• 4 hours ago
Transcript
00:00:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:00:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:31Did I play nicely?
00:01:35It's not nice to eavesdrop.
00:01:38Who doesn't eavesdrop, doesn't know what he's missing. I don't play nicely, because why? Everyone can play nicely.
00:01:44But when I play...
00:01:47No one will learn it.
00:01:50Of course.
00:01:54Lady Bracknell will be here soon.
00:01:57Will there be sandwiches with cucumber?
00:02:00Of course.
00:02:02Oh, yes, by the way.
00:02:05After the last guests, when they visited us, Lord...
00:02:08Shoreham?
00:02:09With Mr. Worthing, he wrote on the website with champagne, that 8 bottles went.
00:02:12And half.
00:02:13Is it always like that in the house of the Cavaliers, that the service drinks after the accounts?
00:02:17It's a pity not to drink when it's good.
00:02:19I know from experience, that in the houses with wife and children, there is no such champagne.
00:02:26So marriage is harmful?
00:02:28No, sometimes it has both good and bad sides.
00:02:30I don't know myself, by the way.
00:02:31I was married only once.
00:02:33And it was a bit of a mistake.
00:02:35You don't want to know the details, do you?
00:02:37Of course.
00:02:38I don't care about my own personal affairs.
00:02:41And Leon can leave, right?
00:02:43Of course.
00:02:44Excuse me.
00:03:10Mr. Ernest Worthing with a visit.
00:03:15Who do I see?
00:03:19You've been out since Thursday.
00:03:21Yes, I went to the village.
00:03:23But why?
00:03:26I live for the view of the city, and the village lives for my view.
00:03:31I go to emanate the city and make an impression.
00:03:34Because someone has to.
00:03:36And to whom do you swear such a service, if I may ask?
00:03:39Neighbor, as in the countryside.
00:03:41And you get along well?
00:03:43Do you talk to each other?
00:03:45I don't complain, because we don't talk.
00:03:47Well, that's really good.
00:03:53Mmm, a guest.
00:03:55Aunt Augusta will come with Lena for tea.
00:03:58That's a great idea.
00:04:01But what will she think when she sees you here?
00:04:05What would she think?
00:04:07Because is it so shameful to flirt with her daughter?
00:04:13Listen.
00:04:14I love Lena.
00:04:16And I have serious intentions towards her.
00:04:19I came to make a vow.
00:04:21I advise you to be careful.
00:04:23Because if you make a vow, God forbid, she will agree and it will be the end of the fun.
00:04:27The essence of romance is uncertainty.
00:04:29Yes.
00:04:30If I get married, I will try not to notice this fact.
00:04:33Your wife will remind you anyway when she is about to give birth.
00:04:36Anyway, I won't let you.
00:04:40Excuse me?
00:04:41Lena is my cousin and I won't let her hurt her.
00:04:44I will agree to the wedding.
00:04:46Only when you finish with Celina.
00:04:49With what Celina? I don't know any Celina.
00:04:52Leon, would you be so kind as to bring the cigarette,
00:04:55which Mr. Worfink didn't take with him on Thursday?
00:04:57Of course.
00:04:58I left it with you.
00:05:00Well, I had to discuss it.
00:05:01I went to the police with it.
00:05:02I already wanted to allocate some money for the find.
00:05:04It's a pity you didn't allocate.
00:05:05It would be useful.
00:05:07Anyway, it doesn't matter.
00:05:10It's not yours.
00:05:11Of course it's not mine.
00:05:13Is it appropriate to read what is written?
00:05:15Knowing life, not necessarily.
00:05:17Most of what is written now is not suitable for reading.
00:05:20I want my cigarette.
00:05:21But is it definitely yours?
00:05:23Because it is written here that it is from some Celina.
00:05:25As far as I remember, you don't know any Celina.
00:05:27I have Celina's aunt, if you want to know.
00:05:29Aunt?
00:05:30Yes, aunt, a nice old lady. Give it back.
00:05:32And the old lady signs Celinka?
00:05:35As if she was little and writes that she loves?
00:05:38She loves, obviously.
00:05:39What's so strange about it?
00:05:40I have nothing to do with someone's aunt being little,
00:05:44but I don't understand why your aunt,
00:05:46regardless of her age,
00:05:47calls you uncle.
00:05:48Jasiu, because that's what it says here.
00:05:54My name is Jan, not Ernest.
00:05:58You always said that Ernest.
00:06:01Everyone says that to you.
00:06:04Ernest they tell me in the city,
00:06:06and Jan in the province.
00:06:07And it was in the province that I got this cigarette.
00:06:09Give it back to me, please.
00:06:10I'll give it back if you tell me
00:06:13why Celina's aunt calls you uncle.
00:06:18Although I guess.
00:06:20Bambury.
00:06:22What?
00:06:24Bambury.
00:06:25What, Bambury?
00:06:28I'll explain to you how you tell me
00:06:30why you're Ernest in the city
00:06:32and I'm in the province.
00:06:33I have to light it first.
00:06:35Here you go.
00:06:39Tell me.
00:06:41The truth is, of course, boring.
00:06:44But okay, I'll tell the truth.
00:06:48In the holy memory of Mr. Thomas Cardia,
00:06:50my great-grandfather adopted me when I was little.
00:06:54And now, after years, in his will,
00:06:56he entrusted me with his granddaughter,
00:06:58Cecilia Cardia.
00:06:59Celina.
00:07:01You won't understand it,
00:07:03but Miss Celina has a lot of respect for me
00:07:06and calls me uncle.
00:07:07And she lives in my yard
00:07:09under the care of her teacher, Mrs. Pryzna.
00:07:11And where is the yard?
00:07:13No one will tell you.
00:07:15And I won't invite you anyway.
00:07:17I guess so.
00:07:18But let's get back to the topic.
00:07:20What's up with this game with names?
00:07:23The caretaker of a young person, in this case me,
00:07:25must give a good example,
00:07:27lead a good life.
00:07:28It's not healthy, it's not pleasant,
00:07:30but well, what can you do?
00:07:32In order not to fall for it,
00:07:34I created Ernest, my younger brother,
00:07:36who lives in the city,
00:07:38in rooms furnished for men of a free state
00:07:40and leads badly.
00:07:42And I visit him
00:07:44to give him a good example.
00:07:46That's the whole truth.
00:07:47I knew it!
00:07:48I knew you were a bamboozler over bamboozlers!
00:07:50Whatever that means.
00:07:51And what does Ernest mean?
00:07:53Your younger brother, Ernest,
00:07:55means only so much to you
00:07:56that you go to the city when you feel like it,
00:07:58and I do the same,
00:07:59but under a different sign.
00:08:00I have a friend, a bamboozler.
00:08:02He lives in the village.
00:08:03He's always sick.
00:08:04You have to visit him often.
00:08:06He needs me.
00:08:08And I need him.
00:08:10What would I do without him?
00:08:12I couldn't, for example,
00:08:13go out for dinner with you
00:08:14because I would have to spend the evening
00:08:15with the aunt I promised.
00:08:17Did we make a deal?
00:08:18Yes, but you forgot to send an invitation.
00:08:20So you understand?
00:08:22I prefer to spend the evening with you
00:08:24in the company of a bamboozler
00:08:26over bamboozlers.
00:08:28Which one are you?
00:08:29Although you don't know that,
00:08:30time will tell.
00:08:31I don't know what you're talking about,
00:08:34what kind of bamboozler,
00:08:36but even if I knew,
00:08:38it's over with Ernest anyway,
00:08:40because I'll marry Lena.
00:08:42And even if I don't get married,
00:08:44I'll still give Ernest peace,
00:08:45because Celina keeps asking,
00:08:46what's wrong with Ernest?
00:08:47Because if there's something wrong with Ernest,
00:08:48I really don't have the strength anymore.
00:08:51So I'll let the guy die.
00:08:52And your guy,
00:08:53who's always full of stupid nicknames,
00:08:55better do the same.
00:08:57Give up bamboozling?
00:09:00You'd better get it out of your head.
00:09:02And remember that you can't do without it
00:09:04when you get married.
00:09:05If you get married,
00:09:07a married man,
00:09:08when there's no one to bamboozle with,
00:09:10won't last long.
00:09:11Do you want to show off how cynical you are?
00:09:14There's nothing to show off.
00:09:17Today, everyone is like this.
00:09:22Like this.
00:09:26Lady Bracknell with Mrs. Farfax.
00:09:29Aunt is coming.
00:09:31Only the family,
00:09:32or the Vindication,
00:09:33is calling in Wagner's style.
