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00:00:00 Poor you.
00:00:02 It's been a steep learning curve.
00:00:04 Yeah.
00:00:05 Oh, that.
00:00:09 That's a Snap Notes classic annihilator.
00:00:11 Do you know what that does to a human body?
00:00:14 It boils you from the inside out.
00:00:19 Cute.
00:00:20 Do you know what a Pawnee does to sadistic alien arms dealers?
00:00:25 No, honey. Tell me what a Pawnee is.
00:00:27 I'm a Pawnee, you psycho!
00:00:29 Psycho!
00:00:31 Ah!
00:00:32 [♪♪♪]
00:00:35 [♪♪♪]
00:01:03 Looks like the tables have turned.
00:01:05 That was an incredible catch.
00:01:09 [♪♪♪]
00:01:12 [♪♪♪]
00:01:15 [♪♪♪]
00:01:42 That felt good.
00:01:44 Don't worry, don't worry. It's all part of the plan.
00:01:55 Well, H.O. has been rather delusional.
00:01:58 Peace offering.
00:02:08 Kill them.
00:02:09 Start with him and make it her.
00:02:12 Put me down, you tarantula.
00:02:14 The creature you saw was an unlicensed tarantula from Andromeda II.
00:02:18 Tarantula?
00:02:20 [GIGGLES]
00:02:22 I know a tarantula.
00:02:25 Kablamakchulan.
00:02:26 What?
00:02:27 Kablamakchulan?
00:02:30 Molly?
00:02:37 Yes.
00:02:38 Molly?
00:02:39 Are you shitting me, really?
00:02:41 Who's delusional now?
00:02:45 It's you.
00:02:46 You've grown.
00:02:52 I mean, me too.
00:02:53 Give her the box.
00:02:58 No, Cope. You can't do this.
00:03:00 Haven't I been good to you? I've let you kill anyone you wanted.
00:03:04 Come on.
00:03:07 No?
00:03:08 The box.
00:03:12 Thank you.
00:03:17 You changed my life, by the way.
00:03:20 Hey, quickly. Kablamakchulan, what does it mean?
00:03:24 It means one day I'll kill whoever you choose in the most gruesome way imaginable.
00:03:32 Or maybe we just keep her here for a moment until he and I can discuss our plan of action.
00:03:37 H? H, are you okay?
00:03:39 I'm good.
00:03:42 Nelapar, Apro!
00:03:44 Everything is on TransTV.
00:03:48 [CREDITS]
00:03:51 [CREDITS]
00:03:54 Taste the coolest flavor.
00:03:57 LA Ice Purple Boost.
00:04:02 ABC Klepon Coffee.
00:04:04 A new and exciting sensation.
00:04:06 Coffee mixed with coconut, palm sugar and pandan aroma.
00:04:09 Practical. Use cold water.
00:04:11 New. ABC Klepon Coffee.
00:04:14 A new taste.
00:04:16 Now.
00:04:17 [CREDITS]
00:04:20 Taste the coolest flavor.
00:04:27 LA Ice Purple Boost.
00:04:32 Superstar!
00:04:34 Left, right, up, down, inside, out.
00:04:38 Full Chocolate!
00:04:39 Superstar!
00:04:40 Full Chocolate!
00:04:41 Left, right, up, down, inside, out.
00:04:44 Full Chocolate!
00:04:45 Superstar!
00:04:46 Triple Chocolate!
00:04:47 Full Chocolate!
00:04:48 It's time to compete again.
00:04:51 Fight.
00:04:53 Overcome your limits.
00:04:55 It's time to win again.
00:04:59 Warriors never quit.
00:05:02 Galon Le Mineral 100% free of PPA.
00:05:05 Safe for children and family.
00:05:07 The characteristic of Galon Bebas BPA is clear and transparent.
00:05:10 Signed by the third-party icon number one.
00:05:14 Galon Le Mineral.
00:05:15 For the health of the family.
00:05:17 It's time to compete again.
00:05:21 Fight.
00:05:23 Overcome your limits.
00:05:25 It's time to win again.
00:05:29 Warriors never quit.
00:05:32 Hip, let's have fun!
00:05:35 Awesome!
00:05:37 Cool!
00:05:38 Awesome!
00:05:39 Wow! Super fun!
00:05:41 The pot is endless!
00:05:42 The pot is endless!
00:05:44 The super power is super economical!
00:05:46 Artista!
00:05:47 At My Telkomsel.
00:05:48 Hey, that means I'm with you, right?
00:05:53 Who are we meeting?
00:05:54 They, Sher.
00:05:55 Yes, you.
00:05:57 Buy Oreo Waffle, scan and check the method on Instagram.
00:06:01 Come on, let's go.
00:06:02 I don't want to eat outside.
00:06:06 We can't shop either.
00:06:07 Let's cook.
00:06:08 What do we cook, Pukis?
00:06:11 Just wake me up.
00:06:12 Only with a touch of bango,
00:06:16 made from natural ingredients and quality ingredients.
00:06:19 Make simple dishes
00:06:25 more special.
00:06:27 How is it?
00:06:30 It's better, Mom.
00:06:31 Because taste never lies.
00:06:33 There's a new one.
00:06:34 K-Natural White Jeju Lemon.
00:06:35 My skin is so watery.
00:06:37 With Korean Rice Milk and Jeju Lemon,
00:06:39 fight against acne.
00:06:41 Wow, it's so pretty.
00:06:43 Buy now.
00:06:44 K-Natural White Jeju Lemon.
00:06:46 New.
00:06:47 Coffee with Cafe.
00:06:51 Anytime.
00:06:52 Anywhere.
00:06:55 Nescafe.
00:07:01 This is my cafe.
00:07:03 To face various daily conditions.
00:07:07 Every day.
00:07:08 Make sure you have the purity that accompanies you.
00:07:13 Bare Brand.
00:07:17 Taste the purity.
00:07:18 Hey, where are you from?
00:07:21 From Rapatawasis, Mom.
00:07:22 Liar.
00:07:25 You just ate squid, right?
00:07:26 With spicy sauce, right?
00:07:27 That's why, guys.
00:07:28 After eating, kiss first.
00:07:30 Kiss.
00:07:31 Fragrant, after eating.
00:07:33 Support Rainer for fast,
00:07:35 focused,
00:07:36 flexible.
00:07:37 So that he can create various great ideas,
00:07:39 now and later.
00:07:40 Give S26 Prokel Gold,
00:07:42 which is formulated by Wayan's Nutrition Expert.
00:07:44 Be a great kid, now and later.
00:07:46 Sarimi.
00:07:49 New.
00:07:50 Sarimi, price Rp 2,500.
00:07:51 Must-eat.
00:07:52 Sarimi, beef.
00:07:53 It's savory.
00:07:54 Fall, fall, fall.
00:07:55 Sarimi, chicken, crispy.
00:07:56 It's full of crust.
00:07:57 Sarimi, new.
00:08:00 Price Rp 2,500.
00:08:01 The taste is always on.
00:08:02 Lacto-Gro.
00:08:05 The only milk with L-reuterine.
00:08:07 Enriched with omega 3 and 6.
00:08:10 Support smart and active body.
00:08:13 Lacto-Gro.
00:08:14 The amazing thing is small,
00:08:16 but starts from the inside.
00:08:19 That was...
00:08:20 That was a rush.
00:08:21 Yeah, and incredibly painful.
00:08:23 Yeah.
00:08:24 Pretty sure the plan went wrong in every conceivable way.
00:08:26 Yeah, well...
00:08:27 So, uh...
00:08:30 It's Molly, right?
00:08:31 You're not supposed to know that.
00:08:34 Well, too late.
00:08:35 I know it now.
00:08:36 Guess it's only fair that she know mine.
00:08:38 I don't want to know yours.
00:08:39 I'm gonna tell you.
00:08:40 Okay.
00:08:41 You ready?
00:08:42 Horatio.
00:08:43 It is not.
00:08:44 It's not.
00:08:45 It's Henry.
00:08:48 Yeah, you look okay, Henry.
00:08:49 Good. That's all I've got.
00:08:50 I'm Steve.
00:08:51 Yep, Steve.
00:08:52 I thought you said the ponds didn't have names.
00:08:54 We don't.
00:08:55 I was just feeling left out.
00:08:57 No, no, Steve.
00:08:58 Whoa.
00:09:07 That is not cool.
00:09:16 I don't like what the Earth is doing now.
00:09:18 Kabla Naxchulich!
00:09:27 That was worth a try.
00:09:30 We must have the weapon for the hive.
00:09:33 No.
00:09:34 You know, I don't know if you've heard,
00:09:35 but we are the men in black.
00:09:38 The men and women in black.
00:09:42 Nice save.
00:09:45 If you think we're just gonna hand this thing over
00:09:47 and we've got another thing coming,
00:09:48 you don't know who you're dealing with.
00:09:49 See, we protect the Earth.
00:09:50 And that means everyone and everything on it.
00:09:52 So you want to do this?
00:09:53 You want to get down?
00:09:54 Fine. Let's go.
00:09:56 Move and I'll obliterate this entire island
00:10:01 and everything on it.
00:10:02 Uh, yeah, including us.
00:10:06 You don't think we should have spoken about this
00:10:07 before I gave my little speech?
00:10:09 Yeah, I really like the speech.
