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00:00I don't like this kind of sexiness.
00:04Sexiness of the crotch.
00:06I thought it would be nice to see a parent who is doing it beautifully.
00:13If the mother is sexy, what does the son hate?
00:17Is mayonnaise that bad?
00:19Then put a little mayonnaise on it and roll it up.
00:22There are people who look at me like I'm going to kill someone.
00:27Is Japan too strict on mayonnaise lovers?
00:30The story of becoming a drinker.
00:33The story of becoming a drinker.
00:40Merry Christmas.
00:43The recording will be in January or February.
00:47Matsumaru-kun, please.
00:53What is this?
00:55I really like Japanese sake.
00:58I didn't know that.
00:59The alcohol is very strong.
01:02How do you feel when you get drunk?
01:06I get caught on a stick.
01:08What do you mean?
01:11You get caught on a stick?
01:14When you get drunk, you get caught on a stick.
01:16The pillar of the shop.
01:18Does it become like this?
01:20I tend to get caught in places like this.
01:23I get caught in places like this.
01:25It's strong, but it's not strong.
01:28It's strong.
01:30It's not strong.
01:32Cheers.
01:33There is no mystery tonight.
01:35We have prepared a lot of stories about becoming a drinker.
01:38Please enjoy it.
01:40Let's go.
01:42The person who gets it right can say anything he wants to say.
01:47Should I go?
01:49What is your habit?
01:52Habit?
01:53I'm poor.
01:56I've been drinking and reflecting on what I'm saying.
02:04I don't want to look at it anymore.
02:07I don't want to look at it anymore.
02:11I want to sit down and talk.
02:13I want to sit down and talk.
02:17That's amazing.
02:19You're unconscious, right?
02:21I'm unconscious.
02:22I don't notice it at all.
02:24When I was in Tokyo, I was sitting on the top floor of HINADAN.
02:31It's like you're on a horse.
02:33I can't get out.
02:35IWAO put his hand on my knee.
02:39I held it down.
02:41I didn't notice it.
02:43The floor was shaking.
02:46It's a poor man's habit.
02:48The floor was shaking.
02:51I didn't notice it.
02:53He's probably thinking about something.
02:55I think he's irritated.
02:58I think so, too.
03:01Mr. Goto wants to fix the poor man's habit.
03:04It seems to have an effect not only on his work, but also on his private life.
03:09You're eating in front of your child.
03:13When I noticed it, I felt a little bit of pressure.
03:21When I was talking about my homework at school,
03:26I felt a little bit of pressure.
03:31The table was shaking.
03:33I was shaking.
03:37When I noticed it, it was terrible.
03:41I thought I couldn't generate electricity.
03:44It was powerful.
03:46If only we could make a line.
03:48It wasn't possible when I was on TV.
03:51When I was at home, I used to make a bell.
03:55I forgot about it.
03:57Bells are noisy.
03:59Wait a minute.
04:01Every time I make the bell, I feel sick.
04:04I don't feel sick.
04:06That's not true.
04:08You don't know.
04:10I have a photo of me and my family in my house.
04:14Oh, it's a heritage.
04:16I was sitting next to my father, and my house was shaking.
04:20When I was next to Mr. Goto, I was with him sometimes.
04:24I have a photo of me and my family in my house.
04:26Oh, I see.
04:28And my father was like,
04:30this is my vessel.
04:32And I was like,
04:34I'll do it.
04:36Then tell me about your father wearing a bell.
04:40Think about it.
04:42Your father is wearing a bell all the time.
04:46It's a habit.
04:48The word habit is a little negative in the first place.
04:51I thought it would be good to make the habit a specialty.
04:53That's a nice thing to say.
04:55Born from the boys group Hakutsu Audition,
04:59they have been participating in the Kouhaku Singing Contest for three consecutive years.
05:02They are a very popular group, B-1st.
05:07What is the special skill of the group member Ryouki Miyama?
05:15It's like this.
05:17The hand is like this.
05:18If you do it fast,
05:20there's a dance called vibration.
05:22Dance?
05:23Your father is doing a dance.
05:25If you do it like this,
05:27Mr. Goto, why don't you try it?
05:31While eating?
05:35Your father is doing a dance.
05:37It's called vibration.
05:38While eating?
05:39It's too fast to do it halfway.
05:41The BPM is subtle.
05:43It's like you're going somewhere.
05:45That's right.
05:47When I'm sitting down, I'm doing a dance.
05:51For the past year or so,
05:53for example, when I go to the theater,
05:55I step on the stage sleeves.
05:57I step on the stage sleeves.
06:01Is that because you're poor?
06:03I'm not sitting down at that time.
06:05It's Osamu Shouya.
06:06I step on the stage sleeves.
06:08Did you learn how to step on the stage sleeves?
06:09When I asked my manager,
06:11there was a program where I had to step on the stage sleeves.
06:15I was wondering if I could participate in the contest.
06:17It was two or three years ago.
06:19But I still step on the stage sleeves.
06:22It's a habit.
06:23I step on the stage sleeves.
06:26So I'm 80% like Takeshi.
06:31Takeshi's Asakusa Kid.
06:33I step on the stage sleeves.
06:35If you add vibration to it...
06:40It's Kamizumo.
06:42Don't stop me.
06:44If I do this with the stage sleeves, it's over.
06:48I can't watch it.
06:49Kamizumo.
06:52By the way,
06:54the mechanism of the stage sleeves
06:56is an exercise to release stress and prevent the blood from freezing.
