El paraíso de las señoras - T3 - Episodio 147 Completos HD
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Short filmTranscript
00:00 [Music]
00:13 The Ladies' Paradise
00:16 Dear Gabriela, since I saw you in the catalog of the Paradise, I have only thought of you, your smile, your look.
00:23 I would never have imagined writing a letter to a stranger.
00:27 However, here I am. What do you think?
00:30 Simple but effective.
00:32 Yes, romantic but not exaggerated.
00:34 Right? Yes.
00:35 I think the same.
00:36 What did you say his name was?
00:37 Leonardo Constantini.
00:39 Besides, I think he's very handsome.
00:41 Let's see.
00:42 Yes, yes, yes, he's cute.
00:44 Yes, he's cute.
00:47 Why is he dressed like that?
00:49 Is he a footballer?
00:50 In Serie C. But he dreams of playing for Milan.
00:53 Although now he works at his father's hardware store.
00:56 Well, playing for Milan is an ambitious dream.
00:58 Yes, very ambitious.
00:59 Maybe even more than Tina's dream of being a singer.
01:02 Yes.
01:03 Today I'm going to ask him to tell me how to fulfill this project.
01:07 Today.
01:08 Yes, I've met him at the cafeteria to eat.
01:11 Like that, without telling us anything.
01:13 I'll tell you now.
01:15 He also told me he wants to take me to the stadium.
01:17 That's not a very romantic plan, no.
01:20 Maybe for an athlete, yes.
01:22 And look at the positive side.
01:24 I'm sure he has a good physique, he's not lazy, and he has a great passion.
01:29 For a ball rolling in a grass field.
01:32 Better a footballer than a mother's boy like Fabrizio de Masi, right?
01:36 That's true, it's true.
01:38 You don't lack much.
01:40 Leonardo deserves an opportunity.
01:42 Also, Gabriela Constantini sounds pretty good.
01:47 Good morning, dad.
01:59 Good morning.
02:00 Good morning.
02:01 Andreina.
02:02 Good morning, dear.
02:04 I was looking at my schedule.
02:07 Next week we have a stage reserved for a mask dance.
02:12 The story of a happy betrayal, so instructive.
02:17 Humberto is going to accompany me to the ballet tonight.
02:20 Asking him to go to the opera next week is too much.
02:23 Well, of course.
02:24 For a businessman, there's nothing more superfluous than art, right?
02:28 Your Excellency, the reverend Bishop Monseigneur Borrelli.
02:33 Excellency.
02:35 Welcome, Excellency.
02:38 Your presence is always a consolation to everyone.
02:43 Countess, it is an honor for me to bring the word of God to this house.
02:47 A house of sinners.
02:49 But who is not before the Lord, right?
02:56 Italo.
02:57 Excellency, we trust in your absolution.
03:02 What better occasion than Easter.
03:19 Thank you.
03:20 Bless, Lord, this family and this home.
03:24 And remove the traps of the evil.
03:26 Protect all your members.
03:29 And grant them peace, health, and prosperity.
03:36 With the living experience of your love.
03:38 In the name of the Father, the Son, and the Holy Spirit.
03:42 Amen.
03:53 I have been informed that soon your commitment will be finally sanctified before God.
04:01 As it should be, Excellency.
04:04 Humberto has asked for my hand and I have gladly accepted.
04:07 Of course, with the approval of the whole family.
04:14 I'm sorry.
04:15 Too many emotions.
04:18 Have you already set the date of the ceremony?
04:20 Yes, last Sunday of May.
04:22 It will be in spring.
04:24 Good, good.
04:27 A sanctified union after Easter is blessed by the resurrection of Christ.
04:32 Since we are in Lent, it would be better to avoid large banquets and celebrations, do not you think?
04:38 Of the sacrifice of our Lord, joy and love must be reborn.
04:44 And your union will bring more joy and much love to this house.
05:09 Thanks to you, this song is again in everyone's mouth.