00:10:10 I just thought that maybe this was gonna be more effective.
00:10:12 You heard me.
00:10:13 Don't make me use it.
00:10:14 We'll do anything to protect our world.
00:10:16 So will we.
00:10:22 Nothing in this universe is unkillable
00:10:41 with the proper voltage.
00:10:43 Are you both all right?
00:10:45 Yes, sir. Never better.
00:10:47 Sir, how did you find us?
00:10:49 Experience.
00:10:50 RZA again, H?
00:10:53 When are you going to learn?
00:10:55 I knew I could count on you.
00:10:59 I'm glad you pulled through.
00:11:00 Thank you, sir.
00:11:02 You too, huh?
00:11:03 Etta know how to feeling about you.
00:11:05 And she was right.
00:11:11 The universe has a way of leading you
00:11:13 to where you're supposed to be
00:11:15 the moment you're supposed to be there.
00:11:17 Let's go, H?
00:11:21 Let's keep this safe, shall we?
00:11:35 Sonder, inform the J'babean embassy
00:11:38 we have the weapons.
00:11:41 [Bell rings]
00:11:43 Quite the first assignment
00:11:45 for a probationary agent, eh?
00:11:47 Marrakesh, the empty quarter,
00:11:49 Naples.
00:11:51 Imagine what you will accomplish
00:11:53 when you're one of us.
00:11:55 Yes, sir.
00:11:57 Enjoy this moment, eh?
00:11:58 They never last.
00:12:00 I don't know how you do it,
00:12:06 but you just keep doing it.
00:12:08 Yeah? What's that, sir?
00:12:09 Saving the world from total destruction twice.
00:12:12 In as many years, I mean.
00:12:14 What are the odds?
00:12:17 Hey, baby.
00:12:21 Excuse me.
00:12:29 Yeah.
00:12:30 Hey.
00:12:35 Hey.
00:12:36 How's it going?
00:12:37 Uh, you know.
00:12:38 Great party, huh?
00:12:39 Yeah, great party.
00:12:40 Something is wrong.
00:12:41 Yeah, that's what I was thinking.
00:12:42 I said to the Diads we'd do anything to save our world.
00:12:45 I said that they would, too.
00:12:46 Mm-hmm.
00:12:47 And then they told us they needed the weapon for the Hive.
00:12:50 What if we misunderstood what that meant?
00:12:52 Maybe they needed the weapon to use against the Hive
00:12:54 to save their world.
00:12:55 Mm-hmm.
00:12:56 Which could mean they were never the Hive at all.
00:12:58 Uh-huh.
00:13:00 But the DNA, the mutations,
00:13:02 I.T. showed us that sample.
00:13:03 All right.
00:13:04 Let's see.
00:13:05 Agent H, bring up the Diad forensic report.
00:13:08 Who has the authority to make a case file disappear?
00:13:14 Come with me.
00:13:15 And what about Naples?
00:13:27 How did he know we were there?
00:13:28 He was doing his job.
00:13:30 Does his job include tracking us?
00:13:32 It's a gift. It has a chip inside it.
00:13:34 I think I just see the confiscated Jababian weapon.
00:13:39 Not possible.
00:13:40 Not possible?
00:13:41 I'm the senior agent on the case.
00:13:42 Let's make it possible.
00:13:43 Where's the weapon?
00:13:44 I think he's been chasing it the entire time.
00:13:54 I.T. is the mole.
00:13:55 He's gotta be.
00:13:56 A mole for who?
00:13:57 Where would he be taking it?
00:13:58 Paris.
00:13:59 Like it's really Paris.
00:14:00 I knew, you know, I knew all along that something was off.
00:14:03 I thought he was covering for you, but it turns out it was him.
00:14:06 He was hiding his own tracks.
00:14:08 There's gotta be an explanation.
00:14:09 M, come on.
00:14:10 I'm coming with you.
00:14:11 No, C.
00:14:12 Hey, hey, come on now.
00:14:13 This isn't about you.
00:14:14 I know. I agree.
00:14:15 Listen, if it turns out what you're saying is true,
00:14:18 and word gets out that T, the most decorated agent in M.I.B. history, is a traitor,
00:14:22 the agency will never recover.
00:14:24 If we stop him, no one ever has to know.
00:14:26 But what if you can't stop him?
00:14:28 Then what?
00:14:30 Well, then tell them it was me.
00:14:32 Tell them I was the traitor.
00:14:34 Trust me, the agency will believe you.
00:14:36 You.
00:14:40 Oh, that's right. That happened.
00:14:50 [♪♪♪]
00:14:52 That's what I'm talking about.
00:15:02 I'm driving.
00:15:03 That really should be here.
00:15:12 Not in this country.
00:15:14 [♪♪♪]
00:15:16 There should be a big red button around here somewhere.
00:15:28 Yes! Press the red button!
00:15:30 Found it.
00:15:31 [♪♪♪]
00:15:35 [♪♪♪]
00:15:37 H, you've got to see this.
00:15:53 A portal from Sector C has been activated.
00:15:56 Five.
00:15:57 I'm sending you back up. Out.
00:16:02 You remember when I told you we were in the lying business?
00:16:04 Mm-hmm.
00:16:05 That's what T said to me the night he recruited me.
00:16:07 He said, "We have to lie to the world, which means we can never lie to each other."
00:16:10 I just don't believe that he has.
00:16:12 But you can't always trust your gut, H.
00:16:14 Sometimes things are exactly as they appear to be.
00:16:17 No, we saved the world for God's sakes.
00:16:19 Together, with nothing but our wits and our series-70 atomizers.
00:16:22 That's all I've heard.
00:16:24 [THUNDER RUMBLING]
00:16:30 [THUNDER RUMBLING]
00:16:32 [♪♪♪]
00:16:35 [♪♪♪]
00:16:57 [♪♪♪]
00:17:00 [♪♪♪]
00:17:02 [♪♪♪]
00:17:07 [♪♪♪]
00:17:15 [♪♪♪]
00:17:17 [♪♪♪]
00:17:31 Taste the coolest flavor.
00:17:38 LA Ice Purple Boost.
00:17:43 Cofico Extra Besar.
00:17:45 Mm, the coffee is even better.
00:17:50 Mm, so good.
00:17:54 I'm running out, running out, running out.
00:17:57 Cofico.
00:17:58 LactoGro.
00:18:00 The only milk with L-reutering.
00:18:03 Enriched with Omega-3 and 6.
00:18:06 Supporting smart minds and active bodies.
00:18:09 LactoGro.
00:18:10 The amazing small things start from the inside.
00:18:13 Bang Bang Share is One-Half Challenge.
00:18:15 Put it in your mouth in one go.
00:18:17 Say Bang Bang Share it.
00:18:19 [INDISTINCT CHATTER]
00:18:21 [INDISTINCT CHATTER]
00:18:23 The chocolate and caramel melt in your mouth.
00:18:26 Bang Bang Share it.
00:18:27 It's as good as that.
00:18:29 Well, it's not up to me.
00:18:30 Just point it.
00:18:32 Only the tip of the nose from the tip of the choice.
00:18:36 [NON-ENGLISH SPEECH]
00:18:40 I love what I do.
00:18:45 Royal Perfume Series by Soclean.
00:18:47 [NON-ENGLISH SPEECH]
00:18:49 Wing Scare.
00:18:59 [NON-ENGLISH SPEECH]
00:19:02 Sweet Sal.
00:19:03 [NON-ENGLISH SPEECH]
00:19:05 [NON-ENGLISH SPEECH]
00:19:15 [NON-ENGLISH SPEECH]
00:19:29 [NON-ENGLISH SPEECH]
00:19:31 [NON-ENGLISH SPEECH]
00:19:59 [NON-ENGLISH SPEECH]
00:20:01 [NON-ENGLISH SPEECH]
00:20:07 [NON-ENGLISH SPEECH]
00:20:19 [NON-ENGLISH SPEECH]
00:20:24 [NON-ENGLISH SPEECH]
00:20:26 [MUSIC PLAYING]
00:20:31 [NON-ENGLISH SPEECH]
00:20:33 [NON-ENGLISH SPEECH]
00:20:45 [NON-ENGLISH SINGING]
00:20:52 [NON-ENGLISH SPEECH]
00:20:54 [NON-ENGLISH SPEECH]
00:20:58 [NON-ENGLISH SPEECH]
00:21:05 [NON-ENGLISH SPEECH]
00:21:09 [NON-ENGLISH SPEECH]
00:21:15 [NON-ENGLISH SPEECH]
00:21:17 [NON-ENGLISH SPEECH]
00:21:19 [NON-ENGLISH SPEECH]
00:21:30 Hi, I'm Glorio.
00:21:45 [NON-ENGLISH SPEECH]
00:21:47 [NON-ENGLISH SPEECH]
00:21:50 H, would you mind telling me one more time,
00:22:06 how'd you beat the Hive?
00:22:08 Uh, it was three years ago,
00:22:10 IT and I went up to face the Hive with nothing but our wits
00:22:12 and our series 70 atomizers.
00:22:14 Cool.
00:22:15 Yes, but how'd you do it?
00:22:17 Wait, what are you doing?
00:22:18 I'm just curious, how'd you do it?
00:22:20 I just told you.
00:22:21 You didn't, though.
00:22:22 I did a few times, okay.
