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00:00Get ready for a game-changer!
00:04Tonight's guests, coming in all the way from New York City,
00:08it's Josh Rubin!
00:11Coming in at 8 foot 14 inches, it's Grant O'Brien!
00:17And coming in despite having two other dropout shows
00:20in post-production, it's Rekha Shankar!
00:25And your host, me!
00:28I've been here the whole time!
00:30This is Game Changer, the only game show
00:33where the game changes every show.
00:36I'm your host, Sam Reich.
00:38I'm joined today by these three lovely contestants.
00:41Now, you all understand how the game works.
00:43No!
00:44I don't.
00:44By design, I think.
00:45You've been trapping us in a room of secrets.
00:47That's right.
00:48Our players have no idea what game it is they're about to play.
00:50The only way to learn is by playing.
00:52The only way to win is by learning.
00:54And the only way to begin is by beginning.
00:57So without further ado, let's begin.
01:00Hold!
01:01Hold!
01:01Sorry, I've got a sound issue here.
01:03Oh.
01:04Josh?
01:05Yeah, can you come over here?
01:06I've got to fix your lav mic.
01:07All right, please.
01:09It happens in the world of production.
01:11Just give me one second.
01:13Hollywood, California, am I right?
01:16Ah!
01:21Players, there has been a murder.
01:26No kidding.
01:27Yeah, no shit.
01:28It is your job to figure out who done it.
01:30Was it the sound mixer?
01:32No, no, no.
01:33It wasn't me.
01:33I swear.
01:34Was it the production assistant?
01:38Oh, god.
01:38Oh, no.
01:39This is all too heavy, man.
01:41Was it the production designer?
01:45This is not the kind of art I had in mind.
01:48Was it the script supervisor?
01:52I'm on book.
01:54Or was it the producer of Game Changer?
01:57Whoa, whoa, whoa.
01:58Don't look at me.
02:01We are.
02:02You spoke.
02:03We all have scripts.
02:04We need our scripts, Rekha.
02:06You know, like, the scripts came in very last minute.
02:09It's too much to ask everybody to memorize all this dialogue.
02:12Oh, I get it.
02:12Now, this will function like something
02:15of an adventure video game.
02:17There are lines of dialogue here that you
02:20will need to unlock until you've gotten all the clues.
02:24Once you've gotten all the clues,
02:26you will know who the suspects are.
02:28And only then will you be able to decide
02:31who you think did it.
02:33Whoever's right will win the game.
02:35Are there points?
02:36There are no points in this game.
02:38No!
02:39For now, you may address any one of these crew
02:43members about the murder.
02:45We are going to start with Rekha.
02:47Uh, the producer.
02:51Listen, I just can't believe something
02:53like this happened on my watch, on a game show, no less.
02:56You know, I've produced disaster scenes that
02:58are less disasters than this.
03:00Word travels fast in Hollywood, California.
03:04My career is over.
03:05OK, Grant, I feel like there's a clue.
03:08There will be lots of clues throughout.
03:10I don't want to say it out loud, because then I'll
03:11tell Rekha what the clues are.
03:13But we can just work together, and then
03:14we'll share the prize.
03:16I love the lazy resolution.
03:18I don't hate that.
03:19So the last thing that the producer said
03:22was Hollywood, California.
03:23Not Hollywood, Florida.
03:25So you're right where I'm at.
03:27And the last thing Sam said was Hollywood, California.
03:30Before all the lights went out seamlessly.
03:33Hollywood, California is a trigger word.
03:35Production designer.
03:37I don't even know why we're debating this.
03:40The sound mixer was standing right next to the victim
03:42when he was murdered.
03:43It's definitely a sound mixer.
03:45But he's a weird dude.
03:46I heard he breeds Rottweilers.
03:49Adopt.
03:50Don't shop.
03:51He breeds Rottweilers?
03:53Now, you may ask the script supervisor
03:58about the issue of proximity to the murder.
04:01So when you say, ask them.
04:03Because I'm not asking anything.
04:04I'm just pointing, and then they're saying something.
04:06Because I had a question for the production designer.
04:08If you could be any animal, what would it be?
04:10A snake.
04:11Ooh.
04:12Ooh.
04:13In the grass?
04:16There's a snake.
04:18OK, I will ask the script supervisor about proximity,
04:20because I don't know what the fuck that question means.
04:22As script supervisor, it is my job
04:25to watch the action carefully.
04:27Now, at the time of the murder, the only people
04:29that were near the victim was the PA and the sound mixer.
