La Promesa Ep 412 Completo - La Promesa Cap 412 Completo - La Promesa RTVE Serie
La Promesa Ep 412 Completo - La Promesa Cap 412 Completo - La Promesa RTVE Serie
La Promesa Ep 412 Completo:
La Promesa Cap 412 Completo
La Promesa Cap 412
La Promesa Ep 412
La Promesa Ep Completo
La Promesa 412 Completo
La Promesa Completo
La Promesa RTVE
La Promesa Ep 412 Completo:
La Promesa Cap 412 Completo
La Promesa Cap 412
La Promesa Ep 412
La Promesa Ep Completo
La Promesa 412 Completo
La Promesa Completo
La Promesa RTVE
Transcript
00:00It's about my guest.
00:05But have you all lost your minds?
00:08Alonso, what kind of guest is your daughter's old fiancé?
00:12That's something they have to decide.
00:15What have you brought him for?
00:17The Count of Añil and I are considering resuming our relationship.
00:21So you don't even have any dignity left.
00:23Cruz.
00:25How dare you talk about dignity
00:28when he's in charge of airing the family's dirty rags against Pelayo and me.
00:32Again with that?
00:33Because it was very serious.
00:34Look, one thing is clear.
00:36If there are dirty rags to air, it's thanks to you.
00:38You dragged Lujan's last name through the mud and you're willing to do it again.
00:43And you, Alonso?
00:45What's the matter? Have you already forgotten what the Count of Añil did to us?
00:48No.
00:49But it seems regrettable or that's what I want to believe.
00:52This is incredible.
00:54If your daughter thinks she deserves another chance, it's her decision.
01:03You'd better not be wrong.
01:08Mr. Baeza, have the Count of Añil's belongings taken away and a dormitory prepared for him.
01:13Thank you, Marquez.
01:19Thank you, Father.
01:22I hope I'm doing the right thing.
01:29Mother, I don't know why he's back, but he can leave now.
01:32And if what you want is for him to come back to you, I'm telling you it won't happen.
01:36I think the last time I spoke to you, I was clear enough to tell you again.
01:40I'm not going back.
01:42I'm very happy here and I already told you the last time.
01:46Being the daughter of a Marquez, please.
01:48It's just that I don't pretend to understand him, I just want him to respect him.
01:51Open your eyes, this is not your place.
01:54You are my daughter. You are the daughter of a Duke Mercedes.
01:57Don't call me that again.
01:58My name is Vera. Here and everywhere. Because this is my place.
02:04Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:09But things have changed a lot since you left.
02:12Your father, although it is difficult for him to recognize it, misses you.
02:15You know that's impossible.
02:16He has given orders that no one touch your room,
02:19that you are always prepared for when you return, because he does not want to lose hope.
02:23But every day that passes and this does not happen, it goes away.
02:27And the same goes for your brothers, honey. You have to come back.
02:31I don't understand how he can ask me something like that.
02:33He knows perfectly well why I left.
02:35I'm sure he would be willing to forgive you.
02:38My father is a monster and you know it perfectly well.
02:43When I denounced him, I exposed all the abuses he had committed for so many years.
02:48God knows how much money and how many due favors got him out of prison.
02:53But his name is already stained and that will not forgive me.
02:57I know. I know it's very difficult.
03:00But if you showed regret, I am convinced that he would forgive you.
03:04And I, I could protect you.
03:06I don't regret anything, mother.
03:10And I'm sorry to tell you, but your protection comes too late.
03:15Mercedes.
03:17I don't insist.
03:19Just do me the favor of not coming back.
03:22Neither of us is doing well.
03:25Sometimes there is nothing I can do for you to change your mind.
03:31You know it perfectly well.
03:39I love you.
04:10I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:15Do you want me to order you to upload some paper?
04:18Is it too soon for a cognac?
04:21No, better a glass of laudano.
04:23Even the cicuta of Ayala would not disgust her at this time.
04:29María Teresa Sánchez de García, this is for you.
04:33Stop that fire, it's so good.
04:35What should I answer?
04:37Stop that fire, it's so good.
04:38What should I answer, ma'am?
04:40Well, tell them whatever you want.
04:42Because in the end, they are going to invent something much worse against us
04:45and they will blame it on all the liars.
04:47But this, read it to me.
04:50It is from the Duchess of Cerezuelos.
04:52I want to know what she takes into account in everything,
04:55of her feast of costation.
05:03Dear Marquise,
05:05the reason for these letters is nothing more than ...
05:07To the point, Petra, to the point.
05:10Well, actually, what it is to thank
05:14and comment on the good work of Miss Martina during the evening
05:18and she is also interested in her stepdaughter's health.
05:21I knew it. What else does she say?
