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00:00Today we have a special edition of Achikochi Odori!
00:03Happy New Year!
00:06Happy New Year!
00:07Happy New Year!
00:10It's a good luck joke.
00:11Happy New Year.
00:13It's a good year.
00:14It's a good year.
00:16It's been about 52 minutes since we started in 2025.
00:21It's been about 52 minutes since we started in 2025.
00:22It's us again, TV Tokyo.
00:25It's us again, TV Tokyo.
00:28It's like we're doing it for real.
00:30No, no, it's been about 3 years.
00:33Yeah, it's been about 3 years.
00:35TV Tokyo's New Year's Eve is up to us and that Inogashira Gorou.
00:41It's up to us and that Inogashira Gorou.
00:43We can do it in real time, in a video.
00:47We can do it in real time, in a video.
00:48We can't talk much.
00:50We can't talk much.
00:52Of course we'll do it.
00:55I'm looking forward to it.
00:57We received so many requests for this radio.
01:05We even prepared AK Racing's channel.
01:08We even prepared AK Racing's channel.
01:10We're going to broadcast it here.
01:12I don't think we need to go this far.
01:14I don't think we need to go this far.
01:15We'll do it in detail.
01:18Shall we go?
01:19Let's go.
01:21It's time for the No Cut Talk Special!
01:29It's 12 minutes and 53 seconds.
01:31Real-time.
01:32We'll do it in real-time.
01:33Yes, yes, yes.
01:34Last year ended in a blink of an eye.
01:36That's right.
01:38It's been a little over an hour.
01:40That's right.
01:41Can you hurry up and invite me?
01:42I can talk to you every week.
01:44There are people who can't talk every week.
01:47That's true.
01:48I don't mind if you do it slowly.
01:52It's New Year's.
01:53Hurry up and invite me.
01:54Let's do it slowly.
01:55It's Valentine's Day.
01:56Let's do it.
01:57Yes, yes, yes.
01:58The first guest of the week is...
02:00It's a No Cut Talk that can't be edited.
02:03These two trusted people came.
02:07Mr. Ijuin.
02:08And Mr. Panser.
02:09It's Mukai!
02:11I'm here!
02:12Congratulations!
02:13Congratulations!
02:14Congratulations!
02:15Congratulations!
02:16You two are trusted people.
02:18No, no, no.
02:19There's no doubt about it.
02:21I'm so happy.
02:22Thank you very much.
02:23I noticed this on the way last time.
02:25We don't benefit from this method at all.
02:29The staff is told not to edit it.
02:33It's quite beneficial.
02:34But we don't know what to do if we accidentally talk.
02:37There are a lot of tests that follow.
02:39It just flows as it is.
02:41Yes, yes, yes.
02:42We have a risk.
02:43Unexpectedly, the manager was very careful.
02:46Mr. Ijuin's manager is strict, isn't he?
02:49He's strict.
02:50He's a mysterious Audrey fan.
02:53He's a manager who doesn't know what's going on.
02:55He even bought me some goods.
02:56It's okay if you buy me some goods.
02:58At first, I was in charge of listening to the radio.
03:02I was the last woman in my 20s.
03:06I was listening to the people around me.
03:07From her point of view, she was like an enemy.
03:11I fell in love with Audrey and Haraichi.
03:13She asked me to write a story because she wanted a novelty.
03:17I don't know why.
03:19I don't want to get it from the industry.
03:22That's amazing.
03:23Maybe I'll write a story with a mysterious pen name.
03:27Maybe that day will come.
03:29What do you mean?
03:30On the radio, Mr. Ijuin and Mr. Mukai.
03:34I don't think they have much in common.
03:38That's right.
03:40I feel like I'm watching a video that I like on the radio.
03:46That's right.
03:48I'm glad to hear that.
03:51Honestly, it's a radio dream.
03:53It's a dream.
03:54It's like a relationship.
03:56You said it yourself.
03:59I'm glad to hear that.
04:01I'm glad to hear that.
04:04It's like a dream.
04:05Mr. Ijuin and I.
04:08At the beginning of the morning radio, we greeted each other.
04:14After that, when I decided to be the MC,
04:21I saw the script and Mr. Ijuin's name was on the panel.
04:25I asked him if I could be on the show.
04:28He said yes.
04:31I'm glad to hear that.
04:33I was nervous.
04:35At that time.
04:36This time, too.
04:38I'm a careful man.
04:39And I was the one who was most careful with my manager.
04:42My morning show ended with a lot of things.
04:45It ended with a lot of things.
04:47I couldn't make it clear.
04:49When everyone was wondering why it was over,
04:52I accepted it.
04:53I accepted it.
04:55The people around me somehow...
04:58This is a trend on the radio.
05:00I'm glad you said you wanted to hear my story.
05:03I'm glad you said you wanted to hear my story.
05:05It's because I've been in there.
05:07It's a completely different story.
05:09But from my perspective,
05:11When I talked to Mr. Mukai,
05:13I thought it was strange that he didn't accept it.
05:16I asked him what he thought about the best time of the morning.
05:24I asked him what he thought about the best time of the morning.
05:28Even when we passed each other, he was a little fast.
05:31Even now, I don't know.
05:34It's not my head. It's my body.
05:36So, right after that,
05:39When Mr. Mukai came to the show,
05:41I said,
05:42If it's Mr. Mukai, I'll accept it.
05:44If you don't say it, it'll feel weird.
05:47If you don't say it today,
05:49I don't know how long Mr. Mukai can go.
05:52I don't know how long Mr. Mukai can go.
05:55I thought it would start with a numbing job.
05:58But I'm really happy.
06:00I'm glad I had this opportunity.
06:02I didn't know, but a great person from TBS came.
06:05I didn't know, but a great person from TBS came.
06:08I saw him twice.
06:10I saw him twice.
