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Short filmTranscript
00:00The interviewer is Osamu Hayashi.
00:03Tonight...
00:10She is the youngest female member of the Kouhaku Uta Gassen.
00:14She has been participating in the competition for 16 years.
00:17She is a charismatic artist.
00:21Nice to meet you.
00:23Nice to meet you.
00:26Please take a seat.
00:28Nice to meet you.
00:30Your voice is so small.
00:33My voice is not that clear.
00:36Is that so?
00:40Perfume is a female group that is active all over the world, not just in Japan.
00:50Perfume is ahead of Adonis Akiyama, a world-famous entertainer.
00:55They are ahead.
00:57They have been touring the world for 12 years.
01:00This year is the 25th anniversary of Perfume's formation.
01:03Wow, 25 years!
01:07Their latest video technology and dance have been well-received overseas.
01:17Their live DVD is the best-selling of 11 works.
01:23They have won many awards, including Amuro Namie, Utada Hikaru, and Hamasaki Ayumi.
01:29They are the best female artists.
01:37They are the top artists.
01:42When they moved to Hiroshima in the third grade of junior high school...
01:47Only two of them came.
01:49Fewer than the members.
01:53They went through 9 years of hard work.
02:00Tonight, Mikiko-sensei, who has been with Perfume for 25 years...
02:05I'm here, so I think I'm okay.
02:10The truth for the first time on TV...
02:15I can't stop crying.
02:19First of all, congratulations on the 25th anniversary of Perfume's formation.
02:2525 years!
02:27How old were you when you were formed?
02:30I met him when I was 9, and I was 10 when I was formed.
02:36So you've known each other since elementary school?
02:40Yes.
02:42We've been friends since then.
02:45I heard that you were mistaken about the year you were formed.
02:49I thought it was 2000 until recently.
02:54But my sister told me it was 1999.
03:00She told me.
03:02Can you prove that your sister is right?
03:07I have a terrible memory.
03:11It's true.
03:13My sister told me that it was after the unit audition.
03:17At that time, she said,
03:19It was after the unit audition.
03:21It was originally written in 2000,
03:23but she said it was the first time she did it in front of people.
03:29You've been talking for a long time.
03:31Do you usually speak in Hiroshima dialect?
03:33Yes.
03:35But I feel like I'm in Tokyo.
03:40I don't know how well you speak in Hiroshima dialect.
03:44I'm speaking in Hiroshima dialect.
03:47Speaking of participating in Perfume,
03:49you've been participating in the Kouhaku Uta Gassen for 16 years in a row.
03:53This is the largest number of female groups.
03:56That's amazing.
03:5816 years?
04:01Perfume has been participating in the Kouhaku Uta Gassen for 16 years in a row.
04:06This is the video of the first time they participated in the Kouhaku Uta Gassen in 2008.
04:23They showed their polyrhythm, which was the trigger for the break.
04:31The jump is small.
04:33The jump is small.
04:35I'm doing an explosive jump right now.
04:38It's lower when I'm young.
04:40It's really different.
04:50After the performance,
04:52the three of them were overjoyed and cried loudly in the back.
04:57And in 2013,
04:59they surprised a large audience with their sixth appearance.
05:03Oh, this.
05:07I think I used a reflector.
05:09This is when I used a reflector.
05:13This is when I did the mapping.
05:15I saw it.
05:17The latest technology, projection mapping, was still unusual at the time.
05:21It's fast, projection mapping.
05:23Even if you move, you can see it accurately.
05:25It's a stage where you can see the three-dimensional full CG video
05:28in the pure white costumes of the members who dance vigorously.
05:32Everything is fast.
05:34Perfume is really fast.
05:37It evolved even more with the 11th appearance.
05:41In the stage of the live broadcast of Kouhaku Uta Gassen,
05:44it is a revolutionary performance that replaces reality and virtual space in real time.
05:50This is the concert.
05:52I did it at the place.
05:59Where are you?
06:01If it's a music video, I can understand it.
06:03In real time.
