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00:00:00Hello, dear viewers of Croatian TV, welcome to another episode of Sunday at 2.
00:00:29I know that many of you are surprised, some of you are shocked, why there is no Aleksandar Stanković, the man who arranges and leads this show since last century.
00:00:39In fact, why would he lead every show?
00:00:41Nowhere does it say that he must be the host of every show, and this show is not called for one-hour Stanković, it is called Sunday at 2.
00:00:48So, now that we have clarified this, let's move on.
00:00:51For our guest today is the legendary Sarajlija and the protective sign of Sarajevo, Davorin Popović, he said just one word, a legend.
00:01:01For our guest today is another legendary Sarajlija and the protective sign of Sarajevo, Mirza Delibašić-Kinđe, he said just one word, a man.
00:01:11For our guest today is another legendary Sarajlija and the protective sign of Sarajevo, Slobodan Bodok-Ovačević, he said just one word, kindness.
00:01:21For our guest today is the esteemed Split journalist and journalist Ante Tomić, he said just one word, humanity.
00:01:29For our guest today is a famous Sarajevan journalist and journalist Miljenko Jergović, he said just one word, a singer of lost memories and Bosnia that no longer exists.
00:01:43When our guest today had a hard time and was struggling for his life, the whole of Croatia, the whole of Bosnia and a lot of the world was worried about him in the former Yugoslavia.
00:01:57The president of Croatia, Stipe Mesić, sent a letter of support to our guest today, where he offered to help him with anything he needed.
00:02:09The support was also sent to him by Minister Dragan Primorac, who sent him a book in the hospital with a touching dedication and many, many, many other politicians.
00:02:19And touched by the attention of well-known and unknown people, our guest today, among others, said this.
00:02:25What is happening to me now, in these difficult times, actually gives me hope that there is not only hatred, but also love.
00:02:34On behalf of this love, I would, unlike Ace Stanković, welcome our guest with a letter and ask a dear colleague to join me in singing this letter.
00:02:46Good day to you.
00:02:47Colleague, good day. Thank you.
00:02:48Thank you for inviting me to this beautiful evening.
00:02:50Well, if you show up, you will be real next time for sure.
00:02:54Okay.
00:02:55I would, for example, like this.
00:02:57And I would sing you a story in a letter.
00:03:03There is still love like oil in a candle.
00:03:09If I could call you in a letter, I would give my life for a beer.
00:03:17So that Baren comes back again, the time when we were happy.
00:03:25If I could call you in a letter, I would not stop drinking.
00:03:33So that Baren comes back again, the time when we were happy.
00:03:44Once again, good day and welcome to the show.
00:03:48Thank you. How are you?
00:03:49Good, how are you? Good day to you.
00:03:51Well, nothing, introductory question.
00:03:53So, how are you? You came to Zagreb.
00:03:55Let's go.
00:03:56Hello.
00:03:57So, you feel good?
00:03:58Well, much better.
00:03:59Much better.
00:04:00I feel much better every day.
00:04:02Physically, let's say, 10 days ago, I could not do something like this.
00:04:05I had to do it all the time.
00:04:06Now, my reflexes are better.
00:04:10I can move my head like this.
00:04:12Is it like in a movie?
00:04:13Do you sit down and move your head every day, at every moment?
00:04:15I have improved a lot.
00:04:16Bravo, bravo.
00:04:17Just like that.
00:04:18And how are things in Zagreb progressing?
00:04:20As far as our guest today is concerned,
00:04:23colleague Špela Cvitković has analyzed a little,
00:04:26made an addition of 4 minutes.
00:04:28I should always mention those minutes, but what can I do.
00:04:314 minutes and 4 seconds.
00:04:32Yes, 4 seconds.
00:04:33Let's watch it.
00:04:59Zagreb, Serbia
00:05:17Exactly three months after the heavy traffic accident,
00:05:20we visited the master of folk music in the region, Halid Bešlić.
00:05:24He feels good at our joy,
00:05:26and he admitted to us that the day before he had his first tone rehearsal.
00:05:29He was satisfied with how it sounds,
00:05:31and he is sure that after a long, warm summer, he will be on stage again.
00:05:35When I first sang this song,
00:05:37it was the last year,
00:05:39Dorović was playing the harmonica,
00:05:41and then I sang that song,
00:05:42Čeher, Radevanja, Luka, Mila.
00:05:44And then I came to the band,
00:05:46and I came to the audience,
00:05:47and I sang without a microphone.
00:05:50And then, when I finished it,
00:05:52an eruption occurred.
00:05:53It's not applause, it's an eruption.
00:05:55Maybe it's not a concert,
00:05:57but it was an experience.
00:05:59Since he started his music career 30 years ago,
00:06:02Halid has recorded more than 16 soundtracks.
00:06:05He has held more than 1,000 solo concerts around the world.
00:06:08Guests are welcome everywhere.
00:06:10Since 1983,
00:06:12says his friend,
00:06:14a lyricist named Gljiva,
00:06:16they have been on tour for seven years non-stop.
00:06:18They went from town to town,
00:06:20and experienced ovacies.
00:06:22We did it all naively,
00:06:25from this aspect,
00:06:26now that I look at it, I think amateurishly.
00:06:28But it turned out that we are great professionals,
00:06:31as if we were born on the stage.
00:06:33His first performance, it seems to me, was in Derventa.
00:06:35The hall was immediately full.
00:06:38The second performance was, it seems to me, in Modrić.
00:06:44He couldn't enter the city.
00:06:47He asked Halid Vešlić,
00:06:49people, what's going on, I have a concert,
00:06:51can I come there?
00:06:52Well, he says, these are all sent to your concert.
00:06:55Although a foreigner in Croatia,
00:06:57Halid says that he considers himself a domestic brand in it.
00:07:00Thousands of messages of support from Croatia
00:07:02merged into his honest appeal after the tour.
00:07:05We are all unhappy,
00:07:07worried about Halid,
00:07:09but his son, in a way,
00:07:11I say, God forbid,
00:07:13that something like that happens to me,
00:07:15just that my son is like that,
00:07:17as he was Halid, and the lady too.
00:07:19But all my friends,
00:07:21all my friends say that they will kill themselves
00:07:23if something happens to him.
00:07:25Well, imagine how much love it is,
00:07:27and what a connection it is.
00:07:29No, no, Halid is a man of heart,
00:07:31and the people do not recognize it,
00:07:33and the people adore him,
00:07:35and it is not my fault that he is much more popular than me.
00:07:40Our surprise for Halid's friend
00:07:42was the vocalist,
00:07:44Bosnian-Herzegovina harmonica player,
00:07:46Ivo Milolož.
00:07:48We, Halid, sing for the best in life.
00:07:50I can sing, I can sing,
00:07:52I have a voice, I can't sing out of tune.
00:08:09Let's go, easy!
00:08:20Who would have thought...
