El Ángel De Aurora Capitulo 29 Completo en Español
El Ángel De Aurora Capitulo 29 Completo en Español
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Short filmTranscript
00:00I really am.
00:04Really, you're going to marry him?
00:12Yes Antonio, I will marry him.
00:16Don't touch me.
00:17Just because you're a partner doesn't mean you can't do it.
00:24Don't touch me.
00:27Just because you're a partner in the company doesn't mean anything.
00:30No, no, no. Don't say anything else.
00:32Please, Aurora. I'd give my life to be in your place.
00:35I'd give everything to have you again in my arms.
00:39My love.
00:46Julio, if you're upset about this situation,
00:50of course I understand.
00:52Antonio is very confused.
00:55Antonio, can you please explain to Julio César...
00:57Aurora, none of us are old enough to be justifying for some misunderstanding.
01:06I only came to tell you that my son is waiting for us.
01:10Now, if you don't want to go with us, don't worry.
01:14I understand.
01:16Excuse me.
01:21Antonio.
01:22Well, I think it's time for you to assume that our relationship is over.
01:26It doesn't exist anymore.
01:28I'm engaged to Julio César.
01:30I know.
01:32I'm sorry. It wasn't my intention for Julio César to hear what I said.
01:36I'm sorry.
01:37But even so, I don't regret it.
01:40Not even what I feel.
01:43Can you respect my relationship with Julio César?
01:47You have no right to put him at risk.
01:50I'm really sorry to have bothered you, but in my heart,
01:53in my heart, I don't command.
02:00Even so, Aurora,
02:04I will respect your relationship.
02:07Ultimately, Julio César is a good man.
02:16Mr. Santos,
02:18I know the news is very shocking, but I beg you to calm down.
02:22If you allow me, I can explain to you what this disease is like.
02:25I don't want to know.
02:26Those studies,
02:28those studies must be wrong.
02:31Unfortunately, no.
02:32And it is urgent that your wife begin treatment as soon as possible.
02:37No, no.
02:38My little Vicky, no.
02:39She can die.
02:40God, don't let this happen to us.
02:44She is my everything.
02:45If I die,
02:46I'm not going with her.
02:47I'm going to die too.
02:51Doctor,
02:54help us, please.
02:56Mr. Santos, calm down, please.
02:59Sit down.
03:01Sit down.
03:05What you're telling me is horrible.
03:09Are you sure about that?
03:11Is there any confusion?
03:14No, my love.
03:16My father, Fabricio, killed his father.
03:19A grandfather.
03:21Is that why he was admitted to a psychiatric hospital?
03:24I don't know.
03:26I don't know, I'm confused.
03:28I was a child, but I have memories of him.
03:32I know he loved me.
03:36But,
03:38on the other hand, what he did is an atrocious crime.
03:43He may have already paid for his crime.
03:47Do you know if he was charged or if he was tried?
03:52A crime like that is never paid for.
03:57Demian, the last thing you should do is lock yourself up
04:01and blame yourself for a crime that is not yours.
04:06Come on, let's go outside.
04:10What do you want to do?
04:11Elena,
04:13don't worry.
04:15Yes, I'm used to my parents disappointing me.
04:20I'm going to get over this.
04:23I have a meeting with the executive of the bank.
04:26Let's hope the sale causes a rebound in sales.
04:31You've always been a very strong man, Demian.
04:34But,
04:36I just want to make sure you're okay.
04:39If you left my side,
04:42I probably wouldn't be alive anymore.
04:46You are my strength, Elena.
04:49Hey,
04:51never leave me.
04:59We're not at the theater anymore, Dad.
05:01Yes, I'm sorry.
05:03I stayed to work after the meeting and I lost track of time.
05:07It's okay, we'll go another day.
05:09Is something wrong, Dad? Are you okay?
05:11Yes, everything is fine.
05:13I was just thinking about what you told me,
05:16about the older woman you're in love with.
05:19Don't worry about that, Dad.
05:21If it becomes serious, I'll introduce her to you.
05:24And Aurora?
05:26She's staying with Antonio Morrieta.