00:09:35I'll talk to Aunt for ten minutes,
00:09:37you'll stay with Lena,
00:09:38you'll make a vow,
00:09:40and we'll go for dinner.
00:09:42No problem.
00:09:47How are you holding up, Algie?
00:10:10Good morning, Aunt.
00:10:12I'm even doing well.
00:10:14Nice to hear,
00:10:15although I'm not asking about that.
00:10:16You're in a good mood,
00:10:17but when you're holding up,
00:10:18in a dignified and classy way,
00:10:21it's something else entirely.
00:10:26You look empty.
00:10:28As usual.
00:10:29Right, Mr. Worthing?
00:10:30You're absolutely perfect.
00:10:32I hope not.
00:10:33That would prevent me from developing further.
00:10:38Forgive me, Algie, for being late,
00:10:40but I was at Lady Harbour on my way.
00:10:43I had to visit her.
00:10:44Last time I saw her
00:10:45was when she was burying her poor husband.
00:10:48Since she was pregnant,
00:10:50she's been rejuvenating.
00:10:55I'd like some tea,
00:10:56if I may ask,
00:10:57and a sandwich with cucumber,
00:10:58because I can't wait.
00:11:00At your service, Aunt.
00:11:14Just a moment.
00:11:15It's good.
00:11:19Oh my God, St. Leon!
00:11:21Sandwiches!
00:11:23There were no cucumbers.
00:11:24I've been to the city twice
00:11:26and they had none.
00:11:28There are no cucumbers.
00:11:30Not even a sandwich.
00:11:34It's hard.
00:11:35Leon may leave.
00:11:36Of course.
00:11:38It's a silly thing, Aunt,
00:11:40but there was no sandwich,
00:11:41not even a bite.
00:11:43It's all right, Algie.
00:11:45I got advice from Lady Harbour.
00:11:48She has no one to live for,
00:11:50so she lives for pleasure.
00:11:52She's beautiful in despair.
00:11:55Her hair is shiny
00:11:57instead of gray in pain.
00:12:00Hair is dead.
00:12:02That's why the death company
00:12:03works on it so vividly.
00:12:08Here you are.
00:12:11I'll be very grateful for dinner tonight.
00:12:15You'll get a seat at Mary Farquhar's.
00:12:19A wonderful woman,
00:12:21in love with her husband.
00:12:23How nice she looks at them.
00:12:25I can't today, Aunt.
00:12:27I'm sorry.
00:12:29You must be joking.
00:12:31It will ruin my table.
00:12:33Who will I sit with?
00:12:36I'm sorry.
00:12:38I'm very sorry,
00:12:39but I have no choice.
00:12:42Unlucky bamboo,
00:12:43my friend from the village.
00:12:45He's not feeling well
00:12:47and he sent a telegram.
00:12:48I can't leave him like this.
00:12:51This Mr. Bamboo
00:12:52seems to be suffering
00:12:53from strangely bad health.
00:12:56He suffers from bamboo fever.
00:12:59He needs constant care.
00:13:06But he will die one day.
00:13:09Let him decide.
00:13:11He has to die one day.
00:13:13This accident seems incurable.
00:13:16It's better not to live than to get sick.
00:13:18That's what I think, Aunt.
00:13:20Sickness is unpleasant and unaesthetic.
00:13:22And who cares?
00:13:23There's no need to worry.
00:13:25A man has to be healthy.
00:13:27Either he lives or he doesn't.
00:13:28Let him not turn his head.
00:13:29I'm explaining to your uncle.
00:13:31He doesn't listen to me
00:13:32and keeps repeating
00:13:33that sickness is a part of life.
00:13:36I think it's his fault.
00:13:41Alright.
00:13:42If you're going,
00:13:44please pass my heartfelt request
00:13:47to our Mr. Bamboo.
00:13:49If he has to,
00:13:51let him get sick.
00:13:53But not next Saturday.
00:13:55Because then he wants you to stay with him.
00:13:58I'll talk to him about it
00:13:59if he's conscious.
00:14:01Next Saturday
00:14:02I have a gig at the end of the season.
00:14:04I invited everyone.
00:14:06And I'd like to revive the company.
00:14:08Because everyone has already said
00:14:09everything they think about everyone.
00:14:10I mean, not much.
00:14:11There are no more topics.
00:14:12You have to save yourself somehow.
00:14:13I need a musical recovery.
00:14:15That's why I'm inviting you.
00:14:17Aunt,
00:14:18it's an eternal problem with music.
00:14:20Because if you play well,
00:14:21they talk, they don't listen,
00:14:22and they put their ears up
00:14:23when you play badly.
00:14:25Let's go to Baviale.
00:14:26I'll present the program to you on Saturday.
00:14:29Thank you very much, Algie.
00:14:33I'll be right back.
00:14:46It's nice today, isn't it?
00:14:50But not about the weather, please.
00:14:55I'm afraid of this topic.
00:14:57Whenever someone talks about the weather,
00:14:59it seems to me that they mean something.
00:15:02You seem to be right today,
00:15:04Miss Fairfax Gwendolyn.
00:15:08You are the best of girls.
00:15:12I mean, the best of women.
00:15:14I mean, of whom I, so far...
00:15:19I mean, at all...
00:15:22just the best.
00:15:26You finally told me that.
00:15:29Although without witnesses,
00:15:32I could have told you the same.
00:15:36It always seemed to me,
00:15:37even when I didn't know about your existence,
00:15:40that something would come of it.
00:15:42You see, Mrs. Worthing,
00:15:44my perfect man,
00:15:46in whom I will fall in love,
00:15:48will be named Ernest.
00:15:50That's what I decided.
00:15:53To me, it means honesty, passion and seriousness.
00:15:57When Algie told me that she had a friend named Ernest,
00:16:00I immediately knew everything.
00:16:05You love me, Lena.
00:16:08The most in the world.
00:16:10I'm the happiest.
00:16:17Ernest.
00:16:20But if I didn't have that name...
00:16:22But assuming.
00:16:23I don't assume anything.
00:16:24You have to take what is.
00:16:26Exactly.
00:16:27That or another name, what's the difference?
00:16:28For example, I'm not somehow attached to my own.
00:16:30And she's very attached to you.
00:16:32You have the best name.
00:16:33How serious it sounds.
00:16:35Ernest.
00:16:36God.
00:16:38But there are prettier ones, right?
00:16:40For example, Jaś.
00:16:42You must be joking.
00:16:43The worst of all.
00:16:45How does it sound?
00:16:46Jaś.
00:16:47God.
00:16:48God.
00:16:49A common name.
00:16:51First from the shore and immediately says everything about who wears it.
00:16:53And I know a few of them.
00:16:55Jaś.
00:16:56It's not even a name.
00:16:57Just a diminution.
00:16:59From Jan.
00:17:00That's how you call servants.
00:17:01Jan!
00:17:04To marry a man who was given that?
00:17:06Honestly?
00:17:07I'm not jealous.
00:17:08Because it's rather he comes after you.
00:17:10And then he follows you like a locust.
00:17:12And you never have peace.
00:17:14What else?
00:17:15Ernest.
00:17:16Honest.
00:17:17I trust you.
00:17:20I'm going to get baptized.
00:17:22I mean, to get married.
00:17:24But how to get married?
00:17:25Normally, with you.
00:17:27With you until death.
00:17:28But maybe some testimony first?
00:17:31Well, I'll testify.
00:17:33I have nothing against it.
00:17:40Gwendolyn.
00:17:42What?
00:17:45You know what I want to say.
00:17:46But you don't say it.
00:17:47I'll say it.
00:17:48Then say it.
00:17:51No fair facts.
00:17:55Will you marry me?
00:17:59I will.
00:18:00Don't worry.
00:18:02You always look at me like that.
00:18:04Especially with people.
00:18:12Please get up.
00:18:13I'll teach you a lesson.
00:18:14I'll burn this half-wit.
00:18:17It looks ugly.
00:18:18Mom, I'm married.
00:18:20And you're bothering me a little.
00:18:22I'm bothering you?
00:18:24How?
00:18:28Will you get married to me?
00:18:37I think you've made a mistake.
00:18:40Because it works the other way.
00:18:42When you get to them, you'll find out last, from me or from your father, if you make it.
00:18:48Because for you at the wedding, it should be a sensation, a surprise, a shock.
00:18:54The girl to be married must be taken by surprise.
00:18:57And you won't spoil that for me.
00:19:00Now I'll take care of you, and you, my dear, wait downstairs.
