Al Fondo Hay Sitio Temporada 11 Capitulo 162 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 164 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 162 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 162 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 164 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 162 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 162 Completo HD
Category
š„
Short filmTranscript
00:00It's the invitation for tonight's exhibition.
00:03I hope you can go.
00:04Maca, I want us to go!
00:06I'm glad you dared to show off your talent!
00:09Playing to be an artist again?
00:11When are you going to learn?
00:13Diego!
00:14It's my dad's fault.
00:15He gave him tips for painting pussies.
00:19You're talking just like Antonio.
00:21Well, your comments don't surprise me anymore.
00:23I'm happy.
00:24It's my first show and who knows?
00:26Maybe it's the beginning of my career.
00:28I hope the time heals the wounds in your heart.
00:32Please tell that girl not to send more people to talk to me.
00:35I won't change my mind.
00:39You're losing a girl who's worth a lot of money.
00:44Please, cousin, don't fall for her game.
00:47Don't go back there, okay?
00:51No, I won't.
00:55Is she very sick?
00:58No.
01:07I'm sorry, I fell asleep.
01:09Jet lag is killing me.
01:21It's all my fault.
01:22I have to do something.
01:23No, wait.
01:24It's not the time.
01:27Trust me.
01:29She'll get over it.
01:30And she'll call you.
01:33We have the potential to be the next Jaco and Nicola.
01:36It's our chance to be rich and famous.
01:39No, I'll pass.
01:41No, no, no.
01:42You can't.
01:43Besides, I already signed you up.
01:45What?
01:47Chibolos?
01:48You have to buy them clothes every now and then.
01:49They grow.
01:50You give them the foot.
01:51Other shoes.
01:52And the doctors get sick every now and then.
01:54I don't.
01:55Initial.
01:56Primary.
01:57Secondary.
01:58University.
02:00And with what I pay you, you'll never get it.
02:02So I think you better leave it there and thank my aunt.
02:14Did Jimmy tell you that?
02:15What an idiot.
02:16Yes, that's why I didn't tell him that we're friends again.
02:19Well, Cristobal didn't stay behind either.
02:23Why do you say that?
02:24I tried to tell him, but he's more than convinced
02:28that any contact with you is a bad idea.
02:31Oh, what a terrible idiot.
02:33And now what are we going to do?
02:36I don't know, because of how things are,
02:38I think the most sensible thing is to pretend that we are not friends.
02:41You should even think that we get along badly.
02:44At least until they mature.
02:45What do you think?
02:47Yes, yes, you're right.
02:48We will be enemies in the eyes of the rest.
02:55I want to think, I want to breathe.
02:58And nothing stops me, I'm fleeting.
03:01I'm a star, cold in my way.
03:03Simply beautiful.
03:07Xavi.
03:11For the vase.
03:12Come on.
03:15Left.
03:17Right.
03:18To your left.
03:19To the left?
03:20No, to the center.
03:21To the center?
03:22Yes.
03:23Much better, yes.
03:24Perfect.
03:25Super, super.
03:26There?
03:27Yes.
03:28Yes, yes, much better.
03:29It looks spectacular.
03:30Almost like you with that dress, outfit, suit.
03:34Thank you very much.
03:35To you.
03:36Manitou.
03:37Tremendous suit, huh?
03:38The color, love.
03:39Do you like it?
03:40I don't understand the shoes, why without socks?
03:43Well, it's a little out of fashion,
03:44but the important thing is that the suit will bring us luck.
03:48Yes, because I need it.
03:50Good luck for Macarena, because I don't know if ...
03:52If all this we've done is up to people.
03:54Macarena, listen to me, listen to me.
03:55What did I tell you about negative thoughts?
03:57Out, out.
03:58Out, negative thoughts.
03:59That's it.
04:00I'm nervous, that's it.
04:01Macarena, listen to me, listen to me, dear.
04:04People are going to come,
04:06they are going to enjoy
04:08and they are going to keep their mouths open
04:10when they see your art, the talent you have, dear.
04:16Thank you, Xavi.
04:18Really.
04:19If it weren't for you,
04:21I would never have done this.
04:23Thank you very much for trusting me.
04:25Maca,
04:26it's the least I could do
04:27for the only person who has defended me
04:29while the others turned their backs on me.
04:32You are beautiful
04:34and everything will be a success.
04:42Julie!
04:43Do you have a band-aid?
04:44Shh!