06:05Viewers who couldn't understand what was going on
06:08continued to watch the video, which they thought was a live broadcast.
06:13I was very happy to be able to do it with the fans.
06:21It's a very historical group.
06:23How did you feel when you were asked to sing after your first appearance?
06:29My dream came true.
06:31I felt like I was able to repay the people who supported me.
06:37The timing when I realized that was when I put it on my sleeve.
06:42Since I came to Tokyo from Hiroshima,
06:45even if I work hard in Tokyo,
06:47there are many things that I can't reach my hometown.
06:51I was able to appear in Kouhaku
06:53It was also a way to convey to my family, relatives, friends, and people who sent me.
07:02It was a way to convey that I'm doing my best and I've come this far.
07:08Basically, you always perform as a hero.
07:15Recently, there have been idols who have become heroes.
07:20You're a pioneer.
07:22That's a lot.
07:25If it's sneakers, the dancers will explode.
07:30I grew up with hip-hop.
07:34Maybe this is how the goods are kept.
07:39I see.
07:40I'm going to dance to Mikiko's choreography with heels.
07:43It's like a perfume.
07:47It's made for each person's feet.
07:51I see.
07:52Yuka's shoes and my shoes have different shapes.
07:56They look the same.
07:59Did you feel less pain when you were ordered?
08:02I felt less pain.
08:04It's changed a lot.
08:07Does it hurt a little?
08:09It hurts a little.
08:12If I dance for three hours, my shoes will hurt.
08:16I see.
08:17I danced with my toes.
08:19It hurts.
08:21You can't even move your face.
08:24It hurts, doesn't it?
08:27After a two-hour live, her feet swelled up.
08:31She can't even walk without an icing.
08:36She's wearing a hormone T-shirt.
08:39A real hormone T-shirt.
08:41I think this is related to her.
08:45She suddenly got her feet together.
08:47She's suddenly a woman.
08:50Now, the 8cm high heels are an item that symbolizes perfume.
08:55There are 8cm high heels.
08:57The interview is only possible by experiencing the same height.
09:01It's funny.
09:02I'm going to dance.
09:03What is this picture?
09:05Can you stand up?
09:07Did you live your life like this?
09:11Looking at this picture, I think she finally went that way.
09:14Did you want to go that way?
09:16Historically, men used to wear red high heels.
09:20Really?
09:22Louis XIV was proud of his legs.
09:25He wore a white T-shirt and red high heels.
09:28It's beautiful.
09:29We customized it.
09:32We made it so that it would be your feet.
09:35So you can run.
09:40You're showing off again.
09:42It's a part of your feet.
09:45Let's dance.
09:49How hard is it to dance with 8cm high heels?
09:55This time, we asked him to teach us how to wear perfume.
10:05However,
10:11Hayasho is motivated, but he has no sense.
10:17High heels are too dangerous.
10:21So, he put his shoes back on and focused on dancing.
10:27The representative song of NiziU, which covers young artists, is Chocolate Disco.
10:36It's Chocolate Disco.
10:39I can do this.
10:41I can do this.
10:51I can do this.
10:53Can I do this?
10:54Give me 2 hours.
10:56It's going to take a long time.
11:02I can do this.
11:04Do you have to move your feet at the same time?
11:07That's the dance.
11:11Right, left, right, left, right.
11:14It's good.
11:16I can do this.
11:17When you do this, your elbow goes up and down.
11:22Up and down.
11:26Be confident.
11:27I can't move my feet at the same time.
11:29That's the dance.
11:34You can do this for the first time.
11:37Music, start.
11:39Here we go.
11:41Chocolate disco.
11:43Chocolate disco.
11:45I can do this.
11:47I can do this.
11:49Right, left, right, left, right.
11:51I can do this.
11:53I can do this.
11:55That's cute.
11:57Wait a minute.
12:02You pushed the perfume out of the way.
12:05That's Sunny.
12:07The tempo is too different.
12:09I've never heard of this before.
12:11I see.
12:12You pushed the perfume out of the way.
12:13Wait a minute.
12:18You pushed the perfume out of the way.
