Tomislav Mix
  • 3 months ago
Transcript
00:00:00Good day to all viewers, this is Sunday at two, and our guest is RenƩ Biturajac.
00:00:27RenƩ, good day.
00:00:28Good day to you too.
00:00:29Nervous?
00:00:30A little, but I've made a deal, here I am.
00:00:32Okay.
00:00:33We're going to talk, the reason for the invitation is the actor RenƩ Biturajac,
00:00:38the one who made the new film Metastase.
00:00:41Introduction.
00:00:42It was made by my colleague Đurđica Čočić.
00:00:44It takes about eight minutes.
00:00:46Warning for those who have sensitive ears, eyes and stomach.
00:00:52Yes, the introductory two minutes, which are actually the introductory two minutes of the film.
00:00:57They don't watch it, because there's everything in it.
00:00:59However, those two minutes are a pretty good illustration of what happens in the film.
00:01:03Let's look at the trailer.
00:01:04After eight minutes, we return to the studio.
00:01:09Hey, what's it called?
00:01:10Vepar with three legs.
00:01:12What?
00:01:13Vepar.
00:01:15You know, since I'm a Vepar.
00:01:17Give me some cheese, man.
00:01:19Look how I reached the mountain.
00:01:21Just for cappuccino.
00:01:24Fuck.
00:01:25Hey, when I get drunk, I'll write to you, bitch.
00:01:27Is that happening to you too?
00:01:29Where are you going?
00:01:31What are you doing?
00:01:32What am I doing?
00:01:33I'm looking at you.
00:01:34Mom, what's for breakfast?
00:01:35Come on.
00:01:36What are you doing?
00:01:37You'll wake someone up.
00:01:38What will I wake up?
00:01:39What are you doing?
00:01:43Zoki, where have you been?
00:01:44Are you alive?
00:01:45Zoki.
00:01:47Where have you been?
00:01:48Motherfucker.
00:01:52Motherfucker.
00:01:53Motherfucker.
00:01:55What are you doing?
00:01:57Motherfucker.
00:01:58How can you drink on the road?
00:02:00You walk down there.
00:02:02I'll call the police.
00:02:04Fuck you, old bitch.
00:02:08Fuck off, you stupid bitch.
00:02:11Let's go to the bar.
00:02:12Where is our old bitch?
00:02:14Fuck you.
00:02:15I'll fuck all of you.
00:02:18I'll fuck you all.
00:02:20Fuck that communist shit.
00:02:22What communist?
00:02:23What do you care?
00:02:24I don't give a fuck about the communists.
00:02:26You're afraid of them.
00:02:27They're not communists.
00:02:28What do you mean?
00:02:29They were communists in 1991.
00:02:31What?
00:02:32You're afraid, you fucking Serbian.
00:02:34You're afraid.
00:02:35What?
00:02:36If you're not afraid,
00:02:37let someone check it out.
00:02:39Come on.
00:02:40Let's go to the bar.
00:02:42I'll fuck all of you.
00:02:44I'll fuck all of you.
00:02:46Let's go to the bar.
00:02:50Let's go to the bar.
00:02:52Let's go to the bar.
00:02:54I'll fuck all of you.
00:02:56I'll fuck all of you.
00:02:58Let's go to the bar.
00:03:00Let's go to the bar.
00:03:02Let's go to the bar.
00:03:04Fuck you.
00:03:07Fuck you.
00:03:10Fuck you.
00:03:14He acted in TV shows, movies, commercials,
00:03:16and in public appearances.
00:03:18But maybe nothing will mark his career
00:03:20as the main role in the film Metastase.
00:03:23According to the director of the film,
00:03:25Branka Schmidt,
00:03:26for Rene Bitorajic,
00:03:27it's the best role so far.
00:03:30There are certain roles,
00:03:32when an actor and a role become one,
00:03:35and when there's a problem to solve,
00:03:37the actor solves those roles.
00:03:39So I think that Krpa will permanently mark
00:03:42Rene from his long career.
00:03:47Fuck you.
00:03:53The film, but also the main actor,
00:03:55satisfied the author of the hit book Metastase,
00:03:58according to which the same-named film
00:04:00and public appearances were made.
00:04:06Rene is brilliant in this film.
00:04:11He played the role of the main negative of Krpa.
00:04:15Some people say that Rene is too old for that role.
00:04:18Did you imagine him as Rene
00:04:20when you were writing the novel?
00:04:23Or did you have a different vision?
00:04:25I don't think he's too old.
00:04:27No.
00:04:28I mean, he played his role perfectly,
00:04:31and that's the generation
00:04:35that started the war
00:04:37in their best years.
00:04:41When the war started,
00:04:43Rene was in his best years.
00:04:46He enrolled in the Academy of Drama Arts in Zagreb
00:04:49and continued what he was already doing as a schoolboy,
00:04:52acting in the ensemble of the Zagreb Youth Theatre.
00:04:55During his studies,
00:04:57he acted in many TV films and drama series.
00:05:01I'm afraid we won't get married.
00:05:03I sleep happily every night
00:05:05just because I don't think how hungry I am.
00:05:08I'll die while the guys are driving BMWs and Mercedeses.
00:05:11That's how they divided the territory.
00:05:13The bigger the guy is, the bigger he says.
00:05:16A new measure for patriotism.
00:05:22In the Oscar-winning film
00:05:24The Land of Nothing,
00:05:26the story of a piece of mined land
00:05:28between two opposing sides
00:05:30was played by a Serbian soldier.
00:05:32I've never worked with an actor
00:05:34who was so ready to come on set like Rene.
00:05:38He fascinated me every morning
00:05:41with new solutions and new ideas.
00:05:47He worked so much on himself and on the script
00:05:50outside, at home,
00:05:52that working with him was a real pleasure.
00:05:55You were like a kind of self-servant.
00:05:58You could only choose.
00:06:00He offered.
00:06:02It's a great thing when you work with an actor
00:06:05and you don't have to pull things out of him.
00:06:08Rene offers you solutions
00:06:10like on a moving track.
00:06:12Solutions that are better
00:06:14than what's written in the script.
00:06:19He was a real pleasure.
00:06:21Rene is a top professional
00:06:23who is rarely found in these parts.
00:06:26The other foot on the other frame.
00:06:29You see?
00:06:31I didn't cause it.
00:06:35But Rene Bitorajac is not just an actor.
00:06:38He's far from the vision
00:06:40of a classic Victorian actor
00:06:42who breathes on the boards.
00:06:44The great hit from the late 90s
00:06:46is the best example of that.
00:06:48He's a part of the adaptation
00:06:50of that piece and the author of the lyrics.
00:07:00It was similar with the Magic Axe show
00:07:03where Starik Filipović was the co-author
00:07:06and director and actor.
00:07:08Many critics judged him
00:07:10as proving how the borders
00:07:12between the stage and the theatre
00:07:14are getting more and more blurred.
00:07:21He writes, he dances,
00:07:23that's what the public recognizes him for.
00:07:26But many remember
00:07:28how a few years ago
00:07:30he was sentenced to life imprisonment.
00:07:33The story is so shocking
00:07:35that it's hard for Rene to talk about it.
00:07:38The point is that that boy
00:07:40was bitten by a witch
00:07:42and that's when
00:07:44very good people got together.
00:07:46More specifically,
00:07:48a well-known humanitarian foundation,
00:07:50Mulja Moto from Djibouti.
00:07:52The widest TV audience recognizes him
00:07:54as Robi from the series Bitanga and the Princess.
00:07:57Do you know how many of us are on the planet?
00:07:59After a few months,
00:08:01you can listen to Petko on the radio.
00:08:22Ironically, Rene Manjko
00:08:24comments on everything
00:08:26from politics to culture.
00:08:28He's laughing his head off
00:08:30in the director's office.
00:08:38Last year, he founded
00:08:40an unusual association
00:08:42with his fellow actors.
