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00:00:00You
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00:05:30You
00:05:50I know
00:06:00You
00:06:03You
00:06:12You
00:06:15You
00:06:19You
00:06:23You
00:06:55Grazie.
00:07:04Voi non avete...
00:07:05Signora, lei ha visto niente, era presente.
00:07:07No, no.
00:07:08Lei, signore, ha visto qualcosa?
00:07:19Signorina, due caffè, per favore.
00:07:25Sì.
00:07:26Ci richiamano loro per i dati che abbiamo chiesto.
00:07:29Va bene.
00:07:30Ehi, signorina, i nostri caffè.
00:07:55Grazie.
00:07:56Grazie.
00:08:25Grazie.
00:08:55Come on, let's go.
00:09:01Yes, but where?
00:09:02Straight ahead of you.
00:09:41Approach her.
00:10:07Straight ahead, then left.
00:10:33Where are we going?
00:10:43Stop here.
00:12:18Thank you, Mama.
00:14:58Mama.
00:14:59Monica.
00:15:00Monica.
00:15:20Monica.
00:24:58You have a nice house, a beautiful daughter.
00:25:04What do you mean?
00:25:06In short, you have to learn to be content with what you have.
00:25:12Especially if what you have is a lot.
00:25:16Yes, maybe you're right.
00:25:20You can't expect everything.
00:25:28Dad!
00:25:31Hi, Monica.
00:25:37Let me look at you.
00:25:40You've changed a lot.
00:25:42Really?
00:25:43What did you do?
00:25:45A lot. I didn't know where to start.
00:25:47How's your study? Are you ready for the exam?
00:25:50I studied a lot.
00:25:52And then I left Andrea.
00:25:54She was too young.
00:25:58And now? Do you have someone else?
00:26:00Yes, he's the same age as Andrea.
00:26:03But he's much older.
00:26:06His name is Giovanni.
00:26:08That's all for now.
00:26:10Did you sleep with him last night?
00:26:12No, I was with Federica.
00:26:14Are you telling me the truth?
00:26:16Of course. We studied until late and I preferred to stay at his house.
00:26:19After so many months, you didn't want to hug me again.
00:26:24Mom asked me to sleep outside.
00:26:28She wanted to be alone with you.
00:26:30She was very upset.
00:26:35Monica, I'd like to tell you something.
00:26:38I was very surprised by your behavior.
00:26:41I thought about it all night.
00:26:44It's as if you completely forgot that we've been separated for years.
00:26:48That our relationships are completely different.
00:26:52So, you fell for it.
00:26:54Yes.
00:26:56I was shaking.
00:26:58As if I had a fever.
00:27:00I almost felt like I was out of my mind.
00:27:03Nothing has changed between you, Dad.
00:27:06Absolutely not.
00:27:09Monica, your mother and I...
00:27:12You don't owe me any explanation.
00:27:15I know how things are.
00:27:18Since we're talking openly...
00:27:21I've never forbidden your mother to go out with other men.
00:27:25If that could make her happy.
00:27:28But if there's nothing between you two, why don't you break up?
00:27:32It's not true that there's nothing between us.
00:27:36I love your mother very much.
00:27:39When I'm away, I like to know that I have a home to return to.
00:27:43A wife.
00:27:45A daughter.
00:27:49It's a dream that I often have.
00:27:51A recurring dream.
00:27:55While you were away, I think your mother was with another man.
00:28:01I met him, too.
00:28:03A nice guy.
00:28:05More or less your age.
00:28:07Did you go to bed with him?
00:28:09Yes.
00:28:11But it didn't work out.
00:28:13Now all he talks about is his Jaguar.
00:28:17What? He bought a Jaguar?
00:28:19The smell of the leather of the seats.
00:28:21The sound of the engine.
00:28:24The chromes.
00:28:26Sometimes it feels like you're talking about a lover.
00:28:32I'll make you some coffee.
00:28:34I brought you a gift from the East.
00:28:37Thank you, Dad.
00:28:43Good night.
00:29:14Hello?
00:29:16Is that you, Doctor?
00:29:18Who is this?