00:08:40As Ciro and Nazve say,
00:08:42Who would have thought a magic would happen,
00:08:45And you, Miljacka,
00:08:47That I can't come to you, and I can't pass by your face.
00:08:56Congratulations.
00:08:58Who would have thought that this would happen to you?
00:09:00Me. What can you do? But it's good. Really good.
00:09:04You said that after an unfortunate accident, dear Allah puts people he loves on trial.
00:09:11How did you go through this trial? And how do you get through it?
00:09:15Believing in God and believing that it's fate, it's much easier.
00:09:25I just realized what was going on.
00:09:28I just went back and contacted people.
00:09:32People either support you or they are nothing to you.
00:09:36A lot of smart people I've talked to,
00:09:41people who had the same problems as me.
00:09:45I realized that I lost my eye.
00:09:49How did you recognize it?
00:09:50It was a shock.
00:09:52It was the first time. I didn't even tell my wife.
00:09:57I was shocked, but I realized that I can see again.
00:10:02I can see enough.
00:10:04I remember people who can't see.
00:10:07When I went to the military, I saw a guy who lost his eye in the war.
00:10:14I didn't even notice it.
00:10:18You can't see when you can't see.
00:10:21How do you feel? It's good.
00:10:24How did you have problems in the beginning?
00:10:27I didn't leave the house for a year.
00:10:29I didn't leave the house for a year, but when I drive a car,
00:10:34it makes me braver.
00:10:37I believe in the future.
00:10:40I don't see what I should see, but I see as much as I should.
00:10:45What does it mean, you can't see?
00:10:47How did you lose your eye?
00:10:49When I lost my eye, I didn't have any options.
00:10:55I could only read with my eyes.
00:10:58Now I need to wear glasses.
00:11:03I need to get used to wearing glasses.
00:11:06It's a habit.
00:11:08I need to get used to wearing glasses.
00:11:11And I need to see with both eyes.
00:11:17Now you are talking about diopters and glasses.
00:11:20That's how it is.
00:11:22You lost your eye, you can go back.
00:11:25Yes.
00:11:26I was also worried about my teeth.
00:11:30I'm well packed for a dentist.
00:11:33But I'm worried about everything else.
00:11:36I'm worried that they're going to deconcentrate me.
00:11:39I remember my tongue, my teeth.
00:11:43And everything else.
00:11:46Especially when you sing.
00:11:48I told myself to record myself.
00:11:51I recorded 10 songs.
00:11:53I thought that what I hear when I talk,
00:11:57when I talk to you, I think that I'm biting.
00:12:00But when I recorded it, I saw that it wasn't there.
00:12:03I'm still not used to it.
00:12:06You talked about how the world looks through new glasses.
00:12:11You're talking about specific glasses.
00:12:14They say that every evil is good for someone.
00:12:17I have the impression that you got,
00:12:19although you always had those glasses,
00:12:21that you got beautiful glasses
00:12:23through which you see the world
00:12:25more clearly than you saw it before.
00:12:27And that is evidenced by your statement
00:12:29where you say, and here Moser mentioned,
00:12:31that he talked about your tragedy as if it gave hope
00:12:34that there is love in our spaces, not only hatred.
00:12:37And now you used a really nice word
00:12:39that when people don't pay attention,
00:12:41it doesn't look that nice.
00:12:43But you said, I realized that after the support
00:12:45that people gave me,
00:12:47I realized that we can take care of each other.
00:12:50That's right.
00:12:53I've been doing this for 30 years.
00:12:55There are no villages in the area of former Yugoslavia
00:12:58that have a house of culture.
00:13:00I haven't been there.
00:13:02That's a big story.
00:13:04That's 15-20 years ago.
00:13:06Before the war, there were tournaments every day.
00:13:09You connect the region from village to village,
00:13:12traveling, and so on.
00:13:14And then people know me.
00:13:16They don't have to like my songs.
00:13:18Now they know your name.
00:13:20They don't have to listen to Narodnjak,
00:13:22but they know that I'm there.
00:13:24I knew some jazz musicians.
00:13:26I didn't listen to jazz music.
00:13:28But I knew a lot of their musicians.
00:13:30One of them played for me on an album.
00:13:32Stjepko Gut, a legendary musician,
00:13:34played for me on my album.
00:13:36So when this happened to me,
00:13:38the reaction was invisible.
00:13:40I didn't know what to do.
00:13:42I didn't know what to do.
00:13:44I didn't know what to do.
00:13:46I didn't know what to do.
00:13:48The reaction was invisible.
00:13:50The reaction was invisible.
00:13:52I didn't know that.
00:13:54I didn't know that.
00:13:56But the most visible reaction
00:13:58was when they tell me
00:14:00that everything was good
00:14:02when I was recording,
00:14:04and then they told me
00:14:06that the Croats liked me the most.
00:14:08How so?
00:14:10I don't know.
00:14:12I don't know.
00:14:14I mean, I'm glad,
00:14:16I have one year and two days in Croatia, my popularity has increased, I was always popular, but the last three years, four, it's gone out of control.
00:14:31This is your statement, that we can watch out for each other. Many are sceptical today, they will say that what happened to us in the last 20 years is unscientific, but if nothing else, you are a man who has the right to that kind of optimism.
00:14:48Because many people do not care that we did not watch out for each other.
00:14:52I think that it is hope, and when you have hope, it is easier to live. I do not believe in love, it does not make sense in my life.
00:15:06Do you ever doubt the meaning of love?
00:15:09When there was a war, I knew that I would not sleep at night. I was in Germany, I was not there, but regardless of whether I was in Germany or not, I was as if I were somewhere down.
00:15:22I just think, I can not sleep at night. God knows what this is.
00:15:28Hope for the better was always there, and today, if it were not for that, it would not make sense.
00:15:33I do not talk about how many generations have changed in thinking, education, culture, everything.
00:15:41You know, in my time, if you did not know 10-15 verses, you were not in heaven. Today, if you are not on the song, you are not in heaven.
00:15:56Yes, I have changed a little. The more that optimism, the better.
00:16:02Do you think that singers in society can change something for the better?
00:16:06They can change for the better. I do not think they are changing. We are here without importance.
00:16:11As far as politicians are concerned, no one is changing. They have power and strength.
00:16:15But singers who can bring good messages, to make people laugh a little, to gather the masses, to have a positive impact.
00:16:25To send a good vibration.
00:16:27Well, yes.
00:16:28Have you ever considered, after the misfortune, that you will never sing again?
00:16:33Well, that was the beginning.
00:16:35What would life look like without songs?
00:16:39I do not know. I can not even think about it. I am tired of songs. I am tired of traveling.
00:16:46I could not travel for 4-5 years. To be blocked in one place, although it is harder.
00:16:54But not to sing, that would be a tragedy.
00:16:59Your son said, after the misfortune, do not worry about Halid, just prepare 3 arenas.
00:17:04Is your son an optimist?
