klass 95 Capitulo 10 Completo en Español
klass 95 Capitulo 10 Completo en Español
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Short filmTranscript
00:00CC-BY-NATURAL-FOR-MACHINES
00:11That's it.
00:12I want you to keep that essence in your skin.
00:14But be careful, your skin is warm, like the desert.
00:16I want to see that in your eyes, okay?
00:18Very good. That's it.
00:20Very good.
00:21That guy is going to kill us.
00:23Let's go, Nino.
00:24Fresh.
00:26Turn around. Turn around a little. That's it.
00:28Well, but you have to admit that Bernie's new girlfriend is great.
00:32So, point for the one in the sweatshirt.
00:36She's a hot chick and she's your ex-girlfriend.
00:39My respects.
00:40Which ex?
00:42Which one?
00:44What are you talking about?
00:46She's a girl.
00:47No.
00:48Bernie doesn't care if she's a girl, if she's mature,
00:50if she's single, if she's married, committed,
00:52she doesn't respect anything.
00:53Or does she?
00:55Well, look.
00:56What matters here is that I'm with you.
00:59The most divine woman of all.
01:01The owner of the most successful agency in the world.
01:07Keep it perfect.
01:08Now look me directly in the eyes.
01:10That's it.
01:11That's divine.
01:12That's it.
01:25How I like it when the hip moves.
01:29Because she's the power of beauty.
01:32This is a very rough day.
01:36It's a very rough day.
01:42You look fantastic.
01:45Tell me something, Flor.
01:46This is a very rough day, right?
01:49Yes, of course.
01:50I'll let you through.
01:52Please come with me.
01:54I'm sorry.
01:55I just realized we need to project some slides
01:57and put on some music.
01:59Don't worry.
02:00I'll tell you where you can put everything first, okay?
02:02Sure.
02:03Come this way.
02:10Look at you.
02:12The newbies are here.
02:13What are you doing?
02:14Taking a walk around the real world?
02:16Are you ready for your first defeat?
02:20I didn't know you were on time.
02:22No.
02:23We usually come alone.
02:25But since Coque wants you to learn
02:28and because we're so kind,
02:32we're going to show you something.
02:34So stay tuned.
02:36Coque is so naïve, isn't he?
02:38He thinks we're going to give up?
02:40I don't know.
02:43Do you know Florencia?
02:45Flor?
02:46She's a little something.
02:48She's my right hand, my left hand,
02:51my left foot.
02:53She's my everything.
02:55Miraculously, she didn't say she was your Webley.
02:58She's so beautiful and hard-working in everything she does.
03:01We saw her at the class launch in Gatot Blu.
03:04Nice to meet you.
03:06Nice to meet you, Florencia.
03:07Nice to meet you.
03:08You're beautiful too.
03:10And the party was great.
03:11We have to do it again.
03:13I totally agree with that.
03:16You're great at organizing parties.
03:19Right, Flor?
03:21Excuse me.
03:29Florencia.
03:30Jaime.
03:32How are you?
03:33Good to see you.
03:34Hi, Florencia.
03:35Roberto.
03:36How are you?
03:37I'm great.
03:38You look beautiful.
03:40We'll talk later.
03:45Coque.
03:46How are you, Florencia?
03:47Coque.
03:49How are you?
03:50You look great.
03:53I haven't seen Adrián yet.
03:55I'm looking for him.
03:59Do you have any idea if Coque arrived?
04:01Yes, I talked to him.
04:03The account manager from the agency also arrived.
04:05Yes.
04:06That's what he told us when we talked to him this morning.
04:09Coque is very close to the family.
04:11His father is very close to my father.
04:13That's why.
04:14Look at you.
04:15How does it show that you did a business in your life?
04:18That's horrible.
04:19I'm going to give you some advice.
04:22You don't always have to make your father dance
04:25every time you feel insecure.
04:27Do you understand?
04:28Because you look like a 15-year-old girl.
04:31Do you follow me?
04:37Someone told me that Andrea Maria is available
04:40because the campaign is being held this week, right?
04:42Yes, of course.