06:12I came to see him properly.
06:14I'm sure you're curious.
06:16I'm sure you're curious.
06:18We were in the same room as Mr. Inoue.
06:20We were in the same room as Mr. Inoue.
06:22We were in the same room as Mr. Inoue.
06:24What about you, Mr. Nagai?
06:26What about you, Mr. Nagai?
06:27I used to live in Nagoya.
06:30I used to live in Nagoya.
06:33I used to live in Nagoya.
06:35Nagoya's radio is unique.
06:39Nagoya's radio is unique.
06:42I couldn't hear it in Nagoya.
06:45I couldn't hear it in Nagoya.
06:47I didn't have a radio when I came to Nagoya.
06:50I was surprised when I came to Tokyo.
06:53That's when I heard it.
06:55I was surprised when I heard it.
06:58I was surprised when I heard it.
07:01I was surprised when I heard it.
07:04I've been listening to it for years.
07:13How many programs have you been on?
07:16How many programs have you been on?
07:19It's a short program.
07:21It's a very short program with 10 minutes of daytime and 30 minutes of nighttime.
07:25And then there's a different program at night on TBS.
07:30And actually, there's a program on NHK as well.
07:33So if you divide up the numbers, it's 11 or 12 per week.
07:3711 per week?
07:38Yes, and the other day, around 1am on Saturday,
07:43Mr. Ijuin was suddenly walking down a dark corridor in Nippon Koso.
07:48And he said,
07:49Mr. Ijuin, what are you doing here at this hour?
07:52I thought you were here to read the story mail.
07:57I don't know what you're talking about.
07:58It's 1am.
07:59It's 1am.
08:00It's more convenient to read the mail than the story mail.
08:04It's more convenient.
08:05But there's a personal information protection law.
08:09And the servers at Nippon Koso are too strict.
08:14We haven't been able to deal with one of them.
08:17So we can only read the mail at Nippon Koso.
08:21We can't read it unless we go there.
08:23So we have to read all the mail we receive every month.
08:28That's a lot of time.
08:29We have to read all of it.
08:32All the mail we receive.
08:34Up until now, I and Mr. Naitsu have been fighting over how many to read.
08:42But there's no sound.
08:44The sound is the only reason we're here.
08:51We have to ask the agency to add one more.
08:55That's what they're saying.
08:56But what I've noticed recently is that
09:00just because the radio is called a radio,
09:03everyone's style is so different.
09:07For example, if an idol is tired and falls asleep during a talk,
09:11that's an interesting radio.
09:13But if it's a one-person talk radio,
09:15or a two-person talk radio,
09:17it's completely different.
09:19It's completely different.
09:20So each one is so different.
09:23And everyone uses the word, particularity, in a good way.
09:27I want to choose the mail that I receive the most.
09:32That's my particularity.
09:33If you look at the dictionary,
09:36it says,
09:37It's like you're obsessing over something you don't care about.
09:42It's a negative image.
09:43So it's not a positive image.
09:45If I want to do something,
09:50I want to read all of my mails.
09:52That's my particularity.
09:54That's a lot of time.
09:56It's thousands of mails.
09:58If I choose all of them,
10:00especially during the day,
10:03I don't know why,
10:05I don't know what's interesting,
10:07but there's something interesting.
10:11The other day,
10:13what was it?
10:15It was about pinch hitters.
10:18I don't know much about baseball,
10:20but when Kiyomiya hit a hit,
10:23he went straight to the first base.
10:25And then,
10:26as the game went on,
10:27there were times when the batter was a regular.
10:30That was a normal mail.
10:32But from the middle,
10:34when my parents passed away,
10:37the person who took care of me
10:40became my mother.
10:44It changed.
10:46And then,
10:47suddenly,
10:48Kiyomiya told me to do my best.
10:50This is probably...
10:53Depending on your taste,
10:54you can't do it.
10:55There's a lot of pinch hitters.
10:57There are.
10:58You get numb.
10:59You get numb here.
11:00There are cases like that.
11:02It's true,
11:04but you get numb.
11:06You can't choose.
11:07There's something interesting.
11:10Even for me,
11:11I have a lot of time,
11:12and I want to read a lot,
11:13so I try to cut this part,
11:14or leave this part.
11:16I do a little correction,
11:19but the correction doesn't end.
11:23I feel like I'm throwing away that kind of thing.
11:26If you leave it to me,
11:27there are times when it doesn't come to you.
11:28That's right.
11:29On the other hand,
11:30there are people who are good at leaving it to others.
11:32If you don't leave it to others,
11:34you're great,
11:35but you really don't have a heart.
11:39It's so interesting
11:40that I can't use my back.
11:42I can't stop stretching my back.
11:44Do you leave it to others?
11:46It depends on the program,
11:48but I want to do it myself.
11:52And then,
11:53there's a guy who's desperately injured.
11:56That's right.
11:58He's not in a bad mood,
12:00but he suddenly hits me in the end.
12:03That's right.
12:04That's why he's a good guy.
12:06He's a really good guy.
12:07He's a good guy.
12:10I like talking about radio.
12:13I don't.
12:14Let's look back on the year
12:16and listen to the news that came to us in 2024.
12:22Is there any news that came to you?
12:25There's a list of them.
12:27How about you, Mukai?
12:28What's the news that came to you in 2024?
12:30Wakabayashi-san is the judge of M-1.
12:35Is that so?
12:36That's really annoying.
12:39Where did you hear that?
12:41He said,
12:42Hey, Wakabayashi-san!
12:43No, it's not that.
12:44Last year,
12:46I said I was ready to do it.
12:49He said,
12:50I don't think I can do it.
12:52I've never heard of it.
12:53He said that he didn't have the confidence to judge on various media.
13:01To be honest, at this point in time,
13:04the actual show hasn't ended yet.
13:07I thought he was going to ask me about that.
