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00:00:00E' l'aeroporto d'Orly, dove le notizie parisienne sono venute a scoprire prima di partire il famoso direttore del Casino di Paris, M. Henri Varnas.
00:00:07M. Varnas, scusami la discrezione, qual è l'obiettivo del vostro viaggio?
00:00:11Viaggio di lavoro, quindi un viaggio di piacere.
00:00:14Mio assistente, M. Dicaprio, è venuto qui per parlare con me.
00:00:19Dicaprio è venuto qui per parlare con me.
00:00:21Dicaprio è venuto qui per parlare con me.
00:00:22Dicaprio è venuto qui per parlare con me.
00:00:24Dicaprio è venuto qui per parlare con me.
00:00:26Dicaprio è venuto qui per parlare con me.
00:00:28Dicaprio è venuto qui per parlare con me.
00:00:30Dicaprio è venuto qui per parlare con me.
00:00:32Dicaprio è venuto qui per parlare con me.
00:00:34Dicaprio è venuto qui per parlare con me.
00:00:36Dicaprio è venuto qui per parlare con me.
00:00:38Dicaprio è venuto qui per parlare con me.
00:00:40Dicaprio è venuto qui per parlare con me.
00:00:42Dicaprio è venuto qui per parlare con me.
00:00:44Dicaprio è venuto qui per parlare con me.
00:00:46Dicaprio è venuto qui per parlare con me.
00:00:48Dicaprio è venuto qui per parlare con me.
00:00:50Dicaprio è venuto qui per parlare con me.
00:00:54È arrivato il momento di prendere il vostro avione
00:00:56per andare in ricerca dell'Oiseau Rare.
00:00:58Andiamo a volare!
00:00:59Adio e buona fortuna, signor Varna!
00:01:01Adio!
00:01:24Adio e buona fortuna, signor Varna!
00:01:26Adio e buona fortuna, signor Varna!
00:01:28Adio e buona fortuna, signor Varna!
00:01:30Adio e buona fortuna, signor Varna!
00:01:32Adio e buona fortuna, signor Varna!
00:01:34Adio e buona fortuna, signor Varna!
00:01:36Adio e buona fortuna, signor Varna!
00:01:38Adio e buona fortuna, signor Varna!
00:01:40Adio e buona fortuna, signor Varna!
00:01:42Adio e buona fortuna, signor Varna!
00:01:44Adio e buona fortuna, signor Varna!
00:01:46Adio e buona fortuna, signor Varna!
00:01:48Adio e buona fortuna, signor Varna!
00:01:50Adio e buona fortuna, signor Varna!
00:01:52Adio e buona fortuna, signor Varna!
00:01:54Adio e buona fortuna, signor Varna!
00:01:56Adio e buona fortuna, signor Varna!
00:01:58Adio e buona fortuna, signor Varna!
00:02:00Adio e buona fortuna, signor Varna!
00:02:02Adio e buona fortuna, signor Varna!
00:02:04Adio e buona fortuna, signor Varna!
00:02:06Adio e buona fortuna, signor Varna!
00:02:08Adio e buona fortuna, signor Varna!
00:02:10Adio e buona fortuna, signor Varna!
00:02:12Adio e buona fortuna, signor Varna!
00:02:14Adio e buona fortuna, signor Varna!
00:02:16Adio e buona fortuna, signor Varna!
00:02:18Adio e buona fortuna, signor Varna!
00:02:21Signore!
00:02:25Signore, siamo già all'ultimo quattro! Il teatro è esaurito
00:02:29Signor Gordy, mi perdoni signore, non l'avevo riconosciuto
00:02:34Signorina, accompagni il signor Gordy al suo palco
00:02:37Signor Gordy, se vuole seguirmi
00:02:45Prego
00:02:45La prego
00:02:47Grazie
00:02:50No !
00:03:20No !
00:03:50Crinoline
00:04:20Santa Catrina, Santa Catrina, it's our party, little hands
00:04:26Long live the dance that begins
00:04:29On vacation the trottin
00:04:32It's a day of celebration for the cousins
00:04:35Let's do our hats quickly
00:04:38No more work, no more dressing
00:04:41No more whistling, no more howling
00:04:45We have to be beautiful, beautiful
00:04:51For love to call us tomorrow
00:04:58Santa Catrina, Santa Catrina, you who protect our destinies
00:05:04My boss, sweet and good
00:05:08Let this day be forever
00:05:14A day of love, of love
00:05:44Santa Catrina, Santa Catrina, it's our party, little hands
00:05:50Long live the dance that begins
00:05:53On vacation the trottin
00:05:56It's a day of celebration for the cousins
00:06:00Let's do our hats quickly
00:06:04No more work, no more dressing
00:06:08No more whistling, no more howling
00:06:12Let this day be forever
00:06:17A day of love, of love
00:06:22Santa Catrina, Santa Catrina, it's our party, little hands
00:06:28Long live the dance that begins
00:06:32On vacation the trottin
00:06:35It's a day of celebration for the cousins
00:06:39THE END
00:07:09THE END
00:07:39THE END
00:08:09THE END
00:08:39THE END
00:09:09THE END
00:09:40THE END
00:09:43THE END
00:10:13THE END
00:10:16THE END
00:10:19THE END
00:10:43Excuse me, let me introduce myself, I'm Mario Lamandie
00:10:49I'm replacing Mr. Barnard, director of this historic theater
00:10:53Where is the chamberlain of Miss Miller?
00:10:55I'll accompany you if you have the courtesy to follow me
00:10:59This way
00:11:03No, no, excuse me, Master, this way
00:11:05Oh
00:11:10Please
00:11:12I saw your last play, what a masterpiece
00:11:15Yes, I know, I know
00:11:16All your plays are masterpieces
00:11:18Please, sit down
00:11:22Caterina is still on stage, if you have the pleasure of waiting for her here, Master, you are at home
00:11:26Thank you
00:11:36THE END
00:11:39THE END
00:11:50I promised you, didn't I?