00:29:20It's me, Graziella.
00:29:22Who's Graziella?
00:29:24Don't you remember?
00:29:26My cousin Ersilia introduced us.
00:29:29Yes, Ersilia. Now I remember.
00:29:32Are you the one with the red hair?
00:29:34No, Doctor, I don't remember.
00:29:36This winter, before she went abroad, she took us to the disco.
00:29:41Excuse me, Graziella, I'm trying to remember.
00:29:45Don't you remember? He yelled at me.
00:29:49Graziella.
00:29:51What did I tell you, Doctor? It's me.
00:29:53Then why don't you give me your number?
00:29:55I can't. You're putting me on the spot.
00:29:59Listen, do you want to see each other again?
00:30:02I'm busy today.
00:30:04Come on, Doctor.
00:30:06I'm at the usual bar.
00:30:09Okay.
00:30:11But not before a couple of hours.
00:30:14Okay. I'll be waiting.
00:30:17Okay.
00:30:38Grazie, Monica.
00:30:47I love you.
00:31:17I love you.
00:31:28Thank you, ma'am.
00:31:30I'll call you as soon as we're ready for the second test.
00:31:33Goodbye.
00:31:35Anna?
00:31:36Yes?
00:31:38Take Mrs. Corsi, please.
00:31:48I'm at the office.
00:31:50Yes, ma'am.
00:31:54Again, Mrs. Corsi.
00:31:59Desidera?
00:32:00What is it, ma'am?
00:32:01Come in.
00:32:07Anna?
00:32:08Anna, wait a minute.
00:32:10Yes, yes, it's okay.
00:32:12It's okay.
00:32:14What are you doing here?
00:32:16Bye.
00:32:17Get back to work.
00:32:19The lady is upstairs.
00:32:23Yes, ma'am.
00:32:31Ah, it's you.
00:32:33Come, sit down.
00:32:39I asked you to come because I need another girl.
00:32:42I don't ask for much, but I don't transgress on certain matters.
00:32:47What I ask for is punctuality and commitment to work.
00:32:51I like you.
00:32:53But, ma'am, you barely know me.
00:32:56Don't worry.
00:32:58I understand people on the fly.
00:33:00You're doing well.
00:33:02So, you start in the morning.
00:33:04Five days a week, from nine to five, with a half-hour break for breakfast.
00:33:10You get paid 800,000 a month.
00:33:12No contributions, no unions.
00:33:14That's how I work, okay?
00:33:16Okay, ma'am.
00:33:25Maybe one day I'll buy a dress at your wife's tailor shop.
00:33:29Did you know I got engaged?
00:33:32Congratulations.
00:33:34With a young man.
00:33:36He's rich.
00:33:38He's in love.
00:33:40As long as it lasts.
00:33:44Anyway, I'll always do it with you.
00:33:47As long as I like it.
00:33:49Is that why you called?
00:33:51No, no.
00:33:53Then why?
00:33:55I thought I'd give you a surprise.
00:34:00One of those you like.
00:34:02It's all sex.
00:34:04It's just a little expensive.
00:34:07Are you sure she won't make a scene?
00:34:10Don't worry. I know her well.
00:34:13Her name is Maria.
00:34:15She's reliable.
00:34:17But since it's the first time she gets paid,
00:34:20she's a little shy.
00:34:22Let's say she gives you 200,000,
00:34:24but she puts it in her pocket when she doesn't see it.
00:34:28Tell me the truth. What do you get?
00:34:31I'm happy to please a friend.
00:34:35Here's the address.
00:34:37It's a quiet place.
00:34:39It says A.A.2 on the sign.
00:34:42It's on the street of the new salary.
00:34:44It's without a porter.
00:34:46He'll wait for you tomorrow at 2.
00:35:01Good night.
00:35:31Good night.
00:35:39Are you Maria?
00:35:41Yes. Come in.
00:35:53Is this your apartment?
00:35:55No, it's not mine.
00:35:58It's a friend's.
00:36:01I made coffee, but it got cold.
00:36:04It doesn't matter.
00:36:06I made it again.
00:36:08I was just leaving.
