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Short filmTranscript
00:00The interviewer is Osamu Hayashi.
00:03Tonight...
00:10She is the youngest female member of the Kouhaku Uta Gassen.
00:14She has been participating in the competition for 16 years.
00:17She is a charismatic artist.
00:21Nice to meet you.
00:23Nice to meet you.
00:26Please take a seat.
00:28Nice to meet you.
00:30Your voice is so small.
00:33My voice is not that clear.
00:36Is that so?
00:40Perfume is a female group that is active all over the world, not just in Japan.
00:50Perfume is ahead of Adonis Akiyama, a world-famous entertainer.
00:55They are ahead.
00:57They have been touring the world for 12 years.
01:00This year is the 25th anniversary of Perfume's formation.
01:03Wow, 25 years!
01:07Their latest video technology and dance have been well-received overseas.
01:17Their live DVD is the best-selling of 11 works.
01:23They have won many awards, including Amuro Namie, Utada Hikaru, and Hamasaki Ayumi.
01:29They are the best female artists.
01:37They are the top artists.
01:42When they moved to Hiroshima in the third grade of junior high school...
01:47Only two of them came.
01:49Fewer than the members.
01:53They went through 9 years of hard work.
02:00Tonight, Mikiko-sensei, who has been with Perfume for 25 years...
02:05I'm here, so I think I'm okay.
02:10The truth for the first time on TV...
02:15I can't stop crying.
02:19First of all, congratulations on the 25th anniversary of Perfume's formation.
02:2525 years!
02:27How old were you when you were formed?
02:30I met him when I was 9, and I was 10 when I was formed.
02:36So you've known each other since elementary school?
02:40Yes.
02:42We've been friends since then.
02:45I heard that you were mistaken about the year you were formed.
02:49I thought it was 2000 until recently.
02:54But my sister told me it was 1999.
03:00She told me.
03:02Can you prove that your sister is right?
03:07I have a terrible memory.
03:11It's true.
03:13My sister told me that it was after the unit audition.
03:17At that time, she said,
03:19It was after the unit audition.
03:21It was originally written in 2000,
03:23but she said it was the first time she did it in front of people.
03:29You've been talking for a long time.
03:31Do you usually speak in Hiroshima dialect?
03:33Yes.
03:35But I feel like I'm in Tokyo.
03:40I don't know how well you speak in Hiroshima dialect.
03:44I'm speaking in Hiroshima dialect.
03:47Speaking of participating in Perfume,
03:49you've been participating in the Kouhaku Uta Gassen for 16 years in a row.
03:53This is the largest number of female groups.
03:56That's amazing.
03:5816 years?
04:01Perfume has been participating in the Kouhaku Uta Gassen for 16 years in a row.
04:06This is the video of the first time they participated in the Kouhaku Uta Gassen in 2008.
04:23They showed their polyrhythm, which was the trigger for the break.
04:31The jump is small.
04:33The jump is small.
04:35I'm doing an explosive jump right now.
04:38It's lower when I'm young.
04:40It's really different.
04:50After the performance,
04:52the three of them were overjoyed and cried loudly in the back.
04:57And in 2013,
04:59they surprised a large audience with their sixth appearance.
05:03Oh, this.
05:07I think I used a reflector.
05:09This is when I used a reflector.
05:13This is when I did the mapping.
05:15I saw it.
05:17The latest technology, projection mapping, was still unusual at the time.
05:21It's fast, projection mapping.
05:23Even if you move, you can see it accurately.
05:25It's a stage where you can see the three-dimensional full CG video
05:28in the pure white costumes of the members who dance vigorously.
05:32Everything is fast.
05:34Perfume is really fast.
05:37It evolved even more with the 11th appearance.
05:41In the stage of the live broadcast of Kouhaku Uta Gassen,
05:44it is a revolutionary performance that replaces reality and virtual space in real time.
05:50This is the concert.
05:52I did it at the place.
05:59Where are you?
06:01If it's a music video, I can understand it.
06:03In real time.