12:21I can do this.
12:23I can do this.
12:24I can do this.
12:26That was fast.
12:27I'm relieved that you can do this.
12:32This is cheating.
12:34The tempo is too different.
12:36I've never heard of this before.
12:38That was fast.
12:39This is the great thing about Osamu Hayashi.
12:42He's confident that he can do it if the tempo is different.
12:47He's going to try again.
12:53Here we go.
12:56That's amazing.
12:57Osamu Hayashi.
12:58That's amazing.
12:59I can do this.
13:08The music will start.
13:10Here we go.
13:11Here we go.
13:13Do your best.
13:15You can do it.
13:25You can do it.
13:26You can do it.
13:27Wow!
13:31Wow!
13:33You got something!
13:35I did it!
13:37Wow!
13:39The growth from the first time to the second time was amazing.
13:41It's fast.
13:43The learning ability is different from others.
13:45She is kind.
13:47She has a high learning ability.
13:49She is a beginner.
13:51First of all, how did the national female group, Perfume, was born?
13:57Osamu Hayashi will tell us.
13:59The origin of Perfume is
14:01one of the benefactors
14:03who has been with the members
14:05for 25 years
14:07and the existence of the mothers
14:09who have been with the members
14:11for 25 years.
14:13In this corner,
14:15according to the image of the guest,
14:17Masaru Akai, a housewife,
14:19designed a beautiful flower.
14:21First of all,
14:23this white one is called Shidaregua.
14:25Gua.
14:27It's rare.
14:29It was hard to make it like this.
14:31This green one is
14:33called Dusty Mirror.
14:35I added a little silver.
14:37It's shiny.
14:39It's cute.
14:41I used this
14:43to express everyone's near-future.
14:45That's amazing.
14:47It's wonderful.
14:51In 1999,
14:53the three of them
14:55joined the Actors School
14:57as first-generation students.
14:59At that time,
15:01A-chan, Kashiyuka,
15:03and another member
15:05formed Perfume.
15:07And later,
15:09Nocchi joined the group.
15:11We decided to quit.
15:13And suddenly,
15:15another member was needed.
15:17So,
15:19Ayano joined the group.
15:21In the elevator,
15:23they couldn't escape again.
15:25On the way back from the lesson,
15:27when they were together in the elevator,
15:29Perfume asked them to join the group.
15:31So,
15:33they joined the group.
15:35Yuka and I
15:37were in the same class
15:39since we joined the Actors School.
15:41So,
15:43Mikiko was in the Actors School,
15:45and the voice teacher was also in the Actors School.
15:47But Nocchi was in the Star Class.
15:49So, the teacher was different.
15:51And the class was different.
15:53It was the class above Nocchi's.
15:57Nocchi's class
15:59was expected.
16:01I don't know why,
16:03but you were invited
16:05from the lower class.
16:07I was invited.
16:09From my point of view,
16:11there was no concept of the upper class.
16:13At that time,
16:15among the girls who
16:17sang and danced
16:19cool songs,
16:21three of them
16:23sang cute songs
16:25as if they were idols.
16:27I see.
16:29I was curious about that.
16:31I was curious about that.
16:33I've never heard of that.
16:35I've never heard of that.
16:37I've never heard of that.
16:39The world-famous Perfume
16:41was established as a
16:43techno-pop unit.
16:45The world-famous Perfume
16:47was established as a
16:49techno-pop unit.
16:51But right after the formation,
16:53At that time,
16:55it wasn't techno-pop.
16:57It was a song like an idol song.
16:59It was a song like an idol song.
17:01There was self-introduction in the song.
17:03I was like,
17:05I was like,
17:07There was self-introduction in the song.
17:11Originally,
17:13they performed as idols,
17:15but they made their debut
17:17at the age of 13,
17:19just 3 years after the formation.
17:21They made their debut at the age of 13,
17:23just 3 years after the formation.
17:25Did you have many fans?
17:27No,
17:29I didn't know.
17:31I was told to do a lot of things like cherry blossoms.