00:17:07Yes, he said that. He does not like to talk.
00:17:14When I woke up, my wife and he were there.
00:17:24When we were talking, I asked him, did he ask for me?
00:17:35Then he started laughing.
00:17:39Who surprised you the most with this message?
00:17:42Politicians. I did not expect politicians to call me.
00:17:46Everyone is in the region.
00:17:49So many people came to pray for my recovery. Massively.
00:18:00People talk to me, I can not avoid it.
00:18:04How do you explain it to yourself?
00:18:07I knew he loved me.
00:18:09How does he love you and those who do not listen to you?
00:18:12I believed in people as much as I could.
00:18:17There is no explanation for that.
00:18:21People love me or not.
00:18:24I have been in those houses for a long time.
00:18:29My song has been with me for a long time.
00:18:33I have a colleague who called me before the show.
00:18:38You are popular in Croatia for a few years.
00:18:47How did this popularity come about?
00:18:50I was popular because I listened to folk music.
00:18:54This world that does not listen to folk music is ours.
00:18:58A few years ago, a Croatian press wrote about me.
00:19:10People started to write about my songs.
00:19:13There were 5-6 mega hits.
00:19:16They were urban folk songs.
00:19:23The songs were written by serious composers.
00:19:28The songs were of high quality.
00:19:31We always separated them from the crowd.
00:19:35I'm interested in that.
00:19:37You yourself say that urban folk is what makes you run away.
00:19:43I do not know.
00:19:45Maybe my songs smell like urban folk.
00:19:48That was before.
00:19:51Urban folk is the fault of the composer who makes the songs.
00:20:00He takes a Greek song, removes the voice of the singer,
00:20:05removes the text, and on the music meter,
00:20:09he makes a new text and the singer sings it.
00:20:12It's a song that makes you dance.
00:20:16That's why the series of Tuscan, Greek, Melos, Istok started.
00:20:22They took the kings from each country.
00:20:25These domiciles were based on ethnic elements.
00:20:31These songs are easy to recognize and are of high quality.
00:20:37You defined yourself as a fine folk singer.
00:20:41Yes.
00:20:44A song must have a fine text and a beautiful melody.
00:20:48It must smell like these ethnic areas.
00:20:51We all have it here.
00:20:53Let's focus on folk elements.
00:20:57When our academician Muhammad Filippovich told me,
00:21:04he said to me,
00:21:06when you sing, you are a Bosnian.
00:21:11When I open my mouth, you can see that I am a Bosnian.
00:21:17How would you define yourself as a Bosnian?
00:21:20What is a Bosnian?
00:21:22Is it a stereotype?
00:21:24It's not a stereotype.
00:21:26It's not original.
00:21:28We have it.
00:21:30It can be classified as a civil code,
00:21:35or it can be classified as stupidity.
00:21:38I'm kidding.
00:21:40For me, it's a civil code.
00:21:43It's a civil code.
00:21:45It's not stupidity.
00:21:47In the former state, there are jokes about it.
00:21:50That's right.
00:21:52For me, it's a civil code.
00:21:54It's not negative.
00:21:56Who do you like to listen to on the Croatian radio?
00:21:59There are a lot of them.
00:22:01We separated the Slagaj variant 30 years ago.
00:22:05Oliver Dragović, Oliver Dođibonja, Dinje Badić.
00:22:10We have a lot of them.
00:22:12When did you leave?
00:22:14I left even before Oliver.
00:22:17I remember...
00:22:19I'll give you an example.
00:22:21I came from Romania to Sarajevo, to high school.
00:22:24I was 67 or 68 years old.
00:22:28I took the bus to go to Romania.
00:22:31I went home during the weekend.
00:22:33I couldn't forget that day.
00:22:36The song was called Proplaka Čezora.
00:22:39I was standing at the station.
00:22:41I was listening to the song.
00:22:43That's how I experienced the song.
00:22:46It's like a medley.
00:22:48It has elements of the people, elements of Dalmatia.
00:22:51That melody.
00:22:53To this day, I think it's the best song.
00:22:56Hello, Misha.
00:22:58You said you would like to do duets with Vano.
00:23:02If I'm not mistaken, with Nino.
00:23:05Maybe they are the only ones.
00:23:07I don't know Vano very well.
00:23:10But I know Nino.
00:23:12He has that story in the air.
00:23:16It's worth it.
00:23:18It's the best song.
00:23:20Actually, this song was written by Hari.
00:23:23I was supposed to do a duet with Hari.
00:23:26We didn't have a song.
00:23:28I didn't have anything.
00:23:31I told Hari to do a duet.
00:23:34He went to Zagreb.
00:23:36He accidentally met Nino.
00:23:38They could have done it.
00:23:40That's how the song was born.
00:23:43It's interesting that you are good with this younger generation.
00:23:47With Edo Majko.
00:23:49The story with Edo Majko is also interesting.
00:23:52Edo Majko is a rapper.
00:23:56I'm a fan of Konto.
00:23:59I miss him.
00:24:01He sings folk music.
00:24:03But I miss something.
00:24:05Maybe it's a sarcasm.
00:24:08We performed together in Poštelož.
00:24:11We performed in Bosnia.
00:24:14There was a festival.
00:24:16A marketing agency.
00:24:18It was Bosnian night.
00:24:21I asked him if he was serious.
00:24:25I don't believe him.
00:24:27When we performed,
00:24:29my band was there.
00:24:32Oksmeda Izbihac.
00:24:35I was there with them.
00:24:38He did his part.
00:24:41He said to me.
00:24:43I didn't drink for half a year.
00:24:46But now I'm going to get drunk.
00:24:49Because Elvis is a Bosnian singer.
00:24:52I looked at him and said.
00:24:55I went to the pub.
00:24:57I was drinking.
00:24:59At the end of the block,
00:25:01he drank 4-5 beers.
00:25:03He said he could sing with me.
00:25:06One of my songs.
00:25:08In Tuzla region.
00:25:11If it's a song in a duo.
00:25:14They call it Džigara.
00:25:18The song is called Tri ruže.
00:25:21It's about Kustavdalinka.
00:25:24I rarely sing it.
00:25:26It's not a concert song.
00:25:28He said he knew it.
00:25:30He sang it with me.
00:25:32He sang the whole chorus.
00:25:34I was surprised.
00:25:36Goran said it was good for him.
00:25:39Do you like drinking?
00:25:42It's part of socializing.
00:25:46We all love socializing.
00:25:49Socializing with the atmosphere.
00:25:52When there's no atmosphere.
00:25:55It's normal.
00:25:57I wanted to ask you.
00:25:59What does socializing give you?
00:26:02You are famous.
00:26:04You didn't leave until 6 am.
00:26:07What did you get?
00:26:09What did you lose?
00:26:11I never said that.
00:26:13I don't think financially.
00:26:15I got a life.
00:26:17It was a good life.
00:26:19I loved the night.