06:05Viewers who couldn't understand what was going on
06:08continued to watch the video, which they thought was a live broadcast.
06:13I was very happy to be able to do it with the fans.
06:21It's a very historical group.
06:23How did you feel when you were asked to sing after your first appearance?
06:29My dream came true.
06:31I felt like I was able to repay the people who supported me.
06:37The timing when I realized that was when I put it on my sleeve.
06:42Since I came to Tokyo from Hiroshima,
06:45even if I work hard in Tokyo,
06:47there are many things that I can't reach my hometown.
06:51I was able to appear in Kouhaku
06:53It was also a way to convey to my family, relatives, friends, and people who sent me.
07:02It was a way to convey that I'm doing my best and I've come this far.
07:08Basically, you always perform as a hero.
07:15Recently, there have been idols who have become heroes.
07:20You're a pioneer.
07:22That's a lot.
07:25If it's sneakers, the dancers will explode.
07:30I grew up with hip-hop.
07:34Maybe this is how the goods are kept.
07:39I see.
07:40I'm going to dance to Mikiko's choreography with heels.
07:43It's like a perfume.
07:47It's made for each person's feet.
07:51I see.
07:52Yuka's shoes and my shoes have different shapes.
07:56They look the same.
07:59Did you feel less pain when you were ordered?
08:02I felt less pain.
08:04It's changed a lot.
08:07Does it hurt a little?
08:09It hurts a little.
08:12If I dance for three hours, my shoes will hurt.
08:16I see.
08:17I danced with my toes.
08:19It hurts.
08:21You can't even move your face.
08:24It hurts, doesn't it?
08:27After a two-hour live, her feet swelled up.
08:31She can't even walk without an icing.
08:36She's wearing a hormone T-shirt.
08:39A real hormone T-shirt.
08:41This is a relationship T-shirt.
08:45She suddenly started dancing.
08:48She's a woman.
08:50Now, the 8cm high heels are an item that symbolizes perfume.
08:55There are 8cm high heels.
08:57The interview is only possible by experiencing the same height.
09:01It's funny.
09:02I'll go.
09:03What is this picture?
09:05Can you stand up?
09:07Did you live your life like this?
09:10Looking at this, I can't believe she went that way.
09:14Did you want to go that way?
09:16Historically, only men wore red high heels.
09:20Really?
09:22Louis XIV was proud of his legs.
09:25He wore a white T-shirt and red high heels.
09:28It's beautiful.
09:29We customized it.
09:32We made it so that it would be your feet.
09:35You can run.
09:40You're showing off again.
09:42It's a part of your feet.
09:45Let's dance.
09:49How hard is it to dance with 8cm high heels?
09:55This time, we asked him to teach us about perfume.
10:00He's here.
10:01He's here.
10:03It's a popular corner.
10:05However,
10:11Hayasho is motivated, but he doesn't have a good sense.
10:16High heels are too dangerous.
10:21So, he put his shoes back on and focused on dancing.
10:27The representative song, Chocolate Disco, is covered by young artists, including NiziU.
10:36It's Chocolate Disco.
10:39I can do this.
10:41I can do this.
10:51I can do this.
10:53Can I do this?
10:54Give me 2 hours.
10:56It'll take a long time.
11:02I can do this.
11:04Do you have to move your feet at the same time?
11:07That's the dance.
11:11Right, left, right, left, right.
11:14It's good.
11:16I can do this.
11:17When you do this, your elbow goes up and down.
11:22Up and down.
11:26Be confident.
11:27I can't move my feet at the same time.
11:29That's the dance.
11:34I can do this for the first time.
11:36All right.
11:37Music, start.
11:39Here we go.
11:41Chocolate disco.
11:43Chocolate disco.
11:45I can do this.
11:47I can do this.
11:49Right, left, right, left, right.
11:51I can do this.
11:53I can do this.
11:55It's cute.
11:57Wait a minute.
12:02You pushed the perfume out of the way.
12:05That's Sunny.
12:07The tempo is too different.
12:09I've never heard of this before.
12:11I see.
