Tu Nombre Y El Mio - Capitulo 29
Category
🎥
Short filmTranscript
00:00I'm sorry, I didn't know you were busy, they told me to wait here for you to come to make up, but I'd better look for another dressing room.
00:20No, wait, there's no problem, you can come in. This is the space for all the interviewees, in fact.
00:25No, really, I didn't want to bother you, I'm sorry.
00:29You're not bothering me, you can come in, really, I'm super bored here alone. Come in.
00:38Nice to meet you, my name is...
00:40Davis, right? I know who you are.
00:43Really?
00:44Don't you sing with the Nectar group?
00:46Well, I used to sing, now I'm going to present a song with my new musical group.
00:51What's the name of your group?
00:52La Miel.
00:55First Nectar and now La Miel?
00:57Yes.
00:58It's great, how cool.
00:59Yes, La Miel comes from Nectar.
01:00Yes, of course. Well, congratulations.
01:03Thank you. And you are?
01:08Cassandra. Nice to meet you again.
01:17Nice to meet you.
01:19And you are also waiting for make-up?
01:22No, no, I...
01:23To interview or something?
01:24No, no, not at all.
01:25My mom is being interviewed right now, in fact, in the newsroom.
01:29And your mom is...?
01:31She's in charge of the Miss Peru contests.
01:34Ah, your mom is famous. And you came to accompany her?
01:38Yes, I mean, I work in the organization of the contest.
01:41So, every time I have an interview, I go with her to the newsroom.
01:44I work in the organization of the contest.
01:46So, every time I have an interview, I go with her to the newsroom.
01:49How nice.
01:50I'm also studying administration.
01:52So, eventually, I'm going to become independent.
01:55Maybe I'll open my own company. Who knows?
01:58How cool. Seriously, I mean it.
02:01I understand you, because I'm also doing my own path.
02:04Of course.
02:05In fact, I'm going to have my first presentation with my own group.
02:08Here in Sabor Nacional?
02:09Yes, yes, and it's going to be my first live presentation.
02:12Congratulations, Davis.
02:14I wish you all the best. Good luck.
02:16Thank you. You too. I wish you all the best in all the projects you do.
02:20Thank you very much.
02:23Hey, do I have to listen to you now?
02:25No.
02:26What? Why?
02:27You're going to make me nervous.
02:31Davis, I have to put on my makeup. You're coming in in 20 minutes.
02:33It's the last block.
02:34Okay.
02:35I'm going to go see my mom, because she's about to finish.
02:38But I wish you all the best, okay?
02:41I'll see you there.
02:42Yes.
02:48And I hope you like my song.
02:53I'm sure you will.
03:01Davis, the touch. Sit down, please.
03:07And you, why are you all hot?
03:08Who, me?
03:09Yes, look at you. You're all sweaty.
03:11Okay, let's go. We're running late.
03:18Well, guys, how are you going to be late?
03:21I don't know.
03:22Brother, we didn't know it was so far away.
03:24But don't worry, we're all ready and it's going to be a bomb.
03:27Right, guys?
03:28Yes, of course.
03:29I won't say it again.
03:30Davis, my dear.
03:31Hello.
03:33How's your dad?
03:35Say hello to him, please.
03:36He hasn't visited me in a long time.
03:38Let's see how much you've inherited from his talent.
03:41Are you ready?
03:42Yes, yes.
03:43Look, it's going to be a few little questions and we're going to face the musical.
03:46Today we have a short program.
03:47Yes, of course.
03:48I wanted to ask you if we can talk about the album today.
03:51No, no, no, don't worry.
03:52We're going to talk about everything you want another day.
03:54Today, just a little bit, Davis.
03:56Okay?
03:57Okay.
03:59Let's go, let's go, let's go.
04:00Hurry up, hurry up.
04:02I hope everything goes well, Cholita.
04:03Because she doesn't have any experience on television.
04:05Oh, that's enough, Jonah.
04:07That's it.
04:08That's it.
04:09Today we have the presence of Davis Orozco,
04:11former member of the group Nectar.
04:13Known on stage, like his father, Johnny Orozco,
04:16as the candy of the cumbia.
04:19And today he comes to visit us to our program to present us his new album.
04:23Right, Davis?
04:24Yes, that's right, Yanela.
04:25It's an album that I have prepared with a lot of love and a lot of dedication.
04:28Davis, excuse me, where did your desire to make music come from?
04:31For my dad.
04:32He has always been my example.
04:33And now that you are with your new group, La Miel,
04:36what do you think of the people who say that directly the great Johnny Orozco
04:41is going to be your competition?
04:43Compete?
04:44No, Yanela.
04:45We are not competing.