05:24Well, she wants her to feel better
05:27and that when this is the case, she wants to invite you
05:30to a piscolabis in her gardens.
05:33Do you want to know about Catalina?
05:35Well, Catalina will know. Answer her.
05:37Answer her. Tell her that Catalina is not as sick as she presupposes,
05:40but that she has been backbiting with Count Descastado.
05:45That is the reason for your anger, isn't it, ma'am?
05:48Not at all. For me, they can roll in a gutter.
05:51What bothers me is that they have come to make the promise.
05:54It is that Miss Catalina has returned.
05:57You are in a bad mood, Petra. You should be aware of these things.
06:00You forgive me.
06:01But yes, she has returned.
06:03And from the hand of that incompetent, relentless pusillanime.
06:07If you think I can do something to alleviate your anguish ...
06:10Yes, you can, yes. Leave me alone.
06:23Can we talk?
06:27About what?
06:29About the scene you set in the living room in front of Pelayo.
06:33And what? Do you think it was wrong? What should I have done?
06:36Receive him with open arms as if he were another child?
06:38I don't agree with his return either.
06:40No, of course. That's why his luggage is in one of the beds.
06:44I do everything for my daughter.
06:46If you want to do something for your daughter, Alonso,
06:48you should force her to marry that impressive man.
06:51What are you saying?
06:52Well, those two have been living together in the count's palace without a carabiner.
06:56Nina, do you need me to explain it to you more clearly?
06:58I do not allow you to doubt the virtue of my daughter.
07:01They have said that not even their relationship is firm.
07:03And what did you expect? That I would explain to you who they have been playing?
07:08If you want to do things right, Alonso,
07:10you should fix the wedding now and then leave.
07:14Or you will have to assume the consequences.
07:26A month later
07:36Yes?
07:41How are you?
07:42In a very big problem.
07:46What happened?
07:49I lost one of the pendants that my mother lent me.
07:53Your grandmother's?
07:54Yes.
07:55And I don't know how it could have happened.
07:57Really, I had them, they bothered me, I put them in my bag,
08:01and when I was returning from the house of the Duchess of Cerezules,
08:03I realized that one had disappeared.
08:05But have you looked well in your bag?
08:07How am I not going to look well in my bag?
08:10I don't know.
08:11Well, look at it on the bright side.
08:13What? What bright side?
08:16That you still keep one.
08:18Enough to honor your grandmother's memory.
08:20A single pendant is useless because there are things that make no sense without their partner.
08:24Yeah.
08:25But in the meantime, you have to take care of this one.
08:28Until your partner appears.
08:33What if he never appears?
08:35I have hope.
08:38It's not about hope, it's about reality.
08:41And the reality is that recovering something that has been lost is ...
08:46It's very difficult.
08:47But I think that with time and patience, anything is possible.
08:54Well, I'm afraid that patience will take too long.
08:59And it will be impossible to recover what has been lost.
09:02No, that won't happen.
09:04No?
09:05No. Not if you keep the most important thing.
09:08The will.
09:11I don't lack that.
09:14Neither do I.
09:18Can we ...
09:21speak clearly?
09:24Well, that has never been our forte.
09:36I love you.
09:40And you love me.
09:43True.
09:47But whenever we have tried to formalize it,
09:50even if it has been between us, well ...
09:53it has not gone badly.
09:59Well, maybe ...
10:01we should not name our love.
10:08Yes. Yes, yes.
10:11Okay.
10:12Let's go step by step.
10:14And ...
10:15enjoying what comes, whatever it is.
10:24Everything okay?
10:32What's going on here, Martina?
10:37I've lost one of the pendants I borrow.
10:41To be continued ...
10:52Thank you very much for receiving me, Mr. Baeza.
10:54Of course, miss ...
10:56Miss Villamil.
10:59How can I help you?
11:04Look, yesterday ...
11:06I told some of my colleagues that I was on the promise, just in passing.
11:09But what you need is a job.
11:13The devil knows more about the old man than the devil.
11:17I don't want to put you on a commitment, Mr. Baeza.
11:19You don't put me on any commitment.
11:21Yesterday, as soon as I found out about your visit,
11:24I started doing the pertinent management.
11:27Really?
11:28So I could go back to work on the promise?
11:32It's been a few months since he left,
11:34but do you remember Mrs. Carranza?
11:36Yes, of course, Virtudes, Mrs. Simona's daughter.
11:38Well, a few days ago she left her job as a maid.
11:41I don't mean to degrade her with this, no.
11:44You left the house as a maid and as such you would return to the service.
11:51I don't know how to thank you, Mr. Baeza.
11:53No, don't do it yet, no.
11:54I still have to talk to Mrs. Arcos.
11:56After all, she is responsible for the female staff.
11:59Of course, of course. I understand, Mr. Baeza.