00:19:04Mom!
00:19:05No discussion, please.
00:19:12Please have a seat.
00:19:19Thank you, I'll stand.
00:19:21Let me tell you right away, I don't have you in the list of the Cavaliers of the Society,
00:19:25so you won't be in the list of Princess Bolton either.
00:19:28Because I have the same as she does.
00:19:30We jointly run the registry of allowed surnames.
00:19:34I will gladly allow you, unless you answer my questions wrong,
00:19:40which I will ask as a mother.
00:19:46On the left.
00:19:48I'm falling.
00:19:50It's great.
00:19:53You have to have a job in life.
00:19:56The worst is without a job, without a purpose, without a sense.
00:19:59Age?
00:20:01Twenty-nine.
00:20:04Great.
00:20:06The age of so-called rebellion.
00:20:08In my opinion, a man who wants to get married should know everything or nothing.
00:20:13What do you know?
00:20:17Nothing.
00:20:18So?
00:20:21Correctly.
00:20:23We are born pure, not contaminated with knowledge, in natural balance.
00:20:29And I respect that.
00:20:31I don't respect this school.
00:20:33And I have no idea what to do with ignorance.
00:20:35Because ignorance is the only thing you can't learn.
00:20:38You either have it or you don't.
00:20:40Fortunately, our school doesn't teach anything.
00:20:43Because if it did, it would be forbidden to confuse people in their heads.
00:20:47Knowledge makes water from the brain and leads to confusion.
00:20:50And that's why not everyone should think.
00:20:54Income.
00:20:57National average times seven. Eight.
00:21:03From real estate?
00:21:06Or from capital turnover?
00:21:09Mainly from turnover.
00:21:15That's even better.
00:21:17From real estate, I also have a house in the countryside with a plot of land,
00:21:22about sixty square kilometers.
00:21:25A house in the countryside and a yard?
00:21:28And how many bedrooms?
00:21:30We'll check on the spot.
00:21:31But do you have any lodgings in the city?
00:21:36You can't expect such a simple and not so broken girl
00:21:41like Gwenda Lena to have to sit in the countryside.
00:21:45Of course.
00:21:47A tenement house at the square in the Belgravia district.
00:21:55Poblondy?
00:21:57I don't have any. I'm a liberal.
00:21:59So, conservatism.
00:22:01I know, because liberals come to me for dinner.
00:22:05And for less important things?
00:22:08Parents?
00:22:13I don't have any.
00:22:16What do you mean? Oboyga?
00:22:17The loss of one parent can be considered an accident, but...
00:22:21Oboyga is just a thought.
00:22:24Who was your father?
00:22:26It's hard to say.
00:22:28Because, you see, it wasn't me who lost my parents,
00:22:31but rather they lost me.
00:22:36Interesting.
00:22:38As an infant, I was found
00:22:40and raised by a gentleman by the name of Thomas Cardew.
00:22:45He gave me the name Warfing, because he had a ticket to that country.
00:22:48Warfing is in Sussex.
00:22:50An airport by the sea.
00:22:51And where did he find you?
00:22:53In a bag.
00:22:54In a bag?
00:22:55In a large leather bag with handles.
00:22:57But where did he get the bag from?
00:22:59By mistake.
00:23:00He got it in the trunk at Victoria station.
00:23:07I don't know what to think about it.
00:23:10Maybe someone wanted to hide it from us.
00:23:12Or hide something.
00:23:13Some kind of social scandal.
00:23:19A man was born in a bag.
00:23:21I mean, he was found.
00:23:24It's... it's... it's unusual.
00:23:28It's even abnormal.
00:23:31In any case, disqualifying.
00:23:34But I love her. I love her!
00:23:36What would you advise me?
00:23:43I would advise you
00:23:45to get and officially present at least one parent as soon as possible.
00:23:53It doesn't matter how soon, because the season is over.
00:24:01I'm afraid you'll have to have a bag.
00:24:08My closest family...
00:24:11I'm so sorry.
00:24:15You don't think Lord Bracknell and I
00:24:20will let our only daughter,
00:24:22a girl raised with the highest care,
00:24:26get into a colligation with storing luggage
00:24:32and join the marriage knot
00:24:36with a bag?
00:24:38Goodbye, sir.
00:24:45With a bag?
00:24:50Stop it.
00:24:52Stop it!
00:24:55Did you have a bad time, old man?
00:24:58Don't worry.
00:25:00Lena is always on her side.
00:25:02She has a bad temper.
00:25:03It's not true.
00:25:04There is no problem with her.
00:25:06It's her mother.
00:25:08What a witch, a snake, a vampire.
00:25:11I'm sorry, Alci.
00:25:12My humble heart.
00:25:14That's how a family works.
00:25:15You can't live with them.
00:25:16They don't want to die.
00:25:18By the way,
00:25:19did you tell Lena that you're changing your name
00:25:21along with the place of residence?
00:25:23I respect her too much to tell her the truth.
00:25:26Besides, Ernest won't last long,
00:25:28because he'll die of a heart attack in Paris.
00:25:30Does that sound credible?
00:25:31It's hereditary.
00:25:32Maybe she'll say it's for an infection,
00:25:34but you can also...
00:25:35It's not hereditary.
00:25:36No, not for an infection.
00:25:38So Ernest died because he got an infection in Paris.
00:25:43Life.
00:25:44Rather death.
00:25:46Celinka will survive it.
00:25:48Don't worry.
00:25:49She's not stupid.
00:25:50Nothing will happen to her.
00:25:51I'd like to meet her.
00:25:52Excluded.
00:25:53She's beautiful and young.
00:25:55Stay away from her.
00:25:59Did you tell her about the deer?
00:26:02Everything in due time.
00:26:03Anyway, you'll see.
00:26:04They'll like each other.
00:26:05They'll talk for half an hour
00:26:06and they'll be like sisters.
00:26:07Half an hour?
00:26:08No, longer.
00:26:09They can't get enough of each other.
00:26:12Anna Fairfax.
00:26:13Ernest.
00:26:14Hanna.
00:26:15Your mother told me everything
00:26:17about your difficult childhood,
00:26:19which made you even more expensive.
00:26:22And I agree.
00:26:23Everything makes sense.
00:26:25You're kind and I love you,
00:26:27because I don't understand you.
00:26:29I don't know where to look for you in London,
00:26:31but in the village where you live,
00:26:33I want to write to you every day.
00:26:36Wollton farm in Hertford.
00:26:43What?
00:26:45I thought about the bamboo,
00:26:47his bamboo man.
00:26:48I'm worried about him.
00:26:50You should be worried about yourself,
00:26:51so that you don't get into any serious trouble
00:26:53because of this bambooing.
00:26:55I love trouble.
00:26:57It's the only thing that's never serious.
00:27:00Look how he likes to talk nonsense.
00:27:04Like everyone else.
00:27:27Where is the child?
00:27:42Celinko!
00:27:44Celinko!
00:27:46Celinko!
00:27:48We have a gardener since we started working in the garden.
00:27:51And you have to work with your head,
00:27:53because you were created for higher things.
00:27:56Come to me.
00:27:57Open the book to the German
00:27:59on the fifteenth page.
00:28:01We'll do a repetition.
00:28:03The German is ugly.
00:28:06He looks ugly.
00:28:08But sometimes you have to.
00:28:13Uncle wants the best for you
00:28:15and he clearly asked
00:28:16that the German first of all
00:28:23Ich bin ernst.
00:28:26Ernst.
00:28:28Du bist?
00:28:29Du bist ernst.
00:28:32Er, sie, es?
00:28:34Er, sie, es ist.
00:28:36Ernst.
00:28:38What's gotten into him?
00:28:40He's always going somewhere
00:28:41and he's always German.
00:28:43I'm worried about Uncle Jasz.
00:28:45And he's worried about you,
00:28:46so that you don't have to.
00:28:48Everything is in his head.
00:28:50Here he cares about you,
00:28:52and he cares about his brother in the city.
00:28:54Let him bring him here.
00:28:56He would have him there,
00:28:57he wouldn't have to travel so much.
00:28:58We would help him take care of his brother,
00:29:00he would have a German or geography lesson.
00:29:02He would have grown into people.
00:29:05I don't know if it would work.
00:29:07Judging by what I've heard,
00:29:09Mr. Worthing's brother is a strange case.
00:29:12I won't take the risk.
00:29:15Besides, what kind of idea is it
00:29:17to make people out of people?
00:29:19Let them sleep,
00:29:21like they were sent.