04:46I think everyone has their own personal label.
04:48More than a competition, I would say that he is my reference.
04:51And what will your dad think now that you are stepping on his heels?
04:56What? What's going on?
04:57What are you talking about, woman?
04:58My God.
04:59Nobody is stepping on anyone's heels, Yanela.
05:01Except me.
05:02My dad supports me a lot and I am very happy about that.
05:04Oh, how cute, Davis.
05:06A big round of applause for him, please.
05:10He is very talented, beautiful.
05:12He has it in his blood.
05:14Davis, tell us.
05:15What are you going to sing for us?
05:16I'm going to sing you a song called Por Ti.
05:19But first, I would like to introduce you to the wonderful musicians.
05:21No, no, we are going to the program.
05:22I'm sorry.
05:23With you, Davis.
05:24And he sings to us.
05:25What are you going to sing for us?
05:26Por Ti.
05:27Well, the stage is yours.
05:28He doesn't even let him speak.
05:29What's wrong with him?
05:30I wanted to put him against me.
05:34What's wrong with me?
05:37Without thinking, I will kiss you
05:40I will give you my heart
05:43Every morning I only think of you
05:47I love you and I want to make you happy
05:52That my heartbeat is accelerated
05:56Because I breathe happiness
05:59For you
06:02And my smile betrays me
06:05Because I know you love me
06:07I will always take care of you
06:11For you I knew love
06:16You are my reason
06:21My universe and happiness
06:26You are my real world
06:31Miss, your car is waiting for you.
06:33Come on, let's go.
06:35My perfect melody
06:40Princess full of love
06:44The owner of my heart
06:53And this song
06:55I wouldn't have without you
06:58You wouldn't be with me
07:16What happened?
07:17Why did they cut the song?
07:18I don't know.
07:21The song is not finished yet.
07:22What's going on?
07:24We are running out of time.
07:26The next song is complete.
07:27No, wait.
07:33Leave him alone.
07:35I know him.
07:36He needs to be alone.
07:39I shouldn't have come.
07:40It was a mistake.
07:41I couldn't take advantage of this opportunity.
07:43I ruined everything.
07:49I'm sorry.
07:50I was leaving.
07:51No, no.
07:52Wait, please.
07:54I saw your presentation.
07:55I loved it.
07:56You loved it?
07:57Yes, it was on the set.
07:59Carla.
08:00Carlita.
08:01For the friends.
08:02Nice to meet you, Carla.
08:03Carlita.
08:04Carlita.
08:05I'm a big fan of Nectar.
08:06And now I'm also a big fan of the bomboncito de la cumbia
08:09of Gibi Solosco.
08:12Thank you, Carlita.
08:13I'm already on my way out.
08:14I'm from Peru, but I grew up in Bolivia.
08:16I studied marketing there.
08:17And I came back four years ago.
08:19Hey, you know, I loved your presentation.
08:21But I think there's something you're missing.
08:23Really?
08:24What?
08:25Your image.
08:26You can't go out like that with your normal clothes.
08:28You have to produce yourself.
08:30Dress better.
08:31If you want, I can help you.
08:33Free, at first.
08:34Like the help of a fan.
08:37Okay.
08:38Okay.
08:39Give me your number and we'll talk.
08:40Yes, yes, yes.
08:41Of course.
08:42Hey, I'm an expert in looks, in outfits.
08:44Good fashion, labels.
08:45I can help you drive on TV.
08:47Yeah, great.
08:48So give me your number and I'll call you.
08:50And we'll talk.
08:51Yes.
08:52This is my number.
08:53This is my email.
08:54Here's my high five.
08:55Well, everything.
08:57Great.
08:58Thank you, Carlita.
08:59So, I'm calling you and we're talking.
09:01Uh-huh.
09:07See you.
09:08Uh-huh.
09:09Bye.
09:10Bye.
09:15Well, that girl is kind of unique, isn't she?
09:17She said nothing to the table.
09:18Yes.
09:19And whenever she goes on TV, the same thing happens to her.
09:21Exactly.
09:22She always does the same thing.
09:26Hey, Tavito.
09:29With respect to what we're talking about.
09:33I know you're right.
09:34All right.
09:37We're going to talk to my dad.
09:38The two of us.
09:39The two of us together?
09:40Yes.
09:41Yes, yes.
09:42The best thing is that the two of us face each other.
09:43But please let me prepare the ground so that the news is not so heavy.
09:47Of course, Nati.
09:48You'll see that we're going to get a lot of attention.
09:50I don't know how I'm going to do it, but I'm going to please your dad.
09:54You'll see.
09:55But I'm going to put it in my pocket.
09:56And your brother too.
09:57You'll see.
