• last year
Transcript
00:00 [music]
00:13 The Ladies' Paradise
00:15 Son, with your hand!
00:20 What?
00:21 You have to press the wheel
00:23 I'm helping you and you...
00:25 Listen, Mom. Are you coming to the cafeteria today?
00:28 So we can all hear Tina
00:30 Sure, but keep your voice down
00:32 If she hears you, she'll get nervous and lose her voice
00:34 Maybe if she leaves the room
00:36 Tina, slowpoke! How many years did it take you to get ready?
00:39 Antonio, don't rush him
00:41 Mom, who was going to tell you when we got to Milan
00:43 that you'd have a son in the bathroom and a daughter who's dedicated to singing on the radio?
00:47 Now I'm waiting for good news from you
00:50 Ah, well, maybe...
00:52 I'll consider being an actor
00:54 Imagine yourself a movie star, except for...
00:57 I'll kill him with a leg injury
00:59 [laughter]
01:01 How do I look?
01:07 Oh!
01:08 Tina, you look gorgeous!
01:10 You look splendid!
01:11 [laughter]
01:13 That's not how you do it. You look too pretty, Tina
01:15 Don't you like it? I chose it
01:17 You look pretty, very pretty, yes, but a little more fabric would suit you
01:22 Mom, you sing on the radio, not on TV
01:24 There's TV in the course in Pionet, too
01:27 Are you aware that I'm going on the radio?
01:29 [laughter]
01:30 You're going to leave him breathless
01:32 I hope I don't run out of breath because...
01:34 I have to sing and I'm very excited
01:36 Tina, please, you have a voice. Stay calm
01:40 Do you think the radio will be heard in Germany?
01:44 Maybe Dad will hear you
01:46 [sigh]
01:48 What, Mom? Are you excited?
01:55 Because I can't
01:57 Don't get like that, or I'll ruin all my makeup
02:00 No, no, no, no, don't cry. Today is a happy day
02:03 You look gorgeous
02:04 Incredible
02:06 [laughter]
02:09 [music]
02:12 [music]
02:15 [music]
02:17 [phone ringing]
02:44 Hello?
02:45 Hi, Enrico, it's Nora
02:47 Nora, good morning. I've been waiting for you
02:50 You have no idea how happy I am to have you here today
02:52 I see you don't lose the habit of praising artists
02:55 Well, with you it's different. You know how much I admire you
02:58 Look, since I've known you my whole life, I'll pretend I believe you
03:02 Listen, I wanted to tell you about a little change of plans
03:06 I hope it's not a problem
03:08 Well, it depends. What is it about?
03:10 Well, I've been thinking about the song I'll sing with you, Amato
03:14 And why?
03:16 You know, I haven't been in public for many years
03:19 So I wanted to give the audience something they'd really like
03:23 A life without you? Seriously?
03:26 What do you think?
03:28 Well, you know how much I like that song and how much I'd love to broadcast it
03:32 But...
03:33 But...
03:34 Is Sandro aware?
03:36 He's okay with it. He asked me a few years ago not to broadcast it anymore and...
03:41 Well, Sandro has changed his mind
03:43 And not just about the song
03:46 What are you trying to tell me?
03:48 Swear you won't start speculating like you usually do
03:51 Well, I can promise you that, but you know it won't be like that, so...
03:55 My relationship with Sandro isn't over
03:58 In fact, our story has just begun
04:02 That's wonderful. I knew it would happen at some point
04:05 In fact, if you'll excuse me, I'd tell the whole of Italy before I broadcast the next song
04:09 Of course not
04:11 Hey, and...
04:13 Tina, Amato, what do you think?
04:14 Because, well, singing a song like that on a debut is a privilege for a few
04:18 It's a great gift
04:19 Yes, I know, but look, believe me, she deserves it
04:23 You're going to love this girl
04:25 If you've chosen her, I'm sure
04:27 I'm telling you, she's gorgeous in every way
04:30 Especially in the ones you like the most
04:33 She won't be as pretty as you, will she?
04:35 You're adorable. See you in a bit
04:39 See you later
04:40 Bye
04:41 Miss, could you give me a bigger size, please?
04:52 Yes, of course. Thank you, thank you
04:55 Miss Caligari
05:00 The lady really likes this model
05:02 But she'd like a bigger size, which doesn't exist
05:05 Tell her that, unfortunately, we don't have her size
05:09 Yes, but I've already told her that for the other three models she's tried
05:12 Have you shown her the silk dress with a trapezoid cut?