00:22:23 Uh, IT and I went up to face the Hive with nothing but our wits
00:22:26 and our series 70 atomizers.
00:22:28 Am I, I'm repeating myself, aren't I?
00:22:36 Over and over.
00:22:37 Word for word.
00:22:38 Yeah, well, um, okay, why would I be doing that?
00:22:41 H, I don't think that you beat the Hive that night.
00:22:44 I think you were neuralized.
00:22:46 Ah, you came to say goodbye.
00:23:09 And you brought the lovely M.
00:23:12 You can really feel the history here.
00:23:15 Eiffel discovering wormholes.
00:23:17 Gangways to other civilizations.
00:23:20 The first alien migration.
00:23:22 And we made history here, too, didn't we, H?
00:23:27 With just our wits and our series 70 atomizers.
00:23:30 No.
00:23:31 We didn't.
00:23:33 The Hive wanted the most powerful weapon in the galaxy.
00:23:36 So you had Vungus bring it to Men in Black.
00:23:39 You'd wait, and when it came, you'd give it to them.
00:23:41 My dear boy, you were always a bright one, but...
00:23:45 There's no stopping this.
00:23:47 With a weapon out of the way, every planet will fall.
00:23:50 Starting with this one.
00:23:52 Step away from the controls!
00:23:54 You neuralized me.
00:23:56 Made me a hero, the guy that saved the world.
00:23:59 Left alive to sell the lie.
00:24:02 They wanted this.
00:24:06 You were there.
00:24:09 You were always like a son to me.
00:24:11 H?
00:24:12 You were always like a son to me.
00:24:14 That's not I.T. anymore.
00:24:16 You were always like a son to him.
00:24:18 Earth.
00:24:32 Shoot it! Shoot it!
00:24:36 Shoot it! Shoot it!
00:24:37 My queen!
00:24:42 I'm coming!
00:24:44 What do we do? What do we do?
00:24:59 What do we do?
00:25:00 I'm gonna get it back.
00:25:18 I know he's still in there somewhere.
00:25:20 Hey! Hey!
00:25:24 I know you're in there somewhere!
00:25:27 No!
00:25:28 It's me, H!
00:25:31 Remember, you wanted me to take your place!
00:25:34 Earth!
00:25:39 The truth of the universe.
00:25:46 I wanna know how it all works.
00:25:48 The universe is a way of leading you to where you're supposed to be.
00:25:55 The moment you're supposed to be there.
00:25:57 My queen!
00:26:02 I'm not losing another queen.
00:26:10 You said I was like a son to you!
00:26:25 You were like a father to me!
00:26:27 H!
00:26:32 Right time, right place.
00:26:53 No!
00:26:54 Pony?
00:27:18 Yeah?
00:27:20 You served your queen well.
00:27:22 Thank you, my lady.
00:27:24 It was my honor.
00:27:26 Thank you.
00:27:28 [H]
00:27:30 [H]
00:27:32 [H]
00:27:34 [H]
00:28:01 So, she's tough as they say?
00:28:03 In a word, yes.
00:28:05 Well, you didn't screw up.
00:28:08 No, ma'am.
00:28:09 Well, let's be honest.
00:28:10 There were a few bumps along the way, a little friction at the start.
00:28:12 Let's not be honest.
00:28:13 Okay, no. We did not screw up.
00:28:15 You said there may be a problem in London, but you knew.
00:28:19 I hadn't trusted London Branch for some time.
00:28:22 I never understood the reason why.
00:28:24 T lived for this organization.
00:28:27 He was the very best we had to offer. He will be.
00:28:29 He will be.
00:28:30 Missed.
00:28:35 Welcome to the circus, Agent M.
00:28:41 You are no longer probationary.
00:28:43 Well, there you go. My work here is done, I guess.
00:28:48 You are.
00:28:49 I'm sorry, what?
00:28:50 Probationary head of London Branch.
00:28:52 I'm sorry, probationary head?
00:28:54 It sounds like I got promoted and demoted at the same time.
00:28:58 No, try and cope.
00:29:00 Several years ago, before all this, T mentioned to me a young, often coming field agent who had certain leadership qualities.
00:29:07 Should we say? Was his faith in you misplaced?
00:29:09 No, I just think there are far more experienced agents than myself.
00:29:14 Yeah, there are.
00:29:15 But you have the full support of our senior staff and, by the way, Agent C.
00:29:19 Is that right?
00:29:20 Do I take it you accept?
00:29:27 Yes.
00:29:28 Good. I'll talk to the bosses upstairs.
00:29:30 You need to clear your London desk and report to MIB in New York on Monday.
00:29:34 New York?
00:29:35 Thank you, Agent O.
00:29:38 Congratulations, Probie.
00:29:42 Congratulations to you, too.
00:29:44 You'll want to brief your agents. Walk with me.
00:29:55 So you wanted to know how it all works.
00:29:57 Now you do.
00:29:59 And as you will no doubt have divined, Agent M, there's a price.
00:30:06 [Music]
00:30:09 [Music]
00:30:11 [Music]
00:30:14 [Music]
00:30:16 [Music]
00:30:26 [Music]
00:30:30 [Music]
00:30:34 [Music]
00:30:41 [Music]
00:30:43 Hey there. What are you doing?
00:30:48 I told O I had to take care of a couple of things before I went back.
00:30:51 Yeah? What, like stealing my car?
00:30:52 No, like driving it.
00:30:54 Oh. Well, you're on the right side, at least.
00:30:56 I'm a quick study.
00:30:57 Can we lift back to London?
00:30:59 Road trip.
00:31:00 Ow!
00:31:04 Up, up, up, up!
00:31:05 Oh, God, did not need that.
00:31:08 Hey, could you just zap me with that forgetting thing, please?
00:31:10 What are you doing here, a pony?
00:31:11 Get used to seeing me, pretty boy.
00:31:13 I'm your new babysitter.
00:31:14 'Cause my new what?
00:31:15 Babysitter.
00:31:16 Queen's orders. She says the chance of your sorry ass surviving without me, zero.
00:31:20 Okay, I did not say that. Exactly.
00:31:22 She said slim to zero. I rounded it down to zero 'cause I feel like it's zero.
00:31:26 Consider it a parting gift.
00:31:28 Come on, I saved the world.
00:31:30 You couldn't tell 'cause you were getting choked down on the floor.
00:31:32 Hey, do I even have a choice?
00:31:33 No.
00:31:34 Yes! There we go.
00:31:35 All right. Where's that little red button?
00:31:37 It's right here.
00:31:38 Whoa!
00:31:39 I still don't like you.
00:31:41 Love that option.
00:31:42 Now, this is a very complicated piece of machinery, okay? So be careful.
00:31:51 Yeah, got it.
00:31:52 I'm gonna trust my gut.
00:31:53 [♪♪♪]
00:31:57 [♪♪♪]
00:32:00 [♪♪♪]
00:32:03 [♪♪♪]
00:32:06 [♪♪♪]
00:32:09 [♪♪♪]
00:32:13 [♪♪♪]
00:32:16 [♪♪♪]
00:32:24 [♪♪♪]
00:32:27 [♪♪♪]
00:32:47 [♪♪♪]
00:32:50 [car horn honking]
00:33:02 Don't worry. I checked her out.
00:33:11 Scenario.
00:33:12 Raging fools in love is gold.
00:33:15 Agent runs amok.
00:33:17 Girl gets kidnapped.
00:33:19 The other guys want to know the agent's source.
00:33:22 What does he do?
00:33:24 What do they do to the girl, hmm?
00:33:26 Is there a point to this?
00:33:30 Yeah.
00:33:31 Over your right shoulder.
00:33:33 [♪♪♪]
00:33:36 [♪♪♪]
00:33:39 [indistinct chatter]
00:33:41 [♪♪♪]
00:33:45 [♪♪♪]
00:33:48 Us or them?
00:33:49 How the f*** did I know?
00:33:51 Does it really matter?
00:33:52 [♪♪♪]
00:33:58 You feel the need for a relationship?
00:34:03 Get a dog.
00:34:04 [♪♪♪]
00:34:08 Channel four.
00:34:09 [♪♪♪]
00:34:14 [♪♪♪]
00:34:17 Mason, give us a hand with this mic, will you?
00:34:22 You want me to put your corsage on too, Miss Prime Queen?
00:34:24 Yeah, yeah, yeah.
00:34:25 Hanley.
00:34:28 All right.
00:34:31 We have confirmation.
00:34:33 There's definitely a credible threat.
00:34:35 We've got 20 minutes.
00:34:36 You ready?
00:34:38 Mason, you ready?
00:34:42 Yeah.
00:34:43 All righty.
00:34:44 [♪♪♪]
00:34:48 Com check, one, two.
00:34:54 Good hunting.
00:34:55 Copy.
00:34:56 [♪♪♪]
00:34:59 [♪♪♪]
00:35:02 [♪♪♪]
00:35:05 Hi there.
00:35:07 Ambassador, I'm gonna need your clothes.
00:35:10 We believe there may be an attempt on your life this morning.
00:35:13 Target is male, Caucasian, 35 to 40.
00:35:39 You wanna bet your life on that?
00:35:41 No, I'm betting on you.
00:35:43 This is it, Peter.
00:35:57 I'm in the yellow building, green shutters, left of the clock tower.