00:36:53How much sugar?
00:36:55No, thank you.
00:36:57Is the coffee just for me?
00:37:00I don't drink it.
00:37:02It makes me nervous.
00:37:06Where do you live, Maria?
00:37:09Almandrione.
00:37:12I know that area.
00:37:15I was there as a journalist.
00:37:18On the occasion of a shooting.
00:37:21Many years ago.
00:37:30Come in.
00:37:42No, no.
00:37:45The other one.
00:38:23Alberto, is that you?
00:38:25Yes, Lidia. It's me.
00:38:28Hi.
00:38:29Hi.
00:38:30I called you, but you weren't there.
00:38:33No, I went to the publishing house to discuss my book.
00:38:37Hi.
00:38:39It smells good.
00:38:41Is it your mother's?
00:38:58Yes?
00:39:12White, dry, sauvignon.
00:39:17Thank you, dear.
00:39:19Delicious.
00:39:21Is it someone's birthday today?
00:39:24It's always a party when you're here with us.
00:39:33It's incredible that you don't like oysters, Monica.
00:39:36Tell me, who did you get them from?
00:39:38Of course, not from his mother.
00:39:41It's true.
00:39:43It's true.
00:39:45It's true.
00:39:47It's true.
00:39:49It's true.
00:39:51It's true.
00:39:58Alberto, I got some wonderful Chinese oysters today.
00:40:03I have the world championship in my room.
00:40:06Help me choose them after dinner.
00:40:09Of course, dear.
00:40:12Excuse me.
00:40:13Wait.
00:40:14I'll be right back.
00:40:15Yes, sir.
00:40:19So, I'll finally get to meet Giovanni.
00:40:23Let's see if he agrees.
00:40:27Don't intimidate him.
00:40:29You're a famous man, Dad.
00:40:31He always reads all your articles.
00:40:33Yes, of course.
00:40:38Excuse me.
00:40:44Excuse me.
00:40:50So, this story between you and Giovanni is serious?
00:40:55Sorry, Dad.
00:40:56But you have a way of saying things.
00:40:58This story is serious.
00:41:01Why don't you speak clearly?
00:41:03Do you want to know if we were in bed together?
00:41:07If you think it's appropriate to inform me.
00:41:12If you really want to know, the answer is yes.
00:41:18Two, four, six, seven, eight, ten times.
00:41:23Hi, Giovanni.
00:41:24Good evening, ma'am.
00:41:31Dad, this is Giovanni.
00:41:33Good evening, nice to meet you.
00:41:34Nice to meet you, Giovanni.
00:41:37So, shall we go?
00:41:39Of course, darling.
00:41:42Good night.
00:41:43Good evening.
00:41:44Bye, Dad.
00:41:45Bye.
00:41:50What time are you coming back?
00:42:07I had an idea for the cover of the book.
00:42:22The ones the publisher offered me were good, but...
00:42:29...not entirely convincing.
00:42:32So, I thought of drawing it myself.
00:42:38Something...
00:42:41...very simple.
00:42:45So, Dr. Merighi, we were talking about oriental culture.
00:42:49Which countries do you refer to in your articles?
00:42:52Japan, India, Indonesia...
00:42:55...and many others.
00:42:58Japan, India, Indonesia, Hong Kong...
00:43:01The Far East, in short.
00:43:03Exactly.
00:43:05Can you tell me where this particular interest in the Far East comes from?
00:43:10You see...
00:43:12...here in Europe, and especially in Italy...
00:43:16...we don't have a clear idea of what the Far East is today.
00:43:21What fascinates me about these countries...
00:43:23...is their ability to keep up with the world...
00:43:26...or to remain radically tied to their ancient and extraordinary culture.
00:43:32The truth is that when I live in those countries...
00:43:35...I discover new reasons for interest.
00:43:37So, your next book will be journalistic?
00:43:41I don't like certain labels.
00:43:44Don't you think that this world-tourism...
00:43:47...could also be interpreted as a desire to escape?
00:43:51A desire to escape?
00:43:54It's hard to say if it's really an escape or a search.
00:43:59Or maybe both.