10:18People say that you are not a lady.
10:24People say that you are a sinner.
10:29For having so many loves in life.
10:34That your love is full of lies.
10:40People say that you are not a lady.
10:44People say that you are a sinner.
10:50For having so many loves in life.
10:55That your love is full of lies.
11:01You are a sinner.
11:04A sinful woman.
11:07But my heart loves you more.
11:12Son, what's going on?
11:14It's super good.
11:15Keep playing.
11:16It was cool.
11:17You see, you heard him, son.
11:18Keep playing.
11:20Why are you bringing him here?
11:23Son, what happens is that his mom couldn't pick him up from school.
11:26And in his house there was no one who would stay with him.
11:28That's not my business, old man.
11:30Please, son, lower your voice.
11:32Besides, I thought it was the opportunity for them to meet.
11:35For them to meet?
11:36Yes.
11:37I clearly told you that I had no intention of meeting your other son.
11:39Lower your voice.
11:40Because of that brat and his mom you destroyed our family, old man.
11:43I don't want to have contact with that brat.
11:45Son, please.
11:46Don't talk like that.
11:47Talk how?
11:49With the truth?
11:50Son, please.
11:52Calm down.
11:53Besides, you yourself told me that maybe with time you would think about it.
11:57Or don't you remember?
11:58I lied to you, old man.
11:59I lied to you.
12:00Do you know why I lied to you?
12:01Because I can't stand your face of suffering.
12:02I can't stand it.
12:03I can't stand it.
12:04Calm down.
12:05You're scaring your brother.
12:06That brat will never be my brother.
12:08Did you understand?
12:09He's not my brother.
12:10He's also my son.
12:11Then take him away from here.
12:12Take him away.
12:13Calm down.
12:14Look, old man.
12:15I'm going to tell you one last time.
12:17So that it's recorded in your head.
12:19Yes?
12:20This boy will never be my brother.
12:23I don't need a new family.
12:26Calm down.
12:34Calm down, Cholito.
12:36Calm down.
12:37Yes?
12:39Calm down.
12:57Nunez.
12:58What's up? Please.
12:59How are you?
13:00Fine.
13:02What happened?
13:05I'm sorry, Davis.
13:06I haven't been able to make your songs play on the radio.
13:36Stop it.
13:50Look at me, Jonny.
13:51Here I am, Panchito.
13:52I know I was wrong with the rhythm.
13:54Don't tell me anything, brother!
13:56And that's how you became the best black musicians!
13:59Get a hold of yourself, man.
14:00No gunpowder, here's the string!
14:02Gentlemen!
14:03Don't treat him like that.
14:05I want to formally introduce you to my boyfriend, Tavito.
14:18Yes, as she said, me, her, us, we are in love.
14:31And that's it, right?
14:34Yes, yes, and we love each other a lot more, really.
14:46Hey, do you think he'll accept us with that?
14:48I don't know, I don't know, I think we have to look calmer, more confident.
14:52At least you can't look so nervous.
14:55Come, come, again, okay?
14:58No, I think we start like this, just so he doesn't get upset and...
15:04Hi, dad.
15:34Hi.
15:35Hi.
15:36Hi.
15:37Hi.
15:38Hi.
15:39Hi.
15:40Hi.
15:41Hi.
15:42Hi.
15:43Hi.
15:44Hi.
15:45Hi.
15:46Hi.
15:47Hi.
15:48Hi.
15:49Hi.
15:50Hi.
15:51Hi.
15:52Hi.
15:53Hi.
15:54Hi.
15:55Hi.
15:56Hi.
15:57Hi.
15:58Hi.
15:59Hi.
16:00Hi.
16:01Hi.
16:02Hi.
16:03Hi.
16:04Hi.
16:05Hi.
16:06Hi.
16:07그램의
16:08Hi.
16:09Hi.
16:10Hi.
16:11We sound better, I assure you.
16:13Davies.
16:14And?
16:15Nothing.
16:16There's no new news.
16:23Oh, Cholita.
16:24There's nothing left for us to go to Argentina.
16:27I know, Johnny. Don't even remind me.
16:29No, don't get like that.
16:31It'll pass quickly.
16:33To be honest,
16:35I also want it to end soon.
16:37Quickly.
16:38So I can take some time off from Nectar.
16:41Get out of music for a while.
16:43Well, without letting Davies help me.
16:46Are you serious, my love?
16:48Yes, Cholita.
16:50I want to build our little house,
16:52spend more time with Pierito.
16:54And most importantly,
16:56spend more time with the love of my life.
16:59Oh, my love.
17:00And you.
17:02My love.
17:06And eat pasteles.
17:08And eat pizza.
17:10And eat ceviche.