00:36:01 How many potentials?
00:36:03 [♪♪♪]
00:36:08 [♪♪♪]
00:36:10 Too many.
00:36:11 I don't like it.
00:36:12 Call off the op. We don't have the coverage.
00:36:15 We're not calling this op.
00:36:17 Body armor is not gonna stop a headshot.
00:36:26 I've been having these headaches anyway.
00:36:28 [♪♪♪]
00:36:36 Blue suit, to the club.
00:36:38 Got him. He's moving.
00:36:41 Hold your shot, hold your shot.
00:36:43 Check your line of fire. Don't shoot.
00:36:44 No, he's moving on.
00:36:45 Do not shoot!
00:36:46 Devereux?
00:36:51 He tagged you. I had to hit him.
00:36:56 What the hell was I supposed to do?
00:37:00 Learn to take orders.
00:37:04 [♪♪♪]
00:37:06 Oh, my God!
00:37:08 No, Boshit, no! No, no, no!
00:37:13 [♪♪♪]
00:37:15 Peter, there is a man outside by the water.
00:37:35 He says he knows you.
00:37:41 Bonjour, Peter.
00:37:42 That's it?
00:37:49 No "Hello, Hanley, good to see you.
00:37:52 Been a long time."
00:37:54 You still out of Berlin?
00:37:55 Berlin? Christ, no.
00:37:57 The action's moved, my friend.
00:38:00 The front line is now in Belgrade.
00:38:02 You look good.
00:38:06 Better than him, at least.
00:38:10 Kargan.
00:38:11 Retirement got him fat.
00:38:13 Not her, though.
00:38:15 Oh, God.
00:38:16 Craig.
00:38:20 They knew the risks. Bill did.
00:38:25 We ID'd the killer.
00:38:26 Alexa Demystriya.
00:38:30 Contract killer out of Moscow.
00:38:32 She's cutting a swath through people who have no business dying.
00:38:35 Agency thinks it's Arkady Fedorov killing anyone or anything that reminds him of his past.
00:38:41 The guy's gonna be the next Russian president.
00:38:44 What's this got to do with me?
00:38:48 It's higher.
00:39:01 You'd be proud of her, Peter.
00:39:04 After you left, she got very close to Fedorov.
00:39:08 But she wants to come in.
00:39:10 She has something on him.
00:39:13 Something that's scaring even her.
00:39:16 What?
00:39:19 A name.
00:39:20 Claims it changes everything.
00:39:21 And if she's right, how long before you think she's gonna join these?
00:39:26 You go in, you get her out.
00:39:30 Moscow to Petersburg.
00:39:33 Cross the border to Helsinki.
00:39:35 I'll meet you there.
00:39:36 She asked for you.
00:39:41 Only you.
00:39:45 She won't give you the name until you bring her out, right?
00:39:52 She always was a ball-buster.
00:39:56 Always was a ball-buster.
00:39:58 Moscow, 1936
00:40:00 You have an interview with the Moscow Truth newspaper.
00:40:07 The press is waiting for you.
00:40:08 Let them wait.
00:40:10 Let's go.
00:40:11 Moscow, 1936
00:40:13 Drones airborne.
00:40:39 X-filons standby.
00:40:40 Monitoring.
00:40:43 Dear colleagues, leaders.
00:40:46 I came here to tell you about the other world.
00:40:53 We can no longer separate people from the country.
00:40:57 To solve the global problems, we...
00:41:10 ...can no longer separate people from their countries.
00:41:12 The history of the past centuries is a history of wars that led to mutual destruction.
00:41:20 The reason for which were conflicts of social, political interests, ideas, and religions.
00:41:30 Which still do not end.
00:41:37 However, our actions should be directed at our own people and international relations.
00:41:47 Russia of tomorrow will not be Russia of our past.
00:41:54 This is a different world.
00:41:57 Bravo!
00:41:58 Bravo!
00:41:59 Bravo!
00:42:00 Bravo!
00:42:02 Bravo!
00:42:04 Russia of tomorrow will not be Russia of our past.
00:42:08 This is a different world.
00:42:12 This is a different world.
00:42:16 This is a different world.
00:42:20 This is a different world.
00:42:24 This is a different world.
00:42:28 This is a different world.
00:42:31 This is a different world.
00:42:35 This is a different world.
00:42:39 This is a different world.
00:42:43 This is a different world.
00:42:47 This is a different world.
00:42:51 This is a different world.
00:42:56 This is a different world.
00:42:59 Our party is popular.
00:43:20 This is the party of the world.
00:43:25 Everyone knows that our party is popular.
00:43:29 But the most important thing is that it has several possibilities.
00:43:34 For example, the party of the world.
00:43:37 The party of the world!
00:43:40 All available on TransTV.
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00:51:01 Do you have a link to the drone?
00:51:03 Yes, we do.
00:51:05 Rendezvous with the extraction team in four minutes.
00:51:13 We have eyes on the prize.
00:51:15 Traveling northbound on Tverskaya.
00:51:19 [music]
00:51:28 Message received from prize. We are five minutes from Exville.
00:51:33 Langley's online.
00:51:37 What time is it there, Perry?
00:51:41 You don't need to be on this one.
00:51:43 If our girls actually got something on Fedorov, a lot of people are interested.
00:51:48 Subject's nearing extraction location.
00:51:52 [music]
00:52:06 Sir, we have an issue.
00:52:10 [music]
00:52:16 Who?
00:52:18 It looks like FSB. The Russians have made her.
00:52:22 [music]
00:52:49 Freeze!
00:52:51 [gunshots]
00:52:52 [gunshots]
00:52:54 [gunshots]
00:52:56 Get in the car!
00:52:59 [gunshots]
00:53:01 [tires screeching]
00:53:03 Peter, why are you here?
00:53:06 [gunshots]
00:53:08 [music]
00:53:12 Whose car is that she got into?
00:53:14 Whoever it is, it's not us.
00:53:16 [car horn]
00:53:19 Oh, how is Lucy?
00:53:22 She misses you.
00:53:25 I miss her too. Both of you.
00:53:29 We're tracking from parallel streets, plotting intercept location, Tverskaya Boulevard.
00:53:37 Belgrade Control, send 42. Mason's got the ball.
00:53:40 No, Perry, you can't.
00:53:42 Belgrade Control, send 42. Mason's got the ball.
00:53:47 [music]
00:53:52 Op 1.
00:53:54 Copy.
00:53:56 42. Confirm?
00:53:58 42 confirmed.
00:54:00 [tires screeching]
00:54:03 [music]
00:54:16 You have a name. I need it. Right now, I need the name.
00:54:20 Mira Filipova.
00:54:23 [music]
00:54:34 Yes.
00:54:36 Mira Filipova.
00:54:38 Mira Filipova.
00:54:41 [music]
00:54:46 Peter, you're blown.
00:54:48 [music]
00:54:52 [tires screeching]
00:54:55 [music]
00:55:01 [glass shattering]
00:55:03 [music]
00:55:05 [tires screeching]
00:55:09 [glass shattering]
00:55:11 42 complete.
00:55:13 Peter?
00:55:19 [music]
00:55:38 [glass shattering]
00:55:39 [music]
00:55:55 She was one of ours, Weinstein.
00:55:57 It was over when the Russians made her. We did her a favor.
00:56:03 [music]
00:56:28 Go, go, get out!
00:56:31 [gunshots]
00:56:34 [music]
00:57:00 [clears throat]
00:57:01 [music]
00:57:04 I've tapped into a CCTV feed.
00:57:07 What the hell's going on?
00:57:09 Op 1, this is Control. Respond.
00:57:11 What happened?
00:57:13 Op 2, respond.
00:57:15 [music]
00:57:22 [glass shattering]
00:57:24 [glass shattering]
00:57:27 [music]
00:57:30 Who's Devereaux?
00:57:32 Who's goddamn Devereaux? What was he doing here?
00:57:35 [music]
00:57:38 Who's Devereaux?
00:57:40 Peter Devereaux, one of ours. Active 77-08.
00:57:45 Used to work with Hanley.
00:57:48 [gunshots]
00:57:50 I'm on the next plane there. Bring Mason in.
00:57:54 [music]
00:57:59 Lassie, the airport.
00:58:03 [music]
00:58:33 [gunshot]
00:58:34 See you at Pizza Today.
00:58:37 [music]
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01:01:51 (door creaking)
01:01:53 (cat meowing)
01:02:04 (knocking)
01:02:19 - Smokey.
01:02:21 - Think this belongs to you.
01:02:22 - Come here, you dumb cat.
01:02:24 Oh, I'm so sorry.
01:02:25 - She spends so much time in my apartment,
01:02:27 she should pay some rent.
01:02:27 - She likes you better than me.
01:02:29 Would you like to come in for a cup of coffee?
01:02:33 I just made some.
01:02:35 Tastes like home.
01:02:36 - Sorry, work.
01:02:40 Hello?
01:02:43 (distant chattering)
01:02:46 - Hi, I'm looking for Alice Fournier.
01:02:59 - Alice!
01:03:01 Can I help you?
01:03:04 - Yes, hello.
01:03:05 My name's Edgar Simpson.
01:03:06 I'm an investigative journalist.
01:03:08 I work with the New York Times.
01:03:09 I want to talk to you about this man.
01:03:13 Arkady Fedorov.
