El cuerpo de María Rosa Estefanic, exdueña del hotel, fue encontrado entre los escombros tras el colapso del edificio Apart Hotel Dubrovnik La búsqueda de seis desaparecidos se intensifica mientras los equipos de rescate utilizan tecnología avanzada para detectar signos vitales en los túneles formados por los escombros. Las imágenes aéreas confirman que el hotel giró y cayó, lo que complica aún más las operaciones de rescate.
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00:00The victim turned out to be the former owner of the hotel, the body of Maria Rosa Estefaní,
00:05found among the rubble, while they continue, in a denuded way and with great rigour,
00:11the search for the other six missing.
00:14But Ale Pueblas is working live. Ale, it's a pleasure to greet you.
00:18Good morning. What can you tell us?
00:22Guille, how are you? Good morning. And the moment is critical.
00:24Every minute now is of utmost importance.
00:28They are speeding up the work because when they found Rosa's body in the same room,
00:34in the same, so to speak, the same functional unit,
00:39there was Nahuel and his partner.
00:42Well, there is something confirmed by the aerial images.
00:47That the hotel turns and falls.
00:51Because the balconies were looking the other way.
00:54In the image you can clearly see the balconies turning.
00:58And that makes you notice, well, the story of Adriana,
01:02the neighbor who was saved by a miracle,
01:05that she says that there was, let's take this balcony as an example,
01:09which has sticks, do you see it?
01:12Well, she says that those sticks were windows,
01:15that that balcony was armed like this and that each separation was a window.
01:20Well, that they had removed the windows to put a mega-window.
01:26Or to open that place, to make it open.
01:29Well, they believe that in that place the collapse could have begun
01:34in something that was not enabled.
01:36Because having fallen from that place,
01:39the building can take a turn for how it was built.
01:43Well, the truth is that, look, what they are throwing in this container,
01:48the woods and those rubble are part of the kitchen
01:54of what is the department of Rosa.
01:56They are on that floor.
01:58They are entering there.
01:59Then they made several tunnels to enter.
02:02In the tunnel fits a person, Guille.
02:04Well, some are in danger of collapse.
02:07They stamped some places.
02:09It is no longer safe to be in those places.
02:11As they are removing rubble, the collapses,
02:15the mini-collapses happen.
02:17And that is what also puts the life of the rescuers at risk.
02:20Of course.
02:21Can the machines already work in the rubble?
02:24Ale?
02:26Yes, yes, they have changed the crane.
02:28And not over.
02:29Yes, at a distance, like the crane they have brought,
02:32which reaches to lift twice the weight of the one that was.
02:36You will see, suddenly, almost entire walls coming out,
02:40hanging with this crane,
02:43which they are depositing on the opposite side
02:46and the others, in this truck, are removing the building
02:49by the Medamar terrain,
02:52which they are trying to remove all the rubble out there.
02:55What they are taking out is weight to the tunnels,
02:57to be able to continue entering those tunnels
03:00and see how low they can get to find life.
03:03Guille.
03:04So far, and it must be said,
03:06hope continues, but no beats have been heard.
03:09In line with what Alejandro just said.
03:11Silence, ask for silence.
03:12Wait, wait.
03:13Sorry, sorry.
03:14Ask for silence.
03:15Enter the probe.
03:16Enter the probe at this precise moment.
03:18All machines are turned off.
03:20What I was telling you is happening live, Guille.
03:23They are entering, they are entering with the probe
03:27to one of the tunnels.
03:28Ask for a lot of silence.
03:29They are entering with the probe to one of the tunnels.
03:32You can whisper.
03:34In those tunnels, that probe is like a stethoscope
03:38that can detect beats.
03:41Exactly.
03:42Clear moment.
03:43That's why this silence.
03:44Let's remember, when Ale Pueblas,
03:47who is doing an excellent job there,
03:49was talking to us about the nephew,
03:51which is Nahuel José Estefanik,
03:54the nephew of María Rosa,
03:56and his partner, Ana de Simone,
03:58who are still missing
04:00and are being searched in this rescue operation.
04:03And this silence that itches your skin
04:05also has to do with their search
04:07in a place where, unfortunately,
04:09they found María Rosa's body.
04:11And the people who worked there are...
04:13Dos albañiles.
04:14Dos albañiles.
04:15They already talked to the prosecutor,
04:17Diego González and Miguel Choque.
04:19Based on what Alejandro just said,
04:20how the building fell,
04:21I am talking to one of the architects in charge,
04:24not of the work that collapsed,
04:26but of the work in front,
04:27of the famous work of the elevator,
04:29whose name is Marta Schneider.
04:30I'm insisting that she doesn't want to talk.
04:32But there was a work of an elevator.
04:33And that work was completed and finished.
04:36The elevator was not placed,
04:37but the roof was made.
04:38What the architect says is that
04:40her work has nothing to do
04:41with this work that fell.
04:43What does the architect tell me?
04:45What details does she give me?
04:47Alejandro just said something.
04:49How did it fall?
04:51What she says is that
04:52they touched material
04:54or vital structure
04:55of the right side of the building,
04:57apparently making the openings.
05:00They touched, or they would have touched,
05:02beams or columns.
05:04Columns, of course.
