La promesa - Temporada 3 - Ep 438
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00:00♪♪
00:04-♪ Nos hemos quedado todos pasmados en la casa ♪
00:10-♪ Ay, aquí están las dos manzanillas ♪
00:15-♪ ¿En qué anda?
00:18Ay, ¿se está escribiendo el testamento de Amiago?
00:22-♪ Como no quieras las enaguas ♪
00:23-♪ Una bata buena, yo tengo cintura de avispa
00:25y piernas de bailarina ♪
00:27-♪ Le estaba escribiendo una carta a mis virtudes
00:30¿Cómo?
00:31-¿Puedo dar el recuerdo de mi parte? ¿Eh?
00:33Y dile que a mí cuando nos hace una visitita con el chiquillo.
00:36-¿Eso es lo primero que le he pedido?
00:39¿Y ahora les estaba contando todo lo que ha pasado con Doña Pía?
00:43-¿No sé si se lo va a creer?
00:45Porque es todo un flocambolesco.
00:47-¿A mí aún me cuesta?
00:49-Sí, porque es como cosa de follodin.
00:51Pero mira, por lo menos no ha terminado mal
00:53y lo importante es que Doña Pía está viva.
00:56It's one of the greatest joys I've had in the last few years.
00:59I'm sure Virtude is happy because she appreciates it a lot.
01:02Like everyone else.
01:04Except for Marimandrago.
01:06The Marquess doesn't have much affection for him either.
01:08The Marquess doesn't have affection for anyone.
01:10Except for herself.
01:13Petra must be smoking with the news.
01:15Because she's fed up.
01:17And bring a magnet.
01:18So Doña Pia is alive and kicking.
01:20And soon she'll be here.
01:23We'll see how she gets there.
01:24Because she didn't have a good time with all this mess.
01:28What a bad drink she had to live
01:30pretending to be dead in front of everyone.
01:33What a piece of paper.
01:34Well, apparently she was half-adopted.
01:35With that mess that she wanted.
01:41She had to be very desperate to do something like that.
01:44Imagine.
01:46She was afraid for her life and for her little one's.
01:48And in such a hurry, well,
01:50one does whatever.
01:51Wow, she did.
01:53Although, look,
01:54now she has a grave in her town.
01:55That's what she has in front of her, isn't it?
01:58Seen like that.
02:00Although, we'll have to change the date of her death
02:02because she's not getting married anymore.
02:04You always have to look for the good in everything, Simona.
02:07Yes.
02:08Even in misfortune.
02:10Poor Doña Pia.
02:13If the world was better
02:15and it wasn't full of Petras and Gregorios.
02:18But the world is what it is.
02:20You have to push.
02:21You have to face those people.
02:23Although, well,
02:25Doña Pia is more like me.
02:27She hid her head in a hole, like an ostrich.
02:30She hid her head in her body,
02:31because it's weird that she finds out.
02:33Well, I'm going to finish my daughter's letter
02:37that I want to send her tomorrow when I go to town.
02:39Wait, wait.
02:40I'm going to give you some words for Virtue.
02:41Write it down.
02:42Write it down.
02:43But don't rush.
02:44I want to make good handwriting and I go very slowly.
02:46I'm going.
02:49Dear Virtue.
02:50Dear.
02:52No, not dear.
02:54Dear.
02:55Dear.
02:56Dear Virtue.
02:57Here I am with your mother in the bedroom.
03:01Life is a promise.
03:02Keep going.
03:04One day passes.
03:06Then another one follows.
03:07Then another one comes.
03:08Do you know what I'm telling you?
03:09What?
03:10That if you want to tell my daughter something,
03:12you write it down.
03:14Well, you.
03:15I'll send the memory of my part and that's it.
03:18I was going to do it even if you didn't tell me anything.
03:23Good afternoon, Sergeant.
03:25Come in.
03:26Have a seat.
03:32Is there any news about Don Manuel?
03:35I don't have any news.
03:37I just came to ask a few questions.
03:39Again?
03:40This time it was an interrogation, as usual.
03:42And the others, what were they?
03:44More like informal talks.
03:46Ask whatever you want.
03:47Anything I can help you with.
03:50I won't beat around the bush.
03:52Why did you lie to me?
03:54Me?
03:55A few days ago you told me that you were the one who gave the envelope to Mr. Castillo
04:00in the Lujan tavern and it wasn't like that.
04:03You're right.
04:04I wasn't clear on that matter.
04:06It was all so that Don Manuel would not get involved in such a sordid matter.
04:12I see.
04:13A faithful servant.
04:15I did my job.
04:16I wanted to save him that bad drink.
04:18At the cost of lying to a representative of the law.
04:21I'm sorry.
04:22But I couldn't allow an innocent man to be accused.
04:25Your innocence is to be determined and you are not the one to decide it.
04:31In fact, as the days go by, you seem more guilty.
04:35Do you have any evidence against him?
04:37Don't you think it's enough with the ones you already have?
04:39Well, no.
04:40A letter in a tavern and nothing more.
04:42Two letters.
04:44And Mr. Manuel's statement that he spoke with Mr. Castillo.
04:47But I suppose that Mr. Castillo would also speak with other people of the town.
04:51It must be assumed that those people are also suspicious.
04:55As far as I know, the others did not offer him money nor met with him in a remote place.
05:00Exactly where the body appeared.