05:12 It's a beautiful song and Mr. Petrucci had a good idea to propose it.
05:18 Did you hear the dedication he made to me last night?
05:21 Yes, I heard it.
05:22 He is very kind to me.
05:24 I imagine.
05:25 You have to be careful.
05:27 Sometimes his kindness hides second intentions.
05:30 Enrico has been very kind to me.
05:32 Sometimes he is so discreet that I am ashamed.
05:37 So discreet that he puts the song on the radio over and over again.
05:41 Better like this, right?
05:42 Sure.
05:43 Does that mean he likes my voice?
05:44 You'll have to ask him.
05:47 He has been very good to me.
05:50 He knows where his place is.
05:52 He also makes me laugh.
05:53 He tells me many anecdotes about Castrocaro.
05:56 Did you know that Carmen Villani has a sewing machine mother like me?
06:02 I'm glad to make you laugh.
06:04 A girl like you only deserves to be happy.
06:10 Thank you for worrying so much about my career.
06:16 But seriously, be careful.
06:20 Have a nice day.
06:26 This just arrived.
06:30 Another invitation?
06:33 Yes.
06:34 I would take the opportunity to buy something new.
06:37 This gray pearl, for example.
06:39 I will not accept.
06:41 My representative does not trust Petrucci.
06:44 I think you can only win with Enrico Petrucci.
06:47 He is handsome, nice, famous.
06:50 And above all, he is single.
07:00 Communicate the official date of the wedding to Monsignor Borrelli before us.
07:06 No, no, this is unforgivable.
07:08 That woman has bewitched him, there is no doubt.
07:10 No, no, Ricardo, no.
07:11 Your father is an adult and very aware.
07:14 Andreina is the last person I would ever expect to see with my father.
07:18 I ask you for the last time to think about the proposal I have made to you.
07:22 We must react in some way.
07:24 No, aunt, I'm sorry.
07:25 It's not right to go against dad publicly.
07:28 And above all, I do not think that sending him to the press will distract him from his purposes.
07:31 But I'm not asking you to slander your father.
07:35 I just want to make it clear that a man willing to marry an ex-convict is not fit to govern the city.
07:41 It would be the last nail in the coffin of this family.
07:44 Or what is left of it.
07:46 Aunt, a fight of all against all is the last thing we need now.
07:51 Okay.
07:54 Then I'll have to go on without you.
07:57 I'm just going to ask you not to tell your father anything about what we've talked about.
08:01 I don't want him to know what my intentions are.
08:05 At least you owe me that.
08:06 Sure.
08:07 You can count on our discretion.
08:09 But are you sure you want this?
08:12 And are you sure this won't go against you?
08:15 One day you will thank me for what I do.
08:18 I'm sure.
08:20 I don't want to look like a fool who doesn't have a conversation.
08:27 I must find something that interests us both.
08:30 - That. - Sports, for example.
08:32 - And you're interested in sports? - I'm not.
08:34 In fact, I was terrible at gymnastics in school.
08:36 Why don't you talk about what you're passionate about? Fashion, designers, magazines, that kind of thing.
08:41 Men aren't interested in these things.
08:43 - If you like them, he'll have to make an effort. - I'll show you.
08:46 Salvatore, excuse me.
08:48 Tell me, Gabriela, do you need anything from the bar?
08:51 - If I tell you about Fontana's sisters, what do you think? - This is easy.
08:55 They are the sisters who live in the basement and always cry.
08:58 But they're not Fontana, they're Morlake.
09:00 What did I tell you?
09:02 Look, I need some advice on how to win a boy over.
09:05 - What do the Morlake sisters have to do with it? - Nothing, nothing.
09:08 - But you have to pretend to be a gypsy. - What's wrong with you?
09:11 You talk so strangely. What does that word mean?
09:13 You have to explain to me how football works.
09:16 Basically, Gabriela has a suitor who plays in Serie C.
