Project Kill | Full Movie | William Girdler | Leslie Nielsen, Gary Lockwood, Nancy Kwan

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PROJECT KILL
| Action, Drama | 1976 |

Plot:
A former government assassin flees a mind-control program in the Philippines, pursued by his ex-partner, the local police and Asian gangsters.

Crew:

• Directed by: William Girdler
• Written by: Galen Thompson (as Donald G. Thompson), David Sheldon (Story - uncredited)
• Starring: Leslie Nielsen, Gary Lockwood, Nancy Kwan, Vic Silayan, Vic Diaz, Galen Thompson
• Produced by: David Sheldon
• Music by: Robert O. Ragland
• Cinematography: Frank E. Johnson
• Edited by: Terence Anderson, Chuck McClelland

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Transcript

00:00:00You

00:00:30You

00:01:00You

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00:05:06Now what you've just seen is a reenactment of a successful interdiction operation that took place six years ago

00:05:13interdiction and

00:05:15protective reaction

00:05:16Those will be your areas of duty

00:05:19this unit which are also hot to become members of

00:05:23Came about because of the events that occurred in the early 60s

00:05:27it is the only effective means of combating

00:05:30political assassination by the interception and the destruction of the

00:05:34assassin himself. You may have been carefully selected for this program

00:05:41because of a high level performance in the battlefield and your high level

00:05:46performance in physical endurance. But as your training progresses you will

00:05:52gradually reach a point of acceptance where you will begin to surpass

00:05:58everything that you have ever done before. You will reach goals that you

00:06:05never dreamed possible and to accomplish this you will be given vitamins to

00:06:12increase your stamina, chemical injections to expand your mental

00:06:16capabilities, injections to assist you in both physical and mental control. You

00:06:22will be programmed to respond instantaneously to any given stimulus.

00:06:25You will become a reflex but highly directed unit of force. You will be

00:06:36taught how to use everyday objects as weapons, everything from a toenail

00:06:41clipping to a briefcase. Control.

00:06:47Control will be emphasized throughout your training.

00:06:55Control. Control is the key.

00:07:08When you're finished here you will be assigned to safeguard specific

00:07:13individuals and institutions and because of your training here you will be set

00:07:19apart from other security agencies and military establishments. In other words

00:07:25you will operate independently. I am your commanding officer you will refer to me

00:07:31only as Mr. Trevor. Your second in command. You will address him only as Mr.

00:07:39Lassiter.

00:07:53Sir! What's your project? Kill! Again! Kill! What's your priority? War!

00:08:09Dossiers on the new men. Just leave them on the desk. One of them had a couple of

00:08:25tours in the AM. Looks like a top prospect for a VIP bodyguard. Say a

00:08:32reaction to the film was excellent, didn't you? Oh yeah. Yeah I wonder what

00:08:37the new men would feel if they saw what the star of that film looks like today.

00:08:40John the original concept of the project is... I've had the project for six years

00:08:44Frank. I've had enough. Okay now you're the head of it doesn't that mean

00:08:52something? The program has changed can't you see that? The project is different.

00:08:55It's more drugs now, more mind control. Well it's necessary... The whole thing is wrong

00:09:00Frank.

00:09:07Have you had your injections today John?

00:09:17Want some water? Nope.

00:09:23What about the injections? No I had no injections today. What you're thinking is

00:09:32dangerous. What are you talking about? The drugs or the project? Both. With the

00:09:39straw it's got to be gradual. You need to be deprogrammed. If you're not

00:09:43deprogrammed you'll be minister society to yourself and you know that.

00:09:46Deprogramming takes months. Nobody gets out of here. Not you. Especially not you.

00:09:55I've been training robots here for six years for defensive purposes that's what

00:10:00I've been told that's what I tell them. Now two weeks ago got three teams of

00:10:06graduate trainees sent on missions abroad. You know I've sensed this for for

00:10:11two years now I think it's true. We're being used for offensive missions. It's

00:10:19necessary John. Oh don't give me that crap. I wasn't born yesterday didn't get here in a

00:10:26mule neither did you. We're being trained as hitmen. We can be used as political

00:10:31corporate and commercial weapons and you know damn well that's exactly what's

00:10:35happening. So what the hell are you gonna do about it? What can I do? I know what I

00:10:38can do. I can hold a press conference. Blow the whistle in this Pandora's box.

