La promesa - Temporada 3 - Ep 439
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00:00♪♪♪
00:10Milagro.
00:12Good afternoon, Catalina.
00:14How are you?
00:16Fine, fine.
00:18Are you sure?
00:19Yes, yes. It's nothing.
00:23It's just that...
00:25I asked Ricardo to do some things
00:27and I just realized that I forgot to ask him for something else.
00:30Something else?
00:32Yes, a silly thing without importance.
00:34It doesn't fit me.
00:36Or is it a silly thing or is it something so urgent
00:38that you don't even have a moment to be with me?
00:41Leave that for later and let's go for a walk.
00:44A little fresh air will do you good.
00:47Catalina, I'm sorry, but I don't feel like it.
00:50We have things to talk about.
00:53What better way than to approach them in the field,
00:56with our eyes and indiscreet ears?
00:59I really don't.
01:01Catalina, I'm so glad to see you.
01:04So, Margarita, do you want something?
01:06Well, I wanted to talk to you about the book you told me about.
01:09If I don't interrupt anything, of course.
01:11No, no, of course not.
01:13In fact, I have some things to do and I'm leaving.
01:15Catalina.
01:19Are you sure I'm not bothering you?
01:21No, of course not.
01:23What book are you referring to?
01:25Artur Bazan. What did you say?
01:27Ah, El encaje roto.
01:29Well, it's not a book, it's more like a short story.
01:32A story.
01:33Well, I don't think it's a story for children.
01:35No, it's that kind of story.
01:37And what if you come for a walk with me and we talk about it?
01:40I want to leave the reading of a very boring novel that I'm reading
01:43and you give me some recommendation.
01:45Of course, of course. I was going to the garden.
01:48Perfect, then.
01:51Shall we go?
01:53Yes, yes, yes.
02:16Do you have something to say?
02:19Do you have something to say to me about this?
02:22Where did you get it from?
02:24Hanna brought it to me.
02:26She didn't have much time to throw it in my face.
02:28How could you do something like that?
02:30We agreed that we had to get rid of her.
02:32Yes, but not in such an obvious way.
02:34My father said that there are many ways to skin a cat.
02:37Well, you have chosen the worst of all.
02:39At least I have tried.
02:41You won't solve it with money, Alonso.
02:43You should have seen his face when he broke into my bedroom.
02:45And how did you do it?
02:47He has the pan in his hand, thanks to you.
02:50Don't you realize?
02:52That girl knows perfectly well that by marrying Manuel,
02:54she will have a lot more money than you can offer her.
02:56Perfect. So what can we do?
02:58Well, I don't know.
03:00But I expected more decision on your part.
03:02I'm just trying to get him to leave the Provisa before Manuel gets out of his prison.
03:06Well, I'm leaving, Melofias.
03:08I've seen the commitment you're putting into Manuel.
03:10I'm doing everything I can.
03:12But everything is negative.
03:14Alonso, you are the Marquis of Lujan.
03:16It shouldn't be so difficult for you to convince someone of anything.
03:20I'm going to get it.
03:22I'm going to get Manuel out of that dungeon.
03:24And I'm going to find a way for Hanna to leave the Provisa.
03:26At the rate you're going, you just need to send a mercenary to scare him.
03:29Don't be ridiculous.
03:30Ridiculous?
03:32But you just showed him the cards we have.
03:34Come on.
03:36I'm worried that you're not doing just as well with our son.
03:38Cruz, enough.
03:40You have no idea what you're saying.
03:42If you know how to get rid of Hanna, do it.
03:44But don't doubt my interest in bringing my son back.
03:47Don't do it.
04:03Good evening, Mrs. Arcos.
04:06Why are you looking at me like that?
04:08Did I do something wrong?
04:09I don't understand you, Mr. Baeza.
04:11I think so.
04:13For a while now, you've been more distant from me than you're used to, so to speak.
04:18Distant?
04:20Well, that's to put it mildly.
04:22Dry, cold, bitter.
04:25Wow.
04:26And that's the way you have to deal with it.
04:30Lacking those qualities.
04:32No, I don't want to deal with it.
04:33What I want to know is the truth.
04:36The truth.
04:38So you want to know the truth.
04:42Well, listen to me then, Mr. Baeza.
04:45A network of lies has been woven around Mrs. Darre in this palace.
04:50And I've been the last to find out.
04:53Don't be silly.
04:54It has nothing to do with you.
04:56What do you mean?
04:58You suspected from the beginning that Mrs. Darre was alive, but you didn't like that.
05:04Why do you say that?
05:06Are you going to make me verbalize it?
05:09These are too serious accusations, Mr. Baeza, to be made out of the blue.
05:15It's clear that you were the one who brought back the undesirable Mr. Gregorio.
05:22As you can imagine.
05:25Mr. Gregorio didn't need my help to get out of jail.
05:28No, but he did need it to bring him into the palace unnoticed,
05:32despite the fact that the entire service was watching him.
05:36You're crazy.
05:38And you have no proof.
05:40You're right.
05:41Maybe at first I didn't do that,
05:43but when we made Mr. Castillo believe that Mrs. Darre was dead, then yes.
05:49But how has Mr. Castillo been in the palace?
05:53Maria Fernández saw him.
05:55When?
05:56A moment ago, she went down to the service floor for a glass of milk
05:59and saw him talking to Mrs. Petra, who was on the stairs leading to the garden.
06:03She did everything she could to hide it, but yes, someone saw her.
