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00:00A FEW HOURS EARLIER
00:09Inés, if you don't see it, I'm not doing it.
00:11I wasn't going to accept it at first.
00:13And when I saw you weren't excited, I was less excited.
00:14But...
00:16The producer has become very annoying.
00:17But I didn't have a choice.
00:18I promise you, Inés.
00:20Really, I was even going to fire Ballesteros.
00:22But I can't do this.
00:23I can't delay the shooting any longer.
00:25We have to reschedule it as soon as possible
00:28to stop the losses.
00:29Yes, the truth is that the production
00:31is going through a terrible moment
00:33and we have to do whatever it takes to save it.
00:35And I promise you that if Ballesteros were any other way...
00:37Yes, I know him.
00:39And if he has insisted that Laurita be the actress,
00:40there is no way to get rid of him.
00:43So, you think it's a good idea?
00:45Of course I think it's a good idea.
00:47Laurita, I just wanted to protect you.
00:50Because Ballesteros is not the kindest director in the world
00:52and a shoot is very hard.
00:54Yes, I'm very clear about that.
00:56And even so, do you want to accept the role?
00:59Yes.
01:02It's a very nice gesture on your part.
01:04I really appreciate your understanding, Inés.
01:07I was afraid you would have another kind of reaction.
01:09Look, I just want the film to go ahead.
01:13And having you by my side surely makes the experience
01:15much more pleasant.
01:16I just hope not to hinder the work of the rest of the team.
01:20No, you won't.
01:22I will always be by your side, I will help you
01:24and I will make sure you feel comfortable.
01:27I appreciate it.
01:28And I hope I'm not wrong in making this decision.
01:31No, don't say that.
01:33When do you sign the contract?
01:35Well, it's waiting for me to give the order,
01:38they will write it down and give it to you.
01:40Very good.
01:41Well, before signing it, I want you to make sure
01:43that you are allowed to leave if you are not comfortable.
01:46Can I do that?
01:48Of course you can do it, you are the actress.
01:50Come on, let's see.
01:51We are going to put ourselves now in the option
01:53that someone can leave us stranded in the middle of the shoot.
01:56In any case, I will try to make that option clear
01:59within the contract.
02:00Well, let's trust that there will be no problem.
02:03Well, I already have a problem.
02:08Where do I get an assistant as good as you?
02:11Don't say nonsense, if I have a very small role,
02:14I'm sure I can combine both things.
02:17Well, then, is everything okay?
02:21Everything is fine.
02:24I really want to start working with you, little sister.
02:41So, have you seen him normal?
02:43They say that the procession goes inside,
02:45but undergoing such an operation must affect one a lot.
02:49Manolo.
02:51Really, poor Pietro.
02:53This is a disgrace.
02:54And Antonia, the woman who does not win for disgust.
02:57And that you say it.
02:58And how strong is that woman.
03:00She must be having as bad as Pietro,
03:02but she is working like the most.
03:05Wow.
03:06I am very happy to see you here, both hand in hand.
03:10I want you to do a task.
03:12To go over all the taps we have in the living room.
03:15But cleaning is a matter of hope.
03:17No, I mean to make sure that none of the taps drip
03:22or give any failure or anything like that.
03:24I don't want the same thing to happen to us as Miss Pedraza.
03:27Well, if you stay calmer, I'll do it.
03:31The only thing is that I don't know much about plumbing.
03:33I know something. Take care of them.
03:35At least enough to know if there is a problem in the pipes.
03:38Better let him be.
03:40Call a maintenance worker.
03:43God forbid that the living room is flooded.
03:45Ale, to work.
03:53But have you noticed the junk he carries?
03:55What junk?
03:56The rings, the earrings, the jewels.
03:59Come on, don't tell me you haven't seen them
04:01because they catch your eye.
04:02No, no, no.
04:03He has made a lot of effort to draw attention to them.
04:06Although if that is cheap jewellery,
04:08I am very afraid that I will never be able to give you a posthumous jewel.
04:11No, man, no.
04:12I was saying it in an ironic way.
04:14Yes, precisely the opposite.
04:15Those jewels must have cost a lot of money.
04:18I thought so.
04:19Well, yesterday I heard her talking to Don Fermín
04:22and she told him that she was going to go through the jewellery.
04:24And well, she has gone through.
04:26What scares me about this, Cañete,
04:29is that he now starts to squander Don Fermín's fortune
04:33and that he doesn't realize it
04:34and the day he least expects,
04:35he doesn't have money to even open the living room.
04:37Ma'am, please.
04:38Stop making exaggerated conclusions.
04:40One thing is that you have the woman in your throat
04:42and another very different thing is that you screw her up.
04:45What happens?
04:46Don't you think I have reasons to think this way?
04:48Well, no.
04:49Ma'am, the only thing he has done
04:50has been to allow himself a whim, now that he can.
04:53Something that you and I would do if we were in his place.
04:56I see.
04:57Well, maybe I'm taking things too far.
05:01What I would like is for that head of yours to stop going around
05:03and thinking so much about what I do
05:05that I stop being the manager.
05:09I see, I see.
05:10Well, from now on, I'll do my own thing.
05:13Just my own thing, because I have a lot of things to think about.
05:16Really? Something important?
05:17Yes, very important.
05:19Tonight I want to go for a walk with a gentleman
05:22and I have to think about how I can propose to him.
05:25I'm sure he'll accept.
05:27If you ask him, it's as you ask him.
05:28Yes.
05:34No.
05:44If you arrive a little earlier, it's your turn.
05:46To open the gallery.
05:48I think you should have a coffee.
05:50And I know a place where the product and the attention are exquisite.