00:11:52Promises, promises, enough promises, I want you to sign it, you hear me?
00:11:56Otherwise you'll have to serve the coffee in the cellar
00:11:58I'll do what you want, but not now
00:12:00Gordi has come to congratulate Caterina, he needs a photographer, then I'll sign a contract
00:12:04Yes, but this evening, otherwise this time I'm really going
00:12:07No, darling, I'm sorry
00:12:10What happened, Miss? You're in a bad mood again
00:12:14It went very well
00:12:16There was a wonderful audience
00:12:18Did you see that man alone in a boat?
00:12:20Yes, that man in a boat
00:12:22How did he look?
00:12:23He must have been a minister, at least
00:12:25He had a stovepipe in his head that looked like a periscope
00:12:29What a splendor, what a nature
00:12:32Mr. Gordi, what a surprise!
00:12:35Wonderful, wonderful
00:12:37You, Eliana, my Eliana
00:12:40Oh no, Mr. Gordi, Eliana is in the room next door
00:12:42No, Eliana Brontella is the protagonist of my next work
00:12:45I've been looking for her for months, I was desperate
00:12:48I found her, I finally found her
00:12:52Eliana, is that you?
00:12:53It's me
00:12:54You?
00:12:55Yes
00:12:56Eliana, is that you?
00:12:57It's me
00:12:58You?
00:12:59Eliana!
00:13:00Eliana is a woman of the world
00:13:03She had a double life
00:13:06In the past, she fell very low
00:13:10But no
00:13:11Yes
00:13:12And from that life she saved some bursts of vulgarity
00:13:15and some unconfessable passions
00:13:19And you think I can...
00:13:22Trust me
00:13:26Haven't you ever thought of doing theatre, real theatre, great theatre?
00:13:31But... yes
00:13:33Remember you said goodbye to the musical tonight
00:13:36But it's a secret, between you and me
00:13:38I want you to burst like a bomb
00:13:40Like a bomb?
00:13:41We'll talk about that later
00:13:43Of course you'll have dinner with me
00:13:46I'll be waiting for you in my car at the stage entrance
00:13:51Eliana Brontella
00:13:57At this point, the drama kicks in
00:14:02You...
00:14:04Serve
00:14:07Abandoned by everyone
00:14:10You find yourself alone in life
00:14:12And you go back to your destiny
00:14:15Having lost your reputation, your honour, your love, your child
00:14:22But my lover...
00:14:23Disgusting
00:14:24Disgusting?
00:14:25Yes
00:14:28But who tells you these stories?
00:14:35From now on, you're no longer Caterina Miller
00:14:39You're Eliana
00:14:40Eliana Brontella
00:14:42Yes, Maestro
00:14:44Eliana Brontella
00:14:47Oh, sorry
00:14:55Good evening
00:15:01Is that you, Cati?
00:15:02Yes, Mum
00:15:04What did you do?
00:15:05Nothing, I played with the boys all night
00:15:08But you know what time it is?
00:15:10I'm starting to think
00:15:11What happened to you?
00:15:13Something wonderful
00:15:15Wonderful?
00:15:16But did you drink, Caterina?
00:15:18You didn't do anything stupid, did you?
00:15:19Answer me, who were you with?
00:15:21With a genius
00:15:22I had dinner alone with Alessandro Gordì
00:15:25Alessandro Gordì!
00:15:27My treasure, what a stroke of luck!
00:15:30Gastone!
00:15:31Guess what happened to Cati?
00:15:34Oh, God!
00:15:35A tragedy
00:15:36No, something extraordinary
00:15:38She was invited to dinner by Alessandro Gordì
00:15:43Gordì?
00:15:44The one who writes comedies?
00:15:46Oh, that one!
00:15:48The international genius of theatre, the great Gordì
00:15:51In short, the master
00:15:53Eliana
00:15:54I'm Eliana
00:15:56You're Eliana?
00:15:58Yes, Eliana
00:15:59Eliana Brontel
00:16:01Eliana Brontel, what a lovely name!
00:16:04Wouldn't it be better to get a doctor here right away?
00:16:07Eliana is the protagonist of Alessandro Gordì's new comedy
00:16:10She wrote it for me and she didn't even know me
00:16:12We'll start rehearsals in a week in her villa
00:16:15What villa?
00:16:16Her villa in Cannes
00:16:17Oh, Cannes!
00:16:18It's a real paradise
00:16:22Good morning, miss, good morning
00:16:24Good morning
00:16:25My car hasn't arrived yet?
00:16:27No, I haven't seen it yet
00:16:28May I make a phone call to the villa?
00:16:30Of course, Mr Gordì
00:16:43Hello?
00:16:44Hello?
00:16:45Hello?
00:16:46Hello?
00:16:47Hello?
00:16:48Hello?
00:16:49Hello?
00:16:50Hello?
00:16:51Oh, sir
00:16:54Of course, sir
00:16:56No, sir, the secretary didn't tell us anything
00:16:59I'm very sorry, sir
00:17:01But the secretary told us not to disturb him
00:17:04He's working, yes sir
00:17:51Written and directed by Davide Cironi
00:17:56Filmed by Francesco Colantoni
00:18:01Translated by Elia Pozzani
00:18:20Translated by Elia Pozzani
00:18:50Translated by Elia Pozzani
00:19:20Translated by Elia Pozzani
00:19:50Translated by Elia Pozzani
00:19:53Translated by Elia Pozzani
00:19:56Translated by Elia Pozzani
00:19:59Translated by Elia Pozzani
00:20:02Translated by Elia Pozzani
00:20:05Translated by Elia Pozzani
00:20:08Translated by Elia Pozzani
00:20:11Translated by Elia Pozzani
00:20:14Translated by Elia Pozzani
00:20:17Translated by Elia Pozzani
00:20:35Welcome back, sir, you did well
00:20:37You've lost your mind, you two
00:20:39I'm sorry sir, but we didn't expect you so soon
00:20:41Mr. Jacques is not here
00:20:43That's enough, where is Mr. Jacques?
