What_if_it_Works - 17

  • 5 hours ago
Grace, a beautiful street artist, has multiple personality disorder. It's a love story that seems impossible. But what if it works?
*
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Transcript
00:00:00♪
00:00:30♪
00:00:40♪
00:00:50♪
00:01:00♪
00:01:10♪
00:01:20♪
00:01:31Do any of you know how to change a flat?
00:01:35I can give you instructions.
00:01:37Really thorough instructions.
00:01:39Something wrong with your hands and knees, Andretti?
00:01:43Yes, they're clean.
00:01:45And it's Adrian.
00:01:50I'm Venus and this is Magnolia and Celeste.
00:01:53They're our dancer names.
00:01:57You want us on our hands and knees?
00:02:01What she means is we can change it, but what's in it for us?
00:02:09Drinks.
00:02:11I promise I will bring drinks every time I come back here.
00:02:14Forever.
00:02:16Give him a hand, Cerise.
00:02:19Losing your freedom, eh?
00:02:21Getting married?
00:02:23All right.
00:02:54What I'm about to do now is unthinkable,
00:02:58but nothing at all will happen because of it.
00:03:01Okay?
00:03:07I'll go.
00:03:09Do we have to do this?
00:03:11I really, really don't want to.
00:03:13This is a very important step, okay?
00:03:16Adrian, perhaps you can follow,
00:03:18but you will have to remove your gloves.
00:03:21As quick as you like.
00:03:28There is a shower and a sink if you need it.
00:03:37Well done.
00:03:51Please don't touch my car with your shoes.
00:03:55I didn't mean to run into your car.
00:04:08Are you all right?
00:04:20Come on.
00:04:38Over here.
00:04:42On its side.
00:04:44All of them on their side.
00:04:47Excellent.
00:05:17You can take the car if you want.
00:05:19You're gonna need a tow truck for that.
00:05:21Just roll it in your garage.
00:05:23Give me a hand.
00:05:25I don't have a remote for the garage.
00:05:46Do-do-do-do-do-do-do...
00:05:48Do-do-do-do-do-do-do...
00:05:50Do-do-do-do-do-do-do...
00:05:52Do-do-do-do-do-do-do...
00:05:54Do-do-do-do-do-do-do...
00:05:56Do-do-do-do-do-do...
00:05:58Okay.
00:06:17Mm.
00:06:23All right.
00:06:25One, two...
00:06:42Do-do-do-do-do-do-do
00:06:45♪ Do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do
00:07:15Tuesday 1.33 p.m. Adrian, just your father. Wondering how the new therapist is going? Call us?
00:07:25Adrian, Stan, again. Remember me? Your boss? Are you alive? Any progress? Any plans to call me back?
00:07:39Have you spoken to your parents since you moved?
00:07:42No, no, no. I'm letting them get over the money they wasted on that radical treatment centre.
00:07:45See, they paid for two months and I was only there for two hours, but I did email them twice.
00:07:50Two hours? Why did you agree to go at all?
00:07:53Forced mental health leave? Really brought out my sense of adventure?
00:07:58I mean, ever since Melinda, my only successful relationship has been my research position.
00:08:02Until Premier Motors suspended me because, well, evidently not turning up and missing deadlines.
00:08:06It loses its mystery after a while. I was given three months to improve or lose my position permanently.
00:08:10I agreed to this therapy as a condition of my suspension.
00:08:13You've mentioned Melinda several times. Was the end of that relationship a significant turning point for your obsessive compulsive disorder?
00:08:22Why did it end?
00:08:25Well, there was an incident. I'm not proud of it.
00:08:30Let's talk about that.
00:08:32Well, we'd have to rewind three years now, wouldn't we?
00:08:35Okay, well, Melinda and I are taking a walk, and then I see this huge, slobbering dog.
00:08:43Oh, my God!
00:08:45So I take cover behind her, pushing her accidentally into the bike lane.
00:08:48Then suddenly, she gets hit by an ice cream bike vendor.
00:08:54And I just run away.
00:08:57And then Melinda says something I'll never forget.
00:09:01If this house was on fire, and I was trapped, and you were in the bathroom in one of your rituals,
00:09:11would you be able to break out and save your life?
00:09:17If you were in the bathroom in one of your rituals, would you be able to break out and save your life?
00:09:26Save my life?
00:09:38And that was it.
00:09:40Melinda wouldn't answer my calls.
00:09:42Anyway, my OCD, it skyrocketed, and I can't leave my house very often.
00:09:47I can't finish my work on time.
00:09:49Well, here I am, with two months left to babysit my panic.
00:09:52Was Melinda the last person with whom you engaged in any physical affection?
00:09:58Yes.
00:10:00How does that make you feel?
00:10:02Fine.
00:10:07I'm so sorry.
00:10:12This was put through as urgent.
00:10:14I shouldn't be interrupted unless it's a patient matter.
00:10:18Adrian, I am terribly sorry, but I have an urgent...
00:10:21Family matters.
00:10:23I'll be right back.
00:10:33I know you're probably surprised to see me here.
00:10:35Yeah, first time.
00:10:37I'm kept locked up because I'm too sexual, and it makes everybody uncomfortable.
00:10:41But I need to get a few things off my chest.
00:10:46I've tried them all.
00:10:47Straight-laced, cocky bankers.
00:10:48Married cheaters.
00:10:49Young, horny kids who think they're old enough.
00:10:51Oldies on Viagra who think they're young enough.
00:10:54Party maniacs.
00:10:55Empty shells who just want to please you.
00:10:57Aloof, disconnected assholes who just want to pound you until they pass out.
00:11:02Needy drainers who touch you too much.
00:11:05And secretive egomaniacs who can never touch you enough.
00:11:09But Sledgehammer has taken the cake.
00:11:14Sledgehammer's a person?
00:11:16Supposedly.
00:11:18He says he loves me, but he doesn't even know me.
00:11:21Love is a spontaneous fucking reaction.
00:11:24And he just wants to possess me.
00:11:26Let's make one thing clear.
00:11:28I don't do love.
00:11:30We don't make love.
00:11:32We sleep together.
00:11:33But as soon as I'm not turned on anymore like after an orgasm,
00:11:37I don't want to lie underneath him or anyone.
00:11:40I don't want to feel his weight or his sweat or his breath.
00:11:43It's boring.
00:11:44It's worse than boring.
00:11:45It is empty and gross.
00:11:49It's a reoccurring thing for me.
00:11:52Have you ever felt anything like that?
00:11:54Yes. Sweat and breath.
00:11:56It can be awful.
00:11:58Yeah, too right.
00:12:00But you can't suppress your natural urges now, can you?
00:12:04Oh, don't look so perturbed.
00:12:07It's only natural.
00:12:09There is nothing like a bit of spontaneous action in life.
00:12:14And that's me.
00:12:16I'm all about action.
00:12:22You don't know much about spontaneity, do you?
00:12:25Yes, it promotes freedom.
00:12:26It allows you to turn off your analytical mind
00:12:28so that creativity can shine through.
00:12:30Pretty smart for a shrink.
00:12:34But why are you just standing there?
00:12:36You would be so cute if you weren't so rigid.
00:12:41Is it some kind of technique?
00:12:42Because actually it just looks fucking nuts.