05:53And I have no doubt, Fermin, but...
05:56Unfortunately, I will have to decline your offer.
06:00I am from work up to the top.
06:01Well.
06:02Problems with the business?
06:04No, no. Problems, no. Problems, no. Everything is in order.
06:07What happens is that I have accumulated the invoices and you receive them to review.
06:11I'm glad it's the reason for your seriousness and not my indiscretion of yesterday.
06:17What do you say?
06:18No, man, no. You don't have to have so many looks at me.
06:22I have no problem talking to you about my marriage.
06:25You take a weight off my shoulders.
06:27You put the weight on your shoulders.
06:29But if I have already told you that you are one of the only...
06:31Well, no. The only friend with whom I would dare to talk about certain things.
06:35Like, for example, the particularities of my marriage.
06:38I say the same thing, Emiliano.
06:39You know that our friendship is the most important thing for me.
06:42I don't want it to be tainted by any misunderstanding between us.
06:46You can be calm about that.
06:48Well, then.
06:49Case closed.
06:54Good morning, Ivan.
06:55Good morning.
06:56Do you want to have an afternoon snack at La Moderna?
06:58I haven't seen you since you came back.
07:00Yes, I'll look for a while.
07:02Of course.
07:08What a surprise, you up at this time.
07:11You didn't go out last night?
07:13A little.
07:14But that didn't stop me from waking up early.
07:17I've been thinking about the conversation we had the other day.
07:20About working at the factory.
07:22And I don't think it's the most convenient thing.
07:25So I'm willing to prove to you that I'm also capable of running my own business.
07:30Your own business, wow.
07:32Well, sit down.
07:37What are you thinking about?
07:40Something innovative and groundbreaking.
07:43Something like synthetic fiber.
07:45Something new.
07:46In which sector?
07:48Well, the truth is that I haven't decided yet.
07:51There are several that catch my attention.
07:53But for now, I can assure you that I will do my best to make it work.
07:57Okay.
07:58Well, we'll talk about it as you have something more concrete to tell me.
08:03What do you think, right?
08:07I've seen that Paula's store is closed.
08:09I imagine that the flood will have been a great setback for her.
08:14No, quite the opposite.
08:16Precisely yesterday, she sold all her stock.
08:19She had no choice but to travel to Alcázar de San Juan to buy more merchandise.
08:25I see.
08:26First, the store was flooded and now she's out of stock.
08:29It seems like it's not an easy start.
08:32Starts, Ivan, are never easy.
08:35But Paula has proven to have tenacity.
08:38Tenacity and ability to overcome the obstacles that have come her way.
08:42You see?
08:44That's what running a business is all about.
08:47I see that you have a lot to teach me about how to run a business.
08:52Hey, what do you think if we spend the morning talking about the different ideas I have for the business?
08:57Ivan.
08:59When you have a concrete idea.
09:02Now I don't have time for digressions.
09:05And now, if you'll excuse me, I have an urgent call.
09:12Okay, I won't bother you anymore.
09:17Bye.
09:31Hello.
09:32Man, Miguel, I wasn't expecting you so soon.
09:35A coffee, a chamomile, a tila?
09:38What I want is for Leonora to leave.
09:40When, Cañete?
09:42It hasn't been so bad since you've been living with us.
09:45Thank you for the favor.
09:47No, no, no, I say it as a compliment.
09:49It's much better to live with you than to live with my mother-in-law.
09:51You had your way, we won't deny it, but at least you weren't a sergeant.
09:55Maybe at first I was careless. I'm very sorry.
09:58Yes, and then you went to the other extreme with the chores at home.
10:01But that was bearable.
10:03It's just that Leonora gets me out of bed.
10:05I can't even have my slippers at the front door, as I've always done.
10:08Man, Miguel, that woman has to have something good.
10:11She's helping you with the kid, you can't deny it.
10:14At least you have someone to talk to at night, not like me.
10:17Talk? If Leonora questions everything I say, and shamelessly.
10:21Don't you know how scared I am of opening my mouth at home?
10:24You'll be less scared.
10:25No, no, Francisco, no.
10:26I say A, she says B.
10:28I say C, and I say B, and she says C, D, E, F, G, H, I, J, K.
10:32With how much I wanted to be a father and how little I've been enjoying Leon
10:36since the earthquake my mother-in-law caused at home.
10:40That can't be, my friend.
10:41You have the right to enjoy your family.
10:43Yes, of course, but Leonora prowling around the house from top to bottom,
10:46that's a chimera.
10:49Was someone talking about my mother?
10:52Well, we were just talking about how good of a couple she makes with Elias.
10:55How happy she was the other day after the walk.
10:58Can you imagine them ending up together?
10:59No, no, no, no, no, please, I'm not kidding.
11:02I don't want a boyfriend for my mother, much less for Elias.
11:04But it's true that you should think about how to deal with my mother.
11:09Who, me?
11:10Yes, of course, you.
11:11I don't know, I get the feeling that you don't want to try to, I don't know,
11:15make things up with my mother.
11:17It's not a feeling, my love.
11:18Love, if you want things to start changing and getting better at home,
11:22I don't know, you have to come up with something.
11:24Like, I don't know, you can take her out for an ice cream, I don't know, something.
11:28Or you can take her to the Retiro boats.
11:30Look, this is a good idea.
11:31Of course it is.
11:32If the important thing is that you spend time together,
11:35so that you realize that she is a wonderful woman,
11:38wonderful, exceptional, fantastic.
11:45Do you see how I'm the last monkey in this family?
11:48Now I also have to come up with something to entertain my mother-in-law.
11:51Come on, Miguel, you're going to need it.
11:54And the coffee?