05:02Who doesn't go to a meeting with a guy like that in front of everyone?
05:07On the contrary.
05:08If you meet with a criminal, you always try to have witnesses of that meeting.
05:13I don't see it that way.
05:14I see.
05:15You won't see anything that could harm Mr. Manuel.
05:20Tell me.
05:22Are there weapons in La Promesa?
05:24Well, you know, from a palace where there are no weapons.
05:29What kind of weapons do you have?
05:30The Marquis is a great hunter.
05:32And well, he has shotguns for smaller hunters and rifles for bigger hunters.
05:36And where do you keep them?
05:37In the armory.
05:38It's a room with a reinforced door, of which I only have the key.
05:42And if he's going to ask me if Mr. Manuel asked me for a weapon, I'll tell him no.
05:48Let's go see that armory.
05:51And I want you to give me a complete list with all the weapons in the house.
05:54Of course.
06:00Do you keep the keys to the armory together with the rest of the keys?
06:03Yes, yes, yes. They are usually kept in good stock.
06:08Yes, I'm the only one who has the key.
06:11And does it always have that box open?
06:15No, it's usually closed, yes.
06:18Yes, it is.
06:23Let's go see the armory.
06:26Please.
06:34Come in.
06:41Come in.
06:52Can you move?
06:54Well, yes, but don't be impatient.
06:56You take hours to move every piece.
06:58Because I have to think about the next move.
07:02Hey, that woman.
07:04What woman?
07:05That one over there.
07:06No.
07:11I don't know.
07:13Martina, don't be a child.
07:15My tower.
07:17What tower?
07:18Martina.
07:22Okay.
07:24Your tower.
07:26Look, if you don't want to play, we'd better leave it.
07:29There's no need to be stupid.
07:30I'm working.
07:31It was a joke, don't get like that.
07:33I'm moving.
07:41You know, there's something I've wanted to talk to you about for a long time.
07:47What?
07:48That this game is getting too long?
07:51It's obvious, but no.
07:53No, it's not that.
07:55Well, tell me.
08:02What have you been up to lately?
08:05Nothing.
08:08It's just that lately I've been feeling very ...
08:13dry.
08:15With me.
08:17Let's see, now I just wanted to try to play on conditions.
08:20No, I'm not referring to this.
08:23Yesterday, for example, when we were talking about poor Manuel.
08:28You were more concerned about how Julia was doing than how I was doing.
08:32No, that's absurd, Martina.
08:34No, it's not.
08:36As far as I know, I'm the one who is Manuel's family.
08:38How many times has she talked to him?
08:40Two? Three times?
08:42Look, you told me you didn't want to look like a jealous girlfriend.
08:47I'm serious.
08:51Lately, I've noticed you have changed a lot.
08:56As if you had moved away from me a lot.
08:59As if I didn't know you at all.
09:06I don't know, Martina.
09:12You know that talking to Julia has made me remember everything I experienced in the war.
09:18And ... I will never forget Paco's death.
09:26It's just that ...
09:28If only you let me help you.
09:31It hurts me a lot to see you suffer like this.
09:35It's what I have to do now.
09:37I have to suffer.
09:39But it doesn't have to be like that.
09:42I don't know, ask me for anything. If there is something I can do, ask me for whatever you want.
09:51Look, yes. There is something you can do.
09:57Could you stop being so aware of me?
10:02Of watching who I talk to or who I stop talking to?
10:07What do I do or what do I stop doing?
10:14Is that what you want?
10:15Yes.
10:19I already told you, Martina.
10:21I need ... distance.
10:24At least for a while.
10:27I don't know, you have to understand.
10:32I understand.
10:41Well, let me kill you.
11:02I love you.
11:09Should I serve you more?
11:10It's fine like this.
11:12This is Manuel's favorite liqueur.
11:14We could make a toast.
11:16I'm not in the mood for a toast, Lorenzo.
11:18It's strange. I wouldn't be either if I had my son in the dungeon.
11:21It's not true, it's just that it looks like he's been spying on him.
11:23I don't believe in superstitions.
11:25Well, it's to start doing it.
11:27First, those accidents with the plane,
11:29his wife's death, and now the maid from 3rd to 4th who embezzles it.
11:32She's dead, it's over.
11:33I hope so.
11:35Because one thing can end the good name of this family.
11:37And if that's not enough, now comes this sergeant from Pacotilla
11:40and accuses him of nothing more and nothing less than murder.
11:43The truth is that I don't know what else could happen to him.
11:46Whatever you want.
11:48Can you shut up, please?
11:50If you have nothing positive to say, silence is the best option.
11:57Yes, yes, I'm still here.
12:00He can't.
12:02What do you mean?
12:05But couldn't you tell him?
12:11I understand. Good night.
12:14Isn't the governor coming?
12:16It seems that he's too busy to dedicate five minutes to me.
12:19Yes, busy, of course.
12:21But he told you that he's going to attend to you, right?
12:23His secretary told me that he will call me in the next few days.
12:26What a bunch of livers this country leads.
12:29Have you been able to talk to anyone?
12:31I was trying to do it with the Minister of Grace and Justice,
12:34but at the moment nothing.
12:35And the calls to your friends?
12:37Some have answered me.
12:38But I think more than to help,
12:40to know what had happened to Manuel.
12:42Rumors.
12:44Well, look at it on the bright side.