00:20:44In his room
00:20:45Thank you
00:20:47Come in
00:20:53Jacques, what is this joke?
00:20:55Be careful, you're playing the third act, go away
00:20:59Come on, play the piano instead of working
00:21:02What is it?
00:21:03I have a joke
00:21:04What joke?
00:21:05Oh God, you made me forget
00:21:07So, the trip to Paris, did it go well?
00:21:09Yes
00:21:10Did you find the first woman?
00:21:11Yes, and guess where?
00:21:12At the Casino de Paris
00:21:15So, you're going to act in a bikini
00:21:17Don't be silly
00:21:19It's just like if I had met the character before writing the comedy
00:21:23It's extraordinary
00:21:24Much more extraordinary than the comedy I wrote
00:21:27I know, but I signed it
00:21:28Without my signature, who would have represented it?
00:21:30Stop, don't bring up this topic
00:21:31The intelligence of a famous author
00:21:33is to understand when to stop writing himself
00:21:36And since you're smart, you understood it right away
00:21:38But I wrote 27 masterpieces
00:21:40And alone
00:21:41Alone
00:21:42Alone
00:21:43Who knows how bored you'll be
00:21:44No, dear Jacques, you're more acidic than a lizard
00:21:46When I was your age, I wrote for Corbier
00:21:48Today, you write for me
00:21:50In 30 years, when you're famous, someone else will write for you
00:21:54It's a law of nature
00:21:57In fact, the greatest success of Corbier was mine
00:22:00And the masterpiece of Stavanin was Corbier's
00:22:03Everyone knows that
00:22:05Tell me
00:22:07Your discovery
00:22:09Endorves his legs
00:22:10She talks?
00:22:11Because she has text, I warn you
00:22:13Oh, she's wonderful
00:22:14If you knew her
00:22:16I assure you that this time I would only think of the play
00:22:20I don't understand
00:22:40The rose a little more to the right
00:22:42Like this
00:22:43My photograph a little more turned here, in full light
00:22:46Here
00:22:47Very good
00:22:49Excuse me, sir, the guest of the gentleman is arriving
00:23:07Pull everything down, put it here
00:23:09Gastone, Gastone, be careful
00:23:11How strange, wait a moment
00:23:12It seemed to me that there were more
00:23:14Caterina, I lost the bag
00:23:16The bag?
00:23:17It's in the compartment
00:23:18I remember very well that you had it in your arm a minute ago
00:23:21I have it
00:23:22Thank you, dear
00:23:23What would I do if it weren't for you?
00:23:24Hurry up, what are you doing?
00:23:26Do it slowly, poor thing
00:23:30Good morning, teacher
00:23:32My mother
00:23:33Thank you, teacher, thank you for the invitation
00:23:35It's the most beautiful day of my life
00:23:37I've seen all your plays, from the first to the last
00:23:39I adore you, there's so much feeling
00:23:41You are the genius of love, yes, teacher
00:23:43Real genius
00:23:44Gastone, my husband
00:23:46You're here, Mr. Gruddi
00:23:47I've never seen your plays, but I know it's first-choice stuff
00:23:51Be careful, Pi
00:23:52Be careful
00:23:55Come here, come here
00:23:57Be careful, please
00:23:58They're my little brothers
00:24:00I'm sorry, they're a bit clumsy
00:24:02Two little brothers?
00:24:03Yes
00:24:04That's right, Caterina
00:24:05Lulu, Pierino
00:24:06Come say hello, but be careful, please
00:24:08Let them play, ma'am, let them play
00:24:10The teacher goes crazy for the children, especially when they're charming like his daughter
00:24:13Who could be insensitive to his charm?
00:24:16It's our Tino
00:24:18What a lovely beast
00:24:19We've talked so much about you, teacher
00:24:21You see, he knows you well
00:24:24Maybe he's seen all your plays, too
00:24:26He knows them all by heart
00:24:29Easy, easy
00:24:31Please
00:24:32Sit down
00:24:38That Tino is so arrogant
00:24:39What a beast
00:24:42Yes?
00:24:43Tell me, Jacques
00:24:44Sometimes you have good ideas
00:24:46What are we going to do with that family?
00:24:50You could propose a boat trip
00:24:52on board your boat
00:24:54on a holiday
00:24:55Ouch!
00:24:58After all, they're delicious
00:25:00nice people
00:25:02so spontaneous
00:25:04But that daughter...
00:25:05What about her?
00:25:06She'll never be an actress
00:25:08Trust me
00:25:09You'll see what I'll do to her
00:25:11No doubt
00:25:12You'll test her dramatic temper
00:25:15Enough, Jacques, stop it!
00:25:20Good evening, teacher
00:25:24By the way, that finger...
00:25:26What a disaster
00:25:27Why?
00:25:29I can't write anymore
00:25:39Good evening
00:25:40No, what are you saying?
00:25:43This isn't a good evening
00:25:45But I said good evening
00:25:46I know, my dear, you said good evening
00:25:48But I put an exclamation mark
00:25:50That has a meaning too, doesn't it?
00:25:53Go on, start over
00:26:02Go on
00:26:07Good evening
00:26:08No!
00:26:09How can you say good evening, ladies and gentlemen?
00:26:13I want an aggressive good evening!
00:26:16Start over
00:26:24No, no, not like that!
00:26:26It's awful!
00:26:27But I'm not angry
00:26:28Can't you see how you got in?
00:26:30We're not a variety show
00:26:32You don't get in my comedies
00:26:34You get in
00:26:39You get in
00:26:48There, that's it
00:26:50It's very simple
00:26:55Go on
00:27:08You don't get it, do you?