12:02In fact, I don't understand how I didn't get your request through her.
12:07Because I understand that your relationship in the past was very good.
12:12Yes, in fact, my first intention was to talk to her,
12:15but let's say that her reception was rather cold.
12:19And I suspect that my husband's presence had something to do with it.
12:23Leave it in my hand.
12:25I know how to convince Mrs. Arcos to accept her reincarnation.
12:32As soon as I have news, I will let you know.
12:37Thank you very much, Mr. Baeza.
12:42There is one more thing I would like to ask you.
12:45You will say.
12:48You see, it's about my husband.
12:50He also had to resign from his job after our wedding.
12:54I had to say goodbye to the palace of the Duchess and ...
12:56he resigned from his job in the village of Colmado.
12:59And he did it for me.
13:00I understand.
13:02I'm sorry to tell you that right now I have nothing to offer you, but ...
13:05Anyway, tell me what your experience is,
13:08and as far as I can, I will help you find a place.
13:12Really?
13:13Yes. Well, if he was in charge of Colmado,
13:16I suppose he will have accounting options.
13:19No, he worked as a waiter.
13:21And has he served before in a renowned house?
13:25He has always worked in the field, in very simple jobs.
13:28But he is a good man and he is always willing to learn.
13:31Well, we'll see what can be done.
13:33Thank you very much, Mr. Baeza.
13:35As soon as I have news of Mrs. Arcos, I will let you know.
13:59Jana.
14:00Jana.
14:03Jana.
14:16What is this?
14:17What is this?
14:32Well, what do you think?
14:37It seems to me that you have advanced a lot in such a short time.
14:41If my calculations are correct, he will not only have more autonomy than Gleriot,
14:44but he will also surpass Potencia in power.
14:48And that means what?
14:52That we could reach our beach in a moment.
14:56Although soon we will have to escape to be able to be together.
15:07How are things in the service area?
15:10I have heard that Simona's daughter has left La Promesa.
15:13Yes, she had to go to take care of her son.
15:17And how is Simona?
15:19Well, with a broken heart.
15:21Because on the one hand she knows that it is best for virtues and also for her grandson.
15:25But on the other hand, she has been separated for a long time and it hurts her to leave.
15:30Of course.
15:32And why does she have to leave?
15:35Can't she take care of her son here, in La Promesa?
15:38Well, look at that, if you could ask your mother,
15:40who is the one who does not want the Friadas to have children here.
15:45I understand.
15:47In any case, we thought that Virtudes could stay at least in Lujan
15:52and in fact she got a fantastic job, but everything went wrong.
15:56Why?
15:58Well, because she was going to work taking care of the parish,
16:02but you know that Don Fermín left Lujan.
16:05If I'm honest with you, lately I've been doing very little with the church.
16:10But in any case, the new priest will have arrived, because he does not work for him.
16:14That's what we all think, but it turns out that the priest who replaces Don Fermín is a young priest
16:20and he wants to do things his way.
16:22And what does that mean?
16:23That he does not want to have anyone at his service.
16:27And then who is going to cook or do the laundry for him?
16:31Excuse me, but I find it difficult to believe a man with Satan in front of the stoves.
16:33Yeah, and cleaning a stain from the clothes.
16:39He will soon change his mind, you will see.
16:42Are you sure?
16:44I am.
16:46I know he will have arrived with great desire, I do not argue with that,
16:48but I assure you that he will soon be removed.
16:51The moment he meets his new faithful Beatones,
16:54he will have so many gossip and criticism that he will not have time to fry an egg.
17:01Cheer up.
17:03You will see how sooner or later Simona is back with her daughter and her grandson.
17:07Yeah.
17:09I'm not like that about that, I'm like that because ...
17:12when talking about ours, our wedding, the beach ...
17:18I have remembered that Don Romulo knows about us.
17:23We have already talked about it.
17:24There is nothing to worry about.
17:26I'm not worried, Manuel, it's just ...
17:29I'm ashamed.
17:31Ashamed of what?
17:34Well, because I lied to him,
17:35and because now I have to cross him through the corridors and I don't even know what face to put on him.
17:41My love,
17:43those ghosts are only in your head, I assure you.
17:47Do you think that I have never thought that ...
17:50I don't know, I would have liked our story to be different?
17:53And do you know what I do when that happens?
17:56I discard that idea right away.
17:59Wouldn't you have liked ours to be a little easier?
18:06No.
18:09Because our story,
18:11as it is with its difficulties,
18:14is what has made us get here.
18:17And I wouldn't change that for anything in the world.
18:22Come.
18:23Come.
18:28Manuel, what's going to happen to someone?
18:33Why don't we meet this afternoon?
18:36No, I can't.
18:38This afternoon I have stayed with my mother to go to the theater.
18:42Don't give me that look.