05:16 No
05:17 That will suit her well, and if it's not, it'll be easy to adapt
05:20 Okay, I'll try that, thank you
05:27 I'm sorry
05:28 I'm sorry
05:29 How are you?
05:30 How are you, miss?
05:31 Honestly, I don't know
05:34 I'm tired of asking
05:37 Yesterday I had a wonderful day with Carlo
05:40 The three of us eating together
05:42 And did you see how well he had fun with us?
05:44 But today I can't forget that Oscar will end up reprimanding me at some point
05:49 Clelia, please, don't give up
05:52 You're not like that
05:53 And what can I do? What can I do?
05:55 I can't run away, but I don't want to give in to his blackmail either
05:58 Oscar will never accept living apart from me
06:02 And I can't even imagine a life without Carlo
06:05 It's a dead end, I don't know what to do
06:09 So I'll let things continue as they are
06:13 We'll have to do everything we can to bear the weight of our decisions
06:18 Federico
06:20 Dad
06:24 Good morning
06:25 I'll take the inventory report later, accountant
06:29 Thank you, okay
06:30 What are you doing here?
06:33 Vittorio called me
06:34 More orders from the market for that, I imagine
06:37 Okay, come on, I'll go with you
06:39 Are you coming home?
06:45 Yes
06:46 How's mom?
06:47 Fine, fine
06:48 I'm also happy, Mr. Anoche, I assure you
06:51 Including lingerie in our catalog was risky, but the clients have known how to reward us
06:58 Yes, tomorrow I will send you the new orders
07:03 We have to start thinking about the fall-winter catalog
07:06 Okay, thanks, see you soon
07:09 Come in
07:12 May I?
07:13 Please
07:14 Vittorio, Federico has arrived
07:17 Your work seems endless
07:18 Better like this
07:19 And these?
07:20 When did they arrive?
07:21 In these three days
07:22 Luciano, next season we have to think about another more organic processing system
07:29 If you want to hire me, you know I'm available
07:31 We'll talk about it once you graduate
07:33 Dad, I'm not going to college anymore
07:35 It was a joke, son, we'll talk about it when the accounts allow it
07:38 See? I propose and your father has it
07:41 Well, I'll leave you alone so you can make fun of me quietly
07:45 Take care
07:47 See you later
07:48 See you later
07:49 Some of them come from places I've never heard of
07:56 The "Voca a boca" has worked beyond expectations
07:59 And we not only received dozens of orders, but people keep asking for the catalog
08:03 You must be happy
08:04 I am, in fact, I'm thinking about the future
08:07 How's your collaboration with Leco de la Seral going?
08:11 I'm writing horoscopes and waiting for my moment
08:14 And your novel?
08:16 For now, I've been working on a couple of novels, some important publishing houses
08:20 Look, my father said that good horses are not seen at the start, but at the finish line
08:25 Maybe it was the only thing he wasn't wrong about
08:27 I hope so
08:28 And since the catalog is doing so well, I'd like to take your idea of the magazine back
08:35 I'd love to
08:37 Yes, you know we have an accountant who is very meticulous with the accounts
08:41 But we've started on a good foot, so I trust that everything will be much easier
08:45 I can only start with this
08:47 Where can I sit?
08:49 In Marta's office
08:51 And I'm sure she won't mind?
08:53 She won't, and I don't know when she'll be back
08:55 I'll get to work
08:56 Come
08:57 Give me the time
09:12 This way
09:13 This way
09:14 It's beautiful, isn't it?
09:17 It's beautiful
09:19 I know
09:20 I felt exactly the same the first time I walked through this door
09:24 The splendid Nora Vitali
09:27 Enrico
09:28 Hello
09:31 Time goes by and you're still as young
09:34 You're a flatterer and a liar
09:37 And this must be your charming companion
09:41 Meet Tina Mato
09:43 Enrico Petrucci, a pleasure
09:45 Congratulations, I always hear you on the radio and you're great
09:48 Thank you
09:49 We can be tutors, right?