05:28Julio,
05:30how dare Aurora sue me?
05:33With a restraining order, Patricia,
05:36you can't approach Aurora Campero for any reason, okay?
05:40Excuse me, why are you laughing?
05:43One of these days,
05:45she's going to arrive with a bomb,
05:47dressed as a nun,
05:49and with a gun, a knife,
05:51and she's going to dismember them
05:53to see what ridiculous things come to her mind.
05:55It's not a bad idea,
05:57but I don't do those cheap circuses
05:59because I don't have money.
06:01I don't do those cheap circuses
06:03because I don't have any need.
06:05No, it's just that the way you spend them,
06:07I have no doubt
06:09that people do whatever it takes to get attention.
06:11Very good.
06:13Really.
06:20Verona,
06:22the truth is that
06:25I appreciate you.
06:27You're great.
06:29I don't want to hurt you
06:31or make a fool of myself.
06:35And look,
06:37I know how you feel about me.
06:39I'm not denying that you're a bitch
06:41and all that,
06:43but one thing is one thing
06:45and the other is that I want to take advantage of that.
06:47But don't think you're hurting me.
06:49What I'm going to tell you is
06:51that you're not going to do well with my sis.
06:53She dated Demian for a while,
06:55but what's next is the wedding.
06:57They're going to get married.
06:59No, that's not true.
07:01She feels something for me.
07:04I feel really bad
07:06about my sister making you believe that
07:08because I know that
07:10they're going to get engaged.
07:12Yes, but it was the procession.
07:14I didn't see her,
07:16but this means a lot to me.
07:18And how are you so sure it was?
07:20Did you see her?
07:22Why didn't she come to you?
07:24I don't know,
07:26because Elena has something against me.
07:28I don't know what it is,
07:29but I'm short-sighted.
07:31You know I didn't do anything to your mom.
07:37Despite the love I feel for you,
07:45I swear I'm going to stop insisting.
07:48I'm not going to cause you any more trouble
07:50with Julio Cesar.
07:52I don't care if you love him.
07:55I'm a selfish man, Aurora.
07:57In fact, it hurts me to love you.
08:02Just when I met him,
08:04I was going through a complicated moment
08:06with Demian.
08:08And that's why I think I confused
08:10my feelings for him.
08:12That's all.
08:14Sometimes love hurts, Elena.
08:16It's the best, Anton.
08:18Now our lives are totally different.
08:22After you,
08:24there was no one else.
08:26There was no one else in my life.
08:28But I want life to take me
08:30down a different path.
08:32I want to forget about my tragedy.
08:35I want to live
08:37the love Julio Cesar is giving me.
08:39Don't say any more.
08:41Please, don't say any more.
08:44I'm still firm
08:46in my promise to look for Gabriel.
08:49I know we're going to find him.
08:53I'm going to deal with everything
08:54with Isabel and Demian.
08:56I'm only going to talk to you
08:58about the company.
09:01I appreciate it.
09:03I appreciate you understanding my reasons.
09:05Yes.
09:07I'm going to Las Flores.
09:09I hope to find the documentation.
09:13I'm not going to hurt you anymore, Aurora.
09:15I won't talk to you again.
09:20Excuse me.
09:24Excuse me.
09:42Look, kid.
09:44I'm a very respected actress.
09:46And I've never worked in a circus.
09:49We didn't make it to the theater,
09:51but the show has already begun.
09:53It was a great show.
09:55I loved it.
09:58Patricia, come with me, please.
10:00No, no, no.
10:02No problem, dad.
10:04Besides, I'm here to talk to Aurora,
10:06not to you, Julio.
10:08Yes, but I'm her lawyer.
10:10You can't come near me.
10:12You're that damn bitch.
10:14Don't come near me, Patricia.
10:16I could have you arrested right now.
10:19I can come near you as many times as I want.
10:20I want to talk to you.
10:22Wait.
10:24Where do you think you're going?
10:26I want to talk to you, Briana.
10:28What a great function, dad.
10:30Invite me more often, please.
10:32Cassandra, this woman can't be here.
10:34You can talk to security right now.
10:36Security!
10:38Security!