17:33I was told to do a lot of things like cherry blossoms.
17:35Sakura!
17:37She came to our handshakes so many times.
17:39She came to our handshakes so many times.
17:41Every day, whether it was a snowy day, a rainy day, or a windy day,
17:45there was a time when we held a villa.
17:48After our debut, we decided to hold an insta-event.
17:51We decided to do what we could so that more people could come to the event.
17:55Every day, every day, for several weeks,
17:58there were only two people who came to the event.
18:02Fewer people than the members.
18:04Wow, that's tough.
18:06It's like the beginning of everything.
18:08Didn't you feel a little down?
18:11At that time, I did feel a little down.
18:16But I didn't feel like it was a bad thing.
18:20I didn't feel like it was a bad thing.
18:22I didn't feel like it was a bad thing.
18:24I didn't feel like it was a bad thing.
18:28We received a message from someone who knows a lot about Hiroshima.
18:34Who is it?
18:36A person who knows a lot about perfume.
18:39It's...
18:41It's Mikiko Katsuyuka.
18:44It's a teacher!
18:47Mikiko is a choreographer.
18:52A choreographer of love dance, which has become a social phenomenon.
18:58She was in charge of the production of the 2016 Rio Olympics.
19:04She is...
19:10She choreographed almost all of the perfumes.
19:13She also choreographed live performances.
19:15It's the fourth perfume.
19:21What was the first thing you met?
19:24We met when we were in the fifth grade.
19:28More than 25 years old.
19:31The three of them were elementary school students at that time.
19:34They entered the Hiroshima Actors School.
19:37Mikiko was the first one to learn how to dance.
19:43Since then, the four of them have been together for 25 years.
19:49The teacher said that the reason why the three of them, who were still young at that time,
19:54were able to endure the tough lessons was because of the existence of certain people.
20:01They were the ones who taught me that I had to do this much to make my dream come true.
20:10Without a doubt, it was the mothers.
20:15I don't know if I can say this.
20:18There was a mirror outside the studio.
20:21There was a space where you could practice freely.
20:25The three of them always practiced between lessons.
20:31I remember that the mothers were the ones who coached me.
20:36When I look back, I always remember the faces of the mothers.
20:45The mothers had never danced before,
20:48but as a position seen from the audience, the choreography was very difficult.
20:53You can see it behind the mirror.
20:55I'm scared.
20:56A-chan, a little lower.
21:00Your right hand comes out first.
21:03I see.
21:04So you have a vivid memory of your dancing.
21:07That's right.
21:08When I went to events or presentations,
21:11all the mothers did it for me.
21:15They gathered the costumes from the fabric and made the shape themselves.
21:21They made the makeup.
21:23The mothers really produced it for me.
21:27Thanks to the mothers, I was able to get on the stage.
21:32In the spring of 2003, when you were in the third year of junior high school,
21:36you got on the stage.
21:38You had such a close bond with your mother.
21:41Didn't you feel lonely?
21:45After two months, I really thought,
21:52Mom...
21:54Mom...
21:55I called her every day.
21:59Did she comfort you?
22:01She said,
22:03Why did you call me?
22:05What time is it now?
22:07There's a studio, so go practice.
22:09It's down there, right?
22:11You're always on the edge.
22:14I don't know when you'll be back in Hiroshima.
22:18Now?
22:20Now, of course.
22:21You're really happy.
22:24Like a Buddha.
22:25All the mothers are like Buddha.
22:27You're really happy.
22:29That's all I can say.
22:32She's the best.
22:34She's a good daughter.
22:35Really.
22:36And the person who changed Perfume's life a lot when she was in high school.
22:42Who is it?
22:43It's...
22:46Sound producer Yasutaka Nakata.
22:50By meeting him, she stepped into a new genre called techno-pop.
22:58However, there was a big struggle with this route change.
23:04In addition, Ms. Mikiko, who has been with us for 25 years.
23:10It was something that I had to explain to the three of them.
23:18Tears for the first time on TV.
23:32But honestly, when you first heard this song, what did you think?