13:10I don't think he'll ask me about All Night Nippon.
13:14He'll ask you.
13:15He'll ask you.
13:16What do you mean, he'll ask you?
13:17I don't think he'll ask you.
13:18Ask him this week.
13:20As Mikai-kun and I said,
13:23the staff said,
13:24I don't think he's a good person.
13:26What's that?
13:28That's where it's at.
13:29It's not like we're talking to each other.
13:32We're already in the embarrassing zone.
13:34I see.
13:35We're serious.
13:36I understand.
13:37That's right.
13:38That's why I dared to say it.
13:41How did you feel about the change?
13:45Of course, at first,
13:47I didn't intend to do it.
13:49There are a lot of people I respect.
13:52There are a lot of people I don't judge.
13:53Like Ota-san.
13:54Like Takeshi-san.
13:56I don't think Kin-chan would do it either.
13:58At first, I didn't want to do it.
14:02But as I get older,
14:06there are a lot of jobs that come to me.
14:09A lot?
14:10There are a lot of jobs that come to me.
14:13What kind of jobs?
14:14If I were to rank the entertainers who are currently working because of M-1,
14:23I think we're at the top of the entertainers who would have been in trouble if it weren't for M-1.
14:27Life has changed.
14:28If I missed 2008 there,
14:30I think it would have been Machine Guns.
14:35In that world line?
14:38Machine Guns is amazing.
14:41I thought I wouldn't be able to appear on TV,
14:44so I thought it wouldn't be good to run away from it.
14:48When I entered the company, my way of thinking changed.
14:51I was worried about it for about a month.
14:54It's been a month since it's been tough.
14:55To be honest, there's no such thing as virtue.
14:59There's no virtue.
15:00It's because we're in an era where judges are being judged.
15:05A lot of things are said.
15:08Of course.
15:10From the announcement to the internet,
15:13I think it's all about work until I get beaten up for three days.
15:18You're still in the middle of it.
15:20I'm prepared.
15:21The difficult thing is,
15:22you're the one who made a name for yourself in M-1,
15:25but the style you made a name for yourself in M-1 is the same as this.
15:30What's this?
15:31It's the same as this.
15:33It's the same as this.
15:34This and that.
15:35Isn't it difficult as a standard?
15:37No, it's not.
15:38I've never seen a perfect score.
15:42But this time, there are nine people.
15:47I've heard that there are nine people,
15:49so I thought it would be nice to have a variety of angles.
15:52The angle of the Tokyo Shopeb.
15:54The angle of the Tokyo Kasuga.
15:57Do you know the agency called KS STAGE?
16:01That's what I thought.
16:03If it's 9-1, I'll do it honestly.
16:07I've never done that kind of thing in the M-1 class.
16:11There are people who don't exist among the people who were asked to do it at first.
16:15There are all the members who really exist.
16:19When I was asked to do a corner with Mr. Sakuma,
16:25I was so nervous that I didn't even want to do it.
16:32If that person is also accepting the big flow,
16:36do you want to do it too?
16:37Yes, that's right.
16:38When I ask people who have decided,
16:42there are people like Doki, Ishida-kun, and Hanai-kun.
16:46I don't know about myself,
16:48but I don't know if that's how they see it.
16:52But I have experience in the M-1 class.
16:55Do you consult someone?
16:57I can't do that.
16:58It will leak.
16:59I see.
17:01I did consult Kasuga,
17:04but I told him to go with all his heart.
17:07Basically, you told him to go with all his heart.
17:10That's right.
17:11That's a pretty good thing to say.
17:13Did you consult him?
17:15You were so light-hearted that you consulted him?
17:19I didn't consult him.
17:21I didn't consult him.
17:22I didn't consult him.
17:23That's right.
17:24You were pushed by the dummy Kasuga.
17:28That's right.
17:29You lied in front of the radio station.
17:32I lied.
17:33I didn't consult him.
17:35Of course, there are times when it shouldn't leak.
17:39But I think it's a little...
17:42Wakabayashi-san has a strong love for the agency.
17:46Yes, yes, yes.
17:47That's why he goes to the same agency as Yarenji,
17:49Tom Brown, and so on.
17:51Every year, K-Dash announces who is going.
17:55When M-1 was announced in 2024,
17:59I didn't say a word about Yarenji or Tom Brown.
18:05Wakabayashi-san will be found out.
18:08Don't say it.
18:10I see.
18:12I was wondering if there was something.
18:14Did you feel uncomfortable there?
18:16There were two people from K-Dash.
18:18That's amazing.
18:19I didn't think this would happen.
18:21Even if you put it in your heart,
18:23it's spicy and sweet.
18:26Everyone says that.
18:28I thought it was a job.
18:31There are many people from Yoshimoto every year.
18:36I thought there were two people from K-Dash.
18:38That's amazing.
18:39This is a pretty winning candidate.
18:42That's right.
18:43It's possible that there are two people from K-Dash.
18:45That's right.
18:47I thought it would be a big problem.
18:51But Yoshimoto's people are like that every year.
18:54That's right.
18:56Yoshimoto's judges are Yoshimoto's candidates.
19:00I think it's okay.
19:03I talked about M-1 on the radio.
19:08When did M-1's judges become so full of people?
19:13At first, there were two judges.
19:15There was Shoji Koukami.
19:17There was also a male judge.
19:19There was also Mr. Aoshima.
19:21The male judge is a unique person.
19:24I put it in my heart, but it's a joke.
19:26I was angry.
19:28I've been on M-1.
19:31And the people who became M-1's judges
19:34I thought it was okay for everyone to be judges.
19:37It's very special.
19:39That kind of culture will not be destroyed.
19:42The people who are watching, the people who are judging, and the people who are on the show.
19:48I'm glad I met Tendon again.
19:55That's what it's going to be.
19:57This is a competition-style manzai.
