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00:00A long time ago, in the Meiji era, there was a rumor of a huge gold mine hidden by Ainu in Hokkaido.
00:14You're an innocent Sugimoto!
00:16Sugimoto Saichi, who survived the Nichiro War, heads to Hokkaido.
00:21I want to keep my promise with Toraji.
00:23Sugimoto begins to collect ink with the Ainu girl, Ashiripa, and the White Knight of Natsugokushu.
00:31We're going to find the gold mine.
00:33Yes.
00:34Hiroran Ken'ichipa!
00:36He's a friend from a long time ago.
00:37I know what happened in Abashiri Prison.
00:41Noppera is Aba, Ashiripa's father.
00:45I'm going to meet Noppera.
00:47I'll see with my own eyes if Noppera is him.
00:51Noppera, the leader of Natsugokushu, and Toshizo Hijikata.
00:56The Seventh Division, led by Lieutenant Tsurumi.
00:59These two forces also aim for the gold mine and follow the ink.
01:05Sugimoto's ink contains five strange things that look like otaru.
01:11Noppera gets a copy of the white knight's ink.
01:15Three.
01:17The Seventh Division has one.
01:20There are 16 left.
01:22This is a story of a harsh adventure,
01:27in which you go around the vast gold mine hidden by the Ainu girl,
01:31and steal 24 copies of the ink.
01:51Toshizo Hijikata
01:53Toshizo Hijikata
01:55Toshizo Hijikata
01:57Toshizo Hijikata
01:59Toshizo Hijikata
02:01Toshizo Hijikata
02:03Toshizo Hijikata
02:05Toshizo Hijikata
02:07Toshizo Hijikata
02:09Toshizo Hijikata
02:11Toshizo Hijikata
02:13Toshizo Hijikata
02:15Toshizo Hijikata
02:17Toshizo Hijikata
02:20Toshizo Hijikata
02:22Toshizo Hijikata
02:24Toshizo Hijikata
02:26What are you gonna do now?
02:27I don't know!
02:28I'm gonna go to Sapporo and find a job.
02:30What?
02:31Lend me some money.
02:32I have no money!
02:42Hey!
02:44Leave the money with them.
02:50Sapporo
02:52Sapporo
03:19Sapporo
03:24You're playing samurai with a sword?
03:30Old men,
03:33I'm in a hurry!
03:35Sapporo
03:39Sapporo
03:49Sapporo
03:51Sapporo
03:53Listen, kid.
03:55If you see Oibore in this era,
03:57you'll be saved.
03:59Sapporo
04:01Sapporo
04:03Sapporo
04:05Sapporo
04:07Are you the Yakuza of Barato?
04:09Sapporo
04:10I heard that the Hidoroi family
04:12got the human skin
04:14with a strange tattoo.
04:17Is it true?
04:20I'll answer your question.
04:29The guy who lost money at the market
04:31left it on the debtor's shoulder.
04:34He said that
04:36it had the whereabouts
04:38of Aengu's buried gold.
04:41You should have brought him here
04:44with you.
04:47The Hidoroi family
04:49is a small group
04:51in a small town.
04:53There are about 20 people.
04:56There are two Shinsengumi.
04:59I'll bring them here.
05:02The Hidoroi family
05:05is gone.
05:14The Hidoroi family
05:16is gone.
05:21The Hidoroi family
05:23is gone.
05:28The Hidoroi family
05:30is gone.
05:33There's no sign of resistance.
05:36No shooting from afar.
05:38They all shot at the same spot.
05:41That's quite a few.
05:47Wait here.
05:49Yes, sir.
06:12The Hidoroi family
06:14is gone.
06:31I'm sorry for the wait.
06:36Are you a subordinate of Lieutenant Tsurumi?
06:40No, I'm not.
06:42I'm a volunteer.
06:45You should have been able to shoot
06:48the heads of the people
06:50who approached you.
06:53It's not that easy for you.
06:58Hijikata Toshizou.
07:01What are you after?
07:04I'm here
07:06because I overheard
07:08your conversation.
