Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 169 Completo HD
Category
🎥
Short filmTranscript
00:00What if he wants me to give him a picture of me naked?
00:08For God's sake!
00:10This old man is more deaf than a stone.
00:15Holy Lord of Quinoa Park!
00:19Do you remember I told you that statistically one in every 10,000 people finds the true love of their life?
00:34Yes, I remember.
00:36I want to be that person.
00:44Do you diet?
00:46No.
00:47But full exercise?
00:48The usual.
00:49Oh, so you're a naturopath.
00:53My God, Cristobal. What have you done?
00:59What was that?
01:01That's my way of saying yes.
01:05That's it, González!
01:18And what did you tell me about Miss Macarena?
01:22After her marriage scandal?
01:24Good thing you keep an eye on Professor Xavi.
01:26I don't know if I can help it.
01:28What did you say?
01:29If it depends on me, Xavi Sanz won't be happy again.
01:33You are my sister.
01:35As a father and a mother.
01:37All that woman wanted was to take advantage of herself and get money from the old man.
01:43If you want, go visit her grave.
01:46Come on, pray for her.
01:49But the only good thing Laura Perez Chavez did...
01:53Nine, four.
01:55Twelve.
01:57Yes.
02:13Aha!
02:16What are you doing there?
02:18I brought clothes that I just ironed to keep in the closet.
02:23And why are you in the middle of the room?
02:26Because I got a message and I didn't know how to open it.
02:32At work hours, no messages are sent or received.
02:37Yes, Mr. Diego.
02:42Okay.
02:49Okay.
02:50Let's go.
03:10I have to put this on.
03:13Let's go.
03:14Yes!
03:16Hey, I get lost in this house.
03:18I think you should come.
03:19Yes.
03:20Great, fabulous, elegant, like a fairy tale.
03:25What are you doing?
03:26It's my business.
03:28I make pet clothes.
03:30Look.
03:31I can't believe it.
03:32How cute.
03:34Are you alone?
03:35With these little hands.
03:36Oh, I can't believe it.
03:38Hey, they're beautiful, they're cute.
03:41And how do they sell?
03:42Well, my clients are mostly wealthy people.
03:45But there are also people who gather their money
03:48to buy their clothes for their pets
03:50and have them fine and elegant with my designs.
03:52Yes.
03:53Your good taste is noticeable.
03:56See?
03:57Yes.
03:58You noticed.
03:59Of course.
04:00Look, my mom was a very fine and elegant woman.
04:02And well, I inherited her finesse and her elegance.
04:05If you had met her,
04:06I'm sure you would have become great friends.
04:08I'm sure I do.
04:11Hey, I'll leave you.
04:13I'll leave you with your wonderful creative entrepreneurship.
04:17It's important.
04:18Yes, that's right.
04:19I love it.
04:20It's in your house.
04:22Yes.
04:25It's true.
04:26I'm very fine.
04:30I'm very fine and elegant.
04:34How colorful.
04:36My God, I'm dizzy.
04:38I even wanted to have a headache.
04:41I'm very fine.
04:44Please.
04:47You're beautiful.
04:48What were you laughing at?
04:50Was I laughing?
04:51Yes.
04:52I don't know.
04:54It must be that I'm so happy to be in this house, dear,
04:58that I don't know.
04:59I laugh without realizing it.
05:01Oh, it's nice to hear that.
05:03Yes.
05:04We are a very welcoming family.
05:06And well, the facilities are very comfortable.
05:09It's difficult not to feel good here.
05:11Yes, very difficult.
05:14Oh, what are you going to prepare?
05:16I'm going to make a typical sweet from my land,
05:19a massamorra de manza.
05:21Always provocado, sweet, right?
05:23Yes.
05:24And doesn't Teresa help you?
05:26Yes, sometimes.
05:28But now I don't need her.
05:31It's just that I don't see her much in the kitchen, right?
05:35It's just that she doesn't like it very much.
05:39Although with Gaspar he learned to cook a rice with scrambled eggs.
05:47Excuse me, I have to get ready and wash everything.
05:50Excuse me.
05:56Rice with scrambled eggs.
05:58Oh, poor my prince of Guairona.
06:01No wonder he's so skinny and skinny.
06:06A photo of me with a can.
06:09A photo of me with a can.
06:11A photo of me with a can.
06:13No!
06:15What's wrong with Mr. Gil? Are you okay?
06:17No, nothing happens to me.
06:19But he has a terrible scream.
06:21Has he had a nightmare or something?
06:23I'm fine.
06:24But I find him nervous, agitated.
06:26Tell me, Mr. Gil.
06:27Suddenly I can help him.
06:30Look.
06:32I'm going to tell you something.
06:34But you have to swear to me that you are not going to tell anyone.
06:39I swear, Mr. Gil.
06:40By whom do you swear?
06:43I swear by my daughter Maripaz, whom I love with all my heart.
06:47You see?
06:48Well.
06:50I can't say it out loud.
06:54Come closer.
06:56Let's see.
06:57Gasparcito's mother
07:01has offered me a photograph of his face.
07:07It's not a joke.
