La Promesa Ep 408 Completo - La Promesa Cap 408 Completo - La Promesa RTVE Serie
La Promesa Ep 408 Completo - La Promesa Cap 408 Completo - La Promesa RTVE Serie
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La Promesa 408 Completo
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La Promesa Ep 408 Completo:
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La Promesa Ep 408
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00:00And that's why we decided that the cave was the best place.
00:06As you will understand, keeping the secret where Mrs. Darre is hidden is vital.
00:11Be careful, Mr. Baeza. I won't tell anyone anything.
00:14And you can count on my help for whatever you need.
00:17The truth is that we wouldn't mind a helping hand, sir.
00:21Now it's costing us a lot to go visit her and bring her food without raising suspicions, so...
00:26It's getting more and more complicated.
00:28In fact, I thought we should get her out of there.
00:32With precautions, of course, but the time has come.
00:34No, no, I don't know what to say. I don't agree with that.
00:37That man knows that Mrs. Pia is alive. He threatened to kill her.
00:41And that man doesn't speak for himself. He would expose her.
00:44I know, but Mrs. Pia has less and less strength.
00:46And the only thing we're going to do by leaving her in that cave is to make her get sicker.
00:49Yes, but the alternative is worse. If we get her out of there, that man will discover her.
00:54From what I see, you don't agree.
00:56No, no. And we must do it.
00:58We must have a unique position.
01:00I think Mrs. Darre should stay hidden for a while longer.
01:05Besides, now we have the help of Mr. Manuel, who can bring her water and food.
01:09Yes, I've already told you. You can count on my help when you need it.
01:13Let's see...
01:14Miss Expósito.
01:16Now, with the help of Mr. Manuel, we can visit her more often.
01:20Everything is easier. We don't have to make such a radical decision.
01:25Well, if you think it's the best...
01:27It's not the best option, but it is the least bad.
01:31Getting Mrs. Pia out of that cave now could mean her death sentence.
01:50Does it bother you, Mr. Arcos?
01:51No, no. Come in.
01:54It's nothing important.
01:56I just wanted to tell you how my first day has been, with the help of Mr. Arcos' camera.
02:00Well, take a chair, sit here next to me, and tell me how the job is going.
02:11Good.
02:13Good.
02:14Hasn't she made you very dizzy?
02:16No, she's been very correct. Too much, even.
02:21What do you mean?
02:23I was supposed to help her get ready for dinner, right?
02:27That's right. And tomorrow you'll have to help her get ready for breakfast.
02:31You'll have to have the clothes always ready, and the shoes very shiny.
02:35I know, I know. The problem is that the young man doesn't want to help at all.
02:41Does he want to get dressed alone?
02:43That's what he's done. He hasn't even let me help him comb his hair.
02:47All he's let me do is tie the bird's knot.
02:50That war.
02:52What do you mean?
02:53That Mr. Curro wasn't like that before he went to that ... to that damn war.
02:59But I suppose that after so many months of suffering, now having a camera assistant,
03:03well, it will seem too luxurious to you.
03:06Well, then I don't know what I can do.
03:08I can't be someone's camera assistant who doesn't want to have it.
03:11Be patient, boy. He has just arrived from the front.
03:14But you'll see how soon he'll realize how comfortable it is to have someone do everything for him.
03:20Do you think so? I'm telling you, he hasn't even let me help him get dressed.
03:24I don't know. I've been serving for many years and I know that you get used very quickly to good life and comfort.
03:32Well, I hope you're right.
03:35I am. And you should take the opportunity to learn the trade with Mr. Curro.
03:41I don't know if it will be possible.
03:43The point is that it's not just that he doesn't let me help him.
03:46He asks me for things, please.
03:49Please?
03:51Who has seen him? Who sees him?
03:53Mr. Curro used to be a despot, a spoiled brat.
03:57Really?
03:58Yes. He treated the service with screams.
04:01And it was strange the day he didn't make any maid cry.
04:04The years must have tempered his character.
04:07Yes, it must be like that.
04:14Can you look over there for a moment?
04:17What?
04:18Look over there. I'd like to see your profile.
04:27Have you ever thought of growing a moustache? I think it would look good on you.
04:33Sure. A moustache.
04:35But a moustache like that of Count Dayala.
04:38No. That can't look good on anyone.
04:41No, no. I mean a smaller one, less thick.
04:44Something more elegant.
04:47Do you think so?
04:48Yes, I do.
04:50And I also think that a little longer hair would look better on you.
04:56I don't know. I've always worn it like this.
04:59Well, but there's always a time for change.
05:01And I think this is yours.
05:04Well, I'll think about it.
05:08Honestly, I think you'd look much better.
05:12As for Mr. Curro, you'll see how, with patience,
05:17he will soon realize that it is very good to have someone who does everything for him.
05:24You know, the German soldiers had a lot of respect for the French soldiers, despite being confronted.
05:31But then you spoke to a German.
05:33That's right. I watched some dungeons where we had prisoners. A few.
05:39There I met a German officer.
05:42The same one who recognized me for my virtues and bravery.
05:46The French have always been involved in many wars.
05:48They have had the opportunity to learn military art.
05:52According to the German officer, his enemies were worthy heirs of Napoleon.
05:57What I envy most about the Gauls is their tradition of converting the gestures of their soldiers into poetry.
06:04Cyrano, Hollande, D'Artagnan.
06:07Yes, that's what I envy the most.
06:09Yes, that's what I envy the most.
06:11I think you met a literary soldier.
06:13Yes, maybe. He spent all day reading in the dungeon.
06:17And did he say anything about the English soldiers?
06:19Yes. This man had it all.
06:22He said that the English had a lot of cold blood and that they went to war like hunting,
06:29planning and being very precise.