09:21 - And what does he play? - He runs in a grass field.
09:24 Yes, of course, I mean the position.
09:27 - The position? - I don't know.
09:29 Nothing, you don't know anything.
09:31 - Let's take that box off. - Yes.
09:33 - These things here. - What are they?
09:35 Look at this. This is a goal and this is the other one.
09:39 - Let's start with the basics. What is this? - A...
09:41 - A display. - What do you mean, a display?
09:43 - It's a rectangle. - It's a rectangle, Gabriela.
09:46 - We divide the field in half. - Yes.
09:48 - Here's a team and on this side... - The opposite.
09:50 - Very good. The ones on the right score on the... - Left.
09:53 - Left. And the ones on the left score on the... - Right.
09:55 - Right. - That's it. I'm not stupid.
09:57 And what happens? At 45 minutes there's a change of field, okay?
10:01 So the ones on the right go to the left and the ones on the left go to the...
10:04 Right. Why?
10:05 I get it. Look, it's like us.
10:07 When we take turns, sometimes we're in supplements, other times we're in shoes and we change.
10:11 - So they don't get bored. - Of course.
10:13 - What team is your team, beautiful? - Milan.
10:16 She'll be happy. You do this. Learn the memory alignment.
10:22 - Yes. - That way you impress her.
10:24 Grillo, Maldini, Fontana, Lidom.
10:27 Let's see. Grillo, Fontana, Maldini, Lincoln.
10:32 The president of the United States. Gabriela, come on.
10:34 - Lidom. - Lidolm.
10:37 - Dom. - Dom.
10:39 Very good.
10:40 [Music]
11:07 Thank you. Thank you very much.
11:10 I was looking forward to having a copy of the recording.
11:13 It's been such a success that it has to be in your file.
11:17 I heard you also put the song last night,
11:20 accompanying it with a very nice presentation.
11:24 Nice voice and nice girl. It's a pleasure to advertise her.
11:29 It's an honor for me that a professional of your level
11:32 pays so much attention to one of my artists.
11:36 I've known you for years and I owe you.
11:40 Tina called me and asked me to thank you on her behalf.
11:45 I'm sure I'll find a way to get her to thank me directly.
11:50 Your interest is the most commendable.
11:53 Is your interest at a professional level or is there something else?
11:56 I'm worried about the management of the career of such a young and inexperienced artist.
12:01 That's all.
12:02 I think she's very smart.
12:06 But you and her, no ...
12:09 I'm not even going to answer.
12:11 So I have the way free.
12:14 My favorite presenter.
12:16 Ah, my favorite singer.
12:18 Hello.
12:20 Are you staying for dinner?
12:22 No.
12:23 In London I learned to make scrambled eggs, which are crazy.
12:26 No, I have to go to the radio. But next time I invite you to eat.
12:30 You did me a great favor by not coming to dinner with us the other night.
12:34 I hope my absence will make our friend feel good.
12:38 A very timely setback.
12:41 Tonight I'll go back to the circus to have dinner with her.
12:47 Sandro?
12:49 Goodbye, Enrico.
12:51 Goodbye.
12:58 A good cup of tea always feels good.
13:02 Since when have you become a housewife with common sense?
13:06 Whatever it is to make you smile.
13:10 I've been alone in the battle against Humberto's wedding.
13:16 And I wonder if I should go ahead.
13:18 Adelaide, you can only do more than a regiment of soldiers.
13:21 You don't need to remember.
13:25 It may seem like the pathetic revenge of a neurotic lady, jealous of a younger woman than her.
13:33 A woman who publicly exposes herself against a member of her family can raise suspicions.
13:39 If you don't want your revenge to seem like a reprisal, you'll have to be less direct.
13:44 So should I withdraw from the battle?
13:47 Or change your perspective.
13:50 Half of the party will support Orlando Safi as a candidate for mayor.
13:55 Orlando Safi, the son of the notary?