10:40Get her out of my company.
10:42Out of Mrs. Aurora's company.
10:44Please, come with us.
10:46Don't you dare touch me
10:48because you don't know who you're messing with.
10:50Please, come with us.
10:52Don't touch me.
10:54Let go of me.
10:56No, no, no, wait a minute.
10:58I'm going to talk to the lady.
11:00And I'm going to talk to my friend Isabel.
11:02This woman came without...
11:04Is she really an actress?
11:06Well, she's an extra-glorified one.
11:08I'll charge you five.
11:10Is everything okay?
11:12Everyone get to work right now, please.
11:14Yes.
11:16Don't worry.
11:18I had to make a quick decision.
11:20It's important.
11:22This partnership with Antonio Murrieta
11:24is going to allow us
11:26immediate liquidity.
11:28And that's a guarantee
11:30for everyone involved,
11:32especially for the bank.
11:34Look,
11:36the corporate shares are doing very well in the stock market.
11:38However, there are nine contracts
11:40for different financing
11:42and only five have been liquidated.
11:44Look,
11:46you are one of them.
11:48You are our most important bank.
11:52However, I'm not going to lie to you.
11:54Your competition has made us quite interesting proposals
11:56and yet
11:58we remain loyal to Banadi.
12:00We know, Mr. Morga, we know.
12:02We have always been your investment capital
12:04since your grandfather was in charge.
12:06Right, right.
12:08That's why
12:10it's not necessary to worry,
12:12right?
12:14This merger with Murrieta Associados
12:16in addition to the fashion show
12:18that we are preparing
12:20will allow us immediate liquidity
12:22and with that we will be able to pay
12:24the remaining contracts very soon.
12:27I assure you.
12:32It's the last time I do something
12:34to prevent you from getting security.
12:36What you don't understand
12:38is that you can't forbid me
12:40to come in and out of here.
12:42I'm not going to let you continue defaming Aurora.
12:44Why?
12:46She's a tramp, she steals husbands.
12:48You're getting into serious trouble with the law.
12:50I don't think you'd like to see me angry.
12:52Well, they already know me
12:54and they already know how I am.
12:56If you don't leave Aurora alone,
12:58not only are we going to exercise
13:00the restriction order,
13:02but we are also going to sue you
13:04for harassment, insults and false testimony.
13:13You should be happy
13:14you are already the new partner
13:16of the corporate camper.
13:18I'm not, my love, I'm not.
13:21What happens is that
13:23I think I'm becoming an old man
13:25who only thinks about love in the past
13:27and that makes me make many mistakes.
13:29You're not old, dad.
13:31A little grumpy, yes.
13:36But it's just that
13:38I've let myself be carried by the heart
13:40and I don't know
13:42what to do.
13:44And I don't realize
13:46that that brings me consequences.
13:48We all make mistakes
13:50and not only in love.
13:54Sometimes we make mistakes
13:56with judgments,
13:58with people.
14:00What do you mean, Angel?
14:02Patricia.
14:04No, I don't even want to talk about her anymore.
14:07Tomorrow I'm going to your great-grandmother's house.
14:09What for?
14:10Well, apart from the investigation
14:12that Aurora has followed all these years
14:14to find her son,
14:18I hired a specialist
14:21to open a new line of investigation.
14:25Aurora agrees?
14:28Yes, she agrees.
14:31In fact, I just promised her
14:33that I will not look for her more
14:35than for the strictly indispensable.
14:37Everything will be fine, dad.
14:39You'll see.
14:48Hey, dad.
14:50The son that they stole from Aurora,
14:53was it yours
14:55or the man who abused her?
14:58Don't listen to her, Mrs. Aurora.
15:00Look, it looks like she's going to tell you
15:02that she's going to tell you
15:04that she's going to tell you
15:06what she's going to tell you.
15:08My dad doesn't have his liaison.
15:11Look, it looks as if she's very sly.
15:13I know several of her maids
15:15who do thing miserably.
15:17She is a disgusting woman.
15:19Take it easy.
15:20All she it's looking for
15:22is a way to hurt people.