18:44You know I would stay with you all afternoon.
18:47But I owe it to you.
18:49I know, silly, that you don't have to give me excuses to go see your mother.
18:53Now I have to be with her more than ever.
18:57Because ...
18:59I'm sure that when we get married,
19:02something will break between her and me.
19:07I'm very sorry, Manuel.
19:10You don't have to apologize.
19:13I have already assumed it.
19:15And now my mother will have to assume that there is nothing that I say or do
19:17that changes a bit the love I feel for you.
19:20I love you.
19:23And I love you.
19:29The air is running, Manuel.
19:31Sorry, I didn't mean to.
19:50Damn my stamp!
19:52Don't curse me, Candela.
19:54It's just that a piece of it has been cut off.
19:56I already told you that it wasn't a good idea for me to prepare the mayonnaise.
20:00And why is that? You've done it a thousand times.
20:02Well, because I'm with those days.
20:04You know.
20:06With the Guana Menesera who visits you every month.
20:09But are you still in those?
20:11What's wrong? Do you think it's weird?
20:14It would be better if you make the mayonnaise.
20:17Come on, don't say anything.
20:19Don't do anything stupid.
20:21It has nothing to do with anything else.
20:23They are old monsters.
20:25Well, the view is there.
20:27Have you added the apoc.cox oil?
20:29Well, you stir it as if it were tomorrow.
20:31Look, dear Bruta.
20:33What surprises me is that it has ever worked out for you.
20:35Listen to me.
20:37You have to add the oil little by little.
20:39Where are you going?
20:41To throw it away.
20:43That's why I've added the apoc.cox oil.
20:45No, no more oil.
20:47Water.
20:48You add it and you start to beat well until it binds.
20:50Come on, water.
20:52It's the first time I've heard of water.
20:54I'm listening.
20:58Good afternoon, Mrs. Petra.
21:00What can I do for you?
21:02I just came to tell you that tonight
21:04two more conventionals will be held with two gentlemen.
21:06Ah, and that?
21:08Do we have guests at home?
21:10No guests.
21:12It's about Miss Catalina.
21:14Ah, that's great. She's already returned.
21:16And Count Daniel too.
21:18What a surprise.
21:20He must have a lot of courage
21:22to set foot here again.
21:24Or a little.
21:26Well, it's better that they get used to it.
21:28Because he probably spent a good season here.
21:31Since he has come.
21:33How has Mr. Marqués allowed it?
21:35Well, enough nonsense.
21:37I've already told you what you needed to know.
21:39So now to work.
21:48Have you heard the same thing I've heard?
21:50I'm shorter than the mayonnaise.
21:52Now, up there, you have to be riding a good one.
21:55As a father, he is a very good man.
21:57And why has that scoundrel come?
22:00Now that Marimandra is gone,
22:02he hasn't taken off his clothes.
22:04Because he doesn't know anything.
22:06There is a person who does know.
22:08And it's Catalina.
22:10Josefa, bring the water closer.
22:12Yes.
22:14Little by little?
22:16No, just a little.
22:18It's the first time I do it.
22:25I'm very glad to have you back, sister.
22:28Thank you for doing me the favor of telling me where I had gone.
22:34They don't deserve it.
22:36And of course not.
22:38I'm sure I made a good fuss after I left.
22:40And above all, because I had left.
22:42The usual.
22:44My mother shouted in heaven and my father didn't like it.
22:46I'm so sorry.
22:48But if I had spoken to them,
22:50they would never have let me go.
22:52I know.
22:54As I also know the real reasons for your departure.
22:58Pelayo smuggled weapons.
23:02Have they told you?
23:06I'm very sorry I told you at the time, Manuel,
23:09but I didn't want to worry you.
23:11Catalina, you don't have to justify yourself, I don't judge you.
23:13If you hadn't told me at the time, you would have your reasons.
23:15But I already told you, be very careful.
23:21Besides,
23:23this won't come out for free.
23:25When the time comes, I'll ask for your understanding back.
23:28Is this a joke or are you serious?
23:31I've never spoken more seriously.
23:33And what do you want?
23:35All due time.
23:38Why don't you keep talking about Pelayo?
23:40Have you managed to put your feelings in order?
23:43Well, the truth is not.
23:45But yes, we have made something clear to both of us.
23:48Thank goodness.
23:50Hey, don't make fun of me.
23:52Sorry.
23:54Those days we've been together
23:56have helped us realize that
23:58there is still something alive between us.
24:00And we can't let the past stain it.
24:03So you're going to give him a new chance.
24:06Yes.
24:08I don't know where this will take us, but ...
24:11But I'm listening to what you told me.
24:12I'm giving myself the luxury of doing something
24:14that doesn't make much sense.
24:18What I don't understand is how you're going to do it
24:20being here and him in his palace.