23:39I thought it sounded like a game.
23:42What's good about the Actors School is...
23:47It's like a singing diva.
23:49It was a song that said,
23:54It was a song that said,
23:58It was a song that said,
24:02I was very confused when I recorded it.
24:05It was very detailed.
24:08I thought it was a song that said,
24:12I thought it was a song that said,
24:21It was like a sound.
24:23I didn't even know what was so attractive about Mr. Nakata's music.
24:28We were crying.
24:30Did you cry, too?
24:32Yes.
24:33There were a lot of sofas in the booth.
24:36There was a manga by Conan.
24:38I remember crying there.
24:40How many volumes of Conan did you have?
24:43I had one volume.
24:50Didn't you talk about going back to Hiroshima?
24:53No one said that.
24:56Anyway, I felt like I was going to die.
24:59They didn't say anything they didn't want to do.
25:04That's true.
25:06I didn't think so.
25:08Successful people are like that.
25:11There are times when people say,
25:13There are times when people say,
25:15Once you think it's right,
25:17Once you think it's right,
25:19There are many people who say,
25:21There are many people who say,
25:24They don't do what they want to do.
25:27They keep doing what they want to do.
25:31Everyone is like that.
25:33Perfume, which went through such a period,
25:35Perfume, which went through such a period,
25:41A certain commercial became a hot topic,
25:43A certain commercial became a hot topic,
25:46That is...
25:47A commercial?
25:53Your precious feelings
25:58Your precious feelings
26:03This is a commercial for the environmental protection campaign,
26:05This is a commercial for the environmental protection campaign,
26:08which was also broadcast on NHK.
26:11This commercial spread the popularity of Perfume all over the country.
26:13This commercial spread the popularity of Perfume all over the country.
26:18It's a great commercial.
26:20It's embarrassing to see.
26:22I was dancing with them in the trash.
26:26I think this is the point we broke.
26:29I think this is the point we broke.
26:31What did you say?
26:33Rather than being happy with both hands raised,
26:36Rather than being happy with both hands raised,
26:38We need to be careful.
26:40We need to be careful.
26:42If we meet here,
26:44We need to be careful.
26:46I was squeezed.
26:49It's like a tug-of-war.
26:51That's right.
26:55From now on, it's time for Perfume's 16th consecutive appearance in the Kouhaku Uta Gassen.
27:08Next, Osamu Hayashi is approaching the world-famous live performance of Perfume.
27:16Speaking of Perfume's live performance, the distance from the fans is close.
27:21In that style...
27:28There is a spirit learned from Aiko that the three respect.
27:33By the way, did you get the call-and-response from Aiko?
27:40I got it.
27:42It's like a franchise.
27:44Aiko, it's like a franchise.
27:50Everyone respects Aiko.
27:53That's right.
27:54I was shocked when I went to see Aiko's live performance.
28:00A very important part is the distance from the audience.
28:04It's really close.
28:06When the song is over like a friend, I'm talking all my life.
28:11I'm having a conversation.
28:13I can't feel the distance.
28:16It's really condensed in the call-and-response.
28:23Here is the actual call-and-response that Aiko is franchising.
28:28Boys!
28:31Girls!
28:33Glasses!
28:35Contact lenses!
28:37Lug-ons!
28:39Pencil cases!
28:42There!
28:43Young people!
28:45How many?
28:4729.
28:48You did your best.
28:50Next, doctors!
28:53There are a lot of doctors.
28:56There are a lot of doctors.
28:58Who has been looking forward to this live performance?
29:03Yes!
29:05Unexpectedly, she reveals her personal information.
29:09I'm sorry.
29:11Don't look at me like that.
29:13I wish I could help someone.
29:17You were taken care of by such a person.
29:19I don't want to be left behind.
29:23I'm happy to be a part of it.
29:28I want to take it home as a souvenir.
29:32By the way, have you ever been used by the fans of the live performance?
29:37I'm sorry.
29:40It's not mine.
29:42Sometimes my voice is too small.
29:45I feel like I'm being watched.