00:08:44These are masks of comedy, tragedy,
00:08:46some sort of a casual sign.
00:08:48The director is the name
00:08:50of our cultural and artistic
00:08:52motorist society.
00:08:54And this is a t-shirt
00:08:56from the movie
00:08:58Bikers from Zagreb.
00:09:00The member of the association
00:09:02is Boris Mirković,
00:09:04Rene's childhood friend.
00:09:06They grew up at the same address,
00:09:08went to the same school,
00:09:10went to the same school.
00:09:12A man with his principles,
00:09:14attitudes,
00:09:16works on himself,
00:09:18is self-aware.
00:09:20I think I praise him too much.
00:09:22He has his flaws,
00:09:24his shortcomings.
00:09:26He works on himself.
00:09:28It's very important
00:09:30that a man in his 30s
00:09:32can say,
00:09:34I was like this,
00:09:36I was like that,
00:09:38and now look at me.
00:09:40He worked on himself
00:09:42through his life,
00:09:44which a lot of people
00:09:46don't do today.
00:09:48I think Stas is a mature,
00:09:50smart father and great son.
00:09:54BIKERS FROM ZAGREB
00:09:58Faithful, honest friend
00:10:00who keeps his word.
00:10:02And that's it.
00:10:04Let's start with Metastas,
00:10:06who is the reason for the invitation.
00:10:08A relative of the movie
00:10:10Branko Schmidt says
00:10:12that he thinks the role of Krp
00:10:14will mark his career.
00:10:16I don't know, we'll see.
00:10:18I hope not.
00:10:20I have a lot more to say
00:10:22but I'm completely satisfied
00:10:24with the role of Krp.
00:10:26Schmidt praised me so much
00:10:28that I'm tearing up.
00:10:32Are you satisfied with the movie?
00:10:34Yes, I have to say
00:10:36that I watched it three times
00:10:38while it was not finished.
00:10:40There was an indication
00:10:42that some things will change.
00:10:44I don't know if Branko ever said that.
00:10:46He thought about changing the title.
00:10:48How should it be changed?
00:10:50I don't know.
00:10:52I think it should be something like
00:10:54Fuck Europe.
00:10:56But that was just a thought.
00:10:58It wasn't supposed to be like that.
00:11:00However, Branko brought it back
00:11:02and I'm very happy with it.
00:11:04I watched the movie three times
00:11:06and the third time
00:11:08I watched it on the big screen
00:11:10in the middle of nowhere.
00:11:12Let's do it this way.
00:11:14You said that this movie
00:11:16surrounds you as a political show
00:11:18and you are hosting it
00:11:20as if you are a host.
00:11:22I would like to ask you
00:11:24a classic question.
00:11:26We haven't decided yet.
00:11:28Do we have to choose you?
00:11:30Let's do it.
00:11:32It's like a codex.
00:11:34I said that this talk show
00:11:36is more like a political talk show
00:11:38and I think it can be interesting.
00:11:40It can be very interesting
00:11:42if there is a person
00:11:44who has a revolver on his head.
00:11:46We can do that.
00:11:48I knew it.
00:11:50Where did you shoot the movie?
00:11:52I'm interested in the Zagreb settlement.
00:11:54Were there any problems?
00:11:56Did people argue?
00:11:58We can see that this is
00:12:00a two-minute intro scene.
00:12:02Which Zagreb settlement
00:12:04and did the neighbors argue?
00:12:06Easy. There were a lot of questions.
00:12:08We shot in Zagreb.
00:12:10It's a quarter-length film
00:12:12mostly shot in Zagreb.
00:12:14We shot in Zagreb, Sighet,
00:12:16around the building of Super Andrija.
00:12:18We shot in Petlje,
00:12:20in the center of the city,
00:12:22in Å alata and all the way to Medvedgrad.
00:12:24One part of the film was shot in Sarajevo.
00:12:26Congratulations to the people
00:12:28for this question.
00:12:30Did people argue?
00:12:32We shot the whole night
00:12:34and were driving around
00:12:36like dogs.
00:12:38But people showed themselves
00:12:40as real people.
00:12:42We didn't have any arguments.
00:12:44We chose a good place
00:12:46to shoot.
00:12:48What are the preparations
00:12:50for this movie?
00:12:52Branko Å mit says
00:12:54that he gave you a lot of freedom.
00:12:56Yes, in any case.
00:12:58Branko Å mit decided
00:13:00to use the camera
00:13:02from his hands.
00:13:04One scene, one frame.
00:13:06Without interruption.
00:13:08This is represented
00:13:10by the camera.
00:13:12This requires additional efforts
00:13:14and rehearsals.
00:13:16In such situations,
00:13:18the cameraman must be
00:13:20very present.
00:13:22Director of photography Ruljan Čič
00:13:24was present.
00:13:26Actors were present.
00:13:28But this is not a classic story.
00:13:30A lot of things have to be done.
00:13:32To be in a good state,
00:13:34to speak the text well,
00:13:36to be satisfied with it.
00:13:38How many actors
00:13:40were involved?
00:13:42For example, Fora, Vepar, Nepar.
00:13:44A lot of actors.
00:13:46Let's go back to one more thing.
00:13:48Thanks to the dual climate,
00:13:50we could shoot the movie
00:13:52much longer.
00:13:54We could break the daily schedule.
00:13:56But it turned out to be a great thing.
00:13:58We finished the shooting
00:14:00at 2 p.m.
00:14:02We shot the movie
00:14:0430 days after the start.
00:14:06I had 5 or 6 roles.
00:14:08When I got the role
00:14:10of Krpa on offer,
00:14:12I didn't accept
00:14:14every role.
00:14:16I came to meet Branko Å mita.
00:14:18I watched some of his previous movies.
00:14:20He had to be
00:14:22a bit different.
00:14:24I wanted to see...
00:14:26Would you accept it?
00:14:28It depends.
00:14:30Yes.
00:14:32I wanted to hear how he thinks.
00:14:34I wanted to see his team.
00:14:36It was during auditions.
00:14:38We didn't know each other.
00:14:40He told me
00:14:42that the movie
00:14:44is not a classic.
00:14:46He hopes that
00:14:48he will experience
00:14:50a different youth.
00:14:52I saw that he has a lot of actors.
00:14:54I didn't accept it.
00:14:56I already said
00:14:58that you are
00:15:00acting
00:15:02as a crazy hooligan.
00:15:04Do you know people like him?
00:15:08I don't know anyone
00:15:10like him.
00:15:12I don't know anyone
00:15:14like him.
00:15:16But I'm sure
00:15:18we will meet such people.
00:15:20You have seen such people.
00:15:22We are interested
00:15:24in a character
00:15:26that has no positive side.
00:15:28He is an aggressive guy
00:15:30and he has a lot of enemies.
00:15:32From women,
00:15:34to people
00:15:36who are against him.
00:15:38He can break
00:15:40anything.
00:15:42I can agree with one thing.
00:15:44We are watching
00:15:46a part of a life story
00:15:48about friends
00:15:50who are
00:15:52alcoholics,
00:15:54bad boys,
00:15:56drug addicts.
00:15:58It's hard
00:16:00to find
00:16:02something positive
00:16:04in them.
00:16:06It's not their fault.
00:16:08We are a transit country.
00:16:10We were in a war.
00:16:12It's a reaction.
00:16:14As an actor,
00:16:16I can't accept
00:16:18that there is
00:16:20no positive side.
00:16:22I can't believe
00:16:24that there is such a person.
00:16:26I will give you an example.
00:16:28People who haven't seen the movie
00:16:30are going to a junkyard
00:16:32to get some money
00:16:34for their friends.
00:16:36There is some
00:16:38side to him.
00:16:40But what he does
00:16:42is not legal.
00:16:44Positive intentions,
00:16:46and the junkyard?
00:16:48I didn't say that it's a positive intention.