00:29:25But don't write, please,
00:29:27when we're talking.
00:29:28Why do you need a diary?
00:29:30I'm writing in it
00:29:31the wonderful secrets of my life.
00:29:33That's why we're practicing our heads,
00:29:35to have everything in them.
00:29:37Things that don't fit in the head happen.
00:29:39Most writers write books with their heads.
00:29:41That means with nothing.
00:29:43Oh, let's not joke about that.
00:29:47I once wrote a story
00:29:50in three volumes.
00:29:52Really?
00:29:53Does it end well?
00:29:54I'd rather not,
00:29:55because such endings always make me sick.
00:29:57It ends differently.
00:29:59For good characters, it's good.
00:30:02And for others, not so much.
00:30:05Let it be so, at least in books.
00:30:07That's unfair.
00:30:08I'd rather it be the other way around,
00:30:10so that good ones end badly.
00:30:15Is that enough?
00:30:17Let's go back to the lesson.
00:30:19Oh!
00:30:20Doctor Ornat is coming!
00:30:22Doctor Ornat!
00:30:24How nice!
00:30:33How do we feel today?
00:30:36Mrs. Prisma is blooming!
00:30:38She complains a little about her head.
00:30:40Maybe you should take a fresh air bath?
00:30:43I complain?
00:30:44I don't say anything.
00:30:45And I don't need to say anything.
00:30:46I'll figure it out myself.
00:30:54You're a good student.
00:30:55Bad.
00:30:57Something like that.
00:31:00With such a teacher,
00:31:02I'd learn very well.
00:31:04I'd sing words with my mouth.
00:31:07I used a beekeeping metaphor,
00:31:09because that's what they say.
00:31:10I'd sing like...
00:31:13a nectar bee.
00:31:15Oh!
00:31:16Nectar!
00:31:17I'm sorry.
00:31:24And that's that.
00:31:32Mr. Worthing is still in town?
00:31:35Until the end of the week.
00:31:40So, as usual, he'll be back on Sunday.
00:31:44That's how it is sometimes.
00:31:46A good, honest man,
00:31:48and he's got such a brother.
00:31:52Will the ladies come?
00:31:56Or maybe earlier for a walk?
00:32:00The priest-doctor would walk with me.
00:32:02I have to get some fresh air.
00:32:04My head...
00:32:05And you know,
00:32:06with great pleasure,
00:32:08we'll go to school
00:32:12and we'll come back.
00:32:14Great.
00:32:15And you, Celinka,
00:32:16learn about the political economy,
00:32:18but without talking about the currency crisis,
00:32:21because that would be too difficult for you.
00:32:32The economy is a horror.
00:32:35The geography is a horror.
00:32:38The German is macabre.
00:32:55Mr. Ernest Worthing is on his way
00:32:58straight from the train with a lot of luggage.
00:33:02Uncle Jascha's brother?
00:33:04Does he know they've split up?
00:33:05Yes, he's upset.
00:33:07But I told him that the ladies are in the garden.
00:33:10He would like to talk to them.
00:33:12If so, ask him here
00:33:15and tell the hostess to prepare a room.
00:33:19Of course.
00:33:23Ernest Worthing is a bad man.
00:33:26I don't know what to expect
00:33:28and I'm a little scared.
00:33:30But most of all,
00:33:31he can be boring
00:33:33and just like everyone else.
00:33:40I failed.
00:33:48Little cousin Celinka.
00:33:50Not quite,
00:33:51because I'm quite tall for my age.
00:33:54And as for the cousin, yes,
00:33:56because you are Ernest,
00:33:58my uncle Jascha's brother,
00:34:00the infamous Ernest.
00:34:03What do you mean infamous?
00:34:04Yes, but infamous?
00:34:06Why?
00:34:07My infamy outruns me and my fame?
00:34:10That's what I heard
00:34:11and that's what I've been waiting for.
00:34:13And I hope you won't do anything bad,
00:34:15but it's a bad truth.
00:34:19To the guardhouse.
00:34:22It's not nice to pretend.
00:34:26Is it nice to be bad sometimes?
00:34:34It is,
00:34:36but not like being in your company.
00:34:39And how did you get here?
00:34:41How can you not return to London before Sunday?
00:34:43Oh, that's a shame.
00:34:46I have to return on Monday morning.
00:34:48I have an important meeting in the city
00:34:50that I must not attend.
00:34:52Isn't it enough not to go anywhere
00:34:53so as not to be at the meeting?
00:34:55I made an appointment in London.
00:34:56I have to be there.
00:34:58Oh, yes, I understand.
00:34:59That's why you make an appointment somewhere,
00:35:00so as not to be there,
00:35:01and not just anywhere.
00:35:03You'd better wait for your uncle.
00:35:05He wants to talk to you
00:35:06about not being in the country.
00:35:09About my what?
00:35:11About your departure.
00:35:13Your great emigration.
00:35:14You're going to Australia.
00:35:15To Australia?
00:35:17In my corpse?
00:35:19Your uncle says you're going to Australia
00:35:21to see the world there,
00:35:22so that's out of the question.
00:35:24But this world is good enough for me.
00:35:27But you're not good enough.
00:35:29I'll change, I promise.
00:35:31I didn't expect it to be so interesting.
00:35:32I feel better now.
00:35:34I can't see your face.
00:35:35That's hunger.
00:35:37Oh, yes, I forgot.
00:35:39Let's go inside.
00:35:41I've never seen a more beautiful woman than you.
00:35:45A beautiful is a trap,
00:35:46that's what you say about Prisma.
00:35:48A trap?
00:35:49A trap that every reasonable man wants to fall into.
00:35:52Oh, reasonable men are boring.
00:35:55You can't talk to them normally.
00:35:58I understand being a misanthrope,
00:36:27but a misanthropic woman?
00:36:30I don't know.
00:36:32What did I do to deserve such a neologism?
00:36:35The Church of the First Ages
00:36:37followed the rules not to get married.
00:36:40That's probably why the Church of the First Ages
00:36:43hasn't survived to our times.
00:36:55Maybe the priest-canonist doesn't know,
00:36:57but a free man, that is, without a woman,
00:37:00is a great temptation,
00:37:01and leads to temptation.
00:37:03He should think about what to do with his celibacy.
00:37:06You can't like a married man anymore.
00:37:08Maybe?
00:37:09Your wife?
00:37:11And not always.
00:37:13Well, it depends on the likes of intellectual women.
00:37:16You can only rely on those who are mature.
00:37:19The young are green.
00:37:21I used the metaphor of a gardener.
00:37:24Fruits?
00:37:31I'm working.
00:37:32But working?
00:37:50What a surprise!
00:37:52Are you coming back on Sunday?
00:37:54Did something happen?
00:37:55Why are you so gloomy?
00:37:57My brother.
00:37:59Debt again?
00:38:00Adventures?
00:38:01Proves it again.
00:38:02He's dead.
00:38:03Died?
00:38:05Forever.
00:38:06A lesson for him.
00:38:08Honest sympathy.
00:38:10You did what you could.
00:38:11You couldn't help your brother.
00:38:13Were you with him?
00:38:14My brother died on a trip to Paris.
00:38:18What did he die for?
00:38:20Infection.
00:38:23He slept like a baby.
00:38:25It can happen to anyone.
00:38:28We're burying our brother.
00:38:31My brother unfortunately died in Paris.
00:38:35In Paris?
00:38:36On Sunday.
00:38:38I'll mention my brother in the sermon, if you wish.
00:38:41By the way, my mother is gone.
00:38:43I'm burying her.
00:38:44It's a good topic.
00:38:46And it hasn't happened yet that it doesn't fit.
00:38:50I proclaim this sermon from heaven
00:38:53on the Dozzynki, Chrzcina, Bierzmowania,
00:38:55Great Lent and Christmas.
00:38:57I even preached in the cathedral,
00:38:59in the city,
00:39:00at the charity mass,
00:39:01when the brotherhood gathered.
00:39:03With the help of God,
00:39:04the bishop listened to the parishioners.
00:39:07That's right.
00:39:08That's right.
00:39:09Because the priest does it, doesn't he?
00:39:13About the baptism, my dear.
00:39:15The priest is a pastor
00:39:17and baptizes the children of the parish
00:39:19and he does it with great skill.
00:39:21He does it almost non-stop.
00:39:23Because they don't understand
00:39:25when you ask them to limit themselves.
00:39:27They are limited, but they don't limit themselves.
00:39:29What are we talking about, my child,
00:39:31which I would like to baptize?
