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00:00:00♪
00:00:30No, not exactly. There was a misunderstanding.
00:00:33Misunderstanding? What misunderstanding?
00:00:35Who killed her in the end?
00:00:37That's the misunderstanding.
00:00:39I think I did it.
00:00:41What?
00:00:42I don't want to tell you, and I don't want you to hear it, Mrs. Nakritamou.
00:00:45You can't describe what she went through, poor Elpida.
00:00:49Her eye was glowing.
00:00:51I thought she was going to grab her by the neck.
00:00:53Unfortunately, I did it later.
00:00:57You've never had an argument with anyone.
00:00:59If you do, you'll kill him.
00:01:01What was the reason for your argument with the victim?
00:01:04I told her the truth.
00:01:06Then we found out.
00:01:07When did you find out?
00:01:08A few hours later.
00:01:10She sent me a letter, I brought it in the evening, and she thanked me.
00:01:13What was that letter about?
00:01:15An unknown man was watching my wife.
00:01:18Then he attacked Mrs. Mouriki. I didn't understand what he was saying.
00:01:21He insisted on seeing Elpida. He pretended to be hysterical.
00:01:23She shouldn't be like this.
00:01:25He lied to me to get rid of the crime he had committed.
00:01:28I told him his wife was in danger, and I didn't find his ID.
00:01:31He's hiding something, I'm sure of it.
00:01:35But we didn't catch you with the gun in your hand.
00:01:40Let me tell you what I think happened.
00:01:42You killed her, you buried her.
00:01:45Then at night, you unburied the body to disappear it.
00:01:49Are you serious?
00:01:50How was I supposed to carry the body?
00:01:52My car was two blocks away.
00:01:54That's exactly what happened.
00:01:55There was a reason you buried it there.
00:01:57Maybe you had a partner who heard the police and disappeared.
00:02:01Nice words. Do you have any proof?
00:02:04We'll find the proof.
00:02:06For now, we have strong evidence.
00:02:10I think you'll need a good lawyer.
00:02:13I don't need one. I'm innocent.
00:02:16Very well.
00:02:18Mrs. Pinelopi Mouriki...
00:02:20You are a prime suspect in the murder of Elpida Fokas.
00:02:24You will be in custody until proven guilty.
00:02:27What? What do you mean?
00:02:29I'm innocent. I'm telling you, I'm innocent.
00:02:50I'm innocent. I'm telling you, I'm innocent.
00:02:53I'm innocent. I'm innocent.
00:03:17Mobile phone case, jewelry, you'll wear these.
00:03:20You haven't been to jail again.
00:03:22Cut the crap and get dressed.
00:03:25This shoe?
00:03:27What?
00:03:28Jail? They sent her to jail?
00:03:31Did they put Mouriki in jail?
00:03:33No way. What kind of question is that, Giorgos?
00:03:35I'm sorry, I just can't believe it.
00:03:38When we first met her, we put her in jail, but not in jail.
00:03:42Do you think she's guilty?
00:03:44Probably not.
00:03:45At least not for murder.
00:03:47What else could it be?
00:03:48Illegal entry into a foreign property.
00:03:51It's not the first time.
00:03:52She's also accused of reckless behavior.
00:03:55Illegal self-confidence.
00:03:57Arrogance.
00:03:58Nonsense.
00:03:59Unrepentant nonsense.
00:04:00Bullshit.
00:04:01I'm stopping.
00:04:02I'm sorry, policewoman Kalatsi, I don't understand.
00:04:04Didn't you say yesterday, and I quote,
00:04:07Ah, Mouriki, ah, ah, ah, ah.
00:04:10Yes, she's very smart.
00:04:11Mouriki, ah, ah, ah, ah.
00:04:13Yes, but that's not what we're talking about.
00:04:15This is a different matter.
00:04:17Are we going to help her figure it out?
00:04:21Before you decide, let me remind you of a few things.
00:04:24Mouriki doesn't obey orders.
00:04:26Yes.
00:04:27She exposes the department.
00:04:28Yes.
00:04:29She's ungrateful.
00:04:30Yes.
00:04:31And she puts constant bans all around her.
00:04:32Yes.
00:04:33Also, let me remind you that the last time we took the risk to help her,
00:04:37she disappeared and left us hanging.
00:04:39With these facts, is there anyone I think we should invest in to help her?
00:04:44Raise your hands.
00:04:47Dafli.
00:04:48All right.
00:04:49But I'm still angry.
00:04:50I don't know the details.
00:04:51Nor does Mrs. Mouriki.
00:04:52And as Konfoukios said, the real knowledge is to know that you know what you know,
00:04:56and that you don't know what you don't know.
00:04:58Yes.
00:04:59You don't have to vote for the battle.
00:05:01You're new, and there's already a majority.
00:05:03Yes, but I would like to participate in the team's processes.
00:05:06All right.
00:05:07Then vote.
00:05:08All right.
00:05:09I'm voting for white, because, as you said...
00:05:11Four for white and one for white.
00:05:14I don't think so.
00:05:15Can I ask you something?
00:05:16Again?
00:05:17One last time.
00:05:18Since you're working with her, can you take the case,
00:05:21even though there's no issue of deontology?
00:05:23There is.
00:05:24We'll need to ask for special permission.
00:05:26I'll talk to Mr. Kapsalis, who has taken charge of the case.
00:05:30Kapsalis?
00:05:31The one you slaughtered the other day and will accept?
00:05:33I know.
00:05:34I'll tell him.
00:05:35I'll tell him.
00:05:36I'll tell him.
00:05:37I'll tell him.
00:05:38I'll tell him.
00:05:39I'll tell him.
00:05:40I'll tell him.
00:05:41I'll tell him.
00:05:42I'll thrash him.
00:05:43What else can I do?
00:05:45Let's thrash him one more time because he's disgusting.
00:05:47What else can we do?
00:05:53If I don't get indifferent, what exactly happened with Mr. Geleas?
00:05:55You got indifferent.
00:05:56And we didn't know anything.
00:05:58Exactly!
00:06:01Hello, Rufiane!
00:06:02My love!
00:06:03Where's the carrot?
00:06:04We were running after it.
00:06:05Are you talking about me?
00:06:06I didn't know you were this quick.
00:06:09I am not that quick...
00:06:10nor am I fast.
00:06:11What's going on?
00:06:13Listen, I'm in danger here.
00:06:15I don't know if you know, but the police are coming.
00:06:17We know.
00:06:19They told us to bring you to Stavlos.
00:06:21Stavlos? Stavlos? What's up?
00:06:23My new girlfriend, Patsinas.
00:06:25Oh, Patsinas. Nice to meet you.
00:06:27I'm not Patsina. I'm her co-worker.
00:06:29Have a nice day, Maria.
00:06:31Have a nice day.
00:06:33Not Christiana.
00:06:35Not her.
00:06:37Come here.
00:06:39Come here.
00:06:41Don't touch him.
00:06:43Give me the knife. Now.
00:06:45Listen to me.
00:06:47She tried to kill me.
00:06:49No, she did it.
00:06:51I didn't sign the papers.
00:06:53They were investigating me.
00:06:55Listen to me.
00:06:57Shut up.
00:06:59Help.
00:07:05Come here.
00:07:07What is it?
00:07:09Wow.
00:07:11The world is so small.
00:07:13What is the world?
00:07:15A star.
00:07:17A star.
00:07:31Now that we're back together,
00:07:33what can we say?
00:07:35Salt and water.
00:07:37No?
00:07:39Anything else?
00:07:41Let's make it into pieces.
00:07:43What?
00:07:45Pieces?
00:07:47I'll make you into pieces.
00:07:59You're beautiful here.
00:08:05We didn't know you were coming.
00:08:07Yes.
00:08:09I wasn't coming.
00:08:11Something came up.
00:08:13Can I sit?
00:08:15Yes, of course.
00:08:19Listen, Petros.
00:08:21I know I was a bit late.
00:08:23A bit?
00:08:25Okay.
00:08:27A lot.
00:08:29That's why I'm apologizing.
00:08:31Can we forget about it?
00:08:33You called me a racist
00:08:35in front of three colleagues.
00:08:37Four, to be exact.
00:08:39I know. I checked.
00:08:41I did it.
00:08:43You started it. You called me.
00:08:45I didn't call anyone.
00:08:47I just said what I thought.
00:08:49Which was totally unacceptable.
00:08:51That's how you apologize.
00:08:53I apologize for saying
00:08:55whatever I said in front of people.
00:08:57That was my mistake.
00:08:59But you didn't change your mind about me.
00:09:01We may have disagreements,
00:09:03but we've been in the same place
00:09:05for many years.