11:55Sorry.
12:09Son, what a joy to see you.
12:12Where have you been so early?
12:14To waste time with my father.
12:16What happened?
12:18The usual.
12:19I went to his office to talk to him about a business I want to start
12:23and he fired me, as usual.
12:26You know how your father is.
12:28So much that I know.
12:30It doesn't matter how much he tries, he never takes me seriously.
12:33He's not even capable of dedicating a minute of his precious time to me.
12:36That's not it either, Ivan.
12:38Your father is the first one who wants to see you sit your head down
12:41and in front of a business.
12:43Well, he hides it very well.
12:46Let's see, tell me.
12:51Are you clear on what business you want to embark on?
12:55Well, I have several ideas.
12:58But I need to mature them.
13:00And above all, I would like to know that I have my father's confidence
13:04to be able to tell them and to give me his opinion about it.
13:07And if you start by telling your mother to vary?
13:11Well, I knew you had business knowledge.
13:15After so many years in front of my foundation,
13:18I've learned something, huh?
13:22What are you telling me?
13:24Thanks for underestimating me, son.
13:26Let's see.
13:28I don't want to advise you on your business,
13:30but I've learned enough
13:32to distinguish between a good business idea
13:36and another doomed to failure.
13:39Ivan,
13:41I trust you.
13:44And your father does it too.
13:46In his own way, I know.
13:48But he does it.
13:50I would like to believe you, Mom.
13:52But it's very hard for me.
13:54I know you have me for the black sheep of the family
13:56and that no one has hopes with me.
13:58No, it's not like that, Ivan.
14:00Of course you do.
14:01You've shown it to me many times.
14:03You always put me behind Paula, or me being the oldest.
14:06You even have the maid's son in more consideration than me.
14:10You give Rodrigo an importance that he doesn't have.
14:12He will never be more important to us than you.
14:15Get out of here.
14:17He will never be more important to us than you.
14:19Maybe not to you,
14:21but Dad pays much more attention to him than to me.
14:23But because he...
14:24Mom, you don't have to lie to me.
14:26We both know that if we were both drowning,
14:29my dear father would save Rodrigo first.
14:31For God's sake, Ivan!
14:33Don't say that.
14:36You are his son.
14:38His blood.
14:40And no one can compete with that.
14:44What's the point of being his son
14:47if I can't get any support?
14:51When the time comes, you will.
14:54In the meantime,
14:56I will help you as much as I can
14:58so that you can carry your ideas to a good port.
15:01If you want to, of course.
15:08A mother's word.
15:13Thank you, Mom.
15:15I know you're the only one who trusts me.
15:18I won't let you down.
15:22Wait, don't go.
15:26Maruja Pedraza speaking.
15:28Who is this?
15:30Good morning, Mrs. Pedraza.
15:32Cesar Morel speaking.
15:34Good morning.
15:36Although I must confess that it was the last call I expected today.
15:39What a contradiction.
15:41I hope that doesn't mean you're going to back out
15:43about organizing the Venice Gala at my place.
15:46I'm sorry. No, I had forgotten.
15:49It's nothing but forgiveness.
15:51Be careful. I imagine you'll have a lot to think about.
15:55Well, you don't know how much work it takes
15:58to organize an event like this.
16:01I already told you I agree with the budget.
16:03And as for the date,
16:05I haven't decided yet.
16:07I didn't call you to rush you on this matter.
16:11Oh.
16:12Well, I can't think of any other issues we could discuss.
16:16Mom.
16:18Well, I know who I'm talking to.
16:20We have a conversation in the middle
16:22and I was hoping we could continue with it where we left off.
16:29Mrs. Pedraza, are you still there?
16:31Yes. Yes, I'm sorry.
16:33So, what do you say?
16:35I'm a little worried, but I'm free for dinner.
16:39I can't, Mr. Morel.
16:42It wouldn't be appropriate
16:44to let myself be seen alone with a man in a restaurant.
16:47Besides, I'm a married woman and you know that.
16:51At least you haven't said no.
16:55Trust me, I beg you.
16:57There won't be any problem.
16:59It's a business dinner to close the details of the Venice Gala.
17:02Being the owner of the place where you'll organize it,
17:05I'd like to have everything in order.
17:08When?
17:10Tonight.
17:11If you don't mind, we'll meet at the Madrid Cabaret at eight.
17:14At the Madrid Cabaret?
17:16It's a place my son frequents, as you know.
17:19I don't know if...
17:20If he prefers another place?
17:25Okay.
17:27I'll be there.
17:31And I'll be waiting for you here.
17:34See you tonight.
17:35See you tonight.
17:49Good morning, Pietro.
17:50I was told you wanted to see me.
17:52Cañeta and Elías are at the tables.
17:54They'll be here as soon as they can.
17:57Okay, thank you.
18:00Hey, are you okay? You don't look well.
18:03I don't want to lie to you.
18:05I feel fine.
18:08Let me see.
18:11This is the sugar and cinnamon order.
18:14Well, the only thing missing here are the quantities.
18:16But don't worry.
18:18That's why you're in charge.
18:22What a mess.
18:24I think I'm much worse than the doctors think.
18:27So am I.
18:29But don't be sad, man.
18:31These suspicions you have are normal with your diagnosis.
18:35When they operate on you, you'll see that they disappear.
18:37Yes, maybe forever.
18:39We have to consider the possibility that he won't get out of this operation.
18:43Don't say that.
18:45Pietro, everything will be fine.
18:49I hope so too.
18:52But I'd be irresponsible if I didn't take action
18:55in the face of the possibility that he won't survive.
18:58But what do you mean?
19:00That's what I want to talk to you and Elias and Cañet.