15:24I just hope
15:26that Julio César put her in her place
15:28and make her understand
15:30the consequences that will come
15:32if she keeps getting close.
15:34You'll seez, she'll do it.
15:35So you can find your son.
15:37Yes, yes, yes, yes.
15:41Everything will be fine.
15:43Don't worry.
15:45You're going to make me cry.
15:47No.
15:48Oh, forgive me, Angel, because it's not okay.
15:51No, I'm sorry, I'm sorry.
15:53Forgive me, I don't want you to think badly.
15:55No, no, calm down, calm down.
15:57I don't confuse things.
15:58Really?
15:59Yes.
16:00On the contrary.
16:01Your hug also helps me.
16:03It reminds me of when my mom hugs me and I'm very exhausted.
16:07Hey, don't you feel like some basket tacos?
16:10It's just that I've been wanting to go get some for a while.
16:12No, the truth is that right now I don't feel like some basket tacos.
16:16But you like them?
16:18Well, yes.
16:19I like them.
16:20It's been years since I've eaten some, but I do love them.
16:22Well, maybe next time I'll invite you.
16:25And the tripa ones?
16:28Fried.
16:31I'm sorry, Dad.
16:32I shouldn't have asked such a delicate question.
16:36Don't worry, daughter.
16:38It's only natural that you want to know.
16:40We haven't talked about it either.
16:46That boy is the son of the man who raped her.
16:52Obviously, I knew they had raped Aurora, but...
16:58There was a possibility that it was mine.
17:03It hurt me when I found out it wasn't.
17:09But my cowardice hurt me more that time.
17:14Having left Aurora in her father's hands...
17:20It was horrible.
17:24Calm down.
17:25I had that boy in my arms.
17:28And that's why, daughter.
17:31I'm sorry.
17:33Despite so many years.
17:37Poor Aurora, Dad.
17:40She must have suffered a lot.
17:41Yes.
17:42A lot.
17:44And you too.
17:46A lot.
17:49Isabel, her father and Isabel were also involved in that tragedy.
17:53Isabel?
17:54Yes.
17:55But I'll tell you about that later.
17:57Now I have to go to the construction company.
17:59I have an important meeting.
18:01Hey, Dad.
18:02Before you go, I wanted to tell you that I spoke to Daniel.
18:08He is very affected by everything about his father.
18:13Children should not suffer the sins of their parents.
18:18My love, your boyfriend is going through a very difficult time.
18:49I love you.
18:52I love you.
18:55I love you.
18:58I love you.
19:01I love you.
19:04I love you.
19:07I love you.
19:10I love you.
19:13I love you.
19:16I love you.
19:19I love you.
19:22I love you.
19:25I love you.
19:28I love you.
19:31I love you.
19:34I love you.
19:37I love you.
19:40I love you.
19:43I love you.
19:46I love you.
19:49I love you.
19:52I love you.
19:55I love you.
19:58I love you.
20:01I love you.
20:04I love you.
20:07I love you.
20:10I love you.
20:13You know, what you're asking for is much more dangerous
20:16and compromising than what I did to Detective Rocha.
20:19Oh, don't play innocent, Edgar.
20:21You could pay me at home with this.
20:24Wouldn't you love it?
20:26Well, yes, but look, I can't be paying...
20:28But nothing.
20:30Not a word about this to Damien.
20:33No, no.
20:34I haven't seen Damien since what happened at the house.
20:37The truth is, I'm afraid he'll fire me.
20:39He's not going to fire you.
20:42He's going to kill you.
20:46Oh, it's a joke!
20:48Look at him.
20:49So, are you making plans to formalize your relationship?
20:55I'd tell them to get a nice couple,
20:58but I'm not as good at lying as my mom.
21:02Oh, yeah.
21:03Stop your sarcasm, please.
21:05Excuse me.
21:08We'll talk about your lovers later, Mom.
21:16I just closed the bank's debt liquidation strategy.
21:20With Antonio Murrieta's arrival as a partner
21:23and with the fashion show,
21:25we're in luck.
21:27You're lucky.
21:29You're lucky.
21:31You're lucky.
21:33You're lucky.