17:12And cook tortas.
17:33Oh, my love.
17:36I miss you so much.
17:42But I can't be sad forever.
17:52Life must go on.
17:56Yes.
18:03Because if you say it with words,
18:05I swear I'll die of pain.
18:08But my love.
18:10Oh, my love.
18:11I'm excited.
18:12Tell me.
18:13My love.
18:14Please, please, please.
18:16I'm excited.
18:18Do you want me to sing La Tropical?
18:20Do you want me to join the group?
18:22That's right.
18:23That offer has arrived.
18:25It's a new group that is sounding a lot in the province.
18:27And they want you as a vocalist.
18:29People listen to my songs?
18:31Yes.
18:32Look, I would suggest that you accept.
18:34Yes?
18:35It is better that you become known as a vocalist in this group
18:38that is already consolidating.
18:40And then, if you want, you take the honey back.
18:43But there is a problem.
18:45What?
18:46Your dad doesn't want to.
18:52Dad.
18:53I'm not a kid anymore.
18:55I can decide alone.
18:57I want to sing with La Tropical.
18:59You're just testing the terrain in Lima, Davis.
19:01We don't even know how you can go with that group.
19:03And worse, far from me.
19:04I can't help you and I can't be there to be with you.
19:06You see?
19:07That's the problem, dad.
19:09We're back to the same old thing.
19:12You don't want me to separate from you.
19:13To be far from you.
19:15If I'm wrong, it's my mistakes.
19:17Period.
19:18You have to respect my life, dad.
19:20Do you understand?
19:21Yes, yes, yes.
19:22I know, Davis.
19:23I know.
19:24You're absolutely right.
19:25I just don't want you to make those mistakes that I...
19:28Look.
19:30I have an idea.
19:31I have a deal.
19:34You don't sing with that band.
19:37But you come with me on tour to Argentina.
19:39Really, dad?
19:40You and me in Argentina?
19:41Yes, son.
19:42Both of us in Argentina.
19:43Singing, sharing the stage.
19:45Can you imagine?
19:46It would be spectacular.
19:47Go back to the city where Nectar started.
19:49On the stage of the Bolivian magic.
19:51What do you say?
19:53Do you accept?
19:55Dad, I can't.
19:58You can't?
19:59I can't reject that offer, dad.
20:02It's going to be amazing.
20:03We sing together in Argentina.
20:08Oh, Davis.
20:09The joy you give me.
20:10The tranquility I feel.
20:12Thank you, son.
20:13Thank you for understanding.
20:15I'm going to talk to Marcial.
20:16I'm going to tell him you're coming with us to Argentina.
20:18Let's go to Argentina.
20:19Let's go to Argentina.
20:25It's Nati, isn't it, sir?
20:26She's a good student.
20:28She just went out with her friends.
20:30She talked to that boy.
20:31Juanjo.
20:33He's always with her and helping her.
20:35Sir, why don't you like him?
20:37That boy is good and calm.
20:39Who are you talking about?
20:41Juanjo, Nati's friend.
20:45Stop the car.
20:46Stop the car!
20:49Stop the car!
20:50Stop the car!
20:51Stop the car!
20:52Stop the car!
20:54Who are you talking about, Juan?
20:56Well, Nati told me that you don't like that boy.
21:00But, sir, I know him.
21:02And he's a good person.
21:03Besides, he loves Nati a lot.
21:06Get out of the car.
21:07But, sir...
21:08Get out of the car!
21:14How is that boy?
21:15Did you see him with Natalia?
21:17Sir, he's been in the car a couple of times.
21:21But, look, I swear he's always been very good.
21:24He's been in my car.
21:25With my daughter.
21:27How many times, Juan?
21:28How many times?
21:30Answer me!
21:32Sir, they love each other a lot.
21:34Really, they love each other a lot.
21:37How could you let that guy get in my car?
21:39And with my daughter?
21:40That criminal?
21:42And you still talk to me as if I were nothing.
21:44As if I were an idiot.
21:47I don't want you to step foot in my house again.
21:49Or my car.
21:50No.
21:51Get out.
21:52Get out!
21:54Sir.
22:10Hello, Matias.
22:11Where are you?
22:12Where is your sister?
22:14Have you been seeing that criminal?
22:16Where is your sister?
22:18In the university.
22:25Davis!
22:27Carlita?
22:28What are you doing here?
22:29Didn't I tell you I'm Nectar's number one fan?
22:31How am I not going to know where they rehearse?
22:32I know everything, everything.
22:34Hey, Davis, you didn't call me.
22:35Very bad, very bad.
22:36I'm sorry, Carlita.
22:37I don't know if you noticed, but honey didn't hit as much as I wanted.