00:09:07That's why I took the courage
00:09:09to ask you something
00:09:11that may seem a bit
00:09:13contradictory at first,
00:09:15but I want...
00:09:17To go out for dinner?
00:09:19Dinner?
00:09:21For a drink.
00:09:23Whatever you prefer.
00:09:25You can ask me.
00:09:27I like it when a woman takes the first step.
00:09:29For whom?
00:09:31For me.
00:09:33Don't get the wrong impression.
00:09:35I'm not that kind of person.
00:09:39No.
00:09:41I mean, yes.
00:09:43I mean, we'll see.
00:09:45First, I want to ask you a favor.
00:09:47It's about
00:09:49a case that concerns
00:09:51one of our former consultants.
00:09:55I'm listening.
00:09:59I'm listening.
00:10:01I'll call you back.
00:10:05I'll be there.
00:10:09I'll be there.
00:10:11I'll be there.
00:10:13Yes.
00:10:15Good night.
00:10:17Good night.
00:10:19Good night.
00:10:21Good night.
00:10:23Good night.
00:10:25Good night.
00:10:27It's not that difficult. I have evidence.
00:10:29Like what?
00:10:31Like the guy who was watching Voka.
00:10:33He had photos, recordings, wigs.
00:10:36We went into his room and we didn't find anything.
00:10:39So you don't believe me?
00:10:41I believe you. But the guy let everything out and left.
00:10:44And the signs on his car that you saw were fake.
00:10:47Do you have anything else?
00:10:49Not for now, but I'll find it.
00:10:51I see.
00:10:52Mouriki, come to your senses, please.
00:10:54This is very serious.
00:10:56We're talking about a murder.
00:10:5820 to 25 years in prison.
00:11:00You'll grow old in here, Mouriki.
00:11:02Are you done turning my key?
00:11:04No.
00:11:07The only good thing about this case is that there is no strong motive.
00:11:10The fight is not enough.
00:11:11That's what I said to the injured detective.
00:11:13What did he want me to do in here?
00:11:15Because there are signs, Mouriki.
00:11:17You haven't learned that in the service for so long.
00:11:19I learned what I had to learn.
00:11:23I see.
00:11:24Listen.
00:11:25Maximus Foucault said that a very expensive jewelry was missing from his house.
00:11:31If the thief went in to get it and dropped it on his wife...
00:11:35He said his wife was on a trip.
00:11:36Now you don't seem suspicious.
00:11:38She would have gone on a trip, he said.
00:11:40But he didn't see her leave.
00:11:41The thief might have caught her.
00:11:43The jewelry belonged to his first wife.
00:11:45A gold bracelet with diamonds.
00:11:48A gold bracelet with diamonds?
00:11:51Exactly.
00:11:52Are we talking about a lot of money?
00:11:5310,000-15,000 euros.
00:11:55For sure.
00:12:00You left!
00:12:01You have two minutes!
00:12:02Go!
00:12:03I'll get them. Don't worry.
00:12:16This is a very strong motive.
00:12:19I see.
00:12:20If we find it, we'll find the killer too.
00:12:23They'll start an investigation from your house.
00:12:25But it's typical.
00:12:26Perfect.
00:12:28Nice.
00:12:30Let me tell you.
00:12:31You're doing me a favor.
00:12:33Can you call Marina?
00:12:35I've seen her talking to someone last night.
00:12:37I don't know what the guys are up to.
00:12:38You can't, Ricky.
00:12:39But anyway.
00:12:40Soon.
00:12:41Soon.
00:12:50Yes?
00:12:51Come on, Marina. It's me.
00:12:53Come on.
00:12:54Are you with the bulldog?
00:12:55Yes.
00:12:56Is everything okay?
00:12:57I wouldn't say so, Mom.
00:12:58They just took the car and are looking for the house.
00:13:02Are you okay?
00:13:03Fantastic.
00:13:04I mean, I'm in jail, but everything else is fine.
00:13:07In jail?
00:13:08Anyway, I'll explain it to you now.
00:13:09I'm going out.
00:13:10I'll tell you.
00:13:11Tell Emilio and Lavrentis to be careful.
00:13:13Okay?
00:13:14No one else.
00:13:15Okay.
00:13:16Marina.
00:13:17Do me a favor.
00:13:18Go to the bathroom and get something I have.
00:13:20What?
00:13:21A golden bracelet with diamonds.
00:13:23The cops have to find it.
00:13:24What?
00:13:25What?
00:13:26What?
00:13:27Did you steal the bracelet?
00:13:28I can't believe it.
00:13:29Did you steal the bracelet?
00:13:30What can I do?
00:13:31She told me off.
00:13:32I got mad and took it from my bag.
00:13:33I thought it was fake.
00:13:34I thought it was a gift.
00:13:35How can she wear such a thing?
00:13:36What did you do, Ricky?
00:13:37Marina, hide it.
00:13:38Throw it.
00:13:39No.
00:13:40Don't touch it.
00:13:41Run.
00:13:42Run to the bathroom.
00:13:43Hide it now.
00:13:44What should I do?
00:13:45Throw it, Marina.
00:13:46Have you lost your mind?
00:13:47Yes.
00:13:48Do you think I thought it was fake?
00:13:49Turn it off.
00:13:50Turn it off.
00:13:51Is something wrong?
00:13:52No.
00:13:53Everything is fine.
00:13:54I'm fine.
00:13:56No, no.
00:13:57Don't thank me.
00:13:58Don't thank me, Ricky.
00:13:59Don't get me involved.
00:14:00I don't know.
00:14:01I didn't hear anything.
00:14:02Nothing.
00:14:03Nothing.
00:14:04Nothing.
00:14:05Nothing.
00:14:06Nothing.
00:14:07Nothing.
00:14:08Nothing.
00:14:09Nothing.
00:14:10Nothing.
00:14:11Nothing.
00:14:12Nothing.
00:14:13Nothing.
00:14:14Nothing.
00:14:15Nothing.
00:14:16Nothing.
00:14:17Nothing.
00:14:19Ep, Ep.
00:14:20Where are you going?
00:14:22Forgive me.
00:14:23I need to use the toilet.
00:14:25I haven't check yet.
00:14:26Wait.
00:14:27I can't.
00:14:28They will come and get me.
00:14:30Go and I will come find you.
00:14:45I don't know.
00:14:49Are you late?
00:14:50I'm coming.
00:15:03Thank you very much.
00:15:05It's five days to the month, you know.
00:15:09What are you doing? Are you on your way?
00:15:10You said you'd look for me.
00:15:11No, you don't have to. Go.
00:15:15What do we have so far?
00:15:21Elpida Fokas, the victim, 34 years old.
00:15:25She studied biology, but for the last three years she hasn't been doing her job.
00:15:29Cause of death is stranglehold.
00:15:31According to the judge, she died the day before yesterday between 2 and 4 in the afternoon.
00:15:36Agnostos X, who followed Mouriki, stayed at his hotel at least until 3.
00:15:41At the time she was attacked.
00:15:44He could have been the perpetrator.
00:15:46He had time to kill Fokas and bury her.
00:15:49Maximus Fokas, her husband.
00:15:52He was a construction worker.
00:15:54He returned home at 5 in the afternoon.
00:15:56He wasn't worried about his wife's absence.
00:15:58He had informed him that she was going on a trip.
00:16:00Fokas' body was found last night in her house's garden.
00:16:04From Mouriki, unfortunately.
00:16:06There are no bruises or other signs on her neck.
00:16:09So the stranglehold couldn't have been done by hand, wire or anything hard.
00:16:14With a soft cloth, maybe.
00:16:17Mouriki said that Fokas was wearing a scarf.
00:16:20She could have.
00:16:21What about her husband? Does she have a lover?
00:16:23No, he's strong.
00:16:24Many people saw him at the company, but he had time to leave, kill her and return.
00:16:28Excuse me, has anyone ever gone on a trip alone?
00:16:31Where does that come in?
00:16:33Answer me, I'll tell you.
00:16:35Not me.
00:16:36Me neither.
00:16:37I've been there.
00:16:38Me neither.
00:16:39But we look alike. We're special people.
00:16:41What do you mean, you look alike?
00:16:43You should have met Daphne to know that you look alike.
00:16:45Besides, if anyone looks like Daphne, it's me.
00:16:48I didn't say that we look alike.
00:16:50That's exactly what I'm saying.
00:16:52No, I'm saying the same thing, Giorgos.
00:16:54Do we look alike?
00:16:55What are you saying, Daphne?
00:16:56If anyone looks like you, it's me.
00:16:57Are you out of your mind?
00:16:58Giorgos, will this conversation ever end?
00:17:00Please, continue.
00:17:02What I'm trying to say is that, based on the evidence,
00:17:04Fokas' hope went on a trip alone.