00:27:09It's a desperation
00:27:11Your good evening must be full of hatred
00:27:14Go on
00:27:16One more time
00:27:17Maybe a good time
00:27:19That good evening is like a spit in your face!
00:27:25Go on
00:27:29Go on
00:27:34Good evening
00:27:36That's it!
00:27:37That's it!
00:27:41I can't take it anymore!
00:27:45Well done
00:27:46You got in
00:27:47You're a great director
00:27:49But how do you get out?
00:27:52Like always
00:27:54It's the childhood of art
00:28:06You know, in the fire of action, my nerves don't hold me
00:28:09But I don't have to want them
00:28:11That's how you get something good
00:28:13I know
00:28:15Have you forgiven me?
00:28:17But theatre is not my profession
00:28:19I'll never be an actress
00:28:21Oh yes, you have what you don't learn
00:28:24The charm
00:28:25Thank you
00:28:26So, go on
00:28:27I'll never be an actress
00:28:29Oh yes, you have what you don't learn
00:28:32The charm
00:28:33Thank you
00:28:34Well done
00:28:35Blow your nose
00:28:36And give me a kiss
00:28:41After this kiss, I want to make you cry every day
00:28:51Mum
00:28:53Mum
00:28:54What is it?
00:28:55Come and see
00:28:56What's going on?
00:28:57Look
00:29:00Are you sure this is the result of the audition?
00:29:03Of course
00:29:04Yes
00:29:05What if it wasn't?
00:29:07It could have been worse
00:29:23Come in, Victor
00:29:27Oh, it's you
00:29:28What do you want?
00:29:29I've rewritten the scene of the comedy
00:29:31Great, can I see it?
00:29:32No, I want to read it to you
00:29:34Read it to me tomorrow
00:29:35I prefer to read it to you tonight
00:29:37But why?
00:29:38Because it doesn't convince me
00:29:39Then rewrite it
00:29:40I want your advice
00:29:41No, but I'll give you my word
00:29:43I'm not stupid
00:29:45I can see that
00:29:46And I can feel it
00:29:47What?
00:29:48The scene of the balcony is for tonight
00:29:50Do I have champagne?
00:29:51Oh, you really don't think of anything else
00:29:53Come in, Victor
00:29:54Victor
00:30:01It seems to me that every now and then you think about it too
00:30:04Oh, don't drive me crazy
00:30:05I don't have to worry about you
00:30:07What do you care?
00:30:09Wouldn't you be in love with her?
00:30:11Me?
00:30:12What do you think?
00:30:13I'm still too young for all the fuss
00:30:17Good night, Romeo
00:30:24Good night
00:30:42Dad, what's on your mind?
00:30:44Oh, nothing, my child
00:30:46But I know men
00:30:47And I assure you that you would be better off with the window closed
00:30:50Do you think Mr. Gordy is a Don Giovanni?
00:30:52The secretary has certain intentions, but he doesn't
00:30:55Alessandro is an exceptional being
00:30:57Generous, sensitive, brilliant
00:31:01But then he really won you over
00:31:03No woman could resist his charm
00:31:05More reason to close the window
00:31:07He would never allow such a thing
00:31:09I'm sure he knows me very well
00:31:11Even if he wanted to, he wouldn't try
00:31:14Do you really think so?
00:31:15Yes
00:31:16And why?
00:31:17Because he knows it would hurt me
00:31:19Besides, if he tried, he'd be better off running away than coming back
00:31:24All right, do what you want
00:31:26Bye, Dad. Good night
00:31:27Good night, Katia
00:31:49Ah
00:32:19Ah
00:32:37Goodbye
00:32:39Goodbye, Roberta
00:32:41It's all over
00:32:42The past doesn't exist anymore
00:32:44You've been a great man to me
00:32:46A hero
00:32:47And now I see how you are
00:32:49A poor, worthless man
00:32:52Come in
00:32:55Cuckoo
00:32:57It's us
00:32:58Good morning
00:32:59Meet my little rabbit, Achille
00:33:01Achille, say hello to the lady
00:33:03Good morning, lady
00:33:04Good morning
00:33:05Already at work?
00:33:07Did you have a good night?
00:33:09Oh, no
00:33:10I've never closed my eyes
00:33:12Did you hear that, Achille?
00:33:14He's never closed his eyes
00:33:16Champagne gives insomnia
00:33:18Champagne for mosquitoes
00:33:20Did you hear that, Achille? There were mosquitoes, too
00:33:24What do you mean, there were mosquitoes, too?
00:33:27The balcony scene was to his liking
00:33:29It's the master's masterpiece
00:33:31No one can resist it
00:33:32No one has ever resisted it
00:33:34It's true
00:33:35Tell me, won't he believe that Mr Gordie and I...
00:33:37But he's a famous author
00:33:39And even if it's true, what does it matter to you?
00:33:41What are you talking about?
00:33:43I don't like that arrogant look of his, young man
00:33:46I get it, he knows what he's doing
00:33:48He's been getting on my nerves since yesterday
00:33:50If you have a friend to write for the comedy, tell me right away
00:33:52To make me suffer like Gordie? No, no, thank you
00:33:54So what does it matter to him if I do the part?
00:33:56You didn't write it
00:33:57It's not a good reason for him to have acted badly
00:33:59If he keeps on like this, he'll end up badly
00:34:01Look how beautiful his fury is
00:34:03Get out! Good morning!
00:34:06Listen, he got the good morning, it was perfect
00:34:14Say something, Achille
00:34:16Do you think I'm wrong?
00:34:22Incredible!
00:34:24Outstanding!