07:09Sorry, sorry, sorry.
07:10Did he really say that?
07:13That's what I'm telling you.
07:17So Gaspar's mother is a slut?
07:20What low passions have I awakened in him?
07:26I love your hair.
07:27I was born blonde, blonde, super, super blonde.
07:29So much so that they almost give me the name Sol.
07:31But then, like that, when I was 15,
07:33I got to know it a little bit.
07:35And like I had it brown, clear, but very, very clear.
07:38But I don't know.
07:39Like I wasn't convinced.
07:40And I don't know.
07:41My friends recommended that I lighten it up a little more.
07:43And I did like Baby Lights.
07:44Vibes.
07:45I don't know.
07:46I don't know.
07:47I don't know.
07:48I don't know.
07:49And I did Baby Lights,
07:50I don't know.
07:51And now I have it as it is.
07:52What do you think?
07:53Beautiful, beautiful, beautiful.
07:54Yes, right?
07:55Oh, I see that you ate all the cookies that I made you.
07:58You loved them, right?
07:59I'll bring you more tomorrow.
08:02Did you do that?
08:04What?
08:05No, no, no.
08:06Are we weird?
08:07No.
08:08Well, as I was saying,
08:09he also loves these cookies that I make to him.
08:12The noise again.
08:14He, he, he, he touched me.
08:16You told me you had a lot of personal things to do.
08:19Don't worry.
08:20Who like you stops so busy all the time?
08:22I, on the other hand, almost never have anything important to do.
08:24Sorry, sorry.
08:25Don't worry.
08:27Bye.
08:29My sister-in-law is so beautiful.
08:31She has eaten all the cookies I made her.
08:34Cristobal will be very happy when he tells her how nice we were to him.
08:39And are you sure you didn't flirt with Jiro?
08:42What is that?
08:43I mean, you didn't flirt with Alas?
08:45What do you mean?
08:48I am a happily married man.
08:51And Gasparcito's mother is my concubine.
08:55What do you mean I'm going to flirt with her?
08:57Okay, okay.
08:58Don't get like that.
08:59I just want to rule out all the possibilities.
09:02Possibilities of what?
09:04You just say, and you say.
09:08Maybe he saw the bust that the diaper makes him and his aunt got excited.
09:12Like the aunt.
09:14What do you say, cacaseno?
09:15I mean, many of the problems that occur between people are misunderstood.
09:21And maybe you got a little garbage in your eye and started to wink at him.
09:24And the lady thought it was for her.
09:27I didn't get any garbage in my eye.
09:30Nor anywhere else.
09:33I don't know why I'm telling you these things.
09:36You just make me more nervous.
09:38Yeah, yeah.
09:39Calm down, calm down.
09:40So, all that remains is to think that the lady was fulminated by her irresistible sex appeal, Mr. Gil.
09:49Are you making fun of me?
09:51No, not at all.
09:52But if you say you didn't even wink at the lady and she didn't have any behavior that could confuse her,
09:58then everything is due to her irresistible attraction.
10:05And now what do I do?
10:10Oh my God.
10:15Those cookies fell badly.
10:18Oh, my stomach.
10:23Oh, what a bunch of nonsense Anastasia spoke.
10:27I don't understand how Cristobal can be with her without getting bored.
10:33Come in.
10:34Come in.
10:38Excuse me, Alessio, you forgot your cell phone downstairs.
10:40Oh, Coqui, thank you.
10:43Do you feel bad?
10:44Yes, yes, I got a bunch of cookies.
10:47Although the truth is, I don't know if it was that or it was all the insufferable blah, blah, blah of Anastasia.
10:53I don't understand how Cristobal can be with her.
10:56Tell her something, Coqui.
10:57And what am I going to tell her?
10:59That she is a frivolous, that she is a plastic doll.
11:02It does not correspond to me to get into Cristobal's life, Alessia.
11:05But he's not going to listen to me,
11:06especially now that he's upset with me for being Yuli's friend.
11:10Can I give you my opinion?
11:12Yes, of course.
11:13I think Cristobal is dating Anastasia while he forgets Yuli.
11:18With her he feels accompanied, he gets distracted,
11:22and he doesn't have to try hard to impress her.
11:24Well, I assure you that.
11:26But once he feels stronger, he will surely talk to her and end the relationship.
11:31But that's not fair.
11:33Life is not always fair.
11:36Excuse me.
11:41And what about you and Lola?
11:44What is it?
11:48Hey, hey, what happened, what happened, what happened, what was it?
11:50What happened here?
11:51Hey, how fast I see you!
11:53I don't know what movie this is.
11:55It's Go, Go, Go, The Love Song.
11:57There it is.
11:59Titania, Titania, Titania.
12:03The boat is sinking.
12:06Well, what happened is that I asked him to stay there with me and he accepted.
12:09Oh, oh, oh, did you like it there?
12:12No, bro, no, it's not called like that, but it's outdated.
12:14Declaring? Not either?
12:16It was tax declaration.
12:18Let's not talk about that because it bothers me.
12:20The thing is, they're already there.
12:22Yes, we're already skinny.
12:23Oh, oh, oh.