04:43Elenita is already there.
04:45Don't call her.
04:46She'll get a heart attack.
04:48Ready.
04:52What is this?
05:05Yes, of course.
05:06I understand, ma'am.
05:07But how did you tell me your name?
05:11With Elenita Duarte.
05:13Class 95.
05:15Please tell Ms. Vanessa
05:18that if she is in the propaganda casting,
05:21we will take the photos this week.
05:23Yes, of course.
05:25And one question.
05:27Did you only present her casting
05:30or did you also send Kelly's and my niece's casting?
05:35That I know, only Ms. Vanessa's.
05:38Yes, of course.
05:40Very formal, very dear to you.
05:42Thank you very much for calling us.
05:44I hope you are well.
05:45What did you say, aunt?
05:47Where are you going?
05:48Aren't you going to tell us what I told you?
05:50No, no, no.
05:51She finally didn't answer me.
05:53You only sent Vanessa's, right?
05:56Well, you know.
05:57Those agencies are so big
05:59that this woman with so many people
06:01they only call her there.
06:03Look me in the face and tell me the truth.
06:05Look at me.
06:06Your daughter took away the job you hired her, right?
06:08Keep your mouth shut.
06:10Look at me.
06:14Najib, Najib, calm down, calm down.
06:17Stop this nonsense, man.
06:19They only called to say
06:21that we should be aware of the phone
06:23because they haven't chosen yet, they haven't chosen yet.
06:26Come here.
06:28If my aunt is not able to face it,
06:30then go and come.
06:31But you, you are a traitor.
06:33You are a traitor, a thief, a thief.
06:35You want to take away my job.
06:37Kelly, please, calm down.
06:39Don't say those things,
06:40that Vanessita ended up in that casting
06:42for pure coincidence.
06:43She wasn't going to take anything from you, was she?
06:45Stop defending her.
06:46She can tell me a hundred times
06:48that she didn't see me going there,
06:49but of course she knew.
06:51Look, I don't even care if you believe me or not.
06:53What matters here is that one of us
06:55wins the job or we all screw up.
06:57Excuse me.
06:58And you, stop giving explanations
07:00to these people who don't want to understand.
07:02Excuse me.
07:05What's up, girls?
07:06Is everything okay?
07:07Is there a problem?
07:08Yes, Angelito, everything is fine.
07:09What a shame for you.
07:10The girl's adolescence, you know how it is, right?
07:13Yes.
07:14It's over.
07:15Well, this came to you a while ago.
07:18Excuse me.
07:19Yes.
07:20Open it, mommy, open it.
07:22Look, wait.
07:25Oh, look at that beautiful bag.
07:27That's fine, mommy.
07:28Look.
07:29Let's see.
07:31Kelly, please accept a drink from me.
07:34I would like us to talk about work.
07:36Look for me at the Cagliari Hotel.
07:38Edgar.
07:39Oh, you, you.
07:40We went with everything.
07:41Oh, you, you.
07:42Let's see.
07:46Ay, Gaby, please believe me.
07:48And don't be so resentful
07:49that I know perfectly well what's going on.
07:52Let's also pray that Vanessa gets that casting
07:55and all this is worth it.
08:00Well, that goddess you see is Karina.
08:03Venezuelan.
08:05I'm sure you recognize her
08:06from the last Miss Universe.
08:08She just arrived from New York
08:10to do a runway show for rent.
08:12And now she doesn't go out to Europe
08:14to bring life to Jani's summer collection.
08:18And the only thing she could wear under that dress
08:22would be your soap.
08:24So that she can show all that sensuality,
08:27all that strength, right?
08:29And if this woman, who is from another planet,
08:34uses the same soap as the rest of the women,
08:37it's to take you further.
08:40To elevate you.
08:42So that with her body and her skin,
08:45she smells just like you.
08:48And are you sure she would have the time
08:50to do our campaign?
08:51Well, we would have to define that now, right?
08:54Because she barely has a very small stand-by.
08:58I would try to define this formality
09:01that I think is absolutely unnecessary.
09:03But well, here we are anyway, right?