04:34I'm not saying they're the murderer.
04:36I'm just pointing that out.
04:37As script supervisor.
04:39So PA, how close were you to the murder?
04:43OK, look.
04:44I'm supposed to be nearby the action, OK?
04:46In case anyone needs, like, batteries or water or anything,
04:49OK?
04:50Speaking of water, are you guys OK on water, though?
04:52Does anyone need water?
04:53Josh left his.
04:54Well, if you have water, just be sure to mark it
04:57so people know it's yours.
04:57You need a marker for that one?
04:58I would love a marker.
04:59Yeah.
05:00Mark it, please.
05:01I don't want to have to get new ones.
05:03I'm actually.
05:05OK, it's an unknown brand.
05:10I would like to ask the sound mixer.
05:13I know this looks bad, but I didn't do it, I swear.
05:15I got nothing against Josh, all right?
05:17I think he's great.
05:18He just had a sound issue.
05:19Seriously, that's it.
05:20What was the sound issue?
05:21Honestly, I saw somebody run out onto the stage,
05:24stab him, and then run off.
05:25But it was so dark, I couldn't make out who it was.
05:28Please, look.
05:28I can't go to jail, all right?
05:30I got seven Rottweilers at home I got to take care of.
05:33That's the most suspicious dog.
05:35Grant, script supervisor.
05:37As script supervisor, I oversee the script.
05:42All right?
05:42And you want to know something ironic?
05:44This was supposed to be the murder mystery episode.
05:47It says it right here.
05:47Game changer, murder mystery.
05:49All right?
05:51Of course, someone was not supposed to die.
05:54Yeah.
05:54That may be obvious, but it's my job
05:57to point out the obvious.
05:58As script supervisor.
06:01Why do you keep talking like you're
06:02a professional script supervisor?
06:05Why do you keep talking like that?
06:06I'm taking notes on this water bottle.
06:09Hey, producer.
06:10What's going on?
06:11It seems like you're doing your job pretty badly
06:13if someone actually got murdered.
06:14Yeah, so this was supposed to be the murder mystery episode.
06:17One of the other games this season, the game of prizes,
06:19was way, way too expensive.
06:21Yeah, we fucking heard about that.
06:22Dinner at a Michelin restaurant, right trip to Big Sur.
06:25Yeah, I fucking heard.
06:27Yeah.
06:27So this was supposed to be a very cheap, cheap episode.
06:30Oh, great.
06:32Sorry, guys.
06:34So we were just going to mic up the crew
06:35and then go get a murder weapon.
06:37That's it.
06:38Can I ask a follow up?
06:39Are there prizes?
06:41There is a prize at the end of this game.
06:44Ooh-wee.
06:47Can we ask what the murder weapon was going to be?
06:50It's my turn.
06:51We're trying to do the same fucking thing.
06:53Hey, what was the murder weapon going to be?
06:55Listen, there's only so many pages of this.
06:57You can't ask everything, Craig.
07:01If you could be any animal, what would it be?
07:03OK.
07:04You may now ask the sound mixer about those microphones
07:09we just heard about, or the production designer
07:12about the murder weapon.
07:14You can also ask the PA about the murder itself.
07:16We haven't heard from him yet.
07:17PA, what you got?
07:19I don't know, man.
07:21It's just too heavy, OK?
07:23I just know I got into this business
07:25because I can't take anything serious, OK?
07:27My dad told me to be a doctor.
07:28And I said, no, I'd have to deal with death.
07:30And my mom told me to be a lawyer.
07:32And I was like, no, mom, I'd have to deal with jail.
07:35But comedy, what can go wrong, right?
07:37Maybe you still have to deal with jail
07:39because you murdered someone.
07:41Ask the production designer about the weapon.
07:43I mean, as part of my job, when I'm
07:45told I get a proper costume, I get options.
07:49So I didn't just get one knife, I got two.
07:52The first was one of those cheap plastic ones,
07:54the kind that retract.
07:56And the second one was beautiful, was ornamental.
08:00The producer went with the cheaper one, of course,
08:02because it was less expensive.
08:04I kind of want to know more about the murder weapons.
08:06Listen, that second knife wasn't just expensive,
08:08it was also dangerous, OK?
08:10The blade didn't retract.
08:11But everyone should know that knife is not on set anymore,
08:14OK?
08:15I had it returned.
08:16I mean, I told the production designer to return it.
08:19Break a knee?
08:20Now ask the production designer about returns.