00:34:39Incredibly, wonderfully, adorably
00:34:42I love her
00:34:44Victoriously, astonishingly, implacably
00:34:47She's here
00:34:49Unfortunately, perpetually, energetically
00:34:52She's against them
00:34:54Uselessly, impossibly, impassively
00:34:57I'm waiting for her
00:34:59My branches of flowers have no chance
00:35:03And my poor heart has no holiday
00:35:06My Alexandrines, from Perlin-Papin
00:35:10Rhymes with her, gling gling
00:35:13Miserably, lamentably, incurablely
00:35:17I love her
00:35:19Invincibly, triumphantly, despotically
00:35:22She's here
00:35:24Unfortunately, perpetually, energetically
00:35:27She's against them
00:35:29Uselessly, poetically, fabulously
00:35:32I'm waiting for her
00:35:34But the troubadour will have his time
00:35:38Even if sometimes he cries of love
00:35:41Lady of hope, smile a little
00:35:44If it's for her, all the better
00:35:48Incredibly, wonderfully, adorably
00:35:51I love her
00:35:53Victoriously, astonishingly, implacably
00:35:56She's here
00:35:58Unfortunately, perpetually, energetically
00:36:01She's against them
00:36:03Uselessly, impossibly, impassively
00:36:06I'm waiting for her
00:36:08Miserably, lamentably, incurablely
00:36:11Invincibly, triumphantly
00:36:13She's here
00:36:22Sorry, Paparino
00:36:23Very good!
00:36:24First choice!
00:36:26I didn't know you were an artist
00:36:28Oh, it's been a long time
00:36:29Come on, call me Gastone
00:36:31Come on, between artists it's nicer
00:36:34Thank you, Gastone
00:36:35Oh, Jacques
00:36:36I'm glad there's someone at home who can sing
00:36:39The great genius has a certain way of doing things that gives me the nerves
00:36:43You're from the real theatre, the great theatre
00:36:46The teacher wants to teach you to speak
00:36:48Yes, I know, I know
00:36:49Eh?
00:36:50When you sing like her, you don't need to know how to speak
00:36:53If I think of all the songs she's released
00:36:55Tonight, if you want, when my wife's in bed
00:36:58I'll let you hear her records, her first records
00:37:01With pleasure, Gastone
00:37:02You love my daughter, don't you?
00:37:05I'm starting to believe in myself
00:37:10See you tonight
00:37:24It's her first song
00:37:26It's funny, she always makes me cry
00:37:29It's her first song
00:37:30It's funny, she always makes me cry
00:37:32It's funny, she always makes me cry
00:37:34It's funny, she always makes me cry
00:37:36It's funny, she always makes me cry
00:37:38It's funny, she always makes me cry
00:37:40It's funny, she always makes me cry
00:37:42It's funny, she always makes me cry
00:37:44It's funny, she always makes me cry
00:37:46It's funny, she always makes me cry
00:37:48It's funny, she always makes me cry
00:37:50It's funny, she always makes me cry
00:37:52It's funny, she always makes me cry
00:37:54It's funny, she always makes me cry
00:37:56It's funny, she always makes me cry
00:37:58It's funny, she always makes me cry
00:38:00It's funny, she always makes me cry
00:38:02It's funny, she always makes me cry
00:38:04It's funny, she always makes me cry
00:38:06It's funny, she always makes me cry
00:38:08It's funny, she always makes me cry
00:38:10It's funny, she always makes me cry
00:38:12It's funny, she always makes me cry
00:38:14It's funny, she always makes me cry
00:38:16It's funny, she always makes me cry
00:38:18It's funny, she always makes me cry
00:38:20It's funny, she always makes me cry
00:38:22It's funny, she always makes me cry
00:38:24It's funny, she always makes me cry
00:38:26All this will end one day, Piccolina
00:38:31That's how it is, we can't do anything
00:38:36So believe me, believe me, Piccolina
00:38:41Choose love, because it's the only good
00:38:46Sing again, Piccolina, sing the pain
00:38:51The song that makes children dream of love
00:38:55It's the same for the gods and for the princesses
00:39:00The song that Piccolina sings now
00:39:05Ah, ah, ah
00:39:19Melody of love
00:39:23Eternal music
00:39:27That caresses my heart
00:39:31And it doesn't leave it anymore
00:39:35And every day and every hour it sings in me
00:39:42Melody of love
00:39:46That I owe to you
00:39:52It sighs and flies
00:39:55My song flies
00:39:58Mine with the sweetest
00:40:02Sweetest melody of yours
00:40:07Melody of love
00:40:15Melody of love
00:40:20For every road it seems to take us by the hand
00:40:28And it says I love you, it repeats I love you
00:40:36Melody of love
00:40:40Eternal music
00:40:44That caresses my heart
00:40:48And it doesn't leave it anymore
00:40:52And every day and every hour it sings in me
00:40:59Melody of love
00:41:03That I owe to you
00:41:18Melody of love
00:41:22For every road it seems to take us by the hand
00:41:27And it says I love you, it repeats I love you
00:41:34Melody of love
00:41:48Melody of love
00:42:18Melody of love
00:42:48Melody of love
00:43:19Eh sì, caro Gastone, Caterina mi piace, Caterina è un tesoro
00:43:23Ah, la musica ce l'ha nel sangue
00:43:25È proprio un peccato farle lasciare tutto questo per una commedia del signor Gordi
00:43:30In confidenza, che ne pensi di quella commedia?
00:43:33Ma io...
00:43:34Ah, siamo d'accordo, tutto fiatto sprecato, eh
00:43:36Ah, questo poi...
00:43:37No, no, no, no, no
00:43:39Ma quanto a Caterina mi sembra che pretendere di far recitare quella roba a una ragazzina di Menilmontani sia da matti
00:43:47Di Menilmontani?
00:43:49Eh già, è nata proprio lì, all'angolo di Via dei Pirenei
00:43:52Lo conosci tu, Menilmontani?
00:43:54Sì, un pochino
00:43:56Ah, ma tu non conosci Parigi, eh?