12:12You pushed the perfume out of the way.
12:13Wait a minute.
12:15You pushed the chocolate out of the way.
12:17You pushed the chocolate out of the way.
12:20I can do this.
12:22I can do this.
12:24I can do this.
12:26That was fast.
12:27I'm relieved that you can do this.
12:32This is cheating.
12:34The tempo is too different.
12:36I've never heard of this before.
12:38That was fast.
12:39This is the great thing about Osamu Hayashi.
12:42He's confident that he can do it if the tempo is different.
12:47He's going to try again.
12:53Here we go.
12:56That was amazing.
12:57You did it too.
13:07Music, start.
13:09Good luck.
13:10Here we go.
13:11Ready, set, go.
13:14You did it.
13:16You did it.
13:18Donut, right.
13:20Left, right.
13:22You can do this.
13:23You can do this.
13:24You can do this.
13:25You can do this.
13:26Here we go.
13:27Donut, right.
13:33You got something.
13:35You did it.
13:37That was amazing.
13:39He improved a lot from the first time.
13:42He's fast.
13:43His learning ability is different from others.
13:46He's kind.
13:47His learning ability is very good.
13:49He's a beginner.
13:51First, Osamu Hayashi will tell us how the national female group, Perfume, was born.
13:59At the beginning, there was a benefactor who has been with the members for 25 years.
14:06There was a mother who has been taking care of the three members.
14:13In this corner, Masaru Akai will design the flowers according to the image of the guests.
14:21First, this white one is called Shidare Gua.
14:25Gua.
14:26It's unusual.
14:27It was hard to make it look like this.
14:29This green one is called Dusty Mirror.
14:34I added silver to it.
14:37It's shiny.
14:38It's cute.
14:40I used this to express the sense of the near future of everyone.
14:45I see.
14:47It's wonderful.
14:51In 1999, the three members joined Actors School Hiroshima as first-generation students.
14:59At that time, Perfume was formed with A-chan, Kashiyuka, and another member.
15:06After that, Nocchi joined the group.
15:10I decided to quit the group.
15:13Suddenly, I needed another member.
15:18So, I decided to join Ayano-chan.
15:20In the elevator...
15:23She couldn't escape again.
15:26On the way back from the lesson, when we were in the elevator,
15:30Ayano-chan asked me to join the group.
15:32So, I joined the group right away.
15:36Since I joined Actors School, Yuka-chan and I were in the same class.
15:42So, the dance teacher was Mikiko, and the voice teacher was the same.
15:46But Nocchi was in the star class.
15:49So, the teacher was different.
15:51And the class was a little different.
15:53It was Nocchi's upper class, wasn't it?
15:56Yes.
15:57Nocchi's class was expected.
16:01I don't understand.
16:03Did the lower class ask you to join the group?
16:06Or did the upper class force you to join the group?
16:08I didn't have the concept of the lower class or the upper class.
16:14At that time, among the girls who sang and danced cool songs,
16:20the three girls who sang cute songs and danced like idols stood out.
16:27I see.
16:28I was surprised.
16:30I'm sorry. I was very curious.
16:34Only the dance teacher asked such a question.
16:37That's right.
16:43Now, Perfume has established its position as a techno-pop unit and is world-famous.
16:50But right after the formation...
16:54At that time, it wasn't techno-pop.
16:56It was a so-called idol song.
16:59Oh, I didn't know that.
17:01There was a self-introduction in the song.
17:03It was like, I'm A-chan. I'm Kashiyuka.
17:05There was such a thing.
17:12Originally, they were active as idols.
17:14When they were 13 years old, only three years after their formation,
17:18the three of them made their Indies debut.
17:22It sounds like it was going well.
17:24Did you have a lot of fans?
17:26No, I didn't.
17:29There were a lot of adults who talked to me like cherry blossoms.
17:36Cherry blossoms?
17:37There were many handshakes.
17:41Every day, on a snowy day, on a rainy day, or on a windy day,
17:44there was a time when we distributed billiards.