09:51 Of course
09:52 I'm sorry, I'm very nervous
09:55 It's the first time I sing in a place like this
09:57 You'll get used to it
09:58 Talent, beauty and elegance always go hand in hand
10:01 As our Nora shows us every year
10:03 I have a lot to learn from her
10:05 You're in good hands
10:07 And Nora has given you a precious gift
10:09 Singing "Una vida sin ti" with her is a privilege
10:13 "Una vida sin ti"
10:15 Are we ready?
10:16 Very ready
10:17 Tina?
10:18 Yes
10:19 Good
10:22 Sandro, sorry
10:23 Enrico
10:24 Hello
10:27 "Una vida sin ti"
10:28 We had just rehearsed "Luna Romantica"
10:30 I know, Tina
10:31 But Petrucci wanted "Una vida sin ti"
10:33 We can't say no
10:34 Yes, but I...
10:35 Tina
10:36 Knowing how to adapt to the situation is essential
10:39 Besides, we need Petrucci by our side
10:42 Because he's not just a host, he's also someone very influential in this world
10:46 So, he'll only bring you advantages, believe me
10:49 Well, if you want, we can start
10:52 Of course
10:53 Nora, if you want to follow me, we'll do a mic test
10:55 Thank you
10:56 Let's go
10:57 Petrucci told me about the change of program
11:00 So?
11:02 Sandro, I'm terrified
11:05 Tina, you already know the song
11:08 You'll see
11:09 Try to calm down and everything will be fine
11:12 I'll be there, behind the glass
11:16 I'll be cheering you on
11:19 Tina, it's your turn
11:24 Tina?
11:25 This way
11:26 Yes
11:27 Let's rehearse
11:28 Well, ok
11:29 Come
11:31 How dare you change the song at the last moment?
11:34 Sandro, calm down, everything is under control
11:37 You want to make it complicated, right?
11:40 You expect it to be a total fiasco
11:42 What are you saying? It's good, it'll do it well
11:45 Or maybe you're like this because you don't believe in his talent as much as you say
11:49 Don't be ridiculous
11:50 You've also cornered me
11:52 And you know I can't contradict you in front of Petrucci
11:54 Oh, Sandro, relax
11:56 I haven't done this to get your dear friend in trouble
11:59 I've done it for us
12:00 Come on, please
12:01 You've banned this song since we broke up
12:04 And I'd like it to stay that way
12:06 Things have changed, look
12:08 Here again, together
12:11 And it's time to start again
12:14 And our song will mark our new beginning
12:17 I don't like surprises, and you know it
12:20 [Music]
12:43 You're here
12:44 Hi
12:46 [Music]
12:51 I don't have much time
12:53 Why didn't you come to say hello?
12:55 Because as you can see, I'm up there
12:57 I see, I see
12:59 And there's something else
13:00 Vittorio told me you want to take up my idea for the magazine
13:03 Oh, that's fantastic
13:04 It's not safe, but it's very likely, given how the mail order business is going
13:08 Let's hope it doesn't go too well, otherwise we'll all lose our jobs
13:12 That won't happen
13:13 And if it does, you'll be the most sought-after engineer in Milan
13:16 And you, the most important writer in Italy
13:19 As long as I find someone willing to publish my novel
13:22 You'll find someone, I'm sure
13:24 Do you know why Marta hasn't come to work?
13:29 Yes, because things between her and Vittorio are still not going well, unfortunately
13:34 Because of Lisa?
13:35 Yes, Marta is jealous of Lisa
13:39 Jealous of her sister?
13:40 It may seem absurd, I know, but I'm sure Marta has her reasons
13:44 Well, I'm going to work
13:47 Are you coming later?
13:48 Why don't you come down?
13:50 Tina is about to sing on the radio and we're all going to stop and listen to her
13:54 I had forgotten, I'll finish a few things and come down
13:56 Come on, okay
13:57 Let's see
14:09 [The radio is on]
14:11 Dear radio viewers, good morning
14:17 This is your dear Enrico Petrucci, announcing a special moment
14:21 The most awaited return of all
14:23 Today we have with us the splendid and inimitable
14:27 Lydia Stanton
14:29 Thank you Enrico, and good morning everyone
14:32 I'm very happy to be back here
14:34 And we are delighted to have you here
14:37 To hear you sing one of your best songs
14:39 But today in a special version
14:41 Lydia Stanton will sing a duet with a young promising Italian musician
14:45 Tina Amato
14:46 Good morning Tina
14:47 Cheer up
14:49 Good morning
14:50 Ladies and gentlemen, with you
14:53 Una Vida Sin Ti
14:55 [Music]
15:01 [Music]
15:30 [Music]
15:56 She's my sister, the one who sings, she's my sister
16:00 [Applause]
16:04 The one who sings is a friend, she's very good
16:09 Yes, very good
16:10 It's Tina Amato
16:13 It'll ring, you'll see, ma'am
16:18 [Music]
16:42 We have just heard the fantastic voices of Lydia Stanton and Tina Amato
16:47 And after this magical moment, a short break for the news
16:51 Sergeant, welcome
16:58 Good morning
16:59 How can I help you?