12:47At least that way you can know who your real friends are.
12:50I don't see anything positive in what's going on
12:52and I don't think anyone can see it, don't you think?
12:54I mean, a situation like this makes people withdraw.
12:57You're right about that.
12:59I'm checking who really wants to help
13:01and who, like you, is enjoying all this.
13:03I don't enjoy other people's misfortunes.
13:05Alonso, please.
13:07I'm honest.
13:09I think your friend Ignacio is having a great time with all this.
13:11That's a misunderstanding.
13:13It's obvious that the situation doesn't let you think clearly.
13:15Very well.
13:16Thank you for being condescending with me.
13:18It will be that.
13:19That I am overcome by the circumstances.
13:21I think, I think.
13:23Discussing between us will not prevent Manuel from ending up in jail.
13:26I just wanted to say that a situation like this
13:29makes you know who your real friends are.
13:31Normally, you can count them with the fingers of one hand.
13:34But you have five left.
13:36And I understand that.
13:40But what's wrong with this man?
13:53Sir.
13:59Mr. Baeza.
14:01How are you?
14:03Fine.
14:05Well, sometimes bored.
14:07Other times, a little angry about this injustice.
14:10And other times, not one thing or the other.
14:12And even so, I see it all.
14:14I try to keep a good mood.
14:16Although...
14:18I don't know.
14:20Although...
14:22It is difficult in this pestilent hole.
14:24Yes.
14:25And of course, I want to see if you can fix this a bit.
14:28I've brought a few clothes
14:30so that you don't have to wear the same clothes all the time.
14:33Well, you don't know how grateful it is to have clean and ironed clothes here.
14:38I've also brought you a lavender soap pill.
14:41Would you like to go somewhere to bathe?
14:43Although I doubt it.
14:45It's fine.
14:47Bathing here, I think, will not be possible.
14:49I'll have to settle for a bucket to be able to clean myself.
14:52I can imagine.
14:54Well, let's hope it's for a short time.
14:56I've also brought you some freshly made cinnamon cookies
15:00that Mrs. Martínez and Mrs. García send you.
15:02They give you a lot of encouragement.
15:06You don't know how much I miss your stews.
15:10I would give it now for a good pumpkin soup.
15:13And good food here.
15:16Calling food to what they serve here is good for you.
15:39Did you bring me a file with that trick?
15:41No, no.
15:43You have to go through the door with your head held high.
15:45Yes, that would be ideal.
15:47But if I tell you the truth,
15:49right now I am satisfied with
15:51going out through any hole,
15:53even if it is a drag.
15:55I'm glad to see that you haven't lost the good humor.
15:57It's no use bittering me.
16:00That is a good philosophy
16:02that I would have to apply
16:04because I have the feeling that all this is my fault.
16:06In the end, the one who is going to end up bitter will be me.
16:09Mr. Baeza, you are not to blame for anything.
16:11No, but I let you get involved in this matter.
16:15I am an adult, Romulo.
16:17Nobody pushed me and I helped because I wanted to.
16:19Yes, but knowing you as I know you,
16:21you shouldn't have allowed me to go so far.
16:23So I wouldn't have gone to that tavern
16:25to look for that bastard Gregorio.
16:28Yes.
16:30In the tavern, I was clumsy.
16:32Yes, no, I'm not very fine.
16:34Neither you nor I.
16:36But me, less.
16:38You should have emphasized that I wasn't there
16:40because it was dangerous.
16:42Mr. Baeza, I remembered it almost every day.
16:44Do you know me?
16:46Yes.
16:48You have a good heart and the will to help others.
16:52I don't know.
16:56What I do know is that now I have ended up
16:58harming myself and my whole family.
17:00How are my parents?
17:02Well, imagine it. Your mother is very upset.
17:04Your father is moving to Rome with Santiago
17:06to get him out of here.
17:08Today he was trying to talk to a minister.
17:10I hope his friends can help me.
17:12Yes, I hope so.
17:14And Hanna?
17:16She's not poor, she's very sad.
17:20When you see her, tell her
17:22that I'm in a good mood.
17:24And that I really want to ...
17:28that I've missed her a lot.
17:30So don't neglect her.
17:32I hope Sergeant Borena stops looking
17:34where there is nothing and releases him.
17:36Knowing him as I know him,
17:38that man is not going to get tired.
17:42But that's something that can benefit me.
17:44Why?
17:46Because that man is so stubborn
17:48that he won't stop until he finds
17:50something to incriminate me with.
17:52And since I'm innocent,
17:54he won't find anything at all.
17:56And if he keeps looking,
17:58in the end he will find a thread to pull
18:00that will lead him to the real culprit.
18:02That's it.
18:04And he will have to set me free at once.
18:12What a rest I've had now
18:14that everyone knows that Doña Pia is alive.
18:17Well, yes, it has been a relief.
18:19Well, yes, because before I was always afraid
18:21that I would be caught in a renunciation
18:23when it came to speaking.
18:25That's true.
18:27And before I had to measure my words a lot.
18:29And you already know that if there is something
18:31that I don't like to measure, it's the words.
18:33True.
18:35And I was also afraid that ...
18:37that someone would cross paths with Doña Pia
18:39and think they had seen a soul.
18:42What a scare, huh?
18:44Yes, yes.
18:47Hanna, are you in what you are?
18:49Well, of course I'm in what I am.