00:16:50It's an artistic thing.
00:16:52Nobody will understand you.
00:16:54Ivo Balenović,
00:16:56who wrote a metastasis,
00:16:58says that in a society of
00:17:00immoral values,
00:17:02fools like Krpa are easily
00:17:04accused of being leaders.
00:17:06I agree.
00:17:08When we are at school,
00:17:10we find someone who is
00:17:12the leader.
00:17:14In this situation,
00:17:16Krpa is much stronger
00:17:18than his other friends
00:17:20who are already
00:17:22addicted to drugs.
00:17:24They don't have self-confidence.
00:17:26Krpa is much stronger
00:17:28than them.
00:17:30They can find
00:17:32some god in him.
00:17:34Can this movie
00:17:36become an icon
00:17:38of the Bad Blue Boys?
00:17:40Can we identify
00:17:42with these four
00:17:44main heroes?
00:17:48People said that
00:17:50they wouldn't identify
00:17:52with Kolce, Lance and Boxer.
00:17:54However, it became a
00:17:56protective fan song.
00:17:58They will identify
00:18:00with one part of the movie.
00:18:02But will it become
00:18:04an icon of the Bad Blue Boys?
00:18:06I really don't know.
00:18:08I hope they will
00:18:10like the movie.
00:18:12We had Bad Blue Boys
00:18:14as a guest in the movie.
00:18:16We filmed a scene
00:18:18with them.
00:18:20They were so organized
00:18:22and disciplined.
00:18:24Let's watch the scene.
00:18:26The scene.
00:18:28Work title is
00:18:30Home Ready.
00:18:48What did you get?
00:18:50A Serbian haircut?
00:18:52No.
00:18:54We had a fight
00:18:56in Bosnia.
00:18:58I told him
00:19:00not to tell me that.
00:19:02Wait!
00:19:04Motherfucker!
00:19:14Motherfucker!
00:19:16Motherfucker!
00:19:18Motherfucker!
00:19:20Motherfucker!
00:19:40Home Ready!
00:19:42Home Ready!
00:19:44Stredi! Stredi!
00:19:53Well, it's a pleasure to talk to you. How did you shoot this scene?
00:19:58We shot it with a camera with statistics.
00:20:00What? No, I'm kidding.
00:20:01Yes, I'm kidding.
00:20:05So, this looks like you shot it during a match. Did you or didn't you?
00:20:08No, we didn't shoot it during a match.
00:20:10It's not a full-length film, but it conveys the real life.
00:20:15And it looks very authentic.
00:20:17Yes, it looks very authentic, and I'm very glad about that,
00:20:19because mass scenes in our movies often don't turn out the way they should.
00:20:23This looks like there are thousands of people in the audience,
00:20:27but I wouldn't ruin their illusion, so let there be thousands of people.
00:20:32Do you have a fear that the fans won't accept you well?
00:20:35No.
00:20:36So, that they won't accept this crowd?
00:20:41No.
00:20:43That the leaders will be Biturajac and, I don't know...
00:20:45No, no, no.
00:20:46When you watch the movie, you realize that Biturajac is not the leader,
00:20:48and that he's actually a smaller fish than this guy from China,
00:20:51or someone else right next to him.
00:20:53But that's a matter of organization, it's a matter of the movie.
00:20:55I didn't call people, guys, let's go shoot now, it's not my...
00:20:58No, no, but I wanted to ask you that.
00:21:00Were you surprised yourself, or now that you've seen how the scene turned out?
00:21:03Nenad Polimac, a film critic, says
00:21:05that this is the toughest scene in modern Croatian cinematography.
00:21:09Maybe.
00:21:11I'm very satisfied with them, how they did it,
00:21:14so disciplined and with heart.
00:21:17But one small digression.
00:21:18Yesterday, Branko Schmidt called me, and he was very disappointed.
00:21:21What did Branko say?
00:21:23They forbade us to show this for Dom Spremni,
00:21:25and they threw it out of the ForŔpan.
00:21:28That's why I was a little surprised when we saw it there,
00:21:30but I have to say that this movie is one...
00:21:33I think you said that after the press screening of the movie,
00:21:37that this is a concentrate of all the worst things
00:21:40that happened to young people in this society.
00:21:43This movie contains all the elements of the Black Chronicles.
00:21:47From religious, national, racial discrimination,
00:21:52through criminals, drugs, violence in the family,
00:21:55and also fan hooliganism.
00:21:58But he doesn't support that, this movie doesn't support that.
00:22:01If you censor some part of it,
00:22:03it's like hitting your head in the sand.
00:22:05I don't know what that means.
00:22:07Schmidt called me yesterday, so I can't comment on that.
00:22:10I don't know, you should ask Marcin.
00:22:12But I'm pretty sure it's a scene that's not...
00:22:16That could upset someone, but I really don't know what it's about.
00:22:19I hope you'll get all the misunderstandings
00:22:21with those who should advertise this movie.
00:22:24If someone judged Croatia based on this movie,
00:22:26would that be smart?
00:22:28Of course it wouldn't be smart.
00:22:30I think that's just a small part of the people.
00:22:33That's our reality, in a small quantity,
00:22:36but it's a dangerous reality.
00:22:38That's why it's said that such a small part of the people
00:22:41are the metastases of society.
00:22:43But that exists everywhere.
00:22:45That's a small part.
00:22:47We talked about that on a round table after the press conference.
00:22:50And this story, this metastasis,
00:22:52has been followed since the beginning of the novel
00:22:54by some sort of comparison with train-spotting.
00:22:56So if we judged England and Ireland based on train-spotting,
00:22:59we'd come to the conclusion that they're like drug addicts
00:23:02who pee in their pants, fall through the floor,
00:23:04and push their head into a school.
00:23:06Something like that.
00:23:08It's said that in the past, in Yugoslavia,
00:23:10they claimed that a good movie,
00:23:12that it was watched in cinemas...
00:23:14Did you first think that it would be watched in cinemas?
00:23:17This movie has a very good basis for that.
00:23:20The novel written by the metastasist Ivo Belenovic
00:23:23was an absolute hit.
00:23:25After that, there was a performance
00:23:27at the Kerem Puk Metastase theater, which was a hit.
00:23:30There's no reason for a movie to become a hit.
00:23:33However, those who read the book,
00:23:35certainly didn't lose anything
00:23:37if they watched the performance at the theater.
00:23:39And those who read the book and watched the performance,
00:23:41won't lose anything if they watch the movie.
00:23:44One more thing.
00:23:46Let's say I'm walking down the street,
00:23:48and three kids are walking towards me.
00:23:50One of them hits me in the head.
00:23:52Where are you?
00:23:54They already know the names of the characters from the movies.
00:23:56He didn't come to the cinema.
00:23:58I wanted to ask you about that.
00:24:00In the past, there was a saying,
00:24:02that in order for a movie to be successful in cinemas,
00:24:04it has to be Shore, Shege and Sheva.
00:24:06There's only Shore.
00:24:08There's Shege, too.
00:24:10There's not much.
00:24:12We have to praise Hadzikhev Izbegovic
00:24:15and his beautiful role.
00:24:18No, we have to praise all the actors in this story.
00:24:21No, no, I'm talking about Shege.
00:24:23Everyone else did a good job.
00:24:26I'm glad you agree with me.
00:24:28We often say,
00:24:30is there a movie without Ive Gregurovic?
00:24:32In Bosnia, they always say,
00:24:34is there a movie without Hadzikhev Izbegovic?
00:24:36In this movie, there are only two of them.
00:24:38That's true.
00:24:40Let's finish with the Metastases.
00:24:42You're an actor.
00:24:44Are you satisfied with your job?
00:24:46Are you satisfied with yourself?
00:24:48You've been working for 37 years.
00:24:50It's not the time to settle accounts.
00:24:52How does it look when you look over your shoulder?
00:24:54I'm very satisfied.