00:43:58Quando era piccola, la portava a bere la granatina da Augusto al caffè degli artisti
00:44:04Faceva i castelli di terra bagnata in squar Severino
00:44:07Già, squar Severino
00:44:17Cucù
00:44:19Che cosa vuol dire?
00:44:20Prudenza elementare, lei ha il colpo proibito
00:44:22Oh, solo per chi mi dice delle cose sgradevoli?
00:44:24Non è questa la mia intenzione
00:44:27Non sarà mai una persona seria?
00:44:29Oh, difetto di nascita, quando si è di Menilmontani
00:44:32Come? È nascita?
00:44:34Sì, è nascita
00:44:36Ma non è mai una persona seria?
00:44:38No, non è mai una persona seria
00:44:40Non è mai una persona seria
00:44:42Oh, difetto di nascita, quando si è di Menilmontani
00:44:45Come? È nata a Menilmontani?
00:44:47Sì
00:44:49Perché, la stupisce?
00:44:50Oh, no, no, ma anch'io si figuri un po', sono nata a Menilmontani
00:44:54Davvero?
00:44:56Proprio come me
00:44:59È inaudito
00:45:00Chissà quanti ricordi d'infanzia abbiamo in comune noi due
00:45:03Crede?
00:45:04Oh sì, ho tanti ricordi
00:45:07I bambini dell'escola
00:45:09Sono molto divertenti
00:45:11Quando si vedono il giovedì
00:45:13Non c'è un maestro d'escola
00:45:16Iuppi, iuppi, iuppi
00:45:19Oscuare Severine
00:45:22Nottartine
00:45:24Aveva il buon sapore del miele
00:45:26La vostra roba Catrine
00:45:28Ebbe il cielo
00:45:29Sì, ebbe il cielo
00:45:32Noi giochiamo alla mere
00:45:35Noi giochiamo alla mere
00:45:37Noi facciamo come i grandi
00:45:39Ma a nostra maniera
00:45:41Di bambini, di bambini, di bambini
00:45:45Avevo una casquette
00:45:47Sì, tutta bella
00:45:49Con un pompone sopra
00:45:51Un vero marino di merda
00:45:54Ciao
00:46:05La la la la la
00:46:23Nel kiosco a musica
00:46:25Ma le pita
00:46:27Non c'è più l'orfeo
00:46:29Eppu mona sa clic
00:46:31A due
00:46:32Ringo
00:46:35Ringo
00:46:42L'oscuare Severine
00:46:47Si illumina
00:46:50Nella notte dei nostri dieci anni
00:46:56Io sogno, Catrine
00:47:00Sogno
00:47:03Sogno
00:47:07Sogno
00:47:14Eri tu il ragazzino vestito alla marinara?
00:47:17Sì
00:47:18Con i boccoli biondi?
00:47:19Sì
00:47:20E la barba finta?
00:47:25Buongiorno amici miei
00:47:27Buongiorno principessa
00:47:28Buongiorno
00:47:29Cominciamo subito la prova
00:47:30Hai studiato la scena della riconciliazione?
00:47:32Sì
00:47:33Brava
00:47:34Allora tu entra da quella porta
00:47:36E tu Jacques leggi le battute di Roberto
00:47:39Adesso riprendiamo dall'entrata di Eliana
00:47:43Avanti
00:47:47Addio
00:47:49Vai
00:47:50Fai dei grandi progressi figliola
00:47:52Coraggio
00:47:54Addio
00:47:56Tutto è finito fra noi
00:47:57Il passato non esiste più
00:47:59Per me sei stato un grande uomo, un eroe
00:48:01Ma oramai sei soltanto un ometto piccino piccione
00:48:06Con un gran barbone
00:48:09Ma siete pazzi
00:48:11Credevo che le giovasse fare un po' di burletta, no?
00:48:14Ma devi dire le tue battute
00:48:15Insomma, le mie battute
00:48:16Sì, le battute
00:48:18Avanti, riprendiamo la scena
00:48:20Addio
00:48:22No
00:48:23Tu non te ne andrai
00:48:27Mi appartieni
00:48:28Lasciami Roberto, lasciami, te ne supplico
00:48:32Baciami
00:48:40Ma il seguito
00:48:42Il seguito?
00:48:44Che seguito?
00:48:46Ma come, il ceffone
00:48:48Lo devi schiaffeggiare
00:48:49Oh, mi scusi
00:48:50Bisogna ricominciare
00:48:51No, no, lo schiaffo e basta
00:48:52No, no, bisogna ricominciare per entrare nell'accusa
00:48:54Non è indispensabile, zitto, avanti
00:48:56Baciami
00:48:57Che, che dici?
00:48:58È la battuta, questa sì che è naturale
00:48:59Oh, via, basta
00:49:01Baciami
00:49:13Brava, molto bene
00:49:15Ma ora basta, me ne vado
00:49:18L'anoma scalzone, valla a chiedere scusa, hai capito?
00:49:21Valla a chiedere scusa
00:49:23A chiedere scusa, magari
00:49:25A chi vuole la riconciliazione la so a me mori
00:49:29Ma che fai con quel coso?
00:49:30Misura precauzionale, non si sa mai
00:49:32Ha un certo temperamento quella bambola
00:49:43E adesso cosa vuole?
00:49:46Si tolga la maschera, non creda di farmi ridere
00:49:49Allora è arrabbiata sul serio?
00:49:50Certo
00:49:51Perché?
00:49:52Baciare una donna è pur sempre il sistema migliore
00:49:54Per dimostrarle che ci piace
00:49:56Lei è perso tanto sgradevole?
00:49:58Si, io bacio con piacere soltanto l'uomo che amo
00:50:02Allora non c'è speranza
00:50:03Lei è molto gentile ma detesto questi scherzi
00:50:05E poi cosa dirai, signor Gordì?
00:50:07Che cosa mi importa?