00:12:44No, it is nuts.
00:12:46But I'm not...
00:12:47Whatever. Stand there if you want to.
00:12:49We need to talk about Sledge.
00:12:51Oh, we do?
00:12:52Okay, here's the situation.
00:12:55After we screw in the cubicle, Sledge gets clingy as usual.
00:13:01Hey, let's paint together?
00:13:03Then he delivers the big news for our collective.
00:13:06He's Skyped with the top online international street art gallery in London.
00:13:10So, I just got this email from Street Art Universe.
00:13:13Street Art fucking you inviting Cognandus to do the collective exhibition.
00:13:17Do you know what this fucking means?
00:13:19We've been waiting for this for ages.
00:13:21Hey, you should do the centerpiece, yeah?
00:13:23Gee, I want you to do the fucking centerpiece.
00:13:26Get the dog out of here.
00:13:28And then he starts on at me about the dog.
00:13:30I just feel sorry for Gunji, you know?
00:13:32Like, playing hard to get is pretty fucking cruel when you extend it to dogs.
00:13:35Grace likes dogs. I don't.
00:13:37Like, look at his face.
00:13:39That face is saying, don't be a bitch to me.
00:13:45Finally, he tries blackmail on for size.
00:13:49You know as a starting out artist, you know what this is going to do for you, right?
00:13:53Like the fucking centerpiece of my exhibition of my life.
00:13:55And I don't even get a piece, like the tiniest fucking morsel of what's in your life.
00:13:59Like if we're going to do this, let's fucking do it, okay?
00:14:01Do you want this fucking centerpiece or not?
00:14:08Okay, now you're just freaking me out.
00:14:11I switched.
00:14:13And now I'm here because Grace doesn't want to know the details, but she should.
00:14:17Okay, so who's Grace?
00:14:19Aren't you the expert on multiple personality disorder?
00:14:24Look, Dr. Descala, is it?
00:14:28Yes.
00:14:30Grace?
00:14:31Who are you?
00:14:33I'm your therapist, Karen Descala.
00:14:36Have you seen me before?
00:14:38Is my voice familiar?
00:14:41I've only ever heard your last name.
00:14:44Evidently.
00:14:49So who's that?
00:14:50I'm a patient.
00:14:54Oops.
00:14:55Okay, I should get going, Karen.
00:14:59Thank you, Adrian.
00:15:00Yes, thank you, Adrian.
00:15:03No, no, no, thank you, Grace.
00:15:06And Karen.
00:15:24Okay.
00:15:43Oh, you dropped something.
00:15:45Oh, thank you.
00:15:59Did we cross paths earlier at the practice?
00:16:01Yes, yes, I'm also the guy that nearly ran you over.
00:16:04Adrian.
00:16:05Grace.
00:16:08Do you live in Angus Street?
00:16:10Yeah, why?
00:16:11Oh, no, no, I moved in there a few weeks ago.
00:16:13I've seen you with the, uh, dogs.
00:16:16Yeah.
00:16:17Art.
00:16:18It doesn't pay often enough.
00:16:20You're not collecting dogs now, are you?
00:16:22Oh, great, excellent.
00:16:23Well, I guess we're going in the same direction.
00:16:25Shall we?
00:16:33Didn't you leave Karen's over an hour ago?
00:16:35Yeah, yeah, I guess I was still walking her.
00:16:37I'm not driving anymore.
00:16:39You don't drive, do you, Grace?
00:16:40No.
00:16:41Maybe one day.
00:16:42Oh, I love driving fast.
00:16:43It's just, well, I ruin my car cleaning it.
00:16:47I thought cleaning your car was a good thing.
00:16:49Um, well, my cleaning and your cleaning are probably different.
00:16:52Look, I love walking.
00:16:54It's great.
00:16:55Sometimes I just walk around and around my block.
00:16:57It's your block.
00:16:58Our block, I suppose.
00:17:07Oh, this is mine.
00:17:08I live in my dad's garage space.
00:17:12Cool.
00:17:13Your dad works in there?
00:17:15Oh, no, no, not anymore.
00:17:16He used to store race cars in there.
00:17:18Well, they moved to Queensland to cure his rheumatoid arthritis,
00:17:20and my mother's bad temper.
00:17:22You live in that one, right?
00:17:27Well, I suppose there's one more neighbour who wants it in.
00:17:29I'm sorry I can't invite you in.
00:17:30Oh, oh, no, no, no, don't be.
00:17:32I don't have visitors ever, ever.
00:17:34It's like a policy of mine.
00:17:36Please don't take it personally.
00:17:37No, no, no, no, it's fine.
00:17:40Me neither.
00:17:41I never have guys over.
00:17:43Excellent.
00:17:44Excellent?
00:17:46Sure, sure.
00:18:14What are you looking at, man?
00:18:45Me gusta marihuana, me gusta.
00:18:57Dammit!
00:19:00Dammit!
00:19:11Oh, shit!
00:19:13Damn!
00:19:14Grace!
00:19:23Grace!
00:19:43Grace!
00:20:01So I'm thinking timeline, yeah?
00:20:03For the Thailand theme of the exhibition.
00:20:05Timeline?
00:20:06Well, like Facebook.
00:20:07No, like Facebook, man.
00:20:09Fuck Facebook.
00:20:10Like, come on, it's a big moment for us, yeah?
00:20:12We should sum that up.
00:20:13We should sum everything up.
00:20:14Like life, birth, death.
00:20:16Sex, innocence, deceit, trust, you know?
00:20:19Let's put every artwork in a bottle.
00:20:22The solitude of the artist, the sexual repression.
00:20:25Yeah, all right, Frida Kahlo.
00:20:27Can we just hold on the false gender dichotomy shit?
00:20:30My intergalactic Neon Tigers need to fit in here.
00:20:32That's right.
00:20:34Energy!
00:20:35Oh, regime!
00:20:36Fuck!
00:20:39Circle up, one, two.
00:20:42Michelle, Sine Bala, Sal, Rana, Moa, you're here.
00:20:48Kodarian Dance 2 is going to be the basis
00:20:50of my first interactive video art installation.
00:20:52Yes, yes, yes.
00:20:53Installation video is the most common form of video art today.
00:20:56We know.
00:20:58Good.
00:21:12It's not very good.
00:21:17Can I get you something, Doc?
00:21:19Yeah, I want to buy some coke.
00:21:22Because I don't want to drink.
00:21:24Coca-Cola, not cocaine, obviously.
00:21:27I mean, I do want to drink Coca-Cola.
00:21:29I don't want to drink alcohol.
00:21:30Alcohol, cocaine, it's absurd.
00:21:32It's bad for your brain and there's brain cells
00:21:33every time you consume it.
00:21:34And neurological damage from narcotics is immense.
00:21:37Never mind the chance of a mini-stroke.
00:21:42We are in luck, because we have coke, a cola.
00:22:04That'll be a whole four dollars, thanks.
00:22:07Yes.
00:22:09Let's just say you owe me.
00:22:15Jay.
00:22:17Come sit.
00:22:18It needs to be exciting.
00:22:19The title needs to have guts.
00:22:21Yeah, whatever.
00:22:22I still like my concept art.
00:22:23Of course you do, right?
00:22:26Building on Sludge's concept,
00:22:28how about animal instincts as the theme?