00:44:03When I'm far away...
00:44:05...I feel nostalgia only for my books...
00:44:08...and, of course, for my family.
00:44:11Good.
00:44:12Dr. Merighi, how far along was the technological era?
00:44:15You know, you're right.
00:44:17It really looks like the Far East.
00:44:19A Chinese or Japanese aquarium.
00:44:21It's also related to the philosophy of the book.
00:44:25Excuse me, director.
00:44:26Just a moment, I'm coming.
00:44:29So, do you like it?
00:44:30You know what?
00:44:31It's quite sexy, too.
00:44:34It won't be out of stock.
00:44:36Congratulations.
00:44:38And who did you dedicate it to?
00:44:42Lidia, right?
00:44:45Can I use the phone?
00:44:46I think you're exaggerating a bit.
00:44:49You're not trying to steal my place, are you?
00:44:59There's a delivery man there.
00:45:07Is Mrs. Merighi here?
00:45:08Yes.
00:45:09She has a package for you.
00:45:10Give it to me, I'll deliver it.
00:45:14Anna, tell me if it's okay.
00:45:16Do you want to see it?
00:45:17Yes, it's okay.
00:45:18Call the lady to try it on.
00:45:25Madam, they brought this package for you.
00:46:13Yes?
00:46:14There's a call for you, but she doesn't want to say who it is.
00:46:16She wants to talk to you.
00:46:20Yes.
00:46:21Hello?
00:46:23Who is it?
00:46:24It's Maria.
00:46:25Damn, that's boring.
00:46:26Who is it?
00:46:27Your secretary?
00:46:28She didn't want to call you on the phone.
00:46:30But I didn't tell her the name.
00:46:33What's the matter?
00:46:34I'm free tomorrow afternoon.
00:46:36I'm going to see Lidia.
00:46:37I'm going to see Lidia.
00:46:38I'm going to see Lidia.
00:46:39I'm going to see Lidia.
00:46:40I'm going to see Lidia.
00:46:41I'm going to see Lidia.
00:46:42I'm going to see Lidia.
00:46:43I'm going to see Lidia.
00:46:44I'm free on Sunday.
00:46:50Around two.
00:46:52I was wondering if you'd be free.
00:46:55Okay, I'll see you.
00:47:12♪ Stop the rain, oh Lordy ♪
00:47:15♪ And make the ocean stand still ♪
00:47:19♪ Stop the rain, oh Lordy ♪
00:47:22♪ It was like never before ♪
00:47:26♪ Can't stop the rain, oh Lordy ♪
00:47:42Come on, let's go.
00:47:52So, ma'am, what do I have to do?
00:47:55You know.
00:47:57What I told you.
00:47:59He'll be here in a few minutes. You'll see.
00:48:03And then?
00:48:05When he leaves, we'll go back to Sartoria together.
00:48:09Okay, but what are you doing in the meantime?
00:48:12I'm over there.
00:48:14But I'd be ashamed if you were there.
00:48:16No.
00:48:18But don't worry.
00:48:21Just pretend I'm not there.
00:48:27Don't worry.
00:48:31Hi.
00:48:33Hi.
00:48:34My name is Tiberia. I'm a friend of Maria's.
00:48:36She couldn't come.
00:48:38Oh.
00:48:40You don't mind, do you?
00:48:41Or do you?
00:48:43No.
00:48:45No, it's not that I don't mind.
00:48:50It's just that...
00:48:51You were expecting to find a girl.
00:48:53And you find another one.
00:48:55Yes.
00:48:57But you'll see that you'll be happy.
00:48:59I know that.
00:49:38Oh, my God.
00:50:08Come here.
00:50:19She has a high fever. 39.5.
00:50:21And her pulse is fast.
00:50:25Mom.
00:50:28Mom, can you hear me?
00:50:30Mom, please.
00:50:32Answer me.
00:50:35Alberto.
00:50:36Alberto.
00:50:44He's here, Mom.
00:50:47He's here with us.
00:50:51Give her these sedatives.
00:51:04From an organic point of view, she has nothing.
