he is, we'll find him.
15:10 You can be sure.
15:11 The public gets excited easily, but forgets quickly.
15:22 I'm aware of that.
15:24 But I don't want you to get hurt.
15:26 But that girl will succeed.
15:28 Whether you like it or not.
15:30 And I'm here to help you to make her success.
15:34 First of all, I'd like to meet her.
15:37 And tell her what the public thinks about her.
15:40 I'll tell her. You can be sure.
15:42 What are you afraid of?
15:44 I'm just worried about you.
15:47 Tina is a girl, and you have an image to defend, right?
15:51 I'd say you're jealous.
15:54 Yes, I am.
15:58 You see, Tina is my most important investment right now.
16:05 Is that okay? I'm glad for you.
16:07 See you soon, dear.
16:10 See you soon, and congratulations again.
16:13 Thank you.
16:14 Bye.
16:16 Well, I hope I have news of you.
16:19 I'll think about it and call you.
16:21 Thank you for coming.
16:23 Thank you.
16:32 I thought Enrico was your friend and you trusted him.
16:35 I don't trust anyone.
16:37 And much less my friends.
16:38 You see, during these years I've met people willing to do anything.
16:43 I'd say our Enrico has fallen in love with your protégée.
16:48 If Tina wants this job, she has to learn to keep her suitors away.
16:53 And I'm more than convinced that she'll do better than you.
16:56 Don't pretend you don't care.
16:58 No, I don't care.
17:01 I've told you, Tina is my discovery.
17:04 And an important investment for me.
17:07 That's all?
17:08 From experience I know that mixing work and private life can be a disaster.
17:14 We've learned from our mistakes.
17:17 Then I'm sure you won't treat her like your rival anymore.
17:20 We're surrounded by sharks.
17:23 I've told you a thousand times, you can't always run to save her.
17:26 Tina must be smarter.
17:28 I like Tina as she is. Genuine and spontaneous.
17:31 And I don't want you to change her.
17:34 Is that clear?
17:35 After all, my daughter has accepted the marriage proposal, but...
17:45 Given the circumstances, we think it would be better if the wedding took place as soon as possible.
17:52 Is this what you want, Nicoleta?
17:54 Of course, of course.
17:56 Why?
17:57 Because usually it's the grooms who come to talk to me about the wedding, not the mothers.
18:02 Nicoleta is a friend of the lady whose son has disappeared.
18:08 They work together in the ladies' paradise and, of course, I didn't feel like dealing with this today.
18:15 But look, it's something of a certain urgency.
18:19 Is that why you're here?
18:21 Are you in a hurry to fix it?
18:25 We'd like to avoid the ceremony being held in the hospital, if possible.
18:29 And it was a scandal for them.
18:33 Excuse me?
18:35 Jesus. He also caused a scandal.
18:39 But rumors are nothing if you follow the path of love.
18:45 But Nicoleta loves Cesar.
18:49 He's a doctor. A disinterested, generous boy who has assumed the responsibility of raising a child that is not his.
18:56 What more could we ask for?
18:58 He'll surely be worthy of Nicoleta's heart, but I ask you to let me speak to her.
19:03 My daughter's will is clear.
19:06 And I'm sure it's also God's will.
19:10 Have you heard that too?
19:15 Who could it be?
19:18 I don't know.
19:19 I think it's coming from over there, behind the statue.
19:23 And what are you doing here?
19:29 Oh my God, it's Carlo!
19:31 Carlo, the boy they're looking for.
19:33 Carlo, praise the Lord.
19:36 Come, darling, come.
19:38 Do you remember me?
19:41 I'm Silvia, the accountant's wife who works with your mother.
19:44 You were at my house a few days ago.
19:47 How are you?
19:49 I'm hungry.
19:50 How did you get in without anyone seeing you?
19:53 Come, darling, look.
19:56 Come, I'll take you immediately to your mother.
20:00 Is Mom very angry because I ran away from home?
20:04 She wants to hug you again.
20:11 I've never seen such a big chocolate egg.
20:14 It's a work of art.
20:15 It's not imperfect.
20:17 Your comments don't seem enthusiastic.
20:23 Maybe they were expecting something different.
20:25 It's a magnificent egg, believe me, Mr. Berruti.
20:28 Thank you, but it hasn't been as successful as the vamooses.
20:31 Let's say today isn't a particularly quiet day.
20:34 I'm sorry.
20:36 Mom!
20:41 Darling!
20:43 Carlo, you're back!
20:49 But, did you find it? Where?
20:54 Are you still angry?
21:00 I'm angry, darling.
21:02 Are you angry, Mom?
21:06 No, darling, I'm not angry.
21:09 Thank you, Father.
21:10 You've brought the happiness of Easter to paradise.
21:14 Are you okay?
21:27 On the contrary.