00:22:31Is that original enough?
00:22:33What about animal spirits?
00:22:34It was a term chosen by John Maynard Keynes
00:22:36in his 1936 economic book
00:22:37The General Theory of Employment, Interest and Money
00:22:40to describe a human emotion
00:22:41that drives a spontaneous urge to action and not inaction.
00:22:45According to Keynes,
00:22:46animal spirits also generate human trust.
00:22:48Wait, what?
00:22:49Animal spirits.
00:22:51Of course, Keynes was applying it
00:22:53to an impulse that compels economic activity,
00:22:55but you can interpret it more artistically.
00:23:00It's good.
00:23:01We can each interpret a spontaneous urge to action
00:23:05specific to us.
00:23:07You like it, Sludge?
00:23:10Uh, yeah, yeah.
00:23:11I guess the whole Neon Tigers thing fits in.
00:23:14It was a term chosen to emphasize the importance of gut instinct.
00:23:18Thank you, Mr. Keynes,
00:23:19for your gut instincts on what we're actually trying to do here.
00:23:23A live installation with multiple TV screens and a dance floor.
00:23:26And I want to be part of the exhibit
00:23:27with my 80s dance video hero.
00:23:29And it really would be better if I had a troupe of dancers,
00:23:31but I don't.
00:23:32So, could everybody please learn the dance moves
00:23:34from 1 minute 22 seconds to 3 minutes 10 seconds.
00:23:37Yes, yes, yes.
00:23:42Oh, my God, it's a dog!
00:23:44Hey, dog!
00:23:45No, no, no, no!
00:23:53Friday, 9.40 a.m.
00:23:55Darling, it's Mum here.
00:23:57I've been calling you all week.
00:23:59I'm wondering how your treatment is going.
00:24:02Dad's wrists are feeling better in the heat.
00:24:04We should get a mobile.
00:24:09Monday, 9.12 a.m.
00:24:11Adrian, Stan.
00:24:13If I wasn't so damn insightful,
00:24:15I'd think you weren't that frightened of losing your life's research.
00:24:18Maybe the big boss could reduce your suspension
00:24:21if you could just deliver Section 6.
00:24:23Try for me, will you?
00:24:25Monday, 10 a.m.
00:24:27Adrian, hey.
00:24:30It's me, Melinda.
00:24:33I know it's been a very long time,
00:24:36but I need to see you.
00:24:38I feel, um...
00:24:40ready now.
00:24:42Can you call me?
00:24:44I hope you do.
00:24:50PHONE RINGS
00:24:52Oh.
00:24:59Hmm.
00:25:30Ooh!
00:25:35Yes, baby, yes!
00:25:37Ooh-hoo!
00:25:59MUSIC PLAYS
00:26:30What does G represent, do you think?
00:26:33Badness.
00:26:35Dirty stuff.
00:26:38Sex.
00:26:40I think you keep G internally isolated
00:26:44because you might be frightened that if you let her come out,
00:26:48she might contaminate all of you.
00:26:50Yeah.
00:26:52She frightens us.
00:26:55Grace, were you surprised that G turned up to therapy?
00:27:00Kind of.
00:27:02But I need her for the collective.
00:27:04She's got that toughness.
00:27:07I do get lonely sometimes.
00:27:09And then I imagine myself as a boyfriend.
00:27:13I always stuff it up.
00:27:16I'm not cut out for the whole falling-in-love thing.
00:27:21As soon as they want physical stuff, I'm out of there.
00:27:24I can't.
00:27:27You know, I'd like to think that one day
00:27:29you will be able to trust somebody enough to get close
00:27:33and trust yourself.
00:27:35The idea of me being somebody's girlfriend is pretty ridiculous.
00:27:39That somebody would have to be equally ridiculous
00:27:42to be willing to take on all of us.
00:27:45Our goal is to integrate your parts.
00:27:49But the integration of G,
00:27:51that part who manages your innate sexual needs,
00:27:55is going to be most important in enabling you to engage
00:27:59in a healthy, loving and physical relationship.
00:28:05I don't know.
00:28:07What I do know is that since G joined the collective,
00:28:09she's the only one who paints.
00:28:11It's like I've lost my ability or urge.
00:28:16I want that back.
00:28:19I want that back.
00:28:39Hey, homeless man, wait up!
00:28:44Grace! Grace!
00:28:45I just gave a homeless man four kilos of almonds.
00:28:50Oh.
00:28:54So Sledge has decided to use your idea, animal spirits.
00:28:58He says pop round any time.
00:29:00But that was G at the collective, not you, right?
00:29:03Right.
00:29:04So does that mean your different parts know what each other get up to?
00:29:07Depends.
00:29:09When it comes to work and painting, I seem to remember what G does,
00:29:12but when it gets personal or physical, she's mostly blocked.
00:29:18I have walls between my parts.
00:29:21Like concrete walls?
00:29:23Yeah.
00:29:25The kind that would require serious smashing of bricks.
00:29:30How come you know about parts?
00:29:34Well, researching ACD got repetitive.
00:29:37So you know I'm pretty weird?
00:29:39Yes, but in a contest I'd win the weirdness award, believe me.
00:29:45You don't want to be in therapy, do you?
00:29:48My post-doctoral suspension, it didn't give me much choice.
00:29:53Okay.
00:29:56Now you're just showing off.
00:30:00Post-doctoral in what?
00:30:02Quantum mechanics, robotics and the application of artificial intelligence in control engineering.
00:30:06And in English?
00:30:07Well, I like fast cars and computers.
00:30:11Are you designing a fast car fantasy game or an app or something?
00:30:14I've designed apps, but no.
00:30:16If I was going to work on a fast car app, believe me, it wouldn't be for a game.
00:30:20You mean you could design an app for a real car?
00:30:23Maybe to start a car, I could.
00:30:27But that's not what your fancy postdoc's about.
00:30:30No, no, no, not exactly, no.
00:30:32I was being funded to build software for a car company, but, well, I got too slow.
00:30:36Ever since my breakup with Melinda, time hasn't been my forte.
00:30:39Unless I'm behind the wheel of a car.
00:30:44Did Melinda break your heart?
00:30:51She just froze in time.
00:30:54I was a coward, I hurt her.
00:30:58I still think about her obsessively.
00:31:01Maybe because I know I'll never be in another relationship.
00:31:07How do you know that?
00:31:10Oh, uh...
00:31:12Melinda once asked me if I'd be able to break out of my rituals.
00:31:17If her life depended on it.
00:31:19I couldn't answer her.
00:31:27One night, when I was four, I was babysat by a 17-year-old neighbour.
00:31:33Mum and Dad were getting me out of the bath as he arrived.
00:31:37I was in a towel.
00:31:40He called me a tease and...
00:31:43Yeah.
00:31:45When we came out of my bedroom, I drew this teapot on the corridor wall.
00:31:49I was too young to understand what the word meant.
00:31:56And it wasn't your fault.
00:32:02Ever since, every touch holds a request.
00:32:05Can't handle it.
00:32:10Except for dogs.
00:32:12They're cool.
00:32:15You and me both.
00:32:18Minus the dogs.
00:32:36How does it feel to be Cross Magazine's number one Melbourne street artist?
00:32:40It's pretty cool.