00:50:08Ho tanta ammirazione per lui
00:50:10Che cosa ci trova di straordinario?
00:50:12Provi a scrivere una commedia come questa e avrai il diritto di parlare
00:50:15Non piato più
00:50:17Magari fosse vero
00:50:18Se conoscesse le donne capirebbe che non si può restare insensibili
00:50:21Davanti a un uomo che scrive questi capolavori
00:50:24Giusto, dice delle cose verissime
00:50:27Delle cose verissime
00:50:29Di un po' credi che sia nella commedia quella scenetta laggiù?
00:50:32Non so, è la prima volta che la vedo recitare
00:50:36Bene, se mi promette di avere giudizio sono pronta a fare la pace
00:50:39Prometto, e pace sia
00:50:42Un bacio?
00:50:43Ovvio, non ricominciamo
00:50:47Così, siamo buoni compagni ma non si parli più d'amore
00:50:52Torno subito
00:51:07Mi scusi maestro, sono così distratta, ho sbagliato a porta
00:51:10Volevo andare a fare due passi
00:51:12Non faccia complimenti
00:51:13È imperdonabile, vengo sempre a disturbarla
00:51:16Ma non è un problema
00:51:18È imperdonabile, vengo sempre a disturbarla
00:51:21Ma col tempo finirò per abituarmi
00:51:24Ma scusi, dov'è la bambina?
00:51:26Credevo che stesse provando
00:51:27Abbiamo una piccola pausa
00:51:29È contento della mia figliola?
00:51:31Sì, è meravigliosa
00:51:33Un po' nervosetta
00:51:35Sì, è vero, sì, lei la fa lavorare troppo
00:51:39Vuole che le dica una cosa signor Gordì?
00:51:41In questo modo vi ammalate tutti e due
00:51:43Anch'io?
00:51:45Un po' d'aria aperta, farebbe bene anche a lei
00:51:48Mi dica un po', perché non fa una bella gitta sul suo panfilo insieme alla bambina?
00:51:51Sarebbe un tocca sana
00:51:55Sì, sì, è una buona idea
00:51:58Una buona idea, Caterina ne sarà beata
00:52:02Perché in confidenza Caterina l'adora
00:52:15Pronto il mattino di inizio? Sono Gordì
00:52:17È per l'intervista che mi avete chiesto
00:52:21Volete dire al vostro fotografo che può venire domattina alle 10 a canna a bordo del mio panfilo?
00:52:26Molto bene
00:52:44Buongiorno
00:53:06Ah, buongiorno
00:53:12Alessandro
00:53:14Anche addio
00:53:15Ah no? Puoi scherzare?
00:53:17Questa volta no
00:53:20Mi dispiace lasciarti perché in fondo ti voglio bene, ma...
00:53:23Ma cosa?
00:53:25Ma stamane ho letto il giornale
00:53:28e ho avuto l'idea di una commedia
00:53:30Che vuoi scrivere da solo?
00:53:31Per una volta
00:53:33È la storia di un celebre commediografo
00:53:36Molto aitante, facoltoso, ammirato
00:53:40Capisco, capisco
00:53:42Ma in verità, le sue comedie non le scrive lui.
00:53:46Oh, non riuscirai mai a convincere il pubblico.
00:53:49E scommetto che tra i due si insina una donna.
00:53:51Con la quale egli fingerà di fidanzarsi.
00:53:54Salvo a smentirlo poco dopo.
00:53:56Notizia falsa, ma pubblicità vera.
00:54:00E te ne vai per questo?
00:54:02Sì.
00:54:04Non vorrei che quei due uomini diventassero nemici.
00:54:08Nemici?
00:54:10Perché nemici?
00:54:12Diciamo semplicemente rivali?
00:54:17Se preferisci.
00:54:18Ma non potresti scriverla qui, la tua comedia?
00:54:23Ci tieni tanto?
00:54:24Oh, moltissimo.
00:54:26Vorrei proprio sapere come va a finire.
00:54:29Tanto più che per il terzo atto...
00:54:33...ho pronto una trovata.
00:54:41Ero sicuro che mi avresti capito.
00:54:43Conosci i giornalisti, sono terribili.
00:54:45Hanno la mania di sposare il prossimo.
00:54:47Ti strappano una parola di bocca e poi ci ricavano quello che vogliono.
00:54:50Eh sì, davvero.
00:54:52Bada però che hanno svisato le mie parole.
00:54:55Ma hanno intuito il mio pensiero.
00:54:59Non ti dispiace, vero?
00:55:01Io spero che sia il contrario.
00:55:02Ma certo, Alessandro.
00:55:05Al resto, proporre a una donna di sposarla...
00:55:07...è il modo migliore di provarle il nostro amore.
00:55:10Ne sono commossa.
00:55:13Non credere che voglio costringerti a prendere una decisione?
00:55:20Devo considerare il tuo sorriso una speranza?
00:55:36No, Belinda, non ci siamo.
00:55:38Più sexy, molto più sexy.
00:55:41Così, guardami.
00:55:48È una danza provocante, sensuale.
00:55:51Hai capito?
00:55:52Sì.
00:55:53Sì.
00:55:54Sì.
00:55:55Sì.
00:55:56Sì.
00:55:57Sì.
00:55:58Sì.
00:55:59Sì.
00:56:00Sì.
00:56:01Sì.
00:56:02È una danza provocante, sensuale.
00:56:04Hai capito?
00:56:05Cosa importa?
00:56:06Tanto Caterina viene a farla a lei?
00:56:08So, coraggio, non fare la gelosa.
00:56:10Toccherà anche a te.
00:56:11Avanti, da capo.
00:56:24Hai letto qua?
00:56:33Portala al principale, ma sarai matto.
00:56:39Scarica.
00:56:44Le girls là in fondo.
00:56:46Il pubblico non vi guarda solo le gambe.
00:56:48Sorridete.
00:56:49Fate vedere i denti.