04:45Juan is sleeping.
04:47I don't care about this one, look.
04:49Look.
04:50She's so weak she can put on her pajamas.
04:52Poor thing.
04:53She got exhausted.
04:54She came and fell like a potato salad.
04:56Oh, my love.
04:57Don't let your chicken heart betray you.
05:00This poor thing has nothing.
05:02I understand her.
05:03Cleaning the Maldini house is a serious thing.
05:08Bah!
05:09Don't compare yourself to Julie.
05:11You worked at the Maldini house
05:13and from there you were going to study.
05:14This is probably the first time
05:16she's been working in her life.
05:21Did you cut yourself?
05:22No, my love.
05:23It's just that when I wear heels
05:25my little dolly foot gets a little crooked.
05:31And why aren't you dressed for all this?
05:34I'm not going, Tere.
05:35I don't want to cross paths with CristĆ³bal
05:38and his little princess.
05:41Juliana Albertina Seferina!
05:44That's not my name.
05:46But it works for the occasion.
05:48Divine creature.
05:49You can't give that message to your ex.
05:51You can't stay locked up here like the suffered
05:53and him like the insuperable.
05:56Yes.
05:57Of course you can.
05:58Look, if you send that message
06:00locked up in the house
06:01he's going to think
06:02she's thinking about me
06:03and no, it has to be the opposite.
06:07You think?
06:08Of course.
06:09You have to go
06:10and not go like this.
06:11You have to go curved
06:12powerful
06:13empowered
06:14beautiful
06:15so that he sees you
06:16and realizes
06:17the woman he's losing
06:18and regrets it.
06:20I don't know, Tere.
06:21No, no, no, no.
06:23You don't know anything.
06:24Here, the one who knows everything is me.
06:26Where's your model dress?
06:28Where is it?
06:29Where is it?
06:34Mano, is there bread, man?
06:35It's yours.
06:36Really?
06:38Mano, pass me a little bit.
06:39No, no, you're going to pull it all.
06:40Ah, yes, Mano.
06:41You don't want to cover it, do you?
06:42Because you want to impress the girl.
06:45Of course, Mano.
06:46I have to be with her.
06:47I have to support her.
06:48When she realizes
06:49the real intentions
06:50of that tarago,
06:51but no.
06:52Logically,
06:53to cheat on her
06:54or to fuck her.
06:55That's it.
06:56Or maybe to fall in love with her.
07:00But I don't think
07:01she'll fall, Mano.
07:02No.
07:03No way.
07:04That's it, Lope.
07:05That's it.
07:06Well, you don't need to go
07:07and see Alessia
07:09now that you're with Alola.
07:12No, Mano.
07:13Because we haven't
07:14officialized anything yet.
07:15But you're going to officialize it.
07:19Well, they've told me
07:20that Alessia is not well.
07:21She's not going.
07:22If she wasn't, I wouldn't go.
07:25Come here.
07:26Let's go.
07:28Come on, man.
07:29Don't be heavy.
07:30Pass me a little bit.
07:31It costs me money.
07:44Let's go.
07:57Macarena's paintings
07:58aren't bad at all.
07:59Oh, please.
08:00Even CristĆ³bal
08:01did better things
08:02when he was a beginner.
08:03What do you mean,
08:04even CristĆ³bal, Dad?
08:05I'm sorry, son.
08:06It's true.
08:07Once you made
08:08a really nice drawing of me
08:09cooking and I put it
08:10in the fridge.
08:11That was me, Dad.
08:12Ah.
08:14What do you think?
08:15An excellent sample.
08:16Your works are very beautiful.
08:18It reminds me of Pompidou in Paris.
08:20Your use of color.
08:21Beautiful.
08:22The foaming is good.
08:25Yes, it's good.
08:26Seriously.
08:27I'm very glad
08:28that my work suits you.
08:30Family?
08:31A drink around here?
08:32Oh, no.
08:33No, thank you, kid.
08:34No, thank you very much.
08:36Keep enjoying.
08:38Excuse me.
08:39That's it.
08:41Xavi has helped me
08:42with the sample.
08:43And I told you
08:44to choose your friends
08:45better,
08:46but you don't listen to me.
08:47What's wrong with my friends?
08:48One at a time, please.
08:49One at a time.
08:50No, no, no, no.
08:51One at a time.
08:52One at a time.
08:53One at a time.
08:54I know.
08:55How?