00:26:21I love singers.
00:26:23I fell in love with it by chance.
00:26:26I love singing.
00:26:29I wasn't so attached to it.
00:26:32There was a cafe.
00:26:35It was by chance.
00:26:37All my life.
00:26:39Samek in Sarajevo.
00:26:41Sarajevo was famous.
00:26:43In that cafe.
00:26:45During his stay in Sarajevo.
00:26:47His cafe.
00:26:49The walls were full of his poems.
00:26:55One year.
00:26:57The cafe was abandoned.
00:26:59He made a tomb.
00:27:01We came to play there.
00:27:03We lost our money.
00:27:05We didn't have a taxi.
00:27:07There was no money.
00:27:09You watch videos and styles.
00:27:11You learn by heart.
00:27:13You wait for the sun to come.
00:27:15I have to say.
00:27:17I didn't know that much about Tino Ujovic.
00:27:19I learned from his style.
00:27:21At least 10 by heart.
00:27:23You hung out with your relatives.
00:27:27Do your relatives hang out with you?
00:27:31The rockers.
00:27:33The new generation.
00:27:35Do your relatives hang out with you?
00:27:37There is.
00:27:39The time has come.
00:27:43When the rockers drink brandy.
00:27:45And the new generation.
00:27:47Smoking cocaine.
00:27:49Have you all experienced that?
00:27:51Yes.
00:27:53How is it?
00:27:55It's better for me.
00:27:57My colleagues.
00:27:59I am a bit strict.
00:28:01I don't like it.
00:28:03Especially my generation.
00:28:05My generation.
00:28:07I am there.
00:28:09I am there.
00:28:11I hurt myself.
00:28:13So the brandy can.
00:28:15It can.
00:28:17For me it's the last thing.
00:28:19You didn't get married.
00:28:21Is that true?
00:28:23No.
00:28:25That's the width.
00:28:27You can't make all the decisions in a second.
00:28:29Decisions in a second.
00:28:31You always regret something.
00:28:33You can't get over it overnight.
00:28:35How did you manage to be in the world of estrada for so long?
00:28:43If we are talking about estrada.
00:28:45Since I recorded my first video.
00:28:47The first video I recorded in 1979.
00:28:49That's 30 years.
00:28:5130 years of estrada.
00:28:53Plus 5 years of sarajevo coffins.
00:28:57Singing in sarajevo vokals.
00:28:59There were 4-5 sarajevo vokals.
00:29:01where I sang in one venue for a year.
00:29:05In my time, when I sang in venues, the repertoire was very wide,
00:29:10and you had to know four or five styles.
00:29:13You had to sing old-fashioned songs, romances, sadalinkas,
00:29:17funny ones, and this new composition of Narodna.
00:29:20Again, which were at that time, most of them were like sadalinkas.
00:29:24They were all written on the theme of sadalinkas.
00:29:29I know that there were also Dalmatian songs, Slavonic, Shumadian,
00:29:33Macedonian, Albanian, all of them, Montenegrin.
00:29:36How is it that all these years you have not managed to
00:29:40draw some kind of evil blood on yourself,
00:29:43avoiding some great envy of any number of celebrities?
00:29:46How do you explain that?
00:29:48I don't know, I can't...
00:29:51Well, after the war, a lot of journalists,
00:29:55politicians, and those who should be, and those who shouldn't.
00:30:02There was a time when there was a rumor,
00:30:05that you were the only one left in the press,
00:30:08and that no one should be in the press.
00:30:11Well, now they have assigned you a mistress,
00:30:13and now they have said that because of the mistress,
00:30:15you are in the channel.
00:30:16Well, it's not that bad.
00:30:17The only thing is that the wife doesn't like it.
00:30:19I mean, it's not true, but it's true.
00:30:21Did you get into a war with anyone?
00:30:24Did anyone make peace with you like that, from your friends?
00:30:27I didn't argue with anyone.
00:30:29I mean, you didn't want to hear from them, or something like that.
00:30:32There were a couple of people,
00:30:35and it's not that bad,
00:30:37but as far as my colleagues are concerned,
00:30:39I'm talking about singers who are...
00:30:42Of course.
00:30:43Of course, they were very decent.
00:30:45There was no...
00:30:46Did you make peace with some people?
00:30:47There was no arguing.
00:30:48I was treated correctly.
00:30:50Did you make peace with some people who left Sarajevo at that time?
00:30:53They left, but you also left, if I'm not mistaken, two months before the war,
00:30:56and then you returned in 1994.
00:30:58Yes, yes.
00:30:59I was in...
00:31:01In 1994, about two or three months,
00:31:03I entered the city,
00:31:05via Umpropor,
00:31:07and I saw,
00:31:09actually, when I was there,
00:31:10it was already a light reconciliation.
00:31:12It was...
00:31:13The blue road was over.
00:31:14I mean, it was...
00:31:16What did your stay in Sarajevo look like?
00:31:18Did you stay in Sarajevo for good?
00:31:20That's...
00:31:21I don't know if I can describe it today.
00:31:23That...
00:31:24When I was going from Dejdra to the city,
00:31:26and then I looked around,
00:31:28that's the transporter,
00:31:30there's a roundabout like this,
00:31:32when I saw Dobrinja,
00:31:33I see Hiroshima.
00:31:34There's no...
00:31:35It's just Hiroshima.
00:31:36And all the way to the city.
00:31:37As soon as I saw that everything was destroyed,
00:31:39just like that period,
00:31:40the year of 1994.
00:31:41So...
00:31:42And it lasted another year, two days,
00:31:43until we started,
00:31:44in 1995, we started to renew.
00:31:45What did you like the most in that meeting with Razvršan and Sarajevo?
00:31:50Well, everything.
00:31:51Everything.
00:31:52Do you have any details?
00:31:54Did you...
00:31:55I'm aiming at some people again.
00:31:57Many are...
00:31:59I was...
00:32:00I was...
00:32:01They were waiting for me...
00:32:02Well, the late Dnev Doraković and his team were waiting for me in Pisa.
00:32:08So I came to Prague.
00:32:09I brought 100,000 marks then,
00:32:12so that people...
00:32:13Foreign money.
00:32:14So people gave it to me,
00:32:16I gave them half of my address.
00:32:22I gave them my money,
00:32:23and then I just left it to myself,
00:32:26so that I could spend it there.
00:32:28And my boss came,
00:32:29after all those things,
00:32:30and went home.
00:32:31While I was sitting with them,
00:32:32drinking beer,
00:32:33for an hour,
00:32:34the money was divided.
00:32:35And I just told my boss,
00:32:37that everyone must have a personal card,
00:32:39to sign,
00:32:40to receive money.
00:32:41Because it was very...
00:32:42I can give you 100 marks back,
00:32:43you know,
00:32:44for 100 euros.
00:32:45How quickly,
00:32:46it came overnight.
00:32:47The night was already falling.