06:08Someone I'm sure of, you're not going to reveal my identity.
06:14For you to take it against that person, of course not.
06:18Well, that person lies.
06:20But even if it were true, there is nothing to reproach, Mr. Baeza.
06:25Because that man had the right to know the truth.
06:28Well, then there is nothing to reproach me either,
06:30because I had to avoid at all costs that you confirmed that Mrs. Darre was alive.
06:37I should have been aware,
06:39because you, with that absurd conspiracy, put the security of this house in danger.
06:44The Marquis was aware of everything and that is more than enough.
06:48It is clear that everyone knew.
06:50The Marquis, you, Maria Fernández, even the Hanna magazine.
06:53Yes, yes, they were both at my service.
06:56They followed my orders, as it should be.
06:58Don't justify them.
07:00Because I should have been aware of their movements.
07:03Only now do I understand those outings and their stay at the house of the Duke of San Rafael.
07:09Yes, Don Gabriel López Carrillo, Duke of San Rafael, Colonel of the glorious Spanish Army.
07:16An excellent excuse, created exclusively for you.
07:21Wow, I'm going to have to feel flattered.
07:23I'm going to have to feel flattered.
07:25That you reproach me for not informing you about Mrs. Darre seems simply ridiculous to me.
07:32I will never forgive you for this offense, Mr. Baeza.
07:35Go for God's sake.
07:37I will have to live with it.
07:40I think we have already told you everything.
07:44Well then, I'm going to rest.
07:53Good morning.
08:13Good morning.
08:15Sergeant.
08:21Good morning.
08:24I hope this coffee is as good as it was served this morning.
08:29The chief has prepared it for the comrades.
08:33If I bring you that coffee, it is for your good disposition.
08:37You know that I am the first interested in collaborating.
08:40And that all these issues are clarified.
08:43Very sensible.
08:47What do you need from me this time?
08:49Well, you will see, Mr. Luján, there are a couple of issues that attract my attention.
08:57You will see.
08:59I mean the fact that you bought two train tickets for the express that goes to Madrid.
09:05And the fact that you took out an important amount of money from the bank.
09:12I understand that those matters call your curiosity.
09:15I understand that those matters call your curiosity.
09:20You will see, I have been asking here and there and I understand that you are not very keen to visit the capital.
09:30No, the truth is that no.
09:33Well, the union of both elements has made me think, look where, that I had thought of an escape plan.
09:46You will see, I understand that you ask that question.
09:52And yes, I had thought of running away.
09:56But it is not the kind of escape that you believe.
10:00Enlighten me.
10:02What kind of escape was it then?
10:05What kind of escape was it then?
10:08What kind of escape was it then?
10:11Enlighten me.
10:13What kind of escape was it then?
10:17I had not thought of running away from justice, Sergeant.
10:21It was something more romantic.
10:24A clandestine meeting?
10:25No.
10:28You will see, I am in love with a woman.
10:31And my intention was to marry her in secret and go to Madrid.
10:35And the reason I did all this in secret is ...
10:42We belong to different social classes.
10:45And my parents do not accept this relationship.
10:50Were your parents aware?
10:53Then no.
10:55Now yes.
10:56Now yes.
11:00You will see, Don Manuel, it is not that I doubt what you say,
11:04but it will suit me that this story is very timely.
11:09It is not a story.
11:11It is the truth.
11:12Ask Father Samuel if he wants.
11:14Ah yes.
11:16Don Fermin's substitute, just arrived in Lujan.
11:21I understand that he still does not know half of his relatives.
11:24I know.
11:25That's why it was perfect for my plan.
11:27My intention was to get married in secret,
11:29travel to Madrid and consummate my marriage.
11:32So, on the way back, my parents could no longer oppose.
11:36I understand.
11:38And what went wrong?
11:43My mother found out everything.
11:45Wow.
11:48And then all that money was to spend the honeymoon in Madrid?
11:52No, Sergeant.
11:54I had no intention of spending a luxurious honeymoon in Madrid.
11:58That money, as I have told you before, was for Gregorio.
12:02To leave Doña Pia alone at once.
12:05Of course.
12:06So it was only for the bribe.
12:08I prefer to call it incentive.
12:11So that you could start a new life away from her.
12:14A very generous incentive.
12:17It was cheaper to kill him.
12:20Killing him was never an option, Sergeant.
12:23And I've already told you.
12:25When I left the slaughterhouse, Gregorio was still alive.
12:29You can ask me a thousand times if you want.
12:32Because a thousand times I will give you the same answer.
12:42It's a great joy to have you here with all that we have suffered for you.
12:46It's a great joy to have you here with all that we have suffered for you.
12:50I'm very sorry for the suffering that causes you.
12:53Don't worry, Doña Pia.
12:55All that is compensated with the joy of seeing you so alive.
12:59Besides, we know why they had to organize that slaughterhouse.
13:03Because there are people here who are not very trustworthy.
13:07Good morning, Mrs. Arcos.
13:10Good morning.
13:12What a surprise.
13:13I thought I would never see you again.
13:16I'm very sorry to have disappointed you.
13:18And don't worry, it's a courtesy visit.
13:20She could stay, Mrs. Pia.
13:22Not all her due time, Maria.
13:24Well, if she only sees Vivita hanging around, it's a joy.
13:27It seems like a dream to me, Mrs. Pia.
13:29It seems incredible to me that she is here.