00:32:43That's a cover right there.
00:32:45What's next for Cognitus Crew?
00:32:47I don't know. Guess we'll find out.
00:32:54We have one place left.
00:32:56The spot is in our Fatale section.
00:32:58So far, only acclaimed lady artists.
00:33:01So far, only acclaimed lady artists.
00:33:04But, gee, is that good.
00:33:06Maybe we should get her involved.
00:33:08Yeah, yeah.
00:33:10She is that good, hey.
00:33:12I appreciate it, Eric, man.
00:33:14It's just, um, I don't want to capsize her canoe, you know.
00:33:17She's, uh, she's pretty green still.
00:33:19Until our collective exhibition is done, I don't want to overwhelm her or anything.
00:33:23Are you serious?
00:33:25Edinburgh would be bigger for her than your collective exhibit.
00:33:28Surely you wouldn't deny her this opportunity.
00:33:30Yeah, I appreciate it, man. I'll chat to her.
00:33:32I'll email through the details in case you change your mind.
00:33:35Yeah, sweet.
00:33:43Oi.
00:33:46Why tease me like this, G?
00:33:59Mmm.
00:34:13Look at you all cute.
00:34:15Holy fuck.
00:34:23Tease.
00:34:25Tease.
00:34:38Grace, our bodies have a way of telling us things.
00:34:41You just have to read the language.
00:34:43Your teapot all over that painting was a language.
00:34:46My proctitis was a language that told me I am a lesbian.
00:34:50Your proctitis?
00:34:53The inflammation of the anus.
00:34:57Every time I sleep with a man, I get this damn inflammation.
00:35:01Man, I'm literally, uh, pain in my ass.
00:35:11Thanks, though. Did you sign for them?
00:35:23Tease. Tease.
00:35:25You're a tease.
00:35:33G.
00:35:36G.
00:35:40Don't joke.
00:35:43Poor bastard. He doesn't know whether you love him or hate him.
00:35:46Hey.
00:35:48Yeah, it's not like I don't love him.
00:35:50Hey.
00:35:52Yeah, so, um...
00:35:54Look, I don't know where your head's at with the whole animal spirits thing,
00:35:57but I'm down, and I figure we go...
00:36:00You go all out with the centerpiece.
00:36:03Tie it all together through what's in the middle there.
00:36:06Love.
00:36:08No, I figure the centerpiece should be about love.
00:36:11But, uh, like, you do what you want, yeah? You'd be awesome.
00:36:15Love works?
00:36:18I love you, G.
00:36:20Don't tell Adrian.
00:36:23Yeah, right?
00:36:30Yes. Yes.
00:36:32Okay.
00:36:34Yes.
00:36:40Do your hair. Do your hair.
00:36:43Very good. Yes.
00:36:46Get behind.
00:37:06That is what he gets for asking Libido to paint about love.
00:37:10Yeah.
00:37:1484, and done.
00:37:1685, and done.
00:37:1986, and done.
00:37:2187, and done.
00:37:23Hey, Adrian.
00:37:25Oh, hello, Grace.
00:37:26I didn't mean to disturb you. Just walking.
00:37:28Oh, no, no, that's okay. If you just wait a minute, I'll walk with you.
00:37:32I'm almost done.
00:37:34Um, 87...
00:37:3778, 78...
00:37:411, and done.
00:37:432, and done.
00:37:463, and done.
00:37:484, and done.
00:37:505, and done.
00:37:526, and done.
00:37:549, done.
00:37:56100, and done.
00:38:01Okay, Grace.
00:38:03Whoa!
00:38:07They're on leashes, aren't they?
00:38:09Yeah.
00:38:13It's good to see you.
00:38:15You too.
00:38:17Would it help if I walked on the other side of the road?
00:38:20Okay. Come on, come on.
00:38:24This is nice.
00:38:26Yeah.
00:38:37Are you okay with this?
00:38:39Uh...
00:38:48Sorry.
00:38:50How's your painting for the exhibition going?
00:38:53I don't know. It's all G.
00:38:55I'm still struggling. It's been too long.
00:38:57What? Do you miss it?
00:38:59Oh, hell yeah. I miss getting lost in a painting.
00:39:02When I see a picture I really like, it gets this light around it,
00:39:05and it makes me feel good.
00:39:07That's hard to explain.
00:39:09Oh, you sense good energy.
00:39:11I guess. Around people, too.
00:39:13The good ones who care about others, they have strong lights.
00:39:16But, uh, that's pretty rare.
00:39:18You seem very perceptive.
00:39:20About others, maybe.
00:39:22Hey, Karen said it's important I try painting somewhere different,
00:39:26around someone new.
00:39:28Do you want to come on an expedition with me tomorrow morning?
00:39:31Yeah, I'd love to.
00:39:34You're really beautiful.
00:39:40Yeah, I am.
00:39:43I'm little.
00:39:45The beautiful one.
00:39:47The lovable one.
00:39:52Oopsie daisies, you've got to catch them!
00:39:55Catch them!
00:39:57Get away from me!
00:39:58Cowardice!
00:40:00Let me be the fucking definition!
00:40:03Who knew it had gloves but no socks?
00:40:06You dick!
00:40:30I'm getting married.
00:40:51I'm getting married.
00:40:53I'm getting married.
00:40:59Congratulations.
00:41:02Yeah, well, I mean, Greg's proposed.
00:41:06I haven't decided yet.
00:41:10I'm ruminating about my body again, and, um...
00:41:15Oh, it's just so fucking normal, you know?
00:41:23Yeah.
00:41:31Do you still think about me?
00:41:42You look so hot like that.
00:41:44I promise you're not fucking with me.
00:41:46I promise I'm fucking you.
00:41:49Come on, G.
00:41:51Come on, what did I say?
00:41:54I fucked you, you fucking promised!
00:42:09Mr. Keynes?
00:42:11Sledgehammer.
00:42:13I thought I'd come and see the exhibit progress.
00:42:17Sure, why not?
00:42:19Go on, come in.
00:42:21G should be back soon.
00:42:34Just come through.
00:42:39It's pretty crazy, huh, man?
00:42:42I mean, I guess we're all fucking crazy though, right?
00:42:44I'm fucking crazy.
00:42:46Hey, look, you guys, uh...
00:42:48You haven't had, like, a fling or some shit, have you?
00:42:51No, no, no fling, no.
00:42:53See, I convinced myself she was fucking you, man.
00:42:58Yeah, yeah, no.
00:43:00You know, like, we have great sex, right?
00:43:02Like, the greatest fucking sex, man.
00:43:05Like, I mean, she goes off and flirts with other dudes,
00:43:07but I guess, like, none of that shit matters when you...
00:43:11when you connect.
00:43:13Like, when you're connected to someone in that way,
00:43:15she knows me better than anyone, and I'm the same for her.
00:43:17And when we paint, man, fuck, when we paint together,
00:43:19we disappear into this fucking cloud together, man.
00:43:23Creativity.
00:43:24Creativity, yeah.
00:43:25Yeah, yeah, that's right.
00:43:27And, you know, creativity's, like, the most intimate thing
00:43:29you can share, yeah?
00:43:31Like, you gotta be vulnerable to open yourself up to that space,
00:43:33and what's cool, man, what's really fucking cool
00:43:36is she can do that with me.