00:39:33It's about me.
00:39:34Aren't you baptized?
00:39:35Personally, I don't remember.
00:39:37Don't you believe your parents that they baptized you?
00:39:40I would like to see for myself,
00:39:42just in case.
00:39:43But that's no problem.
00:39:45When did you get baptized?
00:39:50At five o'clock. Does it fit?
00:39:52Very well.
00:39:53We'll do it at three o'clock.
00:39:55Because the twin of the driver Jenkins,
00:39:57who has just been born,
00:39:59is in this cottage on the outskirts.
00:40:01Misfortunes come in pairs.
00:40:05In the meantime, I'll say goodbye.
00:40:08Please.
00:40:09Please rest in peace.
00:40:11God knows what he's doing.
00:40:13Oh, no!
00:40:20What are you wearing?
00:40:22Oh.
00:40:23Go change, please.
00:40:25Celinka!
00:40:26My dear child.
00:40:28Uncle, what happened?
00:40:30My brother.
00:40:32He came and is sitting in the canteen.
00:40:34Who?
00:40:35Your brother.
00:40:36My brother? I don't have a brother anymore.
00:40:38Uncle, please, don't talk like that.
00:40:40A brother is always a brother.
00:40:43No matter what.
00:40:45I'll go get him.
00:40:48Good news.
00:40:50There was no man.
00:40:52There is a man.
00:40:54I'm worried about the return of the dead.
00:40:56I have a brother in the canteen.
00:40:58I don't understand anything anymore.
00:41:04My dear brother.
00:41:06I came to apologize to you.
00:41:08Apologize for everything.
00:41:10I'll be better, I promise.
00:41:12Ernest promises to be good.
00:41:17I won't let him down.
00:41:20Uncle, please.
00:41:21Everyone is a little good.
00:41:23Not him.
00:41:24Ernest told me about his friend in the village.
00:41:26Mr. Bamburem, that he is very sick.
00:41:28Ernest often visits him.
00:41:29Is that what bad people do?
00:41:31He told you about Bamburem?
00:41:33Yes, and about his bamboo.
00:41:35It's all my fault.
00:41:38My fault, but I'm also a human being.
00:41:41It hurts a lot when your own brother doesn't know you.
00:41:44I came here to make up with you.
00:41:46I'm here for the first time.
00:41:48And they greet me like this.
00:41:52Either uncle will greet you,
00:41:54or he won't forgive you.
00:41:56Never?
00:41:57Never.
00:42:03Okay.
00:42:05But I'm doing this only for you, Celina.
00:42:08First and last time.
00:42:11It's a beautiful thing.
00:42:13When they agree to take.
00:42:15In the meantime, let's go and let them talk.
00:42:18Come on, Celina.
00:42:20I'm going.
00:42:21Let's go.
00:42:22I did my job.
00:42:24You did a good deed.
00:42:27Let's not praise the day before the sunset.
00:42:36I don't know what you're doing here, Algy, but you're not here right now.
00:42:39I won't let the Bamburites into the house.
00:42:41I'm going to Ernesto's, to your room.
00:42:43Will that be okay?
00:42:44What?
00:42:45Well, the next room is for a guest.
00:42:47The bag and the rest are already there.
00:42:48What?
00:42:49Three travel suitcases, a bag, two boxes for a hat and a breakfast basket.
00:42:54This time I can stay for a week at most.
00:42:56Horse for Mr. Ernesto.
00:42:58It's an urgent matter in the city.
00:42:59Of course.
00:43:01You're lying beautifully, Jasiu.
00:43:04But I don't have to go yet.
00:43:05You have to.
00:43:06Nobody's calling.
00:43:07Call, decency.
00:43:09I will never let you spoil my fun.
00:43:11I know that much.
00:43:13Celinka is nothing special.
00:43:17Don't talk about her like that.
00:43:19Not with me, at least.
00:43:21And you don't dress like that.
00:43:23Not with me, at least.
00:43:24Because you carry a scythe for someone you have behind the wall
00:43:27and you're hosting for a week.
00:43:29You're grotesque.
00:43:31You never stay a guest.
00:43:33You have a train at five to four.
00:43:35I can't leave you like this.
00:43:37I have a friend in Żałobie.
00:43:39Will you go with me when I change?
00:43:41If you make it before the train,
00:43:43you'll dress up endlessly and there's no effect.
00:43:46That's not what it's about.
00:43:48To be visible.
00:43:49Because you're visible and you look at yourself.
00:43:52Maybe sometimes I have too much on me,
00:43:55but never too much in my head.
00:43:57You love yourself, I don't know why.
00:43:58You offend me, I don't know why.
00:43:59And my garden doesn't understand why you stay in it.
00:44:02Train at five to four and have a nice trip.
00:44:04Bon voyage.
00:44:06Bamboozled.
00:44:10It's going so well.
00:44:12I love Celine and nothing else matters.
00:44:15I just have to meet her
00:44:17and bamboozle her in my head.
00:44:20Oh, there she is.
00:44:24I thought you were talking.
00:44:26Oh, he went to get the horses.
00:44:30Are you going on a trip?
00:44:32I'm going home.
00:44:34So we have to split up?
00:44:36That's what it looks like, unfortunately.
00:44:39It's sad to leave when you've barely arrived
00:44:41and you don't know anyone yet.
00:44:43It's easier to leave old friends,
00:44:45but people you've just met,
00:44:47people you haven't tried yet,
00:44:49it's a shame.
00:44:51I'm glad you say that.
00:44:52The horses are ready for you.
00:44:57In five minutes.
00:45:00Of course.
00:45:03Forgive me, Celine, what I'm going to say now,
00:45:06but it's true
00:45:08that I think of you
00:45:10as a walking perfection.
00:45:12Don't apologize, Ernest.
00:45:15And what did you say?
00:45:16I'll write it down in the diary
00:45:17if you don't mind.
00:45:19Oh, you're running a diary.
00:45:20Can I read it?
00:45:21Absolutely not.
00:45:23You read it when you buy it,
00:45:25and you buy it when it comes out.
00:45:27I think we're done with...
00:45:28Walking perfection.
00:45:30Perfection, yes.
00:45:31Defeated by your beauty,
00:45:32which is incomparable,
00:45:34I fell in love with you at first sight,
00:45:36wildly, hotly,
00:45:37finally, desperately...
00:45:39A lot of adjectives.
00:45:40Adjectives.
00:45:41I'm sorry.
00:45:42And how would you describe me last time?
00:45:44Because why such big words right away?
00:45:46Desperately.
00:45:48Celine...
00:45:50Horses...
00:45:51for you...
00:45:52Not now, in a week.
00:45:55Of course.
00:45:58Uncle, if he finds out
00:45:59that you're staying for a week,
00:46:00he'll probably get mad.
00:46:02Why should I care?
00:46:04Let him get mad.
00:46:07I love you.
00:46:10And I don't expect anything more.
00:46:13Marry me.
00:46:15Bah!
00:46:16How long has it been?
00:46:17Three months since we got engaged.
00:46:19How long has it been?
00:46:20Three months,
00:46:21on Thursday.
00:46:23How did it happen?
00:46:24Three months ago,
00:46:25Uncle Jaś told us
00:46:26about his younger brother in town,
00:46:28that he's evil and bad.
00:46:29So we got so involved
00:46:31that we started talking,
00:46:32and he fell for Prisma.
00:46:33And as you know,
00:46:34it doesn't matter what they say,
00:46:35what matters is that in general.
00:46:37So you caught our attention
00:46:38and somehow it just happened
00:46:40that I fell in love with you.
00:46:48When was the engagement?
00:46:50On St. Valentine's Day.
00:46:52I thought it was a good moment
00:46:54and I'm not waiting any longer,
00:46:55because if you don't know that I'm alive,
00:46:56you won't fall for it yourself.
00:46:58So I have to help you
00:46:59and give you away
00:47:01in marriage.
00:47:03It was here,
00:47:04under this tree,
00:47:05where I couldn't resist,
00:47:07but I agreed.
00:47:10From me?
00:47:11Pretty?
00:47:13The prettiest.
00:47:14Because you have a taste,
00:47:15a bad temper,
00:47:16but a good taste.
00:47:17That's how I explained it to myself.
00:47:19And here in the box
00:47:21I have letters from you.
00:47:23These are from me,
00:47:24not mine.
00:47:25Sometimes it happens
00:47:26that you write yourself.
00:47:27Myself?
00:47:28Well, not really.
00:47:29I had to do it for you
00:47:30three times a week,
00:47:31sometimes more often.