12:25Oh, bro, bro.
12:26At this time, we don't talk about bodies either.
12:28That's politically incorrect.
12:30These generations of today, what's missing?
12:32Hey, little brother.
12:33Here I was checking with Lola and ...
12:35There is no page in the workshop, right?
12:36Ah?
12:37What is that?
12:38Who is in charge of marketing?
12:40Someone does publications, promotions,
12:42who uploads the photos before and after the cars are ironed out in the workshop.
12:45What promotion do you say?
12:46Of course, bro.
12:47No one announces or not?
12:48I have an idea.
12:49What do you think if we take pictures or make a video to promote your workshop?
12:53Ah?
12:54Already?
12:55Come on, but super energetic, okay?
12:57Let's see, let's see, let's see.
12:58As if it were a scene.
12:59As if it were a scene.
13:00Look, turn down because it's like a scene.
13:03I'm driving, I'm driving.
13:04Let me go, let me go.
13:05We're in the car.
13:06I'm in charge.
13:08Hey, look to the right!
13:09There's a lot of traffic, be careful!
13:13Fuck!
13:14Crash the car!
13:15Where do I take him?
13:16To the workshop.
13:19And for the bumper cars?
13:20To the workshop.
13:21To the workshop.
13:22To the workshop.
13:23The lights?
13:24To the workshop.
13:25The launchers?
13:26To the workshop.
13:27Of the law.
13:29Oh, from the law to where?
13:30To the workshop.
13:32Ay, mi caro, ey, ey, ey!
13:35I take your car now, I take your car now, I take your car now, I take your car now!
13:41To where?
13:43To the workshop, of the law.
13:52I'm going to help Macarena find out everything about her biological mother.
13:58She's going to help me get valuable points with her.
14:06I'm going to come back through the big door.
14:13Like real bullfighters. Like Curro Romero.
14:22Ah.
14:52Mm-mm.
14:53Annie?
14:54Mm-mm-mm.
14:55Tasia?
14:56No.
14:57What am I to you?
14:59My princess.
15:00Oh, yes.
15:02Oh!
15:03What are you doing here?
15:04With the soap!
15:05Pablo Lucio is like crazy inside!
15:06Anastasia is leaving.
15:07Yes, yes, Anastasia.
15:08Bye!
15:09Don't hit the lamp, okay?
15:10Bye!
15:11Hey, this is your girl, right?
15:12Hey, you're going too far.
15:13But, Mrs. Lili.
15:14Pull her inside.
15:15She looks like an idiot.
15:16Pull her!
15:17Pull her!
15:18Hey, Cristobal.
15:19What's wrong?
15:20Enough, Mrs. Lili.
15:21I'm telling you that her stomach has loosened up.
15:22Alesia?
15:23Yes.
15:24She loosened up?
15:25Yes.
15:26Why?
15:27I don't know, but she talks like she's eaten.
15:28Oh, yes.
15:29She ate some cookies, she says.
15:30Some cookies?
15:31Yes.
15:32Ah!
15:33Hey, on top of that, Lili.
15:34Red, dude.
15:35I'm going, I'm going, I'm going.
15:36Stop it!
15:37I'm going.
15:38The sun is setting.
15:39I'm going to loosen up.
15:40Family!
15:41Family!
15:42Family!
15:43Come here!
15:44Come here!
15:45My divine beauty.
15:46My quantum beauty.
15:47You have something to tell us.
15:48What do you have to tell us, Junior?
15:49Tomorrow is the Riffa of the world.
15:50Tomorrow is the Riffa of the 75-inch TV.
15:51Yeah!
15:52I'm sure I'll win it.
15:53And why are you?
15:54Because my daughter brings me luck.
15:55My turtle also brings me luck.
15:56Well, I think I should win it, my divine treasure.
15:57Why do you think that, Mrs. Alicia?
15:58Well, because they just got married.
15:59And it would be a nice gift for them to have that TV in their room, right?
16:00Yes, yes, yes.
16:01And what for?
16:02They want a tremendous TV again.
16:03Yes.
16:04Yes.
16:05Yes.
16:06Yes.
16:07Yes.
16:08Yes.
16:09Yes.
16:10Yes.
16:11Yes.
16:12Yes.
16:13Yes.
16:14Yes.
16:15Yes.
16:16Yes.
16:17Yes.
16:18Yes.
16:19Yes.
16:20Yes.
16:21Yes.
16:22Yes.
16:23Yes.
16:24Yes.
16:25Nice.
16:26A TV.
16:27Yes, yes.
16:28A TV.
16:29A TV.
16:30Yes, yes.
16:31Yes, yes.
16:32Yes, yes.
16:33Yes, yes.
16:34Yes.
16:35Yes.
16:36Yes.
16:37A TV.
16:38So, do you want a TV to watch or to watch a newlywed couple?
16:39To play roblox.
16:40Yes, to play roblox.
16:41Alesia, do you feel well?
16:42Yes.
16:43Thank you, Miss.
16:44Oh!
16:45Good.