17:48Since we made our debut and decided to hold an in-store event,
17:51we decided to do what we could so that many people could come to the event.
17:55Every day, every day, for several weeks,
17:58there were only two people who came to the event.
18:02Fewer than the members.
18:04Wow, that's tough.
18:06It's like this at the beginning.
18:08Didn't you feel like you were going to break your heart?
18:12At that time, I was depressed.
18:16That's why I thought it might be bad.
18:20I wasn't worried about what would happen next.
18:24I didn't know what to do.
18:27We received a message from someone who knows a lot about Hiroshima.
18:34Who is it?
18:36A person who knows a lot about perfume.
18:39It's...
18:41It's Mikiko Katsuyuka.
18:44It's a teacher!
18:47Mikiko is a choreographer.
18:53She is in charge of choreographing love dances, which have become a social phenomenon.
18:58She is in charge of choreographing the 2016 Rio Olympics.
19:04She is...
19:06She is...
19:08She is...
19:10She is in charge of choreographing almost all of the perfumes and live performances.
19:15She is the fourth perfume!
19:21And the first time she met the three of them was...
19:24The three of them met in the fifth grade.
19:28They were over 25 years old.
19:31At that time, the three of them were elementary school students.
19:34They entered Hiroshima Actors School.
19:37Mikiko was the first to learn how to dance.
19:42Since then, the four of them have been together for 25 years.
19:49The teacher said that the three of them, who were still young at the time,
19:54were able to endure the harsh lessons because of the existence of certain people.
20:00I think it was the mothers who taught me that I had to do this much to make my dreams come true.
20:13I see.
20:15I don't know if I can say this.
20:17It's okay.
20:18There is a mirror outside the studio.
20:21There is a space where you can practice freely.
20:25The three of them always practiced between lessons.
20:31I think it was the mothers who coached me.
20:36When I look back, I always remember their faces.
20:42I see.
20:45The mothers have never danced, but as a position seen from the audience, the choreography was very difficult.
20:53You can see it in the back of the mirror.
20:55I'm scared.
20:56Aya-chan, a little lower.
20:59I see.
21:00Your right hand is out first.
21:03I see.
21:04You remember your dancing.
21:07That's right.
21:08When I went to events and presentations, all the mothers did it for me.
21:15They gathered the costumes from the fabric and sewed and made the shape themselves.
21:20It was difficult.
21:21The mothers really produced what kind of makeup to make.
21:27Thanks to the mothers, I was able to go to school.
21:32In the spring of 2003, when you were in the third year of junior high school, you went to school.
21:38Did you feel lonely because you had such a close bond with your mother?
21:45After two months, I called my mother every day.
21:58Did your mother comfort you?
22:01My mother said,
22:03Why did you call me?
22:05What time is it now?
22:07There is a studio, so go to practice.
22:09It's downstairs, isn't it?
22:11You're always in a hurry.
22:14I don't know when I'll be back in Hiroshima.
22:17Do you still say that now?
22:20I still say,
22:21You are really happy.
22:24It's like a Buddha.
22:25All the mothers are like Buddha.
22:27I only said,
22:29You are really happy.
22:32She is the best.
22:34She is a good daughter.
22:36And the person who changed Perfume's life a lot when she went to school.
22:42Who is it?
22:46Sound producer Yasutaka Nakata.
22:53He was a big hit.
23:11I had to explain it to the three of them.
23:18Tears for the first time on TV.
23:32What did you think when you first heard this song?
23:39I thought it sounded like a game.
23:42What was good about Actors School was...
23:47It was like a singing diva.
23:49It was a song that said,
23:53It was a song that said,
23:57It was a song that said,
24:02I was very confused when I recorded it.
24:05It was very detailed.
24:08I thought it was a song that said,
24:12I thought it was a song that said,
24:17I thought it was a song that said,
24:23I didn't even know what was attractive about Nakata's music.
24:28We were crying.
24:30Did you cry, too?
24:32Yes.
24:33There were a lot of sofas in the booth.
24:36There was a manga of Conan.