13:31In fact, until I touch her, I will not believe it.
13:34I'm alive, Lope. I'm alive.
13:36Even I find it hard to believe it.
13:38So much that she is not.
13:40And after the hell she has lived.
13:42And on top of that, being far from her son, Díaz.
13:44It has certainly been the hardest.
13:46The confinement in the cave, the fear.
13:48That, as if she could overcome it.
13:50Yes, it is the worst thing that can happen to a mother.
13:53To be far from her children.
13:54You already know that well.
13:56Mrs. Pia, I remember when I entered the room
13:58and I found her lying on the floor so stiff.
14:00I'm very sorry, Vera. I felt so cold.
14:02Vera, it's good to feel your warmth.
14:04I'm very sorry for the damage that could have been caused.
14:07And I wish I could have done it another way,
14:09but I didn't know how.
14:11Don't be upset anymore, Mrs. Adarre.
14:13I didn't know you from the dead.
14:14I'm glad you're not here.
14:16Come on, I'm glad you're alive.
14:18Do you understand me?
14:20We understand you a lot, Marcelo.
14:22Well, that's it.
14:24What I mean is that everyone here missed you a lot.
14:26Thank you very much, Marcelo.
14:28And nice to meet you.
14:30And Mrs. Pia, isn't she going to stay?
14:32Yes, stay.
14:34I wish I could, but it's not that easy.
14:36I have to talk to the gentlemen,
14:38who have the last word.
14:40I'm sure they will be delighted when you return.
14:42Well, with everything that is happening with Don Manuel,
14:44I think you're right,
14:46that the matter is in the shadows.
14:48And I, in a way, feel guilty, Simona.
14:51Why do you?
14:53Because Gregorio came to this house looking for me, Teresa.
14:55And that's why Don Manuel got involved
14:57and now he related it to death.
14:59Come on, they killed him.
15:01Candela.
15:03Sorry.
15:05Maybe it's not a good impression.
15:07Hey, by the way,
15:09do you know where Mr. Pallicer is?
15:11No, I have no idea.
15:12And how is Dieguito?
15:14Well, to eat him with potatoes, Maria.
15:17Tell us more details.
15:19He must be beautiful like a calf.
15:21He would be very happy
15:23when he saw him after so long.
15:25His eyes would come out of his eyes.
15:27I think he didn't even believe it was me.
15:29And I hugged him more than I ate him.
15:31And I hugged him more than I breathed.
15:42Come on.
15:43Hannah.
16:14Hey.
16:16You have to cheer up, sister.
16:20I know.
16:23I come here and see everything I've been working on.
16:31Manuel is a man full of illusions and full of dreams.
16:35And I need him out of the dungeon
16:37because I need him to buy it all, do you understand?
16:40And he will.
16:41You'll see.
16:43We have to trust him.
16:47I know.
16:49I know.
16:55Hannah, come here.
16:57Come.
17:07He said a month ago
17:09I feel protected with you.
17:14What's wrong?
17:16No, nothing.
17:18What's wrong?
17:20Well, yes.
17:23Hannah, I've heard that
17:25Julia is making inquiries
17:27about how well you and I get along.
17:30What?
17:32And I've asked Martina directly
17:34and also some lackeys.
17:35But why?
17:37Well, I don't know.
17:39I guess she saw something.
17:41Something like the hug we just gave each other?
17:45It's true that lately
17:47we've lowered our guard too much
17:49with everything about the wedding
17:51and everything about Manuel.
17:53It wouldn't be good
17:55if they found out about us,
17:57neither for you nor for me.
17:59It's true that I
18:01have my head somewhere else.
18:03I know.
18:04And I'm sorry.
18:06I shouldn't have said anything to you.
18:08I need you to talk to Miss Julia
18:10and clear things up.
18:12Now they can't find out
18:14that we're siblings.
18:16Yes, I know.
18:18Right now, with Manuel detained,
18:20it's not good for us to open new fronts.
18:22I have enough with what I have at work.
18:24And I have to face the Marquises alone
18:26and they're not making it too easy for me.
18:28What?
18:30Why do you say that?
18:32Because they offered me money
18:34and I said yes.
18:36Are you serious?
18:39I'll talk to them.
18:41No, Curro.
18:43Don't complicate things any more.
18:45Right now, we just have to think about Manuel.
18:49By the way, I don't even know how he is.
18:52Well, that's why you don't suffer anymore, sister.
18:55This afternoon, I'm going to see him.
18:57Really?
18:59Yes. I'll see how he is
19:01and I can give him the message you want me to give him.
19:03Can you tell him that I want to go see him
19:06and that I want to talk to him?
19:08Miss Catalina told me there was no problem,
19:11but it looks like Manuel doesn't want her to go.
19:14I'm sure it's not that he doesn't want you to go.
19:17It's just that he doesn't want you to see him in that situation.
19:22Curro, I just need to talk to him and give him strength.
19:26It will come out of this, Hanna.
19:29You have no proof against him.
19:33There's something I haven't told you, Curro.
19:38Gregorio and Manuel saw each other the same day he died.
19:43What?
19:45Manuel was helping us protect Mrs. Pia from that monster.
19:50So, is it true what they say?
19:53That Mrs. Pia didn't die and that man came looking for her?
19:56Yes, yes.
19:58Manuel just wanted Gregorio to stay away from her
20:00so he offered him money for her to leave.
20:03And...
20:05Do you think he could have killed that bastard?