21:30 Is it because of me?
21:32 No, but what are you saying?
21:34 I missed you.
21:38 I'm upset about the disappearance of the son of Miss Caligari.
21:43 I understand.
21:45 And you're wondering if you can protect your son.
21:48 Yes.
21:50 That just means you'll be a good mother.
21:53 You're a wonderful man.
21:55 And in fact, I'm not surprised that my mother adores you and wants to see us married as soon as possible.
22:00 I'm not going to complain about that.
22:02 I don't want you to hurry.
22:04 I know.
22:07 And...
22:09 the idea of marriage...
22:12 as you know...
22:15 I'm a little worried.
22:19 This time I'll be with you.
22:22 You're right.
22:24 But my mother is still very insistent.
22:28 Because she's worried about you and your baby.
22:31 They found it!
22:34 They found the baby?
22:36 Yes.
22:37 Is he okay?
22:38 Yes, your mother found him.
22:39 Where is he?
22:40 He's in paradise.
22:41 Let's go.
22:42 Let's go.
22:43 Yes, let's go.
22:45 Let's go.
22:46 Good morning.
22:47 See you later, Salvatore.
22:48 See you later. Have a nice day.
22:49 Salvatore, I'll leave it here.
22:51 Yes?
22:56 Antonio, thank God you called.
22:58 They found the baby. He's in paradise.
23:01 Yes.
23:02 Go home. Tell mom I was worried.
23:05 Bye, Tony. Bye.
23:07 Easter is a symbol of rebirth.
23:12 Of a new life.
23:14 Easter brought consolation and peace to Mary.
23:18 A mother who never lost hope.
23:22 Because, as you can see, this day...
23:25 brings the redemption of those who have always believed...
23:29 in the promises made to God.
23:32 Like José.
23:34 A father who decided to raise a child that wasn't his.
23:38 A greater love.
23:40 Like Pedro.
23:42 A humble fisherman who dedicated himself to hard work...
23:47 to create something magnificent for everyone.
23:51 Even like María Magdalena.
23:54 A woman with a painful past.
23:58 Who believed with dedication in a new life.
24:02 Well.
24:04 Like them, I pray...
24:08 that this Easter is a rebirth for everyone.
24:13 That the fraternity...
24:16 that you have shown with strength...
24:18 in these difficult times...
24:21 is always renewed.
24:26 Every day.
24:28 In the name of Christ, our Lord.
24:32 Amen.
24:34 Amen.
24:36 And you've been hiding in the church all this time?
24:41 Why in the church?
24:43 I spoke to Don Hermano and he promised to introduce me to many friends.
24:49 The boys from the Catholicism, my love.
24:52 I wanted to play with them.
24:54 I felt lonely at home.
24:56 Okay, listen.
24:58 The boy is very tired.
25:00 The case has been resolved.
25:01 If you don't mind, we're going home.
25:03 So he can leave you alone again.
25:05 Are you questioning my paternity?
25:09 It is my duty to establish that there has been no negligence...
25:12 under your responsibility.
25:14 Something like this had never happened.
25:16 My husband has always been very attentive.
25:19 Sir, do you have children?
25:22 Then from father to father.
25:24 I suppose he must have been distracted at some point by his children, right?
25:28 Do you remember when I lost sight of Federico in the lake?
25:32 It was only a minute, but we couldn't find him.
25:35 Yes, he was tired of sunbathing and waited for us in the parking lot next to the car.
25:39 Every mother and father have moments of weakness and distraction.
25:42 It doesn't mean they're bad parents.
25:44 Besides, Mr. Bacchini has gone through hours of anguish.
25:49 A pain I wouldn't wish on my worst enemy.
25:52 I think the punishment has been enough.
25:55 It's enough for now.
25:57 If I have any more questions, I'll get in touch.
26:00 I have his address.
26:01 Very well. We are at your disposal.
26:04 Come, son. Come with dad.
26:06 Thank you very much.
26:08 Mrs. Bacchini, please don't let us get another scare like this.
26:15 It won't happen again.
26:18 Goodbye. Happy Easter. Thank you.
26:21 Don't expect me to thank you.
26:30 We didn't do it for you.
26:32 Let's go home.
26:37 I want to go with mom.
26:40 You can have the afternoon off if you need it.
26:45 Thank you.
26:48 Come, darling.
26:49 Go with mom.
26:51 Say goodbye to Mr. Conti, Mr. Catanio and his wife.
26:56 Goodbye.
26:57 Goodbye, Carlo.
26:58 When I get back, I'll be able to see the secret drawer.
27:02 It's a secret.
27:05 But of course, Mr. Conti.
27:15 Come, we'll wait for you in the car.
27:17 It's easy to know when you're happy.
27:34 You sing like a Ruisenor.