00:17:06Because, if she went with a friend,
00:17:08when she didn't show up the day before, when she was dead,
00:17:10her friend would be worried.
00:17:12And she would inform her husband, who would be worried too,
00:17:14and he would look for her.
00:17:15But he didn't look for her.
00:17:16And I'm coming back to the first question.
00:17:18How likely is it that Fokas' hope went on a trip alone?
00:17:21Excuse me.
00:17:22Are you trying to say that, for you, the culprit is her husband?
00:17:25But not necessarily.
00:17:26Fokas' hope might have lied.
00:17:28She might have been with a heretic.
00:17:30So, the heretic killed her,
00:17:32and then went and buried her in her house's garden.
00:17:35How stupid is that?
00:17:36She might have wanted to control her husband.
00:17:38Yeah, and she wasn't afraid of being seen by her neighbors.
00:17:40Also, do you know how long it takes to dig a grave?
00:17:43Of course, for this particular one, it's 15 minutes.
00:17:45For normal graves, it's 45-50 minutes, if you dig without a break.
00:17:48Are we done?
00:17:49What's the conclusion?
00:17:52There's no conclusion.
00:17:54I give food for thought.
00:17:55Thank you very much for the food.
00:17:57So, Muriki had a feeling for her husband.
00:18:00Should we follow that?
00:18:01I agree.
00:18:02Do we have anything else to do?
00:18:03No.
00:18:04Let's go to your room.
00:18:09Ella!
00:18:34Ella!
00:18:43You're not going to survive.
00:19:05Where is she going now?
00:19:07I don't know.
00:19:08What's taking her so long?
00:19:12Do you think she has a girlfriend?
00:19:14The sad hero?
00:19:16Nothing is impossible.
00:19:18But she might not be able to go home.
00:19:23Oh, my!
00:19:25Do you know what's going on here?
00:19:27What?
00:19:28His ex-wife committed suicide here.
00:19:31Why are you looking at me like that?
00:19:33What are you thinking?
00:19:34What am I thinking?
00:19:35What are you thinking?
00:19:36I don't know.
00:19:37Let's go, Yorgos!
00:19:38Let's run!
00:19:39Let's go!
00:20:03Let's go!
00:20:05Let's go!
00:20:28Why were you watching me?
00:20:31It's all right.
00:20:36You're not to blame for anything, Mr. Foucault.
00:20:39We have a duty to investigate and monitor everyone involved in the case.
00:20:45I understand.
00:20:48You know...
00:20:50When I found out from the police what happened to Anna,
00:20:53I couldn't believe it.
00:20:56We're the new parents, we wanted to have a child.
00:20:58Why would she commit suicide?
00:21:02I was upset and angry with her for not talking to me.
00:21:06I felt guilty.
00:21:08Maybe I should have done something to help her.
00:21:12All of this was absurd.
00:21:15One night I came here,
00:21:17determined to go and find her, to end her.
00:21:21But...
00:21:23I was overshadowed by hope.
00:21:26We met here, on this bridge.
00:21:29The irony of life.
00:21:32As soon as I realized what I was going to do,
00:21:34she started shouting and running to me.
00:21:37When I got home,
00:21:39we had a big talk.
00:21:43It was very sweet.
00:21:46It showed great understanding.
00:21:49Maybe you think I'm crazy,
00:21:51but I saw it as a sign.
00:21:55It was as if Anna had sent me to tell me to live,
00:21:57to move on, to go further.
00:22:00Hope told me she was pregnant.
00:22:03That if she hadn't closed her shop later that night,
00:22:05we wouldn't have met.
00:22:08Which shop?
00:22:09Wasn't it Biologos?
00:22:11Hope? No.
00:22:12How did you hear that?
00:22:14I'm sorry, nothing.
00:22:15Wrong information, I guess.
00:22:18What shop did she have?
00:22:19A women's accessory store.
00:22:20She closed it a while later, because she wasn't doing well.
00:22:24What am I going to do now?
00:22:26What am I going to do?
00:22:29And the two women I loved are dead.
00:22:32I'm sorry, Maxim.
00:22:33Honestly.
00:22:35But suicide is not the solution.
00:22:37I'm not going to tell you,
00:22:38that life goes on,
00:22:40that you'll get over it with time,
00:22:41because I don't believe it.
00:22:43I'll just tell you that life is ahead of you,
00:22:44and you still have a long way to go.
00:22:45And it's a shame.
00:22:54I love you.
00:23:14How are you?
00:23:15Are you fasting?
00:23:16No, I wasn't.
00:23:17Oh.
00:23:18What would you like to watch?
00:23:20A series? A movie?
00:23:22Yes, yes.
00:23:23Do you have any suggestions?
00:23:24Of course.
00:23:26So...
00:23:28Prison Break.
00:23:29Nice.
00:23:31Rita Hayworth's latest movie.
00:23:33Yes.
00:23:34Alcatraz as a gift.
00:23:37You have a lot of choices. You choose and you get.
00:23:41I'm sorry.
00:23:43Were you trying to tell me something?
00:23:44Obviously.
00:23:45Since you're not telling me.
00:23:46What can I tell you?
00:23:49I found out that Mouriki was in prison.
00:23:51And?
00:23:52With all the stupid things he does,
00:23:53it's natural, isn't it?
00:23:54Yes, but we're talking about death.
00:23:56She's accused of death.
00:23:57You're crying.
00:23:58It's a misunderstanding.
00:24:00And?
00:24:02Did you see her at all?
00:24:03Yes.
00:24:04I saw her.
00:24:06Forcibly.
00:24:07I mean,
00:24:08we took on the case.
00:24:09I mean, Sofia
00:24:10proposed that we take on the case, and...
00:24:12she set the rules, and...
00:24:14Yes, but...
00:24:15what happened?
00:24:16How did she end up like this?
00:24:17What did she do?
00:24:19Classic Mouriki.
00:24:21She went to solve a case on her own.
00:24:23Obviously, she didn't have a job.
00:24:25At the police station.
00:24:26Your team didn't have her.
00:24:29Ioanna,
00:24:30our team didn't miss her.
00:24:33Adrenaline missed her.
00:24:34If our team missed her,
00:24:35she'd come back.
00:24:39And with the investigation?
00:24:41How are you?
00:24:42Have you found a suspect?
00:24:45It's a complicated case.
00:24:46Difficult.
00:24:47And the evidence Mouriki gave us
00:24:49didn't lead anywhere.
00:24:51What happened?
00:24:53Did she lose her magical powers?
00:24:55How is this possible?
00:25:06Please, talk to your son.
00:25:07Talk to your son.
00:25:08It's very serious.
00:25:09We're talking about a murder.
00:25:10We're talking about a murder of a student.
00:25:1220 to 25 years in prison.
00:25:14You'll grow old in here, Mouriki.
00:25:16You know how much I love you,
00:25:17but sometimes, my child,
00:25:18you get very tiring.
00:25:21But I'm not tired of you.
00:25:23Whatever you want.
00:25:24I want you back.
00:25:25I want you back.
00:25:27I want you back.
00:25:33I'll get you back.
00:25:36I want you back.
00:25:38I want you back.
00:25:41I want you back.
00:25:46The victim had a lot of secrets.
00:25:48Fokas told us
00:25:49She found out in 2021 that she was running a women's accessory store.
00:25:53But it's not registered anywhere.
00:25:55That's the problem.
00:25:56And, on the other hand,
00:25:58it seems she was working at a biotechnology lab.
00:26:01Why would she lie about her job?
00:26:04Anyway, a while ago, she quit the lab and stopped working.
00:26:08The same period that the imaginary store was supposed to be closed.
00:26:12The times here are similar to what Foucault said.
00:26:14Agree?
00:26:16It's the well-known result of unknown causes.
00:26:19Voltaire.
00:26:20Nice to meet you. I'm Giorgos.
00:26:22No, no, no. I mean, we have to find the possible causes.
00:26:25Yes, of course, Telemachia. We don't need Voltaire to tell us.
00:26:28Come on, guys. Let's get down to business.
00:26:30Okay.
00:26:31Maybe she didn't quit, but they fired her and she was ashamed to admit it?
00:26:35I see.
00:26:36And she erased all her past for that reason.
00:26:39She's not very convincing. Think of something more convincing, Telemachia.
00:26:42I see.
00:26:43Maybe the lab wasn't a lab, but a showcase for something else.
00:26:46Maybe for a source of relief.
00:26:48I hear you.
00:26:49A source of relief for those with medical problems.
00:26:54Look what I found.
00:26:56You won't believe it.
00:26:57Was the lab really a showcase?
00:26:59No, of course not.
00:27:00The victim had a phone call with the director of the lab, Sofia Da Ponte.