00:51:06It's just an emotional manifestation.
00:51:09For now, I'll give her these sedatives to make her as calm as possible.
00:51:13Then, as soon as she gets better, we'll think of a more specific therapy.
00:51:26Here.
00:51:31Good.
00:51:32In a couple of days, let me know how things are going.
00:51:35Thank you, Doctor.
00:51:36Good day.
00:51:54What's Mom doing?
00:51:57She's asleep now.
00:52:06What did the doctor say?
00:52:07He said it's nothing serious. He gave her some sedatives.
00:52:12Of course.
00:52:13You always do the easy things, don't you?
00:52:16I don't understand. What do you mean?
00:52:19Dad, don't be a hypocrite.
00:52:24You won't believe it, but Mom doesn't realize you're doing it with other women.
00:52:29How do you know?
00:52:31I heard it the other day, when Burina called you.
00:52:34At least you could have the good taste of not being called at home.
00:52:39You told your mother, didn't you?
00:52:41Don't worry, I'm not a spy.
00:52:54You're already getting bored, aren't you?
00:52:56No, no, I'm fine.
00:52:59It's very nice here.
00:53:03I have the feeling you want to leave again.
00:53:06It's very nice here.
00:53:10I have the feeling you want to leave again.
00:53:26There's nothing to do.
00:53:29You're tired of being with me again.
00:53:32I can't keep you.
00:53:34You feel my absence only when we're far away.
00:53:40Lilia...
00:53:43You're obsessed with the fact that only sexual addiction brings us together.
00:53:48But that's not true.
00:54:03THE END
00:54:33THE END
00:55:03THE END
00:55:33I'll be back soon, girls.
00:55:36Goodbye.
00:55:37Goodbye, ma'am.
00:55:38Goodbye.
00:55:40You finish there.
00:55:41All right.
00:55:45Here.
00:55:48Well, what are they?
00:55:50They're the keys to an apartment.
00:55:52To an apartment?
00:55:54What am I supposed to do with them?
00:55:57They're yours.
00:55:58Mine?
00:56:00What are you talking about?
00:56:03Now listen carefully.
00:56:05This has to stay between you and me.
00:56:07I don't want it to reach your father's ears.
00:56:09At first I bought it for your grandparents.
00:56:12But they'll never use it.
00:56:14Do you know what they told me?
00:56:16That it's too nice for them.
00:56:19Now I'm sure they'll stay in that topaia forever.
00:56:22If that's the case, I don't see why I should leave it unused.
00:56:26Mom, are you serious?
00:56:28First of all, it can make you comfortable to go to school.
00:56:31And then, maybe, I don't know,
00:56:33you could go and live there with Giovanni.
00:56:35Or with whoever you like.
00:56:38It's ideal for two people.
00:56:42You're fantastic.
00:56:47When can I go and see it?
00:56:49Even tomorrow afternoon.
00:56:52If you want to.
00:57:00Well, then, I...
00:57:02If you want to go to the agricultural school,
00:57:05I'll follow you.
00:57:06You're fantastic.
00:57:25Good morning, Antonio.
00:57:26Good morning, Miss.
00:57:28Here's the mail.
00:57:31Una bella giornata.
00:57:33Oh, si.
00:57:34Grazie.
00:57:39Papa?
00:57:40C'è la posta.
00:57:46Grazie.
00:57:49Io torno a studiare.
00:57:51Bene.
00:58:00Ciao.
00:58:30Ciao.
01:00:30Hello.
01:01:01But where were you?
01:01:04You look like a ghost.
01:01:06Hurry up, we're late.
01:01:07They're waiting for us.
01:01:09Ah, listen, Alberto.
01:01:11About the problems between the Vatican
01:01:13and the South American bishops.
01:01:15So far, no newspaper has sent any envoys
01:01:17to test the local reactions.
01:01:19Would you like to go there?
01:01:22No, thanks.
01:01:23I'm afraid I can't.
01:01:25I'm afraid I can't.
01:01:26I'm afraid I can't.
01:01:29In South America?
01:01:30Mm.
01:01:31Puoi trattare l'argomento come vuoi.