08:24Or you can ask the sound mixer about microphones.
08:27Absolutely not.
08:27I mean, the knife was returned.
08:29I mean, I told the PA to do it.
08:30PA, did you return that, what you were supposed to do?
08:33It was returned.
08:35I mean, it will be, it will be.
08:36I haven't had time to do it yet.
08:38J'accuse!
08:40It should still be in the returns box.
08:41Whoa!
08:43Something happened!
08:44Grant and Rekha, you may now search the returns box
08:47for the ornamental knife that was supposed to go back
08:50to the prop house.
08:55So which knife is that?
08:56That's the retractable one.
08:58That's the retractable knife.
08:59It's the retractable one.
09:02So that means that the real knife
09:09is on someone in this room.
09:12That means that you can ask the sound mixer about microphones,
09:15or you can choose to search any one of these suspects
09:19for the murder weapon.
09:20You know what?
09:20Because you keep dangling it like a frickin' carrot
09:23in front of a vegetarian, I'm going
09:24to ask about the sound mixer.
09:25Look, the whole idea of the murder mystery episode
09:28was that the crew themselves were suspects in a murder.
09:30And because we were all going to be on camera,
09:32I had to mic up the whole crew.
09:34Look, I didn't mean to eavesdrop,
09:35but I might have heard some things I shouldn't have heard.
09:39Do you guys want to hear it?
09:40Yes!
09:40Yes!
09:41Jesus!
09:43What the fuck?
09:44A man is dead, and you're waiting until you're
09:46called on to offer important information.
09:49I'm going to play it.
09:50OK.
09:50You have a recording of it?
09:51Yeah.
09:52Why were you rolling?
09:53You know what?
09:54I'm fresh out of batteries.
09:55Does anybody have any fresh batteries?
09:58Oh, you need batteries?
09:59Yeah, yeah, cool.
10:00If you're out of batteries, my dude,
10:02I am going to fucking cut your throat.
10:07OK.
10:07Are those the right kind?
10:09Do you need a de-cell?
10:09I just put my batteries in.
10:11Sure.
10:12Just use the cheaper one.
10:13I don't see what the big deal is.
10:14What's the big deal?
10:16This is art.
10:17That's what the big deal is.
10:19Stop being so dramatic.
10:20I could kill you for this.
10:22You know, if we were in a murder mystery,
10:24that kind of language would be a big red flag.
10:27Yeah, all I'm getting is that they have mad chemistry.
10:30Wow, that is legitimately, like, I'm legitimately sweating.
10:34That is really something.
10:35That was so hot.
10:36That was incredibly hot.
10:37This is a fun set.
10:38Wait, Josh, wait a second.
10:39Oh, man.
10:39Hot.
10:40Oh, fuck, that was hot as fuck.
10:44Oh, so close to the mic.
10:46Oh, man, just all over each other.
10:47It's so dramatic if you say it like that.
10:50Grant, you may now search any one of these crew members
10:54for the murder weapon, or ask the production
10:57designer or the producer about this issue of the budget.
11:00I suppose I'll search someone for the murder weapon.
11:02Is he physically searching them, or does he just point?
11:05Physically.
11:06Oh, my god.
11:08You can't search Josh.
11:10Josh doesn't have it.
11:11Well, sound designer, you were right by Josh
11:15when those lights went out.
11:16I didn't do it.
11:18Well, I'm going to search you anyway for a murder weapon.
11:20All right, feel free.
11:24Do a good job, please.
11:27There is no murder weapon on the sound mixer.
11:31Sure.
11:31OK, since we're allowed to come out of our little turtle holes
11:35here, I search you.
11:39Pat, pat, pat, pat, pat.
11:40Pat, pat, pat.
11:41Is it hidden here?
11:42The production designer does not have the knife.
11:45Oh, what does she have?
11:46I bet it's cute.
11:48She's got the producer's number on a little business card.
11:51OK, this is cute, too.
11:52Where'd you get those?
11:53We are not trading fashion tips here.
11:55We are solving a murder.
11:56Oh, my god.
11:57OK, fine.
11:58Grant.
11:59I must search the PA.
12:03I'm going to touch you.
12:04I'm going to touch you.
12:05I need an affirmative yes.
12:07That's OK.
12:08OK, no, no, no, it was me.
12:09It was me.
12:10It was me.
12:10OK, I did it.
12:11I did it.
12:11Oh, my god.
12:12I did it.
12:13Oh, no.
12:14I ran on stage.
12:15I stabbed Josh in the back.