08:56Oh, how nice.
08:58Oh, my God, how nice.
09:02There's your answer.
09:11This gets good
09:13You and me inside
09:16I invite everyone
09:19Because it's a little country
09:22This gets good
09:40Because it's a little country
10:10Because it's a little country
10:40I should have assumed
10:41you had invited them.
10:43Do not worry,
10:44they have allowed to behave.
10:46Tie up your picture,
10:47that all these are robbers.
10:50Yes, he dared to come
10:51with that little rascal.
10:53Ignore it, sister.
10:55Hey, do you enjoy
10:57listening to private conversations?
11:04I don't.
11:05I don't?
11:07You don't have to explain
11:08I
11:26Can I say this a chiquita to exist a super over dress. Mm-hmm. Mucho. Gracias for me
11:33Yes, I'm teaming up or you can't
11:36Make it a very boring to the quadros. Oh my god, not this deal. Oh, yes. I'm talented so much
11:40I see out to people are they don't know Casa. Muy agradable. Ezevier is a maestra in a
11:46presentation which of the
11:48ruby
11:50siento que le falta un poquito de organizaciĆ³n a tu muestra no se siento que tal vez despuĆ©s yo a te puedo dar una mano porque
11:57No, no, no, no. No, no, no, no, no, no, no, no, no, no, no, no. No, no, no, no, no, no, no, no, no, no, no, no, no
12:02I'm going to fix your room right now, Ms. Alesia.
12:07Oh, I still haven't given you the rag, Claudio.
12:11Coqui, Coqui, help me with the dishes, please.
12:15Oh, whatever you say, Mr. Griego.
12:18Oh, oh, oh, your sister-in-law, Mrs. Francesca, has already given you the rag.
12:23What? Oh, I'm so sorry, Mrs. Alesia.
12:28I'm so sorry, Mrs. Francesca.
12:31What? Oh, I haven't prepared lunch yet.
12:35What do I do? What do I do? What do I do? What do I do?
12:43What a horrible nightmare.
12:46That job is destroying my nerves.
12:49And I still can't find any motivation to stay there.
12:54Dessert! Apple for Blanca Nieves, if she's not poisoned.
12:59Sweetie, you haven't eaten anything.
13:01Do you want me to ask you for a little hug, with your papilitas, your salad, all your cream?
13:05No, no, no, not the food. I'm not hungry.
13:11Sweetie, do you know what works for me when I'm sad?
13:16A cello?
13:18No, no, watching memes.
13:21Oh, but I don't want to watch memes now.
13:24Well, it also works for me to see your photos when you were little.
13:28Your mom gave them to me.
13:30Really?
13:31Yes, you were very pretty.
13:33You looked like a little cabbage doll.
13:35Have you seen the little cabbage doll?
13:36No, what is that?
13:37Search, search, look.
13:39Oh, how horrible, it's a super cat.
13:41No, it's a pretty girl.
13:44Oh, how horrible, it's a super cat.
13:46No, it's a pretty girl.
13:50Look, let's see, kiss me for a while.
13:52Let's see.
13:53I have some monkeys, I like monkeys.
13:55Oh yeah?
13:56Let's see, let's see.
13:58How good is it?
14:00Oh, it looks like you.
14:02I'm sorry.
14:04I know a good one, it's a fat cat, look.
14:08The poor cat wants to jump and can't.
14:15No!
14:17I'm sorry.
14:22I mean, look where you walk, mommy.
14:26How cool, if you stumbled with me.
14:28Can't you walk and see paintings at the same time?
14:31Place yourself, yes, little cat.
14:33I had a little brother, he raised me very well.
14:35And your look reminds me of him.
14:37And I ate him with soup and bread.
14:39What a level.
14:41Let's see if you are rude.
14:44What do you have?
14:45Please behave.
14:47There is silence here.
14:48No one is screaming.
14:50What is that?
14:51Macarena, calm down, I'll take care of it.
14:52Please.
14:53No one is screaming.
14:54No, no, things have to be as they have to be.
14:56Calm down.
14:57Calm down.
15:11The earth trembles when I enjoy.
15:13I am as I am, but I have my style.
15:16And to dance, I don't dance round.
15:18Redondo, redondo, redondo, redondo, redondito.
15:23Redondo, redondo, redondo, redondo, redondito.
15:28I dance with redondo.
15:30Hello, bro.
15:31I already have the perfect gift for mom.