06:31Well, that's the thing.
06:33Well, that's the thing.
06:35Well, that's the thing.
06:37Well, that's the thing.
06:39Well, that German had great spirit.
06:41Because few are able to see virtues in the enemy.
06:44Yes.
06:45He was a good man.
06:47Yes.
06:48I hope he comes out alive from that war.
06:50The lover should not lower his rival to the beloved, because by doing so he lowers himself.
06:55Well, I think that soldier was so generous for two reasons.
06:58First, because he was in prison.
07:00And second, because if they win this war, it has much more merit that your enemy is formidable.
07:06I see.
07:08So, according to you, that man praised the enemy to praise himself?
07:14Of course.
07:15You are always giving the most twisted interpretation, brother-in-law.
07:18My twisted interpretation is called reality.
07:21Are you in a hurry?
07:24Well, I wanted to take advantage of the fact that you are all together to thank you.
07:30We didn't do anything.
07:32Well, they appeared when the count was going to take me to the convent and they avoided it.
07:36We couldn't stop the count.
07:38It was your mother who made him change his mind.
07:41Well, but I'm convinced that his appearance had a lot to do with that change, right?
07:47I think you're exaggerating.
07:49Although, well, thinking about it, it wouldn't have been bad if you had gone to that convent.
07:53You would have learned important things about life.
07:56It's just that I didn't want to learn anything at all that they could teach me there.
08:00Don't listen to her. Lorenzo is kidding.
08:03We are all very happy that you are here.
08:06Yes.
08:07The only thing I regret is causing so many headaches.
08:12That's over.
08:13Yes, thank goodness.
08:16The only thing is that I still feel fear in my body for what I lived in San Antonio.
08:22Martina, that will go away in a few days.
08:25Yes, now what you have to do is be busy so as not to give your head more turns.
08:30You know, I think it's a very good idea that tomorrow we go for a walk in the gardens.
08:37What do you think?
08:38Well, I really feel like it.
08:40Well, let's not say more.
08:42We are going to let them know to prepare a small tent for the walk.
08:46Very well.
08:47If they excuse us.
08:49Good night.
08:50Good night.
08:51Good night.
08:52Good night.
09:01What do I say? Since they are going to Luján's house, which is next door,
09:04we could, I don't know, organize an invitation for all those involved in the celebration.
09:08That is, us.
09:09Exactly.
09:11First, we should know if the Marquises allow us all to go to the wedding.
09:15They will.
09:16Although, of course, I think the simplest thing is going to be to celebrate with, look here, in the courtyard.
09:21Just like we did with the wedding of poor Mrs. Darre and the ill-born Gregorio?
09:26No.
09:27Too bad memories.
09:28Take it away, take it away.
09:29Roberto, Roberto.
09:30Maybe we'll do it somewhere else because that wedding was ruined.
09:34In the gardens.
09:36Candela, not that now María Fernández and Salvador are the heirs of the Marquis.
09:41Woman.
09:42If Mr. Baeza speaks to the Marquis, I'm sure he'll leave us a corner between the bushes to celebrate the invitation.
09:48Yes.
09:49I think the best thing we can do for now is to focus on the menu and then we'll think about where the invitation will be.
09:55Well, I've thought about that a little bit.
09:58Yes.
10:00I think my pipirrana would go very well first.
10:03That never fails.
10:04That's one of your best dishes.
10:07And second, lamb with honey garnished with potatoes to the poor and rice with almonds.
10:12I'm getting hungry just listening to you.
10:15And with the dessert, what do we do?
10:18Well, maybe we leave it better to Lope, who will surely come up with something.
10:21Lope is in charge of the cake and we can make some pestiños, an oil cake ...
10:27And some wine pears.
10:28Wine pears?
10:29Also.
10:30But before we continue with this menu, I think we should see which room we are going to pay the tribute to.
10:39Yes, because this is going to take its good money.
10:43Well, I'll take care of it.
10:44You?
10:45What do you mean, now that you've become rich all of a sudden?
10:48No, but I'll think of something, I guess.
10:51Let's see, it's not easy to find a job like this, good or bad.
10:54At least some have given us good words.
10:56Yes, but with the word good it would not be true.
10:59And I think a lot of people spoke for speaking.
11:01Yeah, it's true that what is said is done.
11:04Then nothing.
11:05Not a single house where my virtues can do a few hours.
11:08Not even that, Simona.
11:10But don't despair, Mrs. Simona, we've only been a few hours.
11:13We'll have to go back to Lujan and keep looking for a job.
11:15Yes, we have no choice.
11:17How did it go in Lujan?
11:19Well, it could have gone better.
11:22So bad.
11:23Well, I didn't want to be so cynical, but yes.
11:26The truth is that yes.
11:30And have you been able to talk to the priest?
11:33Well, no, I haven't seen him.
11:35But Candela went to talk to him and told him that ...
11:37Well, that he didn't need help.
11:39A very peculiar man.
11:41And what does that have to do with our wedding?
11:43Wedding?
11:45I haven't talked to the priest about any wedding.
11:48No, no.
11:49You know, we're getting tangled up.
11:51Candela went to talk to the priest to ask him for a job.
11:54For virtues.
11:55And you had to talk to him about our wedding.
11:58Or don't you remember?
11:59The bisteca.
12:01It's true that we said it.
12:03That we said it.
12:04But with this thing of looking for a job or virtues,
12:07well, it has happened to me, as it happened to you.
12:09It's just that ...
12:10You have so many things in your head.
12:21Another drink, brother-in-law?
12:23No.
12:24Come on.
12:25This helps you sleep.
12:27I said no.
12:31Can I know what the hell is going on with you?