00:10:41I put the whole damn thing down the toilet where it belongs. You can't do

00:10:45that and you won't do that. Frank I'm going out.

00:10:56Lassiter 7-1-2. Yeah. Get me a medical survey team over here. As soon as possible yes.

00:11:14I'm sorry Frank.

00:11:26Please step out of the car. I'll be wrong. I'll have to see your identification.

00:14:26Go away.

00:14:56You should never go into action without a recon in the area friend. Our old friend

00:15:13Hook ambushed me.

00:15:22You son of a bitch. One of these years when you've managed to drag your ass to

00:15:29Manila without any advanced planning I'm gonna put another hole in it for you.

00:15:33Whether I know who you are or not. I had to see an old friend Carl. You alright Hook?

00:15:39Never mind about that you two. Let's have a drink. Hook break open the good

00:15:45booze will you? As for you, you SOB, you got about two minutes before the bourbon

00:15:52hits the glass and I want a complete rundown of your activities for the last

00:15:56four years. Now let's make it.

00:16:00Underwater detonations were always more dangerous. The VC put two shells into my

00:16:10destroyer I know. You were always meant for sea command Carl. It's my fault I should

00:16:16never enlisted you on that project. Hit him again he's getting behind it. The

00:16:21project. I should have quit that after that training film we made. What the hell

00:16:26ever happened to that anyway? It's around. All that training me and Hook we

00:16:32were the best. Oh we, we drew a rough assignment but I tell you when that

00:16:37ship's magazine went up it was a sight to see. I'll never forgive the project for

00:16:42what it did to you, to you both. And it's happening to us all mentally. You mean

00:16:48they went on with that? After the war all of it? That's not right for you. What do

00:16:55you mean I can't see that? I can see it in your face John. Cut them loose. Let them

00:17:01sink in their own swill. Maybe I've done that. Hey you okay? Yeah no I'm fine, I'm fine.

00:17:16Hook then, why don't you come out here with us? We, we can have a full crew again

00:17:21just the three of us. Huh? Things can't be the way they were Carl. Just remember

00:17:27John, you can't forget the past. I know that, that's a problem, but I got to keep

00:17:35moving. Come on Hook, hit him again he's falling behind.

00:17:40All right a toast. Here's to the sweet willowy ladies on the trang and their silk dresses.

00:18:40TREVOR WAS PART OF THE TOP SECRET PROGRAM.

00:19:08Of the top secret program in the United States. There are many other

00:19:14companies that are willing to pay any price for what he does. We will comb the

00:19:22entire island of Luzon if we have to. But I want him alive. Yes sir, you will find the man sir.

00:19:32Yes sir, yes sir.

00:20:02Do you sleep? Well we were damn good sailors once Hook, all kinds of weather. You think I need that?

00:20:20Well I figured we got $300,000 in the kitty right? I'm gonna take half you keep half.

00:20:32When's the last time you took him to the doctor? Two what weeks? When you wrote to me.

00:20:38Said that there was a chance that the deterioration could be arrested. They still feel that way?

00:20:49All right when I get to wherever I, wherever I'm going, I'll refill the kitty. You tell him I won't

00:20:58be back for a while so some kind of military insurance or change in the law or something.

00:21:04Wish you could buy back his legs and give him a day on a bridge of a destroyer.

00:21:12Keep going a bit. I know where my buddy is.

00:21:17And the harpies of the shore shall pluck the eagle of the sea.

00:21:47The harpies of the shore shall pluck the eagle of the sea.

00:22:17Got time for coffee? Didn't mean to upset you.

00:22:29You don't sleep very late do you? I'm enough for that when I'm old and infirm.

00:22:38I poured one for you. You know you're about as sneaky as an elephant.

00:22:43Thank you. I'll remember that the next time I'm in a tight spot.

00:22:47You'd better remember it before then if you want to get your butt out of that tight spot.

00:22:52I'm going to take the old car. Get out to the countryside.

00:22:57Just avoid crowds and check this morning. Things are going around.

00:23:03I need a boat Carl. Give me a couple of days then call that number.

00:23:10His name's Catullus. When's the last time you saw me? Maryland in 1970.

00:23:14What do I look like? Like hell.

00:23:17What do you do when you see me again? Lay on your butt for the 20 bucks you still owe me.

00:23:22If anybody comes by, I wasn't here.