18:51No, because I'm talking to you and you're drunk.
18:55María, if I'm answering everything.
18:57Yes, with a yes, with a no, with a it's not true.
18:59Hanna, please, I know you, huh?
19:01What's wrong with you?
19:04Do you have bad news about your Manuel?
19:06No, it has nothing to do with that.
19:08The Marquis has tried to buy me.
19:11Buy you what?
19:13Buy me what?
19:15Offer me money so that I forget about Manuel
19:17and leave here.
19:19How much?
19:21What else, María?
19:23The gesture is the important thing.
19:25Yes, yes, the gesture and the rooms.
19:27You're right, it's ugly.
19:29It's ugly.
19:31That a piece of furniture is bought,
19:33a piece of cloth is bought, but people are not bought.
19:38Well, honestly, I was expecting the Marquis,
19:40but not the Marquis.
19:42Well, maybe it was your idea.
19:44Because she will be angry
19:46that her son wants to marry a maid.
19:48Yes, I understand that
19:50they don't have to be made any fun.
19:53They wanted another Ximena for their son,
19:56but another one that lasts longer,
19:58because this one lasted very little.
20:00María, for God's sake, don't be stupid.
20:02Well, is it a lie or what?
20:04They want a good family lady
20:07because that's how the world works.
20:10Well, Manuel and I love each other
20:12and we can't help it.
20:14Well, if you have to be together,
20:16I love you because I'm like the screw and its nut.
20:19That's not very romantic,
20:21but I understand you.
20:23What I mean is that I was born to be together.
20:27That's what Manuel says.
20:29He says that now we have to be selfish.
20:31We have to think about ourselves.
20:33Of course.
20:35And who doesn't like it when they whistle at him?
20:37You get married.
20:39Each stick holds its candle.
20:41I don't know if Manuel is going to get out of jail soon.
20:45Well, he will.
20:47Because he hasn't done anything.
20:50I don't trust justice very much.
20:52Neither do I, but they are rich.
20:55And justice works best for the rich.
20:57That's also unfair, María.
20:59Well, the important thing is that he gets out.
21:02In the meantime, you can go
21:04to visit the barracks
21:06and that way it's shorter.
21:09I'm not going.
21:11Why?
21:13Because Manuel doesn't want me to go.
21:16And who told you that?
21:18The Marquis.
21:20Well, let's see if it's going to be the Marquis
21:22who doesn't want you to go.
21:24Because I say that Manuel will be wishing.
21:27Well, you know what? I think you're right.
21:29I'm going to have to find out better about that.
21:36Good night.
21:48Hey, how much did the Marquis want to buy you?
21:51María, for God's sake!
21:53Well, I just want to know the price.
21:55In case they ever want to buy me.
22:02I'm scared.
22:24I'm afraid that the news will arrive in Madrid
22:26and a newspaper will publish
22:28that my son is in prison.
22:30and I'm going to do it.
22:31Catalina says that being innocent, Manuel,
22:34doesn't matter what people think.
22:36But I don't think that.
22:37The less known, the better.
22:39Enough with all those who have found out
22:41because of our requests for help.
22:43Well, let's hope that at least they work.
22:47It's just that an accusation like that about Manuel
22:50is a misunderstanding that we can't afford.
22:55Especially with everything that has happened in this house.
22:58Ximena's death,
22:59the young people in the war in Europe,
23:01the murder of the mayor ...
23:03You don't have to make all our miseries bigger, dear.
23:06Well, forgive me, Cruz, because I didn't want to bother you.
23:08You're getting there.
23:10Well, I think that all these inconveniences
23:11have to be faced with patience and resignation.
23:16How easy it is to talk about patience
23:17when it is not your son who is in jail.
23:20I don't know.
23:21It's just that I put myself in your place and ...
23:23I can't even imagine the suffering.
23:26In addition, people go to gossip like ...
23:28like vultures to the slough.
23:30Well, some do.
23:31But I'm sure that with Manuel,
23:33many of those who are interested
23:35are simply because they value him.
23:37It's just that my cousin is loved by everyone who has met him.
23:40That's true.
23:42Which makes it even more inexplicable
23:44that he is accused of such a crime.
23:50Dear.
23:52Are you coming to talk to the cook of our wedding?
23:55You have no shame.
23:57You have to see the little word that some have.
24:00I have never found anything like it.
24:03But what happened?
24:04A bastard.
24:06A tough guy.
24:07Don't tell me anymore.
24:08I'm sure he asked for more money.
24:10It is very difficult to find serious people in this country.
24:12No, no, no.
24:13Much worse than that.
24:14He gave me back the signal I gave him.
24:16We don't have a cook.
24:17But why?
24:18If he was going to earn some good quarters, right?
24:20Well, because he says he has to go to America
24:22for the rest of the year,
24:23so he can't cook for us, but ...
24:25I think they are pampered.
24:27So why do you think it is?
24:29Well, who knows?
24:31Maybe he's got another job and they pay him better.
24:35Maybe it's because of everything that happened to Manuel.
24:41Yes.
24:42Yes, it must be for that.
24:45After all, he cooks for the best houses in the country.
24:48And such an ugly matter like this ...
24:49Are you insinuating that what happened to Manuel is spreading out there?
24:52I wouldn't be surprised.
24:54Bad news flies.
24:56And the people of the town probably saw him enter the block but not leave.