15:33I managed to save to go visit her.
15:35How so?
15:36With the virtual reach of the VSP, saved.
15:39It comes automatically when I save it in all my accounts.
15:43Do you want it too?
15:44I knew it.
15:45Open the app of the VSP.
16:00Nude of soul.
16:02What a horrible name.
16:04Ridiculous.
16:06I mean...
16:09This guy only represents all the bad things,
16:11the negatives of society.
16:14Nude of soul.
16:18300 coconuts.
16:19Too much diet.
16:21Although...
16:23I still doubt if that body is mine.
16:28Oh, no.
16:30That's something else.
16:32That represents what a real man is.
16:35That's art.
16:37A real man.
16:39Best friend.
16:41Yes, it's true.
16:42Good name.
16:43We are best friends.
16:44That's what must cost much more money.
16:46It's art of...
16:49100 dollars?
16:50Wait a minute.
16:51There must be a mistake.
16:52How can it be 100 dollars?
16:53What was it?
16:59Dear audience,
17:02allow me to steal you a moment
17:05for your journey
17:07through the art of Macarena.
17:10Macarena,
17:12I'd like to say a few words in your honor,
17:15but honestly, I haven't found them.
17:18So...
17:20I've been looking for them in my compatriot Rafael Alberti.
17:25For you.
17:28For you.
17:30Because in life,
17:31combining color and color,
17:33one seeks to be concrete.
17:35Metamorphosis of form,
17:37goal of the quiet landscape.
17:39Or walking.
17:42The possible in you
17:44never end.
17:47Matters without terms praise you.
17:51In you, Macarena,
17:53glory and passion of painting.
17:56OlƩ!
17:58OlƩ!
18:01That's it.
18:05Javi, thank you very much.
18:07Thank you all for coming.
18:10It's a pleasure.
18:15Don't touch it.
18:16Go there, go there.
18:22Hello, people.
18:24Well,
18:26I also want to steal...
18:29Don't worry, don't worry.
18:31No, no.
18:32It's going to take a few seconds of your time.
18:35I also want to honor my cause,
18:37my great friend, my yunta, my chochera,
18:39the Maca.
18:43I didn't prepare anything.
18:45I didn't prepare anything,
18:47but I have a little song that I want to sing.
18:49A little song that I composed.
18:51It's very nice.
18:53It has nothing to do with this,
18:55but it's nice, you're going to like it.
18:57I'm going to ask you to be quiet,
18:59so that you can hear the song.
19:01With everything, with everything.
19:03I'm going to look for it here in Cholotuve.
19:05With everything.
19:06That's it.
19:08Tired of the pain when you sit down?
19:10Going to the bathroom is a torture?
19:12Don't suffer anymore!
19:14Borrochil has arrived!
19:15The relief for your hemorrhoids
19:17that leaves you...
19:20Excuse me.
19:23Now yes, now yes.
19:25With a quick and easy application.
19:27Try it now,
19:29and feel as light as a feather.
19:33There it is, there it is.
19:39Hands up, hands up!
19:41It's not a cassette, it's not a cassette.
19:43Hands up, up.
19:45That's it.
19:47With everything!
19:55To explain to me
19:57if it was easy for you
19:59to forget me.
20:01Or if it's also
20:03that you see me everywhere.
20:07Come on, tell me that I still have a chance
20:09to meet you.
20:11Nothing happened.
20:13Nothing happened.
20:15That I miss you.
20:17Every weekend
20:19and the days of the week too.
20:21That I don't spend a second
20:23in which I don't think about you.
20:27Joel is going too far.
20:29How is he going to value
20:31the sample of the hammock like that?
20:33It's just that, love, he never stops.
20:35When people started to push him,
20:37he started to kick.
20:39And what did he want?
20:41That I get on him?
20:43That he gets on me when I was getting a beer?
20:45Joel is like a baby.
20:47Like a little baby.
20:49Like a little baby.
20:57Since I was little,
20:59I taught him the manners.
21:01I would teach him to play cajon.
21:05To dance with rhythm.
21:09Sleep, sleep, little black.
21:13Let your mom be in the field.
21:15Let your mom be in the field.
21:17My love, have you seen my micellar water?
21:23My love, is something wrong?
21:25No.
21:27I miss you so much.
21:29Nothing happens to me, everything is fine.
21:31Everything is fine.
21:33I'm going to get ready.
21:39Did I tell you or didn't I tell you?