17:00 We are looking for Mrs. Clelia Bacchini
17:03 Don't worry, stay calm
17:06 Yes, what is it about?
17:09 I'd rather talk to her
17:11 She'll be right there
17:13 [Music]
17:23 Miss
17:24 Are you Clelia Bacchini?
17:26 Yes, it's me
17:28 Carlo Bacchini, your son
17:32 Carlo
17:34 What happened to him?
17:36 I'm sorry to inform you, ma'am, that he has disappeared
17:41 [Music]
17:44 Oscar, what are you saying?
17:46 Where is Carlo?
17:49 Where is my son?
17:53 I'm so sorry
17:56 What do you mean by sorry?
18:04 Where is my son?
18:09 Please, come this way, sit down
18:12 Is Miss Calicaris with someone?
18:16 Yes, she is with Miss Pellegrino
18:18 Unfortunately, our job is sometimes to bring bad news
18:21 Yes, of course, it's your job
18:23 Mr. Bacchini, shall I bring you something? A glass of water?
18:25 No, no, I'm fine, thank you
18:27 I'm here, excuse me
18:30 How are you? Better?
18:35 Sit down
18:38 [Music]
18:42 I understand that this is not an easy time, but please don't despair
18:46 Has something unusual happened this morning?
18:50 Something that...
18:51 I don't know, Carlo was with his father this morning
18:54 How could you let something like this happen to your son?
18:59 Carlo is also your son
19:01 And you are as responsible as I am, don't make me talk, please
19:04 Let's all calm down, okay?
19:06 Otherwise, we won't be able to help the police and do your job
19:09 Thank you
19:10 Let's make things clear, you are married
19:14 Yes, the lady is my wife, yes
19:17 And you live together
19:19 Yes
19:21 Where is your residence?
19:24 Diabroio 23
19:26 Is that so, ma'am? Do you confirm it?
19:28 And where were you this morning?
19:32 I was here, the lady is in charge of the paradise, she opens the shop, so she must be here very early
19:37 Let the lady talk, if you don't mind
19:40 Of course
19:41 That's right, as the accountant said, I come to work early in the morning
19:45 So you were alone at home with your son?
19:48 Yes, I got up and my son was sleeping
19:52 I saw that there was no more milk left and I went to buy
19:55 And you left your son alone?
19:57 Only for a few minutes, the milkman was next to the house and when I came back, my son was gone
20:04 What time was it?
20:06 It would be eight, eight and a quarter at most
20:09 And it's not normal that the child is in school?
20:12 He is only five years old, he will go to school next year
20:15 I understand, we would need a photo to notify our patrols
20:22 Of course, I have one in my bag down in the locker room, I'm going to get it
20:25 I'll go with you if you want
20:26 No need, thank you
20:27 Are you sure?
20:28 I'll be right back
20:30 Mrs. Bacchini, a child so small in pajamas cannot have gone very far, you'll see how soon we find him
20:38 You must do the impossible
20:42 We will give absolute priority to the search, believe me
20:46 Here you go, it's the number of the phone of paradise, call us for anything, you can call at any time
20:55 The home phone line will be installed in a few days, so it's okay, thank you
21:02 Cheers!
21:05 Cheers to the great return and a new beginning, right?
21:11 This girl has a bright future, I guarantee it
21:17 Thank you, you are too good
21:21 Your magnificent smile will soon drive thousands of admirers crazy
21:25 True, true, beauty always helps in life
21:28 For those who have it, yes, and unfortunately it is not my case
21:32 He says that because he wants us to tell him otherwise, don't believe him
21:35 Is the table ready?