01:01:33Quello è l'unico continente
01:01:35che manca alla tua collezione di viaggi,
01:01:37se non sbaglio.
01:01:40Sono appena rientrato da un viaggio di sei mesi.
01:01:43Adesso mi chiedi di ripartire così,
01:01:45da un giorno all'altro, all'improvviso.
01:01:49Franco,
01:01:50non puoi mandarci qualcun altro?
01:01:52Ma certo.
01:01:53Posso mandare l'esperto di problemi religiosi.
01:01:56Posso mandare il nostro vaticanista,
01:01:58o un cronista sportivo.
01:01:59Però ci andrai tu.
01:02:01Senti, Franco.
01:02:02Scusi, c'è sua moglie in linea.
01:02:03Gliela devo passare?
01:02:04No, le dica che la chiamo più tardi.
01:02:06Franco,
01:02:08immagina di andare in un appartamento
01:02:10dove c'è qualcuno che ti sta aspettando.
01:02:12Tu non sai chi sia, ma sei curioso e ci vai.
01:02:15Allora?
01:02:17Quando sei dentro,
01:02:18scopri che ad aspettarti
01:02:20c'è l'unica persona al mondo
01:02:21che non avresti mai dovuto trovare.
01:02:23Scusi, direttore,
01:02:24posso commettere una firma?
01:02:27Grazie.
01:02:28L'unica persona al mondo,
01:02:29te la rendi conto e ci trovi quella.
01:02:31E hai la sensazione di trovarti in un incubo.
01:02:34Io non ci trovo nulla di strano, francamente.
01:02:36Non è soltanto strano,
01:02:38è incredibile.
01:02:39Beh, lo sai cosa diceva Pushkin?
01:02:41Pushkin?
01:02:42Ma che cavolo c'entra Pushkin in questa storia?
01:02:44Pushkin diceva che in ogni buon romanzo
01:02:46c'è una componente,
01:02:47una coincidenza
01:02:48che è statisticamente improbabile, capisci?
01:02:51Esattamente come dici tu.
01:02:53Secondo Pushkin è questa componente
01:02:55che fa più un romanzo,
01:02:56il tuo romanzo,
01:02:58un capolavoro.
01:02:59Andiamo, Alberto.
01:03:06Franco,
01:03:07quello che temo è che non si tratti di una coincidenza.
01:03:10Ah, sì, sì, d'accordo,
01:03:11è un ottimo spunto,
01:03:12ne farai un grande romanzo,
01:03:13però dopo che sarai tornato dal Sud America.
01:03:16Andiamo, vieni.
01:03:24Laetitia?
01:03:30Vado a prendere l'arrosto.
01:03:40Papà?
01:03:42Papà?
01:03:44Papà?
01:03:46Papà?
01:03:48Papà?
01:03:50Papà?
01:03:51Papà?
01:03:54Sì?
01:04:01Scusa, ti spiacerebbe versarmi un bicchiere d'acqua?
01:04:03La pasta era troppo salata.
01:04:05Ma papà, che cosa fai?
01:04:07Scusa.
01:04:13Sono molto stanco stasera.
01:04:16Ho avuto una riunione a giornale.
01:04:18A giornale?
01:04:23E tu?
01:04:26Che cosa hai fatto di bello?
01:04:28Che cosa hai fatto oggi?
01:04:31Sai, avevo pensato di venirti a trovare al giornale,
01:04:34ma poi ho avuto da fare.
01:04:37Peccato.
01:04:40Sono stato lì tutto il giorno.
01:04:44E tu, raccontami che cosa hai fatto di bello.
01:04:48Niente di eccezionale.
01:04:50Ho studiato e poi sono uscita perché alle due avevo un appuntamento.
01:04:58Dovevo vedere Giovanni.
01:05:01Davanti al tennis.
01:05:03Vuole che mi iscriva anch'io.
01:05:09Così, Giovanni è un atleta, eh?
01:05:14Se la cava.
01:05:18Sì.
01:05:26Ha un profumo delizioso.
01:05:28Alberto, lo tagli tu?
01:05:29No, lo faccio io. Mi diverte.