21:41Everything Chavis does is destined for failure.
21:43Homano, if everything went wrong,
21:45it's your fault.
21:47I'm not going to deny that my interpretation
21:49had its setbacks.
21:51But that was already wrong from the beginning.
21:53I felt the bad vibe.
21:55Are you my brother or what?
21:57Did I ask you to close your hand?
21:59Even if I seem superior, I am human too.
22:01I also make my mistakes.
22:03Has the maca told you anything?
22:05When I apologized,
22:07she turned her face away.
22:09Write her a nice message.
22:11Leave it to her.
22:13She knows that everything I do
22:15is with good intentions.
22:19I don't want to be rude,
22:21but if she keeps being like this,
22:23she'll get away with it.
22:27I've never hit you hard, have I?
22:29No.
22:31Shut up.
22:33They called me.
22:37If it hadn't been for Juli,
22:39I wouldn't be here.
22:41It's not that I want to meddle,
22:43but after what she did,
22:45I don't understand how she wants to be your friend.
22:47She does it with malice.
22:49She does it because she's clumsy.
22:51Because she always finds a way to mislead you.
22:53The important thing is that her show
22:55didn't overshadow your talent.
22:57People here left
22:59very happy.
23:01They told me wonderful things about your art.
23:03Really?
23:05Despite that backstabbing at the opening,
23:07everything can turn out well.
23:09I think so.
23:11It'll turn out great, Magdalena.
23:13I'm telling you.
23:15You'll see.
23:17Thank you, Xavi.
23:19You're welcome.
23:21Go home and rest.
23:23I'll clean up what's left.
23:37Yes.
23:39We had some interested people.
23:41I hope we sell a painting soon.
23:43Maybe I'll buy you one.
23:45That would be the best.
23:47As long as it's not that horrible painting
23:49with the toad face of Joel GonzƔlez.
23:55Never in front of the beginning,
23:57always on the side.
23:59You have to be in front of the beginning.
24:01You have to be in front of the beginning.
24:03You have to be in front of the beginning.
24:05You have to be in front of the beginning.
24:07Always on the side.
24:09Is Joel going to pay you for the vase he broke?
24:11I'll talk to him.
24:13It was your fault for inviting him.
24:17Did you see that little thing
24:19your ex was with?
24:21A little girl.
24:23Luckily you got away from that animal.
24:25I don't care about what he does with his life.
24:27Sister, what was that fight
24:29you had with Julie?
24:31She started fighting on purpose.
24:33Do you think she did it on purpose?
24:35Son, son, don't bring Julie's name
24:37to the table.
24:39Please, you're in other leagues.
24:41Anastasia.
24:43I like that girl very much.
24:45She comes from a good family.
24:47Yes, yes, you should invite her to lunch,
24:49go out more with her,
24:51hug her.
24:53If you want to see her so much, why don't you cross?
24:55Is she with the GonzƔlez?
24:57No, dad, she moved to the house in front,
24:59the one we lived in before.
25:01No.
25:03Excuse me.
25:07But...
25:09Oh, little sister.
25:19Tito, please, hurry up.
25:23Very hot.
25:25Very cold.
25:27Now it's perfect.
25:29Tito!
25:31Ready, little sister.
25:33Now the water is at its point.
25:37And take all the time you want, enjoy your bath.
25:39All the time you want?
25:41We also have to go in.
25:43Teresa, you have to be understanding.
25:45You're going through a bad time.
25:47Don't worry about me, I can wait.
25:49I'll wait here.
25:51Thank you, Jepar.
25:53I'll make you breakfast.
25:55What's the problem, Teresa?
25:57Do you want to be a good dad?
25:59I know I'm a good dad,
26:01but don't leave me without hot water.
26:03Oh, my God.
26:05Well, I'm going to help Lolita with breakfast,
26:07because this is going to take a long time.
26:11You don't just want to be a good dad.
26:15Sleep, sleep, little black.
26:21Let your mother be in the field.
26:25Let your mother be in the field.
26:49I know that look.
26:51What are you up to?
26:55We could visit Anastasia
26:57to welcome her to the neighborhood.
26:59Do you think it's necessary?
27:01I think it's absolutely necessary.
27:03She could be our gateway
27:05to a circle of relationships,
27:07friendships, profitable.
27:09Profitable?
27:11In what sense?
27:13Think about it, Fran.