20:08Of course, my pulse wouldn't have rumbled.
20:12No, no, no. I don't believe you.
20:16Curro, I'm serious.
20:18Look, I was with Manuel in the front.
20:21And I know what he's capable of.
20:23And he would never do something like that.
20:25Unless he has no other choice.
20:27Curro, I'm not doubting him.
20:28Manuel told me he hadn't done anything and I believe him because he would never lie to me.
20:32But I'm just saying that...
20:34And that you wouldn't blame the person who did it.
20:36And that for people, I could be guilty.
20:39And that it would have been logical for me to have done it.
20:42But please, don't tell Manuel about all this.
20:45Don't share my worries with him.
20:47Right now, we have to think about him.
20:50And I need to get behind him and support him.
20:59Why don't you bring him a letter that I can write?
21:02A letter?
21:04Yes, I can write it now.
21:06I need to tell him how I feel.
21:10And I also need to tell him that I love him.
21:15Okay.
21:17I love you.
21:24It must have been very gratifying to reunite with everyone again.
21:29Yes, well, at least I was able to explain to you why I did what I did.
21:32Although it has also been shocking, Mr. Baeza, because I was able to know the pain they have gone through
21:37by having pretended my death.
21:39I didn't imagine it.
21:41Well, I was more worried about surviving, to be honest.
21:43Well, I assure you that everyone was very distressed.
21:47Well, anyway, everyone appreciates you a lot.
21:52You don't have to be frustrated with that.
21:54Everyone is delighted to see you so happy.
21:56Well, I'll stick with that idea.
21:58With that and that Dieguito is fine.
22:00And that we were finally able to get rid of Gregorio.
22:03And where will they go now that everything is clear?
22:06Will they stay in the cabin? Will they come to the palace?
22:09No, no, no. The boy cannot come to the palace.
22:10It is not a reality.
22:12So I think I'm going to accept the offer that Beni has made to me and I'll go with them to your house.
22:16I think it's a very good idea.
22:18I will consider it as a home.
22:20Well, that's where I am now, Mr. Baeza, in forming a home.
22:23And regarding your situation here, I must confess that I have not been able to address the issue with the Marquises.
22:29Well, I understand that it is not the best time, of course.
22:31No, no. Of course not.
22:33Everything has been very turbulent since the discovery of Mr. Manuel's relationship with Miss Expósito.
22:37In addition, there is the unjust detention.
22:40Well, I hope it ends soon.
22:42By the way, yesterday I went to see him, I didn't tell you.
22:44Ah, no, no, I didn't know.
22:46Yes, to prison. It was a short time and we didn't have much intimacy, but I saw him very whole.
22:49Although he knows everything that comes his way, of course.
22:51I shouldn't have allowed him to get so involved in this matter.
22:54No, not this matter, Mr. Baeza, my matter.
22:56My life and my son's were in danger.
22:58And now I'm worried about the luck that Mr. Manuel may have.
23:01Let's trust justice, although sometimes it doesn't give reasons for it.
23:04Why do you say that?
23:05Do I have to remind you how Gregorio's criminal was released after trying to kill her?
23:11Was that justice?
23:14Mr. Baeza, do you know if Mr. Pellicer is there?
23:19Because I haven't seen him and I guess he's still angry with me.
23:22Well, I wouldn't know what to tell him.
23:24In fact, he is still somewhat resentful of me.
23:27Well, I could tell him that I would like to talk to him.
23:31Look, I'll come to the palace tomorrow at the same time.
23:33Tell him that I want to see him, please.
23:36Have a good day.
23:47Simona, I heard that Mrs. Pia has come. Where is she?
23:52She just left, miss.
23:55What a pity, I wanted to see her after everything that has had to happen.
23:58Well, well, don't worry.
24:01Mrs. Pia will come back, she will visit us and you will be able to see her.
24:04And I guarantee you that she is in one piece.
24:07That woman who doesn't care about anything or anyone.
24:10Oh, Simona.
24:18That's it, that's it.
24:23Miss.
24:28Simona.
24:38You are not like this because of Mrs. Darri.
24:42You have been with a heartbreak for a few days.
24:50I have tried to get Pelayo back and I can't, Simona.
24:54I can't, Simona.
24:58It was bad love.
25:01It was all for Don Pelayo.
25:07Do you know what I'm telling you?
25:09That boy should kiss the ground you step on, okay?
25:14You are giving him a second chance.
25:17I know.
25:18Well, I do know.
25:20Anyone who didn't have a heart as big as yours
25:22would have sent you to fry asparagus.
25:25But you have known how to forgive him.
25:28And that is a virtue that does not abound precisely.
25:36It is that things have happened that you do not know.
25:41I have made a very serious mistake.
25:45I can't believe it, miss.
25:47I can't believe it, miss.
25:50How can that be so serious?
25:56I have to tell you something that I have practically not told anyone.
26:05Now you are putting fear in my body.
26:11Tell me what it is.
26:14What's wrong with you, for God's sake?
26:18Tell me.
26:21That I am pregnant.
26:30Are you sure?
26:35I thought that Count Daniel was a respectful gentleman.
26:39It's just that I'm not pregnant.
26:44Oh my God.
26:46Oh my God.
26:49Do you see? Do you see how I'm not as good as you thought?
26:54Don't worry, miss.
26:57Here is your Simona for whatever you want.
27:01To take care of her.
27:03As always.
27:13Don't worry, miss.