09:07I didn't expect less from you, Daniel.
09:09What a woman, for God's sake.
09:13But no, you know what?
09:14I don't think it's a formality.
09:16Let's wait and see what our dear Dominguez has to tell us.
09:19Although I think it's hard to overcome, right?
09:22No, what I say is very good.
09:25Very good.
09:26But what about us is overwhelming.
09:29It's obvious that I don't have the lips
09:31that this Argentine gentleman has here,
09:33but I have a model who speaks for herself.
09:37Unlike this model,
09:39our model has never stepped on a footbridge.
09:41Let's say she hasn't posed for anyone important.
09:45As for modeling, she's a virgin, so to speak.
09:49But she's waiting for you to discover her.
09:52That you have the privilege
09:53that the first campaign this woman does
09:55is with her product.
10:01I want to introduce you to Andrea Vanessa.
10:05Come on.
10:25Let's go.
10:27Let's go.
10:28Where she passes is like a hurricane
10:31It leaves you wet, it leaves you without nothing
10:36Oh my life, give me all that
10:40Don't be bad, you're going to kill her
10:44How I like it when she moves her hips
10:48She's a bomb and there's no one like her
10:53There you have it.
10:55Ready for when you tell us
10:57that we're doing this campaign?
10:59There it is. Available 100%.
11:04What is this madness, for God's sake?
11:07Where did that woman come from?
11:09I'm getting married tomorrow, seriously.
11:11No, seriously, I'll give you the ring without capitulation.
11:15My friend Chesito, my friend.
11:18You know I love you and respect you,
11:20but I think this time you won.
11:22I think you can tell your Karina
11:24to continue with her agenda, but we won't need her.
11:30The campaign is done with this woman.
11:32I'm the one who's going to marry her.
11:35Don't listen to her, she's married.
11:37She was.
11:41I imagine Vanessa is available, right?
11:43Available.
11:44Completely.
11:46If you want, I'll call her now.
11:49Andrea Vanessa Sepúlveda is represented by my agency.
11:55I totally agree with you.
11:57Besides that, it's my pleasure.
12:03What are you talking about, Grosso?
12:06I found her.
12:09I brought her.
12:11I signed her.
12:14These are major leagues, honey.
12:16And if we're going to do things, we have to do them right.
12:19And if you don't know how to do it, then learn.
12:25Look, look.
12:27Here's the contract.
12:29I signed it yesterday.
12:31And yes, I totally agree with you.
12:35She's going to be the best model in this country
12:38and of international stature.
12:40A great model.
12:55I really don't know who this spectacular woman belongs to.
12:58The only thing I know is that she's ours.
13:00So fix the problems you have between you two
13:03and let me know as soon as possible, okay?
13:05See you at the photo shoot.
13:07I'll be there personally supervising everything.
13:10And nothing, thank you very much for coming.
13:13Thank you for trusting me.
13:14And don't worry, there's nothing to fix, okay?
13:18See you later.
13:19Bye.
13:24Oh, it's so hot.
13:29Honey, you can keep the contract.
13:32It's a copy.
13:33Come on, Flor.
13:35Good morning.
13:46But how did you let that happen?
13:47Let's see, Moni, we were going to sign it today.
13:49It was a word deal we made and I believed you.
13:51What could I do?
13:52No, this must be revenge for 5-0.
13:54I can't think of anything else.
13:55I don't know what you're going to do, Chayo,
13:57but we need to get Andrea Vanessa back.
13:59We're not talking about the campaign, but about the agency.
14:01Without Vanessa, there will be no agency, it won't exist.
14:04Do you understand me?
14:05I don't know where Nico is.
14:06There he comes, there he comes.
14:07Where?
14:08Finally.
14:14Hello.
14:16You're almost there, aren't you?
14:17Let's see, follow me, please.
14:19Good evening.
14:20Hello.
14:22Hello.
14:30Well, I think we're here, aren't we?
14:31There he is.
14:32He's so funny.
14:34Ah, Oscar.
14:36What's wrong with you?
14:40Why, did we leave someone?