07:01The way to fix it is to chew gum and so on.
07:03It seems to relieve stress.
07:06When I'm looking at a rock,
07:08I want to be funny.
07:10When I think of it, it's around here.
07:13I can see it.
07:14When I'm shooting, I can see it.
07:16When you want to be funny.
07:18When I think of it, it's around here.
07:21Is that so?
07:23I can see that you're embarrassed.
07:26I'm embarrassed.
07:27I'm embarrassed.
07:29When I want to say more,
07:32I cross my hands.
07:35But it's easy to understand.
07:37It's easy to understand.
07:38I've never been conscious of it.
07:40When I'm in a car,
07:43there's a gap between the seats.
07:46There's a gap between the seat rails.
07:49When I'm in a car,
07:51there's a gap between the seat rails.
07:54I close the gap between the seat rails.
07:57What?
07:58You said it.
07:59You said it.
08:01When I'm on the highway,
08:03the road is connected.
08:06The road is connected.
08:08I close the gap between the seat rails.
08:13It's a continuous gap.
08:16It's hard to get out of the gap.
08:18I try my best to get out of the gap.
08:22I have a habit of closing the gap.
08:24Why?
08:25I don't know.
08:26It's not about preventing accidents.
08:29For example, if I were you,
08:31I would be less irritated.
08:35Do you have any stress?
08:36It's a habit. I'm unconscious.
08:38I'm sure there's a situation like that on the bus.
08:41Do you close the gap on the bus?
08:43When I'm unconscious,
08:45I look at the road while I'm talking.
08:49If there's a gap, I close the gap.
08:54What do you mean by closing the gap?
08:57Do you close the gap?
08:58I close the gap.
08:59It's like an automatic door.
09:00It's like an automatic door.
09:02You don't have a more interesting habit than this.
09:05I don't.
09:06Is it a habit?
09:07It's not a habit.
09:09You don't solve it right away?
09:11No.
09:12I don't like signs that show kindness.
09:18For example?
09:20For example, when I go to the bathroom in a building,
09:22it says,
09:23Thank you for always using it cleanly.
09:26This bathroom was cleaned by Yamada.
09:29There's a sign like that.
09:30Yes, there is.
09:31Isn't that really scary?
09:33Why?
09:34Why?
09:35It's clean.
09:37Is it because he's a mysterious creator?
09:39He always uses the bathroom cleanly.
09:42He always uses the bathroom cleanly.
09:45It's not his true intention.
09:47He doesn't say,
09:48Thank you for always using it cleanly.
09:50He just uses it cleanly.
09:52He just uses it cleanly.
09:55He's using it cleanly.
09:56It's written in the first draft.
09:58It's written in the first draft.
10:00Yamada is cleaning the bathroom.
10:02Even if it's dirty,
10:05it explains that the building is not the fault, but Yamada.
10:08Oh, that's deep reading.
10:10It's exactly what I thought.
10:12But every time I see this,
10:13I think I should be careful about that.
10:16But every time I see this,
10:18I think I should be careful about that.
10:20I read it too much.
10:21I read too much.
10:22Do you see every sign of his?
10:25Sometimes when I'm on LINE,
10:27Like what?
10:29For example, when I sent my LINE message.
10:31I wonder if they'll hate me if I send them a message in two lines.
10:34Oh no, that's terrible. How are you going to live with that?
10:37That's going to be really hard.
10:39Wait, wait, wait.
10:40That means you'll have a really hard time with girls in the future.
10:42I'd be really happy if I could send them a message in two lines and get back in five.
10:45If it's the other way around, that'd be great.
10:47I'd want to talk to them.
10:49If I send three messages and get back in two lines,
10:53one of the topics would be gone.
10:55I see.
10:56I'd wonder if there's no more meaning to it.
10:58I wonder if Tatsuharu-kun hasn't solved any of the riddles.
11:02You're telling the truth.
11:03I'm telling the truth.
11:04That's true.
11:05He hasn't solved the riddle yet.
11:06I wonder if he can't solve it.
11:07I think about it all the time.
11:09Every time something happens.
11:10But he'll never stop.
11:11If he does that, he won't get a high score.
11:14What do you do then?
11:15If I send them a message in five lines and get back in two lines,
11:16should I send them a message in one line?
11:17I've never thought about that.
11:19I've never thought about that.
11:20I've never thought about that.
11:21I've never thought about that.
11:22Isn't it just a coincidence that you thought about it?
11:25So, you're sending messages in three lines every time
11:27so you can get a high score?
11:29If I get three emojis, I'll send them in three lines.
11:31Wow.
11:32But if I'm not interested, I'll reduce the number.
11:35You'll reduce it.
11:36You'll think that because you're doing it,
11:38people are doing it too.
11:40That's true.
11:41So how do you end the message?
11:43I'll always send them back.
11:44So that they don't stop when something happens.
11:47But you have to end it somewhere.
11:48You have to end it somewhere.
11:49You have to end it somewhere.
11:50What do you recommend?
11:52What's wrong, Miyamoto?
11:54I do this a lot.
11:56What kind of stamp is this?
12:00It's meaningless.
12:01Do you know the stamp for a picture of a grandma
12:05that no one knows about?
12:07Yes, I know.
12:09It's like,
12:10I'll end my life once.
12:11There's a word like that.
12:14There's a really meaningless stamp.
12:16I want to end it by sending it back.
12:21When I send it back,
12:22if Miyamoto sends me back,
12:25I'll think about it all night.