22:41So I went back to Nectar.
22:43I'm going on tour with them next week.
22:45Well, in a few days.
22:46How cool!
22:47Well, anyway, I'm there to say goodbye.
22:49Hey, Davis, did you think about it?
22:52Do you want me to help you sell your image?
22:54I can even be your representative.
22:57Carlita, I'm already working with Nunez.
22:59He is my producer.
23:00Ah, but I don't want to be your producer.
23:02I want to be your image advisor.
23:03See what interviews you give, what you say, what you don't say.
23:06That kind of thing.
23:07Sure, but for that I already have my dad as an example.
23:09Davis, with all due respect to your dad and all the masters of the cumbia,
23:14you and I are cooler.
23:15We are in a different mood.
23:16We will understand each other better.
23:17Yes or no?
23:20I don't know.
23:21Look, I already opened a fan page for you.
23:23Las Bomboncitas.
23:24There are all the links.
23:25We also have Hi5, MySpace, YouTube, a blog, everything.
23:29Go to your computer, check it out and let me know.
23:32But anyway, you're going to love it.
23:34Oh, Carlita, I don't know what to say.
23:37If you like what you see, we can get together to have a coffee or an ice cream and have a nice chat.
23:42Can you give me your number so I can call you tomorrow?
23:44Because if I wait for you to call me, I'll get old.
23:54Okay.
23:55You win, Carlos.
23:56Good one, Davis.
23:58Write down my number.
23:59Okay, what is it?
24:00934-89478.
24:05Done.
24:06I'll call you then.
24:07And we coordinate for tomorrow?
24:08Yes.
24:09See you tomorrow.
24:11Perfect.
24:13Bye.
24:14Bye.
24:17I'm going over there.
24:18Bye.
24:19Take care.
24:20Take care.
24:29What the fuck are you doing, Natalia?
24:31Dad, what are you doing here?
24:32You've been seeing that boy.
24:33You've made fun of me.
24:34But this is over.
24:36Let me go, Dad.
24:37Shut up.
24:38Dad, don't scream, please.
24:40You believe in the great university, don't you?
24:42The good and applied girl.
24:43And you end up doing crap with that bandit from Colligue.
24:47You're a shame, Natalia.
24:49You embarrass me.
24:51Let's go.
24:52Dad, please let me go.
25:09Natalia.
25:15After you hear the tone, record your message.
25:20Hello, Natalia.
25:22I was waiting for you in the park, like we agreed.
25:25But you never came.
25:29Everything is fine.
25:30Something happened.
25:32This is weird. Natalia would never leave me stranded without telling me.
25:53Natalia is isolated. They saw me. And no one is going to approach her until she goes to Spain at the end of the month.
25:58Dad, you can't leave her locked up as if she were a criminal.
26:00She's in my house and I do whatever I want. It's a decision already made.
26:05Well, Marci, if the decision is made, there's nothing to do.
26:19Guys, I've called you here because I have something very important to tell you.
26:26We have a new member who is going to join us in Buenos Aires.
26:31He's coming to the tour.
26:33And this new member is also, well, he's...
26:41Hey, Peyote, what's up? What's up with your little intrigue games, man?
26:44Say it again!
26:45Davis is officially back in Nectar!
26:47Thank you, thank you, Dad. And thank you to each and every one of you for welcoming me.
27:07Son!
27:09Son, listen to me!
27:11What do you want?
27:12For that, old man?
27:15For that, so much practice?
27:18I'm making an effort like you have no idea, old man.
27:22And I wasn't even going to choose Davis.
27:24That guy comes out and puts whoever he wants. You don't know why?
27:27Because in the end, the only one who rules is him.
27:29Things are not like that, son.
27:31Let me explain to you. Davis also made an effort.
27:33Old man, I'm fed up with that story. I know!
27:36I know! I know that Davis also made an effort, that he has more experience. I know, old man.
27:40I'm tired, understand that.
27:43In the end, I'm making an effort like an idiot reverend. And all for what?
27:47All for nothing!
27:49It's not like that, son. Understand me.
27:51You're still with us. You're still fighting, son.
27:54You know what? I'm going to leave it here.
27:58It was a mistake to trust you again.
28:00Don't say that, old man.
28:01It was a mistake to trust you, old man.
28:03And it's gone.
28:06Come on, stay with your other son.
28:08Son. Come on.
28:09You're free.
28:10Please.
28:11That's what you want? Come on!
28:19You don't have to worry, little star.
28:22The presentation of your album is already closed.
28:24It will be on Sunday.
28:26Okay, perfect.
28:29And in the meantime, Johnny will tour Argentina.
28:33And his son with his new group.