24:22No, he's in La Promesa.
24:24In La Promesa?
24:27Well, it's clear that I spend too much time
24:29in my study with my sketches.
24:31I don't even know what's going on in the real world.
24:33Well, I thought your mother's screams
24:35had been heard all over the palace.
24:39And what did Father say?
24:40Well, at first it was hard for him,
24:42but he ended up agreeing.
24:46So you can say later that you're not his favorite.
24:49Are you jealous?
24:52You know, a little bit, yes.
24:55And even more now.
24:57Because I've known him for a long time
24:59and I haven't seen you so happy, sister.
25:04Although you wouldn't have made the imprudence
25:06of leaving him alone in there.
25:07No, no, no.
25:09He's resting in his room.
25:11And I trust they'll leave him alone there.
25:14But why don't the three of us go have a snack together?
25:17A snack?
25:19Do you want to?
25:22Sister, I can't.
25:24I've stayed with my mother to go to the theater.
25:26And she's probably been waiting for me for a long time.
25:30See you another time.
25:32Yes, yes.
25:34Go to the theater with the Marquise.
25:43Mrs. Arcos is about to arrive.
25:46Well, while she arrives,
25:49I wanted to talk to you about a private matter.
25:52Your son?
25:54No, my son.
25:56I'm sorry, but I have to go.
25:58I'm sorry, but I have to go.
26:00I'm sorry, but I have to go.
26:01Your son?
26:03No, no, no, no.
26:05It's not that. No, thank God, no.
26:07The reason is very different.
26:09This morning, the Duchess of Carril
26:11appeared in the palace
26:13without prior notice.
26:15And she wasn't coming
26:17looking for the Marquise,
26:19or the Marquis,
26:21or Mrs. Margarita.
26:23And hold on.
26:25She came in through the service door.
26:27Well, start telling me that nonsense
26:28because what you're telling me
26:30has nothing to do with it.
26:32Well, I'm afraid that no matter how much I tell you,
26:34this will continue to be like this.
26:36Who was she looking for, then?
26:38Well, in her own words, the cooks.
26:40She needed the recipe for the pastries
26:42that were served at that snack.
26:44Well, it was enough to have sent a note
26:46if she had answered with the recipe,
26:48on the way back.
26:50Well, that's what I told her.
26:52Yes, but she excused herself,
26:54saying that, curiously,
26:56she was close to the promise
26:58of the Marquise.
27:00That's what I told you.
27:02Yes, word for word.
27:04And did she get the recipe?
27:06Well, I hope so.
27:08Don't you know?
27:10No, no, because in the end
27:12she didn't talk to Simona or Lope.
27:14She talked to Vera.
27:16And why did she talk to Vera?
27:18Well, the Duchess saw her,
27:20recognized her for the snack
27:22and asked her to be the one to serve her.
27:24Well, Mrs. González
27:25was the one to serve the pastries.
27:27At that moment,
27:29the only thing that came to my mind
27:31was to give them the office
27:33so that they were away from indiscreet glances.
27:35You did very well.
27:37The presence of a cook in the service area
27:39has been at least irregular.
27:41And did anyone else see her
27:43apart from Mrs. González and you?
27:45As far as I know, no.
27:47Well, let's continue like this.
27:49Such a strange matter
27:51should not reach the ears of the Marquise,
27:53much less the Marquise.
27:55No, look, we'd better take the opportunity
27:57to inform you about the matter
27:59that we are going to talk about,
28:01which is quite tricky.
28:03Isn't it about the substitute of virtues?
28:05That's right.
28:07My proposal is a young lady you already know
28:09because she was here until recently.
28:11Yes, Miss Villamil.
28:13Yes, you already know the palace
28:15that has that tricky thing.
28:17Well, that girl
28:19was the fiancée of the deceased son
28:21of Mrs. Arcos.
28:23And she is no longer a young lady
28:25but a young man.
28:29And you already know this, Mrs. Petra.
28:38What do I have to know?
28:56Are you thinking about the mosquitoes?
28:58Yes.
29:00Look, a tree trunk can fall on you
29:02and you get a bruise.
29:04No.
29:06No, I was thinking about my things.
29:09I've been looking for you all day
29:11and we haven't been able to coincide
29:13or have lunch together.
29:15It's been a long day.
29:17It's been a long day.
29:19It's been a long day.
29:21It's been a long day.
29:23It's been a long day.
29:25It's been a long day.
29:27I see.
29:29Are you worried
29:31about the position of prime lackey
29:33of Count Matesán?
29:39And have you thought of an answer yet?
29:42Are you leaving or are you staying?
29:45I don't want anything
29:47that you don't want, Maria.
29:49Salvador, please stop blaming the dead.
29:51We're talking about you, not me.