12:27You'll think about it all night.
12:30I'll think, why did I send this to a grandma?
12:33Why a grandma? Who is this?
12:35I'll think about it all night.
12:37I see.
12:38Matsumaru-kun, you must have a hard time.
12:40Even when you're walking around town.
12:41I'll just send it back.
12:42I'll just send it back.
12:43I'll just send it back.
12:44I'll just send it back.
12:46I'll just send it back.
12:48Even though it was a mystery,
12:49you'll think about it because it was sent back.
12:52You'll think about it because it was sent back.
12:56Actually, they sent me a letter of confession.
13:00Ah, the letter.
13:02They sent me a letter of confession.
13:04Because you didn't know about it.
13:06You got a letter of confession from a letter of confession?
13:07I did.
13:08Eh...
13:09Don't you hate that?
13:10I don't.
13:11I don't hate it.
13:12Why couldn't you tell?
13:14Anyway, did you solve the problem?
13:16I couldn't figure it out, I couldn't figure it out.
13:19I was limited.
13:20I see, that's the only time you couldn't figure it out.
13:22That's the only time I couldn't figure it out.
13:23You couldn't figure it out.
13:24I'm just wasting it now.
13:26I see, so you're overlapping those things to make it more interesting.
13:28I feel so bad for him.
13:32It's okay, do whatever you want.
13:34I'll give him a weird stamp as a gift.
13:36It's like a picture drawn by an elementary school student.
13:39There's a stamp that looks like he's licking a recorder.
13:44What's with the stamp?
13:46You've been saying it for a while now.
13:48There's a straight-up idiot, but he doesn't need the record.
13:53He doesn't need it.
13:55He can't use it.
13:56If you hang out with someone like Miyama, it'll be easier.
14:01There are too many smart people around you.
14:04He's like an idiot.
14:05Sorry.
14:06That's true.
14:07That's what happens when you say it like that.
14:10He's an idiot.
14:11He has so many habits.
14:15Mr. Kubota!
14:16Nice to meet you.
14:17It's my first time meeting you.
14:18It's unexpected.
14:20It's your first time, right?
14:21He didn't invite me.
14:24I thought it was dangerous to drink alcohol.
14:27What's that?
14:28What's that?
14:29What's this?
14:30This is a tomato pie.
14:34You can't read that.
14:36I can't read that.
14:38He's a bad guy.
14:40You can order as much mayonnaise as you want, right?
14:45Wait a minute.
14:46That's my idea.
14:48What's the title of that?
14:51I'll tell you the title again.
14:53You can order as much mayonnaise as you want, right?
14:55You can.
14:56That's it.
14:57That's it.
14:59Don't thank me.
15:01What is it?
15:02In this country, people treat people who order mayonnaise badly, right?
15:08It's like putting mayonnaise on it.
15:11Let's go to a sushi restaurant.
15:13Sushi restaurant?
15:14Sushi restaurant?
15:15Please listen to me until the end.
15:18Let's listen to Mr. Kubota, who loves mayonnaise, when he went to a sushi restaurant.
15:26I like rolls.
15:28I asked him what he wanted to put in it.
15:30He said he wanted shiso, plum, and shrimp.
15:33I asked him to put mayonnaise on it.
15:37When I said mayonnaise, he looked at me as if he were going to kill me.
15:43Is mayonnaise that bad?
15:45Mayonnaise is not bad.
15:48It depends on the state of the sushi restaurant.
15:52Any sushi restaurant.
15:53Even a super high-end restaurant.
15:54Even a high-end restaurant.
15:55What's wrong with that?
15:57I don't have mayonnaise.
16:00What?
16:01There are many sushi restaurants that lie.
16:03Is there mayonnaise in the refrigerator?
16:05There must be mayonnaise in the refrigerator.
16:07Mayonnaise is not good.
16:10Even a high-end sushi restaurant.
16:12What do you say to people who go with you?
16:15My junior was angry at me.
16:18He said he was embarrassed to go to a sushi restaurant with me.
16:23I don't know about pizza.
16:27But I don't know about sushi.
16:32I know that you are strict about mayonnaise.
16:39If you can put mayonnaise on it, it's okay.
16:44But if you can put mayonnaise on it, it's okay.
16:49You don't have to put mayonnaise on it strictly.
16:53You can put mayonnaise on it as you like.
16:55I know it's delicious if I put mayonnaise on it after eating it.
17:04Don't put mayonnaise on it suddenly.
17:06Don't put mayonnaise on it from the first bite.
17:09I like crab mayonnaise salad.
17:13I eat a lot of it.
17:14You can put mayonnaise on it.
17:16There is a place where mayonnaise is served.
17:20You can put mayonnaise on it.
17:22There is no roll.
17:24If you put mayonnaise on it, it won't roll.
17:29There is no roll.
17:31I want to put mayonnaise on it.
17:36I want to eat mayonnaise.
17:38I want to eat sushi.
17:41I want to eat mayonnaise.
17:43I understand your feelings.
17:45I'm the opposite.
17:47What do you mean?
17:48I don't want to put soy sauce on sushi.
17:53I want to eat it as it is.
17:55You are an adult.
17:58Mr. Matsumaru doesn't put soy sauce on sushi.
18:01Because of that, he has a narrow mind.
18:06I have a habit of not putting soy sauce on sushi since I was a child.
18:11As a result, I thought fish was delicious.
18:14As an adult, I couldn't put soy sauce on sushi.