24:38I remember crying there.
24:40How many volumes of Conan did you have?
24:43I had one volume.
24:50Didn't you talk about going back to Hiroshima?
24:53No one said that.
24:56Anyway, I felt like I was going to die.
24:59They didn't say anything that they didn't want to do.
25:04That's right.
25:06I didn't think so.
25:08Successful people are like that.
25:11There are times when people say,
25:13There are times when people say,
25:15Once you think it's right,
25:17Once you think it's right,
25:19There are many people who say,
25:21There are many people who say,
25:25They don't do what they want to do,
25:28They continue to do what they want to do.
25:31Everyone is like that.
25:33Perfume, which went through such a down-and-out period,
25:36Perfume, which went through such a down-and-out period,
25:41A certain commercial became a hot topic and it took a big break.
25:46That is...
25:47Commercial?
25:55Your feelings are a world that doesn't go to waste.
26:04This is a commercial for the environmental protection campaign,
26:07This is a commercial for the environmental protection campaign,
26:10which was broadcast not only in Japan, but also in the NHK.
26:13By broadcasting this commercial,
26:15Perfume's popularity spread all over the country.
26:18Wow!
26:19It's a great commercial.
26:21It's nostalgic.
26:23I danced with a lot of garbage.
26:26This is the break point.
26:29That's right.
26:30What did you say?
26:32Rather than raising both hands and being happy,
26:35Rather than raising both hands and being happy,
26:38It's important to be careful.
26:40It's important to be careful.
26:42If it's here, it's no good.
26:44It's important to be careful.
26:46It's important to be careful.
26:49It's important to be careful.
26:51It's important to be careful.
26:56From here,
26:57From here,
26:59Perfume's new drama is starting.
27:09Next,
27:10Perfume's live performance that fascinates the world.
27:13Next,
27:14Perfume's live performance that fascinates the world.
27:17Speaking of Perfume's live performance,
27:19It's close to the fan.
27:21In that style,
27:28The three people respect.
27:30There is a spirit learned from Aiko.
27:33By the way,
27:34The call and response of the live fan
27:36Did you get it from Aiko?
27:39Is that so?
27:40I got it.
27:42It's like a franchise.
27:44Aiko, it's a franchise.
27:46Franchise.
27:49Franchise.
27:50Everyone respects Aiko.
27:53That's right.
27:54I went to see Aiko's live performance.
27:57The impact was amazing.
28:00A very important part is the distance with the audience.
28:04It's really close.
28:06When the song is over like a friend,
28:08I've been talking all my life.
28:11I'm having a conversation.
28:13I can't feel the distance.
28:16That's the call and response.
28:19It's really condensed.
28:23Aiko is franchising.
28:25Here's the actual call and response.
28:29Boys!
28:31Girls!
28:33Glasses!
28:35Contact lenses!
28:37Lens!
28:38Yes!
28:39Dentist!
28:41Dentist?
28:42There?
28:43She's very close.
28:44Young!
28:45How old are you?
28:4729.
28:48You did your best.
28:50Next.
28:52Doctor!
28:53There are a lot of doctors.
28:56There are a lot of doctors.
28:58Who has been looking forward to this live performance?
29:03Yes!
29:05You're revealing your personal information.
29:11Don't look at me like that.
29:13I hope I can help you.
29:16I'm sorry.
29:18I hope you don't think I'm left behind.
29:23I'd be happy if I could be a part of it.
29:27I want you to take it home as a souvenir.
29:32Have you ever been used by the fans of the live performance?
29:37I'm sorry.
29:39It's not mine.
29:42There are times when my voice is small.
29:45It's like I'm being watched.
29:48There are people like this.
29:50But if I don't say,
29:52I say,
29:54Don't say it now.
29:56When will you say it?
29:57Now!
29:59I'm sorry.
30:01Please use it.
30:02She doesn't use it much.
30:04Is that so?
30:06Can you all shout together?
30:09Can you all shout together?
30:13Don't say it now.
30:14When will you say it?
30:18Now!
30:20She's cute.