19:59I want to see a big laugh as soon as possible.
20:03It's getting bigger and bigger.
20:05It will be destroyed.
20:09It's a 100-question analysis.
20:11It's a 100-question analysis.
20:13Manzai is in a high position in all entertainment.
20:17It's just funny.
20:21I think the people who are acting are compact.
20:25I think it's good.
20:27I think it's good.
20:29I think it's good.
20:31I think it's good.
20:34A lot of fans are watching.
20:37I don't have a good tendency.
20:40I'm getting less and less interested.
20:43I'm getting less and less interested.
20:45It's really interesting.
20:47The most interesting thing about W was that Hintaro was so caught that he slipped.
20:54The most interesting thing about W was that Hintaro was so caught that he slipped.
20:56It was the best.
20:58It was the best.
21:00It's absolutely desperate, but it's still broken.
21:05I want to see that feeling.
21:08I want to see that feeling.
21:13I want to see that feeling.
21:16I'm definitely in the top of the Hintaro 1 Grand Prix.
21:23I thought the best way for M-1 was to decide the best way to act, but it was too strict.
21:31I thought the best way for M-1 was to decide the best way to act, but it was too strict.
21:33I think I'm being educated.
21:39I'm taking years to talk about how I used to do it.
21:45I know why there are those people.
21:47It's not about the technicalities of the manzai,
21:50but the size of the human body,
21:53the super-size,
21:54and you, Jun-san,
21:56you saw the size of the belly of a man, right?
22:01Yes, I saw the size of a man I'd never seen before.
22:04You could see the explosive size of that man.
22:08That's a good thing, isn't it?
22:11If you look at the diversity,
22:14comedians don't like to be judged by others.
22:20That's true.
22:22Comedians have a lot of pride in their manzai.
22:31I have something to say about that.
22:37Wait a minute.
22:38I don't want to hear this in front of the judges.
22:43It's the end of the year, and it's the beginning of the new year.
22:48It's the beginning of the new year,
22:52but please tell me to go to Wakabayashi.
22:55I'm begging you.
23:00I want to see the judge of Wakabayashi.
23:03That's a good idea.
23:06I think it's a great idea to be prepared for the big flow.
23:11The higher you get, the harder you have to work.
23:16I don't think it's going to be fun if you don't go to Wakabayashi.
23:26That's right.
23:28It's the worst thing I've ever done.
23:31That's right.
23:34I've done it before, but I don't like it.
23:40I don't want to go to Wakabayashi, but I think it's a good idea to work with two people.
23:48But if you go to Wakabayashi, something will happen.
23:54That's right.
23:58Do you have anything to say?
24:01There are so many entertainers.
24:07The range of entertainment is so wide.
24:09MC, commentator, actor, singer.
24:15The range of entertainers is so wide.
24:24That's why people are sensitive to calling themselves entertainers.
24:30Some people say they are entertainers if they are doing entertainment.
24:34Some people say they are entertainers even if they are not doing entertainment.
24:40I'm not a judge.
24:47I don't know what to call myself.
24:51Some people say they are entertainers if they are doing entertainment.
25:00Do you feel that way?
25:02I do.
25:03But when I see a barbecue entertainer, I don't feel like I'm an entertainer.
25:11I feel like I'm an entertainer for a moment.
25:16That's why I feel like I'm an entertainer for a moment.
25:21What do you call an entertainer?
25:24What do you call an entertainer?
25:28The worst thing is...
25:30I'm an entertainer.
25:36I don't want to lose.
25:38I brought a Chinese man who was the representative of the under-15s.
25:45I'm going to teach him a lesson.
25:48I'm going to make him an entertainer.
25:50I'm going to make him an entertainer.
25:55I understand it the best.
25:57I quit rakugo and became a radio DJ.
26:01If there is no one who is doing entertainment,
26:06I'm an entertainer.
26:08I'm an entertainer.
26:10I'm an entertainer.
26:11I'm an entertainer.
26:12I'm an entertainer.
26:13I'm an entertainer.
26:14I'm an entertainer.
26:15I'm an entertainer.
26:16I'm an entertainer.
26:17I'm an entertainer.
26:18I'm an entertainer.
26:19I'm an entertainer.
26:20I'm an entertainer.
26:21I'm an entertainer.
26:22I'm an entertainer.
26:23I'm an entertainer.
26:24I'm an entertainer.
26:25I'm an entertainer.
26:26I'm an entertainer.
26:27I'm an entertainer.
26:28I'm an entertainer.
26:29I'm an entertainer.
26:30I'm an entertainer.
26:31I'm an entertainer.
26:32I'm an entertainer.
26:33I'm an entertainer.
26:34I'm an entertainer.
26:36You're right.
26:37When you film content for that you do it in a different way.
26:38When you film content for that you do it in a different way.
26:39They're doing it in another way.
26:40Like other entertainers...
26:42We all did it in another way.
26:44So it's a lot funnier when people sing opera in that style.
26:46When people sing opera in that style.
26:48It's hilarious.
26:50You know how I'm weird?
26:52I shouldn't make my voice clear
26:53If someone pasture and
26:56That's normal.
26:57not envs
26:59It's normal.
27:02What?
27:03Also, in the past, no one would say anything to you when you were singing, right?
27:09What would you do?
27:11Would you write a job description?
27:13If you were to say something?
27:15Well, for now...
27:17As an entertainer, I stand on stage once a month.
27:21This is the limit.
27:24You're on stage all the time.
27:26But when it comes to making new content,
27:30I do it by myself every month.
27:32How many new content do I make in a year?
27:35I think it depends on the situation.
27:38But when we say it,
27:40when we say something like that,
27:42it's really passionate.
27:43I'm standing on a board, so it's nothing.
27:45It's a game on a board.
27:46If you're not strong on a board, don't say you're an entertainer.