29:48There are people like this.
29:50But I have to say,
29:52I have to say,
29:55I have to say,
29:57I have to say,
30:00I have to say,
30:02I have to say,
30:04I have to say,
30:06Am I right?
30:08Am I right?
30:10Am I right?
30:12Am I right?
30:14When will you say it?
30:17When will you say it?
30:19Now!
30:21It's cute!
30:23It's a good word.
30:25It was early when the three of them left Japan.
30:29In 2011, Polyrhythm was selected as the opening act for Pixar's Cars 2.
30:37When I was invited to the world premiere,
30:41there was a fan who said,
30:43Kashioka, let's do a live show here.
30:46It wasn't a relative, but a regular fan who came to see us.
30:52So I thought, if there are people overseas who want to see us, I want to go.
30:58In 2012, we started performing overseas.
31:07The world tour so far has been held 4 times.
31:11In fact, they have performed in 21 cities around the world and have received high praise.
31:18The secret to their popularity is the live performance using cutting-edge technology.
31:25Among them, Mikiko-sensei, who is in charge of choreography and directing,
31:29What is your favorite performance?
31:32There is a performance using three shadows called fusion.
31:38It is a performance that can be done at 360 degrees by changing the perspective of the shadow and the camera.
31:47It feels different.
31:51Fusion is an evolution of what I want to do.
31:59A dance that links with the shadow that does not allow a deviation of 0.1 seconds.
32:04Here is the best performance using cutting-edge technology.
32:22What is the secret of fusion?
32:25Fusion is a performance where the 360-degree video data of three people and the three people who actually dance in the live performance are synchronized.
32:38It is a performance that makes it ambiguous whether this is a real shadow or a fake.
32:45I want to make it look like a shadow, so the three people have to synchronize with their past selves.
32:57I can't make a mistake, so it's a very tense performance.
33:04It feels good when it fits perfectly.
33:08However, in the case of Asia Tour, the video shifts by 0.1 or 0.2 seconds.
33:17It's because of the equipment.
33:20The three people will notice it.
33:22I'm worried that this is a little off.
33:25Because this is off, this magic will not work.
33:29I'm going to put the video together.
33:35However, the three people who are dancing together will notice it.
33:39The last check is done by the three people.
33:42It's amazing.
33:48It's hard to synchronize with the video that was taken in advance.
33:53Do you often notice the deviation of 0.1 seconds?
33:57Are you all right?
34:02We are the closest to the LED that shows our shadow.
34:09I can see that it's off while I'm dancing.
34:15If it's off, the sound is unpleasant.
34:19When the video and dance fit perfectly, the sound is clear and pleasant.
34:24However, when the video shifts by 0.1 or 0.2 seconds, the sound becomes blurry.
34:29I'm worried about that.
34:32When I go on a tour in Asia, I want the audience to see the performance.
34:40I don't want to compromise even a millimeter.
34:44We spend a lot of time on rehearsals.
34:48We take good care of other things.
34:53However, when the video shifts by 0.1 or 0.2 seconds, the audience can't make a mistake.
35:00I feel like I'm strangling myself.
35:04However, when we synchronize with the video, we can feel the excitement.
35:09We feel like we're going to explode.
35:15I'm looking forward to it.
35:18We think this performance is the coolest in the world.
35:24I want the audience to see it.
35:29I can't stop.
35:32I'm addicted to it.
35:35She has a stoic attitude that doesn't allow a single mistake.
35:39The performance is overwhelming.
35:43It impresses people all over the world.
35:50Nao watched the live performance of Perfume as an artist.
35:57It was wonderful.
36:00I thought it was a good opening ceremony for the Olympics.
36:04I wanted the world to see it.
36:08I got goose bumps.
36:11The children were surprised, too.
36:15She showed us a great performance.
36:18However, the MC made a mysterious move.
36:22Next, Nikiko's performance of Perfume.
36:27It's full of passion.
36:31It's been 25 years since their debut.
36:37What does Nikiko think of it?
36:41I've never said I was tired or wanted to quit.