12:33A while ago you were telling anecdotes and gossip,
12:37and now it looks like you've been stepped on by a rooster.
12:39If there are people in front of me, I better hide it.
12:41But lately I don't find your company very pleasant.
12:44Ah.
12:45And can I know why?
12:47You know it very well.
12:48You've always liked to gossip from here to there.
12:51But these days you're having a hard time.
12:53Maybe you've been a little more sensitive lately, for whatever reason.
12:56It has nothing to do with me.
12:58You do it with everyone.
13:00For example, your comments about Ayala's poisoning
13:03didn't come to mind.
13:04Are we already with that Martín Gala?
13:06I would have to say that.
13:07Why do you talk about that?
13:08Why do you remove that matter?
13:10I have not said anything that was not true.
13:12There are many things that are true and we are not preaching them out there.
13:15Well, let me tell you how long it's been since you visited your wife.
13:18Ah, very good. Now it's time to talk about poor Eugenia.
13:21As you would say, isn't it true?
13:23What is true is that you are a cynic.
13:25Unable to assume his own actions.
13:29Can you tell me why you are arguing now?
13:34We are talking about the war in Europe.
13:36We have disparate visions.
13:38Do you raise your voice for a war that is thousands of kilometers from here?
13:41Yes, we may have warmed up too much.
13:44Right?
13:47You know, I can't stand your husband's praise of the French.
13:53I see.
13:57For the war, then.
14:07What do I tell you? That hares have a very big intellect.
14:10If you look at them closely,
14:12you realize that they know things.
14:18Well, I think it's time for us all to go to bed.
14:21Because if we keep saying nonsense here,
14:23and Mrs. Petra shows up, we're going to get a response.
14:26I don't think she'll show up.
14:27By now she must be flying with the coma.
14:30Still, it's time for us to go to bed.
14:32Come on, good night.
14:33Come on, come on. Let's all go to bed.
14:40Good night.
14:41Good night.
14:43Hanna, one thing.
14:47It doesn't matter much,
14:49but don't you realize that neither María Fernández nor Salvador
14:54seem to be very excited about their wedding?
14:57Well, now that you mention it,
14:59I get the feeling that they're going to marry an acquaintance, right?
15:01Of course, that's what I think.
15:04Look, María has gone to town,
15:06and she must have forgotten to talk to the priest.
15:08And Salvador the same.
15:10It's a very strange thing.
15:12I don't know, isn't he the one who goes to the market
15:15and forgets to buy tomatoes?
15:19Something's going on, isn't it?
15:27I wish I could dedicate the time they need to these gardens.
15:31Well, they're very well maintained, to be honest.
15:34Bautista does what he can, the poor thing.
15:36But being alone, he has to take care of tasks
15:38that don't belong to a butler.
15:40Well, I like how they are.
15:42They had their moment of glory when my mother took care of them.
15:45Did she like the plants?
15:47Yes, she liked them.
15:48They were her life.
15:50That's why these gardens are so special to me.
15:54My mother spent hours here.
15:56She decided which plants to plant at the seto's disposal.
16:00Well, you can see that she did it with great pleasure.
16:03Yes.
16:04I don't know how many times I've walked around here
16:07while she told me all kinds of stories.
16:11My mother also loved the Promesa Gardens.
16:14She had her special corner.
16:16Well, I took you there.
16:19Yes, I remember.
16:20A very special place.
16:23Look, right in this piece of garden,
16:26my mother managed to grow orchids.
16:29With this weather?
16:30It was hard for her, don't believe it,
16:32to have orchids.
16:33She always looked for the plants
16:35that would give way to the most beautiful flowers
16:37because she really enjoyed showing them to visitors.
16:40I would have loved to meet her.
16:42Yes, I told you at the time
16:44that I think you would have made good friends.
16:48Look, and there,
16:49she used to grow jacintas.
16:52Did you know that with one of them,
16:53she won a flowering contest?
16:55She participated in contests?
16:57She liked challenges.
16:59She learned several techniques
17:00to get varieties,
17:02although her favorite technique was injection.
17:04An expert, then.
17:05Yes, I think so.
17:06She was always looking for perfection.
17:10Everyone has their passions, right?
17:12My mother's was the garden.
17:14To see how the different flowers merged
17:16and gave rise to new aromas, new colors.
17:19It must have been a show
17:20to walk around here in spring.
17:22I think so, yes, it was.
17:25She managed to grow roses
17:27of three different colors
17:28and daisies like nowhere else.
17:33And now you see.
17:36A shame.
17:37Yes.
17:39And she didn't leave seeds
17:41or a notebook to write down her tricks?
17:43Nothing, she had it all in her head.
17:48You know, my mother used to say
17:50that I was like an injection
17:52between my father and her
17:53that I had managed to get the best out of each one.
17:55And is that so?
17:58No.
17:59I'm afraid that in this injection,
18:00my mother failed.
18:02She was looking for the perfect son
18:04and I'm everything but that.
18:08And the worst of all
18:09is that she can't help me improve.
18:15The perfect is boring.
18:17How do you distinguish two perfect white roses?
18:21I don't know, nothing.
18:22That's right.
18:24Because they are the same.
18:26But the imperfect is unique, different.
18:29Then I must be quite unique.
18:32Well, yes.
18:34You are, Pelayo.
18:36You are.
18:49And now Mr. Baeza knows
18:50that Manuel is aware of Mrs. Pia.
18:53And did he get angry?
18:54Well, no.
18:55Because we did a pantomime
18:56and he thought that he discovered it by chance.
18:59Man, you are really something.
19:02I'm not going to know when you're acting
19:03and when you're really acting.
19:04Don't be silly.
19:06Well, tell me the story.
19:08Let's see.