18:17I'm the opposite of Mr. Kubota.
18:19I don't put soy sauce on sushi even if a good soy sauce is served at a sushi restaurant.
18:26I eat sushi without putting soy sauce on it.
18:30You put soy sauce on it.
18:33I sometimes give it to my friends.
18:36If you do this, I may be in a higher position.
18:40If you do this, you should put mayonnaise on it.
18:43If you do this, you should put mayonnaise on it.
18:45I thought it was the same.
18:49It's hard to give soy sauce to a friend.
18:53I like soy sauce.
18:55What about sashimi?
18:57I don't put soy sauce on sashimi.
18:59I don't put anything on it.
19:02As a result, I want to eat it as I like.
19:08I like SANSHO.
19:12I put SANSHO on everything.
19:16I only put it on eel.
19:18It's a waste.
19:27Mr. Goto wants to put SANSHO on anything.
19:31Let's talk about the charm of SANSHO.
19:35I can't think of anything else.
19:37How about SASHIMI?
19:39I eat SANSHO with salt.
19:42SASHIMI?
19:44It's a hassle to eat SANSHO with salt.
19:49I can't eat SANSHO at a restaurant.
19:52I can eat SANSHO at a restaurant, but I can't eat SANSHO at home.
19:56I can eat SANSHO with Mabo.
20:02I can eat SANSHO with anything.
20:04I can eat SANSHO with IWAO.
20:08Mayonnaise is better.
20:10I put a lot of mayonnaise on it.
20:12I can't eat SANSHO with IWAO.
20:14It's a hassle.
20:16I can eat SANSHO with IWAO.
20:19I can eat SANSHO with takoyaki.
20:22It's delicious.
20:24I can eat SANSHO with salt.
20:26I can eat SANSHO with salt.
20:28It looks delicious.
20:30I don't look where I cook.
20:33I don't see you.
20:34I don't look where I cook.
20:36Is that a restaurant?
20:38I don't look at the taste.
20:43Do you decide?
20:45Yes.
20:47Are you really SANSHO?
20:49You are right.
20:51I put a lot of SANSHO in SANSHO.
20:56But if you look it up, you can't eat too much of it.
21:00Oh, I see.
21:01It has an awakening effect.
21:03Oh, I didn't know that.
21:05Your eyes are so big today.
21:07Then it's not good.
21:08It's not good.
21:10It's not good.
21:11When you talk about salt and pepper, your face is different.
21:14Maybe it's a different kind of happiness.
21:16You have a good face.
21:17Your eyes are amazing.
21:18It's really good.
21:20If you use salt and pepper, you can eat anything.
21:22You can put it on a pizza.
21:23You can put it on anything.
21:25I haven't said anything yet.
21:27If you use oil-based pasta, you can eat anything.
21:33I'm scared.
21:34I'm scared.
21:35I'm scared.
21:36I'm scared.
21:37It's already decided just by talking about salt and pepper.
21:40It's not salt and pepper.
21:41I'm scared.
21:42It's definitely strange.
21:43I heard you run a salt and pepper shop.
21:45I'm scared.
21:46Please let me check your urine later.
21:50Natsuna, please.
21:51Yes.
21:52I'm a mother of two.
21:56I have a daughter and a son.
22:00I know that girls are the same sex.
22:03So, I know what to do to make them happy.
22:06I know what to do to make them angry.
22:09But I don't know how to raise a boy.
22:14I don't know if this is the right way.
22:17I want to respect each other and raise my son without hurting his pride.
22:25I want to know what I didn't like about my mother.
22:31I want to know what I was embarrassed about my mother.
22:36I want to know.
22:38When I was a kid.
22:40When I was a kid.
22:42When you were in middle school.
22:43One day, I came back from school.
22:45I found an unpleasant book.
22:52And
22:53The reason why I decided to go to Tokyo University is that I wanted to go there.
22:58That's why you wanted to go to Tokyo University.
22:59I don't know.
23:01Why did Ryogo Matsumaru want to go to Tokyo University?
23:0870 popular entertainers became the core of Othello.
23:12They fought in an interesting and intense original game.
23:16I'm sorry.
23:18Othello will be released on February 1st at 9 p.m.
23:24It's about 30 degrees off.
23:25You may have to clean it.
23:27I can't forgive that.
23:29You're a kid.
23:31You have to come up with a logical basis.
23:34I don't need logic on the table.
23:37I don't need logic on the table.
23:38I don't need logic on the table.
23:42When she raises a boy, she wants to hear what her mother didn't like about him.
23:50I have a lot of opinions.
23:52I want to hear a lot of things.
23:55I often hear that mothers change their voices.
23:59I see.
24:00On the phone.
24:02I see.
24:04I wonder why mothers change their voices so much.
24:09I think so, too.
24:10I think mothers tend to be too sexy.
24:13They tend to be more beautiful.
24:16I'm embarrassed.
24:17I don't like sexy mothers.
24:19I don't like sexy mothers.
24:21I don't like to be beautiful.
24:24But I want to see a beautiful mother.
24:30I want to see a beautiful mother.
24:32I live with my mother.
24:35We moved to Tokyo together when we were in high school.
24:37We moved to Tokyo together when we were in high school.
24:39We moved to Tokyo together when we were in high school.
24:41Recently, I've been worried about this.
24:44I don't want my mother to have a sense of life.
24:47Miyama, who moved to Tokyo from Aichi, is now 25 years old.
24:51He doesn't want his mother to have a sense of life.