19:06We have a doctor here.
19:08For what I need and when I need it.
19:10Thank you, Elias.
19:11I want to ask the three of you a favor.
19:13Whatever you want, Pietro.
19:15Count on us.
19:17Mrs. Teresa, please.
19:20If you can be so kind.
19:24Here.
19:26And write down what I'm going to tell you.
19:30Of course.
19:34Now.
19:36Let's see.
19:38I, Pietro Faziello,
19:45in full use of my mental faculties,
19:54with Teresa Soler as a writer
20:01and Francisco Cañete
20:05and Elias Tejada
20:09as witnesses,
20:16I present my last wills.
20:21What are you saying?
20:23Please.
20:25I need you.
20:27It's very important to me. Please.
20:29I need your help.
20:31I'm asking you, please.
20:33Really.
20:34I need you as witnesses.
20:36Pietro, are you sure about this?
20:38Absolutely.
20:40Antonia doesn't want to talk about it.
20:44I'm asking you, please, Mrs. Teresa.
20:51Look, Pietro, if you want me to write it, I'll do it.
20:55But believe me, you won't have to.
20:57You're going to get out of the hospital.
20:59And on your own terms.
21:01In a few months, this will be nothing more than an anecdote.
21:04Whatever you say, Cañete.
21:06I promise I'll make it up to you for the bad time.
21:10Well,
21:12if you say so.
21:14We'll listen to you, Pietro.
21:22First of all,
21:24I leave
21:26my house
21:29to my wife,
21:31Antonia Iñonjosa,
21:33in your name.
21:38First of all, you can choose between a pot of vegetables or gazpacho.
21:42Secondly, we'll serve chicken with mushrooms and leek.
21:46Is that all you're going to tell me?
21:49If I prefer something else, I can talk to the cook,
21:52but I don't think it would be funny to have to improvise with the menu.
21:55Come on, Pepita.
21:56I can't stand you talking to me from that distance.
21:59It's what belongs to the maid about her husband.
22:01I only fulfill my duty.
22:03And it would be very good if our relationship were that of a man with his maid.
22:07But it's not the case.
22:09So come on.
22:10You're telling me what the hell is going on with you.
22:12You know too much.
22:14Another thing is that you want to look the other way.
22:16We'll finish.
22:17This is for Rodrigo's scholarship.
22:19That's it.
22:20Are you still with that maid?
22:22In part, yes, but not just for that.
22:24Oh, my God.
22:25To know what things I would have done to have you as a kid.
22:28Don't take it as a joke.
22:30She's even thinking of quitting her job.
22:33Another one would have left if they treated her like you did to me yesterday.
22:37Are you serious?
22:40No, you can't do that.
22:46I apologize.
22:48Don't take it into account, woman.
22:49You know how I am.
22:51You can't leave.
22:52Of course I can, Emiliana.
22:53I'm not a slave.
22:55No, I'm not saying you are.
22:57Of course not.
22:59You know, lately I've been thinking a lot about us.
23:03In everything that brought us together in those times.
23:06When we were young.
23:08In the hacienda.
23:11Do you remember?
23:13Of course I remember.
23:15But you don't live in the past.
23:17I'm only interested in the future.
23:24Would it help if I told you that I'm going to give a push to Rodrigo's scholarship?
23:30Is that a promise?
23:32Only if you assure me that you're going to forget about that nonsense of leaving the house or leaving the job.
23:39Get them to give him that help and you'll never talk about leaving again.
23:45Okay, okay.
23:48That's it.
23:49No more talking.
23:51Rodrigo will have his scholarship.
23:53But let it be known that I'm doing it for you.
23:57I also appreciate the boy, yes.
23:59He's...
24:00He's very good, he's loyal, he's intelligent, willing...
24:05I know I'm his mother by now.
24:07Yes, but...
24:09Please, I want you to appreciate the sacrifice I'm making.
24:12Right now, I don't care about Rodrigo. It's like cutting my hand off.
24:16Everything is for his happiness.
24:19And for yours.
24:22I don't want you to leave for anything in the world.
24:26I'll have a drink, like the lady.
24:29I'll serve you right away.
24:31If you don't have anything else, ladies...
24:33Nothing else, Pepita. You can leave.
24:42Your work at the foundation has really absorbed you.
24:46I've rarely seen you so absent.
24:51That's right.
24:55I can't get it out of my head.
25:04Thank you very much.
25:10I'm very sorry for the bad time.
25:13But it was very important to me.
25:17Well, let's hope this is something totally unnecessary.
25:24Not unnecessary, for sure.
25:26Because, even if I can survive this time,
25:30one day I'll have to die, right?
25:32Early work.
25:35Well, we have to get back to work.
25:39Thank you. I hope so.
25:57Pietro, what's going on with Teresa and the waiters?
26:00They're extremely serious.
26:02Even Elias is serious.
26:04They'll get on with their work, Mr. Fermin.
26:06Well, well.
26:07I came to see how things were going around here.
26:10Do you have all the help you need?
26:12Yes, thank you.
26:13The guys are doing great.
26:15Mr. Fermin, please.
26:18I want you to read this.
26:28Pietro, this is...
26:29Yes, Mr. Fermin.
26:30These are my last wishes.
26:32I was going to go to the office to give it to him, but...
26:37But it's here.
26:40This is Teresa's letter.
26:42That's why they were so serious, right?
26:44Yes.
26:46I ask you to keep it, Mr. Fermin.
26:48And keep it safe until...
26:51Pietro, look.
26:52I know this is appropriate when one is going to face an intervention of this caliber, but...
26:58I'm sure everything will be fine.
27:04But it may not be.