19:09The thing is that I entered Mr. Baeza's office
19:12and I left the door half open.
19:15And then we started talking about Mrs. Pia
19:17and Manuel came in and said he had heard everything.
19:19Of course, you had no choice but to tell him.
19:21Indeed.
19:24And Mr. Baeza didn't notice the prank?
19:26He's as smart as a fox.
19:28Well, no.
19:29He didn't notice at first,
19:30but at least we got what we wanted,
19:32which was that Manuel was in the garlic.
19:34Yeah.
19:35And what's that going to do for us?
19:37Well, Maria, for many things.
19:39For example, to help us visit her,
19:42to help us with the food,
19:44and also to see if he can insist a little
19:46on Mr. Baeza to get her out of there.
19:48Well, Mr. Baeza has already told us that.
19:50And he doesn't listen.
19:51And he doesn't listen.
19:52He has to talk to Marquez
19:53and he can't find the time.
19:54Yeah.
19:55But I insisted again.
19:57And?
19:59Well, I honestly think that
20:01Mr. Baeza doesn't want to tell Mr. Marquez
20:05because he thinks it's not the time to get Mrs. Pia out of there.
20:08He's right.
20:11Let's see, Maria.
20:12I know it's risky,
20:13but it's also risky for her to stay there.
20:16And what I'm most afraid of is
20:17that Mr. Baeza wants to take advantage of the fact
20:19that Manuel knows only to try to help her
20:22with the supplies for Mrs. Pia.
20:24Nothing else.
20:26But that's good news, isn't it?
20:28Maria, it's not the solution.
20:30No, and he's not going to prevent Mrs. Pia
20:32from taking something bad there either.
20:35I'm going to have to talk to Manuel again
20:37and see if he can insist a little.
20:40Well, yes.
20:43This one in the front should have to be fixed.
20:47It must be the virtue.
20:50You don't know how sorry I am.
20:52The poor thing still hasn't found a job
20:54and on top of that she's so sad that...
20:57Yes, a lot of good words,
20:59but what it is to offer a good job to no one.
21:01And look what we ask the middle class.
21:03You know what I'm telling you?
21:04I think she'll find a job soon
21:06because she already deserves it.
21:08And she's been fighting for a long time
21:10to get her son back.
21:12And she's also had some big-legged mess.
21:14Yeah.
21:15And she has to get rid of the chalice, the priest.
21:19By the way, speaking of priests, Maria,
21:22why didn't you talk to the priest about your wedding?
21:26It happened to me.
21:28Maria, it's your wedding.
21:30And what do you want me to do to him?
21:32What do you want me to do to him?
21:34What do you want me to do to him, Maria?
21:35That you give him a little interest,
21:36that one doesn't get married every day.
21:38And for life.
21:39And until death do us part.
21:45I love you.
21:57Miss, Miss.
21:59What are you saying, Mr. Cook?
22:01Nothing.
22:02I just wanted to say hello.
22:03Again?
22:04You've already said hello to me at breakfast.
22:06I'll say hello to you whenever I need to.
22:09But not here.
22:10You're a genius.
22:11What?
22:12Come on.
22:13Give me a hug.
22:14I don't feel well at all.
22:16Let's see.
22:25That's it.
22:28Well, the tie didn't look very good on me because
22:30one side is longer than the other.
22:32I'll have to try again.
22:34You were just distracting yourself.
22:37With how precious you are to your cakes,
22:39you don't even know how to give a hug.
22:40Well, now I do.
22:41And it's perfect.
22:45Come on.
22:46Come with me to the laundry,
22:47I have to find María Fernández.
22:49I should have left a pen in the lady's room,
22:51but it happened to me.
22:53Well, María is not here lately.
22:56What happened to her?
22:57Her own wedding.
22:58Well, she didn't go to Luján and she forgot to talk to the priest.
23:01Because she has birds in her head, as always.
23:03You know how it is.
23:04But, Lupe, what are we talking about?
23:05Her own wedding.
23:06I don't know.
23:07But if I were the one who got married,
23:09I wouldn't have anything else in my head.
23:10Wouldn't the same thing happen to you?
23:14To me?
23:16It depends on who I marry.
23:19Well, if you marry me,
23:21I hope you won't stop thinking about that until the day of the wedding.
23:25Are you proposing that we get married?
23:29You were just an example, but now that you say it, well ...
23:33Of course.
23:34Let's get married.
23:36Well, first we should solve a little problem, right?
23:38Really?
23:39And what is this little problem?
23:41Well, a tiny one.
23:44That I am a cook and that you come from a noble family.
23:49But you are a simple cook so far.
23:51Because soon you will be a king of the stoves.
23:54And when that day comes, I will be your most fervent admirer.
23:57Yeah.
23:58That's it. Problem solved.
24:00You solve problems very easily.
24:03Especially when they are nothing more than our imaginations.
24:08Well, for the moment let's keep imagining.
24:11That we are fine as we are, right?
24:14And a lot.
24:16Me too.
24:35Excuse me, count. Do you have a moment?
24:38It depends. If it's to throw something in my face again, no.
24:41I started the day well, I don't want it to go wrong.
24:43No.
24:46It's to ...
24:48To thank you.
24:51No.
24:52Go.
24:54Yes.
24:56I wanted to thank you for forgetting ...
24:59That unpleasant matter between us and for allowing me to keep the promise.
25:05I'm glad you know how to appreciate my gesture.
25:07Of course.
25:08That's why I'm here.
25:11If I have acted like this, it is for everyone's good.
25:13Especially your mother's.
25:15The last thing I want is to see her suffer.
25:18We completely agree on that.
25:22That unites us.
25:25This could be a kind of peace agreement, right?
25:29It could be called that, yes.