00:23:26Friends? Who's got friends Carl?

00:24:11Okay. There's your man.

00:24:17Mr. Lassiter, I'm Lynn Walker. I'm the U.S. Consulate Liaison Officer.

00:24:23Is there any cover story for the press on this situation?

00:24:26No, there's not going to be.

00:24:28Well, we'll have to tell them something.

00:24:31Well that's fine. You'll be good at telling.

00:24:34You see, Mr. Trevor's a very dangerous man.

00:24:37I think it's best we keep it from the local press.

00:24:40Well, I have my job to do too, Mr. Lassiter, and I intend to do it.

00:24:48Mr. Lassiter? I'm Inspector Cruz.

00:24:54Yours please.

00:24:57Thank you.

00:25:03This is my associate, Inspector Ortiz.

00:25:06How do you do, Inspector?

00:25:08Please follow us.

00:25:19You see, Inspector, we thought he might be here in Manila.

00:25:23There's a few people known by name, so...

00:25:26we suggest you begin by screening the American community discreetly, of course.

00:25:32You've spent some time in Hong Kong.

00:25:34You must know there are others interested in Mr. Trevor's whereabouts.

00:25:40Mr. Ortiz?

00:25:42A private plane just arrived at the Manila International,

00:25:45carrying several undesirable passengers by an indirect route

00:25:49through Zamboanga del Norte on Mindanao from Hong Kong.

00:25:52You know them?

00:25:53Mm-hmm.

00:25:54A man called Aldo Lee, an international trader.

00:25:59And what?

00:26:00Anything of value?

00:26:01Of course. They are under observation.

00:26:04But, uh...

00:26:05But what?

00:26:06We were ordered to stand off.

00:26:12Mr. Lassiter, would you know why?

00:26:17How should I know?

00:26:20Of course, how should you know?

00:26:24Obviously, there's something of great value involved

00:26:27to bring Awok himself here.

00:26:29Yeah, plates.

00:26:31Plates.

00:26:32Such things could be handled through intermediaries,

00:26:36and usually are.

00:26:37Uh, Inspector, I have no other information I can give you.

00:26:42I see.

00:26:44Well then, perhaps before you retire to your hotel,

00:26:48you might ease my apprehension in another area.

00:26:52Sure, if I can.

00:26:54What was Trevor's motive for all this?

00:26:59Okay.

00:27:02It's an illness.

00:27:06About three weeks ago,

00:27:07he went through his annual physical at Walter Reed.

00:27:11It's a malignancy.

00:27:12It's terminal, and it's not normal.

00:27:15You see, Inspector,

00:27:16he's a man who worked for government agencies all of his life.

00:27:19He lived in a sterile apartment with sterile people around.

00:27:23He wasn't paid well?

00:27:24Oh, yeah, quite well.

00:27:25But let's say not well enough to cover a lifetime of experiences he never had.

00:27:30A man like that wants the best, and it takes money.

00:27:33The plates are worth millions.

00:27:36And, uh, with them, he can buy himself a new life,

00:27:39regardless of how short it might be.

00:27:41At least that's how we look at it, Inspector Cruz.

00:27:46I see.

00:27:53Patrolman Larza, please report to Inspector Cruz.

00:27:57Patrolman Larza, please report to Inspector Cruz.

00:28:00Ortiz, when you get back, talk to Cruz.

00:28:03Maybe you can get Miss Walker back to her desk at the embassy.

00:28:12Thank you.

00:28:20The big one is licensed.

00:28:41The big one is licensed.

00:28:43The big one is licensed.

00:29:07Why so quiet?

00:29:08I thought you were an accomplished conversationalist.

00:29:12They told me about the man you killed in the garage.

00:29:15It was an accident, Miss Walker, just an accident.

00:29:18That accident was on foreign soil.

00:29:21It may not concern you, but I'm the one that has to make the explanations.

00:29:26Well, you're the picture of efficiency.

00:29:28It shouldn't be too difficult for you.

00:29:34Hey, look, as long as we're stuck with one another,

00:29:36let's try to get along, okay?

00:29:40The man you're after is a man like you, isn't he?

00:29:44He's not like me.

00:29:46He's a lot better at his job than I am.

00:29:49He's a lot better at his job than I am.

00:30:09Paging Pop to Kelly.

00:30:11Telephone call for Mr. Pop to Kelly.

00:30:15Excuse me.