27:15Your grandchildren and my children
27:17fell into the clutches of the Gonzales,
27:19because having them as neighbors
27:21and them interfering in everything,
27:23they didn't have anyone else
27:25to relate to.
27:27Does it make sense?
27:29It's what I call
27:31the myopia of love.
27:35My children can't see beyond.
27:37They're myopic.
27:39So they don't see anything worthwhile around
27:41and they think those primates
27:43are the best option.
27:45And you want Anastasia to introduce them
27:47among her friends.
27:49Of course, of course.
27:51With her and her social group,
27:53Alesia could find
27:55a good match.
27:57I hope so.
28:01I miss the good old days
28:03when nobility
28:05was only related to nobility.
28:09Well, let's visit her.
28:21High-level cuisine.
28:23Pancetta with native potatoes in the oven.
28:25Crispier and with less fat.
28:27Perfect cook.
28:29Accompanied by vegetables with a perfect cooking.
28:31How easy it is to make with Mave.
28:41My prince of heaven.
28:43Since yesterday I've noticed something strange.
28:45I was humming a song
28:47about a crib.
28:49And I was thinking about that little head.
28:53And when we got to the honeymoon
28:55I heard you say you didn't want
28:57to have more children and
28:59I didn't know that.
29:01And you want to?
29:03Of course.
29:05It's one of my most longed-for dreams.
29:09But of course I want it too.
29:11Imagine a little Gaspar
29:13walking around the house.
29:15My love.
29:17Then yes.
29:19Yes, but I think
29:21now is not the time.
29:23Look, we just got married.
29:25We have to enjoy our life as a couple.
29:27But later.
29:29Look, we better not think about that.
29:31One day at a time.
29:33God's times are perfect.
29:35Exactly. I just wanted to know
29:37that you are also willing, right?
29:39Of course.
29:41My love, I'm going to work twice
29:43twice so that we have nothing
29:45to worry about.
29:47My love.
29:59Bonjour.
30:01Diego, Francesca.
30:03What a surprise.
30:05We came to welcome you to the neighborhood.
30:07We brought you a delicious French wine.
30:09Thank you very much.
30:11If you need anything,
30:13I'm sorry, I'm just about to leave.
30:15And what school did you study in?
30:17In several. I lived in different countries
30:19for my father's work.
30:21I think I met your father
30:23at a seminar in Miami.
30:25Augusto?
30:27No, that was not my father.
30:29Well, we're leaving now.
30:31And how many haciendas does your family have?
30:33A couple. Why?
30:35Because, remember, I have a restaurant,
30:37so we could be a couple.
30:39And don't you have a half-brother,
30:41a handsome relative,
30:43an uncle, a young man,
30:45who can introduce you to Alesia?
30:47We don't bother you anymore.
30:49Thank you very much.
31:05What are you doing here?
31:07We finished super late yesterday.
31:09Yes, I know, I know, I know.
31:11But I have great news.
31:13Which one?
31:15I sold your first painting.
31:23Next!
31:27I'm looking for my grandson.
31:29Next!
31:33Stay still.
31:35I'm coming with you.
31:39Next!
31:41Next!
31:43Next!
31:45Next!
31:47Next!
31:49Which one?
31:51Wind of change.
31:55I can't believe it.
31:57I can't believe it, Xavi.
31:59Yes, yes, yes, yes.
32:01Well, remember that we have to give 10%
32:03to the owner of the studio.
32:05Yes, yes, yes, yes.
32:07You can't sell it alone, honey.
32:09Don't give me illusions, man.
32:11One thing, the best is coming.
32:13The money.
32:15You deserve it,
32:17for how good an artist you are.
32:19I'll give it to you.
32:21What are you doing?
32:23It's your commission, man.
32:25No, no, no, you don't understand.
32:27How is it not fair?
32:29No, no, no.
32:31I have not accepted a single woman
32:33in my life.
32:35The first picture as a professional.
32:37Let's go.
32:39Let's go, little friend.
32:41Hello, producers.
32:43I saw the show
32:45and Chivolo, so small,
32:47on TV.
32:49Me, yes.
32:51Hello, are you both coming to the casting?
32:53Yes, yes, yes.
32:55We are brothers, Patas.
32:57The best duo.
32:59Of course, we can be your next
33:01Jaco and Nicola.
33:03Who's going to start?
33:05You start first.
33:09Name?
33:11Valentino Aguacanegra.
33:13Age?
33:1519 years old.