24:56I like fashion.
24:59I'm particular about interior design.
25:01I buy figurines and put them in the kitchen and dining room.
25:07But I'm very concerned about the angle.
25:09I put a figurine in the kitchen and look at it from above.
25:11It's a little off by 2 degrees.
25:13Miyama wants to do that.
25:15I'm very concerned about the angle.
25:17When I get home, it's off by about 30 degrees.
25:21I don't know.
25:23Maybe he's cleaning.
25:25I don't know.
25:26I can't forgive him.
25:27He's a kid.
25:32Men are very particular about interior design.
25:37I put out a nasty book.
25:40I hid it under the desk.
25:42When I was a student.
25:44I told my mother not to enter the room and not to clean.
25:49One day, I came home from school.
25:51I found a nasty book.
25:54I put a picture of Ayue on the bookshelf.
25:59It's disgusting.
26:00I think it's easier for me.
26:06I think it's more painful to be ignored.
26:09I don't like it.
26:11Really?
26:12I don't like it.
26:14You want to be ignored, right?
26:16I want to be ignored.
26:17Were you a parent who ignored you?
26:19I was a parent who ignored me.
26:22I have four boys.
26:25They are all men.
26:27I have three boys.
26:29Your mother is used to being an older brother.
26:33My father is a strong brother.
26:36He is a strong older brother.
26:41Which older brother?
26:42The older brother we know.
26:44The older brother we know?
26:45Yes, the older brother we know.
26:46Is the older brother you know strong?
26:48Is Daigo over there strong, too?
26:51Daigo is over there.
26:52I clean up, but I don't touch the book.
26:56If I touch the book, I return it to its original place.
26:59I see.
27:00I have a lot of privacy.
27:02You are different from your mother who is rough.
27:06I don't like it.
27:07I think I was rebellious.
27:10I have four brothers.
27:13At that time, radio broadcasting was popular.
27:19My brothers and I ate at the table.
27:23Every time, my mother recorded a conversation like a prank.
27:30For some reason, my mother was recording a conversation on the radio at the Kubotake table.
27:36Why was that?
27:39I was recording a conversation when I was eating.
27:42It's not like, let's leave a memory.
27:44On Saturdays, I put the cassette tape I recorded on Monday in my brother's room.
27:49I let him listen to the conversation.
27:51My brother and I are in bed.
27:54I let him listen to the conversation and go to bed.
27:58Do you sleep while listening to the conversation at the table on Saturday night?
28:02Yes.
28:03I was in elementary school at that time.
28:05Rather than that, I heard my own voice from the cassette tape.
28:10It was unpleasant.
28:12It's a little different.
28:13I was very embarrassed.
28:15What kind of education?
28:17I don't know.
28:18Didn't you ask your mother what it was?
28:21I don't know. I'm old.
28:24You're old.
28:26It's okay because your parents didn't tell you.
28:29Have you ever talked about it with your brothers?
28:31Yes, we talked about it.
28:33I asked my mother what it was.
28:35She said it was unpleasant because she remembered it.
28:39If the cassette tape comes out now, it will be a good memory.
28:43If the cassette tape comes out now.
28:44It's not such a fun conversation.
28:46I'm in a very poor family.
28:48I let my brother listen to the conversation.
28:50I don't talk much.
28:51I don't let my brother listen to the conversation.
28:53At the end of the conversation, no one talks.
28:56I can hear the sound of the cassette tape.
28:59It's like the sound of a teapot.
29:01I can hear the sound of a teapot.
29:02I can hear the sound of a teapot.
29:04What is that?
29:07It's a strange dining table.
29:09I don't like dining tables.
29:12I have four brothers and a family of six.
29:15My family is like a werewolf.
29:19What is Matsumaru's dining table like a werewolf?
29:27I don't like dining tables.
29:31Matsumaru's dissatisfaction with his mother.
29:34It's because he had many brothers.
29:39I have four brothers and a family of six.
29:41There are many dishes.
29:43There are many dishes.
29:45There are many ingredients for sushi.
29:49Six tuna, six fatty tuna, six salmon.
29:53I'm the type to leave the last favorite food.
29:57When I was about to eat the last fatty tuna, there was no fatty tuna.
30:02There should have been a fatty tuna.
30:04Who took it?
30:06It's my brother.
30:08It's definitely my brother.
30:10My brother said,
30:11Give me a logical basis.
30:16Why did I take it?
30:18I don't need logic in the dining table.
30:21Every time I eat sushi, I become like a werewolf.
30:25It's not fun at all.
30:29Matsumaru wants to be a werewolf.
30:32I don't think boys should eat a lot of dishes.
30:36It's better to divide the dishes.
30:38I see.
30:40I don't think it's good to eat one dish at a time.
30:43I don't think it's good to eat one dish at a time.
30:45You don't have a partner, do you?
30:47I don't have a partner.
30:48Of course, I have my own portion.
30:51For example, I don't eat boiled fish that adults eat.
30:58I eat a hamburger.
31:00I eat a hamburger.
31:02You make special dishes twice.
31:05I've eaten a lot of those dishes.
31:08I still like them.
31:10I see.
31:11I'm a person who grows up like this.
31:13I'm a person who grows up like this.
31:15I'm learning a lot.
31:17I can only eat what I like.
31:19I can't eat what I don't like.
31:21I'm in this world for the first time.
31:23I eat a lot of things at various locations.
31:28When I go to a restaurant, I don't eat.
31:32You don't eat what you want.