14:41I don't think so.
14:42No.
14:43What's wrong with you?
14:44Hey, what's wrong with you, brother?
14:48Don't hit the car.
14:49Didn't you like it?
14:50No, I didn't like it.
14:51Oh, start again and you'll see that he left you like a maracuyá.
14:53Oscar.
14:54Well, leave me like a maracuyá then.
14:55Come on, let's see.
14:56Well, I don't lack desire.
14:57What, what?
14:58Please.
14:59Well, come and hit me.
15:00How about taking off with the car?
15:01You are very brave.
15:02Let's see, enough.
15:03Enough.
15:04Stop.
15:05You have to ride your mother, asshole.
15:06You are behaving like five-year-old children.
15:09Can we leave?
15:10I have a huge problem and you in these.
15:13The paint is new.
15:15Yes, it's from the dealership.
15:17Smooth with the door.
15:20I would have broken the lights of the car.
15:23And what happened with the gift?
15:24At last, what did Edgar want?
15:25With the stone he had, he decided to meet with Edgar.
15:28And also to claim him for what would have happened.
15:31Well, if he was a partner of the agency,
15:32how come they didn't choose her?
15:36Tell me how it went with the dresses of the plane you took to the casting.
15:39Did they work for you?
15:40Oh, yes, they were perfect.
15:42Now I need a casual paint for a very special occasion.
15:47Yes, and is it for you?
15:49Yes, yes, it's for me, but for Edgar's account.
15:52If you want, call him.
15:53No, no problem.
15:55Sit here, I'll bring you some samples.
15:56Ready?
15:57Oh, well, thank you.
15:59Go ahead.
16:01Mommy.
16:04Are you aware that if you accept invitations to Edgar
16:09and if you let him buy you clothes,
16:11he will think that the thing is not just work?
16:13I knew that from the moment I married Holman to pay for his hospital.
16:18He says he wants to talk about work right there on the card.
16:22Well, if he wants to talk about work, we'll talk.
16:26Besides, he promised me a contract.
16:28Well, he'll have to get one.
16:31So to talk about work, you have to premiere?
16:33Oh, Mom.
16:35Oh, Kelly, you're not going to think I'm an idiot either.
16:38Mommy, if you like Edgar, there's no problem.
16:43For me, it's fine.
16:45Look, don't get into movies that aren't.
16:47I have to premiere because if I'm going to work at the agency,
16:50if I'm going to be a model,
16:52I have to be pretty, I have to be well-presented.
16:55And in the meantime, at least turn off the clothes, right?
16:59Well, yes, right?
17:17Let's go.
17:39Good morning.
17:40Good morning, how are you?
17:41Well, I have a meeting with Mr. Edgar Trejos.
17:44Give me a moment, please.
17:48Of course.
17:50He's waiting for you in the presidential suite.
17:52Last floor.
18:17Good morning.
18:48Kelly, my love.
18:54Happy to see you again.
19:01How are you, beautiful?
19:07But don't look at me like that, I'm not a ghost anymore.
19:13Do you know why I'm here?
19:14Because your love doesn't know how to kill well.
19:19But touch me.
19:22Touch me, I'm alive.
19:28How did you find me?
19:32I missed you a lot too.
19:36Do you know how I got rid of the shot that hit me?
19:40Because my God is very great.
19:45And he didn't want me to leave this world.
19:48Because I have to be here.
19:52To protect her, to take care of her.
19:58Well, kill what you want.
20:00Let me go, okay?
20:02I don't want any more problems.
20:03Me neither, my love.
20:06What's more, I have a gift.
20:12Open it.
20:14This is for you.
20:16Open it.
20:32And what was in the box?
20:34Did he open it?
20:35Of course he opened it.
20:37Waiting for the worst.
20:45Juan, give me a space, okay?
20:48Look, I need to know that you are not going to do anything bad to me.
20:55But how do you think I'm going to do something bad to you?
20:58And I die for you.
21:00I don't want anything to happen to you.
21:01I want to protect you.
21:07Juan, I need to know that everything you're telling me is true.
21:11And that...