00:27:05They talked for 46 minutes.
00:27:06I see.
00:27:07So, Foucault had lied to everyone about her job
00:27:11and was murdered a few days after she had a phone call with her ex-colleague.
00:27:18They must be connected somehow.
00:27:24What does Kapsalis want?
00:27:27What does he want?
00:27:28He's asking about the case. How are we going to do it?
00:27:31What are you going to tell him?
00:27:33I'll tell him.
00:27:34I'll tell him the truth.
00:27:36That we don't know yet.
00:27:37That's what I'm going to tell him.
00:27:44What is he asking you for so long?
00:27:46Come on, man.
00:27:48Come on, man.
00:27:49We're talking here, and he's...
00:27:51his violin.
00:27:54Answer him, man, so he won't be anxious.
00:27:56Of course I will.
00:27:57I'm going to tell him the truth.
00:27:59I'm going to tell him the truth.
00:28:01Answer him, man, so he won't be anxious.
00:28:03Of course I will.
00:28:05Of course I will.
00:28:06I'll tell him later.
00:28:07Where were we?
00:28:08On the phone with the director of Daponte.
00:28:11Which director?
00:28:12Oh, yes, of course.
00:28:13Great.
00:28:14Go to her office and get information.
00:28:16What are you looking at?
00:28:25Yes, yes, yes.
00:28:26I'm listening.
00:28:28Is Kapsalis very interested in the case?
00:28:31Of course.
00:28:32Of course he's interested, because...
00:28:35I developed the subject for him...
00:28:37analytically...
00:28:39and...
00:28:40it showed great understanding.
00:28:42Yes, yes.
00:28:43So you found them?
00:28:44Yes.
00:28:45You can say that too.
00:28:47We're professionals, my dear.
00:28:53We're in a hurry, we're leaving now.
00:28:57Yes.
00:29:21What are you doing here?
00:29:23I'm going to find the bathroom, but...
00:29:25I don't think it's this way, okay?
00:29:28What's the matter, baby?
00:29:30We're saying good morning, aren't we?
00:29:32Good morning.
00:29:34I think I'm bothering you, so...
00:29:36I'm leaving.
00:29:37You're not going anywhere.
00:29:38We'll get to know each other first.
00:29:40Yes, of course.
00:29:41We'll get to know each other.
00:29:42I'll take care of you...
00:29:44and we'll learn...
00:29:46that you work for the Batsos.
00:29:48No, no, let me explain.
00:29:49Listen to me.
00:29:56Let me tell you.
00:29:57With all my courage.
00:29:58You know, I'm a martial artist.
00:30:00Not because I'm looking for a guy...
00:30:01who can get me out of here.
00:30:03Tell me, Riccardia,
00:30:04how can I help the Batsos?
00:30:06Are you tired of everything?
00:30:09No, no.
00:30:11I can pay you.
00:30:14With what?
00:30:16Hair dye.
00:30:186.68, brown chocolate.
00:30:20Governor of Kyrgyzstan for the Mykytas.
00:30:22And an autograph of Evgirou.
00:30:24I can have that in 24 hours.
00:30:26Without ammonia.
00:30:27What ammonia?
00:30:28I said, without ammonia.
00:30:30I have an allergy.
00:30:31I said, without ammonia.
00:30:32Everything organic.
00:30:33Everything organic.
00:30:34Everything.
00:30:35And the autograph.
00:30:36From recycled paper.
00:30:37Why does he have to sign?
00:30:39He does.
00:30:40He does.
00:30:41I'm so glad he did.
00:30:45Let me tell you.
00:30:46Let me show you a trick.
00:30:48Can you tell me what martial art it is?
00:30:51I only know boxing.
00:30:54But...
00:30:56We'll ask the others.
00:30:57Yes, we'll ask them.
00:30:59Thank you very much.
00:31:01I owe you.
00:31:02Stay.
00:31:03Stay.
00:31:14So, guys, listen.
00:31:15He punches me.
00:31:17I try to escape.
00:31:18I grab his hand.
00:31:19And he grabs my arm.
00:31:20And he turns his hand back.
00:31:22Then he grabs my arm.
00:31:23And he grabs my hand.
00:31:24Then he grabs my arm.
00:31:25And my palm hits his.
00:31:26Then he grabs my arm.
00:31:27And I go like this.
00:31:28In order to peel it off.
00:31:30Then he puts his elbow on my neck.
00:31:32Then he puts his elbow on my neck.
00:31:33Then he puts his elbow on my neck.
00:31:34Then he puts his elbow on my neck.
00:31:35And he sticks it on the wall.
00:31:36What is this?
00:31:37Kung fu.
00:31:38Jiu-jitsu.
00:31:39Karate.
00:31:40Judo.
00:31:41Crab Manga.
00:31:42Maybe that's it.
00:31:43Maybe that's it.
00:31:44I don't grab anymore.
00:31:45But I'm sure my girlfriend Irene knows.
00:31:48Thank you very much.
00:31:50Who's Irene?
00:31:51Tell me, what do you want?
00:31:52I want sportswear for basketball.
00:31:53With boots.
00:31:54Red and white.
00:31:55And the last model, right?
00:31:56And there should be stripes.
00:31:57Not with monkeys.
00:31:58And with rubber bands.
00:31:59From Monotires.
00:32:00Done.
00:32:01There.
00:32:02Simela.
00:32:03Sportswear.
00:32:04Red and white.
00:32:05I wrote it down.
00:32:06No, monkeys.
00:32:07And rubber bands from Monotires.
00:32:08What is this?
00:32:09I have no idea, but write it down.
00:32:10Also, a magazine.
00:32:11Two-and-a-half.
00:32:12And a nice pair of glasses.
00:32:13What happened?
00:32:14How can I talk to your friend?
00:32:15It's not possible.
00:32:16They got him for diarrhea and he doesn't have a cell phone.
00:32:19Sorry.
00:32:20Oh, okay.
00:32:21Take off your glasses.
00:32:22Wait, wait, wait.
00:32:23Aristea is having sex with a girl in the same prison as mine.
00:32:27Where is Aristea?
00:32:28Can I talk to her?
00:32:29You can.
00:32:30We'll ask her if she knows what you're looking for, but you'll need a portrait.
00:32:34Hey, Da Vinci!
00:32:37Mauve Melani, gandia latex, medium, vaseline.
00:32:41We'll talk later.
00:32:46What do you think?
00:32:47Does it look good?
00:32:48It's perfect.
00:32:50Come on, here you go.
00:32:51Half.
00:32:54Here.
00:32:55What do you think?
00:32:56Nice.
00:32:58What do you think?
00:32:59Does he know?
00:33:00He wants something like you first.
00:33:02What?
00:33:03A souvenir.
00:33:04Souvenir?
00:33:05Are you kidding me?
00:33:06Come on.
00:33:07Come here.
00:33:19Nice, right?
00:33:20Nice.
00:33:21They're doing a good job.
00:33:24We founded the workshop with Elpida in 2015.
00:33:29Three years ago, she resigned.
00:33:32Suddenly.
00:33:33Her husband never talked about this job.
00:33:36Do you know why?
00:33:38I can't imagine.
00:33:39It surprises me.
00:33:41Elpida was always proud of her research.
00:33:44And very passionate.
00:33:46She would leave before she came.
00:33:48And what exactly was her subject?
00:33:50DNA replication.
00:33:53We had developed a very innovative analytical method.
00:33:56And we collaborated with many laboratories around the world.
00:34:00I never understood why she gave up everything.
00:34:03And you didn't ask her?
00:34:04She didn't tell you why?
00:34:06She was invited for personal reasons.
00:34:08Nothing more.
00:34:10And you haven't had any other communication with her since then?
00:34:14I wouldn't say so.
00:34:16I would say it was typical.
00:34:21But ten days ago, you talked on the phone for a long time.
00:34:25For a typical phone call.
00:34:27Oh, yes.
00:34:29I wanted her approval to shape the share composition.
00:34:34She still had shares in the company.
00:34:37Just that?
00:34:38Yes.
00:34:39And how did you hear her?
00:34:40Was she worried?
00:34:42Upset?
00:34:43I didn't notice anything.
00:34:45She was distant.
00:34:47Like the last three years.
00:34:50Excuse me.
00:34:51Please.
00:34:52Excuse me.
00:34:54Yes?
00:34:55Come on, can you hear me?
00:34:57Who is it?
00:34:58Come on, Mouriki, can you hear me?
00:35:00Excuse me.
00:35:02Yes?
00:35:05Mouriki?
00:35:06We can't talk. Do you know?
00:35:08I know, but it's urgent.
00:35:09I found the guy.
00:35:10Which guy?
00:35:11The guy who was watching Foucault.
00:35:13How did you find him?