00:24:56At the beginning, I said that I'm an actor
00:24:58who has a lot to show and act out.
00:25:00But I'm also satisfied with my past,
00:25:02my career so far and its course.
00:25:04How did you end up at the Academy?
00:25:06How did you end up at the Academy?
00:25:08I ended up at the Academy
00:25:10as a logical consequence
00:25:12of what happened to me in my childhood.
00:25:14I've been in a drama studio
00:25:16in Zagreb, KazaliŔte Mladih,
00:25:18since I was 7 years old.
00:25:20I made my first film in 1981,
00:25:22and that was a big role in the film
00:25:24The Guests from the Galaxy,
00:25:26by Oskar DuÅ”an Vukotić.
00:25:28The second film was made in 1986,
00:25:30so I've been working as an amateur
00:25:32for more than the first 5 years
00:25:34of my professional career.
00:25:36So that was my logical consequence,
00:25:38even though it wasn't logical for me,
00:25:40since I tried something else
00:25:42after I finished high school.
00:25:44You tried to go to DIF,
00:25:46but you didn't succeed.
00:25:48Why?
00:25:50Why did you go to DIF?
00:25:52Well, first of all,
00:25:54I was offended by the idea
00:25:56that all the young people
00:25:58in Zagreb, KazaliŔte Mladih,
00:26:00already have some kind of acting background,
00:26:02but that it's a bad, amateur acting background
00:26:04that can't be corrected,
00:26:06and that it's hard for such people
00:26:08to get into the Academy,
00:26:10or not at all.
00:26:12And that was really the case.
00:26:14Only a few people got into the Academy
00:26:16from ZKM.
00:26:18I played football,
00:26:20I felt good, and I wanted to go to DIF.
00:26:22I wanted to spend my whole life in sports.
00:26:24However, I didn't go there.
00:26:26And then, simply,
00:26:28I didn't have a choice.
00:26:30I even submitted some papers
00:26:32to some other faculty.
00:26:34What would you have done?
00:26:36Well, no,
00:26:38it was just so that a person
00:26:40would have a normal life,
00:26:42how it goes, primary school,
00:26:44secondary school, military school,
00:26:46and then, in the third year,
00:26:48you lose another year.
00:26:50However, over the summer,
00:26:52a very, very dear person
00:26:54and very deserving of what I am now,
00:26:56actress Slavica Jukić,
00:26:58called me and said,
00:27:00why don't you go to the Academy?
00:27:02She prepared something for me,
00:27:04she even persuaded me,
00:27:06and I decided to go to the Academy
00:27:08of Drama Arts, where I was accepted
00:27:10from the first year,
00:27:12and here I am today, in DIF.
00:27:14You had a very hard and inaccessible
00:27:16kit, as he said.
00:27:18I read that in one interview,
00:27:20but you changed much later.
00:27:22Well, from that phase,
00:27:24I experience him as a kind of a
00:27:26hard worker, also indisputable,
00:27:28with his own vision, yes.
00:27:30We simply didn't get along at the Academy,
00:27:32especially the first two years.
00:27:34We didn't even hang out,
00:27:36although I had a wonderful company at the Academy,
00:27:38and those student days are one of the
00:27:40most beautiful days in my life.
00:27:42And a person changes over time.
00:27:44Yes.
00:27:46I mean, can you learn acting at the Faculty?
00:27:50What did they teach you well at the Faculty?
00:27:52They taught me a lot of good things,
00:27:54I was lucky, I really had good professors,
00:27:56but when you ask me if you can learn acting
00:27:58at the Academy, the answer is definitely no.
00:28:00Every normal,
00:28:02ordinary person is actually an actor,
00:28:04you just have to accept it
00:28:06at the moment when you have to act.
00:28:08For example, you will now say,
00:28:10did you sleep well?
00:28:12But when you stand in front of the camera,
00:28:14or when you stand in front of the audience,
00:28:16you will say, good afternoon, did you sleep well?
00:28:18It will not sound good.
00:28:20I can learn acting, yes.
00:28:22I can't teach acting,
00:28:24but the very concept of acceptance at the Academy
00:28:26is a bit strange to me,
00:28:28and let's say that there are
00:28:30non-talented people for acting,
00:28:32who cannot become actors,
00:28:34people who have little sense,
00:28:36so they can learn and become actors,
00:28:38and talented actors.
00:28:40That would demotivate me now,
00:28:42when we say that an actor from the 5th grade
00:28:44entered the Academy,
00:28:46and I know for example that he entered the Academy
00:28:48from the 11th grade.
00:28:50Now, he was not talented for the first time,
00:28:52and he is from the 11th grade,
00:28:54but that's a bit up to another test.
00:28:56But in any case, at the Academy,
00:28:58there is something to learn.
00:29:00What did you go through at the Academy?
00:29:02Do you remember?
00:29:04Yes, I remember.
00:29:06Between 120 and 150 candidates,
00:29:08I prepared two monologues.
00:29:10One was from Čelava Pivačica,
00:29:12the monologue of Vatrogasac,
00:29:14and one was quite difficult.
00:29:16It was Romeo,
00:29:18the last scene of Romeo and Shakespeare,
00:29:20and three songs.
00:29:22That's what I went through.
00:29:24However, when you go through
00:29:26those 120 or 150 people,
00:29:28when you go through between 20,
00:29:30you have just entered the narrow election,
00:29:32which now lasts about 7 days,
00:29:34and you have to choose between five.
00:29:36That's a lot of stress.
00:29:38Yes, as you said, actor, actor, actor.
00:29:40Good afternoon, RenƩ.
00:29:42Do you remember the roles of those
00:29:44who make people laugh?
00:29:46People usually remember you
00:29:48for making people laugh,
00:29:50and those who don't know much about acting,
00:29:52and even those who know,
00:29:54but have entered a certain profession,
00:29:56say it's easier to make people laugh
00:29:58than to make them cry.
00:30:00It's easier for him to be a comedian,
00:30:02and I think that an all-around actor
00:30:04should be good at both drama and comedy.
00:30:08Unfortunately, there are people
00:30:10who, simply because of their affinity,
00:30:12from the very beginning of their career
00:30:14went to drama school,
00:30:16followed drama roles all their lives
00:30:18and never got a chance to play anything else.
00:30:20That's different.
00:30:22In my career, I am satisfied
00:30:24because I have a balance of my preferences.
00:30:26For example, I have a balance of 60-40
00:30:28or 70-30 in favor of comedy,
00:30:30and 70-80 in favor of drama projects,
00:30:32as you have shown in the film.
00:30:34But I would never agree
00:30:36that it's easier in comedy than in drama.
00:30:38I have seen it personally
00:30:40in some examples,
00:30:42especially in these humorous series,
00:30:44when various guests come to us
00:30:46who treat themselves as drama actors
00:30:48or real actors.
00:30:50It's very difficult for the jokes
00:30:52to be really funny.
00:30:54One of the roles you are known for
00:30:56and that you are proud of
00:30:58is, I guess,
00:31:00the role in No Man's Land.
00:31:02We have an insert that lasts about 50 minutes.
00:31:04Let's watch it and then we'll talk about No Man's Land.
00:31:06OK.
00:31:10It looks like they have stopped.
00:31:16Where are they?
00:31:18Yours never stops.
00:31:20What about yours?
00:31:22We can't keep up. We didn't start the war.
00:31:24I don't think we did.
00:31:26Jok, Red Khmers!
00:31:28We would only be at war.
00:31:30We are at war.
00:31:32No, you are peaceful.
00:31:34You are a pacifist. Serbia to the Pacific.
00:31:36Don't fight, mother.
00:31:38The whole world is talking, just you and me.
00:31:40What world? Your world.
00:31:42Your TV shows our villages burning,
00:31:44but what they say is that it's your village
00:31:46and that we bombed it.
00:31:48This is what I bombed a while ago.