27:36 I didn't even realize I was singing.
27:39 The radio show was a success.
27:41 You've been very well.
27:43 - Did you really like it? - Yes.
27:46 Recalcati said the same thing, but...
27:49 I'm afraid he's just saying it to please me.
27:52 Why do you say that?
27:54 When we got to the radio station,
27:56 they told us we wouldn't sing the song we rehearsed,
27:59 "Luna Romantica",
28:01 but that we'd make a life without you.
28:04 Why didn't Andró Recalcati tell you before?
28:07 I don't think he knew either.
28:09 Nora told us it was Petrucci's request.
28:11 I don't understand why they decided to change the song.
28:14 I don't know.
28:16 We haven't talked since then.
28:18 Luckily, he remembered the lyrics and it turned out well.
28:21 Well, no one noticed anything, I assure you.
28:24 Thank you.
28:26 Tina Amato?
28:28 It's me.
28:29 For you.
28:31 Thank you.
28:33 Your first admirer.
28:37 He must be a magician. He knows who I am and where I work.
28:40 There's a note.
28:41 Wait, let me see.
28:42 What does it say?
28:46 It's from Enrico Petrucci, the radio host.
28:50 Congratulations.
28:52 He's inviting me to dinner tonight.
28:57 (GIGGLES)
28:58 Mrs. Catania, I don't know how to thank you for today.
29:21 I was at the church at the right time, that's all.
29:25 Yes, but I didn't deserve your help.
29:28 And you've shown great solidarity with me.
29:31 You've been alone for a long time, keeping your secrets.
29:36 I can't blame you for looking for the support of a man as understanding as my husband.
29:43 He's a special woman.
29:45 He deserves to be with him.
29:48 I met Luchano many years ago.
29:53 I was at the right place, at the right time.
29:57 Certain encounters change our lives, for better or for worse.
30:03 You'll find a solution.
30:07 And if you need advice, you can always count on me.
30:12 Thank you very much.
30:14 Happy Easter.
30:16 (SIGHS)
30:17 Happy Easter.
30:24 To you too.
30:26 What were you talking about?
30:45 We've wished for the best.
30:47 He'll need it.
30:49 And so will we.
30:52 It would be great if this Easter was a new beginning for our family.
30:59 Here you go. Come back soon.
31:03 Thank you.
31:04 You have it here.
31:05 Excuse me.
31:06 Nora!
31:07 I was working.
31:08 Tina, today is the first day of your new life.
31:10 In what sense?
31:12 In the sense that after your performance on the radio, you officially started your career as a singer.
31:17 You became a professional singer thanks to me.
31:20 So you liked it.
31:21 Yes.
31:22 In fact, I liked it so much that I had an idea.
31:25 From now on, you and I will always act together.
31:28 Excuse me, miss, if I interrupt you, but how come forever?
31:32 We'll be a duo.
31:34 Like the one in San Remo?
31:36 Exactly, yes.
31:37 And since there aren't many women in this genre, we'll be pioneers.
31:42 I'm leaving my solo career behind because I believe in your talent, Tina.
31:46 I feel flattered, but I don't think I'm up to it.
31:51 I'll help you get to my level, don't worry.
31:54 Listen, I've thought of a name. Lydia and Tina. What do you think?
32:01 I don't...
32:02 But, is Sandro okay with it?
32:05 Of course. It's a very original idea.
32:08 And I know him well.
32:09 Let's see, first we'll ask Petrucci to sponsor us.
32:13 Because he really liked our performance.
32:16 And if I'm not mistaken, you have some influence over him.
32:20 Have you seen him again?
32:23 No, not in person.
32:25 He's sent her flowers.
32:27 Very good sign.
32:28 Yes, there was also a note inviting her to dinner.
32:31 I don't think he's very professional.
32:33 No, dear.
32:35 In our environment, contracts are signed with a glass of champagne.
32:39 Not in a law firm.
32:42 Do you think he should accept?
32:43 It would be very rude not to.
32:47 I'd rather not. I don't want people to think things that aren't...
32:51 I'll go with you if you want.
32:54 Really?
32:55 Yes.
32:56 That way it'll be clear that it's just a business meeting.
32:59 Oh, God.
33:00 The prince summoned the best carpenters in the kingdom
33:13 and asked each of them to bring him the biggest and most imposing throne they'd ever built.
33:19 Don't move, dear.
33:21 The thermometer won't tell you the correct temperature.
33:24 I don't have a fever.
33:26 We'll see in a few minutes.
33:29 So Mr. Roberts returned to his shop and went to work.
33:33 He chose a very nice trunk, sharpened his ax,
33:36 but when he was about to strike, he heard a voice.
33:40 "No, please, don't do it."
33:42 Mom, why are you stopping?
33:45 Do you understand who the voice is?