00:35:14Tell me, how did you find him?
00:35:16In prison?
00:35:17It's a long story.
00:35:18I can't explain.
00:35:19His name is Pantelis Nikolaou.
00:35:21He's an athlete in Nea Smiri.
00:35:23Mouriki, I just hope you don't get worse.
00:35:26That's all.
00:35:27Nothing illegal.
00:35:28I swear.
00:35:31You just have to send me a few things.
00:35:34What things, Mouriki?
00:35:36Here, for my informants.
00:35:38Some amazing girls.
00:35:39We loved meeting them.
00:35:41Yes, yes.
00:35:42I'll note them down.
00:35:43Six boxes of napkins.
00:35:45A large panettone, no fruits.
00:35:49Tattoo materials.
00:35:51Latex gloves, medium.
00:35:53A pair of basketball shoes, size 40.
00:35:57One layer of brown chocolate.
00:36:04Nikolaou, don't move.
00:36:05Don't move.
00:36:06Come here.
00:36:07Down, down.
00:36:08Hands behind your head.
00:36:11Where's the gun?
00:36:12Where are you?
00:36:15Ah, you're noting it down.
00:36:16Perfect, yes.
00:36:17Yes.
00:36:18Without hesitation.
00:36:19I see.
00:36:20Yes.
00:36:21Don't you want a tray of baklava?
00:36:24We're going to burn it tonight, girls.
00:36:27Ice cream?
00:36:28Come on, crazy.
00:36:29Yes.
00:36:30Kisses.
00:36:31You have a lot of kisses.
00:36:32Perfect.
00:36:35Ah.
00:36:36Finally, Prokopis' underwear.
00:36:39I'm so glad you came.
00:36:41Ah.
00:36:42Now...
00:36:43Now I've learned my lesson.
00:36:46Ah.
00:36:47Where's Stelitsa?
00:36:48At home with Emilio.
00:36:50Ah, that's good.
00:36:51I can't imagine you saying anything to Aspa.
00:36:53No, no, no.
00:36:54We got your message.
00:36:55You?
00:36:56When are you going out with Kallos?
00:36:57What?
00:36:58You're going to tell me?
00:36:59Didn't you talk to Giorgos?
00:37:00What did he say?
00:37:01He didn't tell me.
00:37:02He says he's on a business trip.
00:37:03On a business trip?
00:37:04I'm sorry.
00:37:05I couldn't find him.
00:37:06What else can I do?
00:37:07What exactly did he say?
00:37:08He says he's on a business trip.
00:37:09He told me he wanted to see Panagis about his husband.
00:37:10He said he'd done it.
00:37:11He told me he's on a business trip.
00:37:12What else can I do?
00:37:13He said he wanted to see Panagis about his husband.
00:37:14He was looking for Panagis.
00:37:15He spoke to Panagis twice.
00:37:16He said he'd seen Panagis.
00:37:17Her boyfriend's boyfriend was his name.
00:37:18So he told Panagis.
00:37:19He told Panagis about him and his boss.
00:37:20But he didn't tell her.
00:37:21He confirmed that he was looking for him but didn't say why.
00:37:22The same goes for the workshop.
00:37:23The workshop?
00:37:24What workshop?
00:37:25At the, um...
00:37:26The, um...
00:37:27I don't remember what it's called.
00:37:28Biotechnology.
00:37:29The director of the lab said that the case is questionable.
00:37:31She admitted that she was watching Elpida and the other guy,
00:37:34but that they have nothing to do with the murder.
00:37:37The other guy? Who?
00:37:48Oh, the other guy. Okay.
00:37:51And...
00:37:52Do we know who he is?
00:37:54Nikolaos' photos also showed Agnos' car.
00:37:57He found his identity on the signs.
00:37:59Evlambios Frantzis.
00:38:01No.
00:38:02Darnis.
00:38:04No, no.
00:38:06Frantzis?
00:38:07No.
00:38:15Makris. Evlambios Makris.
00:38:17That's him.
00:38:18Come on, Lavretis. Focus. Where's your mind?
00:38:20I'm tired. I have classes all day and I'm keeping the kids.
00:38:23You were supposed to keep them for a week.
00:38:25I didn't know. I didn't arrange for them to be locked up in here.
00:38:29What else did they do to him? What do we know?
00:38:31Try to remember.
00:38:34Mr. Makris.
00:38:36This guy was watching you and Elpida Fokas.
00:38:40What is Elpida Fokas' relationship with you?
00:38:42I've never seen her, nor him.
00:38:44I see.
00:38:46Are you here with your wife and your child?
00:38:50Yes.
00:38:51I'm sorry, but we're being watched. We're in danger.
00:38:54Mr. Makris, Elpida Fokas used to work at the SF Laboratory,
00:38:58which specializes in genetic research.
00:39:01And now, she's dead.
00:39:03Do you have a relationship with the laboratory?
00:39:05What are you talking about? I'm a pedagogy student.
00:39:08One doesn't exclude the other, Mr. Makris.
00:39:15Well, that's all I know.
00:39:16I have classes now. I have to take the kids home.
00:39:18Let's go, guys.
00:39:19Bye.
00:39:24Marina, Marina, tell me.
00:39:26What happened? Did we solve the problem?
00:39:28Yes, Mom. Don't worry.
00:39:29Well done, my love. Well done.
00:39:44Pinelopi?
00:39:46Pinelopi?
00:39:47Oh, hello. How are you?
00:39:49Where is my daughter?
00:39:51I've been looking for her since yesterday, and her cell phone is off.
00:39:54My love, my little girl.
00:39:56How is my baby doing?
00:39:58Do you miss Grandpa?
00:40:00Where is he?
00:40:01He has a lot of work to do these days.
00:40:03He's busy. I have to give her something when I see her.
00:40:06Yes, you have to give her something, so she can come to her mother.
00:40:09I'm emptying an old trunk, so she can see if she wants anything.
00:40:12Don't tell me later that I threw her her things.
00:40:15Okay, I'll tell her.
00:40:17Or maybe...
00:40:18Or maybe I'll wait for her. Will she be late?
00:40:20I don't know, but I think she'll be late.
00:40:23Don't get tired now.
00:40:24How can she be late?
00:40:27She'll come back at night.
00:40:30No, no. It's just that...
00:40:32I don't know if she told you, but she has a new job now.
00:40:35Yes, she's a private investigator, not with the police.
00:40:39She's on her own, and she's doing very well. Thank God.
00:40:43Yes, a private investigator.
00:40:46A detective, like Sheryl Holmes.
00:40:49Something like that, without a hat and without a cap.
00:40:52But she doesn't pick up the phone. Don't worry.
00:40:56I'll always worry about this girl.
00:40:58And why are you talking to me in the plural?
00:41:02I'm younger than you.
00:41:03I'm sorry, ma'am.
00:41:06It's just that we don't know each other that well.
00:41:10Anyway, what I don't understand
00:41:13is why does a grown-up hug you to take care of the child
00:41:16when there's an old hag?
00:41:19What are you afraid of?
00:41:20Don't I know her well enough?
00:41:22What can I say to you?
00:41:26Don't tell me anything. I'll tell her when I meet her.
00:41:29I just remembered that I have a client waiting for me at home.
00:41:34And it's strange that one of them has a cap
00:41:37and the other one doesn't.
00:41:39We're in the same business.
00:41:42Grandma? Grandma?
00:41:45Aspa? How come you're here?
00:41:48Welcome, welcome.
00:41:50My love, my love.
00:41:53How are you, Lavrentis?
00:41:54I'm fine. How are you?
00:41:57I'm fine, too.
00:42:00I learned the new tricks from my ex-wife.
00:42:03I'll never stop worrying about her.
00:42:06It's okay, Grandma. It's not her fault.
00:42:07Who's to blame?
00:42:09She's the only one who didn't choose the new job.
00:42:12She comes home at night and doesn't pick up the phone.
00:42:15It's a demanding job.
00:42:17Yes, yes.
00:42:19She has rehearsals all day,
00:42:21vocal lessons,
00:42:23and then she has the show.
00:42:25She comes home at dawn.
00:42:27Rehearsals? Vocal lessons?
00:42:31Yes. It's a difficult job for a singer.
00:42:33A singer?
00:42:36What did the detective tell me?
00:42:38He was right.
00:42:40She didn't become a singer.
00:42:42Not exactly.
00:42:43She's just working on a case that...
00:42:47Grandma, it's a nightclub.
00:42:49The owner's wife made her watch her husband.
00:42:53I think she's lying.
00:42:55That's it.
00:42:57Now she's a singer.
00:43:00What else can I hear?
00:43:01Nothing else.
00:43:03Excuse me. Isn't that client waiting for you?