31:34I don't eat what I don't like.
31:37I just sit quietly.
31:40It's rude to eat what you can't eat.
31:44When I was young, I was told to eat.
31:49I don't like that face.
31:52It's rude.
31:54So I don't say anything.
31:56There was a strange time.
31:58I didn't like oysters.
32:03Mr. Iwao, who has a hard time eating every time in the food report.
32:07At one point, he decided to eat oysters at a fishing port.
32:11I go to a fishing port and eat freshly fried oysters.
32:17It's a situation where there are only two of us and we have to eat.
32:23I can't eat it, but I don't like it.
32:27When I put it in my mouth, I decided to say something like that.
32:33When I ate it, it was so delicious that I said,
32:37I can eat it.
32:42That's the truth.
32:44It was so delicious that I avoided it.
32:49I can eat it.
32:51I can't eat it.
32:54My dining table is a special island.
32:58Most of the food I eat comes out.
33:03It's a special island.
33:06There is a rule.
33:08Don't eat the fish that has a tail.
33:12The fish with a tail has a needle in it.
33:16A needle?
33:18The fish with a tail has a needle in it.
33:20When I cook, my mother cuts the fish with a needle in it and cooks it.
33:25Does it have a needle in it?
33:28The fish with a needle in it is easy to understand.
33:32Adults can avoid it.
33:34That's right.
33:36It's a special island.
33:38The fish with a needle in it comes out.
33:40The fish with a needle in it comes out.
33:42The fish with a needle in it has a needle in it.
33:44That's scary.
33:46It's easy to cut the fish with a needle in it.
33:48But it's hard to cut the fish with a needle in it.
33:50Don't eat the fish with a needle in it.
33:52What is that?
33:54Most of the fish in the city has no organs.
33:57When I was a child, I was eating fish with a needle in it.
34:08You were eating fish with a needle in it.
34:12You were eating fish with a needle in it.
34:16I had a stomachache.
34:18Sometimes funny things come out.
34:24Matumaru.
34:26I have a regret.
34:28Regret?
34:29I don't like being dominated by the title.
34:35Title?
34:37There are various titles such as talent, mystery creator, and Tokyo University.
34:42Is that a bad thing for Matumaru?
34:46When I first appeared on TV, I didn't know what Matsumaru was.
34:51I was just a signboard.
34:53I see.
34:55Everyone is smart.
34:57It's persuasive.
34:58At that time, I didn't think about anything.
35:00I was happy to be a mystery creator.
35:03When I created a company and a shop,
35:11I was told that it was difficult for Tokyo University students to create something.
35:19I was told that it was difficult for me.
35:24Tokyo University is a little far away.
35:27It's above the clouds.
35:29It's too high level.
35:31Now, I'm starting to close my group.
35:35I see.
35:36The title is important.
35:39The reason I decided to go to Tokyo University is because of the title.
35:46Did you want it at that time?
35:47No.
35:49No?
35:50I have an appointment with my mother.
35:52Appointment with your mother?
35:54What is the appointment with his mother?
35:59I see.
36:05The reason he decided to go to Tokyo University was not for the title.
36:09It was an appointment with his mother.
36:11What kind of appointment was it?
36:13All four of my siblings wanted their mother to go to Tokyo University.
36:18My mother was a very strict mother.
36:21But all of my siblings, Daigo, Keigo, and Reigo,
36:25all wanted to go to Tokyo University.
36:27Reigo was the last one to go to Tokyo University.
36:31My family was looking forward to it.
36:34I studied hard and went to Tokyo University.
36:37I see.
36:39You were bound by that.
36:41My mother and father were happy to go to Tokyo University.
36:46My siblings were happy, too.
36:48I was happy to meet everyone's expectations.
36:51When I decided to appear on TV, I was given the title of Tokyo University.
36:55I was able to appear on TV.
36:57If you were raised by your siblings,
37:04your mother must have thought,
37:06this is not good.
37:09I thought it was amazing to entrust Tokyo University to my last child.
37:15I was under a lot of pressure.
37:19I have a sad story.
37:21My mother passed away.
37:23It was written in my mother's last name.
37:26Really?
37:28When you went to Tokyo University, your mother was gone?
37:32Yes, she was gone.
37:34My mother passed away when I was in the second year of high school.
37:38Reigo was taking the exam.
37:40It was written that if I could live longer, I wanted to see Reigo go to Tokyo University.
37:45It was written that if I could live longer, I wanted to see Reigo go to Tokyo University.
37:49I saw it.
37:51I had to go at that moment.
37:54It's a little different from the usual taste of sake.
37:58It's okay.
38:01I can't talk without sake.
38:04I feel like I've seen it until season 7.
38:08I'm done.
38:10I'm done.
38:12Natsuna, what do you think?
38:15I think it's a role of an Asadora actress.
38:19I see.
38:21What is the difficulty of the role of an Asadora actress?
38:24I have to keep playing until I get to Daikichi.
38:27I have to keep playing until I get to Daikichi.
38:29What is Miyamari's strange obsession?
38:31What is Miyamari's strange obsession?
38:34I'm going to work now.
38:36It's so lame.
38:40Do you know if this is classical or jazz?
38:43If it's a trumpet, it's jazz.
38:51I don't want to be held by my authority.
38:54Can I give up my fortune at once?
38:58Fortune is like that.
39:00That's right.
39:01What is that?
39:03Miyamari has a particular obsession that he doesn't want to be held by his authority.
39:07What is his relationship with fortune?