33:17Hobbies?
33:19Play video games, watch memes,
33:21drink soda, be with my leg,
33:23have a good time.
33:25Warrior or fighter?
33:27No, if I'm a warrior, I've been Chivolo all my life.
33:29Do you know how to dance?
33:31Please, that's my thing.
33:33Music, teacher.
33:55One last question.
33:57A very important one.
33:59Chlorine's atomic number.
34:05Damn, that's a tough one.
34:07I don't know.
34:09Excellent.
34:11What did you get?
34:13Don't worry, you'll learn the rest
34:15with us.
34:17In the production office, they'll give you a file,
34:19fill in your information, and that's it.
34:21Thank you very much.
34:23I swear I'll give you 1,001%.
34:25A million, all of it, yes, yes.
34:27Thank you very much.
34:35I'll go on, I'll go on.
34:37Don't worry, there's a casting in February.
34:39I'll call you.
34:43Don't go!
34:45Music, teacher!
34:47Camera!
34:49What do you have that they don't?
34:55So you don't want to be
34:57a mother again, honey?
35:03I had decided that with my quantum beauty
35:05I would close the factory.
35:07You're in your right.
35:09But Dapi wants to be a father.
35:13He's also in his right.
35:17I would have married a divorcee.
35:21Tell me,
35:23didn't they talk about this
35:25before hiring nurses?
35:29No, we talked
35:31about where we wanted the honeymoon to be,
35:33or what color to paint our room.
35:35Papito,
35:37give me some advice.
35:39You, in your infinite wisdom,
35:41tell me what I should do.
35:43My advice
35:45is to be honest with him.
35:49Is that your advice?
35:51And what else can you do?
35:55Don't touch the subject
35:57and maybe he'll forget.
36:05Music, teacher!
36:07Music, teacher!
36:09Nothing to do with what you told me yesterday.
36:11Teres
36:13wants to have a kid.
36:15Come here.
36:17But later, he says.
36:21I'm so excited
36:23to have a son.
36:25I'm going to teach him everything I know.
36:27He's going to play with me.
36:29Baby.
36:33Sharing little things.
36:37Another little thing.
36:39Why are you like this?
36:41Who, me?
36:43The blonde.
36:45She's still mad at me.
36:47I don't know what's wrong with her.
36:51Didn't you hear anything I said?
36:53What were you talking about?
36:55You're so mean.
36:59Finish yours.
37:05If you've already made a decision,
37:07it's best if you don't feed
37:09his hopes.
37:11Caspar is a good man
37:13and noble.
37:15He'll know how to understand.
37:19I know he'll understand
37:21and respect my decision,
37:23but
37:25I have no taste.
37:27Do you think
37:29I'm a bad woman
37:31for not giving him
37:33my chocolate?
37:35You have to do what you want.
37:39It's true.
37:41You remind me
37:45of when I married your mom.
37:49Why?
37:51She already had
37:53Luchito and Pepito.
37:55I'm sure she didn't
37:57want to start
37:59again.
38:01She
38:03was about your age.
38:07What happened?
38:09I didn't want to
38:11pressure her,
38:13but one day
38:17during breakfast
38:21she told me
38:23our love has
38:25yielded fruits.
38:27We're going to be parents.
38:31And so
38:33she gave me the best gift
38:35of my life.
38:39Me?
38:41Your baby.
38:45And you have to know
38:49that you were
38:51the apple of her eye.
38:55In fact, the closest
38:57to your mom.
39:21Beep.
39:35How are you?
39:37Fine, sitting down.
39:39Don't you have anything to finish?
39:41I'll have some time off for a month.
39:43How nice!
39:45I was getting dirty.
39:47How about the movies later?
39:49We have to watch a movie that cheers us up.
39:51A...
39:53A romantic one!
39:55What a stupid question!
39:59Ridiculous!
40:00The donkey talking with ears!
40:02Pull my hair!
40:03Pull my hair!
40:04I hate you!
40:05Pull my hair!
40:07Enough! Enough!
40:09What's wrong with you, Alicia? Have you gone crazy?
40:11Why are you complaining to me? I'm calm.
40:13And you come to bother me out of nowhere.
40:14You walk like all the Montalvans.
40:15Please, follow your path. Leave us alone.
40:18Shut up, you old rat!
40:20Let's go, cousin. I'll take you to the institute.
40:25I don't know why she's surprised.