00:43:07Yes, you're right. I forgot.
00:43:09I'll call you. Yes, my love.
00:43:11I'm leaving.
00:43:13Tell Spinelopis to pick me up.
00:43:17Don't let her pick you up.
00:43:19Bye.
00:43:35He's handsome, but he's not...
00:43:42He's not... He's not handsome at all.
00:43:58Don't eat all the nuts.
00:44:01I'm almost done.
00:44:03Come on, let's get together.
00:44:05All of you.
00:44:07Hmm.
00:44:10I'll get the best one.
00:44:13Ah!
00:44:36Mum, what happened?
00:45:01Muricy, finish up!
00:45:06You're moving again. You're painting. Are we on the same page?
00:45:09Something's not right. And when something's not right, I can't sleep.
00:45:12Don't sleep. It's getting dark. But don't move.
00:45:15The thing is, there are three basic violations.
00:45:19I don't care. Get lost.
00:45:21Get lost.
00:45:24I don't think the security guard did it.
00:45:26Unless he asked for the workshop. He could have.
00:45:29He has a long-distance relationship with Lampis.
00:45:37Yes, my friend. Yes. The library. The library is the key.
00:45:43K-A-Gamma.
00:45:46I'm going to kill you. For real this time. And I'm not your friend.
00:45:50Oh, my eyes.
00:45:52I thought you were going to hit the wall.
00:45:54But you put them in order, starting with the first letter.
00:45:56K-A-Gamma. K-A-Gamma.
00:45:58Then the same, the same, the same, the same, the same, the same.
00:46:01Go to Karimouriki. I don't give a shit.
00:46:03I don't give a shit.
00:46:07I don't understand you. Why do you care about the mysteries?
00:46:10And what is this K-A-Gamma?
00:46:12Look, Sini. If it's not, why is it there?
00:46:15Why, Mini?
00:46:17Because it's the 3 out of 4 nucleotides that make up the human DNA.
00:46:23Of course.
00:46:25There's also Mini, but she's not going to bother us right now.
00:46:28Elpida Foucault wrote the books according to the genital code.
00:46:32Can you imagine? All of this in her sleep.
00:46:34I can imagine. You tell me what I can imagine.
00:46:36That I'm going to tickle you and tickle you.
00:46:38And stop doing that!
00:46:40Wait. Now comes the best part.
00:46:43How many times do you think they repeated this combination?
00:46:46Not one, not two, not three.
00:46:4936 times!
00:46:5236 times!
00:46:5436 times!
00:46:5736 times!
00:47:00Great! Now what do you want me to tell you?
00:47:02I don't even understand what you're saying.
00:47:04This sequence is found in chromosome 4,
00:47:07where the antigen is located.
00:47:09When the sequence is repeated from 1 to 35 times,
00:47:12the chromosome is OK.
00:47:14But from 35 times and above,
00:47:16it means that the antigen has not been coded correctly.
00:47:19What is the result of this for humans?
00:47:27What is Huntington's disease?
00:47:29That's what you want to know.
00:47:31Huntington's disease.
00:47:33It's a rare neurodegenerative disease
00:47:35that causes hearing on the edge of the ears.
00:47:38It's also called Huntington's chorea,
00:47:40because the patient dances.
00:47:42Unfortunately, it leads to death.
00:47:44Now you're going to ask me,
00:47:46what does all this have to do with death?
00:47:48I'll ask you if this torture will continue forever.
00:47:51Lampis Makris was in the early stages of his disease.
00:47:58This is how the tumor connects the lab and Makris.
00:48:02I feel much better now.
00:48:04Come on, get some sleep.
00:48:15Kalatsi, can you hear me?
00:48:17I found something.
00:48:19You lied to us, Mrs. Makris.
00:48:21You said you didn't know anything about this lab.
00:48:24However, three years ago,
00:48:26you visited this lab
00:48:28to conduct tests for Huntington's disease.
00:48:34My father had it.
00:48:37I had to know if I had diagnosed it.
00:48:40I had put my wife in front of me as a child.
00:48:43I had to know.
00:48:45The test was negative,
00:48:47but you still had the symptoms.
00:48:51Yes.
00:48:55Three months ago.
00:48:57In December 2021,
00:49:00my hope announced that,
00:49:02studying her files,
00:49:04she had made a very serious mistake.
00:49:07She had given safe results to a patient.
00:49:12In Lampis Makris?
00:49:14Yes.
00:49:15Unfortunately.
00:49:17The lawyer of the company
00:49:20advised us not to tell anyone.
00:49:23The reputation of our lab was in danger.
00:49:26But hope could not stand it.
00:49:28She had no choice.
00:49:30And she resigned.
00:49:32What happened next?
00:49:34Nothing.
00:49:35Nothing at all until a while ago.
00:49:38Mr. Makris began to show symptoms.
00:49:42Hope had signed the tests.
00:49:45Then, with the paternity test,
00:49:48Anastasios,
00:49:50I looked for the doctor.
00:49:52It was not easy.
00:49:53Her name had changed.
00:49:55But I found her and I called her.
00:49:57And she confessed everything to me.
00:49:59About the mistake she made.
00:50:01And that they hid it from me.
00:50:06Now...
00:50:09Now I have a two-year-old daughter.
00:50:15And I'm afraid,
00:50:18she might get sick too.
00:50:23I have to give her the test.
00:50:26But I can not learn.
00:50:28And why did you hide it from us?
00:50:37They approached me from the lab.
00:50:41The lawyer, that is.
00:50:43And they offered me money.
00:50:47I thought about my wife, my child.
00:50:50I was a greedy man.
00:50:53How would we face the expenses?
00:50:57I see.
00:50:58That is, you gave 500,000 euros
00:51:01to Labby Makris
00:51:03to forget, let's say.
00:51:06The mistake had been made.
00:51:09It could not change.
00:51:11What we could do,
00:51:13was to help Mr. Makris and his family.
00:51:15The hope, however, was not sold.
00:51:18It had limits.
00:51:19It could speak at any moment.
00:51:21That's why you killed them.
00:51:23We didn't kill anyone.
00:51:25Yes, okay.
00:51:26We were watching them.
00:51:28Both her and Mr. Makris.
00:51:30Do they meet?
00:51:32Do they intend to act against the company?
00:51:35To be prepared.
00:51:38We are not murderers, Mr. Kalatsis.
00:51:41No.
00:51:42Probably not.
00:51:44But you are certainly
00:51:46unethical.
00:51:48Certainly.
00:51:57Look at me.
00:51:58Wherever I am, I'm under arrest.
00:52:00They found the murderer.
00:52:01He must be at the workshop.
00:52:02He hasn't announced it yet.
00:52:04Perfect.
00:52:05Fortunately, he didn't throw away what we told him.
00:52:08Which one?
00:52:09The bracelet?
00:52:10You didn't throw it away.
00:52:11What did you do?
00:52:12I hid it.
00:52:13Good.
00:52:14So we can return it.
00:52:15Why?
00:52:16Hope won't need it anymore.
00:52:17We might need it.
00:52:18Okay, but that's not right.
00:52:20Where did you hide it?
00:52:21I put it in a plastic bag
00:52:23and put it in the pot.
00:52:25What?
00:52:26In the pot?
00:52:27Where did you learn that?
00:52:29I watch movies, Mom.
00:52:31We'll talk about it when I come back.
00:52:33Have you eaten?
00:52:34Not yet.
00:52:35Emilios is cooking.
00:52:36He's a good man.
00:52:38Give everyone a kiss.
00:52:41It's possible.
00:52:42We could destroy the Greek language
00:52:45to restore gender equality.
00:52:48Okay.
00:52:49Let's say, for example,
00:52:51a doctor.
00:52:52Male doctor, female doctor.
00:52:54It's the same.
00:52:55What about a cleaner?
00:52:56Why only female?
00:52:58Have you ever heard of a cleaner?
00:53:00Yes, of course.
00:53:01A street cleaner.
00:53:02A smoking cleaner.
00:53:04A swimming pool cleaner.
00:53:06But they don't have a female one.
00:53:08Like, let's say, the landlord.
00:53:10I'm sure you agree that some jobs
00:53:12are male-dominated.
00:53:14Some jobs are closer to male nature.
00:53:16What are we going to do now?
00:53:18Are we going to subjugate nature?
00:53:21No, okay.
00:53:24Sofia, okay.
00:53:25I'm sorry.
00:53:26Sofia!
00:53:27I know you have a special relationship
00:53:29with Mrs. Mouriki
00:53:30and I know it's the only reason
00:53:32you agreed to go with me.
00:53:34But...
00:53:35I've been waiting for this day
00:53:37with great impatience.
00:53:39And not to change your beliefs.
00:53:41But because...