12:17I was supposed to.
12:18I was supposed to.
12:19It says here in the script, look,
12:20it says, when a player takes center stage,
12:23the PA rushes out and stabs that player, OK?
12:26I thought this knife was retractable.
12:27You're stupid.
12:28I got it from the props table.
12:31Wait, wait, wait, wait, wait.
12:32Someone must have switched the knife on the props
12:34table with this one.
12:36The prop master.
12:38Someone pull the switcheroo.
12:39That's why he was so nervous, because he actually
12:41killed someone.
12:42First of all, that's manslaughter, at least.
12:44You're going, you're absolutely, like, hey, honey.
12:47You're absolutely going to go to jail.
12:49Hey, sweetie, honey, you're going to jail.
12:52Yeah, listen, little boy, you're going to go to jail.
12:57Hey, sweetie, your ass is gross.
13:01You are, oh, shit, great, my friend.
13:06A switcheroo, you think that's going to hold up in court?
13:09Someone did it.
13:10Someone pulled a switcheroo.
13:11They pulled a switcheroo.
13:12Make the fucking outset as a question.
13:14Ladies and gentlemen of the jury,
13:16I shagged someone in the dark, because I thought
13:19the knife was retractable.
13:21You fucking idiot.
13:22It was in the script.
13:23We've established the PAs definitely
13:25go to jail for a long, long time.
13:26Sure, a long time.
13:28Sorry, sweetheart, sorry.
13:30Producer, what's going on with the budget?
13:32That's what's important right now.
13:34Yeah, yeah, look, money's tight, OK?
13:36And when money's tight, tempers flare up.
13:38But the production designers are hardly the only one
13:41who's been unhappy with me.
13:42Oh, brother, look, we've all been there.
13:45Sometimes stuff gets going in the office, and it's, yow.
13:48Listen, I couldn't get the sound mixer all the microphones
13:51he wanted.
13:51He fred to sick as dogs on me.
13:54The Rottweilers.
13:54That's fucking crazy.
13:56I would have fired him.
13:57The Rottweilers keep coming up.
13:59Seven, seven Rottweilers, seven sister school, liberal arts,
14:03women's college.
14:05Just the worst kind of lost fan, the worst kind
14:09of conspiracy theorist.
14:10Production designer, your budget seems a little out of whack
14:14to me.
14:15Look, maybe I don't agree with all the decisions
14:18the producer has made.
14:20Maybe I got a glance of his self-budgeted day rate,
14:24which is wisely over the top.
14:26And maybe it's people like him that
14:30is the reason that Hollywood California doesn't produce
14:32anything of quality anymore, because it's all money
14:34and no art.
14:36But I don't know if that has to do with anything about someone
14:38being murdered.
14:39Seems to me like the production designer.
14:42Hates the producer.
14:43I agree, but also loves him.
14:45But also like, whoa, like, whoa, like just like sparks.
14:49Are you kidding?
14:49Rekha.
14:50I'm going to ask the sound mixer.
14:52What I said was, I'm going to be sick and my dogs too,
14:56because when I'm angry, I don't eat.
14:58And when I don't eat, my dogs don't eat,
15:00because I'm the alpha.
15:01That's nature, OK?
15:02Honestly, according to the script,
15:04I was supposed to mic up everybody, all right?
15:07Everybody.
15:08You can't just not mic up someone
15:10who's supposed to speak, right?
15:12Well, asking about the microphones
15:13hasn't led to much, and I really do want to find that murder
15:16lesson.
15:16He's just going to keep talking in circles.
15:18He's like, well, I don't know what to do about these mics,
15:21and my seven dogs are wrong.
15:22But my fucking dogs are all I need.
15:23My dogs are hungry, and I was too sick last night to feed them.
15:26Yeah, I don't give a shit about his dogs.
15:28May I check in with you?
15:29OK.
15:30Because I do want to go over what we know so far.
15:32OK, so, and are you right on this?
15:35She hates him, he hates her, but again, explosive chemistry.
15:39Like, oh, god.
15:41Yes.
15:42The script supervisor doesn't seem
15:43to talk to fucking anybody.
15:46The PA is very nervous about impressing people,
15:49but also seems like a scapegoat for a lot of people.
15:51The sound person, this is a dog thing.
15:54I imagine everyone hates the producer,
15:56because he's the one coming down so hard.
15:57Do we know how anyone feels about Josh?
16:01Interesting.
16:01Is Josh a difficult person to mic, to get water for,
16:07to dress, to script supervise?