39:11I don't want to be held by my authority at once.
39:15That's where I got to.
39:17Why do you have to decide what's good and bad?
39:21I went to a fortune teller to get my fortune told.
39:24Today is the day.
39:26I have to keep playing until I get to Daikichi.
39:30If you don't want to be controlled, you don't have to get your fortune told.
39:34You don't have to get it told.
39:36I don't care what happens in my life this year.
39:39I only care about my way of life.
39:41If I think I'm in Daikichi...
39:43You don't have to get it told every morning.
39:48You don't have to get it told every morning.
39:52You don't have to get it told every morning.
39:56What are you talking about?
39:58You don't have to get it told every morning.
39:59I don't want to be held by my authority.
40:01But I care about it more than anyone else.
40:05Miyama-san doesn't know if he wants to be held by his authority or not.
40:10He's going to try to get his fortune told.
40:13The movie will be released on February 7th.
40:22It's a pure love story.
40:25And...
40:27It's about a human...
40:30Why are you holding my authority?
40:33How about you, Natsuna-san?
40:36I want to be an Asadora actress.
40:40I see.
40:42Natsuna-san played a heroine in the movie in 2012.
40:46Since then, she's been suffering from Asadora.
40:50I'm often held by my authority.
40:56I don't know if you're being held by your authority.
40:59But I lost a lot of weight after playing Asadora.
41:04You didn't lose weight.
41:05You're a rare type.
41:06Yes, I'm a rare type.
41:07I couldn't accept Asadora as a national character.
41:11I see.
41:12As for me, I don't think there's a movie that can surpass Asadora.
41:20I see.
41:21So, Asadora won't come to Japan.
41:22That's right.
41:24Emon is too low.
41:27M-1 champion.
41:28That's right.
41:31It was a long time ago.
41:35It was 2003.
41:37After that, I appeared on a TV show in Tokyo.
41:39I was called the M-1 champion.
41:42It's been a year.
41:43It's been a year.
41:45That's right.
41:46I was called the M-1 champion.
41:47Even now, when I appear on a TV show,
41:51I'm called the M-1 champion.
41:55Don't you like it?
41:56There was a time when I didn't like it.
41:59I used to say,
42:00I won't be called the M-1 champion anymore.
42:03I used to say that,
42:04but I don't think so anymore.
42:06I see.
42:07I hope time will solve the problem.
42:10I agree.
42:11I don't think so.
42:12I don't think so.
42:13I don't think so.
42:14I'm doing both acting and being an artist.
42:20I'm an actor and an artist.
42:21It's different.
42:22In an interview, I was asked,
42:25you're an actor and an artist.
42:27You're living a two-way life, right?
42:31Why do you have the initiative?
42:35Again?
42:36What?
42:37What?
42:38What's with your initiative?
42:40What?
42:41I'm interviewing you,
42:42and you're talking about my initiative?
42:44I'm scared.
42:45You'll be asked that.
42:46Why do I have to be involved
42:47in your two-way life?
42:49I'll send you a Leroyero stamp.
42:51I'll end this.
42:52Exactly.
42:53Next week...
42:54Are you eating the snacks seriously?
42:57I'm eating Dorayaki.
42:59I'm eating two of them.
43:01Do you have a particular way of eating snacks?
43:04There's a shrine deep in the mountains.
43:07I'm scared of not going there.
43:10Have you ever washed your hands or washed your hair at the shrine?
43:13Tell me about that.
43:16We've got a one-man show on V-ber.
43:21The past show was on FOD.
43:23We've got a one-man show on FOD.
43:31Thank you for your hard work.
43:33How was it?
43:34I had a lot of heavy talk today.
43:38It was a different atmosphere than usual.
43:42I was a little numb.
43:45What did you think of the story?
43:48I learned a lot from it.
43:50Did you find anything interesting?
43:52I found a lot of interesting things.
43:54If you have a lot of likes and dislikes,
43:58you'll end up like Mr. Iwao.
44:01If you eat wild fish,
44:05you'll end up like Mr. Taigo.
44:08If you make a joke,
44:11you'll end up like Mr. Koto.
44:15But I thought it was interesting.
44:19I made a lot of jokes.
44:22I had a lot of likes and dislikes.
44:26I had to experience wild nature.
44:31You had to find the perfect balance.
44:33Yes, I had to find the perfect balance.
44:38Thank you for your hard work.
44:41Thank you for your hard work.
44:43How was it?
44:44I talked about things I wasn't going to talk about.
44:49But I was talking from my heart.
44:53I thought everyone had the same opinion.
44:56I thought everyone had a different opinion.
44:59It was interesting.
45:01It was good.
45:02How many times did I drink Japanese sake?
45:03I think I drank 5 or 6 times.
45:05You drank a lot.
45:06You drank a lot.
45:07Yes.
45:08It was amazing.
45:09I didn't know when I was drunk.
45:12When I realized, I was sober.
45:14I drank Japanese sake.
45:16It was fun.
45:17I thought I had to have a good talk.
45:27I didn't think there was a show where we could talk to each other.
45:32It's a show where you can talk to each other.
45:34That's right.
45:35That's right.
45:37I thought it was a good show.
45:40I was a little nervous.
45:42That's good.
45:43I was relaxed.
45:45I thought I'd talk about what I wanted to talk about.
45:48I thought it was a good show.
45:51Please invite me again.
45:55Thank you for your hard work.
45:56Thank you for your hard work.
45:58Thank you for your hard work.