00:31:50And you are the world, the heavenly people.
00:31:52Don't fight. Look at your methods.
00:31:54That's it.
00:31:56Throwing bombs at the dead is another thing.
00:31:58What's the first thing?
00:32:00Robbing, killing, raping.
00:32:02Who are you talking about?
00:32:04I was there 10 days ago and I didn't have time to see it.
00:32:06I saw my village burning and we didn't bomb it.
00:32:08I don't know. I wasn't there.
00:32:10I was there.
00:32:14Our villages didn't burn, did they?
00:32:16Who killed our people?
00:32:18I don't know.
00:32:20Yours.
00:32:22They shot at you.
00:32:24They didn't recognize me,
00:32:26because they won't conquer this country.
00:32:28I don't need to talk to you.
00:32:30Who forced you to destroy this beautiful country?
00:32:32Was there a place for everything?
00:32:34We destroyed it.
00:32:36You destroyed it.
00:32:38You are crazy.
00:32:40We didn't want to give up, you did.
00:32:42Of course we wanted to give up when you started the war.
00:32:44You started the war.
00:32:46Who started the war?
00:32:48You started the war.
00:32:50Who started the war?
00:32:54We started the war.
00:32:56You started the war.
00:32:58You don't even go to the service.
00:33:00Motherfucker.
00:33:02Get out.
00:33:04Get out.
00:33:06Motherfucker.
00:33:08We started the war.
00:33:14Yes, who started the war?
00:33:16We won't talk about that.
00:33:18You didn't try to do anything outside of the film.
00:33:20You didn't try to do anything outside of the film.
00:33:22You didn't try to do anything outside of the film.
00:33:24That's it.
00:33:26Do you feel sorry for that?
00:33:28No, I don't.
00:33:30Many people asked me that.
00:33:32But I asked myself at that moment.
00:33:34That was my decision.
00:33:36It's not only to try to do something outside.
00:33:38It's not only to try to do something outside.
00:33:40But it wouldn't cost me
00:33:42to take my agent
00:33:44who would throw me somewhere.
00:33:46That was the phase of my life.
00:33:48I almost became self-sufficient.
00:33:50I almost became self-sufficient.
00:33:52I started living my own life.
00:33:56I'm here at home and I have everything.
00:33:58It would be hard to decide
00:34:00to live outside for a longer time.
00:34:02I could try it.
00:34:04But I've seen my career and myself.
00:34:06I don't feel sorry for that.
00:34:08It's a bright spot in my career.
00:34:10Because David Oscar...
00:34:12Not me, but the movie
00:34:14to win an Oscar and play such a big role,
00:34:16in any case, it means a lot,
00:34:18and I just saw that when people from Croatia
00:34:20who live in Los Angeles needed me personally.
00:34:22Come to me, call me, and congratulate me
00:34:24on such a success.
00:34:26Isn't it strange that after the success
00:34:28of No Man's Land,
00:34:30you didn't really get roles in Croatian movies,
00:34:32and in fact, the first main role
00:34:34is the role in Metastasem,
00:34:36in this movie of yours.
00:34:38Isn't that strange for you?
00:34:40Well, it can be strange, but just to say,
00:34:42I'm a man who never suffers in life
00:34:44on awards, nor on the main role.
00:34:46After 17 movies,
00:34:48it's nice that I got the main role,
00:34:50but every movie has its main role,
00:34:52and not every movie is successful.
00:34:54And to be the main role in a movie
00:34:56that didn't do anything,
00:34:58I don't know, it wouldn't mean much to me.
00:35:00That's why I hope,
00:35:02I think I did this role well,
00:35:04but is this good, showing the results
00:35:06of the number of viewers?
00:35:08It doesn't have to be the only indicator,
00:35:10but it's important for many people.
00:35:12But you're working on something that's good,
00:35:14but something that's not bad.
00:35:16It's a bit strange,
00:35:18I don't know, simply,
00:35:20the movies overwhelmed me,
00:35:22but I'm not a man who suffers,
00:35:24so why don't they call me in the movies?
00:35:26Give me a call.
00:35:28I have my own job,
00:35:30and I work slowly and thoughtfully,
00:35:32and here, I got the opportunity.
00:35:34Have you seen the interviews on Živce?
00:35:36Namely, preparing for the show,
00:35:38it's not the case today,
00:35:40but you give quite simple answers,
00:35:42simply expanded,
00:35:44and then you ask yourself,
00:35:46why are you asking me that?
00:35:48Have you seen the interviews on Živce?
00:35:50Does that pressure you?
00:35:52Well, I have to say,
00:35:54that I've changed,
00:35:56because I'm no longer a young actor,
00:35:58now I have something to say,
00:36:00but from the ground up,
00:36:02the journalism is slowly changing.
00:36:04I would gladly give an interview
00:36:06for someone to ask me
00:36:08about something I think
00:36:10would interest the audience or people.
00:36:12So, to talk about my job,
00:36:14not about my private life.
00:36:16No, no, no, the daily room is the most interesting.
00:36:18The daily room is the most interesting,
00:36:20and then the situation happens to me,
00:36:22to say, please, now we have a reason
00:36:24to talk, do you want to talk
00:36:26about the new play?
00:36:28I say, yes, I do.
00:36:30How was it for you to work on that play?
00:36:32I say, great.
00:36:34What were you thinking about?
00:36:36Do you think that journalists
00:36:38don't have the right
00:36:40to believe in intimacy?
00:36:42I mean, it's easy for me to say that,
00:36:44but as a journalist...
00:36:46They have the right to believe in intimacy,
00:36:48but they are journalists,
00:36:50the same as you are,
00:36:52I mean, your interests are the same,
00:36:54but I'm wondering if we should
00:36:56finish some faculty for such a journalist.
00:36:58Well, no, I don't want to make a fool of myself,
00:37:00but I'm talking here about
00:37:02highly intelligent topics,
00:37:04which can also be banal,
00:37:06we don't need to mystify this job,
00:37:08and they live from it.
00:37:10Why? Because people buy it in the stores.
00:37:12Well, yes, the editors will say
00:37:14that people read what they want to read,
00:37:16so that's why they publish it,
00:37:18but I think that people read
00:37:20what they are offered.
00:37:22And for me, it's not just about
00:37:24believing in intimacy,
00:37:26but simply, recently,
00:37:28Crna Kronika has overflowed with freshness.
00:37:30It's like a reality show,
00:37:32you wake up, open the papers,
00:37:34and you feel like a man all day long.
00:37:36You ask yourself if such things
00:37:38haven't happened before.
00:37:40It's not the time to criticize reality,
00:37:42you were leading, if I'm not mistaken.
00:37:44Easy, let me get back to this.
00:37:46I was leading, yes.
00:37:48So, the question arises,
00:37:50wasn't there such a thing before?
00:37:52There was, but for that there was
00:37:54a website called Crna Kronika,
00:37:56and everything was inside.
00:37:58What do you think I was leading?
00:38:00Story Supernova, yes.
00:38:02Well, that's not a reality show.
00:38:04I don't know what it is,
00:38:06it's not even a newspaper.
00:38:08You can tell me, please.
00:38:10It's not even a newspaper.
00:38:12I see it as something positive.
00:38:14I see it as something positive,
00:38:16it's part of the offer.
00:38:18Yes, but let me just give you
00:38:20an example of what I was leading.
00:38:22It doesn't matter.
00:38:24Let me give you an example.
00:38:26Let's say that a top athlete,
00:38:28the leader of our tennis team,
00:38:30graduates from a law school.
00:38:32And in that way he shows
00:38:34that a top athlete with
00:38:36so much wisdom in his life
00:38:38can graduate from such a school.
00:38:40That's a headline in the news,
00:38:42just like in the end of a newspaper
00:38:44where it says, I don't know,
00:38:46a Malaysian baker put his hand
00:38:48in the dough machine.