00:32:48People were coming,
00:32:49on foot,
00:32:50from different parts of the city,
00:32:51to get money.
00:32:52Then they went to the ATM,
00:32:53the money,
00:32:54and when they found out,
00:32:55it was gone in an hour.
00:32:57How is that?
00:32:59How many people were there?
00:33:00How much money did they need?
00:33:01How much...
00:33:02What else does a city need?
00:33:04That acquaintance...
00:33:05Well, when I saw that,
00:33:06that in a cafe,
00:33:07let's say,
00:33:08there was,
00:33:0910 euros per night.
00:33:12One drink,
00:33:1310 euros.
00:33:14If not more.
00:33:15Cigarettes, that much.
00:33:16Yes.
00:33:17And then I was like,
00:33:18how, what, what, how?
00:33:19I didn't count anything.
00:33:21When I ask you here,
00:33:22have you appeased some people,
00:33:24who left Sarajevo at that time?
00:33:26You were relatively good
00:33:28with Kusturica.
00:33:30Many people in Sarajevo
00:33:31can't forgive him.
00:33:33Why can't they forgive him?
00:33:34And you?
00:33:36Well, I appeased those,
00:33:38who were agitating against
00:33:40Bosnia,
00:33:41and so on.
00:33:42I appeased those,
00:33:43who were working
00:33:44against Bosnia,
00:33:45but I didn't appease
00:33:46those, who left.
00:33:47What?
00:33:48People left,
00:33:49escaped.
00:33:50Kusturica?
00:33:51Kusturica was my weakness.
00:33:53You know,
00:33:54so,
00:33:55I didn't expect
00:33:56that Kusturica would come back.
00:33:57But I finally...
00:33:58Do you still believe him?
00:34:00I don't believe him anymore.
00:34:01That's it.
00:34:02I don't have anything else.
00:34:04I simply
00:34:05hung out with him.
00:34:07I loved to hang out with him.
00:34:08And he always persuaded me,
00:34:10as we say in Serbian jargon.
00:34:12He persuaded me.
00:34:13We were in the same heaven.
00:34:15And I killed him.
00:34:16I knew he wasn't that kind of person.
00:34:18Because there were many
00:34:19journalists from Sarajevo.
00:34:22There was a lot of bullying.
00:34:24And he was very sensitive.
00:34:26And when I attacked him,
00:34:27he reacted like a bully.
00:34:28He didn't react like an interviewee.
00:34:30And then...
00:34:32I knew that
00:34:33that was the story.
00:34:35But I don't believe him anymore.
00:34:36He has his own life now.
00:34:38Tell me,
00:34:39is Bosnia a beautiful country?
00:34:43Yes, it is.
00:34:44Are you disappointed?
00:34:46How can I not be disappointed?
00:34:47For example,
00:34:48you have a beautiful country.
00:34:50I can say
00:34:52that out of everything
00:34:53I have left,
00:34:54I wish I had left,
00:34:55but mostly Bosnian streams.
00:34:57Rivers,
00:34:58forests,
00:34:59mountains.
00:35:00Everything that Bosnia has.
00:35:02Well, people are precious.
00:35:03Are they?
00:35:04Yes, they are.
00:35:05But...
00:35:06Do you think they are beautiful?
00:35:08Well, the war.
00:35:10He is in the war.
00:35:11The war is everything.
00:35:13The worst thing that could happen to us
00:35:14is the war.
00:35:17Are the people in Bosnia,
00:35:19you say that they are
00:35:20corrupt slaves.
00:35:23You yourself asked me
00:35:24this question.
00:35:25I wanted to ask you
00:35:26if the people are beautiful
00:35:27in that country.
00:35:28Because at one point
00:35:29they thought about it
00:35:30and did everything.
00:35:31I think we understand each other.
00:35:32I'm not trying to equate you.
00:35:33We could have
00:35:34a political conversation.
00:35:35I think that both you and me
00:35:36and the viewers
00:35:37understand
00:35:38what happened
00:35:39and where it happened.
00:35:41Miljenko Ergović says
00:35:42that you are a song
00:35:43of broken bonds.
00:35:44Really?
00:35:45Do you have Bosnia today?
00:35:47The bonds of Bosnia.
00:35:48It doesn't exist.
00:35:50As you know,
00:35:51you know what Miljenko is going to say.
00:35:56There is no natural Bosnia.
00:35:59First, it is divided.
00:36:02When you go to Bosnia,
00:36:03there are other cabarets.
00:36:04We call it a house
00:36:05without a roof.
00:36:06There is a lot going on.
00:36:14There is hope.
00:36:15You know what?
00:36:18I noticed
00:36:19that it interests me.
00:36:21We all meet
00:36:22and play.
00:36:23All nations.
00:36:26And no one talks about war
00:36:27in Bosnia.
00:36:28Is that good?
00:36:30Everyone is silent.
00:36:31Everyone carries it in themselves.
00:36:33I'm afraid
00:36:34that no one would
00:36:35hurt him again.
00:36:38Do you remember
00:36:39what you wanted to say
00:36:40in the last show?
00:36:41There was a man
00:36:42from Vukovar.
00:36:44I turned it on later
00:36:45but I watched the show.
00:36:46Yes,
00:36:47at one point
00:36:48he said
00:36:49that he is a defender
00:36:50of Vukovar,
00:36:51a Croatian defender.
00:36:52And at one point
00:36:53he said that after the war
00:36:54he gathered all his friends
00:36:55regardless of nationality
00:36:56to sit
00:36:57for three days
00:36:58and three nights
00:36:59to talk.
00:37:00To explain to him
00:37:01who went to war
00:37:02and for what reason.
00:37:03I was only interested
00:37:04in the fact
00:37:05that someone
00:37:06didn't steal
00:37:07and work as a beast
00:37:08in the war.
00:37:09Everything else
00:37:10is not important.
00:37:11Let's move on.
00:37:12He was a man
00:37:13who was in the war
00:37:14and went through
00:37:15Serbian camps.
00:37:16I didn't know
00:37:17that story.
00:37:18I watched
00:37:19a part of it
00:37:20and I turned it on later.
00:37:23What I know
00:37:24about Bosnia is...
00:37:25Let's go back
00:37:26to what you said
00:37:27that no one
00:37:28talks about war.
00:37:29Yes,
00:37:30especially positive people
00:37:31want people
00:37:32not to forget
00:37:33but to remember
00:37:34about going
00:37:35to war
00:37:36and doing
00:37:37better things.
00:37:38I think
00:37:39that's the only solution.
00:37:40Do you sing
00:37:41here and there
00:37:42in the Serbian Republic?
00:37:43I sing.
00:37:44How is the reception?
00:37:45Good, good.
00:37:46As far as I'm concerned
00:37:47I don't sing a lot
00:37:48but people
00:37:49accept me
00:37:50normally,
00:37:51completely.