00:47:32Can I read it?
00:47:33I would prefer not to,
00:47:36because you would fall into self-admiration,
00:47:38and you didn't deserve it.
00:47:39Oh,
00:47:41you wrote me the most beautiful
00:47:42when I broke up with you.
00:47:44We broke up?
00:47:46Well, yes,
00:47:47about a week later.
00:47:49I can read it to you.
00:47:53On the 22nd of March
00:47:54I broke up with Ernest,
00:47:55because it would be better this way,
00:47:56and the weather was great.
00:47:59Why did you do it?
00:48:00What did I do,
00:48:01apart from nothing?
00:48:03It hurts, Celina,
00:48:04when someone breaks up with you,
00:48:05even in great weather.
00:48:07That's why they're engaged,
00:48:08so that there's something to break up.
00:48:09After a week,
00:48:10I got over it and I forgave you.
00:48:13You're in love.
00:48:17You're too sweet.
00:48:23Not anymore.
00:48:24Since I've known you,
00:48:25and not just your name.
00:48:28I see.
00:48:29Maybe it's funny,
00:48:31but I dreamed that my husband would be Ernest,
00:48:34from the German honest or serious.
00:48:37In this name,
00:48:38there's something you can trust.
00:48:40To marry not Ernest?
00:48:42Honestly?
00:48:44I'm not jealous.
00:48:45What if I didn't have Ernest,
00:48:46from the German honest or serious?
00:48:48Just like, for example?
00:48:49For example,
00:48:50not to look far for Algernon?
00:48:52In Norman,
00:48:53a man with a mustache?
00:48:54I don't like it.
00:48:55Celina,
00:48:56what's wrong with Algernon?
00:48:58If I were Algernon,
00:48:59for my friend Algym,
00:49:01what would you say?
00:49:02Would you love me?
00:49:04I'd like to,
00:49:05respect,
00:49:06even admire.
00:49:07But nothing more.
00:49:09My heart
00:49:10would give it to me.
00:49:15Do you have a good foreman,
00:49:16who can do all kinds of things?
00:49:18Everything.
00:49:19I have to meet him.
00:49:21For what?
00:49:22Half an hour.
00:49:26He's so passionate.
00:49:28And he has great hair.
00:49:30I'll write it down in my diary,
00:49:31that I've got an appointment.
00:49:45Baroness Fairfax
00:49:46wants to see you at home.
00:49:48She says it's urgent.
00:49:50Uncle is probably in his office.
00:49:52Some time ago,
00:49:53he went to the plebiscite.
00:49:57Invite her here.
00:50:00Wait with me,
00:50:01we'll have some tea.
00:50:03Of course.
00:50:04Baroness Fairfax.
00:50:07Probably one of the older ladies
00:50:08from the charity bars,
00:50:09to which Uncle Jaś goes to London.
00:50:11I don't like those women.
00:50:13They're not so...
00:50:15good.
00:50:32Baroness Fairfax.
00:50:37Let me introduce myself.
00:50:40Cecilia Cardiu.
00:50:42What a beautiful name.
00:50:45Cecilia Cardiu
00:50:46immediately becomes your friend,
00:50:47and I already like you.
00:50:49We don't know each other yet,
00:50:50but we're already friends.
00:50:52It's very nice of you.
00:50:56Please, have a seat.
00:51:06Taking this opportunity,
00:51:07let me introduce myself.
00:51:09Lord Bracknell is my dad.
00:51:11Have you heard anything about him?
00:51:13Not really.
00:51:14Good.
00:51:16All he needs is
00:51:17to be remembered by his family.
00:51:18He's a man,
00:51:19he should stay at home.
00:51:20Why should he go out
00:51:22and neglect his duties,
00:51:23and play with women?
00:51:24That's what my mum used to tell me,
00:51:26so I'm not that stupid.
00:51:30Beautiful garden.
00:51:31Thank you very much.
00:51:33So there are flowers in the village, too?
00:51:35Flowers here are as common
00:51:36as people in London.
00:51:39Have a look.
00:51:42You're here for a short time,
00:51:43permanently.
00:51:45Do you live with your mum,
00:51:46or with your aunt?
00:51:47I don't have a family.
00:51:49I was brought up here.
00:51:50Oh.
00:51:51Mr. Worthing, a great thinker,
00:51:52took me in.
00:51:54He didn't say anything.
00:51:55He has a secret.
00:51:56Is that good,
00:51:57because he's interesting,
00:51:58but I don't know.
00:52:00I like you very much, Celinka.
00:52:03Well, since forever,
00:52:04since we've known each other.
00:52:05And here it turns out
00:52:06that you live with Mr. Worthing,
00:52:07not belonging to the family.
00:52:09Of course,
00:52:10I don't suspect Ernesto.
00:52:11He's a walking honesty.
00:52:13He wouldn't be able
00:52:14to lie to anyone.
00:52:15But even the best,
00:52:16the toughest of people
00:52:18is able to break
00:52:20someone else's beauty.
00:52:22It's always been like that,
00:52:23since ancient times.
00:52:25Without it,
00:52:26the world would be boring.
00:52:28Are you talking about Ernesto?
00:52:30About him.
00:52:32But it wasn't Mr. Ernesto Worthing
00:52:34who brought me up,
00:52:35but Mr. Ernesto's older brother.
00:52:37He has a brother.
00:52:39He didn't say anything.
00:52:40They lived badly together.
00:52:42Ah,
00:52:43that's probably why.
00:52:46Great.
00:52:47The stone fell from my heart.
00:52:49I was afraid
00:52:50to violate such a beautiful friendship.
00:52:52I mean friendship with you,
00:52:53but for sure.
00:52:56So,
00:52:57you don't
00:52:59live
00:53:00with Mr. Ernesto Worthing?
00:53:02No.
00:53:05Not yet.
00:53:08Really?
00:53:09There will be news about it
00:53:10in the local newspaper in a week,
00:53:11so I'll tell you first.
00:53:15I married Ernesto.
00:53:19But what are you talking about?
00:53:21He already told me.
00:53:22And on Saturday
00:53:23there will be news about it
00:53:24in the local newspaper.
00:53:25But he
00:53:26told me
00:53:2910 minutes ago.
00:53:31And me
00:53:32yesterday afternoon.
00:53:35I always have to have
00:53:36something good to read with me.
00:53:37Me too.
00:53:38A stupid situation
00:53:39and I'm terribly sorry,
00:53:40but as you can see in the newspaper,
00:53:42I was first.
00:53:43An idiotic situation
00:53:44and you will be terribly sorry,
00:53:46but it seems
00:53:47that he first confessed to you
00:53:48and then changed his mind.
00:53:50He talked, promised
00:53:51and got entangled himself?
00:53:53I can't leave him like this.
00:53:54I'll forgive him all
00:53:55at the wedding feast.
00:53:56But what are you talking about?
00:53:57What feast?
00:53:59I'm very sorry,
00:54:00I don't want to offend you,
00:54:01but you are reckless.
00:54:02It's a funny expression,
00:54:03I don't want to offend you.
00:54:04It means exactly the opposite.
00:54:06And I don't want to drive you away.
00:54:08This is also a very funny expression,
00:54:10which means exactly the opposite.
00:54:12Helena.
00:54:13Darling.
00:54:14Ernesto.
00:54:16Darling.
00:54:17Wait a minute.
00:54:19Did you confess to this lady?
00:54:22Are you asking about Celina?
00:54:23What did you come up with again?
00:54:25I knew it was just a misunderstanding.
00:54:27John Worthing.
00:54:28Excuse me?
00:54:29Uncle Jaś.
00:54:30Jaś?
00:54:31Oh my God.
00:54:32Ernesto.
00:54:33Darling.
00:54:34Wait a minute.
00:54:37Did you confess to this lady?
00:54:39Oh my God, no.
00:54:40Yes, oh my God, no.
00:54:41I mean, Lenie.
00:54:42What did you come up with again?
00:54:44I also knew it was a misunderstanding.
00:54:46My cousin, Algernon Moncrief,
00:54:48has just kissed you.
00:54:50Algernon?
00:54:52Is that your name?
00:54:55Unfortunately.
00:54:57Oh my God.
00:54:58You too?
00:54:59No.
00:55:00I'm John, as it is.
00:55:02They both cheated on us.
00:55:04Poor you.
00:55:05Poor us.
00:55:15Dear Lena and Celina.
00:55:17It won't be easy for me,
00:55:18because I'm not used to it,
00:55:20but I'll tell you the truth.