01:03:14 He's a Russian politician.
01:03:16 I'm researching a story on him.
01:03:18 (distant chattering)
01:03:23 - Come on.
01:03:34 I have a reservation.
01:03:35 (speaking in foreign language)
01:03:42 (dramatic music)
01:03:45 (gun clicking)
01:03:48 - Why didn't you shoot?
01:04:15 Here.
01:04:16 Why didn't you shoot?
01:04:19 - Yes, Mr. Mason, why didn't you shoot?
01:04:22 - There was no threat, sir.
01:04:24 - The man who just assassinated your entire team
01:04:26 is pointing a gun at you, and you say there was no threat.
01:04:29 - Devereux was disoriented.
01:04:31 He didn't expect to see me there.
01:04:34 He was doing exactly what I would have done.
01:04:36 We tried to kill him.
01:04:37 He killed us.
01:04:41 - You gleaned all this in less than two seconds?
01:04:44 - Yes, sir.
01:04:46 (dramatic music)
01:04:47 - The question remains.
01:04:48 Why didn't you shoot?
01:04:52 Why didn't he shoot?
01:04:55 You think you know Devereux?
01:05:12 - Just let me find him.
01:05:14 If I can talk to him,
01:05:15 maybe I can stop this from getting crazy.
01:05:18 - You don't know him.
01:05:19 No connections.
01:05:31 But there were things in this world
01:05:37 that mattered to Peter Devereux.
01:05:39 People he let inside, people he loved, perhaps.
01:05:44 And we just killed a very important one.
01:05:46 And now he'll come after us with everything he's got.
01:05:53 That's how he's wired.
01:05:54 He killed three of our people.
01:05:57 The call is to terminate Devereux.
01:06:02 Do you have a problem with the call?
01:06:06 - I do what I'm told to do, sir.
01:06:10 (dramatic music)
01:06:13 (speaking in foreign language)
01:06:19 - Hard drive's okay.
01:06:28 I think I've got something here.
01:06:34 - What do you got?
01:06:35 - That's what we're looking for.
01:06:37 It's the last search that Hanley ran.
01:06:40 - Let's see what else I can find.
01:06:42 - Ah, everything's a real mess.
01:06:49 What a clusterfuck.
01:06:51 (grunting)
01:06:57 (dramatic music)
01:06:59 (dramatic music)
01:07:02 (dramatic music)
01:07:06 (speaking in foreign language)
01:07:10 (screaming)
01:07:18 (dramatic music)
01:07:21 (dramatic music)
01:07:24 - Hi, how are you doing?
01:07:38 I got some stuff for you.
01:07:39 Look, this girl, Mira,
01:07:42 arrives Belgrade late night.
01:07:44 Is UN refugee.
01:07:45 She's processed by these two.
01:07:47 Then handed off to a social worker.
01:07:49 This woman, Alice Furnier.
01:07:51 Two or three other girls were friends.
01:07:55 No, prostitutes, junkies.
01:07:58 Last trace of your Mira was a decade ago.
01:08:01 If she was anything like her friends,
01:08:02 she's probably dead.
01:08:03 - Give me her.
01:08:06 - Here you go.
01:08:14 She has lunch plans.
01:08:15 Dvajel in a restaurant.
01:08:19 You're very welcome.
01:08:20 Biometric match from Belgrade airport arrivals coming up.
01:08:25 This is four hours ago.
01:08:28 There.
01:08:30 You looked right at the camera.
01:08:35 (dramatic music)
01:08:38 (phone ringing)
01:09:00 Yeah.
01:09:01 - I have the crew from Hanley's.
01:09:02 They have something.
01:09:04 - Cleaners at Hanley's have a possible hit.
01:09:07 Authorization and access codes positive.
01:09:09 Go ahead.
01:09:11 - Yes, this is Juergen.
01:09:13 I need location information on a subject.
01:09:16 Furnier, Alice.
01:09:19 Cell number 75365423.
01:09:22 - Search the location of this cell phone.
01:09:29 Furnier, Alice.
01:09:31 - Cell 75365423.
01:09:36 Current location Skadarska 32.
01:09:47 I believe that's a restaurant.
01:09:49 - Thank you.
01:09:50 How many on station at Hanley's?
01:09:55 - Two.
01:09:56 - Call the other one.
01:09:59 (dramatic music)
01:10:02 (phone ringing)
01:10:05 - There's no answer.
01:10:16 - It's Devereux.
01:10:23 (dramatic music)
01:10:25 (footsteps)
01:10:28 (dramatic music)
01:10:31 (speaking in foreign language)
01:10:49 (gentle music)
01:10:53 (speaking in foreign language)
01:10:58 (speaking in foreign language)
01:11:03 (speaking in foreign language)
01:11:07 (speaking in foreign language)
01:11:12 (speaking in foreign language)
01:11:21 (gentle music)
01:11:28 (speaking in foreign language)
01:11:32 (gentle music)
01:11:34 (speaking in foreign language)
01:11:40 (speaking in foreign language)
01:11:43 (dramatic music)
01:12:08 (dramatic music)
01:12:11 (dramatic music)
01:12:14 (dramatic music)
01:12:16 (dramatic music)
01:12:19 (dramatic music)
01:12:26 (typing)
01:12:40 (dramatic music)
01:12:44 (typing)
01:12:46 - Thank you for deciding to meet with me.
01:13:01 Please sit down.
01:13:02 - I won't stand alone.
01:13:04 Thank you.
01:13:05 - Would you like something?
01:13:08 - Water's fine.
01:13:09 Thanks.
01:13:12 - So, let's talk about Arkady Fedorov.
01:13:15 - In the work I do, its name I hear a lot.
01:13:20 But it's old news.
01:13:21 Atrocities are like reality TV.
01:13:24 There's always some new show for people to forget.
01:13:27 - Agreed, however, now Fedorov is about to become
01:13:29 president of Russia.
01:13:30 That makes him a person of interest to the world
01:13:32 and to my publication.
01:13:34 Now when Fedorov was just a general,
01:13:36 I'd say he was pretty much untouchable,
01:13:38 but it's different now.
01:13:39 He's vulnerable.
01:13:41 - What?
01:13:42 - You don't think that makes him dangerous?
01:13:45 - These guys always talk a big game,
01:13:47 but at the end of the day, they're mostly men
01:13:49 who just like the sound of their own voices.
01:13:53 - You want your story and your Pulitzer Prize, huh?
01:13:56 You haven't seen what they're like when they come to us.
01:13:58 Many are just girls.
01:14:00 Frightened girls.
01:14:01 Have you thought about what your story might do to them?
01:14:06 - There are crimes Fedorov is guilty of.
01:14:09 He needs to be exposed.
01:14:10 - If the girls from your center are willing to talk to me,
01:14:13 to tell me their stories--
01:14:14 - I help the victims.
01:14:16 I don't use them for politics.
01:14:18 These girls have been through enough.
01:14:20 I'm sorry.
01:14:21 Maybe your heart's in the right place,
01:14:22 but nobody can stop Fedorov.
01:14:25 (heart beating)
01:14:27 - You've agreed to meet with me.
01:14:30 There must be some way you can help me.
01:14:31 - Excuse me.
01:14:32 Are you Alice Fournier?
01:14:34 - Yes.
01:14:36 - There is a call for you in the office.
01:14:39 They say your cell phone is not working.
01:14:42 This way, please.
01:14:44 - Excuse me.
01:14:45 (phone ringing)
01:14:50 Yes, hello?
01:14:52 - Stop, stay right where you are.
01:14:55 Listen to me very carefully.
01:14:57 The woman you're with is a killer.
01:14:58 If she panics, you're a dead woman.
01:15:08 Turn around.
01:15:10 Turn around.
01:15:11 I'm right behind you, turn around.
01:15:13 Run, now!
01:15:16 Run!
01:15:19 - Alice?
01:15:19 - Out the back, and one eye's on the--
01:15:25 (car engine revving)
01:15:38 (woman screaming)
01:15:41 - Come on, come on!
01:15:43 (car engine revving)
01:15:46 Move, now!
01:15:51 - Who are you?
01:15:55 What's happening?
01:15:56 - Side door.
01:15:59 (car horn honking)
01:16:06 - He's gotta be in the market.
01:16:07 I want eyes on him right now.
01:16:09 Mason.
01:16:11 - Can't believe you still got the same phone number.
01:16:14 How's it going?
01:16:15 - Actually, I'm a little busy right now.
01:16:18 Can I call you back in a few minutes?
01:16:20 Get the cell scanner.
01:16:21 - No, let's just talk, shall we?
01:16:25 You can keep doing what you're doing, I don't mind.
01:16:27 - Scenario, hard target with a female accomplice
01:16:30 took a 30-second lead on me into a crowded venue.
01:16:32 - Tell me about your target.
01:16:35 - Male, old, used to have skills.
01:16:38 - Used to?
01:16:39 - He probably thinks he still does.
01:16:41 - Yeah, but he's arrogant, confident, and levade.
01:16:46 He's already made his first mistake.
01:16:48 - You really think six agents are gonna do it?
01:16:51 Huh?
01:16:52 Tell me.
01:16:53 - Debra, Debra.
01:16:54 (dramatic music)
01:16:57 (people chattering)
01:17:00 - Were those men with the police?