30:22She's a good person.
30:25It was early for the three of you to go abroad.
30:29In 2011,
30:31Polyrhythm was selected as an entry for Pixar's Cars 2.
30:37When I was invited to the world premiere,
30:41There was a fan who said,
30:43Let's have a live performance here a week later.
30:46It's not a relative,
30:48There was a fan who came to see me normally.
30:52If there are people who want to go abroad,
30:55I want to go.
30:57From that point on,
30:59I started performing abroad next year.
31:07The world tour she's done so far is four times.
31:11In fact, she has performed in 21 cities around the world,
31:15She is highly rated.
31:18The secret to her popularity is the live performance using cutting-edge technology.
31:24Among them, Mikiko, who is in charge of choreography and directing,
31:29What is your favorite performance?
31:33There is a performance using three shadows called fusion.
31:39It's a performance that can be done at 360 degrees by changing the perspective of the camera and the shadow.
31:48It feels different.
31:51Fusion is an evolution of what I want to do.
31:59A dance that links with a shadow that does not allow even a 0.1 second deviation.
32:04This is the best performance using cutting-edge technology.
32:10Wow!
32:12Great!
32:24Fusion is a 360-degree video data shot by three people in advance.
32:32The three people who actually dance at the live performance are synchronized.
32:37It's a performance that makes it ambiguous whether this is a real shadow or a fake.
32:45So I want to make it look like a shadow.
32:48The three of us have to synchronize with the past self we shot at that time.
32:57And I can't make a mistake.
33:00It's a very tense performance.
33:04It feels good when it fits perfectly.
33:07It's cool.
33:09However, in the case of Asia Tour, the video deviates by 0.1 or 0.2 seconds.
33:18It's because of the equipment.
33:20The three of us notice that.
33:23I'm worried that this is a little off.
33:25If it's off, the magic won't work.
33:30So I'm going to make the video more intense.
33:35But the three of us who dance together notice it.
33:39The last check is done by the three of us.
33:42It's amazing.
33:48It's hard just to synchronize with the video shot in advance.
33:53Do you notice the difference in one frame?
33:57Are you all right?
34:02We're the closest to the LED in the video.
34:09So I can see that it's off while I'm dancing.
34:15If it's off, the sound is unpleasant.
34:20But if it's on, the sound is good.
34:24It's a little off, but the sound is blurry.
34:28I'm really worried about that.
34:31When I go on a tour in Asia, I want the audience to see the performance.
34:39I don't want to compromise on that.
34:43We spend a lot of time rehearsing.
34:47We take good care of each other.
34:52But if you think it's off, you'll be in a situation where you can't make a mistake.
35:00I feel like I'm strangling myself.
35:04But when we synchronize, we feel like we're going to explode.
35:15I'm looking forward to it.
35:18We think this performance is the coolest in the world.
35:24I want the audience to see it.
35:29I can't stop.
35:31It's addictive.
35:34Stoic posture that doesn't allow a single mistake.
35:39The overwhelming performance from there.
35:43It's more than just words.
35:45It also moves people around the world.
35:50Nao saw the live performance of Perfume as an artist.
35:57That's great.
36:00I thought this was the opening ceremony of the Olympics.
36:04I want the whole world to see this performance.
36:08I got goose bumps.
36:11The children were surprised, too.
36:15The MC showed us a great performance.
36:18But the audience didn't know what to do.
36:23Next, Nikiko's performance of Perfume.
36:27It's full of passion.
36:31The audience was only two people at the time of their debut.
36:35For 25 years, Nikiko has been watching them.
36:41I've never said I was tired or wanted to quit.
36:47I remember practicing even when I couldn't do anything.
36:55When I stood on the stage and saw the audience,
37:03I didn't think about the hard work I had done so far.
37:07When I saw them cry, I realized how hard it was.
37:14Led by Nikiko.
37:18Supported by her mother.
37:25That's why Perfume has been performing live for 25 years.
37:33That's because...
37:36So many staff members are supporting us.
37:42They're working on the countdown.