28:36What I have prepared for you will be unparalleled.
28:39Only the best for my dear boss of the cumbia.
28:42You better, Marcial.
28:44Because I've waited a long time.
28:46And I don't have time to keep losing him in nonsense.
28:49Little star.
28:51Little star.
28:52Berly.
28:54Little star, here you are.
28:56My beautiful queen.
28:59Let's go.
29:00It's late. The interview is on the radio.
29:02You're right. Yes, yes, yes.
29:03Let's go, let's go, let's go.
29:04But first, let me introduce you.
29:07Marcial, let me introduce you to Perlita.
29:10Perlita is my counselor.
29:13She's my public relations.
29:15My personal assistant.
29:17My nail polish.
29:18My everything.
29:19She will accompany me everywhere.
29:23So I avoid being alone with certain people.
29:27Excuse me.
29:30Excuse me.
29:32Excuse me.
29:45My good friend, Marcial Montero.
29:49Don't worry, man.
29:51You always get pale every time I visit you.
29:55Nobody has seen me.
29:57Don't worry.
29:59I hope you haven't missed me too much.
30:30And mine.
30:35Don't worry, Tadito.
30:37Don't worry, brother.
30:39Everything will be fine.
30:42Thank you, Davis.
30:44Something must have happened, I'm sure.
30:46Suddenly Natalia went ahead and told him on his own.
30:50Now Uncle Marcial must want to keep her away.
30:53I'm sure he's doing that.
30:55He threatened to do it.
30:57I don't know what to do.
30:59What if I tell my dad?
31:01Why should I talk to Marcial?
31:03Do you think your dad will believe that?
31:05Anyway, Tadito.
31:07He loves you a lot. He appreciates you.
31:09Besides, he knows that you are a good person.
31:13My dad and Marcial have been friends for years.
31:15He helped him when he needed it most.
31:18I'm sure he convinces him to let them be together.
31:21Yes, yes. That's good.
31:23But be gentle.
31:26I don't want to have problems with Uncle.
31:28You should have seen him.
31:30When he saw us together, he went crazy.
31:33He scared me.
31:34Tadito, if you love each other,
31:36no one has to meddle.
31:39You are grown-ups.
31:40You are adults.
31:41You know what you're doing.
31:43No matter how much of a father Natalia is,
31:45he can't meddle in that way.
31:47Yes, Davis, but...
31:48But nothing, Tadito.
31:50My dad is going to talk to Marcial.
31:52Everything will be solved.
31:54I swear.
31:56Drink your water, Davis.
31:58Calm down.
32:02What are you doing here, Chacal?
32:04Let's say that the time I gave Chile
32:06to give me the light I deserve
32:08is over.
32:10There is a lot of competition out there.
32:12I managed to have certain territories, but...
32:15I was not born to be second.
32:17No.
32:18I was born to be the king.
32:20Like in Argentina.
32:22And now in Peru.
32:23And now in Peru.
32:25From now on,
32:26I'm going to dedicate my entire time
32:29to this beautiful land
32:32that saw me born.
32:34Chacal, stop talking nonsense.
32:36Losing you in Chile affected your head, didn't it?
32:40What are you talking about, idiot?
32:42I decide when to leave,
32:44which is different.
32:46From now on,
32:47I'm going to run my business
32:49here,
32:50but alone.
32:51Chacal, what do you want?
32:53Your money has always come to you at the end of the month.
32:55I've been in charge of giving it to you myself.
32:57Well, let's say that now I prefer you to come alone.
32:59Okay?
33:01I don't need you anymore, Marcial.
33:03I asked you to be my representative for obvious reasons,
33:05but now that I'm here,
33:07I don't need you.
33:09Your golden age as a music producer
33:12is over.
33:14Chacal, you can't do that.
33:16I need all the information
33:18of all the groups we've been representing.
33:20I want to pay them a visit.
33:22I want them to meet their new music producer.
33:25Chacal, you and I had a deal.
33:27You can't do that just because you failed in Chile.
33:29What are you saying, idiot?
33:31Look, things are very different here than in Argentina.
33:33You could have done a thousand things there,
33:35but you're nobody here.
33:37I'm the powerful one here.
33:39And I gave you that power,
33:41and I can take it away from you like this.
33:43I was going to do it today,
33:45in a good way,
33:47but you're going to force me to take other measures.
33:50Chacal.
33:52Chacal, wait.
33:54See you, Montero.
33:56Chacal.
33:58Chacal, wait.
34:00Please, Chacal, I don't want a war with you.
34:02You scared me, Montero.
34:04Listen to me.
34:06I'm going to handle everything on my own.
34:08Learn to let go, man, learn to let go.