27:15Don't worry.
27:18No.
27:26Have you ever seen such a disgrace?
27:29What's wrong with you this time, miss?
27:31That shameless bitch.
27:33I don't understand, I don't understand why she had to come and relieve all the service.
27:38Do you work here?
27:39And the promise should not be welcome.
27:42Even if it were only because between her and Mr. Baeza they kept us all deceived.
27:46Including you, I suppose.
27:48That's right, I wasn't that much either.
27:51Well, then you should be as outraged as I am.
27:55We are both heads of the service and we have not been slandered.
27:59Where is our authority, Mr. Pellicer?
28:04We cannot allow something like this.
28:06And we must raise a complaint, Mrs. Cruz.
28:08Because she is also outraged by the betrayal of her own husband.
28:14Why can't you let her be, Mrs. Arcos?
28:16No, we must not.
28:18And I'm sure that Mrs. Marquesa will stand by our side.
28:22And we must not allow the slander of Pia to return to the promise.
28:25I'm sure that's what she wants.
28:28Why does she always have to get into everything?
28:33What do you mean?
28:34I mean, why does she always have to smear everything around her?
28:38I don't do such a thing.
28:40Yes, she does.
28:41With Mrs. Darre and with my son,
28:43whom she has been slandering with gossips about his mother's death.
28:46They are not gossips.
28:47You told your son that his mother ...
28:49I know exactly what I told my son.
28:52Why do you have to get into a matter that neither goes nor comes to you?
28:56Am I interrupting something?
28:58Here, Mr. Pellicer, who reproached me
29:02for having told your son the truth.
29:05What are you talking about, Mrs. Arcos?
29:08Well, Mr. Pellicer told his son
29:10that his mother had died of tuberculosis.
29:14And a few days ago, you escaped,
29:16which had been appendicitis.
29:18Two diseases, difficult to confuse, don't you think?
29:22Because in fact, they have nothing to do with each other.
29:25Mrs. Arcos.
29:26Mr. Baeza.
29:28Are you also going to blame me for this misunderstanding?
29:30No.
29:31In this case, the mistake was mine.
29:33I had a confusion.
29:35But that was a long time ago.
29:37You have never been very good at retaining medical terminology.
29:40Don't take me for a fool.
29:42Please, Mr. Baeza.
29:43He already did it with the issue of Pia's death.
29:46Mrs. Arcos.
29:47Mr. Baeza.
29:48I'm fed up with lies.
29:50So please tell the truth once.
29:53And you tell your son,
29:54because the boy has the right to know what happened to his mother.
29:57That boy knows the truth.
29:59His mother died of tuberculosis.
30:01The mistake was mine.
30:02Satisfied?
30:03Satisfied.
30:05Is that true, Mr. Pellicer?
30:07That's right.
30:08He has already heard it.
30:09The matter is settled.
30:11So I ask you not to get involved again where you are not called.
30:14And less in other people's conversations.
30:34No.
30:45Curro.
30:48Adolfo.
30:59Here.
31:01I wanted to see how they treated you around here.
31:05Good.
31:07But I'm glad you came to visit me.
31:10Yes.
31:11Is there any news about the investigation?
31:15Well, they don't have me informed on time.
31:17But apparently I'm the main suspect.
31:23I see.
31:24That doesn't make any sense.
31:26No.
31:27For Sergeant Burdina, my wedding plans are the perfect cover to hide a crime.
31:32What?
31:34What a jerk.
31:35I'm going to talk to him.
31:36Don't even think about it.
31:38Curro.
31:40If you do it, they'll end up asking about Hanna.
31:44They'll ask who the woman he's going to marry is.
31:47And I don't want them to get it.
31:51Manuel.
31:52That will be inevitable.
31:54You don't want to expose her, Curro.
31:58Besides, she must be going through it alone in La Promesa.
32:03I can't be by her side.
32:05Well, you already have yours.
32:10Curro, take care of her.
32:13You're her only support right now.
32:16Tell me something else.
32:18How is she?
32:28Well, there's not much more to say.
32:30She misses you and wants you to leave as soon as possible.
32:34Is that all?
32:36And to drive you crazy.
32:39I don't know.
32:41Is that all?
32:44And to drive you crazy.
32:45Come on, Manuel.
32:46You don't want me to get dizzy here.
32:50Besides,
32:52I wrote you a letter.
32:58Where, I'm sure, I wrote you
33:00all those beauties you're looking for.
33:03No.
33:09The service was very emotional.
33:11Well, some of them were scared to death.
33:14It's not easy to get someone to come back from their grave.
33:17No, it's not.
33:19And they were very upset to be victims of a deception of that caliber.
33:22No, I don't think so.
33:23The vast majority assumed that, well,
33:25it was the right measures given the circumstances.
33:28Thanks to that, Pia is alive.
33:29Yes, everyone thought that bastard was capable of anything.
33:32I hope your murder will be resolved soon.
33:35Because my son can't spend more time in that dungeon.
33:38By the way,
33:39Mrs. Adarri approached the barracks yesterday
33:42to make a sworn statement before the sergeant
33:45and explain his false death.
33:47I understand.
33:48And the sergeant asked about Mr. Castillo?
33:50Well, no.
33:51He already made a statement about it at the time.
33:55Unfortunately, this statement
33:57will not shed light on this matter.
33:59Let's hope his testimony will help you.
34:02And he also went to visit Don Manuel
34:04to thank him for everything.