01:17:12 - No, sort of.
01:17:14 - Then who the hell are you?
01:17:17 Who are you?
01:17:18 What do you want?
01:17:19 Let go of me!
01:17:20 What's happening?
01:17:23 I didn't do anything.
01:17:24 - I believe you, but they won't.
01:17:26 Now, if you wanna walk out of here,
01:17:27 you're gonna have to trust me.
01:17:29 - Okay.
01:17:30 - Alice?
01:17:46 Wait!
01:17:49 (grunting)
01:17:51 (alarm beeping)
01:17:59 - We're not down to the other pass.
01:18:09 (dramatic music)
01:18:11 (people chattering)
01:18:21 - I knew you'd call back.
01:18:24 - You're losing your perimeter.
01:18:26 Too many bodies moving.
01:18:28 You're losing control.
01:18:29 - Don't you wanna know why I was in Moscow?
01:18:30 What my orders were, who sent me?
01:18:32 - Keep him talking.
01:18:34 - Then why don't you come in, Debra?
01:18:35 We'll talk about it.
01:18:36 - No.
01:18:37 This is my scenario.
01:18:38 I make the rules.
01:18:40 Come on, kid.
01:18:41 Just give me enough to keep it interesting.
01:18:43 Maybe I'll make a mistake.
01:18:44 You owe me that much.
01:18:46 - I don't know you.
01:18:46 - Jake, give me your phone.
01:18:48 - Where am I?
01:18:49 Come on, Mason, where am I?
01:18:50 - The call is being broadcast through this phone.
01:18:54 The scanner thinks Jake's phone is Devereaux's phone.
01:18:56 That's why he seems so close.
01:18:58 - How many people have you killed, Mason?
01:19:00 - What, now?
01:19:02 Or in the next five minutes?
01:19:03 - You think about it sometimes?
01:19:05 Maybe having a coffee on the screw.
01:19:08 You see a beautiful woman or a child.
01:19:11 Then you remember all the lives you've taken.
01:19:13 - That way.
01:19:15 - Stops you cold, doesn't it?
01:19:16 - No, I sleep like a baby.
01:19:18 - No, I don't get you, Devereaux.
01:19:21 I'm the one you want.
01:19:22 Why not take your shot?
01:19:23 - Tempting.
01:19:25 Give away my position, though.
01:19:26 I'm always willing to die for the cause, eh, Mason?
01:19:30 - Fear's the enemy.
01:19:31 You taught me that.
01:19:32 - Yeah.
01:19:32 Well, I haven't finished teaching you yet, son.
01:19:35 - Here I am, about to take you down all the same.
01:19:37 - You're not gonna take me down, kid.
01:19:39 You're a blunt instrument at best.
01:19:41 No perspective, no knowledge.
01:19:43 - Keep talking, old man.
01:19:45 - This is humiliating.
01:19:46 Embarrassing.
01:19:47 Just like in Moscow.
01:19:50 Isn't it?
01:19:53 What is it, Mason?
01:19:54 No one there to hold your hand?
01:19:57 No one there to tell you to pull the trigger?
01:20:01 - He's still in the car.
01:20:03 We're as near as parking lot.
01:20:04 - He went straight ahead this way.
01:20:06 (siren blaring)
01:20:09 - So no regrets?
01:20:15 - Not one.
01:20:16 You know what?
01:20:18 I don't give a (beep) to people I've killed.
01:20:20 If by some stroke of pure luck, you manage to kill me,
01:20:23 then I won't give a (beep) about that either.
01:20:26 - He's here.
01:20:27 He's around here somewhere.
01:20:28 - That was quite a speech.
01:20:29 - You bring out the best in me.
01:20:34 (alarm blaring)
01:20:37 - He's back.
01:20:42 Get back, get back.
01:20:44 (guns firing)
01:20:46 (man screaming)
01:21:04 (car horn honking)
01:21:07 - Mia Filopova.
01:21:23 Where is she?
01:21:24 - How do you know that name?
01:21:27 - When was the last time you saw her?
01:21:28 - I don't know.
01:21:31 Maybe three years ago.
01:21:32 I was her case worker.
01:21:33 - A good friend of mine died trying to find her.
01:21:36 - I'm sorry.
01:21:38 I have no idea where she is.
01:21:40 - The woman who approached you at the restaurant,
01:21:42 she was a professional killer, Russian.
01:21:44 The men on the motorbikes were CIA.
01:21:47 - CIA?
01:21:48 - Now whatever that girl knows, a lot of people want it.
01:21:50 And if they can't find her, you're the next closest thing.
01:21:53 Do you have files on the women you helped?
01:21:57 - Yes.
01:22:03 - We gotta catch this tram.
01:22:04 - Why do you hate him so much?
01:22:13 The man who wants to kill us.
01:22:14 Why do you hate him?
01:22:17 Huh?
01:22:18 - I don't hate him.
01:22:19 No.
01:22:22 He's probably the best friend I've ever had.
01:22:24 - So all your friends try to kill you?
01:22:27 - Eventually.
01:22:30 (keys jingling)
01:22:59 - Where can I find her?
01:23:01 - I told you, I don't know.
01:23:02 - You must know something.
01:23:04 Friends, places she frequented,
01:23:06 people don't just disappear.
01:23:08 - I don't know, okay?
01:23:10 In my line of work, yes.
01:23:11 Yes, they do, they disappear.
01:23:14 One day you think they're there, the next they're just gone.
01:23:16 She stopped coming to meetings.
01:23:21 People said she was using, doing tricks.
01:23:23 - Do you know who this man is?
01:23:26 - A pimp.
01:23:28 He brings girls in from the Caucasus, sells them for sex.
01:23:32 His name is Lebedenko.
01:23:34 - No.
01:23:35 His real name is Semyon Denisov.
01:23:38 He was Fedorov's right-hand man
01:23:40 during the last Chechen conflict.
01:23:42 Do you know where he is right now?
01:23:45 - Yes.
01:23:46 He's here in Belgrade.
01:23:48 (train rumbling)
01:23:58 - How do you know Denisov?
01:23:59 - Just people, you mean?
01:24:02 - You look like.
01:24:06 - Yeah, well, you don't look too good yourself.
01:24:08 - You're welcome.
01:24:09 Why are you here, Petr?
01:24:13 - I want information.
01:24:14 Someone is here in Belgrade to kill you, and it's not me.
01:24:18 I can tell you who it is, but I want something in return.
01:24:22 - Okay.
01:24:24 You tell me.
01:24:25 I go and do that.
01:24:28 - Arkady Fedorov.
01:24:29 He's killing just about everyone who is close to him
01:24:32 from your good old days.
01:24:34 Now, my information is that he's gonna try and kill you.
01:24:38 - Me? - Yeah.
01:24:39 So what's his deal?
01:24:40 Why does he wanna have a clean slate now?
01:24:42 What's his game?
01:24:43 - Turn around.
01:24:46 You should turn around just now.
01:24:49 Chechnya.
01:24:56 This ugly, dirty, little godforsaken country.
01:25:01 Oil, however, lots of it.
01:25:03 Filthy Chechen terrorists, they don't want to give it to us.
01:25:06 So, one day, a building blew up.
01:25:11 And just like that, Fedorov got his dirty little wall
01:25:17 and Mother Russia got its oil.
01:25:21 - You dropped the building?
01:25:24 - Fedorov was smart enough to know
01:25:27 that he couldn't handle an operation like that.
01:25:30 Keep it a secret.
01:25:32 - We ran it for you?
01:25:35 - That's to ask how.
01:25:36 All we did was sit back and watch everybody die.
01:25:40 (upbeat music)
01:25:48 (upbeat music)
01:25:53 (speaking in foreign language)
01:26:20 (upbeat music)
01:26:23 - Would you like some water?
01:26:45 Sorry about the treatment.
01:26:49 It makes a difference, I argued against it.
01:26:51 You ran Peter Devereux from 1998
01:26:58 until his retirement in 2008.
01:27:02 On April 17th of this year,
01:27:06 you went to Lausanne under the name Sanders
01:27:09 and reactivated him.
01:27:11 - Show me your tits.
01:27:14 - Excuse me?
01:27:16 - I assume that's why Weinstein sent you, isn't it?
01:27:19 - It certainly isn't for your acumen.
01:27:21 Would you like being on top,
01:27:23 working your way up the ladder?
01:27:25 I like the other guys better.
01:27:26 Where the fuck are the other guys?
01:27:28 - This room is soundproof.
01:27:30 - You don't think I know that?
01:27:32 I approved the use and design of this facility.
01:27:34 I wrote the manual you're going by.
01:27:36 I know how long until you switch operational procedure,
01:27:40 you stupid twat.
01:27:41 - You may know the procedure,
01:27:44 but then you also know that I have the right
01:27:47 to vary the procedure if I deem it necessary.
01:27:50 Based on the tenor of this conversation,
01:27:52 I am inclined to vary the procedure.
01:27:55 - You know what?
01:27:58 I don't give a fuck about the people I've killed.
01:28:01 If by some stroke of pure luck, you manage to kill me,
01:28:04 then I won't give a fuck about that either.
01:28:07 That was quite a speech.
01:28:09 You bring out the (beep) in me.
01:28:10 - Not exactly accurate, that last statement you made.
01:28:16 Keeping him engaged was an advantage, sir.