27:09Mr. Fermin, I want you to be my ambassador.
27:13Please.
27:20It's all very simple.
27:22I leave everything to my son and my wife.
27:26Pietro.
27:28I accept the task with the conviction that I will not have to carry it out.
27:33And listen to me well.
27:36If what no one wants to happen happens, and that it will not happen,
27:41know that Antonia will never be alone, much less helpless.
27:44As long as I have La Moderna or any other business, she will have a job.
27:49I assure you.
27:50Thank you, Mr. Fermin.
27:52It leaves me calmer.
27:58It's just that I'm afraid, Mr. Fermin.
28:02I'm very afraid.
28:03Of course.
28:07I'm afraid that this operating room will be the last thing I see.
28:09No, Pietro, no.
28:11You're going back to Antonia's side.
28:14You're going back to this operator.
28:16Or do you think I'm going to allow myself to stay in the best pastry shop in the world?
28:21What a job you have.
28:23Of championship.
28:26Pietro, if we can trust someone,
28:29it will be Dr. Quiroga.
28:31He will cure you.
28:34Mr. Fermin, thank you.
28:35Mr. Fermin, thank you.
28:37Thank you for everything you've done.
28:52I think I need to sleep three days in a row.
28:54What a beating we've had, huh?
28:56Do you regret it?
28:57No, of course not.
28:59Seeing all the news in my store makes up for all the hours of sleep I have pending.
29:05We've been able to turn things around.
29:07And it looked like everything was going to burn down this time.
29:10You're right.
29:11We've saved the day in every way.
29:13Although I'd appreciate it if you could attend to the store for a while without overdoing it.
29:17I hope so.
29:19It looks like you're going to have one of the most entertaining afternoons.
29:22That's for sure.
29:23In fact, we could open now.
29:26I'll show them the clothes while I take them out of the boxes.
29:30Can you imagine that I create a new fashion?
29:33Stop faking it.
29:35What's the point of seeing a person unpacking boxes and showing what's inside?
29:45Good afternoon. Come in.
29:49Good afternoon, ladies.
29:51Let me tell you that you're going to see for the first time the new genre we've brought from Alcazar de San Juan.
29:57See if it's new. We haven't even taken it out of the boxes yet.
30:01Take your time to see what's inside.
30:05And then we'll see what's inside the boxes.
30:13What a face you make.
30:17Good afternoon, Paula.
30:18Good afternoon.
30:19Hi, Rodrigo.
30:20I have to tell you that you're being the talk of the town with the new trends in your store.
30:26If you'll excuse me, I'll leave you alone.
30:27I have to meet with Mr. Emiliano and he's not a man who tolerates delays.
30:32If you need anything, I'll see you right away because I imagine you'll have to go to Madrid Cabaret.
30:38No, no. I have the day off today.
30:40There's a private event and, well, you know who's in charge of that kind of mess.
30:45Well, in that case, look, whatever you want.
30:47And if you need anything, let me know.
30:50Because I imagine you've come to see clothes and not to warn me that Joan is still tangled up as always, right?
30:55Things are better with Iván than ever.
30:58Yesterday he was in our store enjoying a first-row performance.
31:01There was no problem with anyone.
31:03Not even with César?
31:04Not even with César.
31:07Apparently, having older brothers is not as good as it looks.
31:11And what do you say?
31:13They take one on the road to bitterness.
31:15Hey, and that private events thing, is it done a lot in Madrid Cabaret?
31:21Sometimes.
31:23I can't tell you much either.
31:25But I guess some celebrity or someone like that rented it.
31:29I can already see you hanging out with the most prominent person in Mercedes society.
31:33If that happens, I hope you keep wearing the clothes from my store.
31:36Count on it.
31:38With the clothes from your store.
31:40Hanging out with celebrities, I'm not so sure about that.
31:45By the way, let me show you a blouse that I think will look great on you.
31:50With those eyes.
31:53Let's see.
31:55Hey!
31:56How is it?
31:57Well, the color is beautiful.
31:59Do you want to try it on?
32:00Yes.
32:03You should have seen him writing his last wills.
32:06Don't do that to me, Miguel.
32:08When you want to dictate your last wills, you look for someone else.
32:11I'd rather not think about it.
32:13In fact, I'd rather stop talking about last wills, really.
32:16Me too.
32:18Hey, have you thought about where you're going to take your mother-in-law?
32:21Well, no. I know she's going to refuse to walk around with me.
32:23Maybe if you get Elías involved, he'll think about it.
32:26Not because of you, because of him.
32:28What? Going to Carabina is like taking a walk with Leonora.
32:33Listen to me, Miguel.
32:35I think I have the solution to your problems.
32:38What if I took Elías and your mother-in-law for a walk this afternoon?
32:41But not only this afternoon, but every day.
32:43I just don't know where you want to go.
32:45I want to get to the point where Leonora and Elías have to spend time together.
32:50That way you'd get her out of your head, because your mother-in-law would be out there,
32:54Let's see, Francisco.
32:56Maybe the idea of finding Leonora a boyfriend...
32:59Okay, but the candidate...
33:01What's wrong with Elías?
33:03What do you mean, what's wrong with him?
33:05Tell me, just once, that being in the middle of it, things have gone well for us.
33:08Besides, my mother-in-law already made it clear to him that she didn't want to spend New Year's Eve with him.
33:12But that can be reversed, Miguel.
33:14You know my theory. Insist, insist, and insist again.
33:17Look, don't talk to me about your theory.
33:19There are examples, Miguel.
33:21Do you want me to give you one?
33:23I'll do it myself.
33:25But if you want to keep looking for another candidate, go ahead.