07:10I noticed you were after him
07:13and was waiting for you.
07:28Do you need
07:31a handgun?
07:38The Hidoroi family
07:41is gone.
07:58We're finally here.
08:01The Hidoroi family
08:04is gone.
08:07Sapporo was planned
08:10as a center for northern development.
08:13It was not as populated as Otaru
08:16but it was a stronghold
08:19of the Nichiro War.
08:24I recommend this inn.
08:27It's a Nakajima Amusement Park
08:30where you can enjoy
08:33a variety of activities.
08:36It's a great place.
08:43Mr. Ashiriba,
08:45don't touch that.
08:49Oh, right.
08:51There's a hotel
08:53run by a housewife
08:56in the outskirts.
08:59That housewife
09:01is sexy.
09:05Everyone
09:07is talking about her.
09:11What kind of hotel is it?
09:13Tell me.
09:20Sapporo World Hotel.
09:23That's where it is.
09:29Welcome, sir.
09:32My name is Ienaga.
09:45Please come in.
09:48This way, please.
09:55This way, please.
09:59Are you a tourist from Sapporo?
10:02Are you a housewife?
10:05Yes.
10:06This hotel is my husband's.
10:09I heard you were married a few years ago.
10:13I'm his mother.
10:16You have a cute butt
10:19and a cute voice.
10:22I'd like to spend the night with you.
10:30Have you eaten yet?
10:33How about a local restaurant?
10:36I'm interested in their ideas.
10:40Do you know what a zoo is?
10:44A zoo?
10:46It's a place where animals
10:49eat the same parts as humans.
10:52If the eyes are bad, eat the eyes.
10:55If the heart is bad, eat the heart.
10:58It's a story about an old man.
11:01He looked young.
11:04He was a doctor.
11:07He killed many patients
11:10and gave himself blood.
11:13Some of the victims' bodies...
11:17It's not a story for a woman.
11:22It's a story about animals.
11:25It's the same as any other meat.
11:28It's the same as any other meat.
11:33It's very effective.
11:36It's a story about animals.
11:39It's a story about animals.
11:45If you don't have enough energy,
11:48where should I eat?
11:51Ma'am.
11:52I don't think you need it.
11:59Ma'am.
12:01Let me eat.
12:06He's so strong.
12:09He's like a beast.
12:12I admire him.
12:21Excuse me.
12:23Is anyone here?
12:25I have a new guest.
12:28Excuse me.
12:36I'll wait in my room.
13:01I didn't notice.
13:03Is it a coincidence?
13:18Welcome.
13:20I'm Ienaga.
13:28I'm Yoshitake.
13:30I'm single.
13:32I'm passionate.
13:38What's your name?
13:41I'm Kano.
13:43Kano.
13:46What a nice name.
13:48I'll wait in my room.
14:03I don't feel comfortable.
14:06We sleep on the floor.
14:13I'm so excited.
14:15Shirai, a woman should be comfortable.
14:18A woman should be strong.
14:22Kano Ienaga.
14:25I'm so excited.
14:28I'll do my best.
14:31Stop it.
14:33It's not good for you.
14:36I feel fate with Kano.
14:40Where is she?
14:41Shut up.
14:43I don't have time to talk to you.
14:46I'm busy thinking about Kano.
14:49Is it a coincidence?
14:53I'm not interested in Shirai.
14:56But I don't want to see Ushiyama.
15:12I want Ushiyama's strong body.
15:15If I have a strong body, I can be perfect.
15:27What?
15:42Kano.
15:43I'm sorry.
15:45I'll help you later.
15:56Kano.
16:02What?
16:04Where are you?
16:07Kano.
16:19Okami.
16:26Where are you?
16:34Kano.
16:40Are you in this room?
16:43What?
16:46Okami.
16:51Where are you?
16:53I found Shirai.
16:55Come to my room.
17:01It's time to go to bed.
17:04I found her.
17:08Shirai, behind you.
17:13Kano?
17:15I have to kill her.
17:23Kano.
17:30It hurts.