25:00Well, I'm sure that's why this cook scared you.
25:03Yes, but it's unfair.
25:04We have nothing to do with this matter.
25:06More unfair is that my son is in prison for being innocent.
25:08I don't deny it.
25:10But that I run out of a cook for something like that ...
25:12Do you know what people are like, Ignacio?
25:14They care more about what is said about them than anything else.
25:18Well, dear.
25:19Don't get like that.
25:21These inconveniences, it's best to face them with a lot of patience.
25:25Like you just said, right?
25:30Well, and what are we going to do, Ignacio?
25:32Because now it is very difficult to find a cook who is up to the task.
25:35That very bastard has offered to leave everything in the hands of his assistant.
25:38Well, do you know if he has good references?
25:40I don't care about his references.
25:42I want a first-class cook, not a pinche.
25:45Well, yes, you're right.
25:47For a cloth, we already have the cooks of the promise.
25:50Hey, my kitchen is one of the best of these places, huh?
25:53Well, I don't deny it, Cruz.
25:56This is just the beginning.
25:58You don't see it.
26:00Now, maybe, some guest will back down.
26:02But they will still talk to each other and no one will come.
26:05This can only get worse, much worse.
26:07How different it is when you are the one who is bitten, right?
26:11How different it is when you are the one who is bitten, right?
26:15I don't want your scandals to affect our wedding.
26:31Do you have a second?
26:33For what?
26:34Have you already spoken to the man who left you in the state?
26:37You don't have to be so direct.
26:39Have you spoken to him, yes or no?
26:41Because I have heard that he has left the farm overnight.
26:43That's right, and that's precisely why I haven't been able to talk to him.
26:48Are you sure that man didn't know what he had done?
26:51Of course I am.
26:52The only one who could tell him is me and I haven't done it.
26:54Well, it seems to me that he has found out in some way and that's why he has left.
26:58Are you sure Tadeo hasn't told him anything?
27:00No, Tadeo doesn't know, period.
27:04And how are you going to make Adriano find out?
27:07I'm not going to talk to him.
27:09And I'm not going to go crazy looking for him either.
27:11Catalina, he's going to be a father.
27:13I said no.
27:14You have to tell him.
27:15We weren't dating.
27:16And we didn't have a serious relationship either.
27:18For God's sake, you're expecting your own child.
27:20But that was unexpected.
27:22For me he's a stranger and I'm not going to raise a child with a stranger.
27:25That man has the right to know that he's going to be a father and you have the obligation to tell him.
27:29No.
27:30My only obligation is to raise that child as best I can.
27:33Alone?
27:34Aren't you going to give a father to that poor child?
27:37I already told you, Pelayo.
27:38I want to give him a father but I don't want it to be him.
27:46Look, this is not easy.
27:47I've already made a decision.
27:49Now it's your turn to make it.
27:52I already told you that it is not a decision that can be made overnight.
27:55And I asked you not to take it too long because otherwise I will have no choice but to get it through on my own.
28:02You would be a bitch.
28:04I already know that.
28:06But I prefer that to having to marry a man I barely know.
28:09Catalina, that's insensitivity.
28:11What would be insensitivity would be to give my life to a man I don't love.
28:15Pelayo, now it's your turn to make the decision.
28:20And it will be better if you take it soon.
28:31I love you.
28:42Don Manuel.
28:45Mrs. Pia.
28:48I'm so glad to see you.
28:50I'm also very glad to see you.
28:52I had to solve an issue with Sergeant Burdina and I asked for permission to visit you for a moment.
28:59Don't tell me you also have problems with justice.
29:02Well, let's say less serious than his.
29:05He made me sign a sworn statement explaining the reasons why I pretended to be dead.
29:12Of course.
29:15Knowing how scrupulous that man is, it is strange that he has not made you sign a document in which he witnesses that you are alive.
29:21Of course he is capable.
29:22You don't know how sharp he is.
29:24Believe me, I do.
29:26He made me detail the days I was in the cave, how my life was there, the visits I had, everything.
29:32Questions for an hour.
29:34An hour?
29:36Mrs. Pia, if I told you ...
29:39Well, in any case, I wanted to thank you for what you have done for me, for everything, Don Manuel.
29:47You don't deserve it.
29:49What I feel is that now you are in this situation.
29:56Mrs. Pia, you are actually very wrong.
30:00Wrong in what?
30:02The world is a better place without that bastard.
30:05But I have nothing to do with his death.
30:08So you don't have to feel bad for me because I'm not in this jail for you.
30:12I'm locked up here for a series of, let's say, misunderstandings that will soon be resolved.
30:19Misunderstandings that will soon be resolved?
30:24The truth is that it relieves me to know.
30:27Although I am also sorry that you are here for an injustice.
30:34Don't worry.
30:35I am convinced that sooner or later you will find out the truth.
30:39And with the murderer.
30:41I'm sure I will.
30:43Well, and now I'm leaving because I promised Sergeant Burdina that I would be a few minutes and it's already late.
30:50Yes, of course.
30:52Mrs. Azar ...
30:56What if Diana can tell you that she has missed you?
31:01Sure.
31:03It will be very hard for you to be away from her.
31:07Yes.
31:09And more knowing that at this point we should be married.
31:12I've heard something like that.
31:13But I'm sure it will come out soon and you can get married right away, you'll see.