40:27The one who should be upset is me, not her.
40:29And why are you upset?
40:30Because she wants to sell my portrait.
40:32She wants to keep it as a souvenir.
40:33That's not what friends do.
40:34It's a business. You have to do it.
40:36Yes, but it's a better art form.
40:38Then sell it.
40:40That's not the worst part.
40:42She's selling it cheaper than that idiot Xavi.
40:45Of course. He's her advisor. He gives her ideas.
40:48Do you know what I'm going to do?
40:50What?
40:51I'm going to buy it.
40:52From where?
40:53I'm going to buy it.
40:54What?
40:55I'm going to allow this beautiful piece of art
40:57to fall into the hands of anyone.
40:59Isn't that right?
41:00You're right.
41:16Hey, man.
41:17I thought you were excited about me.
41:19Don't worry, man.
41:20People get excited like that.
41:22You haven't told me how you did it.
41:26Me?
41:27Me?
41:28Good, good.
41:29Excellent.
41:30You know.
41:31That's an excellent sign.
41:33Of course, man.
41:34When you look good, it's impressive.
41:36Of course.
41:37Besides, you're a daddy.
41:38You're a daddy, man.
41:40I'm not.
41:41I'm not.
41:42I'm not.
41:43I'm not.
41:44I'm not.
41:47Hey, what are we doing?
41:49We're talking about our casting, right?
41:51Yes, yes.
41:52Excellent casting.
41:53Hey, what are we doing?
41:56Since it's a fact that they're going to call us,
41:58we have to be prepared, man.
42:00To get to our best level.
42:02And we're not going to...
42:03We're warming up, we're warming up, we're warming up.
42:05Let's go.
42:06Let's go.
42:12Tito.
42:13I need you to do me a favor.
42:14I can't.
42:15I have to go to work.
42:16You can't let Xavi down.
42:17Why do you need my services?
42:18I want you to go and buy his best painting,
42:20La Maca.
42:21The one with Tontorronco Tolaca?
42:23No, no, no, no.
42:24The one with...
42:25My beautiful face, man.
42:26Look.
42:27It costs a hundred dollars.
42:28But I want you to risk twice as much.
42:29It's a high artistic value, man.
42:31No, no, no.
42:32I don't understand your plan.
42:33I'll explain it to you.
42:34Come here.
42:36Oh, la, la.
42:37Magnifique.
42:38Refine.
42:39Bonjour.
42:40Je suis Xavi Srang.
42:41Je t'ai payƩ du dƩs.
42:42Et toi, franƧais?
42:43Oui, oui.
42:44Mais je prĆ©fĆØre pratiquer mon espagnol.
42:45Si ce n'est pas inconvenient pour toi, je te dirai.
42:46Oui.
42:47Oui.
42:48Oui.
42:49Oui.
42:50Oui.
42:51Oui.
42:52Oui.
42:53Oui.
42:54Oui.
42:55Oui.
42:56Oui.
42:57Oui.
42:58Oui.
42:59Oui.
43:00Oui.
43:01Oui.
43:02Oui.
43:03Oui.
43:04Oui.
43:05Oui.
43:06Oui.
43:07Oui.
43:08Oui.
43:09Oui.
43:10Oui.
43:11Oui.
43:12Oui.
43:13Oui.
43:14Oui.
43:15Oui.
43:16Oui.
43:17Oui.
43:18Oui.
43:19Oui.
43:20Oui.
43:21Oui.
43:22Oui.
43:23Oui.
43:24Oui.
43:25Oui.
43:26Oui.
43:27Oui.
43:28Oui.
43:29Oui.
43:30Oui.
43:31Oui.
43:32Oui.
43:33Oui.
43:34Oui.
43:35Oui.
43:36Oui.
43:37Oui.
43:38Oui.
43:39Oui.
43:40Oui.
43:41Oui.
43:43Oui.
43:44Oui.
43:45Oui.
43:46Oui, easy, easy.
43:47Eastern, oui, oui, easy.
43:56I'll be able to go
43:58over my papers
44:00with ease.
44:02I'm sure that skinny girl has a bad reason, but I would fill it all up.
44:18I'll take a sip and give it back, right?
44:26I'm sure that skinny girl has a bad reason, but I would fill it all up, right?
44:36I'm sure that skinny girl has a bad reason, but I would fill it all up, right?
44:46I want to think when the light went out.
44:52It hurts me to have been with a fool like you for so long.