05:05Because, as Ale describes it,
05:08it turns around.
05:09Of course.
05:10Evidently, you touched,
05:12you could touch a column
05:13so that that turn,
05:14so that it is explained,
05:15has to do with the fall to that side.
05:17She gives me the example of a yenga,
05:19where two or three slabs
05:21of the side are touched
05:23and it falls to the side.
05:24She tells me,
05:25it didn't come down like the Twin Towers,
05:26it fell first down
05:28and then to the side.
05:30And what the prosecutor is trying to determine
05:32today is the responsibility
05:34that the architects have,
05:35who today do not transcend the name.
05:37Two architects,
05:38they would be from the Mar del Plata area,
05:40in terms of the disposition of this work.
05:42But they don't have it,
05:43they are taking care of it.
05:44They are taking care of it.
05:45They are taking care of it.
05:46That's why I mentioned Marta Schneider
05:48and she contacted me personally
05:50to tell me,
05:51I am at the disposal of the prosecutor.
05:53I talked to her,
05:54she investigated her,
05:55put her cell phone at her disposal
05:57and other test elements for her.
05:59She says,
06:00she only did the elevator.
06:01Then the back work,
06:02which should have had a work sign
06:04and didn't have it
06:05because it was only for cladding and openings,
06:08they went further and touched columns and beams.
06:12And that caused it to come down
06:14from one moment to the next.
06:15It is obviously all preliminary information
06:17that I am receiving,
06:18it is not proven.
06:19But surely Ale has more data from there.
06:24Yes, what they explain is wrong.
06:26And I am looking for some material
06:28to make it graphic.
06:29Let's do it like this.
06:31A football goal.
06:32Yes?
06:33If I am putting weight on the football goal,
06:36the structure is not that it falls like this,
06:38but the posts,
06:39this is the football goal,
06:40the posts will turn to one side
06:42or they will fall for one or the other, okay?
06:44These posts will be either like this or like this.
06:47Okay?
06:48It's his bridge.
06:49If I come from there,
06:50he focuses me and I say from there.
06:52His bridge is there in Tabica,
06:53here is another,
06:54holding.
06:55And I put weight on this.
06:56There are two options.
06:57That this breaks
06:59and there it would have fallen
07:01to the side
07:03or that this column
07:06that is here
07:07plus a column that should be here
07:10plus all the ones that were in the middle,
07:12if I take the one in the middle and leave the one at the tips,
07:15what it does is that it can slide.
07:17Yes? It slides.
07:18Well, that slide is what would have caused the rotation.
07:22We are talking about two bursts.
07:24A first burst,
07:25which could have been the explosion of the columns
07:27in the cement and the rotation.
07:28A first burst and automatically a tremor.
07:31Well, broken because those two pillars fall.
07:35You can see that the balconies are pointing to the other side
07:38and there it begins to decrease.
07:40Why does it also end up falling
07:42on the building next door in the middle
07:44where a 84-year-old fatal victim and the lady were found
07:48because the water tank was full?
07:50Of course.
07:51That generated the weight
07:52for the floors above to come to that side
07:54and end up crushing the other construction in the middle.
07:58And now, Guille,
08:00a detail that was known just a few minutes ago.
08:03How did they rescue this woman?
08:05How did they get the body of this man?
08:07Embraced.
08:09The man throws himself on top of his wife,
08:11embraces her,
08:13the man apparently kills him,
08:15a beam falls on him,
08:17and he, embracing his wife, protects...
08:20He saved his life.
08:21The lady who is in the hospital today.
08:23Yes.
08:24Between the mattress and the man,
08:26they found this woman's body.
08:29Well, Ale, thank you very much for this.
08:32We know that there will be a press conference
08:34by the lawyers who represent the victims,
08:37the families who were there.
08:39Is that right, Ale?
08:42Yes.
08:43We don't know the time, we don't know the place.
08:46They are going to create an explanation.
08:48I estimate that they will wait
08:50for us to have...
08:51Pierre and Burlando.
08:52Burlando represents...
08:53...the six people,
08:54five people who are trapped in the rubble.
08:57He represents Josefa Bonassa,
08:59who is the person who survives.
09:01Yes.
09:02And the rest of the family
09:03would be represented by Pierre.
09:05We are trying to talk to them
09:06so that they can give us something.
09:08Today, the cart was swallowed up by fire.
09:10Here comes Nahuel's mother.
09:12Sorry to interrupt you and cut you off.
09:14Look, here she is,
09:15she is going to show you, Diego,
09:16that she did the same way her son did.
09:19His son was fishing,
09:20he crossed this street for the last time
09:22and entered the building minutes later,
09:25what we know so far.
09:26Well, she came to do the same way.
09:29Look at the sky, pray, look at the crane.
09:32Why?
09:33Because from one moment to the next,
09:35they will have to inform her
09:36that her son is between the rubble
09:38and that he has no life
09:40or that his son may be in a lung of life,
09:43his heart is still there
09:44and they can take him out alive.
09:46Well, here is this woman being contained
09:48and trying to make the minutes,
09:50which seem like years,
09:51be more bearable.
09:53Sure.
09:54Thank you, Ale,
09:55see you in a few minutes.
09:56See you later.