29:53It's okay, it's okay.
29:55I was prepared to be prime lackey
29:57and I know I won't get it here.
29:59Look, I know it's your dream.
30:01No, Maria.
30:03That's not my dream.
30:06I don't want to be
30:08lackey or mayor
30:10or anything.
30:14All I want is to save money
30:16to finally be free.
30:19My dream is to be with you.
30:22That's my dream.
30:23And tomorrow,
30:25to be able to have a house together
30:28with a garden,
30:30with animals.
30:32To have all the children we want.
30:35But without mandates.
30:38To be free.
30:40I don't want anything else.
30:42And that would make me happy.
30:47Well,
30:48well,
30:52then go.
30:56But Maria, you're first.
31:02That's precisely why, Salvador.
31:05Because your dreams are my dreams.
31:09And if we're going to get it,
31:11we have to be apart for a while.
31:14Or whatever.
31:19Really?
31:37I promise that as soon as it's enough,
31:39we'll leave together.
31:44I'm going to miss you so much.
31:48I love you, Maria.
31:51Every second of my life.
31:54Why are you exaggerating?
31:56I'm not exaggerating.
31:59I love you with all my soul, Maria.
32:03And I love you.
32:05So much.
32:18I love you.
32:27Mrs. Villamil's request
32:29arrives at the best time possible.
32:31After Mrs. Carranza's departure,
32:33we've run out of female staff.
32:35But I didn't want to take the step
32:37before consulting with you.
32:39Undoubtedly, it's our best option.
32:41And why is that?
32:43Well, because she knows the palace.
32:45She was working here in the past,
32:46as a maid.
32:48You said it.
32:50As a maid.
32:52And Virtudes was just a maid.
32:54Are you trying to degrade her?
32:56No, if you're right, you're right.
32:58Mrs. Carranza was just a maid,
33:00but the reason was that she didn't know
33:02the functions of a maid.
33:04But Mrs. Adarre always intended
33:06to promote her
33:08as soon as she was ready.
33:10So we're willing to hire her
33:12as a maid,
33:14if that's what worries you.
33:16Yes.
33:20I agree.
33:23Are you willing to accept
33:25that we hire her?
33:27Are you so surprised, Mr. Baeza?
33:29I thought you'd deny me
33:31because I've seen you with your husband.
33:34I have to confess
33:36that it has hurt me very much
33:38to see that you've forgotten
33:40my son so soon.
33:42But here we are judging
33:44whether she's suitable
33:46or not.
33:48And indeed,
33:50she's the best for it.
33:52So let her join us as soon as possible.
33:54There's a lot of work to do.
34:03Well, in the end,
34:05it wasn't that difficult.
34:07To see is to believe.
34:09Now, I hope this doesn't get in the way,
34:11but I'm afraid it will.
34:17Don't turn around, Margarita.
34:20We'll go to a jewelry shop I know in Seville
34:22and you'll be able to choose
34:24the earrings you prefer.
34:26Look, Ignacio,
34:28I appreciate your effort
34:30to cheer me up,
34:32but no matter how much I appreciate your gift,
34:34I won't be able to replace that earring.
34:36Are they so important to you?
34:38Well,
34:40they're my late husband's wedding gift.
34:43I understand.
34:45I understand.
34:48In that case,
34:50I propose something else.
34:52This jewelry shop I know
34:54is a true artist.
34:56We'll take his earring
34:58and ask him to make another jewel.
35:00I don't know, a ring, a necklace,
35:02whatever you prefer.
35:04That way, you'll always have the earring with you.
35:06What do you think?
35:08I think it's a great idea.
35:10Thank you very much, Ignacio.
35:12I don't know what I'd do without you.
35:14I can't wait to find out.
35:18I'm sorry.
35:20I interrupted you.
35:22No, not at all.
35:24I was leaving.
35:26I have to discuss some things with Lorenzo before dinner.
35:35I'm sorry.
35:37I really am.
35:39I know you're mad at me
35:41because Grandma's earrings were very important to you
35:42and I really understand,
35:44but I'm really sorry.
35:46Martina,
35:48don't worry.
35:50I know it was...
35:52I was careless.
35:54Don't get me wrong, I'm not mad.
35:56I'm just...
35:58sad.
36:01I still remember
36:03the first night I put them on.
36:05The night your father gave them to me.
36:08We were partying at your grandfather's ranch
36:10and I remember it was...
36:12a warm night
36:14and everything was soaked
36:16in the sweet smell of orange.
36:18And your aunts were making burberries
36:20of Mr. Tantalus.
36:22They called him that.
36:24But that didn't last long.
36:26It didn't last long
36:28because everyone's heart was won.
36:30Especially mine.
36:32He was so handsome.
36:34He was so handsome,
36:36with that martial look,
36:38with that beard,
36:40that I felt...