17:33It hurts.
17:36What?
17:50Okami.
17:52How long are you going to make me wait?
17:55There are other guests.
17:58Please wait a little longer.
18:10I can't hear you.
18:16I can't stand it.
18:22I can't stand it.
18:24I'll cool my head outside.
18:42It's cold.
18:52What?
18:57Hey.
19:03There's a crazy guy in this hotel.
19:09What is this?
19:22What?
19:38Shuji.
19:42He took over the hotel from his ex-wife.
19:47He has renovated many places.
19:53He built an ideal hotel that no one knows about.
20:03He wants to steal from others what my body lacks.
20:10I don't want anything from your body.
20:14I'm going to destroy you.
20:18I'll break you into pieces.
20:21I'll melt you with my medicine.
20:25I'll make you a new body.
20:29I'll make you a new body.
20:32I'll make you a new body.
20:35I'll make you a new body.
20:39I'll make you a new body.
20:44I'll make you a new body.
20:52What?
20:55It's called judo ear.
20:58You used to do it a lot.
21:00I didn't know if it was important or not.
21:04Oh.
21:06You have a good memory.
21:14I'll make you a new body.
21:44I'll make you a new body.
21:59I'll kill you.
22:02I like you.
22:04I'll treat you.
22:06Let's go for a drink.
22:14I'll make you a new body.
22:20I'll make you a new body.
22:27Osomatsu.
22:30You can eat it.
22:44I'll make you a new body.
22:50What's wrong?
22:52It's too thin.
22:59What do you mean?
23:01It's too thin.
23:03It's too thin.
23:06Let's drink Sapporo beer.
23:10Bring it.
23:14Let's drink Sapporo beer.
23:20Do you know?
23:22Murahashi Hisanari, a samurai who built a beer factory in Sapporo.
23:27He was a man of the new government who fought with Hijikata Toshizo in the war of Agodate.
23:34Hijikata Toshizo.
23:36It's a shame that he lost the war, but the beer he made is delicious.
23:43Hijikata Toshizo?
23:46If he were alive, he would have said so.
23:58Hey, Ashiripa.
24:14I can't take it off.
24:16I'm not a fat old man.
24:25Ashiripa.
24:27Help me.
24:29Ashiripa.
24:31Stop it.
24:33Stop it.
24:37You'll be a good woman.
24:42When choosing a man, it's important to choose a good man.
24:48It's not a matter of size.
24:50It's a matter of whether the man is a gentleman or not.
25:01Thank you for the meal.
25:12I'm home.
25:19I'm home.
25:42I'm home.
26:03Ishiyama, why are you here?
26:06Nagi, help me.
26:08The woman here is a terrible woman.
26:12Woman?
26:13That's right.
26:14She was a prisoner of Yurezumi.
26:17Get out of my way.
26:19Get out of my way.
26:20Woman.
26:22Woman.
26:24Wait a minute.
26:26Wait a minute.
26:27Wait a minute.
26:28Wait a minute.
26:29Wait a minute.
26:30Wait a minute.
26:31Someone help me.
26:36Someone help me.
27:07I'm home.
27:10I'm home.
27:17I remember you.
27:21Woman.
27:24Ishiyama.
27:26Woman.
27:28Woman.
27:30Woman.
27:32Woman.
27:33Woman.
27:35Woman.
27:36Woman.
27:37Woman.
27:38Woman.
27:39Woman.
27:40Woman.
27:41Woman.
27:42Woman.
27:43Woman.
27:44Woman.
27:45Woman.
27:46Woman.
27:47Woman.
27:48Woman.
27:49Woman.
27:50Woman.
27:51Woman.
27:52Woman.
27:53Woman.
27:54Woman.
27:55Woman.
27:56Woman.
27:57Woman.
27:58Woman.
27:59Woman.
28:00Woman.
28:01Woman.
28:02Woman.
28:03Woman.
28:04Woman.
28:05Woman.
28:06Woman.
28:07Woman.
28:08Woman.
28:09Woman.
28:10Woman.