33:29But between the one you have at home,
33:31and the specialist your mother-in-law is, you won't have it easy or fast.
33:35You're right about that. I'm not in the mood to play house.
33:38That's the first thing.
33:40Besides, between Elías and Leonora, the spark has already gone off.
33:43We just need to give them a push so that the flame turns on again.
33:46Yes, but reviving that flame involves risks. We're talking about Elías.
33:49He has a charming personality, so to speak.
33:51It's easier to scare Leonora than to make her fall in love with him.
33:54You'd better put it that way.
33:56Because if he makes her fall in love with him, he'll kick your mother-in-law out of the house to court her.
33:59And if he scares her, your mother-in-law will take the door and leave.
34:02To lose her sight.
34:04In both cases, there's only one beneficiary.
34:07You.
34:09Elías is a winning horse. You look at him as you look at him.
34:13Let's suppose we give your idea a green light.
34:16What do we do with Trini?
34:17You heard him. He doesn't want to see his mother with anyone.
34:20Especially not with Elías.
34:22That's because Trini is delighted that her mother is at home.
34:25But if her mother falls in love or decides to go back to Fuencarral, she has to accept it.
34:29What do you say?
34:31You're a genius. You're a genius.
34:34Your plan has no flaws. It's perfect.
34:36Whatever happens, Leonora will leave my life.
34:39We'll have to act behind Trini's back, but it's worth it.
34:47I'm leaving, as we agreed with the client.
34:51What's the matter with you? You look at me like a kid.
34:55Nothing.
34:57What? You look like a toy.
34:59No, thank you. I'm leaving.
35:09Yes, yes. Of course, they're of the best quality.
35:12Do you think they'll like it?
35:14Of course.
35:15It's perfect, according to the girls' personalities.
35:18I think we've hit the jackpot.
35:20Thank goodness I have you for these things.
35:23And what do we do with the accessories?
35:25I think we should take them too.
35:27Paula knows perfectly well how you dress, Laurita, and how you dress, Inés.
35:31Perfect.
35:33Look, you see? Each handkerchief is different.
35:36Sorry for the delay.
35:38You know we brought the genre today and everything is still a bit messy.
35:41No, there's nothing to forgive, honey.
35:42It's enough that you've opened the store today with all the setbacks you've had.
35:46Yes, yes. Anyone would say that two days ago it flooded.
35:49You don't see a single flaw.
35:51There are, there are, Don Fermín.
35:53But they were caused, above all, in the back of the store.
35:55A stroke of luck, given the circumstances.
35:57Your wife was very kind, recommending me to the team that works for you.
36:01It's the least I could do.
36:03But going back to the dresses,
36:05I've brought these handkerchiefs that I think complete both sets perfectly.
36:08They're a first.
36:10The truth is, it looks like they were made for dresses.
36:12Well, then, we'll take them all.
36:15Yes? Great.
36:17Of course, Fermín, you're the client that any store would like to have.
36:24No, no, no, no. Don't even think about it, Don Fermín.
36:27You're like a brother to my father.
36:29I'll give you these dresses.
36:31No, not at all.
36:33In these first moments is when a business needs all the possible income.
36:36And I refuse to pay for everything, everything that I take.
36:39Look, my father is going to fire me.
36:40I'm going to fire you, too.
36:42And I'm going to see how your father feels
36:44that his daughter wants to lose money on her own
36:46when she just opened a business.
36:48You know how to play your cards well.
36:50I mean, I'll charge you,
36:52but I'm going to give you a discount.
36:54And I don't deny that.
36:56I accept because I see that the store is going like a bullet
36:58because since we've been here, customers have stopped coming in.
37:00With 25 pesetas, there will be quite a lot.
37:02Well, and there's plenty left over.
37:05Well, it's been a pleasure, Paula.
37:07I think we'll stop by here a lot.
37:08Thank you very much.
37:10Ready, honey?
37:12Yes, yes, yes.
37:14Goodbye, darling.
37:16Have a nice day.
37:18Can I help you with anything?
37:38Yes.
37:53So you have an answer.
37:55I will join the French secret service.
37:58That's what they wanted, right?
38:00That's why they told me that Eduardo died fighting the Germans.
38:04Is that okay?
38:06Yes, very good.
38:08I don't know how you do it to keep all this text in your head.
38:11Well, one thing is to keep it and another is to say it with truth.
38:15Well, you do both.
38:17You pronounce it perfectly, Inés.
38:19In addition, you give the text a lot of intention and a lot of meaning.
38:23I think you have the character very well taken.
38:25No, what I have is a tremendous luck
38:28to have you as an assistant and as a partner.
38:31Stop it, those are big words.
38:33I have a very small, secondary role.
38:36I wouldn't have accepted anything more important either.
38:38Well, don't ever say never.
38:40I'm sure Ballesteros has insisted to the point of satiety.
38:43I don't know very well what that man has seen in me.
38:48Don't laugh, Inés.
38:50I have a lot of pressure on me.
38:52No, it's just that I want to meet his expectations
38:54and I don't know what he likes about me.
38:56But that's not what makes me funny.
38:58So, do you remember the toy theater we had when we were little?
39:02Of course, how not to remember, right?
39:04I don't know, we spent hours and hours
39:07playing with those dolls on the stage.
39:10Marina and Maria.
39:12The truth is that we were not very original
39:14putting names on the dolls.
39:16No, and we made them interpret
39:18each and every one of the stories we knew.
39:21And you sometimes made them up.
39:23Well, none of them made the slightest sense.
39:25Do you remember what my favorite was called?
39:29The Altarín Dwarf, right?
39:31Yes.
39:33Well, and I'm sure the dolls also remember.