34:06I am convinced that as soon as he can,
34:08he will do it with you.
34:09It is not necessary.
34:10My only interest was to free you from that criminal.
34:13Dead the dog, the anger is over.
34:14I can't agree more, sir.
34:19Gentlemen, Sergeant Burdino.
34:21I didn't know you were coming.
34:22I asked him.
34:24Tell my wife that the sergeant is here.
34:26And also let the captain know.
34:30Well, I don't know.
34:32I wouldn't know how to tell you just a quick dish.
34:34Well, yes.
34:35It makes a delicious ratatouille.
34:38I would have thought of something a little more elaborate.
34:41I know it's a simple dish,
34:43but he cooks it in a truly sublime way.
34:45A sublime pisto?
34:47I don't want to despise it,
34:49but we can't offer that at our banquet.
34:51Well, tell me then what you had in mind.
34:54Oh, the Wellington salami?
34:56Well, that sounds much better.
34:58It makes it delicious.
35:00In addition, the meat melts in your mouth
35:02and has that spicy point of the old Dijon mustard.
35:05Perfect.
35:06Take a note.
35:07Look, here he comes.
35:09Mrs. Margarita, Mr. Conde.
35:11You have come at the right time.
35:13I called you because we want to make you a proposal.
35:17What do you say?
35:19As you know, Mrs. Margarita and I are going to get married.
35:22And we want to offer a banquet that is worthy of that alliance.
35:26I was aware.
35:27I wanted to congratulate you.
35:30The point is that we have decided to disregard the person in charge of the banquet
35:35and we want to give you that opportunity.
35:38Me?
35:41Are you serious?
35:42It's fabulous news.
35:44I'm sure you'll be up for it, Topé.
35:46Thank you, ma'am.
35:47I'll do whatever I can to not let you down.
35:49I hope so.
35:50Keep in mind that the Florinata of the Malusa Society will attend.
35:53Of course, of course.
35:54It's an honor.
35:56Well, then.
35:57We have no time to lose.
35:59There is a menu to complete.
36:01Do you want us to think about it now?
36:03What a better time, right?
36:06We had thought about Solomillo-Wellington.
36:09What do you think?
36:10I'm sorry to interrupt, but I have something to tell you.
36:13If it's not urgent, we're busy.
36:16Yes, it is urgent.
36:17I had an appointment to go to the barracks to see Manuel,
36:20but due to an incident he had to go before and left without me.
36:23And?
36:24I have to go to her and I wanted to inform her mother.
36:27But you alone?
36:29Yes.
36:30Well, don't talk to me.
36:31You can't go alone, it's a horrible place.
36:33If it's necessary, I'll go with you.
36:35Well, I'm telling you I'm leaving now.
36:36Yes, probably, daughter.
36:38Ignacio, do you mind?
36:39We can close the menu at another time.
36:42Of course, of course.
36:43No problem.
36:44I'll stay ahead with Topé.
36:46I think it's a perfect idea.
36:48Well, thank you very much, dear.
36:52And thank you too, Topé.
37:03Don't worry.
37:04When I left the barracks, I was receiving the visit of his cousin Curro.
37:08We appreciate the difference you have with him.
37:10Don't get confused.
37:12I try to be as fair as I can,
37:14regardless of what his family and position are.
37:19What do you mean?
37:20Are you going to treat him as if he were a vulgar rapist?
37:24I have come to inform you of the progress of our investigations.
37:28Well, that's what interests us the most.
37:30I don't have good news.
37:34Why? Speak.
37:36I will not entertain you in detail.
37:38I will only tell you that all the evidence points to your son
37:41as responsible for the murder of Don Gregorio Castillo.
37:44My God.
37:46Please entertain us in detail.
37:49Please.
37:51All right.
37:52Well, to begin with, he confirmed that he met El Finado
37:55the same day of his death.
37:58I only intended to help one of our employees, Mrs. Adarre.
38:02I know. I already made a statement to Mrs. Adarre.
38:04But how did you allow our son to get involved in such a murky matter?
38:08Cruz, this is not the time to talk about this.
38:10Your husband is right.
38:11Continue that, Gento.
38:13The suspect has also admitted that he was wearing a short gun.
38:17Coincidentally of the same caliber as the one that killed Gregorio Castillo.
38:21As if that were not enough,
38:23on those dates he made some strange money movements.
38:27And he also made the purchase of some train tickets for Madrid.
38:31All that has an explanation.
38:33That's what he says.
38:35That the money was an incentive for Mr. Castillo
38:38and that the train tickets were to leave Luna de Miel.
38:41But I see myself obliged to check it.
38:45And ...
38:46And?
38:47And I don't want to run into problems to do so.
38:52I am aware that you are a very influential family.
38:55Are you insinuating something?
38:57I am stating that you have been carrying out management at the highest level
39:03and I don't want you to get in the way.
39:05What do you mean exactly by that?
39:07Whatever you do,
39:09your son Manuel may spend a long time in jail.
39:38What are you doing here?
39:40I've already had coffee, I haven't ordered anything.
39:43Yes, but ...
39:44Does Mrs. Margarita usually have a tea at this time?
39:47Mrs. Margarita is not here.
39:49She has gone with her daughter to see Manuel.
39:51Wow, how much I always regret it.
39:54In that case, maybe it would be good for you to have a relaxing infusion.
39:58I don't want anything.
40:01Why do you take care of this?
40:02Is there no maid available?