21:37 But wait, what's the hurry? We just finished this great bottle
21:42 And it's just the first
21:43 I can't, I have to go back to work
21:46 You are charming Tina, really, the future star of music if you hold her post as a dependent
21:51 It's just that for now he's the one who pays my bills
21:55 You listen to me, and I promise you that soon there will be someone who pays the bills in your place
22:02 Or even better, enough money to pay it without any worry
22:06 Well, before eating I would like to take a walk, here is a beautiful garden
22:11 Yes?
22:12 Tina, will you accompany me?
22:13 For now I don't bite
22:16 It's not even time to eat
22:19 And funny, how to resist
22:23 What's that face for?
22:35 You think I haven't noticed? You push her to Petruchy's arms
22:40 She might try, but that will never happen
22:43 Tina only has eyes for you, right?
22:45 Don't be so childish
22:47 Tina is not the typical one who falls in the laps of a man just for interest
22:51 Whatever, I haven't pushed anyone to do anything
22:54 Believe me, Petruchy doesn't need my help to conquer a young hopeful
22:59 Look, Tina is no longer a girl, and you are not her guardian angel
23:06 Enrico can help her a lot, and you know it
23:09 Of course, because getting you in bed with Maurizio Lai helped your career, right?
23:13 I don't understand, are you jealous of my past or of Tina's future?
23:17 I'm worried about my artist's peace of mind, who I've decided to invest in
23:21 Oh, what a noble man
23:23 Look, I can assure you that your artist is perfectly like that
23:28 [Music]
23:41 Miss, don't worry, the photo you've been given is a very recognizable foreground
23:53 It will be very useful to you, I'm sure
23:56 I can't stay like this without doing anything, I'm going to look for him
24:00 Wait, where are you going? Why don't you do anything? I should help you find your son
24:06 He not only acts as if he were my wife's husband, he also wants to be my son's father
24:11 Enough, this will not take us anywhere
24:14 Oscar, please don't start
24:16 And you defend him? If you want to be the man of the house, learn to defend yourself
24:20 I assure you that I am perfectly capable, but I don't think it's the time
24:23 Well, tell me when it is
24:25 It's over, stop both of you
24:26 Luciano, please
24:28 Not at a time like this you can behave
24:32 I remind you that I have saved myself from denouncing you
24:35 Frankly, I don't think it's the right time to talk about these things
24:40 And what are we talking about, Mr. Conte? Tell me
24:43 About the fact that your client and her accountant have an adventure in front of their eyes for months and you do nothing to prevent it?
24:49 Luciano and I have no adventure
24:51 You don't have an adventure?
24:55 As lying as always
24:57 When have I lied to you?
24:59 Always, since the first day of our marriage, always
25:03 I have never been able to trust you, never
25:05 And in fact you are giving me the reason
25:08 Because you were dying to sleep with another man, you even escaped to behave like a fresh
25:14 You can't be more cowardly and mean, and weak
25:21 I won't let you touch her again
25:24 Never again
25:27 Get out, right now
25:30 Can't you hear me?
25:43 [Music]
25:51 Clelia
25:53 I love my little one
25:55 I would rather die in your place
26:05 I don't even want to think about it, what a terrible anguish
26:08 Let's hope they find him soon
26:10 Poor Miss Caligari, first her husband chases her and then her son disappears
26:16 Here I am, sorry I'm late
26:18 No, don't worry
26:20 What's wrong? Why do you look so sad?
26:22 Miss Caligari's son has disappeared
26:27 Disappeared? What do you mean?
26:31 Yes, that they can't find him
26:33 But he's a child, where could he go?
26:36 The Carabinieri are looking for him everywhere
26:39 Poor Miss Caligari, where is he now?
26:44 In the office of Mr. Conti, together with Mr. Catanio
26:48 They are there waiting for some news
26:50 What a shame, we can't leave her alone, not today, we have to do something
26:55 And what can we do?
26:57 I don't know, let's invite her to dinner tonight
27:01 At least she'll have company
27:03 I don't think she wants to come
27:05 She will want to look for her son all over the city
27:07 But the Carabinieri are looking for him and she can't do anything right now
27:11 I'm sure there will be news soon, we can't wait
27:15 Tina, I'm sorry, today was your big day and instead...