36:42like I was from Spain.
36:44And those earrings
36:46matched my dress perfectly.
36:48Or I found out they were his mother's.
36:53But what I remember the most is
36:58that when I was dancing with him,
37:01hugging your father,
37:06I felt he was capable of anything.
37:08Martina,
37:10as long as he was by my side.
37:13Well, I guess that memory
37:15is always tied to his earrings.
37:18Don't cry, daughter.
37:20Don't cry because Ignacio is right.
37:24Look at me.
37:26That memory is not in those earrings, Martina.
37:30Because that memory is here.
37:36And now it's also here.
37:43It's here.
37:54Treat them more carefully.
37:56Don't you see you're wrinkling them?
38:09Would you like me to help you, ma'am?
38:12No.
38:14And I'm not going down for dinner,
38:16so you can pick up all those dresses.
38:18How's the play going?
38:21It's a mess.
38:23They're trying to make me look like an intellectual,
38:25which is nothing more than a load of pomposity.
38:27I'm sorry it wasn't to your liking.
38:30In the end, it's better this way.
38:32Because Manuel was also looking awful.
38:34So we left in the middle of the night
38:37and we took the opportunity to take a walk
38:39in the cool of the afternoon.
38:41I'm glad I was able to enjoy it with your son.
38:47Teresa Villamil has returned.
38:50That's right.
38:52Tomorrow she will be reinstated as a maid.
38:55Yes, Mr. Pellicer has already told me.
38:57In the end, they all come back.
38:59What I don't understand is why you didn't tell me.
39:02The mayors arranged it that way, ma'am.
39:06And since when has it been an impediment for you to advance?
39:09You warned me that it wasn't necessary.
39:13You're uncomfortable with his return, aren't you?
39:16I thought you had a good relationship with her.
39:20It was your son's promise, wasn't it?
39:23That's right.
39:26Well, then stop being mysterious and tell me what's going on.
39:34Retire.
39:38Retire.
39:45She's back with ...
39:48with her husband.
39:50What?
39:54Well, she's in a hurry, isn't she?
39:57What do they call him?
40:01And why didn't you tell me at first?
40:03You know as well as I do that we don't talk as much as we used to, ma'am.
40:07I just considered that I didn't deserve your interest.
40:11It is true that our communication is less fluid than before.
40:16As it is also true that your performance in your tasks leaves much to be desired.
40:22I put all my dedication and effort into it, ma'am.
40:25Don't justify yourself, Petra.
40:28I need you to find me a personal maid now.
40:31I only see useless people in my bedroom.
40:34It's not an easy task, ma'am.
40:36But if you allow me to combine my functions as a key master ...
40:40No, I need someone who doesn't have as many other important functions as you.
40:44All right, ma'am.
40:46As you say, you have your tasks as a key master.
40:50You know, I want Teresa.
40:54From a personal point of view.
40:56Let's see what I've learned with that Duchess.
40:59And wouldn't you prefer to try with another one?
41:01Vera, for example.
41:03I said Teresa.
41:06As you wish, ma'am.
41:08Tonight I'll have dinner here in my bedroom.
41:13As you wish, ma'am.
41:31As you wish, ma'am.
41:50Is there no one available to lend a hand, Mr. Romea?
41:53I offered myself to Mr. Pellicer to do it alone.
41:56Don't worry, I'll be in a moment.
41:59For dinner?
42:01There's no need, sir.
42:03No, this way we'll be calmer, you and me.
42:06Besides, I'm not going to drop the rings.
42:09The more responsibilities of service you acquire, the more humble you must be.
42:14The important thing is to get the job done, not who does it.
42:18That's good advice.
42:20I'm sure you'll apply in the future.
42:26Have I said anything wrong?
42:27No, you haven't.
42:29Don't you want to be first in line?
42:33That's exactly what I wanted to talk to you about, sir.
42:36Yes, but it's for now.
42:38Right now, in La Promesa, we don't need to cover that position.
42:42It's not in La Promesa.
42:45Have you received a job offer from any other company?
42:49In the Palace of the Counts of Matesán, sir.
42:52I see. And do you have any doubts about whether to accept or not?
42:55And do you want to talk about that?
42:57Actually, the decision has already been made.
43:00And I'm going to accept that job.
43:02But I hope it has nothing to do with the old rings.
43:05For my part, it's all in the past.
43:07And for mine too, sir. It's all forgotten.
43:10Well, in that case, I have no choice but to congratulate you.
43:17You haven't chosen a bad fate.
43:20I'm convinced that you're going to leave the name of La Promesa very high in that house.
43:23I trust that, sir.
43:25And if I do it well, it will be all thanks to you.
43:28You are the best teacher you can have.
43:30Well, well.