40:07You were aware of Margarita's departure, weren't you?
40:10You didn't come to offer me tea.
40:14You can retire for me, Petra.
40:19I have heard that the preparations for the wedding banquet are not going too well.
40:25Where do you get that from?
40:27Well, to begin with, I am surprised that your fiancée is not here with you,
40:32helping you to organize her wedding.
40:35What else can excite a girlfriend more?
40:39And it is curious, Ignacio, how reality sometimes insists on putting us in our place.
40:46And how it shows us how little we are for the rest of the world.
40:52Excuse me.
40:59Well, are you going to be hired for the banquet, yes or no?
41:02Well, I don't know, Mrs. Simona, I haven't been clear.
41:04I think they have already called you because they want to confirm it, right?
41:07That's what I was thinking.
41:09They have spoken of a Solomillo Wallington, yes.
41:12I am not surprised. You keep this dish.
41:14Worthy of the best banquets.
41:16Come on, come on. You can do it. Your love for Tulope.
41:19Who would also love the Solomillo is the Duchess of Carril.
41:23It is true. In addition, it is a recipe that does not bring great difficulty.
41:27Next time she comes, we will explain it to her.
41:30Let's see if she comes, because she has not appeared here for a few days.
41:32What could have happened? Well, it does not give signs of life.
41:35Maybe she has found out that they have detained Mr. Manuel
41:38for the murder of Gregorio and does not want to be linked.
41:41There you go. You are absolutely right.
41:43Yes, well, it could be that or anything.
41:45Anything.
41:46And I also don't think that the family of the Duchess of Carril
41:48has to stay away from the promise to remain impudent.
41:52And how do you know that?
41:54Do you know anything about that family that you have not told us?
41:57No. No, no, I don't know anything.
42:00All families have their troubled and secret affairs under the carpet.
42:03And the Duchess of Carril's I don't think it's less, I say.
42:06Well, you are the one who is taking things for granted, Vera.
42:10I don't think that under the carpet of the Duchess of Carril
42:12there is anything worthy of mention.
42:14Yes, sure.
42:15Vera, why don't you come with me to the pantry?
42:17I have to get some preserves.
42:20Yes?
42:21Sure.
42:30I have to get some preserves.
42:34Come in.
42:38May I, Mr. Arcos?
42:40Come in, Santos.
42:48I just wanted to know how your day went.
42:52Well, it started badly.
42:54Then it got worse.
42:57And only now it seems that it is straightening a little.
43:03Well, I'm glad for the part that I get.
43:07And why did it start so badly?
43:11Well, actually, the penalties almost started last night.
43:17What happened?
43:18Well, I had a disagreement with Mr. Baeza.
43:21And now, Santos, what?
43:26He thinks I'm not trustworthy.
43:30And that's why they kept me away from that stupid plan
43:33of keeping Pia hidden and pretending to be dead.
43:37But you are the key master of this house.
43:40You must be aware of everything that happens.
43:42Yes, well, it seems that this is not so important.
43:46In fact, your father was not aware either.
43:49And he, like me, is the head of the service.
43:53I suppose he would also blame Mr. Baeza.
43:57Rather, this afternoon they both blamed me.
44:01But that is a ruin, Mr. Arcos.
44:03In other words, my father would rather stand by his friend
44:06than admit that he was wrong.
44:09Well, Santos, we don't just argue about that.
44:13What else happened?
44:15If you don't mind, I'd rather not relive that moment.
44:19I'm sorry it was so unpleasant.
44:22It must be admitted that when my father and Mr. Baeza get together,
44:26they can be truly unbearable.
44:28Well, yes.
44:29Because they both insist on defending Pia.
44:32And that woman has not acted precisely honestly.
44:35Of course not.
44:36I still remember the service crying over her death
44:39and my father determined to make that pathetic tribute.
44:43Yes.
44:44And how quickly they have forgotten the pain
44:46that caused their false death.
44:48And now they receive her as if she were a real heroine.
44:51It's hard to believe, Mrs. Petra.
44:56Surely if she had been a servant,
44:58the one who would have committed such a mistake,
45:00no one would have come alive.
45:04Do you think so?
45:06I'm telling you,
45:08that the people who go with the truth
45:10I'm telling you,
45:12that the people who go with the truth
45:14are doomed to loneliness.
45:17I leave her.
45:22But you know
45:24that you can always count on me.
45:27I will never leave you.
45:32Thank you, Santos.
45:38Have you seen her the same as me?
45:40Vera needed time to make the Duchess of Carril fall from a donkey.
45:43I don't know so much.
45:45She has dropped that the Duchess had a troubled affair.
45:48And that, said by a lady, is a very serious accusation.
45:52Has she not referred to her personally?
45:55She has not spoken of the family, which in this case is the same.
45:57I don't know.
45:58But I recognize that there is something strange in Vera.
46:01It's as if she had an eye for the Duchess of Carril.
46:04And why is that?
46:05Do you know how well this lady has always treated her?
46:08Well, no. Very well.
46:10She has always treated her with deference, with a lot of affection.
46:13And Vera, far from showing gratitude,
46:15is always with the shotgun loaded.
46:17Well, we don't care about that.
46:19Let's finish the eggs for dinner.
46:21But this is the last one I peel, right?
46:23Yes.
46:24How many are there?
46:36Julia?
46:38Curro.
46:43Are you coming to see your cousin Manuel?
46:46And how is he?