21:14we're going to take another path.
21:17But a different one.
21:20What do you want me to do?
21:22I'll do whatever you want.
21:26Well, if you want to start from scratch with me.
21:31I don't know.
21:33Let me go, okay?
21:41It's just that I need time to think things over.
21:45Here I feel like...
21:46No.
21:51If you want, I...
21:53I can ask for a transfer.
21:57I can buy a house.
21:59That's it.
22:01Yes, good idea.
22:03You leave me your phone number and your address and I'll call you.
22:07I'll look for you.
22:09But when I'm calmer, when I can think things over.
22:13Do you understand me?
22:22Okay.
22:25Okay.
22:28I'll leave you my phone number so you can call me.
22:31Okay.
22:33I'm at the colonel's house.
22:35He was the only person who took care of me and helped me find her.
22:44Look, I'm calling you.
22:46Are you sure you're going to call me?
22:48I'm going to call you, I'm sure.
22:52Lend it to me.
22:55But this time it's going to be different.
22:57You have to treat me like a princess.
23:00You have to buy me flowers.
23:01And the most important thing is that you have to love me and respect me.
23:05Not like before.
23:08Do you understand?
23:10I swear.
23:12Take it.
23:13No.
23:15No, no, no.
23:17Stay with him.
23:19Stay with him, but use it.
23:22Well, use it so he remembers me.
23:25I always remember you because I know exactly where you are.
23:28But I'm not going to look for you because I know you're going to call me.
23:32Yes, I'm going to call you.
23:34I trust you.
23:36Yes.
23:58Yes.
24:12I couldn't believe he was alive.
24:14And I didn't believe Holman's intentions either.
24:21Take me to 8212.
24:23To the decoration warehouse that's around there.
24:25Hurry up!
24:27Miss, are you okay?
24:29Like when you just saw a ghost.
24:36See you later.
24:49What's up, Albert?
24:50What's up?
24:51Is Edgar there?
24:52Yes, he's alone.
24:54Do me a favor, I don't have money to pay for the taxi.
24:56Don't worry, I'll pay, I'll pay.
24:58Do it, I'm going to see him.
25:01A long time later,
25:03Albert told me that he had never seen such a scared woman.
25:07I mean, he didn't ask her anything,
25:10but he knew something serious was going on.
25:12I want the typical menu, but the VIP for about 15, 20 people.
25:17The wine list and an island of desserts.
25:20And those fruits that come with ice cream that are great, the cocada.
25:26Do it like when you go to Las Domingas.
25:29Send me the same.
25:30When you have everything, confirm and call me.
25:32Goodbye.
25:35How are you?
25:36I need to talk.
25:38Don't worry, of course.
25:40Please, sit down.
25:47What happened?
25:51Look, what I have to tell you is something very important.
25:54It's a secret.
25:56And I need you to promise me that you won't mess with this that I'm going to tell you.
26:01Can I trust you?
26:02Of course.
26:04I don't know what can be so serious that you have to tell me, but of course.
26:08I can keep a secret.
26:09What happened?
26:11There is someone who wants to kill me.
26:15Are you here pregnant?
26:16Don't come out!
26:17Don't come out!
26:20And you are the only person I know in Bogota who can help me.
26:27Calm down.
26:28Do you want to drink something?
26:30Yes, but don't give me those crazy drinks.
26:32Give me a stronger one.
26:33Whiskey?
26:34Yes.
26:54The first thing you need to know is that one day I was married.
26:58Without me wanting to, Susy.
27:00And for a reason that I never understood, Kelly decided to tell Edgar absolutely everything.
27:05From the moment when his mother was kidnapped and she had to leave with Holman to save his life,
27:09to the moment when she shot her husband and left him almost dead on the floor.
27:13But the man is alive. I didn't kill him.
27:17And he came back to fuck me, to hurt me.
27:19And the man says he wants to get married, that he wants to start a family, but pure shit.
27:22I know the man wants to take revenge.
27:24And even if it doesn't seem like it, I'm scared shitless.
27:26Cowards and ugly people are afraid. Those are sadnesses.