01:05:39Livia.
01:05:40Sì?
01:05:42Al giornale mi hanno proposto di ripartire.
01:05:48Per dove?
01:05:51Sud America.
01:05:57E cosa hai deciso di fare?
01:06:00Ho dovuto accettare.
01:06:05Ma stavolta non mi va di partire solo.
01:06:10Cosa significa?
01:06:14Che ne diresti di venire con me?
01:06:17A cosa?
01:06:19Ti sto chiedendo se ti piacerebbe accompagnarmi questa volta.
01:06:25Sì. Sì, certo. Mi piacerebbe molto.
01:06:29E con la sartoria?
01:06:31Nessun problema.
01:06:33La collezione è pronta.
01:06:34L'amministrazione me la può seguire il ragioniere.
01:06:37Le ordinazioni le ho già chiuse.
01:06:40A che cosa mi devo portare?
01:06:42Lì sta cominciando l'estate.
01:06:46Dove penso io i biglietti?
01:06:47No, di quelli si occupa il giornale.
01:06:51Tu fa soltanto le valigie.
01:06:56Senti mamma, a me non va di rimanere qui da sola.
01:07:00Potrei andare a stare con Giovanni, nel nuovo appartamento.
01:07:03Quale appartamento?
01:07:05Oh Alberto, non ti ho detto che ho comprato un appartamento per mamma e papà.
01:07:10Ma loro non ci andranno mai.
01:07:12Quindi ho pensato di darlo a Monica, come premio.
01:07:15Se sarà promossa.
01:07:17Va bene.
01:07:19Mi sembra davvero un'ottima idea.
01:07:20Scusate.
01:07:45No, no.
01:07:53No, Alberto.
01:08:15No.
01:08:45No.
01:09:15No.
01:09:45No.
01:10:11Alberto, sei ancora svegli?
01:10:16Sì.
01:10:18Che cosa c'è?
01:10:19Sono le due meno quarti e Monica non è rientrata.
01:10:23Non è il caso che ti preoccupi.
01:10:25È uscita con Giovanni.
01:10:35Buonanotte Ligia.
01:10:36Buonanotte.
01:10:45Buonanotte.
01:11:15Buonanotte.
01:11:45Buonanotte.
01:12:16Buonanotte.
01:12:17Buonanotte.
01:12:18Buonanotte.
01:12:42Papà, mi hai spaventata.
01:12:43Dove sei stata fino a quest'ora?
01:12:46Scusa, ho fatto tardi.
01:12:48Ma tu che fai in camera mia?
01:12:50Sono stato qui ad aspettarti per cinque ore.
01:12:53Lasciami andare.
01:12:54Dove diavolo sei stata?
01:12:56Lasciami, ma che cazzo vuoi?
01:12:58Io sono tuo padre.
01:13:00Tu non sei mio padre.
01:13:02Alberto.
01:13:05Lo so.
01:13:07E l'ho sempre saputo.
01:13:10Questo non dirlo mai più.
01:13:11Guai a te se lo ridici.
01:13:13Non provarci mai più.
01:13:27Tu non hai detto niente.
01:13:34Non hai detto niente.
01:13:37È chiaro questo.
01:13:42Tu sei mio figlio.
01:13:53Sì?
01:13:54Mi scusi del disturbo signora.
01:13:55È arrivato un fattorino con un aspirapolvere.
01:13:57Che faccio?
01:13:58Lo mando su?
01:14:01No, se lo faccio consegnare.
01:14:02Lo ritirerò più tardi io.
01:14:04Grazie.
01:14:11Grazie.
01:14:26Signora, andiamo verso l'inverno e lei si mette in valigia la roba estiva.
01:14:31Cosa dici?
01:14:32Non lo sai che quando qui è inverno laggiù invece è estate?
01:14:36Allora tiro fuori dagli armadi la roba estiva anche per suo marito.
01:14:39È certo.
01:14:41Grazie.
01:14:57Dove va?
01:14:58Ancora dritta.
01:15:05La prima a sinistra.
01:15:12E adesso?
01:15:13Adesso la prima a sinistra.