31:17I assure you that it is the first thing I will do as soon as I get out of here.
31:20Say what my parents say.
31:22Well, as long as they only say and don't do anything.
31:29I also fear that my mother will retaliate against her.
31:33But you know something?
31:35No matter how many stones they put in our path, they will not be able to separate us.
31:39I am very happy to see you so excited, Mr. Manuel.
31:41I have a woman who loves me and I love her madly.
31:46And I think love is the most powerful weapon that exists.
32:12A YEAR LATER
32:26What are you up to?
32:28You seem very thoughtful.
32:31I've been half asleep and ...
32:34and I've tried to clear myself with the piano, but without success.
32:38A YEAR LATER
32:40And that little smile you have ...
32:42Did something funny happen that you should tell me?
32:46Do you think that if someone is happy about other people's misfortunes, they become a bad person?
32:53It depends on who is suffering more.
32:56What about Count Ayala?
32:58He has run out of money for the wedding banquet and you don't know how he is.
33:04You are a bit malicious.
33:05But why are you so happy?
33:08I know that the count is not a saint of your devotion, but in the end he is going to marry your mother.
33:13Yes, and I want my mother to be happy and I understand perfectly well that she does not want to remain a widow forever.
33:19So?
33:22Well, I've never trusted that man's intentions, to be honest.
33:27But apparently your mother does trust him and you can't do much against that.
33:32I think ...
33:34that my mother was so sad about my father's death that ...
33:38that she didn't see him coming at the time and now it's too late.
33:42And you couldn't do anything to open his eyes before?
33:45No. And look, I tried a thousand ways.
33:49What did you do?
33:52Right now I don't feel like talking about that topic, but I assure you that I did everything I could. Everything.
33:56Well, I don't blame you anymore. You know that whoever does what he can is not forced to do more.
34:01Well, yes, let's think about that.
34:04Besides, your mother is a sensible woman.
34:06If she is going to marry that man, it is because she thinks he will make her happy.
34:09And I hope so.
34:13My mother, lately weddings have taken us by surprise in this palace.
34:17For me, my mother's wedding with Count Ayala and for my uncles, Manuel's wedding with Hanna.
34:22Do you think she will marry that maid?
34:26If my cousin has gotten between the eyebrows, I assure you that yes.
34:30I see.
34:32And what do you think of her? Have you treated her a lot?
34:37Well, what can be treated to a maid, but she is a good girl.
34:42And to trust?
34:44I would say yes.
34:46I see.
34:47I would say yes.
34:49I see.
34:51And does she get along with everyone in La Promesa? With Catalina, with Curro ...?
34:57As far as I know, yes.
35:00Well, looking at Petra, but she is a very difficult woman to deal with.
35:04She has dressed her like that.
35:06Although it is true that right now my uncles will not be able to see Hanna.
35:11Look, I never swallow my aunt.
35:14And that?
35:16Because my aunt is like that. When someone goes through her, there is nothing to do.
35:20And Hanna went through her from the first moment.
35:23She said she was shameless.
35:27And she gets along with Curro.
35:30If you have asked me.
35:32Oh yeah?
35:34Sorry, I'm still half asleep. I think I need a coffee.
35:38But answering your question, I think Curro gets along better than well.
35:42Because, well, he was injured in an accident during a hunt.
35:48And she donated her blood to save him.
35:51Wow.
35:53And she even helped the doctor during the operation.
35:55So you can say that she almost owes him her life.
35:59Sure.
36:01Well, then it is understandable that they get along so well.
36:06Come on, let's go for that coffee.
36:10Because I don't notice you very well.
36:13And that's what you're going to do, Catalina. Don't tell your son's father anything.
36:19I guess you understand my temper.
36:22I'll take care of it, sir.
36:25What would you do in my place?
36:28Well, I don't dare to advise you on such a delicate matter, sir.
36:31I don't think it's the right person.
36:33But I'm interested in knowing your opinion.
36:36All right, then.
36:38If I had to tell you something, well ...
36:41Let him decide what he decides.
36:43Let him think it over.
36:45It is a step that will mark the rest of his life, sir.
36:48I am aware of it.
36:50Becoming the father of someone else's son is not easy.
36:55No, at least not for me.
36:57No, not for anyone.
36:59Think that when you look at that child, you will not see his features in him.
37:02And that will remind you that he is the son of another.
37:05I don't know, I don't know.
37:07And paternity itself is complicated.
37:10I tell you from experience.
37:12Do you have problems with your son Santos?
37:15Well, we could get along better.
37:18That does not mean that I am not willing to do anything for him.
37:23Well, I guess like all parents.
37:26Well, look at the madness that Mrs. Adarre has committed.
37:31Go on, go on.
37:33No, I was not going to say anything of interest, sir.
37:36Don Ricardo, if you think that I am not aware of Mrs. Adarre's bullshit, you are wrong.
37:41You already know.
37:43News like that runs like the dust.
37:46I suppose you will be happy on the ground floor, right?
37:49Yes, of course.
37:51And you are not happy?
37:53Of course.
37:55I would have liked Mrs. Adarre to have been aware of what was happening.
38:02You look hurt.
38:03Because I am, sir.
38:06Well, Don Ricardo, think that something like this should be known to a few people or it would not be feasible.
38:11I know, I know, sir.
38:13But I think I deserved to be one of those few people who were aware
38:17and have saved myself suffering everything I have suffered thinking that I had died.