00:53:43I think you're the most
00:53:45sensible person I know.
00:53:47Not a person.
00:53:48A woman.
00:53:49You're the most sensible woman.
00:53:51And the only person,
00:53:53and this is where the person fits,
00:53:55who can help me change my mind.
00:54:05I guess you're tired.
00:54:06I'm going to ask for my bill.
00:54:08I'm going to ask for my bill.
00:54:10The case will remain yours.
00:54:12You may think I'm a racist,
00:54:14which I certainly am not,
00:54:16but I'm certainly not a rapist.
00:54:21Well, you too.
00:54:22Don't be in such a hurry.
00:54:25Look,
00:54:26I saw on the list that you have
00:54:28some frozen margaritas,
00:54:29some strawberries,
00:54:30and because something woke you up inside me,
00:54:32what would you say if I tried them?
00:54:34I like strawberries too.
00:54:37See?
00:54:38In the end, we're not exactly opposites.
00:54:42See?
00:54:46Oh,
00:54:47I'm sorry.
00:54:48I'm sorry.
00:54:49I know it's very bad,
00:54:50but I have to answer.
00:54:51It's my job.
00:54:52It's okay. I would do the same.
00:54:57Cell phone?
00:54:58Yes.
00:55:00Yes.
00:55:03What information?
00:55:06From whom?
00:55:10Okay.
00:55:12Okay,
00:55:13investigate the situation and let me know.
00:55:18Did something serious happen?
00:55:19Sofia,
00:55:21I'm sorry to ruin your mood,
00:55:23but your friend's girlfriend
00:55:25gave us some new information.
00:55:30I'm afraid
00:55:31that Mrs. Mouriki is innocent.
00:55:36I'm really sorry.
00:55:39I'll go see.
00:55:43Inelopi?
00:55:45Inelopi? Marina?
00:55:47Ilias?
00:55:49Why did you leave the door open?
00:55:51Are you alone?
00:55:53Is my ex-girlfriend missing again?
00:55:55She didn't pick up the phone.
00:55:56I'm sorry.
00:55:57I forgot to tell you.
00:55:59Go do your job
00:56:00and I promise I'll pick you up.
00:56:01Okay, Christian,
00:56:02you're pushing me.
00:56:03Something smells good here.
00:56:04Who cooked?
00:56:05I did,
00:56:06but it's ruined.
00:56:07I can't get it out.
00:56:11Please don't.
00:56:12You'll learn something.
00:56:14Christian,
00:56:15don't push me.
00:56:16For God's sake.
00:56:19You won't lose the golden brush either.
00:56:21Come on.
00:56:26What's going on here?
00:56:27What do they want at our house?
00:56:29Did they rob you?
00:56:31Someone else robbed us
00:56:32and not just us.
00:56:35Emilie?
00:56:36What's going on?
00:56:38Where's my daughter?
00:56:40Who's your daughter?
00:56:42My daughter, Riki.
00:56:44I'm her mother.
00:56:45Her?
00:56:47She's in prison.
00:56:48For murder.
00:56:50What?
00:56:54I don't feel well.
00:56:56I'm coming in a minute.
00:56:57I have
00:56:58something.
00:56:59Where is it?
00:57:00I can't turn it off.
00:57:01Grandma!
00:57:02I'm turning it off.
00:57:03I told you
00:57:04not to eat this food.
00:57:05I can't get it out.
00:57:08Dear Ruthianna,
00:57:09why will the convict be reduced?
00:57:11Probably.
00:57:13It's always your fault.
00:57:15Okay.
00:57:16I made a mistake.
00:57:17I'll confess.
00:57:18What can I do?
00:57:19I made a mistake.
00:57:20It's not a robbery.
00:57:21How much will I get?
00:57:22I might get a fine.
00:57:23Yes, yes.
00:57:24They'll give you a fine too.
00:57:25What are you saying?
00:57:26The only thing they missed
00:57:27from the case
00:57:28was the motive.
00:57:29And now they have it.
00:57:30The motive?
00:57:31Doesn't the workshop have a motive?
00:57:32Didn't they confess?
00:57:33No, they didn't.
00:57:34And we don't have any evidence.
00:57:35And all the workers have a motive.
00:57:37All of them.
00:57:38All of them?
00:57:39Yes.
00:57:40How come all of them have a motive?
00:57:41All of them.
00:57:42Because they had a corporate event.
00:57:44Makris?
00:57:45Didn't he have a motive?
00:57:46The mistake of hope
00:57:47ruined his life.
00:57:48Yes, yes.
00:57:49He has a motive,
00:57:50but he also has a motive.
00:57:51He was with his family.
00:57:52They were eating.
00:57:5320 people saw them.
00:57:54Oh, God.
00:57:55And what am I going to do now?
00:57:56What are we going to do, girl?
00:57:58You'll be tried.
00:57:59And you'll be tried for murder.
00:58:00Me?
00:58:01Yes.
00:58:02Me?
00:58:03I'll be tried?
00:58:04Me?
00:58:05Don't worry, don't worry.
00:58:06We decided with the team
00:58:07to find you a very good lawyer.
00:58:08Our expenses.
00:58:09So you agreed to fire me.
00:58:10In the meantime,
00:58:11the murderer will be released.
00:58:13Is that it?
00:58:14Is that it?
00:58:15How does that look to you?
00:58:16Doesn't it drive you crazy?
00:58:17It drives me crazy, girl.
00:58:18It drives me crazy.
00:58:19What can I do?
00:58:21I don't know.
00:58:22Keep looking.
00:58:23Keep looking.
00:58:24Open the files.
00:58:25Let's keep looking.
00:58:29Show me again.
00:58:31Foucault.
00:58:32Foucault.
00:58:35This one.
00:58:37Do you see anything?
00:58:40Don't look at me.
00:58:41I can't think.
00:58:42Good.
00:58:43I'm not looking at you.
00:58:44I'm not looking at you.
00:58:45Here.
00:58:46This one.
00:58:47This one.
00:58:48I'm not looking at you.
00:58:49I can't concentrate like this.
00:58:51And normally,
00:58:52this is your job.
00:58:53You should be looking for the evidence.
00:58:55But you're looking for the others.
00:58:56You're not looking at me.
00:58:57Me?
00:58:58Me, girl?
00:58:59I even became a burden to you for Vrachiolis.
00:59:01Fine.
00:59:02I thought it was fake.
00:59:03How many times do I have to tell you that?
00:59:04That's the thing, my girl.
00:59:05That's the thing.
00:59:06I thought it was fake.
00:59:07How did you get it?
00:59:08How couldn't you tell?
00:59:1018 gold carats.
00:59:11How did you get it?
00:59:12I'm asking you.
00:59:13I'm asking you.
00:59:17How did you get that?
00:59:18Which one?
00:59:19Which one of them?
00:59:2218 carats.
00:59:23That's it.
00:59:24I knew it from the start.
00:59:25I knew it.
00:59:26The husband is the murderer.
00:59:27Tell me.
00:59:28Can you show me the first woman? Here she is.
00:59:31Foucault.
00:59:32Do you see her? She's wearing a bracelet.
00:59:35And on her neck, there's an oxidation mark.
00:59:38Do you see it?
00:59:39Yes, I see it.
00:59:40Most metals have an oxidation mark because they contain nickel.
00:59:44Most of them, except for the gold 18-carat, which is pentacarbon.
00:59:51And why does the first wife have a mark?
00:59:54Is the bracelet fake?
00:59:56No, the bracelet is not fake.
00:59:58Her skin is the problem.
01:00:00Science has not yet answered why this happens.
01:00:03But in patients with oxidation, gold leaves a mark.
01:00:07Because the hemoglobin of the blood is thirsty for iron,
01:00:11it runs to the skin and breaks all the implants in its path.
01:00:16You mean that Anna Foucault had an oxidation mark?
01:00:21Exactly.
01:00:23And how does she live?
01:00:25Find the tests of Macri.
01:00:28Macri? Where is he?
01:00:29Here they are.
01:00:32Wait, wait, wait.
01:00:34Wait, wait.
01:00:35What does it say?
01:00:37Negative to the Haddington syndrome.
01:00:40Serious iron deficiency.
01:00:42Here it is.
01:00:44You mean to say that the engineer made a mistake
01:00:47and gave the results of the tests of Foucault to Macri and Macri to Foucault?
01:00:52No, Elpida didn't make just one mistake. She made two.
01:00:55Read the date of the results.
01:00:58October 4, 2021.
01:01:01I can't believe it.
01:01:02The day Foucault committed suicide.
01:01:04Foucault committed suicide because she thought she had an incurable disease.
01:01:07Yes!
01:01:08Did you understand?
01:01:09Who was in danger now?
01:01:11Who will go to court?