25:31In that case, I hope you don't think about poisoning me again.
25:36I never tried to poison him.
25:38Really, I already told you, I can repeat it a thousand times if necessary.
25:41I didn't do anything.
25:43Did I poison myself?
25:45I don't know what happened, but I know I had nothing to do with it.
25:48Really.
25:50Martina, I thought you were here to make peace.
25:52Making peace is not lying and admitting something I haven't done.
25:55The only thing I want, really, is to live peacefully in the promise and for everyone to leave me alone.
26:03For my part, I'm not going to bother you.
26:06But it would be good if you didn't go around saying that you're innocent.
26:12I'm innocent!
26:18I'm innocent.
26:20I'm innocent.
26:22I'm innocent.
26:23I'm innocent.
26:27Didn't you talk to a doctor friend of yours and tell him that those symptoms could be caused by other things besides poisoning?
26:37My friend the doctor?
26:38Yes.
26:41It doesn't exist.
26:44If I said it in front of everyone, it was precisely to end this matter once and for all.
26:49That's where my generosity comes from.
26:54Did he do that?
27:00I...
27:04For my part, everything is more than forgotten.
27:07And for mine.
27:08Your mother doesn't deserve to see us disgusted.
27:10No, I'm not going to be disgusted.
27:12I assure you.
27:14Does that mean you're going to stop seeing our future wedding with bad eyes?
27:18That means that I understand that everyone needs to make mistakes throughout their lives
27:24and if she wants to make that mistake, I can't do anything about it.
27:28It's a mistake.
27:29Yes, for me it is a mistake.
27:32But I've committed to giving you my blessing and that's what I'm going to do.
27:36I hope I can make you happy.
27:38I'll make you happy.
27:41If I agree to marry you, yes.
27:44You'll agree.
27:46I'm giving you the idea.
27:49You know, at least you're honest.
27:55And I prefer that a thousand times to ...
27:58listening to false words and seeing even more false smiles.
28:01That's not going to happen to me.
28:03Never.
28:05I don't like it.
28:06And I'm not going to pretend otherwise.
28:09I'm just resigning myself to my mother's life.
28:13If you'll excuse me.
28:18I love you.
28:23Much before you arrived, Mr. Moreno was the first lackey.
28:27And he was also in charge of teaching the new ones everything they needed to know.
28:31Yes, I've heard of him once.
28:33And always for good, really.
28:34And rightly so.
28:36He was a good lackey and also a very good teacher.
28:40In fact, he was the one who taught my son Feliciano to be a good lackey.
28:45And what were his main virtues?
28:48Discretion.
28:50He got along with everyone, but he didn't meddle in anyone's life.
28:53Well, I don't know how he survived.
28:55Because here everyone knows everyone's life.
28:57Yes.
28:58They believe they are almost like a family.
29:00But without these virtues, with all their vices.
29:04But Mr. Moreno tried to stay out of it.
29:08It shouldn't have been easy.
29:09No.
29:11But he did it.
29:12And he also managed to achieve something else.
29:15To gain the trust of the gentlemen.
29:17Without ever believing that these were his friends.
29:20You have to be very arrogant to think something like that.
29:23Many make that mistake.
29:27The secret is in getting the gentlemen to trust you so much
29:32as to tell you their last sins.
29:37That's right.
29:39But a lackey should never talk about his private life.
29:44Many forget that the gentlemen get bored with our accounts.
29:49What a fool you are.
29:52Look, I was looking for you.
29:55I want you to wash what is pending and then order the wardrobe of white clothes.
29:59Right now, Mr. Argos?
30:01I'm coming with you and in passing I'll get some clean rags.
30:04Come on.
30:09I don't want you to have problems with those again.
30:15I promised I wouldn't get in the way and I'm going to do that.
30:19I'll be discreet, like that Mr. Moreno I was talking about.
30:23And as soon as I see him,
30:26I just need a little more time and I promise I'll have forgotten him forever.
30:31It's the best you can do.
30:33And you know, with time, I think you can get there.
30:36A good lackey.
30:38Much better than all this mediocrity that surrounds us.
30:46The saddest moment of my life was that,
30:49when Tomás died.
30:52Normal, being twins.
30:54Yes.
30:56Although like night and day.
30:59Even so, we understood each other,
31:01as happens with almost all twins.
31:03You understood each other almost without words, right?
31:06Yes.
31:08It took a look to understand each other.
31:10We supported each other a lot.
31:12Especially when my mother died.
31:15It must have been very hard to go through that at such a young age.
31:19Yes.
31:21Not only because of our grief.
31:23My father was devastated.
31:25Absent.
31:27That brought me closer to Tomás.
31:28Absent.
31:30That brought me closer to Tomás.
31:33And how did your father raise his head?
31:35When Cruz showed up.
31:38He said his marriage was a good thing for everyone.
31:41And they got married.
31:43And it's clear that it wasn't the best for everyone.
31:46Not for Tomás, not for me.
31:48Cruz hated us.
31:51We were a nuisance to her.
31:54And we were even worse when she had Manuel and Leonor.
31:57Then he wanted to get rid of us.
32:00What? What did he do?
32:04He tried to send us to a foreign boarding school.
32:07Luckily Tomás was strong and he refused.
32:10And me with him.
32:12So Cruz didn't get away with it.
32:16How lucky I was to have Tomás by your side at that time.
32:19Well, yes.
32:21I don't even want to think what Cruz would have done to me
32:24if he hadn't been there.
32:27Then Tomás died and I was left alone.
32:33Can't you imagine how much I miss him?
32:38And then all my dreams were shattered.
32:43No, Catalina, not all of them.
32:45You're still alive.
32:47And you're a brave, beautiful, intelligent woman.