00:37:52I will quote
00:37:53from a poem
00:37:54that I wrote
00:37:55when I was
00:37:5615 years old.
00:37:57It's called
00:37:59I will quote
00:38:00Meshul Selimovac
00:38:01that you mentioned
00:38:02once
00:38:03in the show
00:38:04by Emir Hadji Hafiz Begovic
00:38:05who says
00:38:06that fear
00:38:07is the biggest
00:38:08shame in the world.
00:38:09That fear
00:38:10actually happened
00:38:11to people.
00:38:12So,
00:38:13the war story.
00:38:14I'm going back
00:38:15to this gentleman
00:38:16from the last show
00:38:17who said
00:38:18that in Vukovar
00:38:19some people
00:38:20were afraid
00:38:21that if the fence
00:38:22was raised
00:38:23there would be
00:38:24snipers
00:38:25and he said
00:38:26that many
00:38:27shots
00:38:28would be taken
00:38:29from the walls
00:38:30by snipers
00:38:31and that
00:38:32was wrong
00:38:34for sure.
00:38:35See,
00:38:36I was
00:38:37in Dodi
00:38:38one week
00:38:39ago
00:38:40and when
00:38:41we started
00:38:42it was
00:38:43an opportunity
00:38:44for us
00:38:45to play
00:38:46a role
00:38:47and to
00:38:48give our
00:38:49players
00:38:50a shot
00:38:51at the
00:38:52fence
00:38:53instead of
00:38:54they staying
00:38:55over there
00:38:56I couldn't imagine that someone would take a rifle and go.
00:39:02You once said that you are Bosnian-Herzegovina nationalists.
00:39:08Yes, we are Bosnian-Herzegovina nationalists.
00:39:12Before Yugoslavia was here, we Bosnians were attracted to it.
00:39:18We sing in Bosnian, normally, while the Croats can't sing in Croatian.
00:39:22We were attracted to it.
00:39:25The same was with Serbs.
00:39:27We Bosnians sang it in Bosnian.
00:39:30Because we have Serbs, no one was offended.
00:39:33We thought it was like that.
00:39:35So we were probably wrong.
00:39:37Let's stop for 30 seconds and then continue.
00:39:39Thank you for now.
00:39:53Croatian Television presents
00:39:57A film by
00:40:06Dear viewers, today we have with us in the studio
00:40:09a great friend of Halid Bešlić, an actor, Emir Hadjihafiz Begović.
00:40:14Emir, good day and welcome.
00:40:16Good day, I'm glad to be here.
00:40:18Greetings to all viewers of Croatian Television.
00:40:21Anten, how are you?
00:40:24I'm fine, I'm moving on.
00:40:26I'm aiming for the popularity that Bosnians have in Croatia.
00:40:35With Halid, you are one of the most popular people in Croatia.
00:40:40It would be unnatural for me to be popular in Prague or Bucharest.
00:40:46We always neglect one thing,
00:40:48that we speak a language that is understood.
00:40:52This geography, semantics and lexicon that are exchanged
00:40:58will be exchanged after 100, 200, 300 years.
00:41:03I think that Bogdan Bogdanović once said that
00:41:06the language will be a connecting factor again.
00:41:14That's it, that's Halid Bešlić.
00:41:18I didn't congratulate you on the award you received this week
00:41:23at the Russian Film Festival in Ivanovo for the film Armin,
00:41:27for the best lead role.
00:41:29That is a very dear award to me,
00:41:32since it comes from a country that is so established
00:41:36when it comes to theater and cinematography,
00:41:40and related to the work I do.
00:41:43When such recognition comes from Russia,
00:41:46it raises the dignity of the whole story called Armin.
00:41:52Why is Halid so popular in Croatia?
00:41:55You are his friend, you know him for a long time.
00:41:57He wasn't always like that.
00:41:59I read your interviews,
00:42:01and I have to admit,
00:42:03from the beginning of the 80s,
00:42:05you were popular in Serbia.
00:42:07Of course, Bosnia and Serbia, Macedonia, Montenegro.
00:42:13That was the national music of the government.
00:42:16And while you were away,
00:42:18there was Slovenia, Croatia, Bosnia,
00:42:20and urban cities in Serbia and Bosnia.
00:42:22I think that, as he said,
00:42:24the secret of his aura
00:42:28is his altruism, his philanthropy,
00:42:32his love for people.
00:42:34We have known each other for about 30 years.
00:42:38We met in 1981 when I came to the Academy in Sarajevo.
00:42:42If I had to draw an essence from his character,
00:42:46it would be his unwavering love for people.
00:42:50I was a witness to about 50 of his concerts,
00:42:53various events.
00:42:55We had a joint tour of America,
00:42:57we met in St. Louis,
00:42:59we met in Michigan,
00:43:01in Detroit,
00:43:03we met in Chicago.
00:43:05I compare his concerts in Chicago
00:43:08to the opening of Cardiovascular Surgery in Tuzla,
00:43:12the homage to Safet Isovic,
00:43:15the performance in front of 15,000 people in Zetra.
00:43:19He has the same energy,
00:43:21the same energy,
00:43:23and the same responsibility and love
00:43:25for those people who listen to him,
00:43:27who paid the ticket.
00:43:29His performance in the House of Culture,
00:43:32which he spoke about 30 years ago,
00:43:35and the opening of Cardiovascular Surgery
00:43:39with Dr. Kabla,
00:43:41where he gathers a more established layer of people,
00:43:45a surgeon, a doctor, a doctor, a politician, etc.
00:43:49I think that altruism is what he carries.
00:43:52Do you know whether God gives a man or not?
00:43:55If you take Tina Turner's songs,
00:43:57give them to another singer.
00:43:59That will not be yours.
00:44:01I watched the show while you two were talking,
00:44:05there are people who have God given aura,
00:44:08Haldi has it,
00:44:10it is a Romanian japa,
00:44:12japa is a Vosna substitute
00:44:14for some spiritual vertical.
00:44:18Give this,
00:44:20I don't like you,
00:44:22I don't like you,
00:44:24but give the whole concept to another journalist,
00:44:27it will not be yours.
00:44:29I'll give you 5 minutes,
00:44:31your ears will turn.
00:44:33What did I want to say?
00:44:35Okay, thank you,
00:44:37we have to thank him.
00:44:39Tell me,
00:44:41does a man have a human?
00:44:43There must be a human.
00:44:45We are very good friends.
00:44:47We are very good friends.
00:44:49I know him well.
00:44:51I know him well.
00:44:53I think that in his misfortune,
00:44:55I read as a kind of mention.
00:44:57Haldi gives so much to people,
00:44:59so much energy,
00:45:01people spend it.
00:45:03I think if I found a human,
00:45:05then it would be,
00:45:07how would I say,
00:45:09not a normal life,
00:45:11but constant communication with people,
00:45:13so it seems to me
00:45:15that the consequence of
00:45:17that tyrannization of Haldi
00:45:19by people
00:45:21caused in some way
00:45:23this misfortune.