27:20 But what's the point now? This is much more important
27:23 We have to find that child, poor thing
27:25 Come on, cheer up, get dressed, we have to open
27:28 Yes, let's go girls
27:31 [Sighs]
27:33 I'm sorry, I didn't want to raise the tone this afternoon
27:45 The situation is already quite bad
27:47 Don't worry, Oscar can get any addition
27:50 Yes, but I don't want to upset him in case he'll pay for it later
27:54 Now I don't care about him or what he can do to me
27:57 I just want to have Carlos with me again
28:00 And if I stay with my arms crossed, I'll go crazy
28:02 Cleria, look at me, look at me
28:04 Everything will be fine
28:07 How do you know?
28:10 He's my son
28:13 And he has suffered so much because of me
28:17 That I don't know if he'll ever forgive me
28:20 You love him and he loves you, why does he have to forgive you?
28:24 Luchano took him away from home
28:26 I left him alone in an unknown city
28:29 But what kind of mother lives away from her son?
28:32 I should have stayed with him
28:35 It should be my only thought
28:37 Carlos is your only thought
28:39 You've always done everything for him, for his own good, so he could grow up happy
28:42 You're a woman, you're a mother
28:45 Wonderful
28:46 There's nothing, not a single thing, for which you should blame yourself
28:50 Don't think about that, we'll get over it, think
28:54 Think about all the wonderful things you'll do with Carlos when he shows up
28:58 Because that's how it is, I can't know if everything will be fine
29:01 But I can feel it, I believe it
29:04 And you should believe it too
29:06 Come in
29:12 Sorry for the inconvenience
29:15 Don't worry
29:16 I wanted to ask you if you'd like to come and have dinner with us tonight
29:22 I know it's not easy to get distracted at a time like this
29:25 But maybe it would help you to be with us
29:28 Thank you, but I don't think it's a good idea
29:31 I'd be nervous all the time, and if there's any news from the police...
29:35 I'll be on the phone all night
29:37 And if there's any news, I'll tell you
29:40 Miss Pellegrino is right
29:42 Right now, we should surround ourselves with people
29:45 Don't be alone, please
29:49 All right, you may be right
29:52 Thank you, I'll be happy to
29:54 Okay, I'll wait for you outside
29:58 Bye
29:59 Bye
30:16 How can a child disappear so suddenly? Someone must have seen him
30:20 I don't know, but I can imagine how Miss Caligari will feel
30:25 With her son lost somewhere, unable to protect him
30:30 Welcome, boys
30:32 I've spoken to Mr. Hermano
30:36 It's time to get organized and get married before the child is born
30:40 Okay
30:41 So? Why the long face?
30:45 It's Miss Caligari
30:47 Did something bad happen to her?
30:49 Her son, Carlo, has disappeared
30:53 When? How is that possible?
30:56 Mr. Bacchini has gone out for a while, and when he came back, the child was gone
31:01 Oh my God
31:05 The police are looking for him, but for now, there's no news
31:11 I wouldn't like to be in that woman's place
31:14 Nobody would. I can't imagine anything worse
31:17 What about your father?
31:19 He stayed yesterday
31:21 Yes, Mr. Bacchini doesn't have a phone at home, but he does have the number of Paradise in case there's news and Dad is there
31:28 I imagine he stayed with Miss Caligari
31:32 No, Miss Caligari is at Gabriella and Roberta's house
31:37 Yes, the girls have invited her to dinner to distract her a little
31:41 Of course, you can't leave a woman alone in those conditions
31:46 I have the stove on and the oven on
31:50 Mom, don't worry, I have a closed stomach
31:53 You can't be like this without eating
31:56 And I don't think Federico wants to be fasting
32:00 No, I'll manage, really
32:03 Okay, listen, I'll finish preparing it, you sit down at the table, and I'll go to Paradise to take your father's dinner
32:12 What a detail, I'm sure he'll thank you
32:14 I hope so. In this situation, I also have to do my part
32:21 You've been great on the radio
32:32 Thank you, Miss, but don't worry
32:34 You'll be very successful, I'm sure of it
32:36 Thank you
32:38 You haven't eaten anything?
32:39 I'm sorry, I'm sure everything was great, but I really can't
32:43 I can't stop thinking about Carlo, forgive me
32:46 You don't have to apologize for anything
32:49 We're here for you
32:52 You'll find him very soon
32:54 You'll see
32:55 Yes, and the Carabinieri are not only looking for him
33:02 I've also told the boys in my class, the milkman, the pharmacist
33:06 And all the parishioners of Don Hermano
33:08 Yes, they're also looking for him with you, Lisa
33:11 And Salvatore and Antonio have also gone out looking for him
33:15 Thank you, thank you all
33:18 Mom
33:19 What?