16:46Okay
17:00Mas pedidos no están en el postre
17:08Ale me contó Anastasia que estuvieron conversando
17:12Conversando eso te dijo
17:14Más bien fue un monólogo de frivolidades impresionantes
17:18¿Frivolidades?
17:20Ella me dijo que estaban tomando té y comiendo galletas de lo más bien
17:24Me tuve que atragantar las galletas para no responderle
17:27La verdad, ¿Qué crees que haces con esa hueca?
17:30A mà no me parece ninguna hueca y me parece una excelente persona
17:33Mira, sÃ, puede ser que sea buena gente, ¿ya?
17:36Pero es déspota, es tonta, clasista, la verdad que se jure de la realeza
17:41Y tú toda hipócrita sonriéndole mientras que no te caÃa
17:44Se apareció en mi cuarto con una canastita llena de galletas
17:47¿Qué querÃas que haga? Además lo hice por ti
17:49Muchas gracias hermanita, qué linda
17:53Además, no te hagas, tú sabÃas que yo iba a ir a buscarte
17:56Perdóname por querer que mi melliza y mi novia se lleven bien
18:00Para eso primero nosotros tendrÃamos que llevarnos bien
18:05Y eso lo veo cada vez más difÃcil
18:08Yo también
18:10Yo también
18:18Y antes de decirle tonta a mi novia
18:21Te voy a acordar que tú estuviste con el tontonazo de Jimmy González casi dos años
18:27Permiso
18:32Pero, ¿Qué les pasa a ustedes? ¿Por qué siguen peleando?
18:35Somos unos infelices señor Eli, eso es lo que pasa
18:38Los locos
18:40Los locos
18:51Estoy diciendo que le falta su mantenimiento
18:53SÃ, a él le toca, a él le toca GasparÃn
18:55Bueno ya, me voy a ver a mi esposita
18:58Y a tu viejita, qué chévere que las dos mujeres de tu vida se lleven tan bien
19:02Son cositas, son cositas
19:04Y tu viejita tiene carita asà de santa, ¿no?
19:06¿Sà o no?
19:07El demonio, debe haber sido tu viejo
19:10Don Leonidas Goyoneche, un señor de otra época
19:14Tú tuvieras llevado bien con él
19:15¿Qué? ¿Tocaba bien el cajón? ¿Mejor que tú?
19:17Era recontrabrado, le metÃa su tiki-tiki-tiki-tiki
19:20Y ahora se aprendiz
19:23¿Y tu viejita después de quedar viuda, nunca quiso...
19:28No sé, pero no...
19:29No
19:30Jamás, jamás
19:32Es que para mi viejita, no hay ni abrado otro hombre como mi padre
19:40¿Quiere que le regale una fotografÃa mÃa, calata?
19:44Calata, calata
20:05¿Ya qué hago pensando?
20:08¿Ya qué hago pensando en ese sonso?
20:11Todo lo que tuvimos en la pisoteo por estar con un par de huecas
20:15Ay, él cuando se dio cuenta, creo que se perdió
20:19¿Julie? ¿Qué tanto haces? ¿Te sientes mal?
20:23Cuenta con confianza
20:24Eh, hola, linda
20:25No, todo bien
20:26Solo estaba sorprendida de lo linda que está mi pelo
20:29Y lo hidratada que están las puntas
20:31¿No te imaginas lo rendedor que es mi champucito?
20:33¡Ah, qué bien!
20:35Lo vendemos en la bodeguita, ¿verdad?
20:37¡SÃ!
20:38¿Estás segura que no hay nada más que quieras contarme?
20:42Nada más
21:02Tranquilo, mi amor, tranquilo
21:05¿Qué pasó?
21:06Todo bien, todo va a estar bien
21:08Me dejó muy chiquito, ¿sabes?
21:10El mÃo también, ¿sabes? Pero resucitó
21:12No sé, es una cosa extraña
21:14Pero ahà está, yo siempre...
21:16¡Rubria!
21:18Joel
21:19¿Cómo estás? ¿Qué tal?
21:21Abotada
21:22Ah, mÃa
21:23Necesitaba pensar y...
21:25Y borré muchÃsimo
21:26¿Ah, s�
21:27¿Y por qué estás pensando tanto? ¿Qué pasó?
21:30Joel, fui al cementerio a ver la lápida de mi mamá
21:34Biológica, con Xavi
21:37Ah, sigues andando con el trago ese
21:40¿Te importa lo que me pasa o con quién ando?
21:43Te estoy diciendo que fui al cementerio
21:45A visitar la lápida de mi mamá, mi mamá biológica
21:48Y cuando llegué no estaba, Joel
21:50¿La lápida?
21:51SÃ, llegó, dijo que...
21:52Seguramente yo soy tan distraÃda y tan despistada
21:55Pero cuando volvimos estaba, estaba ahÃ
21:57Pero mal escrita
21:59O en otro nombre
22:00Mira, mi mamá se llama Laura Pérez Chávez
22:03Y en la lápida estaba escrito Laura Chávez Pérez
22:07Y le habÃan cambiado la fecha de nacimiento
22:09Diego dice que es un caso de...
22:11¿Cómo era?
22:12Homonimia ambigüestra
22:14¿Y qué es eso?