27:49The Yoshimoto Onii-sans have gotten really round.
27:53Really.
27:54Oh, you don't do it anymore?
27:55On the board.
27:57I think you're doing a very round information program.
28:04That's right.
28:06That's right.
28:07The fans will say that, too.
28:10The fans are passionate right now.
28:13They'll say, you're not an entertainer, you're a TV talent.
28:18It's important to see if you can do it yourself.
28:21It's a mental exercise.
28:23I think everyone has been embarrassed to say it or not.
28:28At that time, the words you say start to come out.
28:32It's my job for everyone to decide.
28:37I'm an immigrant.
28:39There's no other genre.
28:43It's really lame.
28:45It's not something to say.
28:46I'm probably doing everything.
28:49I'm sure everyone is embarrassed to say it or not.
28:53Even if it's a variety show, people who are very strong say they're entertainers.
29:02Like Kasuga.
29:03Kasuga is an entertainer.
29:04Like an entertainer.
29:06It's kind of unfair.
29:08What's unfair?
29:10Isn't it unfair?
29:12Kasuga and I have a lot of fun.
29:15Kasuga just came in.
29:19There's a difference here, too.
29:21I don't want to do something like a compliment.
29:25I had a job at NHK the other day.
29:28Today's host is a program called Odori Wakabayashi.
29:31I was invited to a meeting of the town's fishing association.
29:36When I entered the cosmetics company, I was surprised to see the reaction.
29:42I'll show you the before and after.
29:45People who are gay are entertainers.
29:48I'm not saying this in front of you.
29:51I think it's because Mukai, who was the host of the episode, can change the atmosphere like Onmyoji.
30:02I think he's a gay person.
30:04But I don't think the general public can understand that.
30:09That's what I'm worried about.
30:12I'm sure there are a lot of people who wake up late and want to know about us.
30:20I've given up, but I think everyone is talking too much behind my back.
30:26If this is really a gay thing, it's supposed to be a gay thing, including the part that no one notices.
30:33We feel like we're not doing anything.
30:41I think I have a habit of saying it.
30:44If he says it, I'll do more.
30:49It's stimulating.
30:51The viewers want to hear it, and they can understand it.
30:57If you're talking behind my back, it's not behind my back anymore.
31:02You're talking behind my back.
31:05I don't think the general public can understand that.
31:09Is there anything you're worried about in 2020?
31:13I'm worried about Uwa's disappearance.
31:17I don't know what you're talking about, but I'm worried about Uwa's disappearance.
31:24When Uwa came out, there was something.
31:30I told him that the world couldn't forgive him for being like Fuwacha.
31:36I told him that if he denies Fuwacha, he'll be a homeless person.
31:40People were very rebellious.
31:43After that, when I happened to hear Fuwacha's radio, I thought,
31:47This kid is funny.
31:49It doesn't matter if I like it or not.
31:53I'm sure there are people who are encouraged by his unusual behavior and his unusual brightness.
32:01He was doing his best.
32:03One day, something happened.
32:05If it's a bad thing, it's okay.
32:07I don't care if everyone gets angry.
32:09But I thought there were a lot of people who wanted to forgive Fuwacha.
32:13Especially when I was talking on the radio.
32:15I don't know, but it's a bad thing.
32:18There are some bad things, but I can't sleep without Fuwacha.
32:21I thought there were people like that.
32:23I didn't think it would end so beautifully.
32:27I was a little nervous.
32:30The world is now full of people who are very angry.
32:35He's angry because he's angry.
32:39And he's sensitive.
32:41And he's too popular.
32:44He gets a lot of responses from sponsors.
32:47I don't think it's a bad thing to be on the radio.
32:51That's scary.
32:53He's not judging based on the fact that he's angry.
32:59He's judging based on the fact that he didn't like it in the first place.
33:07I want to see him fall like Kaiji.
33:12I don't know if the person who fell will go up.
33:15It depends on how you feel.
33:18This person jumped into the pond.
33:20I have to rest a little more.
33:22I'm going back to the iron bone because I'm tired.
33:27What kind of route is that?
33:29I don't know that.
33:31If I notice it, I'll cross it again.
33:33I should have fallen.
33:35I don't know why I'm writing this.
33:37I'm tired.
33:38It depends on the person.
33:40It depends on the person.
33:42This is a middle-aged decision.
33:45I think I'm just writing what I've been thinking about.
33:56I think it's better to fix the number of counts and the influence.
34:03In the old days, when I wanted to see how much a postcard cost, I saw a postcard of a person who was very angry.
34:10I can't get it right away.
34:12I went to the post office in the middle of the night.
34:14I saw the postcard of a person who thought it was bad.
34:20I saw a postcard of a person who thought it was bad.
34:25I saw a postcard of a person who thought it was bad.
34:32I treated it like a postcard.
34:37I thought everyone was angry.
34:40I thought everyone was angry.
34:42I thought everyone was angry.
34:44I knew I was going to be fired.
34:49I knew it, but I was scared.
34:51I'm scared.
34:53I want you to stop it soon.
34:57It's been a few years.
35:00I don't know which one of us I'm going to take.
35:02I don't know which one of us I'm going to take.
35:04Takeshi changed it.
35:06Until then, no matter how much money I made, I was clearly discriminated against.
35:12I'm saying that, but it's what comedians say.
35:15My father has much less income than the comedians he earns.
35:23When I was in a position where I thought it was better than becoming a comedian, I was a little out of balance.
35:28It's a bad thing. Discrimination is a bad thing, but it's out of balance.
35:31But now I'm respected, I comment on politics, and if I want to run for election, I'll run.
35:38But I can't just stay as a good person being made fun of.
35:45I wonder what it's like to be ignored.
35:49It's really hard to do a live radio show.
35:53It's the most difficult.
35:55It's really hard.
35:57I thought, give me more money.