13:57 Not everyone is convinced of Humberto Guarnieri's impact on the electorate.
14:04 Safi is a young, dynamic, liberal profile.
14:07 The perfect image for the new decade.
14:10 Humberto will be hit crosswise.
14:14 No one can accuse you of anything.
14:16 You have your political idea, which unfortunately is different from your brother-in-law's.
14:20 Pure democracy.
14:23 I could organize events in the circle.
14:27 Introduce some contacts to him.
14:29 Participate actively in his campaign, right?
14:33 You could prove that you are a committed citizen.
14:37 That you support a candidate 20 years younger than your brother-in-law.
14:40 And a fourth part of his experience.
14:43 The electorate will decide whether they trust the young, inexperienced but honest,
14:48 or the old shark with garbage under the rug.
14:52 Which could come to light by chance.
14:57 All of Milan knows how important the opinion of the Countess of San Terasmo is.
15:03 It's time to make it count.
15:07 [Music]
15:13 You've gone too far.
15:15 Well, if that's the case, I'm sorry. I didn't realize.
15:20 I asked you to stop playing games.
15:24 You used to like my games.
15:27 Now I don't like you at all, Nora.
15:29 Think about it.
15:31 I'm sick of your stories.
15:33 Especially when you get someone who's not to blame.
15:36 Oh, poor Tina again?
15:38 Don't start. I didn't go to be a candle holder because I had a setback.
15:43 Besides, what's the problem?
15:46 Enrico is a handsome man with contacts in the world.
15:49 Tina is young and wants to be a singer, so you know perfectly well that you would be fine too.
15:53 You know very well that Petrucci is not to be trusted as a professional.
15:56 And much less as a man.
15:58 Come on, Sandro. We know that's not the point.
16:03 You're so upset because you feel guilty.
16:08 You've been so unkind to that girl, and now you're taking it out on me for not wanting to face reality.
16:16 You've had a setback. It'll pass.
16:19 Then we'll finally have a tie and we'll be able to move on.
16:22 You know we're stronger than anything.
16:24 Nora, our relationship ended a long time ago.
16:28 Tina can't be by your side, Sandro. You're a married man.
16:31 What will you do? Keep her as your lover?
16:33 Listen, we're talking about us.
16:35 You'll put her family against her.
16:37 You'll make her lose her respect, her dignity, maybe even her career, and then it won't be worth it.
16:42 It was a terrible idea to take you into my house.
16:47 Maybe it's time for you to leave.
16:50 Sandro, our love can be conflicting, be morbid, but you know it's inseparable.
16:57 And that you only feel certain emotions with me.
17:00 I don't care about those emotions.
17:02 I have a date now.
17:06 Sandro, please.
17:11 When I get back, I don't want to see you here.
17:14 Good morning, gentlemen. A tea?
17:28 Yes.
17:29 Thank you.
17:30 Leonardo Constantini?
17:42 Gabriela Rossi, a pleasure.
17:45 The pleasure is mine. I assure you.
17:49 Please, sit down.
17:52 Thank you.
17:55 Excuse me, in person she's much prettier.
17:57 She's chosen the right career.
18:00 Thank you, but I'm not a professional model.
18:03 I work as a waitress at the Ladies Paradise, and by chance I was offered to pose for that catalog.
18:10 Well, it's a very fortunate coincidence.
18:13 And now that you've started to make your dream come true, I imagine it will continue.
18:17 I love fashion, in general.
18:20 And I also like sewing.
18:23 I helped her make the wedding dress for a friend's wedding.
18:26 And from time to time I do some sketches.
18:29 Although I don't show them to anyone because I don't think I'm up to it.
18:33 But a wedding dress is not a small thing, right?
18:37 Of course. Not at all.
18:39 I'm sorry I haven't stopped talking.
18:42 Tell me a little about yourself.
18:45 I don't have anything interesting to tell.
18:48 I play in the F series and I work with my father.