22:15Cualquier cosa, pues, Joel
22:17Todo muy raro
22:18Luego Diego llamó al que trabaja en el cementerio
22:21Y lo que le dijo fue que...
22:23Que justo habÃan hecho algunos arreglos
22:25Y de casualidad rompieron la lápida
22:27Entonces al cambiarla, bueno, hicieron el nombre mal
22:30Y bueno, eso
22:31¿Y asún por qué no?
22:32SÃ, pero todo muy raro, pues, Joel
22:34Yo no sé qué pensar
22:35Ah, y por no pensar
22:37Estás andando de arriba abajo con el engañamadres ese
22:41No, pues, Joel
22:42No, no quiero pelear
22:45¿Entonces qué quieres hacer?
22:50¿No te parece que me estás haciendo muy ovalado?
22:52¿No?
22:53No, ¿qué dices?
22:55Pero no demore mucho, ¿no?
22:56Porque ya me está doliendo el cuello
22:58¿Pero qué cuello, Joel?
23:00¿Cómo dices?
23:01No, es un ratito, unos estacitos más
23:03Tengo tu imagen aquÃ, en mi memoria
23:06Ay, o sea que estoy en tu memoria
23:08Eso quiere decir...
23:09Que me haces posar para ganarte, ¿no?
23:11No me haces nada
23:12La bandida eres, ¿no?
23:13¿Tú crees que cheches?
23:14Ay, Joel, me haces reÃr
23:16¿No sabes?
23:17No, no, ¿qué pasa?
23:18¿A cuánto crees que voy a vender este cuadro?
23:20¡500 dólares!
23:22¿500 cocos?
23:23Espera, espera, un ratito
23:24¿No te parece a ti...
23:25Amigos, ¿no te parece mucho?
23:27¿Quién te entiende?
23:28Vendà el primer Joel a 100 dólares y te ofendiste
23:31¿Y ahora 500 se parece mucho?
23:33SÃ, ¿no te parece una subida un poquito abrupta?
23:36Puedes perder a tu cliente, digo, ¿no? O sea...
23:38Pero no
23:39SÃ
23:40Es el coleccionista Matisse Leca que ama los Joeles
23:43Estoy segura que lo va a comprar
23:45¿S�
23:46¿S�
23:47¿Y si mejor haces una muestra de puros Joeles?
23:51Pero para el próximo año, TobÃa
23:53¿Ah?
23:56¡Joel!
23:57¡Qué buena idea!
23:58¡Claro, claro!
23:59¡Termino de pintar!
24:00Lo vendemos y hacemos 30 Joeles para el próximo
24:02No, pero...
24:04¡No te muevas!
24:07¡No, no te muevas!
24:08No, pero...
24:10¿Qué tal?
24:11Pero déjalo juntar plata, coleccionista, aunque sea
24:14¿TobÃa?
24:26Quito
24:27Tengo que hablar contigo
24:29¡Joel!
24:30Yo también tengo que hablar contigo
24:31Ya, ya, ya, tú primero, ¿ve?
24:32No, no, no, tú primero
24:33Ya, tienes que hacer de nuevo le caqué
24:35No, pero se acabó de hacer
24:37¡No! Me refiero al comprador de cuadros
24:39¡Joel, ¿qué estás hablando? ¡Si ya estás misio!
24:41No puedo jugar una última vez
24:43¡Eso dijiste la última vez!
24:44No, pero esta vez va a ser distinto, ¿ve?
24:45Porque vas a meter un floro que le caqué
24:47Se tiene que ir a paudÃ
24:48Y ya, se desaparece, ve, ya fue
24:50Oye, Joel, ¿en qué te estás metiendo, ah?
24:52Y todo por amor a la maca, ¿no?
24:53No, pero es amor de amigo
24:55¡Ay! ¿A quién quieres engañar?
24:56¡Por favor, fuera de acá!
24:57Ya, ya, ¿qué pones a contar?
24:58Ah, ya, pero no hay moros en la costa, ¿ah?
25:00Ya, este, pero júrame que no le vas a decir a nadie
25:03Lo juro, ve
25:04Es bien palta, ¿ah?
25:05Y además juré por mi hijita que no le dirÃa, pero...
25:08Si lo oculto puede ser contraproducente
25:10Para los intereses de la familia
25:12Ya, ¿a qué te va?
25:13¡Muévete!
25:14Ya, ya, ya, espérate, ya, ya
25:16Es bien palta, ¿ah?
25:17Ya, ya, ya, ya, tranquilo, tranquilo
25:20La mamá de Gaspar
25:22Quiere con Don Gil
25:25¡Habla bien!
25:31A ver, ¿y qué número va ah�
25:32El seis
25:33¡Muy bien, mi criatura interestelar!
25:35Gracias, ma
25:36Gaspar se metió a la ducha
25:37Ay, sÃ, a él le gusta ducharse en la noche
25:39Pero póngase cómoda, suegra
25:41Y mi criatura termina de hacer su tarea y se va
25:43Hola, mamá de Gaspar
25:44¿Puedes echarse aquÃ, si quiere?