35:59It's so hard.
36:02It's like a sandstorm.
36:04It's not a piece of iron.
36:06I want more money.
36:08And I want you to make insurance.
36:10When you have something you can borrow.
36:13Radio insurance.
36:15It's a big risk.
36:17Radio shows are reflective.
36:19It reflects.
36:20There's also the physical condition of the day.
36:22I feel like I'm going to say something today.
36:25There are days when I have to be careful.
36:27I'm afraid of the fun day or the job in front of me.
36:31I'm afraid.
36:32I'm afraid to say it without realizing it.
36:34During the Olympics, Kitaguchi was so cute.
36:41I was very honored.
36:44I talked about this on my Nagoya radio show.
36:47It's a long story.
36:49Of course, it's not good.
36:52I talked about what I thought.
36:56I talked about what I thought.
37:00Only one part of the story was the article.
37:06I think so.
37:08I was criticized a lot when I was on the internet.
37:14I was criticized for being a big talker like you.
37:18I understand.
37:20I was criticized for being a comedian like you.
37:25I was angry and said I was stupid.
37:29What kind of system is that?
37:31I remembered it.
37:33I thought I didn't have to be angry.
37:39I was proud of myself.
37:42I years later, I was angry at you.
37:47I talked about it like that.
37:51It's better not to make a fool of yourself.
37:53Your trick is strange.
37:55Your trick is different from what I thought.
38:01It's so embarrassing.
38:04And all you'd ask is,
38:07do you know the level of food pollution?
38:11It's like a bunch of fish stuff.
38:12And then, you're told which direction your dishes go.
38:15He really puts a lot of risk into it.
38:22You know, the movie's getting ready at 1.32pm.
38:25It's about to end in another 20 minutes.
38:28When we call out,
38:29No, it's like, you guys talked about it.
38:31It's not your fault.
38:33It's not your fault.
38:34There are a lot of things that can't be digested at all.
38:38How about you, Mukai-kun? Is there any news you're curious about?
38:41I found out that Nakata-san of OriRadio was talking about a video on his YouTube channel that was about to become a middle-aged crisis.
38:51I was really surprised.
38:53Middle-aged crisis? What is it?
38:56It's kind of like a middle-aged crisis.
39:00I've been doing a lot of things, but the moment one thing comes true, I don't know what to do.
39:09It's like burning.
39:11It's kind of like a lethargic state.
39:15Nakata-san is going to talk about it.
39:19I've been a junior for a year, and I've been pretty close.
39:23If I say I'm going to Kouhaku, I'll go.
39:26If I say I'm going to 5 million people on YouTube, I'll go.
39:30I've been able to do everything, but I don't know what to do.
39:38But I kind of figured it out.
39:43You've got more experience.
39:45I like radio, too.
39:48I've been doing a lot of radio.
39:50When I was asked to do something like Obi in the morning, I was like, what should I do next?
40:01Did you all have that moment?
40:05I had a lot of experience.
40:08There's no one who can teach me how to get out of it.
40:14There are a lot of people in this industry who are motivated, so they leave.
40:19I don't reach out to anyone who's in a middle-aged crisis.
40:24Everyone is motivated.
40:26I can't stay there.
40:29I've heard a lot of things.
40:31If you use the same part of the brain circuit for many years, you won't get excited.
40:40It's a fire.
40:42It's burning.
40:44If you work like a fire, you'll burn out.
40:47Kasuga is on TV like water.
40:51He's doing it like a fire.
40:54He's on TV like water is flowing.
40:57If you burn it, you'll run out.
41:01If you use it for many years, you'll use it for something else.
41:05Did you have that kind of timing in your career?
41:10I'm very detailed.
41:14I'm very detailed.
41:16I'm very excited.
41:18I've been repeating it all the time.
41:20I've burned everything out and quit.
41:24I've been doing it all the time.
41:32I think I'm used to it.
41:36Do you repeat it?
41:38No matter what you do, you'll come back later.
41:43I thought it would end.
41:45The biggest one was in the middle of the radio.
41:49It was in the middle of Odeka Night.
41:52At that time, I had to choose a word to edit.
41:57I didn't say much.
42:00I didn't say much because I didn't have an agency.
42:03I got into a lot of trouble.
42:05I got into a lot of trouble.
42:08I couldn't speak anything.
42:11I couldn't speak anything.
42:14I couldn't speak anything.
42:17A friend of mine bought me a toy microphone.
42:22He asked me what I was going to eat for dinner.
42:25I couldn't speak anything for a month.
42:31Wait a minute.
42:34This is a great story.
42:37What is this story?
42:39Is it like Ips?
42:42I don't know.
42:44It's like everyone is trying to make money with me.
42:50I'm thinking about it.
42:52If I make money, I can continue the radio.
42:55I can't deny it.
42:57I can't deny it.
43:00I've been doing it for three weeks.
43:02I've been doing it for three weeks.
43:05It seems that an illness can be healed.
43:12It seems that an illness can be healed.
43:18In my case, I saw the traffic light in front of the newsroom.
43:22In my case, I saw the traffic light in front of the newsroom.
43:26It's a genius.
43:29It's a genius.
43:33If I can experience that again, I think I'll be fine even if the waves come from below.
43:40Then the waves won't come.
43:44So you're saying you got over it?
43:46All of a sudden.
43:47All of a sudden.
43:48If you have a little bit of a hunch, I'd like to talk to you about it.
43:56I got over it about three weeks ago.
44:00First of all, no one told me how to get over it.
44:03Experienced people leave.
44:06I was surprised to hear about you, but no one told me.
44:11On the other hand, I didn't say much about it on the radio.
44:14Also, the energy, vitality, and strength of the people have always been in Golden.
44:21It's not glossy anymore.
44:23It's different.
44:25Three weeks ago, I thought everything was great.