01:15:41Qui?
01:15:42Sì, siamo arrivati.
01:16:12Sì?
01:16:13Sì.
01:16:42Sì?
01:16:43Sì.
01:16:44Grazie.
01:16:45Grazie.
01:17:12Strano.
01:17:13Giovanni di solito è puntuale.
01:17:16E adesso cosa facciamo?
01:17:18Lo aspettiamo qui, direi.
01:17:41Grazie.
01:18:11Grazie.
01:18:41Grazie.
01:19:11Grazie.
01:19:12Grazie.
01:19:42Buonasera, Desidera.
01:19:43Buonasera, sono Alberto Meridi.
01:19:44Ah, prego, entri.
01:19:45La signora è qui?
01:19:46No, non si è vista.
01:19:47Si accomodi, arriverà a momenti.
01:19:48Si sieda, prego.
01:19:49Grazie.
01:19:50Si sente bene, signore?
01:19:51Grazie.
01:19:52Grazie.
01:19:53Grazie.
01:19:54Grazie.
01:19:55Grazie.
01:19:56Grazie.
01:19:57Grazie.
01:19:58Grazie.
01:19:59Grazie.
01:20:00Grazie.
01:20:01Grazie.
01:20:02Grazie.
01:20:03Grazie.
01:20:04Grazie.
01:20:05Grazie.
01:20:06Grazie.
01:20:07Grazie.
01:20:09Grazie.
01:20:10Grazie.
01:20:18Allora, alla settimana prossima.
01:20:20Mi raccomando, ci conto.
01:20:22Sia tranquilla, signora.
01:20:23Le telefoniamo non appena è pronto per la prova.
01:20:26Arrivederci.
01:20:41Pronto, Olivia Moder.
01:20:53Yes, sir.
01:20:55Mr. Meridi, to your room.
01:21:14Hello?
01:21:24Hello.
01:21:32The front bumper.
01:21:45How many people died?
01:21:46One.
01:21:47A woman, the one who drove the Jaguar.
01:21:48How did she die?
01:21:49She broke her stomach.
01:21:53She had a heart attack.
01:21:54She had a heart attack.
01:21:55She had a heart attack.
01:21:56She had a heart attack.
01:21:57She had a heart attack.
01:21:58She had a heart attack.
01:21:59She had a heart attack.
01:22:00She had a heart attack.
01:22:01She had a heart attack.
01:22:02She had a heart attack.
01:22:03She had a heart attack.
01:22:04She had a heart attack.
01:22:05She had a heart attack.
01:22:06She had a heart attack.
01:22:07She had a heart attack.
01:22:08She had a heart attack.
01:22:09She had a heart attack.
01:22:10She had a heart attack.
01:22:11She had a heart attack.
01:22:12She had a heart attack.
01:22:13She had a heart attack.
01:22:14She had a heart attack.
01:22:15She had a heart attack.
01:22:16She had a heart attack.
01:22:17She had a heart attack.
01:22:18She had a heart attack.
01:22:19She had a heart attack.
01:22:20She had a heart attack.
01:22:23She had a heart attack.
01:22:24She had a heart attack.
01:22:25She had a heart attack.
01:22:26She had a heart attack.
01:22:27She had a heart attack.
01:22:28She had a heart attack.
01:22:29She had a heart attack.
01:22:30She had a heart attack.
01:22:31She had a heart attack.
01:22:32She had a heart attack.
01:22:33She had a heart attack.
01:22:34She had a heart attack.
01:22:35She had a heart attack.
01:22:36She had a heart attack.
01:22:37She had a heart attack.
01:22:38She had a heart attack.
01:22:39She had a heart attack.
01:22:40She had a heart attack.
01:22:41She had a heart attack.
01:22:42She had a heart attack.
01:22:43She had a heart attack.
01:22:44She had a heart attack.
01:22:45She had a heart attack.
01:22:46She had a heart attack.
01:22:47She had a heart attack.
01:22:48She had a heart attack.
01:22:49She had a heart attack.
01:22:50To disembark from the aircraft, be sure to take along your personal belongings.
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