39:36The thing is that you made them sing the song of the story.
39:41And you still have that
39:43naturalness and that candidness that you had as a child.
39:46And I guess Ballesteros has realized it.
39:51Well, whatever it is, my sister has a lot of text to review.
39:55Yes.
39:58So, does Hector know?
40:01His men informed me of all the details
40:04and I remind him that we were engaged.
40:07He had the right to know what happened to him.
40:10Yes, yes, the text, yes, but you sounded a bit strange to me.
40:15As if you didn't finish believing it.
40:17Try to say it with more conviction.
40:19Let's see, like this.
40:21His men informed me of all the details
40:25and I remind him that we were engaged.
40:27He had the right to know what happened to him.
40:30Yes?
40:32Much better, you do it like this time, okay?
40:35I have the best assistant in the whole world.
40:38You deserve that role in the movie.
40:45Thank you very much.
40:53And thank you very much for inviting me, Miguel.
40:56You're welcome, man.
40:57But let's go to what interests us, let's not get distracted.
41:01Ah, but there's more?
41:03Much more. You don't know how my mother-in-law is.
41:05If you link this, if you link the other,
41:07it's amazing how your personality has caught Leonora's attention.
41:11Well, I'm amazed.
41:13Because this is the last thing I could expect.
41:15Let's see, Leonora told me the last time,
41:18clearly, she made things very clear to me.
41:20There couldn't be anything between us.
41:22You said it the last time, a long time ago.
41:24You know that people change and where they say Diego, they say Diego.
41:27Or Elias, in this case.
41:29Come on, Miguel.
41:31That I'm using Leonora?
41:33I can't believe it.
41:35Well, believe it.
41:37There's just a little problem, without importance.
41:39Tin, who is very protective with her mother,
41:41and, let's say, reluctant to see her in a relationship again.
41:44A little problem?
41:46It's an infringement.
41:48No, no, man, no.
41:50What I see that there can be between my mother-in-law and you
41:52is so beautiful,
41:54but so beautiful
41:55that no one can get in the way of that magic you have.
41:58Really, Miguel?
42:00Do you really think so?
42:02Cupid has shot his arrows.
42:05And Trini can't put sticks on the wheels of love
42:08that has already begun to spin.
42:10Leonora and you are destined to be together.
42:12Come on, Miguel, these are big words.
42:15But I didn't know I had made Leonora so strong with me.
42:18And much more.
42:20How beautiful is love
42:22that comes when you least expect it.
42:24Yes, I'm telling you.
42:26I didn't expect this.
42:28Well, let's see, if I look back,
42:30I shouldn't be surprised either, but ...
42:32So, when are you going to ask her to start a relationship?
42:34Behind Trini's back, yes.
42:36We'll tell you more about it later.
42:38Miguel, calm down, calm down.
42:40And good food.
42:42These things can't be taken lightly, man.
42:44Elias.
42:46Valor and bull.
42:48Life is two days, we're not going to lose more.
42:50You'll see the joy we're going to give her.
42:51Mother-in-law!
42:53Come out, you have a visitor.
42:55Oh my God.
42:58But can you tell what that voice is coming from?
43:00You're going to scare my grandson.
43:02Oh, what a joy to see you, Elias.
43:05Oh, what a joy.
43:07Likewise, Leonora.
43:09Well, I mean, Nefertiti.
43:11Let's see what a coincidence.
43:13Yes, right?
43:15Well, no, not so much coincidence.
43:17Why are you in the tavern of my corral?
43:19My corral.
43:21Well, next time I'll let you know
43:23and I'll make you a snack or something.
43:25Now I'm going to spoil my dinner.
43:27Hey, what did you say?
43:29What a joy to see you in that uniform.
43:31You look good in the jacket.
43:33Well, nothing.
43:35Goodbye.
43:39Oh, Miguel.
43:41It's going to be true.
43:43May the winds be with me.
43:45If all I say is that it was very risky.
43:48That there were many things that could go wrong.
43:51But a good businessman taught me
43:53that those who don't take risks don't win.
43:55And you see I was right.
43:57And you say it.
43:59The maneuver has come out of the mouth.
44:01I'm exhausted, but it was worth it.
44:04It's a valuable lesson, Paula.
44:06You see, every sacrifice ends up having its reward.
44:10Keep that in mind.
44:12It will be very useful for you to survive in the business world.
44:15Right now, what I need to survive
44:17is to sleep long and tight.
44:18I'll have something to eat quickly and I'll go to bed.
44:21You've earned it.
44:23So you're not going to reproach me for anything?
44:27Of course not.
44:30I'm very proud of you.
44:32Seriously.
44:35You just have to come and work with me.
44:38Father, we've already talked about that.
44:41You know that doesn't go into my plans,
44:43neither short-term nor long-term.
44:45Yes, yes, no, no.
44:46It's very clear, but what do you want?
44:48I'm a man who doesn't lose hope easily.
44:50Then you reproach me for being very stubborn,
44:53but I have someone to turn to.
44:55No, no, no, Graciosilla, it's not the same.
44:57Mine is tenacity, it's different.
44:59Take my insistence as a compliment,
45:01because I only want the best for my side.
45:03And I am.
45:05You? You are a fighter.
45:07A tireless fighter.
45:09You suffered a setback
45:11and you knew how to turn it around
45:13to turn it into an advantage.
45:14I love that.
45:16Even if it's for the sake of my business
45:19and not yours.
45:21If you're not working with me in my company,
45:23it doesn't mean you don't make me happy with your success.
45:25I want you to do well.
45:27You're an example of the commitment
45:29you need to have to start a business.
45:31Is that an indirect one?