44:30I thought it would be nice to go to New York.
44:33I've collected them now.
44:34Is there such a phase?
44:36I was picked up using the same salt as the European model.
44:40I'm surprised to find out that I have fun eating.
44:45All of a sudden?
44:46All of a sudden.
44:47I don't know what it is.
44:49As I said before, the two of you have a lot of energy.
44:54I'm sure when the aging starts, you'll be impressed that you're doing this at this age.
44:59People who have climbed Mt. Fuji so far,
45:03For example, when I was young, I went to Everest.
45:07I climbed Mt. Takao at this speed at the age of 55.
45:11It's going to be recognized by everyone.
45:13So, in that sense, if you have the conviction that you can get through,
45:18I think you can do it.
45:21That's what I think.
45:24Hey, are you pouring it like water?
45:26I'm not pouring it.
45:28I'm not pouring it.
45:30It's a water-type.
45:32It's a water-type.
45:34You think it'll disappear if you hit us, right?
45:37But this is the hope of Mr. Izumi.
45:42I've been dancing here and there for years.
45:45A few years ago, I said I'd open my earrings.
45:48Last year, I said I'd dye my hair blonde.
45:51Maybe that's what it was.
45:53I can't stand it anymore.
45:56It's like an electric shock.
45:58I dyed my hair blonde.
46:00It was stimulating.
46:03If this happens, I'm going to get a tattoo here this year.
46:07I didn't have one.
46:09But I think that's what it is.
46:13If you have one, you'll be able to get through that time.
46:18I want you to get a tattoo.
46:20Then you'll be able to say,
46:22I got a tattoo in the middle of the night.
46:25In the corner of the Hirazumi bookstore,
46:29there was a line of people who wanted to win in this society.
46:35I think that's why the number of people who think about it has increased.
46:45I think it has something to do with the radio.
46:48The radio industry has always been right-wing.
46:54So the flashy things in the past are gone with the radio.
46:57But on the contrary,
46:59Even if you come this far, you'll get an idea like this.
47:03But the radio industry is getting better and better.
47:07It's like, wow, I can do this again.
47:11There are people who listen to it freshly.
47:16You should just come back.
47:19That's right.
47:21While I was on TV,
47:23I thought it was a fun moment.
47:27It's a city legend special.
47:30It's an etude.
47:32It's a gag that overlaps with the city legend you're talking about.
47:36In a sense, it's a difficult way to use it.
47:40I've prepared something like this.
47:45I'm not going to tell you that.
47:47It was really fun to see how you lost.
47:52But if I do this to anyone else,
47:55I'm going to crush you.
47:58It's not going to be funny.
48:00I was so excited when I was doing that.
48:03I was wondering how you'd react.
48:05It was so much fun.
48:07I want you to come back with a normal face.
48:10I want you to come back with a face that says,
48:12I was called.
48:14It's funny again.
48:16I hope you don't forget.
48:19I talked to Mr. Nakata on the radio the other day.
48:23At that time, Mr. Nakata said,
48:25I want to make something with everyone now.
48:30There were a lot of things, but I'm sorry.
48:34That's the right thing to do.
48:36That's right.
48:38Mr. King Kong was on the radio early.
48:43I've done a lot, so I'll be back on YouTube.
48:47I'm going to be even more macho and come back.
48:51There are times when you have to take a fighting pose to get the top.
48:56I love Mr. Nakata now.
48:59I'm sure you can do it on TV.
49:01I'm sure you can do it on TV.
49:04I'm sure you can do it on TV.
49:07I'm sure you can do it on TV.
49:11It's funny.
49:13It's funny.
49:16I'm sure it's going to be a great martial arts show.
49:22I'm sure it's going to be a great martial arts show.
49:24I'm sure it's going to be a great martial arts show.
49:27I have only 10 minutes left.
49:30I want you to do it.
49:32It's like an opening talk.
49:34I want to settle with the first Hinoden window.
49:38I want to settle with the first Hinoden window.
49:40I don't want to take it to the end of my life.
49:43I don't want to take it to the end of my life.
49:46I want to settle with everyone.
49:50I don't have much time left.
49:52I don't have much time left.
49:54I want to settle with Mr. Ijuin.
49:57Is there a comedy that doesn't hurt everyone watching?
50:02Is there a comedy that doesn't hurt everyone watching?
50:09Which one is it?
50:13Which one is it?
50:15Please tell me the name of the work.
50:17There are people who give Chaplin to it.
50:21This guy is the most stupid.
50:25Chaplin is cruel.
50:29There is warmth and human nature in cruelty.
50:34Is there such a thing?
50:36In the United States, there are people who say that only weak people attack strong people.
50:45In the United States, there are people who say that only weak people attack strong people.
50:49It's worse than Japan.
50:52It's hard.
50:54It's hard.
50:57It's hard.
51:01Is there a moment when someone is hurt even if you don't say anything bad?
51:08Of course.
51:10It's a strange thing to say.
51:13For example, if someone who listens to my radio says,
51:17For example, if someone who listens to my radio says,
51:20If someone who listens to my radio says,
51:24I'm hurt.
51:26I'm hurt.
51:29I don't say that.
51:31I'm hurt.
51:33I think it's impossible not to be hurt.
51:37I think it's impossible not to be hurt.
51:40It's impossible.
51:42I think people who are just in a bad mood will be evaluated as not funny.
51:50I think people who are just in a bad mood will be evaluated as not funny.
51:54I imagine
52:00I imagine
52:02There is no word that is not suitable for all directions.
52:06I assume you don't have.
52:07by that reason
52:08I assume you don't have.
52:09I think it's better not to laugh.
52:11I think it's better not to laugh.
52:14I think it's better not to laugh.
52:17Right.
52:19Let's play with determination.
52:21Right.
52:22It's dangerous to think that you're the only one who doesn't get hurt.