18:51 And what position do you play?
18:52 Left back.
18:53 Ah, great!
18:54 And your dream would be to end up playing in Milan, right?
18:59 Exactly. I would love to play one day with Maldini and Sagatti.
19:04 And where do you live?
19:07 In Llambelino. But my favorite area is San Siro.
19:10 I've never been to either Llambelino or San Siro.
19:13 Well, one day I have to take you to San Siro.
19:15 Oh, yes, I'd love to.
19:17 Imagine, it's a magical place.
19:19 And as you get closer, you start to smell the stadium, or the grass.
19:25 And in the distance, the songs of the fans.
19:27 I can imagine it, beautiful.
19:29 And start hearing "Come on, Fontana!" or "Come on, Lincoln!"
19:33 Lidon. Nils Lidon.
19:37 Lidon. That.
19:39 Do you know what they're going to ask?
19:41 Yes.
19:42 For the gentleman, a cup of Macedonia.
19:46 Do you like fruit?
19:47 I prefer the Champions Cup.
19:49 Is he a Milan player?
19:50 The best team possible.
19:52 But this year, the Scudetto wins against Juve.
19:54 Two goals that we scored on the way.
19:56 But if you play like that, it's normal that you win, don't you think?
20:01 And you don't know how to say anything else?
20:03 And we'll keep saying it until you play clean.
20:05 Yes, yes, not to admit the truth.
20:07 That we are stronger and you are jealous.
20:10 But if you have a defense that sucks.
20:12 Could you bring us two juices, please?
20:14 Some juices would have to squeeze their heads.
20:17 Or their brains.
20:18 Is he your friend?
20:21 No.
20:23 Thank goodness.
20:25 I can't stand the hunchbacks.
20:27 I think he's got a good back.
20:30 You're from Milan, aren't you?
20:35 Yes.
20:38 Yes.
20:39 Countess.
20:46 Hello, dear.
20:49 I hope I haven't deprived you of more important commitments.
20:54 Even if I had, your call made me so curious that I would have postponed it gladly.
20:59 I know you're very close to Orlando Safi.
21:02 Yes, we've known each other since we were kids.
21:06 Is that why you've decided to support his candidacy?
21:09 That's why and because I'm convinced of his ability.
21:13 Although I'm sure I won't be able to convince her,
21:17 since her brother-in-law will be her opponent to lead the list.
21:20 You're wrong.
21:22 That's precisely why I called you.
21:26 I thought your support for Commander Guarnieri was a given.
21:30 Because you're too young, dear.
21:34 You can't learn a lot from sitting down.
21:37 You'll learn it with time.
21:39 Would you like something to drink?
21:42 My pleasure.
21:43 A hamburger.
21:45 What exactly do you want to know about Orlando?
21:51 Let's say that what I need to convince myself that he's a viable alternative to my brother-in-law.
21:59 Orlando has always been a pain in the ass.
22:03 He won't open his mouth if he's not convinced of what he's going to say.
22:07 He won't judge if he doesn't know the facts and won't admit shortcuts or easy victories.
22:13 In fact, it's incredible that he still has his friendship.
22:19 That means he's also generous.
22:22 One more point in his favor.
22:25 Yes.
22:27 I'd like to support him in his election campaign.
22:33 Whatever your reasons, Countess.
22:37 Your support will make a difference.
22:39 Well.
22:41 First of all, we have to get your friend to frequent important events.
22:46 And no one knows how to do it better than me.
22:50 It's an honor to be exposed to such a risky cause, especially when he was already on the winning side.
22:57 Risks have never scared me.
23:01 Get me a meeting with him so we can plan a strategy that will allow him to emerge and make his proposals known.
23:12 As long as those proposals are convincing enough.
23:17 He'll be thrilled.
23:19 Tell me where you prefer.
23:21 Here in the circle would be perfect.
23:24 Appearing, showing my support, will make it clear to everyone which side I'm on.