38:20Did you have a lot of friendship with Mrs. Adarre?
38:26Let's say it was more than friendship.
38:29Did you like her?
38:32I was not aware.
38:34Well, all this happened when you had already left.
38:37And it's not that we got very far.
38:41But I thought it was special.
38:43Although after discovering what Mrs. Adarre had done and that she had left me aside, well ...
38:51Well, I think I was wrong.
38:54I understand you perfectly.
38:55Not always in couples what they feel about each other is balanced.
38:59I feel ... betrayed, sir.
39:04We are already two, Don Ricardo.
39:06We are already two.
39:15Ah, Miss Expósito.
39:18Have you seen Mr. Pellicerijo?
39:21I'm looking for him to send him to a reception.
39:23I'm looking for him to send him to a reception.
39:26No, no, sir.
39:28I'll go to the woodshed to see if he's there.
39:31Has something happened?
39:33No, no, but hey.
39:35I want to take the opportunity to give you a message.
39:39A message? From whom?
39:42From Mr. Manuel.
39:44Have you visited Mr. Pellicerijo?
39:47Yes, I have gone and I have seen him.
39:49And he has asked me to tell you that he misses you very much.
39:54And how did he find him?
39:57Well, in a good mood, given the circumstances.
40:01You are a strong man, it will be very difficult for him to doubt you.
40:05I wish I had his temper.
40:07I think you have it, miss.
40:09Well, not lately.
40:12Has something happened?
40:15You know you can trust my discretion.
40:18It's ...
40:20It's the Marquis.
40:23I would never have imagined that he was going to take it so badly that his son would want to marry me.
40:28That's because he doesn't know the world of gentlemen.
40:31In that world they are dedicated to looking for good marriages for their children,
40:35to get alliances and to secure their lodgings.
40:39And I have squandered all his plans.
40:41That's it.
40:43I have been an illusion.
40:46You know that Mr. Marquis has tried to buy me and offer me money so that I leave here and forget about Mom.
40:52And besides, he has tried to lie to me about one thing.
40:54In what?
40:56He told me that Manuel does not want to see me.
40:58And I think he told me to separate from him.
41:00I think that in this case you are wrong, Miss Espósito.
41:03The Marquis has told you the truth.
41:05Why would Manuel not want to see me?
41:07I insisted on letting him go visit him.
41:11But you know how proud he is.
41:14He didn't want to be seen in that circumstance.
41:17But if I just want to be with him, that's it.
41:19Soon they will be together.
41:21Your Manuel is innocent and this cannot last long.
41:25God willing.
41:27And hopefully soon they will find that man who murdered him.
41:30They will, won't they, Mr. Hueso?
41:33It is possible.
41:35More than possible.
41:38I think it is certain.
41:50So we are left without a cook.
41:53You see how little seriousness people spend.
41:56Look, girl, it's a problem, but compared to everything that's going on at La Parmesa,
42:00I think it's a minority.
42:02Amen, cousin.
42:04Well, I know it's not serious, but we can't spend the day talking about Manuel.
42:07Or his wedding.
42:09You're the only one interested.
42:11Well, and the Count of Ayala.
42:13Daughter, don't be insolent, please.
42:15No, I'm honest.
42:16A little cursed.
42:18Because everything that can go wrong goes wrong.
42:20Martina, don't be silly.
42:22I'm serious.
42:24I think it's a sign that the universe is sending him to think about it better.
42:26Turns out you believe in superstitions.
42:28Well, call it whatever you want, but I would give more thought to that wedding of his.
42:33No, don't go back with that Martingala.
42:35Are you listening, Catalina?
42:37Well, it's just that ...
42:39What?
42:41Do you think the same as your cousin?
42:42Not exactly, but seeing how the Count got when he found out he wasn't going to have a cook,
42:46well ...
42:48I remembered a story by Doña Emilia Pardo Bazán.
42:51Well, what does that story have to do with me?
42:54I'll summarize it for you.
42:56It's about a good family girlfriend who, on the wedding day, says no to her boyfriend.
43:02Well, I like how it starts, hey?
43:04Well, daughter, shut up.
43:06Let's see how that story continues.
43:08Well, it's a good scandal.
43:09Because no one knows why she refused to marry.
43:12More than anything, because she did not give explanations at the time.
43:15But she would end up giving them at some point, I say.
43:18Yes, at the end of her life she confessed that, before the wedding,
43:21she had been told that her boyfriend was a choleric man.
43:23But she had never seen him angry.
43:25So she thought they were infidels.
43:27And ... wasn't he?
43:29The point is that on the day of the wedding,
43:31she put on the wedding dress he had given her,
43:34got hooked and tore part of the lace.
43:36And he didn't take it well.
43:38He became a basilisk.
43:40Then she was able to prove that everything they had told her about him was true.
43:44And she refused to marry him.
43:46Are you comparing me to Ayala's anger
43:48for having lost the cook with this?
43:50Well, yes, aunt.
43:52In addition, in the comparison, the count gets lost because
43:55a dress on the day of the wedding cannot be fixed.
43:58But from here to you getting married, you find another cook.
44:02Very well said.
44:03Think about it for a moment.
44:05If she gets like this because of that animosity,
44:07what will she do when the real evil comes?
44:33What is it?
44:56What is this?
45:03I don't know.