52:26That's true.
52:28It's dangerous to think that you're the only one who doesn't get hurt.
52:34I'm always grateful for the teachers who reflect on their mistakes.
52:44If I, Yoshimura, or Sawabe go too far, the staff will correct us.
52:51That's a good point.
52:54Do you feel like you're going too far?
52:57Of course, I do.
52:59I respect and admire people who go too far.
53:05Some people continue to save by themselves.
53:09This is difficult, too.
53:12I know a little bit about the feeling that delicate people don't like it.
53:18But if you go too far, nothing will come of it.
53:23I don't like comedians who hurt others.
53:29I don't like comedians who hurt others.
53:34I don't like it.
53:36I don't like it.
53:38I want to be honest.
53:42We're running out of time, so let's move on to the next question.
53:49Next, we have a question for Mukai-kun.
53:52Do you have to work hard to learn how to make a face when you lose?
53:57I've been thinking about this for a long time.
54:00At an event, there was an event where five comedians competed to see who had the best reasoning.
54:07Kuro-chan, Nobuko-kun, and Yoshimura-san.
54:10I was in a position where my reasoning was a little fast.
54:20So we did a lot of reasoning for about two hours.
54:24At the end, there was a result announcement and a point.
54:28It was announced in order from 5th place.
54:305th place is Kuro-chan.
54:32Zero points.
54:34It's really funny.
54:36What have you been doing for the past two hours?
54:394th place is Mukai.
54:42What?
54:43When Mukai received 10 points, he said,
54:47Zaba-zaba-zaba-zaba!
54:50I see.
54:52It's like, is it OK to laugh?
54:54If I say, I'm not very good at it, it's fine.
54:58But is it pride or is it just a normal day?
55:02That's what you were doing.
55:04Even as a comedy, Kuro-chan is already doing the worst of the worst, you know, the crime scene.
55:09Then, as expected, Yoshimura-san said,
55:12I don't care if it's Mukai's 10, but Kuro-chan's 0 is crazy, right?
55:16He said that.
55:18He attacked Kuro-chan one more time and received it.
55:21At that time, I was like, what is this feeling of mine?
55:26Disgusting!
55:29Everyone, how do you feel about this kind of situation where you feel like you lost?
55:37It's difficult, isn't it?
55:39But for you, Kasuga-san, it doesn't matter.
55:42That's right. I'll do it for free for 2 hours.
55:46I'll hit all of them.
55:48I'll hit all of them, no matter what happens.
55:51No matter what happens?
55:52Even if I get 1st place, I'll be like, oh, that's amazing.
55:54Even if I get 0, I'll be like, oh, that's amazing.
55:56Even if it's half-hearted, I'll be like, oh, that's amazing.
56:01But for you two, if it's really not good, it won't be good.
56:07It's difficult from that point of view.
56:09Moreover, when you get older and your body is like this,
56:13it's really hard to say anything.
56:15Even now, when I really want to say something,
56:19I'll be like, you know,
56:21I'll be like, you know,
56:23I'll go down in knowledge.
56:25I'll be like this and sometimes do a kanji quiz.
56:28And in that kanji quiz,
56:30I'll say the absolute correct answer of what I absolutely want to say to the guest.
56:35I was doing that the other day.
56:37And at that time, everyone was like,
56:39Yeah, yeah, yeah, yeah, yeah.
56:41And I'll be like, I'm serious, I'm serious.
56:43If it's like this, it will be hard for me to say something.
56:45When I said that, he said,
56:47Well, I guess so.
56:49That's not something you should take in.
56:51I see.
56:53That's the ultimate defense.
56:55That's right.
56:57Akabayashi-kun, you're pretty good at that.
56:59There are times when you can do it right.
57:01I'm like the streetlight of the school revolution.
57:03If I go to a deserted island in this,
57:05I'm like that.
57:07All four themes are in fourth place.
57:11I don't do anything anymore.
57:13You can't say,
57:15I'm not scared at all.
57:17I know I can't take it.
57:19And self-defense,
57:21It didn't go well for 15 years.
57:23So I didn't do anything,
57:25I was in a daze.
57:27Is that the right answer?
57:29I don't know if it's the right answer.
57:31That's how it is.
57:33If you say you're good or bad, you'll find out.
57:35What you're not good at is...
57:37I was going to say one more thing.
57:39That sign is really
57:41It's already been 30 seconds.
57:43No, no, no, no.
57:44I'm sorry, guests.
57:46Can't we have a little more time?
57:49Next year, I'd like to ask for about two more hours.
57:52I'm sorry, but it's already over.
57:54I'm in the middle of it.
57:56I'm in the middle of it.
57:58It's 5 o'clock.
57:59It's the time when the loser doesn't do well.
58:02I look forward to working with you again this year.
58:04It's over.
58:06Next time, we're going to finish it.
58:09Thank you very much.
58:13I'd like to have a doll.
58:15I haven't done it at all.
58:18I haven't done anything.
58:19I didn't do it.
58:22I haven't done it.
58:24I'm going to attend a park in the summer.
58:28I'd like to go to the park for a walk.
58:29I'm going to see a jerk.
58:31You're really going to see one, aren't you?
58:33You're holding back your mouth.
58:34I don't know what to do.
58:36Kuro-chan, who has never been on a talk show, is in a frenzy.
58:39Furthermore,
58:40Look at the house over there and compare which is the upper Nakanishi.
58:44The flow of today's story is the most dangerous.
58:47What is the most dangerous action of Nakanishi that surpasses Kuro-chan?
58:50Reveal the truth!
58:52Unprecedented performance!
58:54Wait a minute!
58:55I haven't spoken at all.
58:57Only the scene where I appear is white.
59:01The shocking performance continues!
59:03Wait a minute!
59:04Aji Kochi No Dreamer is on TVER U-NEXT!