21:35You're lucky.
21:38I like it.
21:40I think I should put my picture
21:42in the same place where my grandfather Miguel's picture was.
21:46By the way, why did you remove the painting?
21:50I didn't do it.
21:53I don't care.
21:55I don't care.
21:58So, after liquidating the debt and the fashion show,
22:02what's your next plan?
22:12You think I'm going to tell you?
22:18I learned my lesson from you, Mom.
22:22You won't realize it until everything works out for me.
22:32Hey, can I invite Rola to the movies?
22:36No, I'm not going to the movies or anywhere else.
22:39I've been following Cassandra's gossip
22:41from head to toe.
22:43Really?
22:44Are you still mad about what I said?
22:46Yes.
22:47Besides, Briana dumped me and I don't want any more problems.
22:50Well, you too, Margarita.
22:52You have to check the gossip before replying to it.
22:57Speaking of checking,
23:00I'd like to know if you feel the same way about me.
23:03I defended Rola Seti and Del Moco.
23:09I don't feel anything for you, Aquiles.
23:11You didn't defend me from El Morro
23:13and we're not going to the movies.
23:16You know what?
23:17I'm going to tell you this once and for all.
23:20I'm in love.
23:23But with Angel.
23:26You still have a long way to go to learn from my love.
23:30You don't understand that everything I do,
23:32I do it for you, for your future.
23:36If that makes you feel at ease, Mom, go ahead.
23:41Keep repeating it.
23:45I know what kind of person you are.
23:48You betrayed your own son.
23:53Well, I'm going to prove you wrong soon.
23:58I'm going to make you president of this company
24:00and then you're going to come on your knees to apologize to me.
24:09I can't believe Maggie is in love with Angel.
24:12What I can't believe is that Luis Alberto
24:14let me see him when I needed him the most.
24:16Besides, that Angel is a devil.
24:18No, he's a good man.
24:20What do you know about Luis Alberto?
24:22Is he still in love with Mrs. Isabel?
24:25I don't know anything about anything.
24:26He left me just like you when you were with that kid.
24:29Oh, poor thing.
24:30You know what?
24:31I don't even understand why I'm talking to you.
24:33We didn't even talk to each other.
24:34Well, you talked to me first.
24:38Oh, little friend.
24:40I'm sorry.
24:41I love you so much. Give me a hug.
24:43I love you so much too.
24:46I love you so much. Give me a hug.
24:48I love you so much too.
24:50It's okay, little friend.
25:01Oh, my God.
25:05What are we going to do?
25:17Mr. Santos, you need to come with your wife.
25:20Mrs. Victoria needs to know what's wrong with her.
25:23Please sit down.
25:26We must have a minority opinion on myeloma development.
25:30According to the studies,
25:32your wife is being affected by the leprosy system.
25:37It's important that I see her.
25:41What do you mean by that?
25:43What's up, man?
25:45How are you?
25:48What's wrong with you?
25:50What's wrong with you now?
25:54What do you have there?
25:56It's the Vicky's tests.
26:00My Vicky is very sick, Pintas.
26:06She's going to die.
26:09She's going to die.
26:11Oh, man.
26:14Oh, man.
26:16No, man.
26:18Come here, man.
26:21Come here, man.
26:23Come here.
26:26Your words are hollow, you know?
26:29You've always been a liar.
26:31Why can't you believe you're all I care about in life?
26:36I'm not going to tell you anything.
26:39I'll do what I have to.
26:57Did you kill Detective Esteban Rocha?
27:00Well, he was furious, but I think he understood this time.
27:07I think we'll have to call the police next time.
27:12Hmm.
27:15You're serious about what happened
27:17in the office with Antonio, right?
27:21Yes.
27:24I asked my son to wait for me at the corporation.
27:27I want to talk to him.
27:29I want to talk to you.
27:31Look, Julio Cesar, I already asked Antonio...
27:33No, no, no. Let me talk.
27:36Since I saw you with Antonio, I haven't stopped thinking.
27:39Uh-huh.
27:41I think we're...
27:43breaking up.
27:45What?
27:50I don't think we should go on with our wedding plans.