00:43:39What?
00:43:41Fuck, one, two.
00:43:43Quick, Sam.
00:43:45What?
00:44:02Hi, Sledge.
00:44:04Your men's exhibit in London.
00:44:06Huge opportunity for Jane.
00:44:08Hey, Eric.
00:44:10Not the right time for Jane.
00:44:12She has politely declined the invitation.
00:44:14I don't remember.
00:44:15What do you mean you can't remember?
00:44:16Jean, what are you doing?
00:44:18Jean, where were you?
00:44:19Are you drunk?
00:44:21Jealousy is an aphrodisiac.
00:44:23You know, I wouldn't just give this centerpiece to a mate, right?
00:44:25I'm not forcing you into anything.
00:44:26I'm just saying it's your fucking choice.
00:44:33Passers.
00:44:35Do you know anything about the legendary Kordanian Persian aerobic dance?
00:44:39Should I?
00:44:41Yes, yes, yes, you should.
00:44:42You should research it like I have.
00:44:44Because if you haven't danced, you haven't lived.
00:45:09I don't know.
00:45:11I don't know.
00:45:38You met Lidl and Spike.
00:45:40I'm sorry about the dogs.
00:45:42I'm sorry about Spike's mouth.
00:45:43I can't always control my switching.
00:45:45I'm sorry we didn't get to do your painting.
00:45:47Melinda, my ex-girlfriend, she came to see me.
00:45:52Yeah.
00:45:53I thought that was her.
00:45:57How old's Lidl?
00:45:59She used to be four, but she's grown up to six now.
00:46:03She grows up?
00:46:04Yeah.
00:46:05As I get better through therapy.
00:46:07Hopefully I'm slowly getting there.
00:46:09No, I've forgotten where there is.
00:46:15So how many are...
00:46:18There's ten of us.
00:46:22If you imagine it like a house, and that there's many rooms inside me.
00:46:26Oh, and you can see the rooms?
00:46:28You know where everyone is?
00:46:30Not everyone can see and hear each other, but I can see the house.
00:46:33And I can usually find someone if I try.
00:46:35Yeah.
00:46:38There's a clock in the shape of a heart above the roof.
00:46:41It's always ticking.
00:46:43Certain rooms only unlock at certain times if I ask them.
00:46:48Trouble is, you can't always see the time.
00:46:51Clouds, they get in the way.
00:46:54That's fascinating.
00:46:57As if.
00:46:59You'd want to put up with ten of us.
00:47:01Well, if a guy didn't have many friends, it would make a great package deal.
00:47:08What about you? Since Melinda, there's really been no one.
00:47:11Who'd want to put up with a guy who wears gloves instead of socks?
00:47:15Someone might.
00:47:20Usually when guys talk to me for this thong, they want something else, but...
00:47:24You don't want to touch me.
00:47:27The funny thing is, I don't want to be touched either.
00:47:33Usually.
00:47:46It's about time we did something to help you out.
00:47:51You must be dying for it.
00:47:55What do you do with all that sexual energy, huh?
00:47:59Fantasize? Touch yourself?
00:48:03Wet dreams, maybe? Oh, I can see it.
00:48:06It's there. What do you do with it, huh?
00:48:09I drive!
00:48:11Am I tormenting you?
00:48:13No, no, no. This is perfectly normal, reasonable behavior.
00:48:16You're not a tease. You never were.
00:48:21I'm responsible.
00:48:22I could do you right here, on this bench, in public.
00:48:28That'd be hot.
00:48:30Don't fucking touch me!
00:48:32Fuck! Shit!
00:48:33This is gonna take me hours now, you stupid, stupid idiot!
00:48:38Damn it, damn it!
00:48:46Grace?
00:48:49I'm sorry.
00:48:50I'm sorry.
00:48:52I'm so embarrassed. I saw what you just did.
00:48:55That's great. I mean...
00:48:58Every third Wednesday is my going out day.
00:49:00Maybe we could do something on Wednesday?
00:49:02I could take you out for...
00:49:03You could do your painting, or I could take you out for lunch, or both.
00:49:07Let's be spontaneous. How about lunch now?
00:49:09No, no, no.
00:49:11It's gotta be Wednesday, okay?
00:49:13And it's not Wednesday.
00:49:15Okay.
00:49:16Good, good, good.
00:49:17I've gotta go shower. I think you should shower. We should both shower.
00:49:20I mean...
00:49:22I gotta go. Okay. Bye. Sorry.
00:49:36Remember we discussed the idea of you reducing the number of times you check just one area?
00:49:42The gas, for example?
00:49:44Or halving things?
00:49:45The detergent or the soap bars?
00:49:47Have you made any progress?
00:49:49No. I've been too busy.
00:49:51Busy?
00:49:52Well, it's not long since I've moved in. The house is still filthy.
00:49:55I'm systematically cleaning each room.
00:49:56By the time I shower, watch a bit of TV, it's already very late.
00:50:00That must make contact with friends very difficult.
00:50:03Yeah, well, if you turn up three hours late to a movie, do you expect anyone to wait around for you?
00:50:06I mean, come on.
00:50:07Do you keep your husband waiting three hours and expect him to be hanging around for you?
00:50:10Well, take it from me, they give up on you eventually.
00:50:13Well, why do you keep your husband waiting?
00:50:15You should know by now how much I enjoy my work.
00:50:18Oh.
00:50:20Obsessive, huh?
00:50:23Linda used to say, love is not a mathematical equation.
00:50:25She'd say, lose the calculator.
00:50:28She's right.
00:50:29When you stop measuring and calculating and just live, then you can love.
00:50:35To love, you have to be spontaneous.
00:50:37And one simple act of spontaneity, it can change everything.
00:50:41Well, are you spontaneous with your husband?
00:50:45No.
00:50:47But you'd like to be.
00:50:49See, there I go again.
00:50:50I have not lost my knack for ruining encounters with women.
00:50:54Encounters?
00:50:55Who are these women?
00:50:57Well, they're just figments of my imagination, really.
00:51:03There is one woman.
00:51:05She's very beautiful.
00:51:06I end up showering three times.
00:51:08Oh, you know what?
00:51:09That sounded so perverted.
00:51:10I just meant I wash myself more, that's all.
00:51:13Is this woman someone you could like or trust?
00:51:17We just talk on a park bench.
00:51:19Nothing raunchy.
00:51:21Do you still think about those times?
00:51:22Times when you could accept a hug or a kiss from someone you cared for?
00:51:27Do you?
00:51:29Is it important for you to compare yourself to me?
00:51:31It's important for me to clown around.
00:51:35Look, I know where you're going with this, okay?
00:51:37And it is nice in theory, but...
00:51:41With the idea of exchanging body fluids with someone, it just...
00:51:47It seems impossible.
00:51:49Impossible.
00:51:52Okay, may I?
00:51:53Yes.
00:51:54Okay, thank you.
00:51:56Because you think that they might contaminate you
00:51:59or because you feel that you may contaminate them?
00:52:02Both.
00:52:08Adrian, we've talked about the options.
00:52:12There are no magic solutions.
00:52:14You have to be prepared to work at it.
00:52:18But there is medication.
00:52:20I told you, my brain is important to me, okay?