16:09Rekha, you may now ask the producer
16:12about the issue of the microphones.
16:14The script supervisor about the script,
16:17or the sound mixer about another recording
16:19that just came to light.
16:20I mean, that last voice recording was hot as hell.
16:24I mean, we could get another one of those.
16:25I would love that.
16:26Yeah, we'll take a hot, steamy recording for 1,000.
16:30Oh, you know what?
16:31Out of batteries again, god damn it.
16:33Hey, just a tip, and this is rude.
16:36If you're a sound mixer, you absolutely
16:39need your own batteries.
16:40This can't keep happening, man.
16:42Also, better batteries.
16:43Yeah, what are you fucking using?
16:44Dollar store.
16:45You're using dollar store?
16:46OK.
16:48Are you going to go rogue?
16:49No.
16:49Stop.
16:50No, stop.
16:50What is this?
16:51You can't do this.
16:51Hang on.
16:52Wait, you have batteries?
16:54Grant, you can't.
16:54Oh my god.
16:56Do you need help?
16:57Am I going to find stuff I don't like?
16:58Jesus Christ.
16:59I don't think so.
16:59I don't think so.
17:00Look at all my fucking creams and saps.
17:02You have a lot of creams and pills.
17:06It's all right.
17:06I'm sorry.
17:07All right, here.
17:07No, no.
17:08All right, I have them.
17:09Oh my god.
17:10Can we use our own batteries?
17:11Yes, you can use your own batteries.
17:13Yes, bitch!
17:14Can I say, that was really clever,
17:16and I think Grant should be rewarded for that.
17:18Wow, as is competition.
17:19That's really sweet.
17:20No.
17:21Ready?
17:22Yeah.
17:22Stupid.
17:23The producer is cutting our budget.
17:25It's destroying our art.
17:26All the while, he lines his own pockets.
17:29Maybe just don't work with him again?
17:31That's not enough.
17:33No one in the town of Hollywood, California
17:36should have to work with him again.
17:38If you don't mind me saying so, that's
17:40a very suspicious thing to say.
17:42OK.
17:42Now, that was also way off.
17:43This is a pretty hot combo between the PD and the PA.
17:46So this PD, she hates the producer.
17:49So why the fuck is she killing Josh?
17:51Who cares about Josh?
17:52No one cares about Josh.
17:53Right?
17:54He's trash.
17:54I mean, I think.
17:55Maybe she's trying to sabotage the producer by having
17:58someone die on the set.
17:59So that might be a motive.
18:01OK, I'm going to ask the script supervisor about the script.
18:03Script supervisor.
18:05Yes.
18:06I am intimately familiar with the script.
18:09And I confirm, the script says, when a player takes center
18:13stage, the PA rushes out and stabs that player.
18:16The sound malfunction, though, that
18:18was not a part of the script.
18:21And Josh was not supposed to die.
18:24And I should know, because I am script supervisor.
18:27You are hot on the trail.
18:30I would like to speak to the producer about the production
18:32designer, because I think that's something.
18:34All right, look, the production designer
18:36and I have had our differences.
18:37But would she switch the knife and have someone
18:40killed just to end my career?
18:42Either way, that sounds like a motive.
18:44A motive has been established.
18:46And therefore, the production designer
18:48is one of our official suspects.
18:51You may now ask the producer about the microphones.
18:55That is the only thing you are able to do.
18:57Oh, I'll do that.
18:58So listen, I said to the sound mixer,
19:00the victim doesn't need a microphone.
19:02He's going to die as soon as the game begins.
19:04He doesn't have any lines.
19:05You don't have to mic him up.
19:06So we're all mic'd.
19:07We didn't intend to die.
19:08Are you mic'd?
19:08You're mic'd.
19:09I'm mic'd.
19:10So the situation here is that our sound mixer
19:14wanted a bunch of microphones.
19:15The producer didn't want to give him all those microphones,
19:18because the victim shouldn't need one.
19:19So sound mixer, the microphones, tell me about those.
19:25What's the point of Game Changer, right?
19:26That the players don't know what's going on.
19:28So if I don't mic up the murder victim,
19:30they're going to know that something smells funny.
19:33And that's what happened.
19:35Isn't that right?
19:36Grant!
19:37Shut up.
19:39Grant came to me asking why he wasn't mic'd up.
19:42What was I supposed to tell him?
19:43I told him the truth.
19:44I told him that he was going to be the one that dies.
19:46I am mic'd.