27:55What's going on, Julio Cesar?
27:58I love you.
28:00Yes, yes, yes. You love me, but you don't love me.
28:06And I can't hold on to the idea that you'll do it one day.
28:10Look.
28:14We're both adults.
28:16And love is totally different at our age.
28:21No, no.
28:24You're still in love with Antonio.
28:27And you don't want to accept it.
28:31We're going to stay a little longer at school
28:33because we're rehearsing for the festival
28:35Júganos a Cantar.
28:37And my Fucho app is looking great.
28:40I believe you, Anita.
28:42Is my friend from technology still helping you?
28:44Yes, she gave me some really cool ideas.
28:46I can compare my volleyball shots
28:48with the players from America.
28:50I'm very proud of you, Anita.
28:54You even started making money with the app on one of those.
28:57Yes. I like being with you.
29:00But you've abandoned me.
29:02I've had a lot of work, Anita. That's all.
29:06So, tell me, what happened?
29:09You were very sad.
29:10How come your parents don't love you?
29:12My parents think about Ángel all the time.
29:14They talk about my brother all day.
29:16They haven't even asked me about my festival.
29:19You know what I think?
29:21Maybe my parents picked me up.
29:23That's why they don't love me as much as they love my brother.
29:26Anita, your parents adore you.
29:28And I haven't seen parents more loving than yours.
29:31Besides, they just threw you a birthday party
29:34and went to Fucho's game, right?
29:36Football, Elena. You talk like me.
29:39Look who's there, my brother!
29:41Anita, no. I don't want to talk to him right now.
29:44Liar! I know those things.
29:51What is it, Elena?
29:52I swear I didn't know you went to the procession.
29:55Ángel...
29:57I beg you to forget everything.
30:00This is very painful for me.
30:02Forget I went to the procession.
30:04Forget what happened between us.
30:06Forget me, Ángel.
30:09Do you think it's so easy to forget you?
30:12Teach me how to do it so I can't forget you.
30:17I've been calling Demian, but he's not answering.
30:20It's logical, Fabricio. You have to give him time.
30:24I was at a meeting with him today and I didn't like him.
30:27I'm very worried.
30:28Yes.
30:29Despite the rudeness he always tries to show,
30:32Demian is very sensitive.
30:34He inherited that from me.
30:36Not like you, who always had a temper
30:38against the people around you.
30:40I don't know what to do.
30:42I don't know what to do.
30:45You, who always had a temper against your workers.
30:49Of course, workers.
30:52Is everything okay?
30:55It's not workers.
30:58Aurora and Julio César suspect something
31:01that worries them a lot.
31:06What if the rapist Aurora
31:09was one of the Albañeles of that time?
31:12What are you talking about, Antonio?
31:16Maybe the rapist wasn't someone from the construction company,
31:19but someone who worked at the mansion.
31:22What if they really knew each other?
31:30You can't run away from your past
31:34and the pain it caused.
31:37Aurora Campero's son is alive.
31:40Aurora Campero's son is alive.
31:43And I know where he is.
31:46If you want to know,
31:48it's going to cost you money.
31:55We were arriving at the corporation with Julio César and me.
31:58A guy shouted my name, but it was strange.
32:02What if he's been sending the anonymous
32:04and the rapist are the same person?
32:08No.
32:10What is he doing?
32:12What are you talking about, Antonio?
32:14They've been sending me anonymous.
32:17They're telling me Aurora's son is alive.
32:20Really? Aurora's son is alive?
32:23The problem is I can't talk to Aurora.
32:26I promised not to bother her anymore.
32:29But this is important, Antonio.
32:31You have to tell her.
32:34Antonio! Fabrizio.
32:36No, no, please. No, Patricia.
32:42I don't have the power to teleport
32:45to kill people.
32:48Clearly, you wouldn't be as stupid
32:50as to run over him yourself.
32:52But you had to pay someone to do it.
32:54No, I don't need to pay anyone.
32:57My words kill.
33:01Yes, Mom. You're capable of doing everything.
33:03Well, almost everything.