23:30 I'm on Humberto Guarnieri's side.
23:32 It's democracy, my dear.
23:36 How do I look?
23:51 Perfect. How could it be any other way?
23:57 Are you going to make me a woman when I'm your wife? Or are you just doing it to win me over?
24:02 Wait and you'll see.
24:04 You won't come to the theater with me tonight.
24:12 I must say, your intuition surprises me every day.
24:17 You and ballet are my passion. I would have liked to have you both.
24:22 Tonight you'll have to settle for making all the nobles of Milan jealous.
24:27 But you promised me.
24:29 You're right, I'm sorry. But tonight it's important that I stay here to try to fix things with Adelaide.
24:36 Did you know I wanted to be a dancer when I was little?
24:39 How many things are left for me to discover about you? Will a lifetime be enough?
24:48 If you keep wasting time with your sister-in-law, I doubt it.
24:53 Every minute invested today will be earned tomorrow, believe me.
24:57 It's important that Adelaide is on my side.
25:00 I think you give her too much importance.
25:03 Deep down, you don't need her help anymore. I'm on your side.
25:06 It's true, but I've used her so far and I can't forget it.
25:10 So much so that you let me go to the theater alone.
25:15 Take Ludovica for me. Two beauties like you will be a success among the public.
25:20 And you're not jealous that she has all the eyes of Milan on me?
25:24 Absolutely. It makes me feel proud.
25:27 Hello. Are you better?
25:44 What are you doing here? I thought it was clear.
25:47 Help me with this chorus. I don't know what to put next.
25:51 Nora, not this time. I mean it.
25:55 Sandro, listen to me. Have you lost your mind about Tina?
26:01 Do you want to have an adventure with her to get revenge? It's okay.
26:04 I've already told you. Do it. And come back with me.
26:11 I'm stupefied.
26:13 About what?
26:15 About how little you know me.
26:17 Tina doesn't have the personality, the mystery or the charisma to be a star.
26:22 She's just a whim.
26:24 I ask you to leave.
26:26 Don't say things you might regret.
26:30 The only thing I regret is that you're still here.
26:32 Do you really want to throw everything on the ground for a nobody?
26:35 Do you really want me to leave?
26:37 Yes.
26:39 I'm sorry.
26:40 This is not over.
26:57 I'm sorry.
26:58 The job of the Venuses is to listen to the clients.
27:11 To understand their wishes and advise them as best as possible.
27:15 Like my coach does?
27:17 I guess so.
27:19 And speaking of coaches, this is my team.
27:22 Leonardo Constantini, my teammates.
27:25 Hello.
27:26 Nice to meet you.
27:27 Nice to meet you.
27:29 Leonardo.
27:30 Girls, can I tell you something?
27:31 You're lucky to work here. It's a charming place.
27:34 Of course, it's a little bit dark and red, but...
27:37 We'll get used to it soon.
27:39 It's been a pleasure. Thanks for coming.
27:43 The pleasure's been mine.
27:45 I hope to see you again soon.
27:47 Maybe on Sunday at the stadium?
27:50 I'd love to.
27:52 Perfect. I'll text you.
27:54 Yes.
27:55 Well, goodbye Venus. It's been a pleasure.
27:59 Goodbye.
28:01 Thank you.
28:02 He's cute, isn't he?
28:04 Yes, he's handsome, very kind, polite and sensitive.
28:09 But he only talks about football.
28:12 Have you ever talked about anything else?
28:15 If he has a motorcycle, if he likes the sea, if he likes music...
28:19 If he likes Tina's new song...
28:22 He even argued with Salvatore.
28:24 My brother defended your honor.
28:26 He only defended his team.
28:28 You should have seen him coming for the letter. Stop wasting your time.
28:32 How many times do I have to tell you? You deserve it.
28:34 Leonardo is a serious guy, but he has this little flaw.
28:38 And when you're in love, you don't see the flaws.