27:29And you are very beautiful.
27:31Look, the only thing I want is to work.
27:33I want to get ahead, I want to be a model, I want to go on campaigns,
27:37but I don't get anything.
27:38I don't even get the casting, not a damn thing.
27:40Oh, but don't worry about that casting, Kelly.
27:43What do you mean I don't worry?
27:45If my cousin won it, it's because of a mistake that I got there.
27:49Kelly, those are chichiguas.
27:50You are for much bigger things.
27:52But I wanted to do casting.
27:54I deserve it.
27:56You are not listening to me.
27:58What I want to tell you
28:00is that your life, as you want it,
28:03starts tomorrow.
28:07A very important person is coming to me tomorrow.
28:09I want you to help me take care of him.
28:11You don't understand.
28:12You don't understand what I'm telling you.
28:14Look, I want you to help me take care of him.
28:16You don't understand.
28:17You don't understand what I'm telling you.
28:19Look, I want to do parades,
28:21I want to take pictures for important brands,
28:23advertising campaigns,
28:25I want to travel the world,
28:26I want people to recognize me,
28:27I want to be a model.
28:29What does that have to do with it?
28:31What I understand is that you are a divine woman, Kelly,
28:33who deserves it all.
28:35Right?
28:36Yes.
28:37And I know perfectly well how to achieve it.
28:39You and I are going to do great things, Kelly.
28:42First, thank me.
28:43Let's celebrate that you didn't stay in that casting.
28:45You and I, Kelly,
28:46we're going to fly far.
29:01Cheers.
29:03To everything that's coming.
29:09And that's when the alliance was signed
29:11between two ambitious people willing to do anything.
29:14Hunger and desire to eat came together.
29:17Unconsciousness and despair.
29:19Evil and naivety.
29:22And please, don't take a taxi alone on the street,
29:24because that's very dangerous.
29:26From now on, you call me Vivi, but you call me Elvin.
29:29And we'll answer you here.
29:39So don't walk alone on the street.
29:42No?
29:45You don't know how moved I am, Kelly.
29:48That you've thought of me
29:49to protect you after everything that's happened to you.
29:53That's the best thing that's happened to me in a long time.
30:09Let's go?
30:11Don't worry, everything's going to be fine.
30:12I'm going to be very attentive.
30:14Okay? Ready?
30:15Ready.
30:17Ah, Elvin.
30:23Please.
30:25Careful, careful, careful.
30:27Good.
30:29Good. Ready?
30:31Ready?
30:32Ready.
30:33Elvin, be careful, okay?
30:42Okay.
31:12I love you.
31:14I love you.
31:16I'm fragile if you lie to me.
31:19Against all will.
31:22You're mine.
31:24Only mine.
31:28I'll be useful like you.
31:32Look, you'll always be.
31:40And that day Laura changed for Kelly?
31:42No, no, no, no.
31:43No, no, no.
31:44I mean, Edgar was going to kill himself for Laura.
31:47But after so many humiliations he suffered with the Domingues,
31:50having a divine woman like Kelly,
31:52eating him from his hand,
31:54gave him points.
31:58What do you mean a kiss on the mouth?
32:00And what did you do?
32:01My God, Mom.
32:03You don't understand.
32:04Holman is alive.
32:05He set me up in a hotel.
32:07And all you care about is that Edgar said goodbye
32:09with a little prick in his mouth.
32:10Uncles don't prick their mouths.
32:13And of course I think of Holman.
32:15And I'm more grateful that he's alive,
32:17because if not, we would have thought for the rest of our lives
32:20that you were a murderer.
32:22Holman is a jerk, Mom.
32:23He pretended to be dead.
32:24In fact, he told me the reason with the colonel.
32:26He said he was dead and that they had buried him.
32:28That guy is crazy, Mom.
32:30That guy knows where we live.
32:31He can come here to screw us over.
32:32He's telling me that he wants to marry me again.
32:34You don't understand me.
32:35And where is Giselle?
32:37Just when I need her, I lose her.
32:39What does my aunt have to do with all this?