43:32And don't give me the cold shoulder, because it won't help you at all if you don't work in this house.
43:38Thank you very much, Mr. Loera.
43:53I'm sorry.
44:02As far as I know, there is no intention of opening a trade route until the situation in the Atlantic calms down.
44:08Well, I hope it's soon.
44:10With half of Europe at war and America blocked, I'm going to lose my harvests.
44:15And with them, my savings.
44:17You should have chosen a more lucrative business.
44:19Like the arms business.
44:20I've read it.
44:221,500 million dollars for the Yankee arcs.
44:24And that counting the legal sales to the bandit.
44:27Good evening.
44:29Good evening.
44:30Cruz and Alonso haven't arrived yet?
44:32Cruz won't have dinner with us tonight.
44:34She's tired after the theatrical performance.
44:37And she asked me to apologize to her.
44:39The play was so bad.
44:41Terrible.
44:43We can't wait to see the whole play in the interact.
44:46We go out with our feet in powder.
44:48When you go to a town theater, you have to go with low expectations.
44:52I don't agree.
44:54I've seen works in Lujan and Tenerantes that were pretty good.
44:57Can I know why there are two extra seats?
45:04Good evening.
45:06Good evening.
45:08Good evening.
45:10Sorry for the inconvenience.
45:12We were going for a walk and Ulisio took us ahead of schedule.
45:17I think I owe you all an apology.
45:20It's not necessary, Pelayo.
45:22Even so, if you allow me, Marquis.
45:29I know my departure from this palace was hasty and I am aware that it was not in the best circumstances.
45:35To put it mildly.
45:37Although I want to add that I am not guilty of the accusations that were later poured on me.
45:42And maybe I don't deserve it, but ...
45:45Even so, I want to take the risk of asking you to give me another chance, just like Catalina did.
45:53It is an immense pleasure for me to welcome you back to the palace, Mr. Count.
45:59Thank you, Manuel.
46:01Welcome, Pelayo.
46:05I was very happy when your sister told me that you had returned from the front safe and sound.
46:12I'm happier, I assure you.
46:15It had to be a pride to fight for the good and democracy.
46:18Don't say it with such admiration, Mr. Count.
46:21You have also played a relevant role in that war.
46:27And what is it, if I may know?
46:29Margarita, let's not spoil the dinner by talking about the war.
46:35I think now I understand much better the indisposition of the Marquise.
46:38Ignacio.
46:39What?
46:41You have taken my place. The least I can do is make a joke.
46:45Your place? I didn't know.
46:47Leave him alone, Ayala.
46:49I will not allow you to keep bothering my guest.
46:52If I have bothered you, why didn't you tell me yourself, Mr. Pelayo?
46:56I have already listened to my sister, Mr. Count.
46:59Let him be.
47:01He is our guest.
47:03Of all.
47:05Of the family.
47:06Mr. President, what do you intend?
47:08That this becomes a school fight?
47:14You excuse this lack of totally unjustifiable decor.
47:19The Count is a guest of my daughter Catalina.
47:21He will stay in the palace as long as the two of them agree.
47:25And I don't want a single more insidious comment.
47:36No, no, no.
48:07Were you looking for Mr. Manuel, Miss Expósito?
48:10No, no, no. I only came to clean.
48:12At this time of night?
48:14Well, I wanted to take advantage that Mr. Manuel had gone to the theater with his mother so as not to bother.
48:19You should go down immediately to the service area.
48:22Mrs. Arcos is looking for you.
48:24Right away.
48:26One second.
48:28Our key lady can wait a moment.
48:31Do you need anything from me?
48:32We have a conversation pending.
48:37You and I have to speak clearly.
49:03Good evening.
49:08You did well to retire so soon.
49:12Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:17He deserves it.
49:20And how about this afternoon with Manuel?
49:23He has already told us that the theater was a tragedy, although he did not intend to be.
49:28If he has already told you, why do you ask me?
49:33Cruz, I know you're angry with me.
49:36But at least tell me why.
49:40Whatever it is, I'm sorry.
49:42All I want is for us to be fine.
49:45You don't need to be brave to come to me now with that.
49:49My apologies are sincere. Tell me what I have failed you and I will do everything I can to fix it.
49:53There are things that once broken can no longer be reassembled.
49:57Well, then I will fulfill my penance, but at least tell me what my fault is.
50:02What for? If you know it perfectly.
50:04If I knew it, I wouldn't insist, Cruz.
50:06Don't make me tell you out loud.
50:08That's what I'm asking you.
50:10I'm not going to go through that humiliation.
50:12I won't leave until you tell me.
50:14I know what happened to Maria Antonia.
50:16You were unfaithful to me with my best friend and in my own house.
50:20Is that what you wanted to hear?
50:26AVAILABLE NOW