01:01:13Was it the husband who realized Elpida's mistake?
01:01:18Let me tell you.
01:01:19Do you know where karate comes from?
01:01:21No, no, no. I don't want to learn it now.
01:01:23Listen, listen.
01:01:24It comes from a plant called keratonia.
01:01:28Because its fruit is inside this little thing that is like a keratin.
01:01:33These little balls weigh 0.2 grams.
01:01:36Ideal for measuring the purity of gold.
01:01:39Don't do it, don't do it.
01:01:41Goodbye.
01:01:42Sit down so you can relax.
01:01:44It's a useless tree.
01:01:46It lives for more than 100 years.
01:01:48I don't care.
01:01:51The End
01:01:56This is Anna with her mother.
01:02:00Did you know that Anna's mother died of Huntington's disease when she was 17?
01:02:09Yes, I knew.
01:02:12We talked to your family doctor and he told us that Anna was very traumatized by her mother's death
01:02:17and was regretting taking the exam for years.
01:02:21But when you decided to have the baby, she had no choice but to learn.
01:02:26Mr. Makris also wanted to learn the same thing.
01:02:29He took the exam on the same day.
01:02:33But the laboratory made a mistake.
01:02:36It gave the results of the tests to each other.
01:02:40And this mistake was made by your second wife, Maksima.
01:02:43Elpida.
01:02:45Didn't she happen to be on the bridge when you two met?
01:02:48She realized her mistake.
01:02:50She had guilt.
01:02:51She wanted to end her life.
01:02:54But I think you and I both know that.
01:02:57I'm listening to you, Maksima.
01:02:59I'm listening to you.
01:03:01I felt that Elpida was hiding something from me.
01:03:06I was so scared.
01:03:08I was afraid that she would lose her too.
01:03:10I didn't dare to ask her.
01:03:14Until three days ago, she decided to talk to me.
01:03:19She said that she wanted to confess.
01:03:24So that I wouldn't feel guilty about Anna's death.
01:03:29But no.
01:03:31She didn't do it for that.
01:03:34She was the one who wanted to get rid of guilt.
01:03:37She apologized to me.
01:03:40She said that she loved me.
01:03:43That she was going to lie to me.
01:03:49But she lied to me.
01:03:53For three years, she lied to me.
01:03:55I heard a voice inside me saying,
01:03:57She killed Anna.
01:03:59She killed the love of her life.
01:04:01And you married her.
01:04:03I wanted her to stop.
01:04:05To stop.
01:04:06To stop.
01:04:07I didn't want to hear her anymore.
01:04:10I did it.
01:04:11I did it.
01:04:13I caught her.
01:04:15I strangled her.
01:04:19Why are you doing this, grandma?
01:04:21Mom is innocent.
01:04:22She didn't kill anyone.
01:04:25Soon she will kill me, my love.
01:04:28Oh, my God.
01:04:29Oh, my God.
01:04:30How will I bear it?
01:04:32My daughter will rot in jail.
01:04:35How will I face the world?
01:04:37What will I tell them?
01:04:39How many more pills will this child give me?
01:04:42Is that what you care about now, world?
01:04:44Yes, that too.
01:04:45Why? Is it not enough?
01:04:46And you.
01:04:47How will you face society?
01:04:50But I think more about
01:04:52the mess she suffers behind bars.
01:04:55Do you want to go see her?
01:04:57To make sure she's okay?
01:05:00Yes.
01:05:01Yes, I do.
01:05:02I want to go see her for the last time.
01:05:05Come on, grandma.
01:05:06She won't die.
01:05:07Cut the drama.
01:05:08No, my child.
01:05:09She won't die.
01:05:10I will die.
01:05:11She will live.
01:05:13But how will she live?
01:05:14What will they do to her?
01:05:16What torture will she go through in there?
01:05:19It's okay.
01:05:20They don't have her in Gestapo.
01:05:22Don't think negatively.
01:05:24You'll see where she'll end up soon.
01:05:26Yes, okay.
01:05:27Comfort the sick.
01:05:29I was wondering where she got stuck.
01:05:31And they'll bury her even deeper.
01:05:33I don't know my daughter.
01:05:35Oh, my God.
01:05:36Have pity on us, my God.
01:05:38Have pity on us.
01:05:39Mom.
01:05:42Come on, mom.
01:05:43What's up?
01:05:45When are you coming?
01:05:46Come on, bravo.
01:05:47We're waiting for you.
01:05:50What did she say?
01:05:51When is she coming out?
01:05:53In 30 years?
01:05:55In half an hour.
01:05:56What?
01:05:57In half an hour?
01:06:00I'm going.
01:06:01I'm leaving.
01:06:02Where are you going?
01:06:03Don't you want to see her?
01:06:04No.
01:06:05She was struggling so much.
01:06:07And she didn't say anything to her mother.
01:06:09To me.
01:06:10To me, who gave birth to her.
01:06:11She didn't want to upset you.
01:06:13She did it out of selfishness.
01:06:15So that I wouldn't hit her after her mistakes.
01:06:18If she had listened to me once,
01:06:20even once,
01:06:21if she had listened to me in her life,
01:06:23now she would have lived a happy life.
01:06:25But she doesn't let go.
01:06:26She doesn't let go of her faith.
01:06:27Where's my bag?
01:06:28I'm going to leave.
01:06:29Oh, my God.
01:06:30I'm going to sit down.
01:06:31I'm going to drink some water.
01:06:33Wait.
01:06:37I'll accompany you to the house.
01:06:40You can't go alone in this situation.
01:06:43It's dangerous.
01:06:44Oh, yes.
01:06:45Take care.
01:06:47Fortunately,
01:06:48there are still subjects in this world.
01:06:53I'm really buying her this time.
01:06:56Even though you did everything you could to keep me.
01:06:58I guess you like me, huh?
01:07:00Don't flatter yourself.
01:07:01Anyway, I'm not holding a grudge.
01:07:03It's okay.
01:07:04Bye, baby.
01:07:06And you know,
01:07:07the next time you come back here,
01:07:08I won't be so patient with you.
01:07:10I'll pull your teeth out one by one.
01:07:13Take care.
01:07:15You, too.
01:07:24Pinelopi,
01:07:25I sent someone to pick me up and I'm late.
01:07:27I'm coming. Don't go.
01:07:33Hi.
01:07:34Hi.
01:07:36I'm glad you're out.
01:07:38Me, too.
01:07:39It's not that bad in here.
01:07:41I made some friends.
01:07:43Maybe we can do something to get them out sooner.
01:07:48Pinelopi,
01:07:52about what happened between us last time...
01:07:54I know, I know.
01:07:55It didn't mean anything more.
01:07:56No, no, no.
01:07:57It did.
01:07:59It meant a lot.
01:08:01And that's the problem.
01:08:04I want to say...
01:08:06I care about you, Pinelopi.
01:08:10And I know I hurt you a lot.
01:08:12And I know that...
01:08:15I regret it.
01:08:20And I know that I lost you,
01:08:22both as a friend and as a colleague.
01:08:25But the problem is that...
01:08:28you don't just miss me.
01:08:30You miss Giorgos,
01:08:31and you miss Daphne and Sofia.
01:08:34Even if you don't accept it.
01:08:37Anyway, what I want to tell you is...
01:08:41If there's even a chance,
01:08:44a tiny chance,
01:08:46for you to come back,
01:08:49I want you to think about it.
01:08:55I don't want you to answer me now.
01:08:59Think about it.
01:09:01Think about it.
01:09:32My childhood memories, my dreams,
01:09:35and a bar weighing 90 kilos.
01:09:37The whole gym looks at me.
01:09:39No one believes me.
01:09:40And all of a sudden, I do this.
01:09:42And you stay there.
01:09:43The truth is that I'm going crazy, guys.
01:09:46Can you do a good handstand for me?
01:09:48I do a good massage.
01:09:50I only believe in my mother's kisses.
01:09:52Even though I rarely get sick.
01:09:54Because when the soul gets wet,
01:09:56the body blooms.
01:09:58And who was the wise one to say that?
01:10:01Oh, no one.
01:10:02It was me.
01:10:03Ah!
01:10:04Tilemachos Trangas.
01:10:29What's up, guys?
01:10:30How are you doing today?
01:10:58I love you.
01:10:59I love you.
01:11:00I love you.
01:11:01I love you.
01:11:02I love you.
01:11:03I love you.
01:11:04I love you.
01:11:05I love you.
01:11:06I love you.
01:11:07I love you.
01:11:08I love you.
01:11:09I love you.
01:11:10I love you.
01:11:11I love you.
01:11:12I love you.
01:11:13I love you.
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01:12:01I love you.
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01:12:23I love you.
01:12:24I love you.