00:38:50And when we read that Sonja and Renato
00:38:52had a fight over schnitzel in some village,
00:38:54I'm just talking about that.
00:38:56Let it be, but the system of values
00:38:58is changing.
00:39:00Do you have any experience
00:39:02with paparazzi?
00:39:06Has it ever happened to you
00:39:08that someone takes a picture of you
00:39:10in a situation where you don't
00:39:12want to be photographed?
00:39:14How did you react?
00:39:16Of course it happens.
00:39:18We take paparazzi and reality
00:39:20as a small country
00:39:22and a big country.
00:39:24I will give you an example
00:39:26of a paparazzi in Croatia.
00:39:28A woman, a close person to me,
00:39:30got a call
00:39:32from a weekly
00:39:34and called the photographer
00:39:36and said, listen,
00:39:38could you take a picture of a paparazzi
00:39:40so that you can go to Arun
00:39:42in the pre-season, of course,
00:39:44take off your shorts and bathe in Arun,
00:39:46and I'm still taking pictures.
00:39:48So many paparazzi, I don't know.
00:39:50Of course, it's a very difficult job,
00:39:52but to be silent all day,
00:39:54waiting for someone to leave
00:39:56their apartment to make money
00:39:58for a new lens,
00:40:00so that you can do the same
00:40:02from a larger distance,
00:40:04I don't know.
00:40:06I can give you an example.
00:40:08What do you say
00:40:10about Ivan IÅ”ević's behavior
00:40:12in a similar situation,
00:40:14when he is photographed,
00:40:16in a situation where he didn't
00:40:18even have a golf club,
00:40:20and, of course, it was written about.
00:40:22I can understand him completely.
00:40:24I think you can too.
00:40:26I mean, it depends on how much
00:40:28you are, let's say, a paparazzi,
00:40:30you lose some dignity.
00:40:32My child was born,
00:40:34I go out of the hospital,
00:40:36I want to take that child home
00:40:38with a woman, so happy,
00:40:40and around you there are 50 people
00:40:42who push into your car,
00:40:44I don't know, simply,
00:40:46and I don't know how to react.
00:40:48In America, there are a lot of
00:40:50public figures,
00:40:52there are looting,
00:40:54like Britney Spears,
00:40:56and even death, like Lady Di.
00:40:58Of course, it happens to everyone
00:41:00that they are not photographed.
00:41:02I don't want to be photographed
00:41:04when I walk around the city,
00:41:06but, unfortunately,
00:41:08I'm a public figure,
00:41:10and that's why I'm wearing a cap.
00:41:12Let's move on to the topic
00:41:14You admitted in one situation
00:41:16that you crossed the line of self-defense
00:41:18and inflicted a serious physical injury.
00:41:20Did you think at that moment
00:41:22at all, well, you probably didn't,
00:41:24how will that bring you down,
00:41:26how will you send a message,
00:41:28what image will you have after that.
00:41:30So, things are coming together.
00:41:32They used to think that Biturajac
00:41:34was aggressive, now he has only proven
00:41:36that he is. Did you pull out a pull?
00:41:38First of all, I want to thank you
00:41:40for saying that I crossed the line
00:41:42of self-defense, which I never mentioned,
00:41:44so I thanked you.
00:41:46Well, that is,
00:41:48and we saw it in the context,
00:41:50in any case, I knew we wouldn't avoid
00:41:52that question, that it would be
00:41:54one of the points of the agenda,
00:41:56and with that, it is understood
00:41:58that it is a black spot in my private life,
00:42:00and it could be a black spot
00:42:02in my career.
00:42:04I wouldn't talk much about it,
00:42:06but I owe something to say,
00:42:08so I'll say that it was
00:42:10that it was actually
00:42:12a book read today,
00:42:14which, unfortunately,
00:42:16was read by the public,
00:42:18but there was a little
00:42:20changed content,
00:42:22because it was written
00:42:24by journalists,
00:42:26and they knew
00:42:28that a man bit a dog,
00:42:30not a man's dog,
00:42:32so people could experience
00:42:34such an image of me.
00:42:36I absolutely do not run away
00:42:38from my responsibility,
00:42:40and I accept a huge part of the blame
00:42:42in the whole story,
00:42:44but in that context,
00:42:46in that time of definitely
00:42:48media lynching,
00:42:50I was convicted
00:42:52before the verdict.
00:42:54It is now quite difficult
00:42:56to extract the lesson
00:42:58from the whole story.
00:43:00If I were to extract it now,
00:43:02it would not be a real lesson.
00:43:04The lesson would be in such a situation,
00:43:06where there is no shame,
00:43:08or it is better to be in a hospital
00:43:10than in a prison.
00:43:12I do not know.
00:43:14I want to ask you,
00:43:16should the fitness of public figures
00:43:18be longer than that of ordinary people?
00:43:20It is symptomatic that it has never happened
00:43:22to me before in my life,
00:43:24and that it has not happened to me
00:43:26after five years,
00:43:28and I hope that it will not happen
00:43:30to me in my life.
00:43:32And I, and probably you,
00:43:34and maybe you know someone,
00:43:36we are not surprised
00:43:38by the various strange
00:43:40patterns on the road
00:43:42that often overtake us,
00:43:44and we often find ourselves
00:43:46in some unpleasant situations
00:43:48that, of course,
00:43:50we know we have to avoid.
00:43:52However, when you find yourself
00:43:54in a situation where you have nowhere to go,
00:43:56I am sorry for all that,
00:43:58and I hope it will never happen again,
00:44:00I say a part of the blame.
00:44:02I am not surprised
00:44:04by the fact that I am shorter
00:44:06than I am in nature.
00:44:08I am not surprised
00:44:10by the fact that I am shorter
00:44:12than I am in nature.
00:44:14Especially when the plasma is 16.9 cm.
00:44:16But I would say one more thing,
00:44:18I have never imagined
00:44:20that I would be so tall
00:44:22with my 171 cm and 78 kg.
00:44:24I have never imagined
00:44:26that I would be so tall
00:44:28with my 171 cm and 78 kg.
00:44:30I have never imagined
00:44:32that I would be so tall
00:44:34with my 171 cm and 78 kg.
00:44:36I have never imagined
00:44:38that I would be so tall
00:44:40with my 171 cm and 78 kg.
00:44:42I have never imagined
00:44:44that I would be so tall
00:44:46with my 171 cm and 78 kg.
00:44:48I have never imagined
00:44:50that I would be so tall
00:44:52with my 171 cm and 78 kg.
00:44:54I have never imagined
00:44:56that I would be so tall
00:44:58and on both TV programmes
00:45:00I have received an email
00:45:02and one of the viewers
00:45:04states the ideal,
00:45:06they are two the most atypical people
00:45:08to watch at 1PM and in the afternoon.
00:45:10You think this is based
00:45:12on my bald head,
00:45:14but we will have a chat on that later.
00:45:16The role that have been
00:45:18highlighted most to date
00:45:20is also the role of the Robia
00:45:23in The Witch and The Princess.
00:45:25Is there anything new
00:45:27I even got involved in the writing of the script and my colleague Mile Kekin from the frontman group Hladno Pivo.
00:45:31But I like to say that until the producer signed with the TV and Robi with the producer,
00:45:36until then, unfortunately, nothing.
00:45:38However, it is becoming more and more known that the new season of Bitanga and Princess is being filmed from Svibnja on.
00:45:44And I am very happy about that because it is a role and it is a series that I love very much.
00:45:50I often and always take on the role before I decide on it.
00:45:56But it often happens to me that maybe it is not the most ideal project,
00:46:00but I can do something in it.
00:46:02However, Bitanga and Princess are really to my liking and favor from beginning to end and from start to finish.
00:46:07So you wrote the script for one episode?
00:46:10Yes, for two episodes.
00:46:13Fine.
00:46:14Colleague Milorad Bibić-Mosar made something about cellists,
00:46:19but I will tell you about myself and about me.