32:51And I'm sure you'll get everything you want in this life.
32:53You're an incredible woman, Catalina.
32:55Don't make me say it again.
33:08Well, yes, I really want them to put a cinematographer in Luján.
33:12But that should be enough, right?
33:15Yes.
33:17No, wait a minute.
33:21What are you doing?
33:23Shh!
33:25For you.
33:27Why?
33:29Do I need an excuse to fix a flower for a middle-aged woman?
33:32As Aunt Cruz sees you picking flowers from her vases,
33:35you're going to need something more than an excuse.
33:42What? What's wrong?
33:44No, nothing, nothing.
33:46It's been a while since I've seen you so happy.
33:50I'm very happy.
33:52All the poisoning nightmare is over,
33:55and it's largely thanks to you.
33:57Look, stop thanking me for things I didn't do.
34:00What do you mean?
34:02Please, you got me out of the sanatorium
34:04and you were one of the people who pressured my mother and Ayala.
34:06Yes, but I couldn't allow them to keep you locked up.
34:09But if it weren't for you, I'd still be locked up,
34:12as you say, in that horrible place.
34:14And who knows if I'd still be right now.
34:17Well, it's not like I've ever been very strict.
34:20Wow!
34:24No, but I'm serious.
34:27When I was in that place, I felt like...
34:30like I had fallen into a kind of bottomless pit.
34:36I understand.
34:38I lived something like that in the war.
34:40You never talk about that.
34:43It's hard for me.
34:45I can imagine.
34:48And I'm not going to torture you with questions.
34:51But...
34:53if at any moment you want to vent
34:56or tell me anything,
34:58I'm here for you.
34:59Well, I've already told you that it hurts me a lot to remember that, but...
35:05I'll make an exception.
35:08Come.
35:29Come.
35:39One of the moments I remember the most
35:42was when we entered a village.
35:45It looked like it was abandoned
35:47because it was completely destroyed by the bombs.
35:51We arrived at dawn
35:54and we could only hear our footsteps.
35:57And also a dog barking.
36:01But we couldn't see where it was.
36:04Because it was under the rubble or...?
36:08No.
36:10We found out that it had been thrown into a well.
36:13Yes, the poor thing was in a ditch trying not to drown.
36:17But how can you be so cruel?
36:19Martina,
36:21they were trying to contaminate the wells.
36:23They threw animals,
36:24rotten corpses,
36:26in order to ruin the water.
36:29How cruel.
36:31That's war, Martina.
36:34Cruelty and misery.
36:39And what happened to the dog?
36:43The lieutenant told us that
36:45there was no time to rescue any dog.
36:48But Manuel and I convinced him that it was necessary
36:51to keep the water potable.
36:52In case the inhabitants came back
36:54or if we went back there.
36:57But then you convinced him and...?
36:59Luckily, yes.
37:01We went crazy looking for a rope
37:04and Manuel climbed the animal.
37:07Thanks to heaven.
37:10You should have seen that dog.
37:12It was terrified.
37:14It had hoarse ears
37:17and it looked like it was going to run away
37:19but it was hungry.
37:21As soon as we opened a can of meat,
37:23it was there.
37:25And what did it do?
37:27Did it follow you?
37:29No, no, no.
37:31I don't think it trusted us.
37:33Well, you can't blame it either.
37:37However,
37:39shortly after,
37:41we heard some barking.
37:43And a few meters away,
37:45there it was.
37:47The same dog.
37:49It barked
37:51and barked
37:53and went back
37:55asking us to follow it.
37:58And we did.
38:00And where did it take you?
38:04It took us to a cave.
38:07And
38:09what I saw there,
38:11I couldn't believe it.
38:14In the cave,
38:16they were squeezed
38:17into a cage.
38:19Hungry, dirty, all the elderly,
38:21all the women,
38:23the little children of that village.
38:25And
38:27we explained to them that
38:29we were on the French side and
38:33that the front had moved away.
38:36So they could go back home.
38:39So they were saved.
38:41Yes.
38:43Manolo and I
38:44wanted to go back with our battalion.
38:47But those people insisted that we didn't.
38:49That we had to stay there.
38:51Yes.
38:53And in a settlement,
38:55they prepared us a stew
38:57with all the meat they had hidden in their houses.
39:00You were the heroes of the village.
39:04No.
39:06No, no.
39:08We weren't.
39:10The real hero
39:12was that dog.
39:14If it hadn't been for him,
39:16those people would still be in that cave.
39:18And I don't know what would have happened to the little children
39:21because they were starving.
39:28At least your story ends well.
39:32And yours too.
39:34You're back here.
39:36In your house.
39:38And with the people who love you.
39:41And with people who don't love me either.
39:44We don't care about the people.
39:46What matters now
39:48is to forget the past
39:50and enjoy life.
39:54I want to enjoy everything we have left to live.
39:59Me too.
40:15They told me you were calling me.
40:17That's right.
40:19I wanted to thank you for taking care of me in the last few months.
40:23I've only done my job, ma'am.
40:25You can do your job well or badly.
40:27And you and the rest of the service have done it very well.
40:30That's why I wanted to have a detail with you.
40:32Here.
40:34So you can share it with your colleagues.
40:36Thank you very much.
40:38It's the least I can do.
40:41Thank you very much.
40:43It's the least I could do.
40:45Share it with everyone.
40:47I will.
40:49And thank you again.
40:53Have you given Petre a letter to take her to the village?
40:56No.
40:58It was a tip to share it with all the service.
41:01Before I left, I wanted to have a detail with all of them.
41:04You didn't have to give them anything.
41:06They just do their job.
41:08Women are the most professional thing I've ever seen.
41:09Because they are working for you.