45:33No, it's a direct one, Ivan.
45:35In every way.
45:37Because if you really want to start your own business,
45:39you're going to have to listen to a lot of advice.
45:41All possible advice.
45:42And look at how your sister is trying.
45:45I was almost better when you ignored my presence.
45:48Is that true, Ivan?
45:50Do you want to start your own business?
45:53I see you don't trust me.
45:56Don't worry, you're not the only one.
45:58No, it's not that.
46:00It's just that I was caught by surprise.
46:02You've never mentioned anything
46:04about wanting to start your own business.
46:06What's wrong? Can't I be worried?
46:08No, of course you can.
46:10In fact, I'm glad you want to start your own business.
46:12Whatever it is.
46:14If you need my help, you can count on me.
46:17Please, don't give me those little sisters.
46:20We know that the only one who trusts me in this house is Mom.
46:23Watch what you say, Ivan.
46:25I also trust you.
46:27Please, Dad.
46:29Your mouth sounds much more fake than Paula's.
46:32I'm going for a walk.
46:34I'll leave you to the businessmen to talk about your things.
46:36If you go to Madrid Cabaret, you can save the trip.
46:39Mercedes told me before
46:40that today they have closed for a private event.
46:44It must be for events in Madrid.
47:07I'm glad to see you, Mrs. Peretaza.
47:10Likewise.
47:14Have you closed this for me?
47:16For us.
47:18I already told you that it would be a discreet place.
47:20Although that has led me to have to personally take care of the dinner.
47:25I see.
47:27Let me tell you that I did that table very well.
47:32Let me tell you that you did it very well too.
47:39And does he say that you have prepared the dinner?
47:41No.
47:43He has commissioned one of the best restaurants in the city.
47:46I see.
47:48Then it would be better to realize her before it gets cold.
47:51Don't you think so?
47:53I think so.
47:55But first, if you don't mind,
47:57I get used to having a glass of champagne before starting to have dinner.
48:00You have taken great care of the details.
48:04I didn't expect this reception,
48:06or that we would have dinner here.
48:09I thought you would have reserved a private room in a restaurant.
48:13Don't you like Madrid Cabaret?
48:15No, no, of course I like it.
48:17The truth is that I like this idea more.
48:20I'm glad.
48:22Putting you in a commitment is the last thing I would want.
48:25I appreciate it.
48:26I appreciate it.
48:28There are few moments of peace and quiet that I have.
48:34And this is one of them?
48:37Yes, that's how I feel.
48:40You see,
48:42locked up between these four walls,
48:46I feel freer than when I'm on the street.
48:49You can be calm here.
48:51We can chat quietly without anyone interrupting us.
48:57What should I interrupt?
49:01Your smile.
49:06I would like you to be smiling all night long.
49:27Cesar.
49:32I have not kissed any other man other than my husband.
49:47And this phone number?
49:49It's from Elena Cavalieri.
49:51I'm officially hunting with some clients.
49:53You only have it.
49:54I'll give it to you so you can call me if...
49:57well, I don't know, something serious comes up.
49:59But really serious.
50:01I don't like this nonsense. Nothing.
50:03I found out that yesterday, in the afternoon, you and Leonora...
50:08Don't tell me you won and he's so modest you don't want to show off.
50:12I think you forgot you have a list of pending tasks to do
50:17since you moved to this house.
50:19A list of tasks? I don't know what you mean.
50:22You can start with my bedroom.
50:24I don't know if we can get Sagrario back.
50:28What do you think?
50:31Pietro was talking to Mr. Fermin this morning
50:34about looking for a replacement.
50:36They already have someone.
50:38He won't look like Sagrario, will he?
50:42Not at all, Mrs. Laura.
50:45He's going to make me blush.
50:47They're going to film me with a camera
50:49and put it on the big screen. People will be able to see it.
50:52I'm so nervous.
50:54Where are Mrs. Lazara's jewels?
50:56So I don't have to see them.
50:58And those boxes are from the jewellery shop on the corner.
51:00I told you yesterday that I think this woman
51:02is spending the money of a jewellery shop.
51:04We don't know what's in those boxes either.
51:09And action!
51:11I was waiting for you.
51:13Here I am. Is it important?
51:15You're already working for Mr. Fritz.
51:17Are you finally going to organise a charity event in Madrid-Cabaret?
51:21I'm not sure yet.
51:22Have you gone mad?
51:24Did you lose a screw or what?
51:26I could only speak for myself,
51:28but the truth is that I'm a little crazy and I've gone mad.
51:30Do you think it's worth risking yourself like this?
51:32I have the feeling that someone is following me.
51:34Some pervert who's flirting with her or something like that?
51:36No, no, no. It has nothing to do with that.
51:38It's, I don't know, a feeling.
51:40Bring us a bottle of champagne
51:42and if anyone wants anything else, ask for it.
51:44I don't know how you can stand her.
51:46Ivan?
51:48Yes, Ivan Pedraza.
51:50There are things that are not chosen.
51:52I can't believe you like that kid.
51:56You don't need to listen to her to know what's going on.
51:59I've never seen her like that, really.
52:01That candidness, that innocence, that truth.
52:04There's no trace of interpretation.
52:06It's all natural.
52:12I trust you completely, Rodrigo.
52:14And I envy you.
52:16I envy you for that perfect harmony
52:17that you seem to have with Paula.
52:19I know that being in your company,
52:21I have nothing to worry about.
52:23This morning she thanked me for what I do for you.
52:25And she made me feel bad.
52:27Feel bad?
52:29Why?
52:31Because I felt like a fraud.
52:33An impostor.
52:35Let's see if now you're going to want to tell her about us.