00:52:23I don't want my thinking to be affected.
00:52:25I've read about the side effects.
00:52:26Dizziness, headaches, the inability to drive.
00:52:29I've got to drive.
00:52:31I've got to drive.
00:52:32It works, Adrian.
00:52:42How can I marry him when I can't even walk around naked?
00:52:45I mean, I only have sex in the dark.
00:52:48What is it this time?
00:52:49Because I don't actually have much money.
00:52:52This time, my ears did stick out pathologically
00:52:56and I had no breasts.
00:52:59Who said I wanted money anyway?
00:53:00This is a very big decision to make on my own
00:53:03and I can't talk to Greg about it.
00:53:24I'm serious.
00:53:26Hey there, lovebird fuckers.
00:53:28Who's this?
00:53:29Spike.
00:53:30What, as in giants?
00:53:31Yeah, something like that.
00:53:32I'm Adrian's neighbour and sometimes confidant
00:53:34and I want to know why the fuck you are fucking with his head.
00:53:37Excuse me?
00:53:38You heard.
00:53:39The old I'm getting married.
00:53:40Are you jealous?
00:53:41Tell me you love me because I'm shitting myself
00:53:43with the impending boredom of forever
00:53:44with some dude who's going to give me a picket fence
00:53:46and a loose vagina.
00:53:48Oh, shame.
00:53:49I feel for you.
00:53:50Sorry?
00:53:51Am I being too fucking generic?
00:53:53Are you here to prove how fully functioning you are
00:53:55in comparison to your crazy ex-boyfriend
00:53:58who can't even leave the house?
00:54:00Ha ha ha, yeah.
00:54:02Looks like I hit the nail on the head there.
00:54:04Loose vagina?
00:54:05She didn't mean that.
00:54:06I didn't say that.
00:54:07No, of course you didn't.
00:54:08You're too busy drowning your guilt in sobsuds day and night.
00:54:11Guilt, get it?
00:54:13You are a coward and you can't get over it.
00:54:16It, not her.
00:54:18If you care so much, then you'll get the hell out of here.
00:54:21If you care so much, then you'll get those dogs away from here.
00:54:26I'm not an enabler.
00:54:28I test boundaries and that's how I show my affection.
00:54:36Hose you?
00:54:52Come on.
00:55:18Come on.
00:55:19Come on, work for me.
00:55:22Come on.
00:55:45Nice, nice, nice.
00:55:51Come on.
00:56:21Come on.
00:56:37Come on.
00:56:38Come on.
00:56:49That's it.
00:57:08Come on.
00:57:12Hey, check it out.
00:57:15Hey, honey.
00:57:16How about a free ride for us and for you?
00:57:20Adrian.
00:57:22Venus.
00:57:23We thought you were an egg tonight dealer that you crashed that shipwreck of a car and died.
00:57:27Maybe he is dead and this is car heaven.
00:57:29What is this delicious vehicle?
00:57:31Oh, hi, Celeste.
00:57:32But I'm not supposed to be driving this car.
00:57:34My dad's storing it in my garage.
00:57:35He took away the key.
00:57:36He's trying to bribe me to change my...
00:57:38To change your sex life.
00:57:39That's for sure.
00:57:40Honey, come on.
00:57:41Get out or let me get in.
00:57:43I'm just a squirrel looking for a nut.
00:57:45Oh, no, no, no, nuts.
00:57:46Sorry, ladies.
00:57:47But I did bring refreshments as promised.
00:57:49Yeah.
00:57:50Lots of sugar.
00:57:51No alcohol.
00:57:52Be careful and don't scratch the paint.
00:57:54When we said drinks, we meant drinks.
00:57:57God damn, we just got a sugar daddy for life now instead.
00:58:00So, um, were you ladies really dancers?
00:58:04Would I lie to you?
00:58:06Queens of an exotic dance troupe.
00:58:08My career didn't end because my moves were too bad.
00:58:11No, because the smack was so good.
00:58:15I better get going now.
00:58:17But I'll see you next time.
00:58:21Take us with you, Mon Amour.
00:58:23Listen to your father and ride something else.
00:58:26Like a woman.
00:58:34Wow.
00:58:36I didn't think you'd show up.
00:58:38Shouldn't you be furious with me?
00:58:40Oh, Spike makes me want to toughen up.
00:58:47Do you want to go for burgers?
00:58:49Oh.
00:58:51Uh, okay.
00:58:53So, lunch first and then my painting?
00:58:55Mm-hmm.
00:58:56♪
00:59:04Mmm.
00:59:06Mmm.
00:59:08Mmm.
00:59:10Mmm.
00:59:12Mmm.
00:59:14Mmm.
00:59:16Mmm.
00:59:18Mmm.
00:59:20Mmm.
00:59:23Oh, that is the best.
00:59:26Yes, the best.
00:59:36Are you free to do something on Monday night?
00:59:38Oh, yeah. I don't know.
00:59:403 a.m.?
00:59:42What did you want to do?
00:59:44I want to take care.
00:59:46It's a surprise.
00:59:52♪
01:00:02♪
01:00:22♪
01:00:32♪
01:00:42♪
01:00:52♪
01:01:02Stay there.
01:01:04Don't move or this whole thing won't work.
01:01:07Arms down.
01:01:09♪
01:01:14You said you wanted to toughen up, so promise me.
01:01:18Okay, I promise you.
01:01:21So what's this new technique?
01:01:23Pigment.
01:01:25Watch.
01:01:29Ready?
01:01:32Uno, dos, tres.
01:01:35Watch.
01:01:37♪
01:01:45♪
01:01:55♪
01:02:05♪
01:02:15♪
01:02:25♪
01:02:35♪
01:02:45♪
01:02:55♪
01:03:05♪
01:03:15♪
01:03:25♪
01:03:35♪
01:03:45Being aware of Gee's sexual behavior,
01:03:48even for a few moments, is a momentous change.
01:03:51Do you want to tell me what she did?
01:03:53She was just flirting very hard with...
01:03:57someone.
01:03:59We don't have to talk about it.
01:04:01Is Gee sound proof now?
01:04:03Yeah.
01:04:04But she actually...
01:04:06she spoke to me in a dream I had the other night.
01:04:08That's never happened before.
01:04:10That's great.
01:04:12What did she say?
01:04:13She said she wants to work together with me
01:04:15on the centerpiece.
01:04:17And that she wants to come out of the attic.
01:04:19She's tired of it.
01:04:21She asked me if I'd be happy to make some time
01:04:23to sit with her in the lounge room
01:04:25because she's feeling lonely.
01:04:28And then she smiled at me really nicely.
01:04:32And what did you say?
01:04:34I said maybe, because I felt a bit sorry for her.
01:04:37That she would have to promise not to behave badly.
01:04:44She laughed.
01:04:45Said she'd think about it.
01:04:50Actually, I feel a bit different since I spoke to her.
01:04:54♪
01:04:59One and done.
01:05:01Two and done.
01:05:05Three and done.
01:05:07♪
01:05:37♪
01:06:07♪
01:06:19You ready?
01:06:23Almost.
01:06:25Do I need to bring anything?
01:06:27Music. Your kind of music.
01:06:29Wait outside my garage.
01:06:37♪
01:06:42♪
01:06:47♪
01:06:52♪
01:06:57♪
01:06:59You should get in.