28:11Woman.
28:12Woman.
28:13Woman.
28:14Woman.
28:15Woman.
28:16Woman.
28:17Woman.
28:18Woman.
28:19Woman.
28:20Woman.
28:21Woman.
28:22Woman.
28:23Woman.
28:24Woman.
28:25Woman.
28:26Woman.
28:27Woman.
28:28Woman.
28:29Woman.
28:30Woman.
28:31Woman.
28:32Woman.
28:33I can see green in the deep, deep blue of your eyes.
28:43I want it.
29:04What the hell are you looking at?
29:09I shouldn't have weakened the gas so that this girl wouldn't die.
29:15Licking my eyes? No way! I must have seen something wrong!
29:19I was in a bad mood when I got back to the hotel.
29:22I just came to see how you were doing.
29:25Sugimoto! Hey! Let me in!
29:32This hotel is not good!
29:34There's a torture room in the basement, and there's a lot of dead bodies!
29:37That maidservant is an illegal prisoner!
29:40She's an old man who was a patient and was eating blood and flesh!
29:45This guy is an old man?
29:47In the end, people are greedy for what they don't have.
30:00But look at me. I'm right.
30:05Youth, strength, beauty.
30:08I was able to get everything by eating other people's bodies.
30:12Were you going to bite your beautiful eyes?
30:16Animal instinct.
30:18All I need is to eat and steal what I don't have.
30:22That's a good story.
30:25It's self-defense.
30:27But it's true.
30:29Humans are greedy.
30:32I'm going to pull out your nails and kill you.
30:42I'm going to pull out your nails and kill you.
30:58Shunichi! The maidservant ran away!
31:01What? She didn't come out!
31:05It's all their fault!
31:13Maidservant!
31:15You bastard!
31:17Maidservant!
31:20Wake up!
31:22Wake up!
31:25I'm going to run away from the hotel!
31:28Wake up!
31:35Maidservant!
31:39Maidservant!
31:44You're a pervert!
31:48Shunichi!
31:50Maidservant!
32:06Maidservant!
32:11Our guest is also a pervert!
32:20You're a pervert!
32:25Maidservant!
32:43This hotel is over.
32:45We have to get rid of everything.
32:50We have to get rid of everything.
33:20We have to get rid of everything.
33:50We have to get rid of everything.
34:20We have to get rid of everything.
34:50We have to get rid of everything.
34:59Damn it!
35:01Damn it!
35:06Let's do it.
35:21Let's do it.
35:24Let's do it.
35:50Alcohol.
35:53Alcohol.
36:05Sugimoto!
36:07Sugimoto!
36:10Sugimoto!
36:12Sugimoto!
36:14Sugimoto!
36:16Did we do it?
36:18If you're in here, Sugimoto is in there.
36:26Maidservant has lost consciousness.
36:29The basement is closed. We have to go.
36:32It's a dangerous place.
36:35Wait!
36:37Give me a copies of the scenes already.
36:39I'm here for that.
36:42We are going to label him,
36:44Tell him where you are. Don't think you can get past me.
36:49Now, give me the picture of the tattoo.
36:51Hey, this isn't the time for that!
36:54I'll see you at the gun shop tomorrow.
37:03Run! Run, run!
37:06Run, run!
37:08Run!
37:11Huh?
37:13Hey.
37:16Did you drop the bomb?
37:18Huh?
37:19There's an explosion! Hurry!
37:21Okay!
37:36Huh?
37:37Just hurry! We can't get out!
37:42Run!
37:53I'm going to die.
37:57I came to see you.
38:13You won't run away. You won't die.
38:28You're the one I've been waiting for.
38:34When I was young, you were strong and beautiful.
38:43You clung to your best self.
38:55When did you become perfect?
39:12When did you become perfect?
39:37Chief!
39:43Chimpo!
40:05When you choose a man, it's Chimpo.
40:10Mr. Chimpo.
40:16That's half the story.
40:21What are we going to do?
40:23Ieyanaga and Ushiyama are still inside.
40:29Hey.