01:28:18 - Yes, to him.
01:28:20 I don't know if he's two in your head
01:28:22 and maybe you're mad because you never had a daddy.
01:28:24 I don't know, and frankly, I don't care.
01:28:26 He played you for a fool.
01:28:28 - I'll get him.
01:28:29 - Will you?
01:28:30 It doesn't feel that way from here, son.
01:28:33 From here, it feels like you're busy trying to please him.
01:28:36 What, you still admire the man?
01:28:39 - I did.
01:28:40 - Well, here's what he thought of you.
01:28:45 (gun cocks)
01:28:49 (dramatic music)
01:28:51 (tires screeching)
01:28:54 (dramatic music)
01:28:57 (tires screeching)
01:29:00 (dramatic music)
01:29:04 (phone ringing)
01:29:21 (dramatic music)
01:29:26 (phone ringing)
01:29:28 (phone ringing)
01:29:33 (dramatic music)
01:29:35 (phone ringing)
01:29:44 (dramatic music)
01:29:48 (dramatic music)
01:29:51 (cat meowing)
01:30:15 - Hey, you, hey.
01:30:16 (cat meowing)
01:30:19 How'd you get in here?
01:30:20 (knocking)
01:30:22 - All she wants is to be at your place.
01:30:29 Oh my God, you're an ungrateful...
01:30:31 Mommy's gonna turn you into a handbag.
01:30:33 - Okay, then.
01:30:35 - Okay, then?
01:30:38 What is that?
01:30:39 We've been passing each other on the stairs for eight weeks.
01:30:42 Who are you, anyway?
01:30:45 Sure, you're mildly attractive and mysterious,
01:30:48 but gets kind of tired after a while, you know?
01:30:52 I mean, I don't even know your name.
01:30:54 - David.
01:31:01 - Well, I'm Sarah.
01:31:03 - Domo.
01:31:07 - Mama.
01:31:11 (dramatic music)
01:31:14 - Did you ever think that maybe Mira is better
01:31:22 whatever she is?
01:31:23 - Your girl witnessed Fedorov in a CIA agent conspire
01:31:28 to start a war that killed hundreds of thousands of people.
01:31:31 So, whoever gets to her first owns Fedorov.
01:31:38 And believe me, someone will find her.
01:31:41 Come on.
01:31:44 (dramatic music)
01:31:47 (alarm beeping)
01:32:03 (dramatic music)
01:32:06 - What it must be like to be you.
01:32:18 Take what you want, do as you please.
01:32:21 What happens if they come back?
01:32:28 - We leave.
01:32:30 (dramatic music)
01:32:32 - There you go.
01:32:35 That'll do.
01:32:37 Bottoms up.
01:32:51 (liquid pouring)
01:32:54 - What happened in Moscow?
01:33:20 - Something unfortunate.
01:33:25 - What was her name?
01:33:30 - Natalia.
01:33:33 - Will killing him really make it better?
01:33:46 - It's a start.
01:33:50 (dramatic music)
01:33:52 - Why did you save me?
01:33:53 - Don't put your faith in me, Alice.
01:33:59 I promise, I'll disappoint you.
01:34:03 (doorbell ringing)
01:34:16 (dramatic music)
01:34:20 (door opening)
01:34:23 (dramatic music)
01:34:26 (dramatic music)
01:34:28 - Sati.
01:34:51 (speaking in foreign language)
01:34:55 - What did you say?
01:34:56 (speaking in foreign language)
01:34:59 - Means my favorite in Russian.
01:35:01 - You speak Russian?
01:35:05 - Yes.
01:35:08 My parents were university professors.
01:35:13 They taught me.
01:35:14 (dramatic music)
01:35:19 (dramatic music)
01:35:22 (dramatic music)
01:35:24 (dramatic music)
01:35:27 (dramatic music)
01:35:30 (dramatic music)
01:35:33 (door opening)
01:35:50 (liquid pouring)
01:35:58 (liquid pouring)
01:36:01 - I found some clothes that should fit you.
01:36:04 What if they find Mira before you do?
01:36:09 - Then no one will need you.
01:36:10 Your problems will be over.
01:36:12 - They'll kill her, won't they?
01:36:17 - Yes.
01:36:18 - What if no one ever finds her?
01:36:28 - No one can hide forever.
01:36:29 I can't bring you with me where I have to go now.
01:36:34 So I can't protect you anymore.
01:36:37 Go somewhere where no one can find you.
01:36:39 Not even me.
01:36:41 Use only cash and wait for this to ring.
01:36:57 - Rufy!
01:36:57 - Fantastic!
01:36:59 - Wow!
01:37:00 (upbeat music)
01:37:03 (speaking in foreign language)
01:37:07 (speaking in foreign language)
01:37:11 (speaking in foreign language)
01:37:15 (speaking in foreign language)
01:37:21 (speaking in foreign language)
01:37:25 (phone vibrating)
01:37:37 (phone vibrating)
01:37:40 - Sarah?
01:37:45 Sarah?
01:37:51 (phone vibrating)
01:38:05 (phone vibrating)
01:38:08 (ominous music)
01:38:11 (ominous music)
01:38:14 (ominous music)
01:38:17 (ominous music)
01:38:20 Sarah?
01:38:45 (ominous music)
01:38:47 David?
01:39:01 - I'm here.
01:39:03 - It's all right.
01:39:06 Everything's gonna be all right.
01:39:08 He won't hurt you, understand?
01:39:14 - Let her go.
01:39:15 - Let her go.
01:39:17 And you?
01:39:20 What, bullets start bouncing around?
01:39:25 Tell him he needs to listen.
01:39:27 Tell him.
01:39:27 - You need to listen.
01:39:30 - You know what he's doing, don't you?
01:39:32 He's trying to decide what you're worth.
01:39:35 - He will not hurt you.
01:39:36 He still hasn't decided.
01:39:40 Ask him.
01:39:43 Ask him if you're worth saving.
01:39:45 - Am I worth saving?
01:39:48 - He's not answering your question, is he?
01:39:55 You need to make him answer your question.
01:39:59 - Am I worth saving?
01:40:01 - Yes!
01:40:02 You are.
01:40:04 You are.
01:40:09 (ominous music)
01:40:12 - Yeah, time to finish your training.
01:40:24 You gave up on me, remember?
01:40:26 - What did you want?
01:40:27 - I wanted to be better than you.
01:40:28 - What does that mean?
01:40:29 - To be better than me.
01:40:32 - To be better at something?
01:40:33 To be a better man?
01:40:35 - Why did you drop me?
01:40:38 - Oh, here it comes.
01:40:41 - I took the shot.
01:40:42 What was I supposed to do?
01:40:42 I had no choice.
01:40:43 - There's always a choice.
01:40:45 - Answer the (beep) question.
01:40:47 - You made the wrong choice.
01:40:50 I came here tonight, Mason, to kill you.
01:40:55 - I did not know what she was to you.
01:40:58 - Oh, you thought this was about Natalia?
01:41:00 No, this is about you.
01:41:02 You can be a human,
01:41:06 or a killer of humans, but not both.
01:41:08 Eventually, one of those people
01:41:12 will extinguish the other one.
01:41:15 That is not too late for you.
01:41:18 Come on!
01:41:19 - No!
01:41:20 - Second chance, Mason.
01:41:24 Scenario.
01:41:25 - No!
01:41:26 - Your target has just severed
01:41:28 the femoral artery of a woman.
01:41:29 - No!
01:41:30 - Has just severed the femoral artery of a woman
01:41:33 you have been intimate with.
01:41:35 - What are you doing?
01:41:36 (Lucilia crying)
01:41:39 - Pressurize it, hold it.
01:41:41 Hold it.
01:41:42 (water splashing)
01:41:42 (phone ringing)
01:41:45 - Can't wait to get back home, right?
01:41:48 - Oh, yeah.
01:41:49 Lucilia, do you wanna know what I did?
01:41:51 - I know what you did, Mr. Hanley.
01:41:53 We're discussing why.
01:41:54 - No, you don't know what I did or what I do.
01:41:57 Ergo, how the (beep) could you possibly comprehend why?
01:42:00 - Let's start at the top.
01:42:03 What do you think it is we do here at the agency?
01:42:06 - We collect information.
01:42:07 - No, information is useless.
01:42:10 That changes overnight.
01:42:11 Knowledge isn't power.
01:42:12 People are power.
01:42:14 We collect people.
01:42:16 And if anyone's listening at Langley
01:42:18 with half a brain in their head,
01:42:20 they know what I'm talking about.
01:42:21 I'm talking about the ownership of Arkady Fedorov.
01:42:25 Are you listening?
01:42:26 Arkady Fedorov!
01:42:28 (air whooshing)
01:42:32 (whistle blowing)
01:42:34 - Sir, welcome to the Hotel Imperium.
01:42:39 (dramatic music)
01:42:42 (people chattering)
01:42:45 - Edgar.
01:43:08 - Alice, what are you doing here?
01:43:12 - Are you all right?
01:43:13 What happened to you at the restaurant?
01:43:15 - I decided to tell you everything I know
01:43:16 about Arkady Fedorov.
01:43:18 - Come in.
01:43:20 You know he's in town right now,
01:43:24 European Energy Conference.
01:43:26 Staying at the Imperial Hotel?
01:43:28 - No, I didn't.