32:41I need you to make me a couple of dresses.
32:43Because I have to be presentable from now on.
32:45You don't go out without me.
32:47I'm not going to be in your shadow.
32:55I can't believe it.
32:57Please, someone explain to me
32:59when was it that Grosso found out
33:01that we found Andrea Vanessa to go find her and hire her.
33:05For God's sake, we took the pictures on Friday.
33:07Today is Monday.
33:10I mean, I don't know.
33:11There must be a rat or an infiltrator here
33:13who was here the other day and told everything to Adrián.
33:16Of course.
33:18Oh, no, no, no.
33:19Look at me, how am I?
33:21Oh, please, Oscar.
33:23No one believes that you have a grandfather
33:24to do something like this.
33:27What about Elenita?
33:31Elenita didn't go, Bonnie.
33:34I mean, Elenita gets killed before they get any information.
33:39But she gives us the information.
33:41She can do the same with anyone.
33:43Yes, but Elenita, she didn't go.
33:45She's a woman who just started her job,
33:47she's happy, she has no reason.
33:50She's not a stupid teenager
33:51who's going to put her job stability at risk.
33:53I mean, no.
33:56I don't know why I think it could have been sweet.
34:00It's just that the day of the casting has arrived
34:02like out of nowhere.
34:08Excuse me, Miss Chayo.
34:10I'm sorry to bother you.
34:11Go ahead.
34:12The thing is, I brought my daughter Dulce.
34:14Dulce Marina.
34:15Dulce Marina.
34:17Because she admires you a lot.
34:20She would like to be like you,
34:22professional.
34:24And I brought her to help us
34:26and to learn.
34:28Well, welcome, Dulce Marina.
34:32I have no problem with her being here.
34:36Dulce didn't go.
34:38I'm sure.
34:40Yes.
34:41My love.
34:42Hello.
34:43I found out what this bastard did to you.
34:46How are you?
34:47This bastard?
34:48What do you mean, what bastard?
34:49Well, Bernie, who else?
34:51He's behind all this.
34:52Don't you realize?
34:54It really hurts me what they did to you.
34:57That bastard comes,
34:58he brings Andra Vanessa,
34:59he delights her, he introduces her,
35:01and then he himself takes her to Gross.
35:03Who else?
35:06Love, come on, let me talk.
35:07Can we talk about marriage?
35:09Oh, not now.
35:16Nicolás, what a lack of timing.
35:19Timing and everything.
35:21I mean, have you really not realized
35:23that Chayo can't be named Bernie?
35:25Because she wants to run away.
35:28Chayito, it's very clear
35:30that Bernie is nothing more than a butter in a sweatshirt.
35:34Yes.
35:35And there is no future at all.
35:36Are you sure?
35:37Oh my God.
35:38I was buying you a pair of sweatshirts.
35:40It's always good to add something spicy to the relationship,
35:43don't you think?
35:44I don't know why it's so ordinary, Oscar.
35:46Sorry.
35:48That was good.
35:51The truth is that Bernie was not the toad.
35:53And there was no infiltrator.
35:55No?
35:56No.
35:57The toad had a proper name.
35:59It was called Tacañería.
36:01Yes, as you hear it.
36:02Agustín the photographer's Tacañería.
36:04And Gross knew him perfectly.
36:07We have to go for a drink tonight, right?
36:09Where is the auction?
36:12Well, if you invite me, I can ask my mom for permission.
36:16Don't tell me you're going to sleep without celebrating.
36:20If you accept, take one hand off me.
36:22That man doesn't spend his money on photography
36:24and that when he doesn't...
36:35I would love to,
36:37but they just invited me to a drink
36:38with a person I can't say no to.
36:40Yes.
36:53Come on, don't be afraid.
36:55Double with a triple face.
36:58That's it, that's good, that's good.
37:02Legend.
37:03Legend, here.
37:04Here, I'm glad you came.
37:06Gross.
37:07Super, you're always working.
37:09Incredible.
37:11Bring me the rum, please.
37:13Okay, look what a surprise I have for you.
37:15Because we work a lot, don't we?