00:56:58Molto bene così, brava.
00:57:01Per l'affetto.
00:57:03Allegamenti.
00:57:06Sono felice.
00:57:10Signor Mario, su, coraggio.
00:57:12Oddio, cos'è successo?
00:57:14Mario, tesoro.
00:57:17Tesoro mio, che cosa ti senti?
00:57:19Cosa è stato?
00:57:23Ma è spaventoso.
00:57:28Che fortuna.
00:57:31Quanto sono carini.
00:57:43Le bibite, signorina.
00:57:44Grazie, Vittorio.
00:57:54Ciao.
00:57:56Sono io.
00:57:57Si sta bene qua al sole tutte e due, vero?
00:58:01No, no, ti sbagli, non da quella parte.
00:58:06Neanche da questa.
00:58:10Acqua.
00:58:14Fuoco, fuoco.
00:58:18Ah, grazie.
00:58:19Soffocavo qua sotto.
00:58:22Che cosa bisogna ricorrere per poter stare un po' solo con te?
00:58:25No, no.
00:58:26Eh, no, non mi levare la parola di bocca.
00:58:29Di chi hai paura?
00:58:30Potresti anche prendermi fra le braccia senza comprometterti.
00:58:35Finalmente un sorrisetto, grazie.
00:58:38Sei bella anche col broncio, ma quando sorridi, vede se sei un vero splendore.
00:59:00Caterina, ti volevo dire...
00:59:01Sssh, sei tu la che ci piace.
00:59:11Scusi.
00:59:13Scusi.
00:59:17Scusi.
00:59:22Scusi.
00:59:30Scusi.
00:59:32Scusi.
00:59:34Scusi.
00:59:36Scusi.
00:59:38Scusi.
00:59:41Scusi.
00:59:43Scusi.
00:59:45Scusi.
00:59:47Scusi.
00:59:49Scusi.
00:59:51Scusi.
00:59:53Scusi.
00:59:55Scusi.
00:59:57Scusi.
00:59:59Scusi.
01:00:01Scusi.
01:00:03Scusi.
01:00:05Scusi.
01:00:07Scusi.
01:00:09Scusi.
01:00:11Scusi.
01:00:13Scusi.
01:00:15Scusi.
01:00:17Scusi.
01:00:19Scusi.
01:00:21Scusi.
01:00:23Scusi.
01:00:25Scusi.
01:00:27Scusi.
01:00:29Scusi.
01:00:31Scusi.
01:00:33Scusi.
01:00:35Scusi.
01:00:37Scusi.
01:00:39Scusi.
01:00:41Scusi.
01:00:43Scusi.
01:00:45Scusi.
01:00:47Scusi.
01:00:49Scusi.
01:00:51Scusi.
01:00:53Scusi.
01:00:55Scusi.
01:00:57Scusi.
01:00:59Scusi.
01:01:01Scusi.
01:01:03Scusi.
01:01:05Scusi.
01:01:07Scusi.
01:01:09Scusi.
01:01:11Scusi.
01:01:13Scusi.
01:01:15Scusi.
01:01:17Scusi.
01:01:19Scusi.
01:01:21Scusi.
01:01:23Scusi.
01:01:25Scusi.
01:01:27Scusi.
01:01:29Scusi.
01:01:31Scusi.
01:01:33Scusi.
01:01:35Scusi.
01:01:37Scusi.
01:01:39Scusi.
01:01:41Scusi.
01:01:43Scusi.
01:01:45Scusi.
01:01:47Scusi.
01:01:49Scusi.
01:01:51Scusi.
01:01:53Scusi.
01:01:55Scusi.
01:01:57Scusi.
01:01:59Scusi.
01:02:01Scusi.
01:02:03Scusi.
01:02:05Scusi.
01:02:07Scusi.
01:02:09Scusi.
01:02:11Scusi.
01:02:13Scusi.
01:02:15Scusi.
01:02:17Scusi.
01:02:19Scusi.
01:02:21Scusi.
01:02:23Scusi.
01:02:25Scusi.
01:02:27Scusi.
01:02:29Scusi.
01:02:32Scusi.
01:02:34Scusi.
01:02:36Scusi.
01:02:42Guardini.
01:02:44Guardini, guardi.
01:02:48Guardini.
01:02:50Come stai?
01:02:51Ok, anche tu.
01:02:53Il signor Gordino non c'entra proprio niente, poverino.
01:02:56Non ho capito.
01:02:59Lei è un uomo intelligente.
01:03:00Sì, sì, sì, non si sente, ma si vede.
01:03:02Io avevo bisogno di parlarle a quattro occhi.
01:03:05Non ho tempo da perdere.
01:03:06Lo so, l'ho rapita proprio per questo.
01:03:08Mi prende in giro.
01:03:09No, ho il mezzo di ricondurre Caterina al casino.
01:03:12Eh?
01:03:13Io scrivo la rivista, lei la rappresenta.
01:03:15Lei è pazzo.
01:03:16No.
01:03:17Sì, lei è pazzo, glielo dico chiaro e tondo.
01:03:18Voglio tornare a terra.
01:03:19No.
01:03:20Bene, ci torno da su.
01:03:22Oh, se ci tiene ci vada a nuoto perché siamo già in alto mare.
01:03:28Miserabile assassino.
01:03:30Invece di scaldarsi tanto mi dia ascolto.
01:03:32Non ho tempo da perdere.
01:03:33Si sieda.
01:03:34No.
01:03:36Beh?
01:03:37Allora stia in piedi.
01:03:38Mai.
01:03:43Insomma, non si mostri più cattivo di quello che è.
01:03:46Lei vuol bene a Caterina, la capisco.
01:03:49È per questo che l'ho rapita e di tutto cuore.
01:03:53Non pianti il broncio.
01:04:20No.
01:04:21No.
01:04:22No.
01:04:23No.
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