46:48The truth is that he does not lose his spirit.
46:51But his situation is getting more and more complicated.
46:54Look at him on the bright side.
46:56He is whole and that means that he trusts that his innocence is proven.
47:00It is a matter of time before things are clarified.
47:03May God hear you.
47:04Come on, Curro.
47:05You have to stay whole too.
47:07And you have to do it for him.
47:08Now is when he needs you the most.
47:11Yeah.
47:12I know. Yes.
47:13But...
47:16But what's wrong?
47:20Not just because of my cousin Manuel,
47:22that I am so restless.
47:24I am also like this for you.
47:26Yes.
47:28I have found out that you have been asking for me for a while.
47:31And for a certain maid.
47:34Why?
47:40For nothing.
47:41I'm just curious about the relationship you have with that Hanna.
47:47And why with her specifically?
47:50Because it is obvious that there is something special between you.
47:53The way you treat her...
47:55No, no, Julia.
47:57I treat all the members of the service equally.
48:01I have seen with my own eyes the intimacy you have.
48:04What?
48:06What have you seen exactly?
48:10I saw you with her in the studio.
48:12Hugging.
48:18Yes.
48:19Yes, it's true.
48:21But...
48:23But what?
48:24That...
48:25It was a consolation hug.
48:27Because of Manuel.
48:28After all, she is his fiancée.
48:31Are you sure you don't have something else with her?
48:33What?
48:34What do you mean by that?
48:36Look, Curro.
48:37I barely know that girl.
48:39She told me about my allergic reaction and her treatment was exquisite.
48:42And of course I am aware of her relationship with Mr. Manuel.
48:46Well, and then?
48:47I'm worried that suddenly she will...
48:50get close to you.
48:51That's interesting.
48:52No, no, no.
48:53For God's sake, Julia.
48:54Really, no.
48:55Don't try to fool me, Curro.
48:56That wasn't a consolation hug.
48:58Julia, really.
48:59It's not what you think.
49:00Of course not.
49:01The girl is taking advantage of your generosity.
49:03And now I understand better the rejection caused by the Marquises.
49:05No, no, Julia.
49:06No.
49:07Really, no.
49:08Maybe we should warn them.
49:09Tell them that she is also getting close to you.
49:11Put them on alert and kick her out of the promise at once.
49:13No, you can't say anything.
49:14But why?
49:15Because Hanna is my sister.
49:16Come on, hurry up, they're waiting for you upstairs.
49:35Hanna, Maria, finish with the trays already, they have to be lifted.
49:43As you command, my dear.
49:44Let's go, Maria. It looks like everyone is in a bad mood.
49:49Well, so another night preparing dinner.
49:53With the servants, Mr. Expósito?
49:56I imagine you will be counting the days for them to serve you upstairs, right?
50:02Sir, how can we help you?
50:06I come to talk to one of the maids.
50:08But I'm glad you and Mrs. Arcos are here.
50:11If you tell me who you are ...
50:13She's here.
50:16In front of me.
50:19Hanna Expósito, I have to talk to you.
50:25You all know the uncomfortable situation that has occurred because of your alleged relationship with my son.
50:31It's a scandal that we can't afford.
50:37Go ahead, I don't wish you any harm.
50:39On the contrary, I wish you all the best.
50:44But far from here.
50:47You are fired.
50:49Thank you very much for your interest, Your Excellency.
51:10Thank you again, thank you.
51:13What did he tell you? Is he going to help Manuel?
51:17His advice is that we find him a good lawyer.
51:21I don't know why, but the more I deal with it, the more I'm interested.
51:25We already fully trust each other.
51:27To the point of telling each other secrets.
51:30Like what?
51:32It seems that our wedding is not a priority.
51:34Of course it is a priority.
51:35But visiting my nephew at such difficult times, I don't think it's something that should be delayed.
51:40In the end, it seems that everything is more important than your own wedding.
51:43Do you know what I'm telling you?
51:45That I am seriously considering postponing the wedding.
51:48This is the payment that corresponds to you.
51:50Thank you very much.
51:52And I wrote you a recommendation so that it will be easier for you to find work in another house.
51:58I thank you from the bottom of my heart.
52:00This afternoon I learned that Hanna was leaving the promise because you fired her.
52:04That dismissal was the only way out.
52:06Look, if we really want to end what Manuel has with that whore, we're going to have to change our strategy.
52:12That won't be enough, Cruz.
52:14We're going to need a miracle.
52:15Are you referring to your wife's death?
52:18Lies and their shortcomings.
52:20It may be.
52:21But I was forced to lie to Mrs. Alcos.
52:24And I hate lying.
52:25I would say so, seeing how well you lied about Pia.
52:28There is another possible explanation for all this.
52:31That when you came to find me, you already knew what you were waiting for.
52:34And I don't know, maybe you saw in me a simple way to solve this whole situation.
52:40Ponto de Pelayo swallows everything.
52:43And here's peace.
52:44And then glory.
52:46And she also has a special privilege for the Duchess of Carré.
52:48Something's going on between them.
52:50I see Vera as usual.
52:52You don't believe it either.
52:53Let's see, Lope.
52:54If we ask you, it's because we're worried about you.
52:57But that's just it.
52:58Of course, Vera.
52:59For us, she's like our little girl too.
53:00And something happens to Vera that is very strange.
53:02And you are also very strange.
53:03You are both very strange.
53:04What is her mother?
53:09For more UN videos visit www.un.org