28:41 You should fall in love with yourself first.
28:44 Stop underrating yourself.
28:46 Leonardo has a dream, and that makes him an interesting man, doesn't it?
28:51 You're not saying you're bored of listening to him talk about football.
28:53 Because I don't know enough about it.
28:55 But if he reads the rankings or the championships, we'll understand each other perfectly.
29:00 But why do you need to be documented if you care about a path?
29:03 Because loving means walking together.
29:06 Yes, but it depends on how long the path is.
29:08 You have to make some sacrifices.
29:10 What sacrifices? This seems like too many sacrifices to me.
29:14 Too many, right?
29:16 How angry he gets.
29:18 Wow.
29:21 Thank you for coming.
29:22 If I had stayed home alone, I would be drunk.
29:27 Let me guess.
29:29 Nora.
29:31 Nora.
29:33 It didn't go as you expected?
29:35 It's over.
29:37 I've thrown her out of the house.
29:39 I'm sorry.
29:41 I'm sorry I was so naive.
29:46 I thought for a moment that things could change, that they could be different.
29:51 But when something is over, you have to admit it and look forward.
29:56 Am I saying nonsense?
30:03 A tremendously correct analysis.
30:07 And how are you?
30:11 More or less.
30:16 Martha.
30:17 The strangers would be more intimate.
30:21 It hurts a little. I'd rather not talk about it.
30:25 For love.
30:28 It doesn't avoid us as pests.
30:31 Well, Tina's career seems to be going well.
30:38 The duet with Nora is very popular on the radio, and I'm sure that's your signature.
30:43 It's Enrico Petrucci's merit.
30:45 The radio host?
30:47 The same.
30:49 You seem upset.
30:51 Tremendously.
30:54 Like a little boy with his classmate.
30:57 I know, it's ridiculous. You don't have to tell me, but...
31:01 Look, I've tried, but it's better than me.
31:05 Hey, there are feelings that, unfortunately, are not negotiable.
31:09 I see.
31:12 But I don't know what to offer.
31:14 I'm a married man and I have no right to ruin his life.
31:18 Look, if I had to speak to you with reason, I'd tell you there's no way out.
31:25 But when there's a beating heart, there's nothing written.
31:29 There is the law. The law is written and the moral.
31:32 And the law should prevent you from being happy.
31:35 Sandro, if you love her, you don't have to give up.
31:40 I love girls who like wine.
31:42 Sure, what doesn't kill you makes you fat, right?
31:45 Shall we order another bottle?
31:47 No, I don't want to get drunk, thank you.
31:50 Well, I'll take the bill and we'll have the last one at my house.
31:53 That way we'll talk better about how to clear your career and how to get a job.
31:58 I'm not a drunkard.
32:00 I'm not a drunkard.
32:02 I'm not a drunkard.
32:04 I'm not a drunkard.
32:07 That way we'll talk better about how to clear your career.
32:09 I'm going to fix my make-up, just a second.
32:13 Elena, Elena.
32:19 Dina, I'm working.
32:21 Help me, you have to save me.
32:23 What's wrong?
32:25 He wants to take me to his house to clear my artistic career.
32:28 Okay, I'll take care of it. Give me a second.
32:32 You take care of it.
32:35 Okay.
32:36 I'm here.
32:42 I don't see any change.
32:44 Okay, everything has been useless.
32:46 You're so beautiful you don't need make-up, Dina.
32:49 Do they teach you tricks at work?
32:52 You see, once a lady called me to the show to ask me if I thought her husband kissed her for a moon on her lip or because passion runs out with time.
33:02 And what did you say?
33:04 Ma'am, I'd kiss her with my eyes closed.
33:07 You're so funny.
33:10 Excuse me, Miss Amato?
33:14 Yes, it's me.
33:16 Your brother just called. Apparently, his mother has suffered an attack.
33:20 Oh my God, what attack?
33:22 Yes, it's serious, very serious.