01:07:01We have 127 minutes to go.
01:07:03♪
01:07:08♪
01:07:13♪
01:07:18♪
01:07:22Try not to hit your head with the app.
01:07:24♪
01:07:29♪
01:07:34Trust me.
01:07:35♪
01:07:40Thank God.
01:07:41We were getting thirsty.
01:07:43Daddy's car again.
01:07:45That boy.
01:07:46Adrian.
01:07:47Mama.
01:07:49They know you?
01:07:50Yes, I'm a regular here now.
01:07:51Oh my God.
01:07:53There's a woman in there.
01:07:55Mama mia.
01:07:57A beautiful woman.
01:07:58Friend.
01:07:59Hey, I'm Grace.
01:08:01Hand him a drink.
01:08:02Okay.
01:08:03Like always, don't scratch the paint.
01:08:05Delicious, divine, and hopefully no hallucination.
01:08:09Hello, Grace.
01:08:10He's finally a man.
01:08:11Marry him.
01:08:12Bravo.
01:08:14We've got to go.
01:08:15There's only 87 minutes left.
01:08:16I still don't know what we're counting down to.
01:08:18Oh, I hacked into the highway police patrol schedule.
01:08:20Who are you?
01:08:22Hold on tight, Adrian, baby.
01:08:24Don't you fall for him, Grace.
01:08:26See you at rehearsal.
01:08:45Maybe I could do some painting on the walls in your garage.
01:08:48It could be cool.
01:08:51Would you let me in?
01:08:53In my garage?
01:08:55Uh...
01:08:57Yes.
01:08:59I'd love that.
01:09:01I'm excited.
01:09:03See, I feel pretty honored that you have the time for me
01:09:05and not for Edinburgh.
01:09:06You sure?
01:09:08Sure.
01:09:09What's in Edinburgh?
01:09:11Oh, um...
01:09:13I don't know.
01:09:14I'm mixing things up.
01:09:18Tomorrow afternoon, meet you at the garage.
01:09:25Is something up?
01:09:27Huh?
01:09:28With me?
01:09:29No, no.
01:09:30Tomorrow?
01:09:31Well, I can't do it in the afternoon.
01:09:33I promised Melinda I'd be somewhere, but...
01:09:36Can you do the evening?
01:09:38Okay.
01:09:41What did you promise Melinda?
01:09:43Oh, uh...
01:09:46It's somewhat personal.
01:09:48I shouldn't say.
01:09:55Do you still want her back?
01:10:12I don't know, Nia.
01:10:25This is my favorite song.
01:10:29My mum and I used to dance to it.
01:10:55Yes.
01:11:12Oh!
01:11:14Oh!
01:11:16Oh!
01:11:25Oh!
01:11:45Adrian.
01:11:46Yeah?
01:11:47Take it.
01:11:55Okay.
01:12:25Okay.
01:12:47You did not just bring me here for some artistic opinion.
01:12:50Yeah, I did.
01:12:52This is Adrian's garage.
01:12:54And why are we alone in the dark, huh?
01:12:57You know, that guy would be scared of a spray can.
01:13:00No.
01:13:01He came painting with me at the deserted factory.
01:13:04Fuck you, G!
01:13:06That's...
01:13:07You know, you probably do want to fuck him, don't you?
01:13:10I'd like to see that, actually.
01:13:12Bet you the guy's too fucking scared to touch his own dick.
01:13:14Maybe he does it like this, huh?
01:13:16Without his hands.
01:13:18Maybe I just want to close my eyes and pretend that it's him.
01:13:21Maybe that's what I really want.
01:13:27Oh, fuck!
01:13:34You guys should leave.
01:13:38Well, I'm going to!
01:13:40We should all leave!
01:13:51Adrian!
01:14:08Adrian, it's me!
01:14:12Adrian?
01:14:14Hey, I'm...
01:14:16I'm really sorry.
01:14:18I want to make it up to you.
01:14:21I made sandwiches for lunch.
01:14:26Are you free?
01:14:3849.
01:14:42And done.
01:14:45And 50.
01:14:48And done.
01:14:51I...
01:14:54I want to apologize for G showing up instead of me.
01:15:00I...
01:15:02I was disappointed, so G acted out.
01:15:08You can be honest.
01:15:10Do you want to hang out?
01:15:12Oh.
01:15:15Adrian?
01:15:17Oh, fuck!
01:15:20Fuck!
01:15:27Oh.
01:15:29Oh, Grace.
01:15:31Hey, there.
01:15:3498 and done.
01:15:3699 and done.
01:15:39100 and done.
01:15:42100 and done.
01:15:49Oh, I...
01:15:51I can't sit. I've got to find someone.
01:15:53Someone? What?
01:15:55Hey, I...
01:15:57So you're just running away as usual, are you?
01:15:59You're my support through this.
01:16:01We've got another appointment.
01:16:03We didn't have sex for three years.
01:16:06Gorgay wants sex every night.
01:16:08Hey, I've been a neck brace for fuck's sake.
01:16:10I still can't get out of the bathroom for someone I love.
01:16:12Well, we love each other so much.
01:16:14Okay, I know.
01:16:19This maniac is who we're looking for?
01:16:21G, wait.
01:16:23No, thanks.
01:16:24I hope you have a very happy life together.
01:16:27Just try and stay out of my face.
01:16:30This is my turf.
01:16:33It's all right for you to have sex in my garage, I suppose.
01:16:36What do you care?
01:16:37Yeah, what do you care?
01:16:39Get off!
01:16:41I can take care of myself.
01:16:45That crazy is totally in love with you.
01:16:49You don't like her, do you?
01:16:55Mel, I'm going to walk you home now.
01:16:57Who says I'm done here?
01:16:58Have you even heard a word that I've been saying?
01:17:00For fuck's sake!
01:17:01I heard you, okay?
01:17:04You are always going to doubt yourself, Mel.
01:17:07And I am always going to be sorry for what I did,
01:17:09but mostly for what I did not do for you.
01:17:13But I'm not always going to be hurt by you not loving me,
01:17:15so please, just let me be sorry.
01:17:18Stop trying to hurt me.
01:17:20It's just...
01:17:22Greg's so perfect.
01:17:23That's what's scary.
01:17:26Well, don't worry.
01:17:27He's probably not that great.
01:17:28You're just comparing him to me,
01:17:29and he's killing it on the normality scale.
01:17:32Now, shall we?
01:17:37Yeah.
01:17:50Adrian, it's Stan.
01:17:52Premium Motors don't want to wait the full three months.
01:17:55They're going to cut your retainer,
01:17:56and your research will become company property.
01:17:59So tell me you've done something, Adrian,
01:18:00because if you haven't, call me.
01:18:03Just please, mate, call me.
01:18:07Okay.
01:18:14Grace?
01:18:18She won't be back for a long, long time.
01:18:22Oh, I see.
01:18:24What happened to your girlfriend?
01:18:26I don't have a girlfriend.
01:18:28I don't care if you do.
01:18:30Do you know much about chemistry?
01:18:32Biochemistry?
01:18:33Sexual chemistry.
01:18:34Oh, no.
01:18:36You like me.
01:18:37I can tell.
01:18:39I do?
01:18:40Yeah.