45:59Thank you for your hard work.
46:00How was it?
46:01It was fun.
46:02I was relieved that I was able to finish the show well.
46:07How many times did you drink?
46:08I drank a lot.
46:10Can I say this?
46:12I couldn't stand the toilet for about 30 minutes.
46:16I was about to throw up.
46:20I thought I would be able to stop recording if I went to the toilet here.
46:28Mr. Goto and Mr. Daigo have been drinking for a long time.
46:33They told me that they would go to the toilet.
46:36I was in a hurry.
46:38But I couldn't go to the toilet.
46:40I was about to throw up.
46:42But I went to the toilet right away.
46:43He went to the toilet first.
46:45He stopped recording in the toilet.
46:47At that point, my position was a little lower.
46:50At this point.
46:51What happens at this point is that it's easier for me to hold the steering wheel.
46:55This is not good.
46:57I was really embarrassed.
46:59I'm glad to hear that.
47:01I'll be waiting for you.
47:05Thank you for your hard work.
47:07How was the show?
47:09Can I give you a simple impression?
47:11Yes.
47:13It's a TV show, so I think you'll edit the size well.
47:16I'll give you an honest impression.
47:18I thought you came to see Matsumaru's poison party.
47:21Yes.
47:23I'm sorry.
47:25I'm sorry for being honest.
47:28Are you tired?
47:30I'm very tired.
47:34I don't think I'll ever be this tired again.
47:39What did you think of the mayonnaise story?
47:41I was wondering why I said this in the middle of the show.
47:47Mayonnaise doesn't allow that.
47:50I think I'll be beaten on the Internet.
47:53This guy is very rude.
47:55If you talk about your favorite mayonnaise, you'll be beaten on the Internet.
48:02Thank you very much.
48:04You're welcome.
48:06I want you to pay attention to this.
48:09Please think about the reason why Kubota's alcohol level hasn't decreased.
48:16Wasn't it delicious?
48:18It was delicious, but...
48:20It was delicious, but...
48:23Thank you for the tea.
48:27The story of becoming a snack for sake.
48:40Do you like sake?
48:42It's delicious.
48:44I've been drinking it for two days.
48:46Is that so?
48:48What time did you drink it yesterday?
48:50I drank it around 3 o'clock.
48:52I had a private party.
48:54I drank it at the end of the party.
48:57Did you drink it just once?
48:58Yes, I drank it just once.
49:01Is it okay to record it?
49:05I think it's okay.
49:10I've been drinking with Daigo and Nobu for a long time.
49:15That's right.
49:17It's just that the camera is rolling.
49:21I think it's okay.
49:25Please enjoy it as if you were having a drink party.
49:38Cheers!
49:44It's delicious.
49:46How do you feel about this show?
49:48It's the second time.
49:50I appeared on the show for the first time about a year ago.
49:55I thought it would be interesting if I could appear on the show.
50:04Mr. Ono of DICE, who I worked with at that time, came into the studio drunk.
50:13He was drunk there, too.
50:16It was very interesting.
50:19I'm a little frustrated that he took it away.
50:26I hope I can talk to him more than last time.
50:33I don't think there are many people as good as Mr. Ono.
50:38I have a friend named Michiko Kichise.
50:45She is also a member of our show.
50:52As far as I know, they are.
50:56I hope you enjoy it as much as you can.
51:03I hope you enjoy it as much as you can.
51:11Cheers to today's wonderful encounter!
51:15Cheers!
51:23It's delicious!
51:25It's like a commercial.
51:30I thought I could do it.
51:32What does it mean?
51:35Cheers to today's wonderful encounter.
51:39I mean, cheers to you.
51:42You're pretty drunk.
51:44I'm going to drink a lot today.
51:49I thought you were drunk.
51:52I'm not drunk at all.
51:54I just want to have fun.
51:56I have wonderful members.
51:59I'm going to talk as much as I can and have a good time.
52:09Cheers!
52:15Cheers!
52:18This is the second time.
52:21How do you feel?
52:25Last time, I was nervous for the first time.
52:30I was thinking about what to say.
52:35But I had fun last time, so I didn't think about anything.
52:41I'm so drunk.
52:43I hope I can talk to you as much as I can.
52:47How did you feel when you left the house today?
52:51I thought it was a New Year's party today.
52:59The broadcast is in February.
53:01The recording is still in January, so I thought it was a New Year's party.
53:07I'm going to drink a lot.
53:09I'm looking forward to it.
53:10I'm looking forward to it.
53:14Cheers!
53:20It's delicious.
53:22It's good.
53:24It warms me up.
53:26I'm not that kind of person.
53:28Beer warms me up.
53:30You don't have to say anything.
53:32That's right.
53:34Don't say anything.
53:37How do you feel?
53:39I only thought about pee in the last 30 minutes.
53:47What kind of color is that?
53:49I don't want to think about it.
53:52I just want to pee.
53:54It's hard.
53:56It's a boring answer.
54:01I don't want to think about it.
54:04I want to pee.
54:06I'll take care of my pee.
54:08What is your enthusiasm?
54:10I'm a man of my word.
54:12I'm a man of my word.
54:14I'm a man of my word.
54:16I'm a man of my word.
54:18I'm a man of my word.
54:20I'm a man of my word.
54:29Do you eat sweets seriously?
54:31I eat two macarons.
54:33What do you do when you eat sweets?
54:36I'm afraid not to go there.
54:39Have you ever peed or peed at a shrine?