37:48Please give a round of applause to the staff.
37:54That's what it means.
37:56Perfume is really like this.
38:01Words of gratitude to the staff.
38:06They understand that they can work for the first time
38:10because there are people around them who support them.
38:17Nikiko is grateful that she was saved by Perfume.
38:27That's what she said when she had a hard time.
38:35They were like family to me.
38:39They cried with me.
38:47Nikiko's story
38:51When Nikiko had the hardest time in her life,
38:57what was the bond she felt with Perfume?
39:03It was around 2020 or 2021.
39:07I was involved in a big project.
39:11I couldn't change my mind.
39:16So I decided to resign.
39:20That was the time when I had to stand up again as a performer.
39:29I had to explain it to the three of them.
39:36When I explained it, the three of them cried together like family.
39:45When I saw that, I thought,
39:48I'm here, so it's okay.
39:53That's when I got the energy to make Polygon Wave.
40:00That's when I got the energy to make Polygon Wave.
40:06That's when I got the energy to make Polygon Wave.
40:14Even if you have a hard time, there is a place you can go back to.
40:22That's why Nikiko was able to look forward again.
40:29Nikiko's story
40:36A-chan, Yuka-chan, Nocchi.
40:40It's been 25 years.
40:43Now that it's been 25 years,
40:47I feel like we're honest with each other.
40:51I feel like we get along well.
40:54I feel like I'm getting used to being a good partner, a good understander, a good friend.
41:06I feel like the scenery I want to see is always with the three of us.
41:14I hope we can continue to laugh together.
41:28How did you feel when you saw it?
41:31We really feel like a family.
41:36I'm glad I got such an important gift from you.
41:43I'm glad I've been doing this for a long time.
41:47I think it's the first time you've told me that story.
41:51I've never said it to the media.
41:55You said you thought it was okay because you were here.
41:59I don't think I've ever said that I was able to replay it.
42:04We couldn't have come this far without the presence of Perfume.
42:12Perfume is a part of our body.
42:16Perfume is a part of our body.
42:22I don't want to do what you don't want to do.
42:25I've always wanted to do my best in the same place as you.
42:31I wonder how hard it must have been for you at that time.
42:36I want to be with you in the same position because you did it with our feelings.
42:47How long do you want to be with Perfume?
42:53How long do you want to be with Perfume?
42:57I'm curious.
42:59I'd like to know.
43:04I'm going back to China.
43:08If Tatsuro arranges it, it'll be a pop song.
43:12Please.
43:17How long do you want to be with Perfume?
43:23How long do I want to be with Perfume?
43:27I want to be with Perfume as long as I can.
43:30I'm looking forward to it.
43:34As long as you look at the performance, you're still moving.
43:38I can move now more than five years ago.
43:40That's amazing.
43:42Ten years ago, I thought it was hard.
43:46It's not that hard now.
43:48I know that my body changes with my age.
43:53I've learned how to face it.
44:00I can still dance.
44:04That's cool.
44:06We can dance because you can dance.
44:11You always show us the future.
44:15You always said that being in your 30s was fun.
44:20I thought it was fun to be in my 30s.
44:23You always showed us the bright future and the joy of becoming an adult.
44:28As long as you keep dancing, we'll keep dancing, too.
44:34If you say,
44:36If you say,
44:39I'll do it.
44:41I'll do my best from now on.
44:43Thank you very much.
44:45Thank you for the recording.
44:50And at the end of the recording,
44:53I was able to see Perfume's personality.
44:56Thank you for the wonderful VTR and the many people.
45:02Thank you very much.
45:04Thank you very much.
45:06Thank you very much.
45:09No matter what the situation is, don't forget to be grateful.
45:13That's Perfume.
45:16Thank you very much.
45:19Our staff members want to see Ms. Hayase's dance.
45:24As long as it's embarrassing.
45:26I want to collaborate with various people.
45:30I think Ms. Hayase is the best.
45:39We received compliments, so let's keep dancing.
45:44Hayase Osamu
45:45Thank you very much.