25:48Ahorita termino
25:49Después, Gaspar y yo vamos a ir a rezar
25:53Y él me va a acompañar al cuarto que voy a compartir con mis primos
25:56Asà es, mi lucero
25:58¿Y todas las noches?
25:59Todas
26:00Oh, ya veo
26:07Oh, hermano, ¿qué fue?
26:08¿Viste un fantasma o qué cosa?
26:09Peor que eso
26:10¿Qué pasó?
26:12Júrame que no vas a repetir lo que voy a decir
26:15Lo juro
26:17La mamá de Gaspar
26:19Quiere con el abuelo
26:37¿Llega la Navidad y se vienen muchos gastos?
26:39Mira todos estos productos a precios bajos que tenemos en Plaza Bea
26:43¡Todos los dÃas!
27:06¡Es mamá!
27:07Hola, mi amor, ¿cómo estás?
27:09Tu familia, la conexión que más importa
27:11Sigue conectándote con ellos esta Navidad
27:13Cambiándote a Internet Claro en tu casa
27:15Y Pospago Max en tu celular por $109.95 al mes
27:36Y si transformamos en regalo todo el amor que sentimos
27:39Navidad Natura
28:06Navidad Natura
28:37¿Ah?
28:47Hi, mom, ¿te llegaron los videos que te envié?
28:49SÃ, mi amor, al toque
28:51La red móvil de Claro es rapidÃsima
28:54Cámbiate a la red móvil más rápida del Perú
28:56Al 0800 00200
28:59Joel
29:04I love this painting of Joel
29:09It has a look...
29:12Interesting
29:19Hi, Xavi
29:20I'm finishing another Joel
29:22Ah, yes? Ah, that's good, yes
29:24And what is it? A replica?
29:26No! I found it and asked him to pose for me
29:30And he posed, of course
29:32What good people, right?
29:34Well, I had to steal a little
29:36I imagine, yes
29:38Macarena, look, I was calling you honestly because
29:41I'm still worried about your mother's grave and the changed tombstone
29:45Thank you
29:46But I talked to Joel while he was posing
29:48And what Diego said is completely feasible
29:51But I think...
29:53But, well, Joel has a friend in the underworld
29:56And he's going to help me with the investigation
29:58Don't worry, everything will be fine
30:00I'm going to finish the painting, thank you very much
30:02Bye
30:07Joel, Joel, Joel
30:13Thank you for coming
30:14Yes, because you swore to me that your brother wasn't here
30:17Of course, now he's in his princess's palace
30:20I just wanted to talk to you about her
30:22Oh, no, Ale, it's enough to contain him in front of the house
30:24No, it's just that he showed up here, in my room
30:26And that?
30:27No, it was horrible, Yuli
30:29Apparently, Cristóbal asked her to be my friend
30:31And the very obedient one came with her basket full of cookies
30:36What's wrong?
30:37No, nothing, it's just that they were very rich
30:40But I got so drunk that I ended up in the bathroom
30:43I don't want to talk about her, can we change the subject?
30:45It's just that Yuli is a fool, she's a fool
30:47I don't understand how Cristóbal can be with her
30:50Look, Ale, maybe you don't want to see it
30:53But your brother likes holes
30:55You're talking about the wound, Yuli
30:57You know that Cristóbal is not like that
30:59I really don't want to fight with you
31:01Let's not talk about this
31:03Yes, you're right, neither do I
31:05Sorry, I shouldn't have told you about this
31:11Rather, talking about this subject
31:16Oh, friend, I'd rather you found out about me
31:21Jimmy and Lola are in love
31:28I'm sorry, I'm sorry
31:30No, no, no, no, no
31:33Thank you for telling me, yes
31:37I imagined it, but...
31:39To hear it is...
31:46Claudica believing it was me
31:51It was forever
31:54Are you going to tell me what's wrong with you?
31:59It's nothing, Fran
32:06You're right
32:09Everything loses importance next to our terrible secret
32:15I'm sorry
32:27You made me worse
32:30Forgive me
32:45Oh, no, the cuckoo, the cuckoo
32:54No, no, the wave
32:58Oh, God
33:16Ah, ah
33:20I have to go, but...
33:21Yes, of course, Manu
33:22Hey, Pestera, hurry up
33:24What's wrong, Tito? Don't push him, he'll spasm
33:26How did you sleep, my old lady?
33:28Very well, my cuckoo
33:32Good morning, good morning
33:34Hello, how are you? Do you work at the mansion?
33:37Oh, it's very easy, I do it for fun
33:40It must be very fun to clean such a big house
33:44Aunt, Aunt, Aunt, hurry up!
33:46I'm going to work, I have to move forward, or I won't make it
33:49I have to go to the institute
33:50Yes, I'm going to the clinic
33:51I have to do the route, and I have to do it alone because my friend is traveling
33:54Gilgirito, you're quiet
33:58Do you think I have nothing to say?
34:01This thing of having two jobs is not working for me anymore
34:15Because I work twice as much and I earn the same, isn't that right?