01:18:41You're a bit scared of me, but you like me,
01:18:42and that's because we have chemistry.
01:18:44You can't ignore it if it's there.
01:18:45You can't grow it if it's not.
01:18:47So if it is there, it's kind of crazy not to act on it.
01:18:50Oh, it's not the first time I've done something crazy.
01:18:52Oh, yeah?
01:18:53How crazy?
01:18:54Oh, not that kind of crazy.
01:18:56I meant the first kind of crazy you mentioned.
01:19:00In a perfect world,
01:19:02what would you like to do to me?
01:19:08I'd like to leave a message with Grace, actually,
01:19:11if that's how it works.
01:19:13I wanted to meet me at that bench at 4 p.m. on Wednesday
01:19:16to apologize.
01:19:18You want me.
01:19:19No, no, no.
01:19:20I don't want you.
01:19:21You don't want me?
01:19:23No, yes.
01:19:24Do you hate me because I make you uncomfortable?
01:19:27No, no, no, no, no, no.
01:19:29I don't hate you.
01:19:30I mean, it's the opposite.
01:19:32You hate me.
01:19:33You hate me.
01:19:35Go on, admit it.
01:19:36You hate me.
01:19:38No, I love you.
01:19:44See you later.
01:19:49There's no great mystery to me
01:19:52I'm sorry I am what I am
01:19:56Thanks for coming
01:19:58There's no great mystery to me
01:20:02I'm sorry I am what I am
01:20:05Thanks for coming
01:20:08I took other people's drugs
01:20:10I petted other people's dogs
01:20:13I drank at other people's parties
01:20:15And held other people's babies
01:20:18If it's not pseudos, it's no-dose
01:20:20I've frozen other people's photos
01:20:23I like leaking for hours
01:20:25I've frozen other people's houses
01:20:29Imagine dark holes
01:20:33All the way to my house
01:20:39Imagine dark holes
01:20:43All the way back home
01:20:48There's no great mystery to me
01:20:52I'm sorry I am what I am
01:20:56Thanks for coming
01:20:58There's no great mystery to me
01:21:02I'm sorry I am what I am
01:21:05Thanks for coming
01:21:08I want me for some it seems
01:21:10I object other people's dreams
01:21:13As I submit to test
01:21:15And I answer other people's questions
01:21:18I wore other people's clothing
01:21:20And I became other people's plaything
01:21:23Wow, that's what I partake
01:21:25When there's other people's holiday
01:21:35You here to keep your company, Keens?
01:21:36You want to give me a hand with these boxes?
01:21:42So tell me, it's come to my attention
01:21:43that you're inhibiting Gee's progress as an artist
01:21:45What do you mean?
01:21:46I know you never told her about the opportunity
01:21:48at the Edinburgh Women's Exhibition
01:21:50and if you don't, I will
01:21:52Is this blackmail?
01:21:54No, no, no, what you're doing with Gee about the centrepiece
01:21:56that would be a much more apt example of blackmail
01:21:58Yeah, well I didn't tell her about the Edinburgh Invitation
01:22:00because I didn't want to flood her canoe, alright?
01:22:03Edinburgh Invitation?
01:22:05Yes, yes, yes, Street Art University invited you
01:22:07to be part of an exhibition in Edinburgh
01:22:09and he declined on your behalf
01:22:11What?
01:22:12Wait, you knew and you didn't tell me?
01:22:14I can't trust either of you
01:22:16You misunderstood what I said, you know
01:22:18with what you saw with Melinda and I
01:22:20Oh look, don't fucking compare me to him, okay?
01:22:21Because stop it! Both of you!
01:22:23Sledge, I decide on my RSVP for career-altering exhibitions
01:22:27not you
01:22:28Yeah, well guess what, Gee?
01:22:29This is my fucking collective, okay?
01:22:31I don't want you getting distracted by some other shit
01:22:34and pissing off when we're doing our fucking centrepiece
01:22:37You can shove the centrepiece up your arse
01:22:43Fuck, man!
01:22:47Come on
01:23:04I am never coming back
01:23:06Do you fucking hear me?
01:23:08You can fuck yourself, you fucking dick
01:23:13Yeah, what are you gonna do? Come here?
01:23:15Big fucking threat!
01:23:45Fuck!
01:23:59You're so not like me
01:24:02No, no, no
01:24:13Fuck!
01:24:14Shit!
01:24:21Fuck, fuck, Jesus!
01:24:23Fuck!
01:24:24Fuck!
01:24:29Enough of this hot and cold bullshit, Gee
01:24:31It's fucking torture
01:24:32Sledge, I am Grace, not Gee
01:24:34and I don't want this
01:24:35I don't want this ever again between us
01:24:37Listen to yourself, you're fucking crazy
01:24:38I know who you are
01:24:39No, you don't!
01:24:40No, I need you, Gee, okay?
01:24:42Yes, you need me
01:24:43You need my attention
01:24:44You need me for the centrepiece
01:24:45You are not in love with me
01:24:51You fucking bitch!
01:24:53You treat me like a fucking dog, do you?
01:24:55Do you know that?
01:24:56Do you know what that fucking feels like, Gee?
01:24:58Do you know what that fucking feels like?
01:25:24Fuck!
01:25:35Is there something wrong with the front door?
01:25:40This was easier
01:25:51Thank you
01:25:53Thank you
01:26:10I want you to know that
01:26:13it's me
01:26:15not Gee
01:26:18I want to touch you
01:26:20I'm sorry, I am
01:26:51Thank you
01:27:11I'm very, very happy to unveil my very first
01:27:13interactive video installation
01:27:15with the dress rehearsal of
01:27:17the live performance for the opening night
01:27:19Dude, we told you we can't
01:27:22Adrian
01:27:23Gunja
01:27:25Rajib, are you ready?
01:27:27Come on
01:27:36Come on, girls
01:27:42Did you know he was doing this?
01:27:43No
01:27:45Yes, I know it
01:27:49One, two
01:28:19Yeah!
01:28:49One, two
01:28:50One, two
01:28:51One, two
01:28:52One, two
01:28:53One, two
01:28:54One, two
01:28:55One, two
01:28:56One, two
01:28:57One, two
01:28:58One, two
01:28:59One, two
01:29:00One, two
01:29:01One, two
01:29:02One, two
01:29:03One, two
01:29:04One, two
01:29:05One, two
01:29:06One, two
01:29:07One, two
01:29:08One, two
01:29:09One, two
01:29:10One, two
01:29:11One, two
01:29:12One, two
01:29:13One, two
01:29:14One, two
01:29:15One, two
01:29:16One, two
01:29:17One, two
01:29:18One, two
01:29:19One, two
01:29:20One, two
01:29:21One, two
01:29:22One, two
01:29:23One, two
01:29:24One, two
01:29:25One, two
01:29:26One, two
01:29:27One, two
01:29:28One, two
01:29:29One, two
01:29:30One, two
01:29:31One, two
01:29:32One, two
01:29:33One, two
01:29:34One, two
01:29:35One, two
01:29:36One, two
01:29:37One, two
01:29:38One, two
01:29:39One, two
01:29:40One, two
01:29:41One, two
01:29:42One, two
01:29:43One, two
01:29:44One, two
01:29:45One, two
01:29:46One, two