00:55:25I don't have a brother, Ernesto.
00:55:27Not at all.
00:55:28I never had a brother,
00:55:29and I never will.
00:55:32Never?
00:55:34Never.
00:55:35And what are we going to do now?
00:55:46Let's go inside.
00:55:49Lena.
00:55:50I'm sorry.
00:55:52Show me your bamboo house.
00:55:56It was the best bamboo house I've ever had.
00:55:58It had to end like this.
00:56:00Don't bring me any more bamboos here.
00:56:04No mercy.
00:56:06You can get bamboos everywhere.
00:56:07I'll tell you this.
00:56:08Every respectable bamboo man.
00:56:09Respectable bamboo man?
00:56:12You have to respect something in life
00:56:13so you don't have to respect the rest.
00:56:15I respect entertainment,
00:56:16but I don't know about you.
00:56:17I think you're bored of everything.
00:56:28Others would follow us,
00:56:29but these drunkards are so ashamed.
00:56:32This is a declaration.
00:56:36They forgot about us.
00:56:38A ban or something.
00:56:40I can't do that.
00:56:46They're coming.
00:56:49It's Wojda.
00:56:50We'll kill them.
00:56:51Be quiet.
00:56:52I don't think there's a way out.
00:56:57Wow.
00:56:59They're disturbing the silence.
00:57:01Clever.
00:57:02Let's not let them provoke us.
00:57:03Not a word to them.
00:57:04Got it?
00:57:05I have a question for you.
00:57:08And I advise you to think before you answer.
00:57:11And I have a question for you.
00:57:13Why did you pretend to be my uncle's brother?
00:57:15To get to know you.
00:57:17And I have a question for you.
00:57:20Why did you pretend to be my uncle's brother?
00:57:23Why did you pretend to be my uncle's brother?
00:57:25To get to know you.
00:57:30Is it a good answer?
00:57:31If it's true, then not necessarily.
00:57:33But he said it beautifully.
00:57:35It's the most important thing in matters of great importance.
00:57:37The form is more important than the content.
00:57:38And you?
00:57:39Why did you pretend to have a brother?
00:57:41To come to the city to see me?
00:57:45What do you think?
00:57:49If the answer depends on me, I'll say yes.
00:57:54So, are we letting our culprit go?
00:57:56Why not?
00:57:57What do you mean?
00:57:58No!
00:57:59Oh, right.
00:58:00There are certain rules.
00:58:01So, what do you say? You or me?
00:58:03Can't we do it together?
00:58:04I like it when everyone says it at once.
00:58:06Three, four, five.
00:58:08Your name is not Ernest and that's the problem.
00:58:12We're going to be baptized this afternoon.
00:58:16Will you do it?
00:58:19They'll do everything for us, and we'll do everything for them?
00:58:21Not necessarily.
00:58:23Oh, my God!
00:58:27Lady Bracknell!
00:58:29Christ!
00:58:30Who?
00:58:31Quiet, quiet.
00:58:36Oh, what does all this mean, Gwendolen?
00:58:41Mom, I'll go get Mr. Worthing.
00:58:46Are you still a child?
00:58:47That you don't understand what I'm saying to you?
00:58:49Or are you an old lady, that you don't hear what I'm saying?
00:58:52I bought a room that can't be bought.
00:58:55And I found out from her where my daughter had gone,
00:58:58so I rushed to the train.
00:59:00And because there was no place,
00:59:02I bought a conductor to take me as luggage.
00:59:05Coming out, I managed to lie to my husband
00:59:07that Lena has a long lecture at postgraduate studies,
00:59:10where they discuss what wealth does to the brain.
00:59:14It's better for a husband not to know the truth,
00:59:16because it's usually better this way.
00:59:18Everything between you and your daughter is over today,
00:59:20as you can guess.
00:59:21Please don't convince me,
00:59:23because talking to me doesn't make any sense.
00:59:26We're leaving.
00:59:28I don't think so. I'd like to talk to Algie.
00:59:30Algie!
00:59:31Yes, auntie?
00:59:32Is this where your disabled friend lives?
00:59:35Here? No, no, no.
00:59:37He doesn't live anywhere.
00:59:39He lost a fight with a bamboo shoot.
00:59:42He was dying for so long, and then suddenly...
00:59:45What happened to him?
00:59:47He went to the doctor.
00:59:50Oh!
00:59:51I always repeat, to the doctor.
00:59:54In the end, the doctor wants to cure you,
00:59:56so he wants to find a disease for you,
00:59:58so he can finish it, even if it's with you.
01:00:00It's so good that your friend has finally decided on something.
01:00:03Okay.
01:00:04Since you're a bamboo shoot,
01:00:07I have a question for Mr. Worfing
01:00:09about this young lady,
01:00:11whom my brother-in-law doesn't know why he's holding her hand right now.
01:00:15Let me introduce you to Cecilia Cardiou,
01:00:17your fiancée, under my care.
01:00:21Dear auntie,
01:00:23I asked her for her hand.
01:00:25And I agreed.
01:00:28Here in the village, as always?
01:00:30I think it's such a microclimate,
01:00:32that everyone just wants to get married.
01:00:34Let me ask you,
01:00:35does Mr. Cardiou also have a palace past?
01:00:38Maybe it's a custom here that children are brought by train?
01:00:42Mrs. Cardiou is the granddaughter of Mr. Thomas Cardiou,
01:00:45the owner of real estate.
01:00:47A tenement house in London,
01:00:48property in the village,
01:00:49and a manor house in Scotland.
01:00:52A valuable address.
01:00:54But is it real?
01:00:55It serves as a herbarium from the epoch.
01:00:57You can check it yourself.
01:00:59I don't trust books.
01:01:02It's time for us, Gwendaleno.
01:01:04Mom!
01:01:05I will ask for Mr. Cardiou's leave of absence,
01:01:08if there is anything.
01:01:09About 170,000 pounds in securities.
01:01:12Goodbye, ma'am.
01:01:18Mr. Cardiou,
01:01:19when you look at her so much better,
01:01:21I think she's an exceptionally attractive young lady.
01:01:26She has the power of hidden values,
01:01:29which only grow with age.
01:01:31Come here to me,
01:01:33my child.
01:01:38You're pretty.
01:01:40But who didn't dress you up and combed you up?
01:01:44Don't worry,
01:01:45I'll make it all up.
01:01:46A little bit higher, please.
01:01:48Because in life you have to keep straight,
01:01:51and aim high.
01:01:53Algernon.
01:01:55I'm listening, auntie.
01:01:56With such a face,
01:01:58Mr. Cardiou will one day set up salons.
01:02:01Celina is the most beautiful and the smartest in the world.
01:02:04And what will the company say?
01:02:05I don't care at all.
01:02:07That's what only those who don't care about the company say.
01:02:11If you wanted to know what Algie lives on as a child,
01:02:14know that she mainly borrows.
01:02:17But is it important
01:02:19that he doesn't have enough for life,
01:02:21if you love each other?
01:02:23I was penniless myself
01:02:25when I married Lord Bracknell,
01:02:27and for a moment I didn't think that this could stand in my way.
01:02:32Get married soon.
01:02:34There's nothing to wait for.
01:02:35The longer the engagement lasts,
01:02:37the more you find out about your future spouse,
01:02:39which is not a bad thing.
01:02:41You have my full consent.
01:02:44Thank you, auntie.
01:02:46Wait, wait, wait, wait.
01:02:48But what marriage?
01:02:49What marriage?
01:02:50Celina needs my consent
01:02:52while she is underage.
01:02:54But what to think about?
01:02:55It's an exceptionally, even ostentatiously good match.
01:02:59There's nothing, but it looks like everything.
01:03:02Algie, to put it mildly, doesn't lead too well.
01:03:05He's just pretending.
01:03:07He was supposed to pretend?
01:03:09He graduated from Oxford.
01:03:11What do you think?
01:03:12I don't think there will be a wedding.
01:03:14She doesn't have my consent.
01:03:20Come to me for a moment.
01:03:22How old are you?
01:03:24I'm 18, actually, but when I visit, I say I'm 20.
01:03:27And you're doing very well.
01:03:29A woman is not made to count years.
01:03:31I'll just add that Mr. Thomas Cardew clearly pointed out
01:03:33when his granddaughter will gain full right to remarry.
01:03:36At the age of 35.
01:03:38I don't see a problem.
01:03:4035 is a very old age.
01:03:42Good for every occasion.