40:33If the police or the military come, we'll be in trouble.
40:36Let's get out of here first.
40:38Okay.
41:09You're still alive.
41:14Here.
41:15It's a replica of Enmika statue.
41:18How did you make a replica of Enmika statue?
41:25Don't underestimate me. I'm the king of exile.
41:29It's not a fake statue you made.
41:32It's a real one.
41:34I'm your spy.
41:37Come here.
41:47Ieyanaga!
41:49You're alive.
41:51Are you okay?
41:54I'm just renting the place.
41:57I didn't show you the tattoo.
42:02Do you have to let him live?
42:07No.
42:13You fell in love with him?
42:16Don't mess with me.
42:18A good doctor is useful.
42:20And I heard a good story thanks to you.
42:24Ieyanaga, tell him again.
42:28A month ago, a young man and a middle-aged man came to the hotel.
42:35I trapped a young and beautiful man in the basement and tried to take his blood.
42:43What the hell is this place?
42:45Hey, give me a break.
42:47What did I do?
42:49Hey.
42:50What did you do with that long nose?
42:54What did I do?
42:56Hey.
42:57What are you going to do with that long nose?
42:59My grandfather told me not to touch it.
43:04The young man said a lot of things.
43:07But he said something unexpected.
43:11The man who came with me was the same as you.
43:17He was the one who escaped from the abashiri.
43:31After killing the young man, I went to see what was going on in the room.
43:35The middle-aged man was gone.
43:38Maybe he noticed the danger because the guard was gone.
43:42I don't know.
43:44Didn't you recognize the middle-aged man?
43:46No.
43:48So you don't know where the middle-aged man went?
43:53The young man said that the middle-aged man was going to meet an American named Dan in Hidaka.
44:04Why did you tell me this story?
44:07I'll go to the old man in Hijikata with Ienaga.
44:11You guys get the middle-aged man's tattoo in the meantime.
44:18You won't refuse, will you?
44:38I heard from the wild beasts that the fire department and the police couldn't find the missing person.
44:51I'm sure he's alive.
44:53Chimpo.
44:55Mr. Chimpo.
44:57Throw that half away.
45:00Throw it away.
45:05But Shiraishi used my hand grenade.
45:10Where did he go?
45:12Susukino, right?
45:14That bastard.
45:16I got information about a new prisoner from the cute girl in Susukino.
45:21A new prisoner?
45:23I heard that the middle-aged man who came to Susukino had that tattoo.
45:29He said he was going to Hidaka.
45:33Hidaka?
45:35It's just a passage for us who are trying to get around Abashiri from the southeast after passing through Asahikawa, where the headquarters of the 7th Division is.
45:44There's no guarantee that we can meet Nobperabo in Abashiri.
45:48If we can get information about the prisoner from Michisu, we should head there.
45:56All right, let's go to Hidaka.
46:00If you say so, I'll go with you.
46:05There's one problem.
46:08The money I had is gone.
46:12Mr. Ashirima, lend me some money.
46:15I'll give you the money right away.
46:17You idiot.
46:19If you hadn't ruined the bomb, you wouldn't have had to use Mr. Ashirima's money to buy it back.
46:25I'm pissed off.
46:27Leave him alone.
46:29Let's borrow some money from Ryo for a while.
46:32There's a large-sized kotan in the entrance of Tomakomai.
46:46Tomakomai
46:51This is Fuchi's younger brother.
46:53He's the oldest of the six brothers.
46:56He's going to stay here tonight.
47:00I've heard a lot about you.
47:04I've heard a lot about you.
47:07I've heard a lot about you.
47:12A strange woman appeared in this village the other day.
47:16A strange woman appeared in this village the other day.
47:20She said she could see the past and the future.
47:23She said she could see the past and the future.
47:26The villagers are going crazy.
47:29The villagers are going crazy.
47:38She's a woman named Inkarama.
47:41She's a woman named Inkarama.
47:44She's a woman named Inkarama.
47:59The past and the future
48:04The past and the future
48:09The past and the future
48:14The past and the future
48:20There are some wonderful Nishipas.