00:46:21He calls them pelavci.
00:46:23Two and a half minutes.
00:46:27Dear viewers, dear viewers,
00:46:29I know that in today's show you are surrounded by these two charming, hairy gentlemen.
00:46:34But for you to be completely in that show and third without a hair,
00:46:39I must immediately emphasize that this show is being filmed in Brazil,
00:46:42so that the three of us would surely be called Trio Pelinho.
00:46:46But as it is being filmed on Croatian television,
00:46:48the most important thing is that in this difficult time of crisis and recession,
00:46:52Croatian television has saved a lot with today's show.
00:46:56Because as you have the opportunity to see the heads of these two charming gentlemen,
00:47:00A.C. and Rene,
00:47:02so close, shining and bright,
00:47:04that today in the studio, in fact, the reflectors are not even needed.
00:47:07And you know how much those reflectors consume a lot of electricity.
00:47:11When I was young,
00:47:13the hairy men were not in fashion.
00:47:15For those who had a shaved head,
00:47:17it was said that more than them,
00:47:19they were certainly in the right house,
00:47:21there they were cut to zero
00:47:23and now they let them out.
00:47:25So young, beautiful girls
00:47:27at that time ran from such men
00:47:29that their mother, especially their father, would not see them in such a bad society.
00:47:32And then all of us with long hair
00:47:34profited a lot in that situation.
00:47:36And then the time changed.
00:47:38The hairy men came into fashion.
00:47:40I don't know if that's why Ulbriner or Kojak deserve more.
00:47:42And that chance wants to be hairy.
00:47:44And I succeeded.
00:47:46However, it also bothered me
00:47:48when someone said to me,
00:47:50listen, your smart hair ran away from your crazy head.
00:47:52And I was much more fond of a hairbrush
00:47:54that went something like this.
00:47:56The only product, I want to say,
00:47:58does not even touch the hairy.
00:48:00Of all the suggestions for haircuts
00:48:02based on my characteristic hairstyle,
00:48:04it was the funniest for me
00:48:06when a hairy man who has a hairstyle
00:48:08like a soccer player Ruud Gullit
00:48:10said to me,
00:48:12hairiness is a transformation of the head
00:48:14into a guard,
00:48:16first in shape, and then in content.
00:48:18Everyone laughed.
00:48:20I didn't know what to say to him.
00:48:22But the situation was saved by a young,
00:48:24handsome lady who said to Gullit,
00:48:26do you know why we young, handsome women
00:48:28love hairy men?
00:48:30Because their heads remind us of
00:48:32I can't even say which male
00:48:34part of the body
00:48:36that beautiful and funny woman mentioned.
00:48:38Believe me, even all the hairy people
00:48:40in Croatia raised their hair
00:48:42when they heard how much
00:48:44this armored BMW
00:48:46that HDZ is buying for the Prime Minister's needs
00:48:48costs. The truth is,
00:48:50Mr. Hebrang immediately dismantled its price,
00:48:52but I immediately got in touch
00:48:54with Prime Minister Nader
00:48:56and in a long, friendly,
00:48:58tolerant conversation,
00:49:00the Prime Minister accepted my proposal
00:49:02that HDZ immediately sell
00:49:04that BMW and buy
00:49:06the goods for the Prime Minister's needs.
00:49:08Yes, you heard me right.
00:49:10The government syndicates
00:49:12cannot reach a consensus in Croatia,
00:49:14but the Prime Minister and I immediately reached a consensus
00:49:16that the BMW must cost
00:49:18I don't know how many hundreds of millions of euros,
00:49:20but it doesn't matter
00:49:22if his tires are K and his hairstyles
00:49:24are from respected Mr. Aca and respected Mr. Rene,
00:49:26if his tires are hairy.
00:49:28And the goods, as you know, must never be hairy
00:49:30and it can reach every corner,
00:49:32every island in Croatia.
00:49:34We know that not a single car,
00:49:36especially such an expensive,
00:49:38armored BMW does not have to smell.
00:49:40Hello and happy to see you.
00:49:44Hello and hairy were.
00:49:46Hello and hairy were.
00:49:48I don't know if I start first with Nader
00:49:50or with ĆelavoÅ”.
00:49:52I would forget this topic.
00:49:54I wouldn't, I wouldn't. What do you say about this BMW?
00:49:56Well, it's pretty, I like it.
00:49:58Would you like to drive it?
00:50:00Or drive it?
00:50:02Well, why not?
00:50:04I've driven all kinds of miracles in my life,
00:50:06so why not?
00:50:08You have to become a premier first.
00:50:10It's not that easy.
00:50:12Okay, let's go to ĆelavoÅ”.
00:50:14It's really nice, I think
00:50:16everyone could get one of these
00:50:18because one part is going from us.
00:50:20Well, they say it's going,
00:50:22HDZ bought it,
00:50:24but HDZ is partly financed by Proračun,
00:50:26so we can focus on that part.
00:50:28ĆelavoÅ” complex,
00:50:30how did it used to look like?
00:50:32We saw it here in the movie,
00:50:34the left part is missing.
00:50:36Well, it's not missing,
00:50:38it's a little swollen.
00:50:40Okay, you said
00:50:42the complex was there, but it's gone.
00:50:44So, that's one thing
00:50:46that took me 3-4 years of my life.
00:50:48That I didn't experience,
00:50:50and I don't know if people can experience it
00:50:52as something normal.
00:50:54Especially in these years,
00:50:56I don't know what your experiences are.
00:50:58But in any case,
00:51:00it was really hard for me
00:51:02to experience it,
00:51:04and thank God it's all gone.
00:51:06I'm a young actor,
00:51:08but at the Academy,
00:51:10I see it there,
00:51:12and I'm like,
00:51:14when am I going to act
00:51:16when I finish the Academy?
00:51:18I'm so happy that ĆelavoÅ”
00:51:20came to fashion.
00:51:22Yes, but how did it look like
00:51:24with women at that time?
00:51:26It looked like a potato.
00:51:28Yes, a potato.
00:51:30Well, at that time,
00:51:32in the beginning,
00:51:34it was possible to hide it a little.
00:51:36What did you do?
00:51:38It was like this,
00:51:40so it goes down a little,
00:51:42so it gets a little more agile.
00:51:44However, if the wind blows
00:51:46in this direction,
00:51:48then you have to go down the street.
00:51:50These are dangerous combinations.
00:51:52When I couldn't see myself anymore,
00:51:54I started wearing a hat.
00:51:56It happened to me that
00:51:58every year when I go out,
00:52:00I wear a hat,
00:52:02it destroys my hair even more.
00:52:04I didn't believe that one day
00:52:06I would have such complexes.
00:52:08Of course, it happened to me
00:52:10that I met Sura with a hat,
00:52:12and then the second time
00:52:14I went out with a hat,
00:52:16and so on.
00:52:18The second and third time,
00:52:20and so on.
00:52:22In the last film for Metastase,
00:52:24the make-up artist asked you
00:52:26to let your hair down.
00:52:28I thank the make-up artist.
00:52:30I don't know how it came about,
00:52:32but in one interview
00:52:34another name came up.
00:52:36I thank the make-up artist
00:52:38from the bottom of my heart
00:52:40for good make-up and good suggestions.
00:52:42She actually suggested
00:52:44that I let my hair and beard down
00:52:46to be different at the start
00:52:48than I am visually.
00:52:50I don't have a need for it,
00:52:52because I do my job
00:52:54in a different way,
00:52:56and I don't need a wig on my head
00:52:58every time.
00:53:00I thought it was a good suggestion,
00:53:02and I let my beard and hair down.
00:53:04I knew from my beard
00:53:06what I would look like,
00:53:08but I hadn't seen my hair for a long time.
00:53:10How did it look?
00:53:12It looked bad, I don't know.
00:53:14Do you have that characteristic
00:53:16curly hair in the game?