36:47I practiced even when I couldn't do anything.
36:55When I saw the audience on stage,
37:04I realized how hard it was.
37:13She was guided by Nikiko.
37:18Her mother supported her.
37:23That's why Perfume has been performing for 25 years.
37:33That's because...
37:36So many staff members are supporting us.
37:42They're working on the countdown.
37:48Please give them a round of applause.
37:54That's what it means.
37:56Perfume is really like that.
38:01The words of gratitude to the staff.
38:06They understand that it's the first time they've been able to work with people who support them.
38:17Nikiko is grateful to the people of Perfume.
38:27That's what the media says.
38:30Nikiko's true feelings when she had a hard time.
38:35They were like family to me.
38:39They cried together.
38:42Nikiko's true feelings when she had a hard time.
38:47They were like family to me.
38:51When Nikiko had the hardest time in her life,
38:57what was the bond she felt with Perfume?
39:03In 2020 or 2021,
39:07I couldn't change my mind about the big project I was involved in.
39:16So I decided to resign.
39:20That's when I had to work hard as a director again.
39:29I had to explain it to the three of them.
39:36They were like family to me.
39:43They cried together.
39:45When I saw that, I thought,
39:48I'm here, so it's okay.
39:53That's where I got the energy to make Polygon Wave.
40:00That's when I got the energy to make Polygon Wave.
40:15Even when things are really hard,
40:18there is a place to go home.
40:22That's why Nikiko was able to look forward again.
40:30What do you want to say to each other?
40:35A-chan, Yuka-chan, Nocchi.
40:39It's been 25 years.
40:43I think we're honest with each other now.
40:55We're partners in good work,
40:57and we understand each other well.
40:59I feel like we've become good friends.
41:06I feel like the scenery I want to see is always with the three of us.
41:14I hope we can continue to laugh together.
41:28How did you feel when you saw it?
41:32We really feel like a family.
41:37I'm glad I got such an important gift from you.
41:44I'm glad I've been doing this for a long time.
41:48I think it's the first time you've told me that story.
41:53I've never said it to the media.
41:57You said you thought it was okay because you were here.
42:01I don't think I've ever said that I was able to replay it.
42:07We couldn't have come this far without the presence of Perfume.
42:15Perfume is a part of us.
42:21I don't want to do what you don't want to do.
42:24I've always wanted to do my best in the same place as you do.
42:30I don't know how hard it was to hold on to that time.
42:35I want to stay in the same position because you did it with our feelings.
42:42How long do you want to be with Perfume?
42:53How long do you want to be with Perfume?
42:57I'm curious.
42:58I'd like to know.
43:04I'm going back to China.
43:08If Tatsuro arranges it, it'll be a pop song.
43:17How long do you want to be with Perfume?
43:23I'm looking forward to seeing how far I can go.
43:34You've made a lot of progress since the performance.
43:38I can move more than I did five years ago.
43:42Ten years ago, I thought it was hard.
43:46It's not that hard now.
43:48I'm over 30 years old, and I know how to change my body.
43:53I'm learning how to face it.
44:00I can still dance.
44:05The fact that you can dance means that we can dance, too.
44:10You always show me the future.
44:14You always said,
44:16You always said,
44:20You always said,
44:22You always said,
44:28As long as you keep dancing, we'll keep dancing, too.
44:33If you say,
44:35If you say,
44:38If you say,
44:42Thank you very much.
44:44Thank you very much.
44:49And at the end of the recording,
44:52And at the end of the recording,
44:56It was a great performance.
44:59Thank you very much.
45:02Thank you very much.
45:05Thank you very much.
45:08No matter what the situation is,
45:10No matter what the situation is,
45:13That's Perfume.
45:15That's Perfume.
45:16Thank you very much.
45:18Our staff wants to see you dance.
45:24I'm embarrassed.
45:26I want to collaborate with a lot of people.
45:30Hayashi is the best.
45:39I've heard a lot of compliments.
45:41I'll keep dancing.
45:43Hayashi Osamu
45:46Thank you very much.