34:24Felix
34:25Hey, Titos
34:27I need to hire your services
34:29Oh, Titos, but which of the two services? Because now I offer two
34:32The legal ones
34:34Don't say any more
34:35Wait a minute, Tito, I'm not taking long, Tita
34:39I'm almost done, Tita
34:41Be patient
34:46There it is
34:48Dr. Panduro Panduro at your service
34:52Felix, this is a case of harassment
34:57And who is the harasser?
35:00He's a harasser
35:04It's about Don Gil
35:08How are you going to be the harasser?
35:10Excuse me
35:11Who harasses him?
35:19San Juan Blessed
35:27The next day
35:30It's delicious, isn't it?
35:32What time is it?
35:35The bread is ready
35:37That bread with torreja is great, you have to try it
35:40I'm dying to try it
35:42Here it comes
35:43Here it comes
35:44Come in, come in
35:45Cheers!
35:49Sir, sir, take your bread, because if not, they'll eat it all
35:52This one, sir, take your bread
35:54Don't forget to leave the oats and the bread with torreja for Felix
35:57Okay
35:58Don't worry
35:59Can you pass me the butter?
36:00Can you pass me the butter?
36:03Thank you
36:20I brought you breakfast
36:22Enjoy
36:23Oh, pretty, thank you very much
36:25Oh, how delicious
36:28Hey, you woke up like a lawyer
36:31Well, yes, I'm working on a case
36:35By the way
36:36You could be the witness
36:38What? I don't understand
36:40I mean, the complaint comes first, right?
36:43Then comes the trial, and there you're going to need witnesses
36:47Complaint, trial, witnesses? What are you talking about?
36:51I'm talking about the harassment of Gasparza's mother, Mr. Gilbertos
36:56What?
36:58Didn't you know?
37:04Gilberto, this woman has offered you a picture of her naked?
37:08What's wrong with you? Are you crazy?
37:09Oh, pretty, mom is a lady on all fours
37:12For God's sake, respect my mother-in-law, she's a saint
37:14Answer, Gilberto
37:15Answer, Mr. Gil
37:17Yes, grandfather
37:18Say it now
37:22It's true
37:24Mrs. Alicia came into the winery
37:29And offered me seductively
37:32Wow
37:33A picture of her naked
37:39Lawyer
37:41What's going on?
37:42Bread?
37:43Bread?
37:44Bread?
37:45Bread?
37:46Bread?
37:47Bread?
37:48Bread?
37:49Bread?
37:50Bread?
37:51Bread?
37:52Bread?
37:53Bread?
37:54Bread?
37:55Bread?
37:56Bread?
37:57Bread?
37:58Bread?
38:00Bread?
38:01Bread?
38:02Brea...
38:06I've never said anything like that
38:08Calm down mom, this is a composition, calm down
38:10Hold on, dad, maybe it was a nightmare and you confused reality with fantasy
38:16Tell us how it was, Gilberto
38:20The lady Alicia entered the winery and congratulated me on the amount of products there were.
38:35And there at that moment he offered to give me a photograph of his yakalata.
38:46That could be the cause of death.
38:50Or if the lady, God forbid, stretches out her leg,
38:53he could be charged with a guilty homicide
38:56with a private penalty of liberty no less than three years.
38:59Article 111 of the Peruvian Civil Code and back.
39:03Gilgirito, could it be a nightmare, as the TV says?
39:06Dad, you heard wrong.
39:08Dad, it's not true.
39:11No.
39:14I'm very sure of what I heard.
39:18No, no, no.
39:20She told me
39:23that she wanted to offer me a photograph of hers.
39:27There it is.
39:29What I said, gentlemen,
39:32is that she, she had
39:34nipples in a can.
39:37The nipple?
39:38The nipple is a portrait of the north.
39:40Oh, my Acuricori, you know how I like the nipple.
39:44What a shame.
39:46The nipple was born in a can.
39:49No, no, no.
39:51No, no, no.
39:54No, it's an old nipple.
39:56No, no, no.
39:58It always makes us go through a hard time.
40:01No, no, no.
40:03It's not necessary for us to carry a lot.
40:06He is a very old person
40:08and we already know that these confusions happen.
40:11It's true.
40:12What a shame.
40:13It's true, thank you.
40:15Can I offer you something else?
40:18The lady just wanted nipples in a can.
40:20Yes, thank you.
40:21The old lady came to the house.
40:23Oh, that man is horrible.
40:26So there are no more cases of harassment.
40:28I'm not going to have a lawyer anymore.
40:29He's a lawyer now.
40:31Alicia.
40:32Hey, it's true that nipples in a can are delicious.
40:34It's just that they're a little too old.
40:36They should sell them.
40:37What are you thinking?
40:38They're wax.
40:41They're wax.
40:55Your mother is...
40:57Laura Perez Chavez and she was born in 1960.
41:01It's what the tombstone says.
41:03Yeah, but they already changed it.
41:05I don't know, it was very strange, Rudya.
41:08Yes.
41:09I told you, I know someone who could help us.
41:12Who?
41:13Coqui Reyes.
41:15Coqui?
41:16Yes, if he gets to Cochino, he'll find out.
41:20Yeah, but I'd have to tell him the whole story.