01:03:44A good company has been growing since the age of 35,
01:03:47which are of their own and not forced will at this age,
01:03:50as far as I remember.
01:03:52For example, Lady Dumbledore
01:03:54is 35 years old since she came to London as a 40-year-old.
01:04:00We're not in a hurry.
01:04:02We'll wait.
01:04:04Celina, let her achieve beautiful years,
01:04:07and the decline, let it grow.
01:04:0917 years.
01:04:10Will you wait?
01:04:12Do I have a choice?
01:04:14I wouldn't wait, but I'm impatient.
01:04:16Soon or never.
01:04:18Then what?
01:04:20I don't know.
01:04:22Given the fact that you, Celina,
01:04:24will not be able to wait 17 years,
01:04:27would you be willing to reconsider?
01:04:30I will allow Celina to marry Algernon,
01:04:33if you agree to my wedding with Gwendolyn.
01:04:36This is out of the question.
01:04:38Then there will be no wedding.
01:04:41And there will be no wedding.
01:04:43The baptism is ready.
01:04:45Already?
01:04:46Here in the village, as always?
01:04:48The baptism before the wedding?
01:04:50These two gentlemen would like to get married.
01:04:53They said it was very urgent.
01:04:55You don't have to, priest.
01:04:58I don't like it.
01:05:00It smells like anabaptism.
01:05:03And this is a heresy that I will fight at the sermons.
01:05:06I'm leaving you with this.
01:05:08With this attack of impotence.
01:05:10And I'm going back to work.
01:05:12For an hour and a half in Zachrist,
01:05:14Mrs. Prisma is waiting for me.
01:05:16Mrs. Prisma?
01:05:17You can hear me well.
01:05:19Mrs. Prisma?
01:05:21Mrs. Prisma,
01:05:23medium-born, medium-grown,
01:05:25Mrs. to children, right?
01:05:26Quite the opposite.
01:05:27Very mature and very beautiful.
01:05:29So we're talking about the same one.
01:05:31Can I ask what she does
01:05:33at the priest's Mrs. to children?
01:05:35I don't have children.
01:05:37Mrs. Prisma stays with us,
01:05:39in the court,
01:05:40she trains and trains Mrs. Celina.
01:05:42I want to see her immediately.
01:05:44Mrs. Prisma!
01:05:46Oh, here she is!
01:05:48I've been waiting for the priest-doctor in Zachrist
01:05:51for two hours without a square.
01:05:53Good morning.
01:06:00Letizio.
01:06:05Twenty-eight years ago
01:06:08you left home
01:06:10at Upper Grove and North 104
01:06:12in the London district of Mayfair.
01:06:15From the house of Mr. Bracknell
01:06:17pushing in front of you
01:06:19a child's wheelchair
01:06:21containing an infant of male gender.
01:06:23And you haven't come back yet.
01:06:26After a few weeks,
01:06:27thanks to the hard work of the local police,
01:06:29the wheelchair was found.
01:06:31He stood alone at midnight
01:06:33two blocks away
01:06:35in the Bayswater area.
01:06:38And inside was a manuscript
01:06:41of a story in three volumes
01:06:43about a sentimental woman
01:06:46who had no child.
01:06:51Where is the infant?
01:06:53I'm asking you.
01:06:55Where is the child?
01:06:58I must admit
01:07:01out of shame
01:07:03that I don't know.
01:07:06Although I would like to know.
01:07:10I'll tell you the whole truth one by one
01:07:14because I remember everything
01:07:16as if it happened yesterday.
01:07:20I wanted, like every morning,
01:07:24to take the little one for a walk
01:07:27so I took out the wheelchair,
01:07:31my big old bag
01:07:34and the manuscript with the story
01:07:38not sentimental at all,
01:07:40in three volumes.
01:07:43I'll never forgive myself
01:07:46for putting the manuscript
01:07:50into the wheelchair
01:07:53and the child
01:07:55into the bag.
01:07:58And where are you leaving the bag?
01:08:02Let's leave this subject.
01:08:04Please tell me what happened to the bag
01:08:07in which the child was.
01:08:09I left it
01:08:12in the baggage room
01:08:14at the station.
01:08:16Which one?
01:08:21Victoria.
01:08:22I'll be right back.
01:08:29What do you think about this?
01:08:30I'd rather not think at all,
01:08:32Father Canonik.
01:08:33People at a certain level
01:08:35can't afford
01:08:36coincidences,
01:08:37because how does it look like?
01:08:40Who's that?
01:08:42Please,
01:08:43take a look,
01:08:44don't hurry,
01:08:45tell everything
01:08:46as it is.
01:08:47It looks like mine.
01:08:50It's scratched here
01:08:52because the horse tram
01:08:54collided in the city.
01:08:55Beautiful were the times.
01:08:59A stain on the undercarriage
01:09:01because I went out to the water
01:09:03and a non-slippery drink
01:09:05jumped out of the bottle.
01:09:09And at the castle,
01:09:10my initial,
01:09:12something found me
01:09:13and I was told to dig it out.
01:09:15My bag,
01:09:16mine.
01:09:18I've been waiting for so many years.
01:09:20I'm returning the bag,
01:09:21I'm returning the honour
01:09:23and I'm returning something else,
01:09:24because back then,
01:09:25in this bag,
01:09:26it was me.
01:09:27You?
01:09:28Mama.
01:09:30Mama.
01:09:31I have a child?
01:09:32How did it happen?
01:09:34If I don't know my husband?
01:09:36It happens sometimes, doesn't it?
01:09:38Is this some misunderstanding?
01:09:40Madam,
01:09:41I'll tell you everything.
01:09:43I'm sorry to impose myself,
01:09:45but I'd like to know everything.
01:09:47I'm sorry too,
01:09:49but I think
01:09:50I'll tell the truth.
01:09:52Because it turns out
01:09:53that you are my
01:09:55sister,
01:09:57the elder brother of Algernon.
01:10:05I told you I have a brother?
01:10:13Father, let me introduce you.
01:10:15Father, my brother,
01:10:17Mr. Prisma,
01:10:18my brother,
01:10:19Gwendolyn,
01:10:20my...
01:10:21How high...
01:10:22Young man,
01:10:23call me brother
01:10:25and with respect,
01:10:26from now on,
01:10:27not like before.
01:10:28I'll try,
01:10:29although it won't be easy.
01:10:31My dear,
01:10:32how am I supposed to tell you now,
01:10:34because you have everything new.
01:10:36Exactly.
01:10:37But
01:10:38you haven't changed your mind about me.
01:10:41I'm just not up to it with feelings.
01:10:43So let's set the facts.
01:10:45Aunt Augusta,
01:10:46do you know
01:10:47if I was baptized?
01:10:49Your parents loved you so much
01:10:51that they didn't regret any excess
01:10:53that could be made for money,
01:10:55even baptism.
01:10:56So I have a name,
01:10:57but which one?
01:10:58As a firstborn,
01:10:59you got your father's name.
01:11:00So?
01:11:02To be honest,
01:11:03I don't remember
01:11:04how the general had a name.
01:11:07Well, he had it somehow,
01:11:08I associate.
01:11:09Dad, what was his name?
01:11:14I didn't talk to him much.
01:11:18It will be written in the military anniversary.
01:11:21The general fought only at home,
01:11:24although he probably found his place
01:11:26in the ranks of officers.
01:11:29Generals,
01:11:31generals,
01:11:33on M.
01:11:34Maalam, Max, Bomba, Glimmark,
01:11:36Bimix, Bimops,
01:11:37Moncriff, Moncriff,
01:11:38Lieutenant since 1840,
01:11:40Captain, Lieutenant Colonel,
01:11:41Colonel since 1869,
01:11:44General.
01:11:45Name?
01:11:47Ernest.
01:11:49Second John.
01:11:51I'm Ernest.
01:11:53Well, yes.
01:11:54I remember,
01:11:55the general was Ernest.
01:11:57Now I know
01:11:58why I hate this name so much.
01:12:01Ernest!
01:12:03My own Ernest!
01:12:04I always knew it was you.
01:12:06I've been living in the truth all my life.
01:12:09It's terrible.
01:12:11I'm sorry.
01:12:12There's no way,
01:12:13you'll make up for lost years.
01:12:15Leticia.
01:12:16Fryderyk.
01:12:17Fryderyk.
01:12:21Finally.
01:12:23Celina.
01:12:25My love.
01:12:35Are you serious?
01:12:38The most serious, auntie.
01:12:40Finally.
01:12:43Full attention.
01:12:47Hmm.
01:13:47Hmm.
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