33:20 Do you remember when I disappeared?
33:21 Oh, the naughty girl, she disappeared all day, and my husband and I called the Carabinieri
33:27 Do you know where the girl was hiding?
33:29 Inside the closet
33:31 I wanted to make a joke out of it, but I fell asleep
33:34 Children usually do this to have fun, they hide, and then, of course, they play a prank on you
33:41 They're children, they don't realize
33:43 I wish it had been like that with Carlo
33:46 As if anything had happened to him
33:49 That's not to be thought of, you have to be optimistic
33:51 I couldn't forgive myself
33:53 Miss, it's not your fault
33:55 Carlo was with his father, he should have watched him
33:59 He might have left for that reason
34:01 The situation between my husband and I is not easy, and the distance and constant fights
34:08 We already know what happened to your husband
34:10 A man who hits a woman is a coward
34:14 Do you know how many things like this I've seen in the village?
34:19 The neighbors, relatives of my mother, I saw them with purple eyes, they always fell down the stairs
34:27 And when you tried to get close to them to help them, they always told you that each one should wear their cross
34:35 And they just remained silent and followed their path as if nothing had happened
34:40 Animals always kick and rebel against the whip, but women are silent
34:47 It's not possible, no
34:50 Being a woman doesn't mean we have to bow our heads
34:57 But if you're married to the wrong man, what do you do?
35:01 Women must be free to choose without being persecuted for it
35:05 Divorce exists in other countries, I wish it was possible here too
35:09 Whatever, you don't have to blame yourself for anything
35:15 And I really trust that you will find that boy
35:19 You shouldn't lose hope, Clelia
35:23 I'll make an apple juice for everyone
35:25 Yes, yes, because something has to get into the stomach
35:28 But we don't have cups for everyone
35:30 I'll bring them, Tina, what do you think?
35:32 I'll help you
35:33 No, honey, I can still do it, it's just two cups
35:36 Tell me you have good news
35:42 Nothing, mom
35:46 We've been looking for you
35:49 Nothing, mom
35:50 We've tried, we've looked around your neighborhood but no one has seen you
35:55 Oh God, poor woman
35:57 There was a police car and everywhere, if they don't find him, what are we going to do?
36:01 And they say it's going to rain
36:03 And we're going to leave that creature in the rain?
36:05 Mom, we've tried, we don't even know the neighborhood, we don't know where to look
36:09 If I were your son, would you give up like that?
36:14 There's a mother in there who doesn't know what else to do
36:17 My whole body is shaking just thinking about how she must feel
36:21 We must do our best to help her
36:24 Let's try again, Tony
36:27 Let's see if this time we're more lucky, don't worry
36:30 Yes, come on
36:31 Let's go
36:43 Come in
36:44 Sylvia, what are you doing here?
36:49 Well, I've come to bring you some dinner
36:53 The kids told me you weren't going to move here all night
36:56 No, I'm waiting for good news
36:59 Still nothing?
37:01 Let's eat something together, okay?
37:06 Because I haven't eaten either
37:08 I'm not very hungry, Sylvia
37:10 I can imagine, but make an effort
37:13 With all this, it's good that you put something in your stomach
37:19 It looks like the night could be very long
37:23 I'm very glad you came
37:27 And I'm glad to come and keep you company
37:30 Do you want to give me the coat?
37:38 We know that Clelia has created problems between us
37:42 But I would never wish her ill
37:46 And less a suffering like this
37:50 I'm also very sorry
37:53 It's nice of you to say that
37:56 I'm a mother
38:00 And if I imagine what's going on, I get chills
38:05 And I'm also a wife
38:08 And if my husband is fighting for a good cause, I'm with him
38:15 Maybe that's what marriage is about
38:21 Always supporting each other, even when it's complicated
38:25 You're very special, Sylvia
38:34 You're also special, Luciano
38:37 And I haven't said enough
38:41 Hello?
38:47 Yes, it's me
38:49 Any news?
38:50 What do you mean? How can it be?
38:54 Yes, I know they're doing what they can
38:57 But a child so small, alone, at night
39:00 At night?
39:01 Okay, I'll keep waiting
39:07 Thank you
39:08 Nothing
39:12 Everything will be resolved, Luciano
39:21 I'm sure of it
39:24 I'm sure
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