33:24 I'm sorry, Enrico, I'm sorry, I have to go.
33:26 I'll go with you.
33:29 No, I don't want to ruin this wonderful evening for you. I'm sorry, I'm sorry.
33:34 I'll bring you the bill.
33:39 Dina, wait.
33:53 Wait.
33:57 Maybe it's not appropriate for a girl like you to go home alone at this time.
34:00 No, but don't worry, I'll call a taxi.
34:03 No need, I have the car there. The sooner you get home, the sooner you'll know how your mother is.
34:07 Yes, but if my brothers find out that I've been having dinner with a man, they'll take her with me.
34:12 But I'm the one who puts your song on the radio, I'm not just anyone.
34:15 But we're a little old-fashioned, and ...
34:17 Wait, am I wrong or are you trying to avoid me? I'm just trying to be nice.
34:22 No, I just don't want you to feel uncomfortable.
34:26 I'll do it with pleasure. Really, come on, get in the car.
34:29 Okay.
34:31 That's it.
34:34 Thank you.
34:36 Don't worry, you'll see how your mother will get better.
34:52 Yes, probably.
34:55 What's wrong? You're not laughing at me?
34:56 No, I mean, yes, it's just ...
34:59 Are we leaving?
35:01 Your mother's an excuse not to be alone with my son, right?
35:08 Tina, I like you.
35:13 And it's hard to resist a woman as beautiful as you.
35:17 No, wait, no. What are you doing? Wait!
35:20 Good evening.
35:23 I found you here and I wanted to say hello.
35:25 What's wrong? Are you watching us?
35:27 Please. A gentleman like you would do nothing wrong with an artist like me.
35:31 In fact, you were accompanying Tina home, right?
35:34 I'm the one who accompanies her. Thank you.
35:37 Tina, see you.
35:40 See you.
35:41 Wow, I thought you were at the ballet.
35:59 I know how much you love it.
36:02 Do you remember when we spent those summer afternoons in the garden, listening to classical music?
36:09 I've always had a good memory, you know.
36:11 I hardly forget.
36:14 I almost never forgive.
36:16 Speaking of which, I brought this for you.
36:21 Not even all the olives from Puglia would be useful.
36:24 I'm sorry if I haven't been ... how to say it ... respectful with your feelings.
36:33 But you all went against me.
36:37 And when I feel attacked, I return the attack, you know.
36:40 "Narcissistic personality disorder," said Dr. Tomei.
36:45 Our complicity has always survived everything and everyone.
36:53 And it must continue to be so.
36:56 Until death do us part, I suppose.
37:01 You offer me an olive branch.
37:06 However, another, an alliance.
37:08 Well, our agreement has always been one strategic, above human passions.
37:15 Or, who knows, we should have consumed them.
37:22 Is this what you don't forgive me?
37:27 Would you have wanted to be the new Mrs. Guarnieri?
37:34 I've never had that kind of ambition.
37:37 Sometimes lying is the only way to justify what you've lost.
37:43 Or maybe for what we never wanted to fight.
37:47 The choice is yours.
38:02 How are you? Since we left the circus, you haven't opened your mouth.
38:06 Because I'm ashamed.
38:16 You don't have to be ashamed. It's not your fault.
38:19 But I warned you about Enrico Petrucci.
38:23 I'm ashamed because in 1961 I should be able to get out without fear, that they throw themselves on him.
38:28 But shame will always exist, even if they disguise themselves as gentlemen.
38:32 I wonder why you accepted Petrucci's invitation again.
38:38 Because I'm a fool.
38:41 I wanted to make you jealous.
38:47 Tina could die of jealousy.
38:49 It's over with Nora. I kicked her out this afternoon.
38:57 Tell me you're not kidding.
38:59 Having been with her would have been a joke.
39:03 Tina, I don't do anything but think of you.
39:05 Day and night, you are part of me.
39:09 I love you.
39:16 Demo.
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