34:10Please, Chacal, don't you realize
34:12that you alone won't be able to do anything here?
34:14You need me, I'm your facade, your mask.
34:16No one is going to want to do business with you.
34:17No one is going to want to operate the machine
34:19like you did in Argentina.
34:21Not here.
34:23Are you done?
34:25Look, the network is about to make a turn in Argentina.
34:27What would happen if you talked to Johnny right now?
34:29Everything goes to hell.
34:31Money can be dirty, yes.
34:33But it's not always stained with blood.
34:35I know how to negotiate, Chacal.
34:37You don't.
34:39You almost convince me.
34:41I'm moved, Montero.
34:43Okay.
34:45Let's see what happens now.
34:47We're still partners.
34:49Until death do us part.
35:06My God.
35:09Marcial and Chacal
35:12are talking as if it were nothing.
35:15And they're shaking hands as if they were partners.
35:20It can't be.
35:22It can't be.
35:27Toothbrush, mouthwash, headphones, wallet, more documents,
35:31cell phone charger and book of compositions.
35:34I think we're done.
35:36We don't need anything to take the trip to Argentina.
35:38Congratulations, nephew.
35:41We're going to Argentina.
35:42It's going to be great to see you and Johnny singing together
35:46in the place where it all started, nephew.
35:48What am I talking about?
35:50Everything started here.
35:52Nectar started here.
35:54Right.
35:56You and my dad loved music since we were kids.
35:58Since we were kids.
36:00When we were kids, we'd go to bed.
36:02Before going to sleep, we'd look at the sky.
36:04And we'd say,
36:06I want to be that star.
36:08And Johnny would say,
36:10I want to be that star that shines more.
36:12Of course, when we were kids,
36:14we didn't even have a roof.
36:19So many things have happened.
36:22A lot of things, nephew.
36:25But now we're here.
36:27And we're a very united family.
36:29That's what counts.
36:31And now we're going to Argentina.
36:34To be the beautiful old lady.
36:36You'll sing it very well, but your Argentinian accent is terrible.
36:39Our music is going to go so far, David.
36:42So far that even the angels will hear us
36:44and they'll start dancing their cumbia.
36:46You'll see.
36:48You excite me with what you say, uncle.
36:50You always do.
36:53I'm very happy to sing with my dad in Argentina.
36:56But you know,
36:58it also makes me very happy to sing with you, uncle.
37:02Because you've supported me since I was a kid.
37:05And you always did.
37:06Do you remember?
37:08You taught me to sing and play
37:10without anyone noticing.
37:14And I would do it again, nephew, over and over again.
37:17Do you know why?
37:21Because you're a son to me.
37:26The son I could never have.
37:32I'll always love you, David.
37:33Always.
37:36I love you very much, uncle Kike.
37:38You're my nephew.
37:47Enough, enough, enough.
37:49A lot of melodrama here.
37:51I'm still hungry.
37:53Would you like a chifita?
37:55A chaufita with soup?
37:57With fried potatoes.
37:58Talk.
37:59Talk.
38:00I invite you.
38:01Talk.
38:02Talk.
38:03I invite you.
38:04Thank you, uncle.
38:09So, if David travels with us,
38:12that means he won't continue with his group, right?
38:14Not for now.
38:16But I'm sure that when we return,
38:18he will continue with his group.
38:20Father and son singing together in Argentina.
38:23I love it.
38:26Every time we play in the shed,
38:28they pay us a misery.
38:29And I see that place full,
38:31and the people, and what falls.
38:33It doesn't make sense.
38:34Explain to me.
38:36Do you know why we're winning less and less?
38:38Yes, Johnny, Johnny.
38:39You're right, you're right.
38:41But you know that the shed is not managed by Mario.
38:43And this guy is a shameless.
38:47Is there anything you want to tell me?
38:50No, I don't.
38:52And you, Marcial?
38:54Is there anything you want to tell me?
38:56About what?
38:57I don't know.
38:59About the tour.
39:01There's nothing going on, Marcial.
39:04No, no.
39:06Everything is going very well.
39:08I'll take care of everything.
39:10Trust me.
39:27I love you.
39:49I think we could let you grow your hair, right?
39:51To give you a more rebellious touch.
39:53But just a little bit,
39:55to make you some interesting hairstyle.
39:57No.
39:58Yes.
39:59Ah, and your look.
40:00We definitely have to change it.
40:01You have to put on something more striking.
40:03I can go with you to buy...
40:04Carla.
40:05It can be Thursday.
40:06You tell me if at four in the afternoon you're okay.
40:07I can go with you.
40:08Carla, please relax.
40:09Breathe a little.
40:10Sit down and finish your ice cream, please.
40:11Sorry, I get excited.