01:43:29 - I'm surprised to see you.
01:43:36 Can I get you a drink, a cup of coffee or something?
01:43:38 - No, thank you.
01:43:40 (door opening)
01:43:42 - That's my wall of shame.
01:43:45 - There were hundreds of girls
01:43:50 that came out of the conflict.
01:43:51 We're a small organization.
01:43:54 - Let me get my dictaphone.
01:43:56 - There was one girl, Mira.
01:44:01 Pretended she was a mute.
01:44:02 Fedorov liked her, kept her close to him.
01:44:09 Like a pet.
01:44:10 (woman screaming)
01:44:15 (keypad beeping)
01:44:32 (suspenseful music)
01:44:35 (keypad beeping)
01:44:52 (keypad beeping)
01:44:55 - Mason David, access code 3-9-0-4-2.
01:45:07 (keypad beeping)
01:45:13 (keypad beeping)
01:45:18 (keypad beeping)
01:45:20 (keypad beeping)
01:45:27 (keypad beeping)
01:45:46 (suspenseful music)
01:45:49 (upbeat music)
01:45:55 (upbeat music)
01:46:00 (speaking in foreign language)
01:46:04 (speaking in foreign language)
01:46:08 (suspenseful music)
01:46:31 (suspenseful music)
01:46:34 - Get in the car, leave the poor girl alone.
01:46:52 - I tell you, you didn't expect to see me in Moscow.
01:46:57 She didn't even know I was coming.
01:47:00 - What did you do?
01:47:01 - She was, this past few months, she was acting erratically.
01:47:05 Analysts thought she was becoming.
01:47:07 It happens!
01:47:09 I couldn't get to her without them knowing.
01:47:12 If she came to our side, she was going to die.
01:47:16 Sending you was her only chance.
01:47:20 - Why?
01:47:21 Why?
01:47:24 - Agency suspected for years that Fedorov
01:47:28 started the war by dropping a building on his own men,
01:47:31 then blaming it on the Chechen nationalists.
01:47:34 Then Natalia reaches out to me,
01:47:36 says she's got an eyewitness
01:47:38 who will swear that Fedorov was involved.
01:47:41 - We did it!
01:47:42 We did it!
01:47:45 - Who the (beep) you been talking to?
01:47:48 - Who you should have been talking to!
01:47:51 Who wasn't on our side, now don't (beep) lie to me!
01:47:55 The same man who ordered her extraction,
01:47:58 and the same man who quarterbacked the hit on her.
01:48:02 - Come in.
01:48:06 - Devereux has a daughter.
01:48:08 Her name's Lucy.
01:48:15 These pictures are from five years ago.
01:48:17 She'd be 12 by now.
01:48:18 Natalia Yulinov was her mother,
01:48:21 and Devereux raises her.
01:48:25 When Devereux was in Berlin,
01:48:27 he recruited Natalia, convinced her to spy for us.
01:48:30 He had a whole goddamn family in from all of us.
01:48:37 - Mira can destroy Weinstein.
01:48:41 That's why he had Mason kill Natalia.
01:48:43 That's why he's going after Mira.
01:48:45 The girl wasn't a peasant or a mute.
01:48:49 Both their parents were university professors.
01:48:52 She could speak English and Russian.
01:48:54 Everything that Fedorov said, she understood.
01:48:57 - I'm here to see Lebedenko.
01:49:12 - Lebedenko.
01:49:13 Hands up, please.
01:49:16 Why are you here?
01:49:23 - Peter Devereux needs a big favor.
01:49:25 - What do you got?
01:49:30 - This woman, Alice Fournier, deceased.
01:49:34 April 2005, cancer.
01:49:38 - Who the new she?
01:49:40 She was in the restaurant with Devereux.
01:49:42 - I'll run a biometric match.
01:49:44 (phone ringing)
01:49:47 - Peter?
01:49:55 - Where are you?
01:49:56 - I'm going to visit Arkady Fedorov.
01:50:00 - Are you insane?
01:50:01 - I've made the decision to confront him.
01:50:03 - This is suicide.
01:50:04 He will kill you.
01:50:06 Don't be foolish.
01:50:07 Mira?
01:50:08 Mira?
01:50:13 - Who are you?
01:50:14 - I'm the gift from Semyon Denisov.
01:50:16 - What's this for?
01:50:25 (suspenseful music)
01:50:28 - Come in.
01:50:51 (speaking in foreign language)
01:50:55 (screaming)
01:51:02 - I have an audiophile match.
01:51:10 Label's been changed.
01:51:11 Order intake interview.
01:51:14 - My name is Mira Filippova.
01:51:19 My parents were murdered by the Russian general,
01:51:23 Arkady Fedorov.
01:51:24 I survived.
01:51:27 - Arkady Fedorov is in Belgrade right now
01:51:32 for an energy conference.
01:51:33 - Find out where he's staying.
01:51:36 (suspenseful music)
01:51:39 (footsteps)
01:51:41 (suspenseful music)
01:51:44 (laughing)
01:51:54 (whistling)
01:51:59 (suspenseful music)
01:52:05 (footsteps)
01:52:07 (grunting)
01:52:25 - You are not going to kill me.
01:52:31 - You're wrong.
01:52:32 - No.
01:52:33 - If you were, I'd already be dead.
01:52:36 You don't know what you're doing to yourself.
01:52:40 - This is for my family.
01:52:41 - Oh my God.
01:52:47 Mira?
01:52:51 There's so many people who want me dead.
01:53:03 And yet here you are.
01:53:04 The angry little girl who didn't know how to.
01:53:11 And now you talk.
01:53:12 - Shut up!
01:53:13 - Okay, okay.
01:53:15 Maybe you will kill me.
01:53:16 We will see.
01:53:17 But making you into a woman,
01:53:20 it is one of the sweetest memories I carry with me.
01:53:24 (crying)
01:53:28 - Shut up.
01:53:29 (phone buzzing)
01:53:31 (suspenseful music)
01:53:34 (gunshots)
01:53:40 - Mira, Mira don't.
01:54:00 Don't do it.
01:54:01 - I want him to die.
01:54:05 - You will.
01:54:07 I want you to tell the world what he did.
01:54:09 Where's your phone?
01:54:11 Get it.
01:54:12 Go get it now!
01:54:14 Stop filming.
01:54:15 1999.
01:54:26 You supported an American operation
01:54:28 to impersonate Chechen terrorists.
01:54:30 Who was the American agent who ran it?
01:54:33 - You will see it on my shirt.
01:54:37 - Mira, take this.
01:54:45 Chew it if you have to.
01:54:49 - You are not going to kill me.
01:54:58 - That's for you to decide.
01:55:00 We're gonna play a little game
01:55:05 I believe was invented in your country.
01:55:07 I'll ask you once more.
01:55:11 Who was the American agent?
01:55:13 I'll ask you again.
01:55:27 Was it Weinstein?
01:55:28 Come on.
01:55:42 Stairs.
01:55:46 Your odds are running out.
01:55:55 Who was the American agent?
01:55:56 - Henley.
01:55:59 Henley.
01:56:02 - Was it this guy?
01:56:11 - Peter.
01:56:12 That's him.
01:56:15 The bald guy.
01:56:16 TransTV. Always with you.
01:56:19 For those who want to know the full story, here it is.
01:56:21 The dynamic of the life of an idol artist.
01:56:23 Full of sensations that are too good to miss.
01:56:26 After not being in Jakarta,
01:56:28 Rizki Bilal shows up again on his Instagram account.
01:56:31 The first to brighten up the day.
01:56:33 Still on the same channel, TransTV.
01:56:35 We'll see you next week.
01:56:37 After not being in Jakarta,
01:56:38 Rizki Bilal shows up again on his Instagram account.
01:56:41 The first to brighten up the day.
01:56:43 Still on the same channel, TransTV.
01:56:46 We'll see you next week.
01:56:48 Insert Pagi.
01:56:49 Every day at 7.30am on TransTV.
01:56:53 (dramatic music)
01:57:21 - Go.
01:57:22 Go.
01:57:23 Here you go, take this.
01:57:25 Use the service elevator.
01:57:28 - What about you?
01:57:29 - Check into the Hyatt Hotel.
01:57:30 If I don't turn up, go to the Dutch Embassy.
01:57:32 Identify yourself and tell them everything.
01:57:34 Ask for asylum. Go.
01:57:35 - Okay.
01:57:36 (heavy breathing)
01:57:44 (dramatic music)
01:57:48 (heavy breathing)
01:57:51 (dramatic music)
01:57:54 (dramatic music)
01:57:57 - He's heading to the basement.
01:58:22 - Repeat that.
01:58:23 - He's gotta be heading to the basement.
01:58:25 Cover the back stairs.
01:58:26 - Traveling.
01:58:27 - Where'd he go?
01:58:40 - I don't know.
01:58:41 - He went that way.
01:58:44 (dramatic music)
01:58:48 (dramatic music)
01:58:51 (door creaking)
01:59:10 (door creaking)
01:59:13 (door creaking)
01:59:15 (door creaking)
01:59:18 (footsteps)
01:59:20 (grunting)
01:59:34 (gunshots)
01:59:36 (grunting)
01:59:38 (dramatic music)
01:59:41 (grunting)
01:59:44 (grunting)
01:59:46 (grunting)