45:18They are going to find out.
45:30Hello, Maria.
45:31Hello.
45:33I'm going to rest for a while.
45:36You know,
45:38this morning I read a joke in the newspaper yesterday, I'll tell you.
45:41Well, if you are excited.
45:43Well, look, there was a couple talking
45:46and the woman said to her husband,
45:48my mother, what a strong character my sister has,
45:51she just likes to argue.
45:53To which the husband replies,
45:55well, if she likes to argue so much, why doesn't she get married?
45:57No, it's funny.
46:01It's not bad.
46:03It doesn't seem like it because she hasn't laughed at you.
46:06I don't know, it's just that
46:09I'm not in the mood.
46:11And that? Did Mrs. Hercos throw any dust on you?
46:14No.
46:16It's just that today is one of those days
46:18in which I had stayed with my boyfriend Salvador,
46:20to see each other,
46:22and in the end nothing, nothing.
46:24And why did you meet?
46:26Well, because it happened to me to sign,
46:28and he too,
46:29and on the other hand I swept the house.
46:31And it's been a long time since you've seen him?
46:33Too long.
46:35Last week we were also going to see each other
46:37and it couldn't be either.
46:39And that?
46:41Well, because he only had a free time
46:43and I didn't have a good time either
46:45and we let him be.
46:47And I don't know if it was out of laziness or laziness,
46:50but the point is that we don't see each other.
46:53Well, what you have to do is
46:56set a date and respect it.
46:57Yes, of course.
46:59If María Mandrajo respected the shifts
47:01and didn't show up from one day to another
47:03with a new task,
47:05then yes.
47:07Well, I'm sure that next Sunday
47:09you will be able to meet.
47:11I hope so.
47:13If he doesn't have a dinner, or a meal,
47:15or a trip.
47:19This is done.
47:21I'm going to see what they send me now.
47:24Wait!
47:28I wanted to thank you.
47:30Why?
47:32Well, I know that Teresa has told you about ...
47:36You know.
47:38Yes, I know.
47:40Well, that's what I wanted to thank you for.
47:43That you haven't said anything and that you're so discreet.
47:46Of course I haven't said anything.
47:48I'm not going to say it.
47:50She's not naturally quiet, but she knows how to keep a secret.
47:52Teresa already told me that she could trust you.
47:54Teresa is a very good friend of mine.
47:55And I deserve whatever I do for my friends.
47:58I'm glad to see that Teresa has good friends.
48:01She deserves it.
48:03She's a gem.
48:05Yes, I know that perfectly well.
48:14Do you rich people think you can buy everything with money?
48:18But how dare you go into my room so shamelessly?
48:22I've come to return your rooms.
48:25Not everything is for sale, Marquesa.
48:28Of course I'm not.
48:34Good morning, Mrs. Arcos.
48:36What a surprise.
48:38I thought I would never see you again.
48:40Well, I'm very sorry to have disappointed you.
48:43I don't understand why you had to come to brighten up the whole service.
48:46And you shouldn't have been welcome to the promenade.
48:48Even if it was only because between her and Mr. Baeza we were all deceived.
48:52Have you seen her the same as me?
48:53It took Vera a long time to make the Duchess of Carril fall from a donkey.
48:57I don't know about that.
48:59But I recognize that there is something strange about Vera.
49:01It's as if she had an eye for the Duchess of Carril.
49:04I'm going to get it.
49:06I'm going to get Manuel out of that dungeon.
49:08And I'm going to find a way for Hanna to leave the promenade.
49:10At the rate you're going, you just need to send the mercenary to scare him.
49:13Don't be ridiculous.
49:15Ridiculous? But you just showed him the letters we have.
49:18I need you to talk to Miss Julia and make things clear.
49:20Now they can't find out that we are brothers.
49:23Yes, I know.
49:25Right now, with Manuel detained, it's not good for us to open new fronts.
49:28In this palace, a network of lies has been woven around Mrs. Darre.
49:32Don't be silly. It has nothing to do with you.
49:35Why do you say that?
49:37It is evident that you were the one who brought here the undesirable Gregorio.
49:42Do you know what I'm telling you?
49:44That boy should kiss the ground you step on, okay?
49:47Maybe we are.
49:49Things have happened that you don't know about.
49:54I have made a very serious mistake.
49:57I say, why do you always have to get involved in everything around you?
50:00You told your son that his mother ...
50:02I know exactly what I told my son.
50:05Why do you have to get involved in a matter that neither goes nor comes to you?
50:09What do you need from me this time?
50:11Well, you'll see, Mr. Luján, there are a couple of issues that attract my attention.
50:19You, look ...
50:21How can I be serious?
50:23Look, I was with Manuel on the front.
50:26And I know what he is capable of. And I would never do something like that.
50:28Unless he has no other choice.
50:31And it would have been logical for him to have done it.
50:33I shouldn't have allowed you to get so involved in this matter.
50:36No, not this matter, Mr. Baeza. My matter.
50:39My life and my son's were in danger.
50:41I hope you're lucky, Mr. Manuel.
50:43Let's trust justice, although sometimes it doesn't give reasons for it.
50:47Are you insinuating something?
50:49I am stating that they have been carrying out management at the highest level.
50:53And I don't want them to get in the way.
50:56What do you mean exactly by that?
50:58No matter what they do,
51:00your son Manuel may spend a long time in jail.