00:45:25I read it as a kind of mention,
00:45:27maybe generally as a tragedy.
00:45:29You told me,
00:45:31Haliper can talk,
00:45:33but you can also talk.
00:45:35You told me the story
00:45:37when the police stopped him
00:45:39in Bosnia,
00:45:41how he ended up in a hunt.
00:45:43It's better if he talks.
00:45:45When he made a cow,
00:45:47when he was a policeman.
00:45:49We made a man pay for the cow.
00:45:51The police stopped him,
00:45:53you drove too fast.
00:45:55No, it was in Zagreb.
00:45:57You were a policeman.
00:45:59Yes.
00:46:01We worked together,
00:46:03and we paid him.
00:46:05The man has no cow.
00:46:07The cow is here,
00:46:09look, there is no cow.
00:46:11And we pay him.
00:46:13So the man talks.
00:46:15I forgot some details.
00:46:17The man is,
00:46:19I don't want to say everything,
00:46:21he mentions it all the time,
00:46:23wherever he goes.
00:46:25My friends,
00:46:27when the police stopped him in Bosnia,
00:46:29they told me,
00:46:31he has no cow.
00:46:33I am a fan of the police,
00:46:35sometimes I don't pay the cow,
00:46:37sometimes I respect them.
00:46:39After a year,
00:46:41one kilo of meat,
00:46:43it doesn't matter.
00:46:45Did the Croats,
00:46:47Bosnians,
00:46:49and you can say that
00:46:51on your show,
00:46:53they can laugh.
00:46:55Or while they can,
00:46:57while they can enjoy
00:46:59in a song,
00:47:01there is a thesis.
00:47:03I know what you are saying,
00:47:05there is one.
00:47:07Just don't come to us.
00:47:09I have heard Miljenkov,
00:47:11there is a lot of truth in it.
00:47:13However,
00:47:15it has the last 4-5 years.
00:47:17Totally different.
00:47:19I feel it,
00:47:21from the TV and from the police.
00:47:23So many people are breathing now,
00:47:25differently,
00:47:27more positively,
00:47:29to communicate.
00:47:31They come to me every day,
00:47:33as far as I remember,
00:47:35every day when they come from Croatia.
00:47:37Whether it is an excursion,
00:47:39whether it is Bosnian people,
00:47:41everything is different.
00:47:43I feel Croatia is different than 40 years ago.
00:47:45So it is getting better.
00:47:47It is getting better,
00:47:49but it comes from
00:47:51some hermetic intellectual circles,
00:47:53that this biggest part of people,
00:47:55that belongs to some
00:47:57civil layer in Bosnia and Herzegovina
00:47:59and in Croatia,
00:48:01does not think
00:48:03in that way.
00:48:05Simply, I think that
00:48:07in Croatia,
00:48:09there are currently a million people
00:48:11with a background
00:48:13that is Bosnian-Herzegovina.
00:48:15I think that number of people in Serbia
00:48:17has a Bosnian-Herzegovina
00:48:19ethnic background.
00:48:21And that their home country
00:48:23in the second or third generation
00:48:25was Bosnia and Herzegovina.
00:48:27So there are already 3 million people
00:48:29outside Bosnia and Herzegovina.
00:48:31We will see how it will be
00:48:33according to the last description.
00:48:35So 6-7 million people in the areas.
00:48:37I mean, we have to constantly
00:48:39use the syntagma of ex-Yugoslavia,
00:48:41given that it is still a fresh story,
00:48:43that it broke up 17-18 years ago.
00:48:4519 actually.
00:48:47Emir!
00:48:49And I just wanted to say
00:48:51that these theses come from
00:48:53a little bit like
00:48:55those academic circles,
00:48:57when I say academic,
00:48:59I do not mean, of course, the academy,
00:49:01but from some intellectual layer
00:49:03that does not know Bosnia.
00:49:05I watched the show
00:49:07behind the camera.
00:49:09Problems in Bosnia have always
00:49:11come from the outside.
00:49:13In the last century,
00:49:15the Bosnian-Herzegovina problem
00:49:17from the departure of the Ottomans
00:49:19and the arrival of the Austro-Hungarian
00:49:21and the Berlin Congress,
00:49:23the annexation of Bosnia and Herzegovina,
00:49:25the widowhood constitution,
00:49:27the king Karadjordje,
00:49:29communism, the Second World War,
00:49:31the First World War.
00:49:33In the end, the principle was
00:49:35instructed from Belgrade.
00:49:37The Sarajevo attack was carried out.
00:49:39So those centrifugal forces
00:49:41in Bosnia, as I would say,
00:49:43for a whole century,
00:49:45they did what they did.
00:49:47And the essence is that
00:49:49they deal with Bosnia,
00:49:51and Halid says,
00:49:53who raises these people?
00:49:55We neglect one thing,
00:49:57we do not have to open
00:49:59heavy stories now.
00:50:01This is Halid Bešlić's show,
00:50:03this is a legend,
00:50:05but Bosnia is interesting
00:50:07to many.
00:50:09Why?
00:50:11As a colleague, I think it is not wrong
00:50:13for her to sing.
00:50:15It's completely normal.
00:50:17Who cares if she is wrong?
00:50:19If she is wrong today,
00:50:21I would say okay.
00:50:23I know that nothing is wrong
00:50:25and that she is okay.
00:50:27In the end, she is my friend,
00:50:29we know each other well.
00:50:31I felt the need
00:50:33to be on her side.
00:50:35I will ask the same question to Emir.
00:50:37Emir, in the beginning of the 90s,
00:50:39many people perceived you
00:50:41as a Bosnian nationalist.
00:50:43I don't know if it is the same
00:50:45today as it used to be.
00:50:47The circumstances have probably changed
00:50:49and a person changes,
00:50:51but how do you,
00:50:53as a former Bosnian nationalist,
00:50:55look at the fact that
00:50:57a person came to Sarajevo
00:50:59who was once in that uniform
00:51:01and who is a finger in the eye
00:51:03for many people?
00:51:05I think that a Bosnian woman
00:51:07is an English woman
00:51:09from the Shakespearean era
00:51:11who says that money
00:51:13is a fraud.
00:51:15A man would never invent it,
00:51:17but he transfers it without thinking.
00:51:19We live in a time of misanthropy,
00:51:21of bad energies,
00:51:23of negative energies.
00:51:25We live in a time of a destroyed
00:51:27system of values.
00:51:29If someone wants to tell
00:51:31a bad story about you,
00:51:33it is very easy to do it.
00:51:35It is very easy to do it
00:51:37to a drug dealer,
00:51:39to a pedophile, etc.
00:51:41I firmly believe,
00:51:43as Hald said,
00:51:45that there is no
00:51:47hypothetical way
00:51:49to treat a woman
00:51:51like you would treat
00:51:53your relatives
00:51:55on a trip to Brcko.