41:11If it wasn't for me, I would offer them a job.
41:13I don't know if they would accept.
41:15Although, well, you never know.
41:18Are you sure?
41:20Well, here they are treated better than anywhere else.
41:23And in La Promesa,
41:25they have their little world.
41:28In which they have their trifles, their loves,
41:31their disagreements, you know.
41:33Well, I guess we also have them, right?
41:36Yes, yes.
41:38We are not so different from them.
41:41We are mainly separated by money.
41:44And education.
41:46Of course.
41:48Yes.
41:50But I, among people of many possibilities,
41:53sometimes I have not found more than bad ways.
41:56Yes, I also remember some of them.
41:59No need to give names, right?
42:02But yes, you are right.
42:03That both above and below,
42:05there are angels and demons.
42:08It has always been like that, yes.
42:10I suppose that among the servants,
42:12there are also betrayals,
42:14as there are among the lords.
42:18I, the truth is that
42:20the less I know about the service,
42:22much better.
42:24However, I like to know everything.
42:26To be aware of everything.
42:28Of their loves, of their romances,
42:30of their quarrels.
42:31Of their loves, of their romances,
42:33of their forbidden passions.
42:36Well, and then I can use it in my favor.
42:42Although I must say that the promise
42:44is quite calm.
42:46Even boring, I would say.
42:48Come on, it does not serve as an inspiration for a brochure.
42:55Come in.
42:58Mr. Beza.
43:01I think we have to talk.
43:04For your urgency,
43:06I imagine it will be from Mrs. Darre.
43:08Yes, it is.
43:10But I have been thinking about Mrs. Pia
43:12and I think that after what they have told me,
43:14it will not be enough for me to help you with the visits.
43:16Something tells me that we would have to move her.
43:18I know she is not well in that cave,
43:20but it still seems very dangerous to me.
43:22Yes, it may be.
43:24But I think leaving her in that place
43:26can be fatal.
43:28Or at least that's what I thought after hearing them talk.
43:29Mrs. Expósito is very worried.
43:31And as far as I know her,
43:33she is not worried about anything.
43:35She seems to be quite tempered, yes.
43:37And don't you think we should listen to her?
43:39You'll see.
43:41But getting her out of there,
43:43to put her where?
43:45Yes, she has a few minutes.
43:49Look,
43:51I would like to expose to you
43:53what both Hanna and I have thought.
43:55You will say.
43:59I'm not going to get any work, mother, I know.
44:02Don't get the worst of it.
44:04It is the reality.
44:06Lope, Vera and María Fernández have traveled the whole town
44:08and have not found anything.
44:10Vera, you, as for the next time,
44:12go with someone who needs a maid.
44:14It won't be like that, Candela.
44:16And if I can't bring my son,
44:18I don't know what I'm going to do.
44:20And if I have to leave the promise,
44:22where are we going to live?
44:24Well, in Julia's pension,
44:26that we have already told you that it would have a good discount.
44:27In addition,
44:29if I get a job, what do I do?
44:31I leave the poor creature alone in the pension.
44:33I can try to take care of everything,
44:35at the beginning.
44:37And you will apologize for the cause.
44:41It is clear.
44:43I was never a good mother for my son,
44:45nor will I be now.
44:47That is the reality.
44:49No, it is not the reality.
44:51Of course not.
44:53What is certain is that they will return the child
44:55and that you have to take care of him.
44:57Yes.
44:59I will never separate from my son again,
45:01even if I have to do whatever it takes.
45:03Whatever it takes.
45:05A mother always looks for the tricks.
45:07And you, Lara,
45:09you are very clever.
45:11And look at you with very good eyes, Candela.
45:13True.
45:15That being Simona's daughter,
45:17your fool wouldn't come out.
45:19Right, Simona?
45:21Candela, do me a favor.
45:23Go to the pantry for potatoes
45:25that we will need for the stew.
45:27Yes.
45:36And in that way,
45:38we believe that we could move her from the cave
45:40to a safe accommodation until all the danger is over.
45:42Well, I don't think it's a bad alternative, right?
45:44Although we would have to consult it with her father first.
45:48Is my father aware of this matter?
45:51From the very beginning, sir.
45:53If we hadn't had him on our side,
45:55we wouldn't have done anything.
45:58He wasn't aware, he didn't know.
46:00Yes.
46:02His father is very discreet.
46:04From the moment that Miss Expósito
46:06had the idea of faking the death of Mrs. Darre,
46:08we informed him immediately.
46:10And he agreed, of course.
46:12He thought it was a good idea.
46:14Like me, yes.
46:16Miss Expósito has a very well-furnished head.
46:18And I've been postponing talking to her father
46:21despite the insistence of Miss Expósito
46:24because the truth is that
46:26I don't have a solution.
46:28She must have noticed.
46:30She's very perceptive.
46:32I'm going to tell you that she doesn't know.
46:35Because you know her well.
46:37Very well, right?
46:41Mr. Baezal, is something wrong?
46:44Well, I'll be honest with you.
46:46Yes, something is wrong.
46:48The other day, without intending to,
46:50I saw Miss Expósito and you
46:53in an intimate situation
46:55that does not correspond
46:57to what a man has to have with a maiden.
47:03He must have been confused.
47:06Maybe he saw something that ...
47:08No, sir, no, no. I keep my eyes open
47:10and I understand them.
47:12What's more, I think you didn't find out
47:15by chance about Mrs. Darre's situation,
47:18but Miss Expósito told you.
47:26Come on.
47:29I see that no one is fooling you.
47:31I'm an old dog, sir.
47:33As you understand,
47:35I am obliged to inform your father
47:37of the matter.
47:39No.
47:42Mr. Baezal, please.