37:17Yes.
37:18And that deserves a prize.
37:21Look, look.
37:22Come on, come on.
37:24We're going to set the day.
37:26Look, how about that?
37:30Maximum.
37:33Tell me, tell me, what's up?
37:35Tell me, what's up?
37:37How wonderful you're doing behind the lens.
37:39And don't tell me you're doing the usual
37:41because I heard you're only scoring goals
37:44from midfield.
37:45Is that true?
37:47Yes, I can't complain.
37:48I'm learning little by little with humility, you know.
37:51Oh, the Southern humility you learned here with my dad.
37:56I love to see you.
37:57You're spectacular.
37:59And to the second drink, and Grosso, who knew him very well,
38:01they had drunk his humility.
38:03And Agustin was singing all the information
38:05that Grosso needed.
38:08One thing, Grosso is the most spectacular woman
38:11I've had in front of my lens.
38:13And I got the best out of her.
38:15No tricks, no complexes, as I like.
38:18A bomb.
38:20You will see that with the campaign that we are going to win,
38:22there is no person who does not want to be with her,
38:24who does not fall in love with her, who does not recognize her.
38:26Are you kidding me?
38:27Are you kidding me?
38:28Are you telling me that there is an international size model
38:34in this country?
38:36Look at you.
38:39But hey, man, come on, show me.
38:41I have to see that miracle, the wonder you discovered.
38:50Look at this.
38:57Yes, what a wonderful photo.
39:01Wow.
39:04This is incredible.
39:06And what are you doing?
39:09Did you buy a new equipment or what?
39:11Because you weren't doing this job a month ago.
39:14The same equipment.
39:16And of course, the perfect woman for that.
39:20The photo is wonderful.
39:21You have me open-mouthed, don't you?
39:23And do you want to accompany me with something else?
39:26Order whatever you want.
39:27Come on, come on, yes.
39:28Toño, another bottle, right?
39:30I'm from Intacañería.
39:32Well, cheers.
39:33Well, white wine.
39:38The best, come on.
39:39That rum is good.
39:40And I'm going to introduce it to you so that we can go out with it.
39:43It's a spectacular thing.
39:44For three rums and a peanut cookie,
39:47Agustín sold everything to Las Domingues, the agency, everything.
39:56Let's go.
40:15Can we talk?
40:22It's good to see you here.
40:23Hello.
40:27The last time you came to see me at the gym,
40:29you didn't give me so many kisses?
40:31Oh, I'm not in the mood for jokes.
40:33Look, I'm here to tell me why I brought Andrea Vanessa to my agency
40:36and then give her to Grosso.
40:39What are you talking about?
40:40What do I have to do with Grosso?
40:42Oh, don't be stupid.
40:44Do you think I didn't realize you introduced her to me?
40:46Was it to make me jealous?
40:48To show me your new achievement?
40:49Look, I don't care about five.
40:51Marry her if you want, but I need her in my agency.
40:54And that's what you want, for me to marry her?
40:57I don't believe you.
40:59In fact, the only reason you want me to marry her
41:03is so that I'm not available.
41:05Because if I'm available, you're capable of not getting married.
41:08Right, Gisela?
41:10If you want to be with her, that's your problem.
41:12But go tell her to meet me, because she's committed to me.
41:16It's true that Andrea Vanessa is a super cute girl,
41:20she's very sexy, she's funny,
41:22everything you want.
41:23And surely a lot of men would die of desire to be with her.
41:26But not me.
41:28She's a girl.
41:30Yes, a girl who took out her claws and signed Grosso.
41:33Are you listening to me?
41:34What I'm telling you?
41:36Before coming here, to this gym,
41:38to attack me as you are doing it,
41:40you should think things through.
41:42Listen to me.
41:43She's a girl.
41:44She's 17 years old.
41:45How is she going to sign a contract
41:47if her mother is not there?
41:48Was her mother there?
41:49Did she accompany her?
41:51Wait, what do you mean?
41:53She doesn't have a certificate.
41:55She can't legally sign a contract.
41:58So there's a light?