33:48 The fairy's voice. It's in that piece of wood.
33:51 Exactly.
33:52 And what do you think the fairy is afraid of?
33:55 That the carpenter hurts her.
33:58 Were you afraid someone would hurt you, too?
34:01 Dad never gets mad at me.
34:03 Are you sure, dear?
34:07 And he promised me he wouldn't get mad at you anymore.
34:12 Then why did you run away from home?
34:15 I missed you so much. I wanted to come, but I got lost.
34:19 I missed you, too.
34:22 I missed you.
34:23 And from now on,
34:27 when I finish work, I'll come see you every day.
34:32 So now we'll live together?
34:35 Yes, dear.
34:37 Come on. Have you heard me sing on the radio?
34:44 And what do you think?
34:45 I don't know.
34:49 How long is this girl going to spend on the phone?
34:51 I have things to do.
34:53 Then do them. Do you need to control us?
34:56 Yes, and if I start doing these things?
34:58 Who are you?
34:59 It's such a complicated job.
35:01 Anyway, that girl's name is Lydia Stanton.
35:03 She's famous and you should be glad she's here, in your bar.
35:06 Why do you call her that? Isn't she Nora, the woman from Recalcati?
35:09 You're so stupid. It's an artistic name.
35:11 Don't tell me. Artistic.
35:13 You don't like it, do you?
35:15 Why? Do you?
35:16 Well, she's helping me with my career.
35:18 Yes, of course. And do you believe her?
35:20 Singers are like roosters in a henhouse.
35:22 They sing at dawn.
35:23 No. They compete until there's only one left.
35:26 That's not true. We have to make a duo and play in the same team.
35:31 And she's the forward and you're the defender.
35:33 Wow, you're a poet.
35:34 Listen. Where are you going to go tonight?
35:37 We have to go have dinner with Enrico Petrucci.
35:39 Does Recalcati know?
35:41 I've tried to call him, but he won't answer.
35:43 And don't you think it's strange that your representative doesn't know anything about this dinner?
35:46 You're so suspicious. Nora says she has nothing against it.
35:49 In fact, we have to please Petrucci because...
35:52 because it could be useful to us.
35:54 Oh, look. It's finally over.
35:56 I'm done. Thank you.
35:58 The line is free.
35:59 Do you want anything else?
36:00 I don't know. A drink?
36:01 I can be open to you as long as you need.
36:04 No, thank you.
36:05 Good night, then. Excuse me.
36:07 Good night.
36:08 Good night, beautiful ladies.
36:11 Good night.
36:12 More and more beautiful.
36:14 Good night.
36:15 Nora, what a pleasure.
36:16 Will you join us?
36:18 No.
36:19 I've had a setback. I'm sorry.
36:22 You're not coming?
36:23 No, honey. That's why I was on the phone.
36:25 I'll explain it to you tomorrow.
36:27 But you were having fun.
36:29 I'm sorry. Good luck.
36:31 Thank you. Bye.
36:32 Bye.
36:33 Shall we?
36:36 Yes.
36:38 [Door opens]
36:39 Do you have a fever?
36:51 Over 38.
36:52 Is that a lot?
36:53 Yes, he's exhausted.
36:56 It's normal for me to have a fever.
36:58 What are you doing? Are you leaving?
37:01 Yes, I'm exhausted too. I need to rest.
37:04 The thermometer is over there. Check his temperature in a while.
37:07 Why don't you stay for dinner?
37:09 We'll talk for a while and then you can take the fever.
37:13 You wanted to take Carlo with you.
37:15 You have to know how to manage these things.
37:17 I didn't rent this apartment in Milan to separate you from our son.
37:21 I rented it because I wanted to join our family.
37:24 If he wakes up, he'll drink.
37:27 The fever dehydrates a lot.
37:28 What will happen tomorrow when he sees his mother is not here?
37:31 Don't you think he'll feel alone and abandoned?
37:34 Mom, what's going on?
37:37 Honey.
37:38 Go back to bed.
37:41 I have a fever.
37:43 Let me see.
37:45 Has it gone up?
37:48 I'm going to call the doctor.
37:51 Bring me the cold water from the fridge.
37:54 Yes.
37:55 Go back to bed.
37:56 Mom will take care of you.
37:58 Are you leaving?
38:00 Stay, please.
38:02 I'll stay with you until you fall asleep.
38:05 Stay forever, please.
38:07 Okay.
38:12 Tonight I'll sit next to you and we'll sleep together.
38:15 Like this.
38:20 Are you comfortable?
38:23 Yes.
38:25 [Music]
38:27 [Music]
38:45 [Music]
39:03 [Music]
39:17 [Music]
39:33 [Music]
39:41 [Music]
39:55 [Music]
40:05 [Music]
40:19 [Music]
40:29 (upbeat music)