40:12I know.
40:16Well, I have everything available Thursday.
40:17You just tell me the time and that's it.
40:19Don't worry.
40:20I'll let you know, Carlita.
40:21Finish your ice cream, please.
40:28After hearing the tone, record your message.
40:33It's been several days, Natalia.
40:35I've been waiting for you outside your house, at the university,
40:38but I don't see you.
40:40What happened?
40:42When you hear this message,
40:44answer me, please.
40:46I'm asking you.
40:57I'm asking you.
40:58I'm asking you.
40:59I'm asking you.
41:00I'm asking you.
41:01I'm asking you.
41:02I'm asking you.
41:03I'm asking you.
41:04I'm asking you.
41:05I'm asking you.
41:06I'm asking you.
41:07I'm asking you.
41:08I'm asking you.
41:09I'm asking you.
41:10I'm asking you.
41:11I'm asking you.
41:12I'm asking you.
41:13I'm asking you.
41:14I'm asking you.
41:15I'm asking you.
41:16I'm asking you.
41:17I'm asking you.
41:18I'm asking you.
41:19I'm asking you.
41:20I'm asking you.
41:21I'm asking you.
41:22I'm asking you.
41:23I'm asking you.
41:24I'm asking you.
41:25I'm asking you.
41:26I'm asking you.
41:27I'm asking you.
41:28I'm asking you.
41:29I'm asking you.
41:30I'm asking you.
41:31I'm asking you.
41:32I'm asking you.
41:33I'm asking you.
41:34I'm asking you.
41:35I'm asking you.
41:36I'm asking you.
41:37I'm asking you.
41:38I'm asking you.
41:39I'm asking you.
41:40I'm asking you.
41:41I'm asking you.
41:42I'm asking you.
41:43I'm asking you.
41:44I'm asking you.
41:45I'm asking you.
41:46I'm asking you.
41:47I'm asking you.
41:48I'm asking you.
41:49I'm asking you.
41:50I'm asking you.
41:51I'm asking you.
41:52I'm asking you.
41:53I'm asking you.
41:54I'm asking you.
41:55I'm asking you.
41:56I'm asking you.
41:57I'm asking you.
41:58I'm asking you.
41:59I'm asking you.
42:00I'm asking you.
42:01I'm asking you.
42:02I'm asking you.
42:03I'm asking you.
42:04I'm asking you.
42:05I'm asking you.
42:06I'm asking you.
42:07I'm asking you.
42:08I'm asking you.
42:09I'm asking you.
42:10I'm asking you.
42:11I'm asking you.
42:12I'm asking you.
42:13I'm asking you.
42:14I'm asking you.
42:15I'm asking you.
42:16I'm asking you.
42:17I'm asking you.
42:18I'm asking you.
42:19I'm asking you.
42:20I'm asking you.
42:21I'm asking you.
42:22I'm asking you.
42:23I'm asking you.
42:24I'm asking you.
42:25I'm asking you.
42:26I'm asking you.
42:27I'm asking you.
42:28I'm asking you.
42:29I'm asking you.
42:30I'm asking you.
42:31I'm asking you.
42:32I'm asking you.
42:33I'm asking you.
42:34I'm asking you.
42:35I'm asking you.
42:36I'm asking you.
42:37I'm asking you.
42:38I'm asking you.
42:39I'm asking you.
42:40I'm asking you.
42:41I'm asking you.
42:42I'm asking you.
42:43I'm asking you.
42:44I'm asking you.
42:45I'm asking you.
42:46I'm asking you.
42:47I'm asking you.
42:48I'm asking you.
42:49I'm asking you.
42:50I'm asking you.
42:51I'm asking you.
42:52I'm asking you.
42:54Davis!
42:58No, no, no.
43:03No!
43:06No!
43:07No, no, no.
43:10What's wrong, Johnny?
43:15We have to take care of Davis.
43:21He can't go to Argentina.
43:24No, he can't go.
43:28What a bad dream, Chulita.
43:30No, he can't go.
43:41You're an imbecile!
43:43I'm going to report you to everyone!
43:46For betraying.
43:48We're going to have to cancel the tour.
43:49No, Johnny.
43:50We can't cancel the tour.
43:52A bad feeling.
43:54Davis, I've decided that I'm going to travel alone to Argentina.
43:57Davis!
43:58Davis!
43:59Davis!
44:00It will fill him with anguish.
44:02What's wrong, Johnny?
44:03Oh, God.
44:04I don't know why I'm scared, but I don't want him to go.
44:06An overwhelming chapter is coming in...
44:11I'm going to leave Nectar for good in heaven!
44:14Your name and mine.
44:17Monday and Tuesday.