47:44If my father tells him, he will destroy him.
47:47Your father is very understanding.
47:49It's urgent.
47:51Or maybe not.
47:53What is certain is that my mother will tell him
47:55or your mother is very sharp, yes.
47:58But since I got to this house,
48:00I have been loyal to your father
48:02and I must continue like this.
48:04Mr. Baezal, not only would it hurt me,
48:06it would also hurt Hanna, please.
48:08Think about what position I would leave her in.
48:10Not only would I lose her job, but maybe more.
48:12What kind of mayor would you be
48:14if I hid this matter from your father?
48:16I understand her.
48:18And you know how much I respect
48:20the loyalty my father has.
48:22But I'm not even asking her
48:23to not tell him,
48:25I'm just asking for time.
48:28Please, I must be the one to tell him.
48:31It would be better this way, yes.
48:34A few days, Romulo.
48:36That's all I ask.
48:41Daughter, I asked Candela to come out
48:43because I wanted to ask you something.
48:46What did you want to say
48:48with that you would be willing
48:50to do anything
48:51to get your son out?
48:54Mother,
48:56it has taken me a long time
48:58for my parents-in-law to accept it.
49:00I can't lose him now.
49:02Are you thinking of getting back
49:04what they took from you?
49:06The street?
49:08Mother,
49:10I can't lose him.
49:12I won't allow it, daughter.
49:14Never.
49:16What am I going to do if I don't?
49:18We'll have to get him out somehow.
49:19I don't know what you'll do, but...
49:23Of course not.
49:25We'll find a solution.
49:27Anything will be better than that.
49:50I've been talking to your daughter.
49:53Have you argued again?
49:55No, no.
49:57Fortunately, everything has gone
49:59in a very civilized way.
50:01Good.
50:03But I'm tired of fighting.
50:05Not anymore.
50:07We could say
50:09we've signed a peace agreement.
50:11You see, I'm capable of anything
50:13to make you happy.
50:15So,
50:16your quarrels are over?
50:18Yes.
50:20It doesn't mean
50:22we're going to start appreciating each other,
50:24but there won't be any arguments.
50:26It's not a small thing.
50:29And Martina will keep her word
50:31to respect your wishes
50:34and mine.
50:41Margarita.
50:43Margarita.
50:46Finally.
50:49Will you marry me?
50:58Given the situation,
51:00I don't think I can hold out much longer
51:02in this cave, sir.
51:04Yes, it's been too many weeks.
51:06I never thought it would take so long.
51:08We didn't know that man
51:10could be so persistent
51:12in digging the grave
51:14to find Mrs. Darre.
51:16Yes, but that happened days ago.
51:18Maybe he's tired of looking for her.
51:20No, he's not tired, sir.
51:22We recently received this letter.
51:25Read it yourself.
51:29That man won't stop until he kills her.
51:43What did Mr. Baeza say?
51:45Mr. Baeza went to inform my father,
51:47but I doubt he has anything to say.
51:49So...
51:51When would the transfer take place?
51:53As soon as possible,
51:55but we think it's best
51:57to leave at the first hour of the morning.
51:59But why don't we leave at night?
52:02We can't,
52:04because the road from here
52:06crosses the forest
52:08and we could get lost.
52:10What are we going to do?
52:12With all this?
52:14Don't worry about that.
52:16We'll leave all the bags here
52:18so the transfer is easier.
52:20We'll be back soon.
52:22I really don't need anything,
52:24even if I can pick up the essentials.
52:26Mrs. Pia?
52:28Are you okay?
52:30No, I'm fine.
52:32That's it.
52:34It's just a little dizziness.
52:36You should sit down.
52:43Considering the intentions of that man,
52:45it seems imprudent for Pia to leave that cave.
52:48I thought the same,
52:50but given the state she's in,
52:52I think it's unfeasible for her to stay there.
52:54But it's too much.
52:56I'm afraid so, sir.
52:58Mrs. Adarre is losing her sanity.
53:00Yes, it seems to be too much.
53:02Besides, with so much going and coming to that cave,
53:04we've already started to have to talk.
53:06And if this reaches Mr. Castillo's ears...
53:09Yes, but if we get her out of there
53:10and someone sees her,
53:12the news would spread like wildfire
53:14because everyone thinks she's dead.
53:16And that man could find out.
53:18It's risky, sir,
53:20but we've organized Mrs. Adarre's transfer
53:22so that the risks are minimal.
53:24And where do you plan to take her?
53:26Mrs. Pia, we're taking her to Ramona's cabin.
53:30She'll find everything she needs there.
53:33There are food, firewood,
53:35and she won't need to leave the cabin.
53:38But even if she doesn't leave,
53:40she'll find out.
53:43Look, I understand that in this cave
53:45you feel safer,
53:47but the humidity and darkness
53:49are affecting your health.
53:51Well, yes, my health, my head,
53:53and my soul,
53:55which sometimes I don't know if it's day or night.
53:58Well, you'll see it in this cabin
54:00because you'll see the light
54:02and you can also breathe fresh air.
54:04Yes,
54:06but this is important.
54:07When you assume something,
54:09you always have to do it very carefully
54:11and with a handkerchief over your head.
54:17So,
54:19are you ready to leave this cave?
54:22There's nothing else I want.
54:26And she'll live there,
54:28disguised as a relative
54:30of the woman who used to live in that cabin.
54:32Well, if you can't stay in the cave,
54:34I think the best solution
54:36is to move there, if that's what you want.
54:39Yes, sir.
54:50Is something wrong?
55:01Do you have anything else to tell me?
55:05I understand you
55:07and you know how much I respect my mother's loyalty.
55:10I'm not even asking you not to tell her,
55:12I'm just asking for time.