41:25I think I'd rather stay calm.
41:27Do what Diego said.
41:30As you wish.
41:31I mean, I do want to.
41:33I do want to.
41:35But it hurts me to remove the past.
41:40It's okay, Rudya.
41:42Whatever you say.
42:06Ready to turn off our TV?
42:08Yes!
42:09What time is the show?
42:11Come on, Grandpa.
42:12What show?
42:13We're going to open the raffle on the Junior High website.
42:16Ah, it's very clear.
42:18What time is the show?
42:20It's right now.
42:21We're going to watch it on the laptop.
42:24Okay, let's go.
42:25Let's go.
42:26Let's go.
42:27Let's go.
42:28Let's go.
42:29Let's go.
42:30Let's go.
42:31Let's go.
42:32Let's go.
42:33Let's go.
42:34Let's go.
42:35Everybody get ready with their numbers.
42:37At any moment, they say who won.
42:39Family, I think we're going to get the big TV
42:43with all the tickets we won.
42:45Remember, it doesn't matter who won it.
42:48This TV is for the house.
42:50That's right.
42:51The TV is for the house.
42:54With flashlights and it's a great big TV.
43:00Pay attention.
43:01Open, open.
43:02It's charging, it's charging.
43:04Hey, what's going on here?
43:06Take a seat, we're repairing a 70-inch TV, 4K.
43:11And how do I take it to Cañete?
43:13No, no, miss, the TV stays at home.
43:16Damn bastards.
43:18Who cares about their dirty TV?
43:21Don't worry, old lady, I'll buy you yours.
43:23Oh, don't worry, I'm not interested in material goods.
43:28Let's go, let's go.
43:30Oh, God.
43:31The sun is shining on us because of my mom,
43:33who is with Angel Gabriel, next door.
43:35We're connected.
43:37We just have to wait.
43:38Don't say that kind of thing, please.
43:41I swear, little brother, that I tried to be his friend,
43:44but I don't have anything to talk about with your ornament.
43:46Poor thing. Don't say that to him either.
43:48No, Maca, don't worry, I'm used to him making fun of me.
43:51Anyway, I'm happy with Anastasia.
43:53I'm not making fun of you, and I'm glad you're happy,
43:55but don't ask me to be his friend either.
43:57Instead of criticizing your brother,
43:58you should take him as an example
44:00and relate to boys from your socio-cultural context.
44:03Well, Anastasia won't have a brother or a single relative.
44:08No way.
44:10But who knows?
44:11Maybe Anastasia has a hidden talent.
44:13Look at me.
44:14For a long time I've been looking, looking,
44:16until I found my style,
44:17and look how good my paintings are.
44:19I congratulate you, Maca.
44:20You're always making the table happy.
44:22And what happened to the boy you gave me yesterday?
44:25He ran away on time.
44:27We're still friends.
44:28I'm sorry to disappoint you, but it's not for me.
44:31Take your time, take your time, little girl.
44:35Better, so you don't bring me a González.
44:37Don't mention it three times because it appears.
44:41Luckily, my children have already regained their sanity.
44:44I hope no one else makes such a mistake.
44:47Well, at least the González
44:49are not throwing stones during lunch.
44:52I understand you, Maca.
44:53The González may have many flaws, but they are solidary.
44:56Yes, it's true, they are very united.
44:58Yes, that's how the poor move in a pack, dad.
45:02It must be recognized that it is a family
45:04that has known how to stay united in the face of adversity.
45:19I don't want them to really know about Claudia Llanos' death.
45:22I don't think so, there are only three of us who know.
45:24I don't even know what he's talking about.
45:26That damn Taur.
45:30The TV, the TV, the TV.
45:32The TV, the TV, the TV.
45:35Family, we won the TV.
45:39We won the TV.
45:41We won the TV, it's 35 inches.
45:44My daddy is no longer listening well
45:47and I think he needs one of those devices.
45:50Ah, I understand.
45:51One of those Audif, one of those little devices.
45:53And surely they are very expensive.
45:54Yes, they are very expensive.
45:55And I don't know if you perhaps have any alternative.
45:57I just met with Gaspar.
45:59I'm going to accompany him to the workshop.
46:00Ah, well, it doesn't matter anymore.
46:01For the next one, it will be here in the car.
46:04It's a good link, mom has to go.
46:06Claudia!
46:07What's up, Claudia?
46:08Look, I'm going to introduce you.
46:09Now I'm a mom of Gaspar.
46:11Hello, Gisel!
46:12Hello, a friend.
46:19A friend.
46:20A friend.
46:21A friend.
46:22A friend.
46:23A friend.
46:24A friend.
46:25A friend.
46:26A friend.
46:27A friend.
46:28A friend.
46:29A friend.
46:30A friend.
46:31A friend.
46:32A friend.
46:33A friend.
46:34A friend.
46:35A friend.
46:36A friend.
46:37A friend.
46:38A friend.
46:39A friend.
46:40A friend.
46:41A friend.
46:42A friend.
46:43A friend.
46:44A friend.
46:45A friend.
46:46A friend.
46:47A friend.