19:47I am mic'd up.
19:48No!
19:48I am mic'd up.
19:49I am mic'd up.
19:50I am mic'd up.
19:51I'll start crying.
19:52He mic'd up, though.
19:53I am mic'd up.
19:55What's happening?
19:56You may now ask the script supervisor about Grant.
19:59This is ridiculous.
20:00Wait a minute.
20:01Shut up.
20:01I'm mic'd up.
20:02You went to Tisch.
20:03I don't know what you learned there.
20:05Not much.
20:07OK, script supervisor, tell me.
20:09As script supervisor, Grant approached me before the shoot.
20:15He said, shut up.
20:16I should be the killer.
20:18I could really ham it up, do a big dramatic monologue
20:22once it's revealed.
20:23He asked me to switch the script around.
20:26He said, what's a little switcheroo?
20:28That's not.
20:29Do a better impression of me.
20:30You are using, you're appropriating
20:32the PA's language.
20:34I know, I guess.
20:35And I told him, no.
20:37I am not a script changer.
20:40I'm a script supervisor.
20:42I hate you.
20:43This is a red herring.
20:45This is a red herring.
20:46PA.
20:47Well, now that I think of it, you
20:48did ask me about the knife earlier.
20:51You wanted to see if it was safe.
20:53But I told you that the dangerous knife
20:56was in the returns box.
21:00I know what you're thinking.
21:02I know what you're thinking.
21:03What?
21:05You think that I did it.
21:06They did it.
21:07They did a thing.
21:08I mean, look, we all know that Grant is a total diva.
21:11But would he A, switch the knife,
21:14B, take the batteries out of Josh's microphone
21:17so he could take center stage, and C, get him killed just
21:20to be able to play the villain instead of a dead body
21:23on an internet game show?
21:24There's something I can't figure out.
21:26Why would the batteries have crapped out so soon
21:29after I put them in?
21:30I mean, I just put them in.
21:32Unless somebody wanted them.
21:35Someone who has batteries in their bag.
21:38Why did, I did wonder why the fuck you brought
21:41your bag to a podium, dumbass.
21:43Grant, there is one option left.
21:46And it's to check Josh's lab for batteries.
21:50You have to check the lab.
21:52That's the only way I know you're not terrified.
21:54She has a knife.
21:56I got a knife.
21:57I'll check the lab.
21:59Please.
22:04Oh, yeah, there are batteries in there.
22:06Wait, wait, wait, wait.
22:07There's no batteries, you fucking shithead.
22:10We have reached the end of our journey.
22:12Two suspects have been established,
22:16the production designer or Grant O'Brien.
22:20You can now nominate whoever you think did it.
22:24I think the production designer.
22:28Rekha, who?
22:28I think it's Grant.
22:29You understand that if it was me, you are being Truman Showed.
22:34I even asked.
22:36The narcissism that it would take.
22:38The nerve.
22:38If I'm being Truman Showed, the nerve for nobody to tell me.
22:42You're right.
22:45I was asked to play a dead body.
22:47You dumb bitch.
22:48And I was supposed to lay on the floor for 20 minutes
22:52when I could have been standing doing
22:54mad jokes the whole time.
22:57No.
22:58I went to Tisch.
22:59I know.
23:00The Tisch School of the Arts.
23:02So did I.
23:05What?
23:06Give me that.
23:07This?
23:07Give it to me.
23:10I was born to play the villain.
23:15I am a love child between the Grinch and Jared Kushner.
23:19I am the greatest actor Hollywood
23:22California has ever seen.
23:24All right.
23:26You want to see me play a dead body?
23:28Who?
23:29And you?
23:31And you?
23:33You'll get it.
23:35I had my monologue.
23:37I'm ready.
23:38There are no small parts.
23:41Only small actors.
23:48Well, I got the retractable one.
23:49And that's our show, Rekha.
23:50This was all for you.
23:52I hate this.
23:53I hate it.
23:54You did Truman.
23:56Show me.
23:57Your prize is this beautiful, real chef's knife,
24:01which the crew was so nervous was
24:03going to be confused for an actual knife on our set.
24:05Given its meta content, they made us seal this box.
24:09This has been Game Changer.
24:11I have been Sam Reich, reminding you
24:13that every crime leads one way or another
24:16back to Grant O'Brien.
24:17Good night.
24:18Good night.
24:19Good night.
24:20Good night.
24:21Good night.
24:22Good night.
24:23Good night.
24:24Stupid piece of shit!
24:26You should have told me!