33:05What you're not capable of doing
33:07is giving me the presidency position
33:09of this company, as you promised.
33:11There you go again.
33:12I wish I'd given you a little...
33:14Mom, enough. Shut up.
33:16What?
33:17I wasn't going to say your father's madness.
33:19I was going to say your mother's patience.
33:22Patience, baby.
33:27I'm going to keep my promise.
33:30I'm going to get your aunt out of the company
33:32and I'm going to sit in the presidency chair for you.
33:47Mr. Demian, can we talk?
33:50Can it be tomorrow?
33:52This is urgent.
33:54It's about Miss Briana.
33:58I want you to tell Aurora's lunatic
34:00to withdraw that restraining order against me.
34:02You caused all this.
34:04Julio Cesar threatened to sue me.
34:06And it turns out I can't step on the company
34:08that's also mine because you're already a partner.
34:11Please.
34:12This is not the place or the time to make a scene.
34:15I know we made a deal to live together,
34:18but I'm sick of it.
34:23Patricia, don't be stupid.
34:26Patricia, don't be stubborn.
34:28Can you stop being stupid?
34:35Fine.
34:36Wait, wait, wait.
34:38We're not a bunch of teenagers
34:40fooling around with our feelings.
34:42I'm not fooling you, Julio.
34:45You're trying to avoid the subject.
34:47You haven't answered my question.
34:49I don't think it's right to talk to you here.
34:53If you want to clear things up, we'll do it in private.
34:56No, no, no.
34:58Calm down.
35:00What?
35:01Did you two stop loving each other so quickly?
35:06So you're seeing Mr. Julio Cesar?
35:09So, Antonio...
35:13We're willing to start a relationship,
35:15to get to know each other better.
35:17But I can't stand seeing you around Antonio all the time.
35:20What do I do?
35:21Don't worry about that.
35:22I already talked to him.
35:23I asked him not to come near me
35:25so you can be at ease.
35:39I didn't come to talk to you about love.
35:41If you want to see him like this, he's...
35:43You knew I was going to see Anita
35:45and it turns out you came out of nowhere.
35:48Okay, okay.
35:49Whatever the boss says.
35:51I knew you were going to be with my sister
35:53and I wanted to tell you something at the office
35:55and you didn't let me.
35:56Look, Angel Santos.
35:57Angel Santos told you?
35:59That's a scolding.
36:00Ana.
36:01I just came to tell you that I left you a proposal
36:04for the project's financing.
36:06Did you really just come to tell me that?
36:08Yes.
36:09Couldn't you have left me a message?
36:11Yes, but I preferred it in person
36:13because a misinterpreted message is not understood.
36:16Well, thank you for leaving me the proposal in my office.
36:19Can you leave me alone with Anita now, please?
36:22I know what songs I'm going to sing.
36:24Piojo and Pulga were going to get married
36:27and they didn't get married because they didn't have bread.
36:49Compadre, no te le quedes viendo.
36:55Lo que debes hacer ahora es en cómo salvar a tu esposa.
37:00Solo que tuviera muchísima lana.
37:04Pero siempre al perro más flaco se le carguen las pulgas.
37:09Pues así es la vida, compadre.
37:12La vida es la vida.
37:16Pues así es la vida, compadre.
37:19La vida es un carnaval, ni modo, anda.
37:22¿Usted por qué no quiere seguir mi consejo
37:24y sacarle dinero a la roca ricachona?
37:28La mamá de Ángel.
37:30Esa no es la mamá de Ángel.
37:33Su mamá es mi Vicky.
37:36Porque siempre estuvo al pie del cañón.
37:40Pues si no haces algo pronto,
37:42pues esa enfermedad milenoma, o como se llame,
37:46pues va a matar a tu esposa.
37:48No.
37:49Ándale, tómale.
37:58Cómo nos vino a caer la de malas.
38:02Y contra mi vieja,
38:06ella no le hace mal, compadre.
38:08Mal.
38:09Pues es que alguien te tiene que hacer entrar en razón,
38:12compadre.
38:15El secreto de tu hijo puede ayudar a salvar a tu vieja.
38:31Nadie está intentando contener la inflación.