48:23There are some wonderful Nishipas.
48:27I'm Yoshitake. I'm a white-collar worker.
48:30I'm Yoshitake. I'm a white-collar worker.
48:34I'm a man with a lot of scars.
48:40I'm a man with a lot of scars.
48:43I'm a woman named Osoma.
48:46I'm a woman named Osoma.
48:49Ms. Nishipa, did you say Osoma?
48:52Ms. Nishipa, did you say Osoma?
48:53No, I didn't.
49:08You came from Otaru, didn't you?
49:11You came from Otaru, didn't you?
49:12Why do you ask?
49:15I heard that you came from Otaru.
49:22You are looking for someone or something.
49:27You are looking for someone or something.
49:29Are you kidding me? That's amazing!
49:32I'm good at fortune-telling.
49:35I'm good at fortune-telling.
49:40Huh?
50:11Place the tongue on top of the head.
50:14Drop it, and use the direction of the teeth to tell the story.
50:20If the teeth are on top, it's a good sign.
50:25Let's see if you can find what you're looking for.
50:294.5.
50:334.5.
50:354.5.
50:374.5.
50:394.5.
50:414.5.
50:48The lower teeth are out.
50:50I sense ominous signs.
50:53You should stop your plan.
50:56Are you serious?
50:58I'm just guessing.
51:03I don't believe in fortune-telling.
51:06I'm a woman of love.
51:14I see.
51:21By the way...
51:24Aren't you looking for your father?
51:32I'm just guessing.
51:39Inkaruma-chan.
51:41Amazing.
51:44That woman is suspicious.
51:47I don't know.
51:50What's that?
51:52The white one is a fox.
51:55The black one is a fox god.
51:58He heals people's sickness.
52:03But the red one is called...
52:06Chiron-Nu.
52:08Chiron-Nu.
52:22Chiron-Nu.
52:24Chiron-Nu.
52:26Chiron-Nu.
52:28Chiron-Nu.
52:30It's a bear!
52:32Stop him!
52:33There are more dangers out there.
52:35You brought that bear.
52:37Your eyes are as beautiful as your father's.
52:40Kimeru!
52:41Which one of us should die?
52:44It's a duel.
52:45The hat!
52:46It was your fault!
52:48He's dying!
52:52遥か凍てつく大地に 根も葉も持たぬ 種が芽を出す
53:03空にやにきな臭い 火のない煙が 白く揺れる
53:16消えかけた炎が尽きる時 激しく燃えきらめくのは何故
53:28流れた赤い血が 身体をかける痛みが 生きている証を熱く胸に刻む
53:40フラチな欲望に 絡みつく不安殺して 抗えぬ運命に身を焦がせよ
53:52眩い光の一寸先を睨んで
54:10流れた赤い血が 身体をかける痛みが 生きている証を熱く胸に刻む
54:30フラチな欲望に 絡みつく不安殺して 抗えぬ運命に身を焦がせよ
54:43眩い光の一寸先を睨んで
55:00眩い光の一寸先を睨んで
55:31フラチな欲望に 絡みつく不安殺して 抗えぬ運命に身を焦がせよ
55:39眩い光の一寸先を睨んで
55:49眩い光の一寸先を睨んで
56:00眩い光の一寸先を睨んで
56:10眩い光の一寸先を睨んで
56:20眩い光の一寸先を睨んで
56:27眩い光の一寸先を睨んで
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56:47眩い光の一寸先を睨んで
56:52眩い光の一寸先を睨んで
57:00眩い光の一寸先を睨んで
57:10眩い光の一寸先を睨んで
57:20眩い光の一寸先を睨んで
57:28眩い光の一寸先を睨んで
57:36眩い光の一寸先を睨んで
57:44眩い光の一寸先を睨んで
57:54眩い光の一寸先を睨んで
58:04眩い光の一寸先を睨んで
58:14眩い光の一寸先を睨んで
58:24眩い光の一寸先を睨んで
58:34眩い光の一寸先を睨んで