00:51:57I don't know much more about it,
00:51:59but I wouldn't privatize this show
00:52:01even if she didn't want
00:52:03to tell the whole story
00:52:05about her parents being terrorized.
00:52:07The second picture was created
00:52:09four years after the end of the war
00:52:11under the conditions of
00:52:13making one show.
00:52:15Marina Tukakovic's text
00:52:17Love and Medicine for All
00:52:19wanted to make an anti-militant show
00:52:21and all together
00:52:23it wasn't aesthetically good.
00:52:25They rejected that show.
00:52:27I don't want to be her lawyer.
00:52:29I simply think
00:52:31that we live in a
00:52:33hypocritical environment.
00:52:35It would be good to ask
00:52:37those people
00:52:39who reacted
00:52:41in that way
00:52:43why didn't they
00:52:45specifically support me
00:52:47in 1996, 1997, 2008, 2009, 2000.
00:52:49I have my own testimonies,
00:52:51I have my own columns,
00:52:53I have my own texts
00:52:55about the arrival of
00:52:57singers who were
00:52:59eclectically
00:53:01with the enemies
00:53:03of the Bosnian
00:53:05and Herzegovian people
00:53:07and came to sing
00:53:09in Sarajevo
00:53:11and Bosnian and Herzegovian
00:53:13discotheques.
00:53:15I wrote about that
00:53:1713-14 years ago.
00:53:19Until then, no one supported me.
00:53:21Let's finish the show
00:53:23with some, let's say,
00:53:25popular films in Croatia
00:53:27which you deserve
00:53:29on the basis of your films
00:53:31you sang in the last 2-3 years.
00:53:33One of those films is Armin.
00:53:35Let's watch an excerpt
00:53:37that lasts 3 minutes from Armin
00:53:39and then both of you
00:53:41will comment.
00:53:55You can sit there.
00:54:05He will play the originals.
00:54:07Armin?
00:54:09He will play the originals.
00:54:11He will.
00:54:17I don't know who I want.
00:54:19Call Alda.
00:54:25I don't know who I want.
00:54:29I don't know who I want.
00:54:43Call Alda.
00:54:55I don't know who I want.
00:55:25Call Alda.
00:55:27I don't know who I want.
00:55:29Call Alda.
00:55:31I don't know who I want.
00:55:33Call Alda.
00:55:35I don't know who I want.
00:55:37Call Alda.
00:55:39I don't know who I want.
00:55:41Call Alda.
00:55:43I don't know who I want.
00:55:45Call Alda.
00:55:47I don't know who I want.
00:55:49Call Alda.
00:55:51I don't know who I want.
00:55:53I don't know who I want.
00:55:55Call Alda.
00:55:57I don't know who I want.
00:55:59Call Alda.
00:56:01I don't know who I want.
00:56:03Call Alda.
00:56:05I don't know who I want.
00:56:17Play it again, Armin.
00:56:23Armin.
00:56:28Armin.
00:56:30Armin.
00:56:33Armin, son.
00:56:35Armin.
00:56:36Armin, son, people want to hear you.
00:56:38Armin.
00:56:39Armin.
00:56:40What are you looking at? Bring some water to the child.
00:56:43What are you filming?
00:56:45Armin.
00:56:46Armin.
00:56:49Dear viewers, today we have with us in the studio
00:56:52the main hero of this scene, Armin Omerović.
00:56:55Armin, good day, welcome.
00:56:57Good day, thank you for the invitation.
00:56:59It's an honor to be with you and to meet all the viewers of HTV.
00:57:03I will announce him as the boy who acted in this film, Armin,
00:57:07who received 25 awards.
00:57:09As a boy who does not only play harmonica,
00:57:11but also loves hardcore and is about to release a song.
00:57:15A boy who did not count this film, as I heard,
00:57:17he dumped a lot of girls.
00:57:19But more on that later.
00:57:21In Los Angeles, everyone nominated him for Best Actor,
00:57:24if I'm not mistaken.
00:57:25That's right.
00:57:26How is it going now?
00:57:27Well, it's going great.
00:57:29First of all, I'm very happy for the film.
00:57:31We've been to all continents, we've won 25 awards,
00:57:34over a hundred festivals.
00:57:36I've seen both films.
00:57:38I'm glad we managed to change people's minds in some way with this film.
00:57:44We proved that people who live in a fast-paced world
00:57:47forget about love and relationships.
00:57:50With this little story, a great cast,
00:57:54they showed what small countries like Croatia, Bosnia and Herzegovina can give.
00:57:59All the awards come from all over the world.
00:58:02Emir recently won this,
00:58:04and I was nominated in Los Angeles for Best Young Actor.
00:58:08Khalid, you told me before the show that there is a story,
00:58:12which you can tell about,
00:58:14about the premiere of the film, if I'm not mistaken,
00:58:16and the premiere of the Croatian film, Senader.
00:58:18Is that right?
00:58:19Well, he's to blame for this song, because he's in the film.
00:58:22That's one thing.
00:58:23I was at the premiere, and I was sitting next to Senader.
00:58:27When I said this scene a little while ago,
00:58:29when I said,
00:58:30they called Halda,
00:58:31that's how Senader smiled sweetly.
00:58:33It was a very spectacular challenge.
00:58:38Today on the show,
00:58:41the whole song, which in fact has never been made public,
00:58:45the film also ends happily,
00:58:47but today we will end it in four ways.
00:58:49So, the premiere on the harmonica from the film,
00:58:51the whole song,
00:58:52and just to announce the release of my single,
00:58:54which I will soon release in Croatia.
00:59:12The spring has arrived,
00:59:18and the same old unrest is driving me,
00:59:22to hide at night in your street.
00:59:31And to wait for you there,
00:59:35under your window in the shadow of the fire,
00:59:40to watch you rush as you come to me.
00:59:48Everything is the same as it used to be,
00:59:53everything is the same,
00:59:55but nothing is the same.
01:00:02In me the autumn is,
01:00:06although everyone says that it is now spring,
01:00:10in me it is now autumn,
01:00:14because it is you.
01:00:18In me the autumn is,
01:00:22although everyone says that it is now spring,
01:00:27in me it is now autumn,
01:00:31because it is you.
01:00:34Who knows where.
01:00:43Dear viewers,
01:00:45if I don't hide my guests today,
01:00:48that's all for today,
01:00:50see you in a week, of course.
01:00:52Enjoy until then.
01:00:54The spring has arrived,
01:00:56and the flowers are already coming back to us.
01:01:00Only you, only you,
01:01:04you don't come.
01:01:08Who knows,
01:01:13who left you,
01:01:15who left you,
01:01:17if you still remember us,
01:01:21at least for a moment.
01:01:25Everything is the same as it used to be,
01:01:31but nothing is the same.
01:01:37In me the autumn is,
01:01:41although everyone says that it is now spring,
01:01:45in me it is now autumn.