38:33Yo pienso que las condiciones de restricción monetaria
38:35solamente van a presionar al sector,
38:38pero pues es su política.
38:40A nadie, al igual que el resto de los bancos,
38:42también lo va a hacer.
38:43No van a tener de otra.
38:45Van a aumentar la tasa de interés, Zulís.
38:48Es muy importante que tú,
38:50como asesor financiero de la empresa,
38:52le tengas informado de todo.
39:04Disculpe, la señora Esperanza sigue esperándolo todavía,
39:08pregunta si la puede recibir, ¿ya?
39:12Gracias.
39:17Una disculpa por hacerle esperar.
39:20Siéntese.
39:21Gracias, señor.
39:25Ahora sí, cuéntame,
39:27¿qué es lo que pasa con mi cuñada?
39:29¿Tuvo algún problema para regresar
39:31o le hizo alguna grosería?
39:33No, señor Demián.
39:36¿Pero cómo está eso de que se anda dando usted sus quemones
39:40con la señorita Briana?
39:44El señor Demián está ocupado.
39:47Tengo que darle una copia del avance anual
39:49que me entregó el señor Zulís.
39:51Además, ya está solo.
39:52No está solo, la señora Esperanza acaba de entrar.
39:58Usted disculpará mi lenguaje prosaico,
40:01pero está ando muy molesta, señor Demián.
40:04Yo también.
40:06Señora Esperanza, me cuesta creer
40:08que usted esté prestando oídos a un chisme
40:10tan desagradable como ese.
40:13¿Yo meterme con mi cuñada?
40:15Jamás le haré algo así, Elena.
40:17Dígame, por favor,
40:19¿quién le dijo tal cosa?
40:21A mí no me gusta andar echando en la cabeza a la gente,
40:23pero si usted insiste.
40:25Insisto.
40:27Ay, no, Cassandra.
40:29Ahora sí tú, Boncota, nos va a costar el empleo.
40:32La persona que me contó el chisme se llama...
40:37¡Ay, Dios!
40:38Ya me agarro el correle que te alcanza.
40:40¡Un baño! ¡Un baño!
40:44No tiene caso que se lo diga,
40:45porque no fue ningún empleado que usted conozca, señor.
40:48El punto es que si ese chisme llegó a mis castos oídos...
40:51Y por eso es importantísimo, por favor,
40:54que me diga quién fue.
40:56Porque no puedo permitir
40:58que estén inventando chismes sobre mí.
41:00Soy el vicepresidente de esta empresa, doña Esperanza.
41:03Usted me dijo que ama a la señorita Elena, ¿cierto?
41:06Por supuesto.
41:09Y corazón solamente le pertenece a ella.
41:13Y le confieso que...
41:15últimamente las cosas con Elena van tan bien.
41:19Sinceramente, no quiero que nuestros planes se sucien
41:22o se arruinen por un chisme barato.
41:27Mira, compadre.
41:29Si en verdad amas tanto a la comadre como pregonas,
41:33hay que usar al ángel para exigirle dinero
41:36a esa tal Isabel.
41:38Es más, hasta a la misma señora Aurora.
41:42Lo importante es que mi vieja vaya mañana a primera hora
41:45con la doctora.
41:47¿Y con qué ojos vas a pagar ese hospital?
41:50Ángel ya tiene un buen trabajo en la empresa de esa señora.
41:55Y nos va a echar la mano con los gastos.
41:59Pues debes ponerte bien abusado.
42:03Porque si le sueltas la sopa a la doña,
42:06son capaces de quitártelo.
42:09De meterte a la cárcel.
42:11Si la comadre se muere del susto,
42:14ya al traste con todo.
42:17Yo ya sabía que esa señora había venido
42:20y estaba seguro de que ella era.
42:22Pero pues cuando hablé contigo, salí de dudas.
42:26A la fregada los escrúpulos, compadre.
42:30La vida de la comadre vale más que cualquier cosa, ¿sí es?
42:37A partir de mañana vas a hacer todo lo que yo te diga.
42:44Y vas a ver cómo todo se soluciona.
42:47♪♪♪