00:53:18No, I don't.
00:53:20I have a lot of it.
00:53:22I even have a haircut
00:53:24that I didn't know I had.
00:53:26I thought it wasn't good
00:53:28for my role,
00:53:30because I look like a guy
00:53:32who sits in front of a computer.
00:53:34I don't know,
00:53:36I look like a guy
00:53:38who sits in front of a computer.
00:53:40It didn't suit me.
00:53:42However, I held on all summer
00:53:44and six days before the start
00:53:46of the festival,
00:53:48I shaved my beard,
00:53:50and I showed my good will.
00:53:52And from my beard,
00:53:54I looked like Filip Šovagović.
00:53:58I once asked you two,
00:54:00you and Tarik,
00:54:02a digression.
00:54:04Did it bother you
00:54:06that you were constantly
00:54:08linked to each other?
00:54:10We were,
00:54:12but it didn't bother me.
00:54:14I have a very good haircut.
00:54:16I look good.
00:54:18We ran into the fact
00:54:20that we work together,
00:54:22that we complement each other,
00:54:24that we do a lot of projects together,
00:54:26and that people even invite us
00:54:28to projects together.
00:54:30Of course,
00:54:32what had to happen
00:54:34happened,
00:54:36but it was a nice period
00:54:38and it didn't bother me.
00:54:40They once asked you
00:54:42to go to Severino.
00:54:44Although Tarik admitted
00:54:46that his girlfriend
00:54:48didn't like him.
00:54:50What has changed since then?
00:54:522001, Playboy.
00:54:54It has changed so much
00:54:56that we haven't seen it in Playboy.
00:54:58Today, who would like to see it?
00:55:00There are a lot of good women in Croatia.
00:55:02Today, a married man...
00:55:04It's not like that,
00:55:06but there is no one
00:55:08I really want to see.
00:55:10Do you know any public figures
00:55:12who have often complained
00:55:14that a lot of their photos
00:55:16have been taken naked
00:55:18or at least half-naked?
00:55:20It's a matter of appearance.
00:55:22We'll talk about that later.
00:55:24Also,
00:55:26why don't you hang out with a man?
00:55:28He cares about his appearance.
00:55:30Sometimes you admit
00:55:32that you go to the sauna.
00:55:34If I'm not mistaken,
00:55:36there was a story
00:55:38that you went to the sauna
00:55:40to correct your nose.
00:55:42Then you go to the gym.
00:55:44That's not good for men.
00:55:46Isn't that narcissism?
00:55:48That's stupid.
00:55:50They always mention
00:55:52some kind of metrosexuals
00:55:54and some kind of Balkan type.
00:55:56It's even easier for women
00:55:58to say they like people
00:56:00who wash themselves
00:56:02than those who...
00:56:04I don't have a problem with that.
00:56:06I'm a public figure.
00:56:08The gentleman just said
00:56:10that we've been watching
00:56:12a lot of TV
00:56:14but we didn't watch
00:56:16a lot of make-up.
00:56:18I'm a public figure
00:56:20and I have to keep to myself.
00:56:22I mean, I don't have to
00:56:24but I do.
00:56:26There are people
00:56:28who are public figures
00:56:30and don't keep to themselves.
00:56:32I see the best in that.
00:56:34You've been writing songs
00:56:36for a long time.
00:56:38Was there a moment
00:56:40when you were writing songs?
00:56:42When you mention 2001
00:56:44which was only 8 years ago
00:56:46and when you mention
00:56:48what was 15 years ago
00:56:50it's a long time ago.
00:56:52I can see how much I'm changing
00:56:54and how old I am.
00:56:56But yes, I was writing
00:56:58some songs
00:57:00that were for me.
00:57:02I didn't show it to anyone
00:57:04in my life.
00:57:06I didn't read it.
00:57:08I know why you said that.
00:57:10You wanted to show
00:57:12that you're emotional.
00:57:14That you're not like
00:57:16you think you are.
00:57:18You generalize.
00:57:20Of course not.
00:57:22I'm a person
00:57:24with a lot of emotions.
00:57:26A man of blood and flesh.
00:57:28I don't write songs anymore
00:57:30but writing is
00:57:32my big hobby.
00:57:34I often receive invitations
00:57:36and I often write something
00:57:38that I'm very satisfied with.
00:57:40Do you have any idea
00:57:42what you're doing right now?
00:57:44Are you a screenwriter
00:57:46or a director?
00:57:48Or are you writing a script
00:57:50for a movie?
00:57:52I don't have an affinity
00:57:54to become a movie director.
00:57:56You wouldn't judge yourself?
00:57:58I wouldn't judge myself
00:58:00right now but
00:58:02I would in the future.
00:58:04As for writing,
00:58:06I've written a lot of things
00:58:08in my life.
00:58:10I've written
00:58:1224 episodes in 3 minutes.
00:58:14I've written
00:58:16various stories
00:58:18that were published
00:58:20in some newspapers.
00:58:22I've written scripts
00:58:24with Tarik.
00:58:26I've won the award
00:58:28three times.
00:58:30That's my hobby.
00:58:32I love writing.
00:58:34But I've changed a lot
00:58:36compared to the past.
00:58:38I used to write a lot
00:58:40but now I'm very satisfied
00:58:42with what I've written.
00:58:44Should Croatian actors
00:58:46be ashamed of their roles
00:58:48in soap operas?
00:58:50I'm talking about
00:58:52national TV shows
00:58:54and I don't think
00:58:56they should be ashamed.
00:58:58If I had to answer
00:59:00in two words,
00:59:02I would say
00:59:04they shouldn't be ashamed.
00:59:06People react to soap operas
00:59:08in a strange way.
00:59:10People who watch
00:59:12soap operas
00:59:14get angry.
00:59:16I know a lot of people
00:59:18who won't admit
00:59:20that they watch it.
00:59:22It's profitable for a lot of people.
00:59:24For producers, for TV.
00:59:26It's good for viewers
00:59:28because it has viewers.
00:59:30Maybe it's
00:59:32housewives
00:59:34or
00:59:36pensioners
00:59:38but in any case
00:59:40it has an audience
00:59:42and it satisfies them.
00:59:44There are good and bad
00:59:46soap operas.
00:59:48We remember the early 80s
00:59:50with Linda Emas and Dynastia.
00:59:52I agree.
00:59:54You told me yesterday
00:59:56that life is beautiful.
00:59:58Why?
01:00:00I don't know.
01:00:02Beautiful things happen to me.
01:00:04I live comfortably.
01:00:06I've been a free artist
01:00:08for a long time
01:00:10and I do what I love.
01:00:12You need a lot of luck
01:00:14and talent.
01:00:16I'm satisfied with my job
01:00:18especially with my love life.
01:00:20I think that love life
01:00:22and family
01:00:24is very important.
01:00:28You told me
01:00:30that the premiere is tomorrow
01:00:32and you're going with your wife.
01:00:34You said that you'll tell us
01:00:36not to make this show yellow
01:00:38but to tell us
01:00:40your story.
01:00:42Yes.
01:00:44I've finally found
01:00:46my family.
01:00:48I'm 37 years old
01:00:50and I have a happy family.
01:00:52I recently became a father.
01:00:54I'm 2 years and 3 months
01:00:56older than Gabriela.
01:00:58I'll soon become a father again.
01:01:00You have an exclusive
01:01:02so I'll tell you first.
01:01:04I'm very happy about it
01:01:06and I feel blessed.
01:01:08Thank you for your time.
01:01:10Thank you for inviting me.
01:01:12Dear viewers, that's all for today.
01:01:14Next week's guest
01:01:16will be Božidar Maljković.
01:01:18Božo Maljković is a coach
01:01:20of the legendary team
01:01:22Jugoplastika which celebrates
01:01:2420 years of winning
01:01:26European titles.
01:01:28See you in a week.
01:01:44Subscribe
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