00:30:17I have a reservation.

00:30:19Mr. Rastak, we expected you last night.

00:30:22Would you mind registering, sir?

00:30:32Oh, by the way, a friend of yours is waiting at the bar.

00:30:36A friend of mine?

00:30:37Yes, sir, that's what he said.

00:30:40Did he tell anyone I was coming?

00:30:42No.

00:30:44Um, where's his phone of yours?

00:30:47Straight ahead, sir.

00:30:49Thank you.

00:31:08Can I help you, sir?

00:31:14Yes, I was wondering if you could get me a room next to Mr. Lasseter's.

00:31:19We are going to be conducting some business here,

00:31:21and we need to compare frequently.

00:31:44See anyone you know?

00:31:46No.

00:31:47Mr. Lasseter.

00:31:58Well, Mr. Lasseter, that's been a long time.

00:32:01How have you been?

00:32:03Do I know you?

00:32:05In no way.

00:32:06You and your friend tried to wreck our car in the garage this morning.

00:32:09Oh, yeah.

00:32:11Excuse me a minute, boys.

00:32:14Miss Walker,

00:32:16go look at the fish.

00:32:18The pretty fish.

00:32:23Anyway, Poncho, you said something about the garage?

00:32:26I just want you to know

00:32:28that we don't hold any grudges.

00:32:32My dear.

00:32:35My dear.

00:32:40Good joke.

00:32:44See you, boys.

00:32:45Hey, wait a minute.

00:32:46Don't rush off.

00:32:48You and your lady friend,

00:32:51have a drink with us.

00:32:55Okay.

00:32:56Okay.

00:33:04Okay.

00:33:35Me and my associates are in Manila.

00:33:39Anything you need,

00:33:41no matter where,

00:33:43we'll see you get it, right from on.

00:33:47Careful, Mr. Lasseter.

00:33:49Don't have any more accidents.

00:33:55I'm sorry, Mr. Lasseter.

00:33:57I'm sorry, Mr. Lasseter.

00:33:59I'm sorry, Mr. Lasseter.

00:34:01What?

00:34:21Another pretty fish.

00:35:01Lassiter here.

00:35:16Yeah.

00:35:19Ready.

00:35:22Go ahead.

00:35:25Okay.

00:35:29Okay.

00:35:33I have it, sir.

00:35:36Is this the only contact here?

00:35:40You what?

00:35:42No, I know that, sir.

00:35:43Yeah, I know he's dangerous.

00:35:46Right away, sir.

00:36:27Control.

00:36:38Control is the key.

00:36:39Control.

00:36:40Control.

00:36:41Control.

00:36:44I already won.

00:36:46I already won.

00:36:48Jim.

00:36:51Control.

00:36:54Control.

00:36:55Are you all right?

00:36:57What?

00:36:59Are you all right?

00:37:01I saw you from over there.

00:37:06No, I'm fine.

00:37:09I'm just fine.

00:37:10Thank you.

00:37:22Mr. Leonard.

00:37:27What...

00:37:30What's your name?

00:37:33Where do you come from?

00:37:35My name's Lee Sue.

00:37:38From the lodge.

00:37:45Lee Sue.

00:37:51Stay with me.

00:37:56All right.

00:37:59Walk with me.

00:38:12What's your name?

00:38:13Ryder.

00:38:14Bill Ryder.

00:38:16Mr. Ryder.

00:38:19Are you staying here at the lodge?

00:38:21Uh-huh.

00:38:23Have you been here long?

00:38:24Two days.

00:38:25I just came in myself.

00:38:28I'm glad you're here.

00:38:29I hope that we'll see each other again.

00:38:34I hope so, too.

00:38:50The lonely world is a lonely place

00:38:55Where a lonely time is shared by all

00:39:01Summer, winter, springtime, and fall

00:39:10It never rains, but it always pours

00:39:15And the lonely streets are filled with tears

00:39:19From crying eyes that wasted the years

00:39:30Good evening, sir.

00:39:31Table for one, sir?

00:39:36No, thank you.

00:39:39I see somebody I know.

00:39:52Hello.

00:39:55Hello.

00:39:56May I join you?

00:39:58Please.

00:40:05Have you ordered?

00:40:07No.

00:40:08I was hoping someone might join me.

00:40:15Mr. Ryder?

00:40:19Are you all right?

00:40:20Oh, yeah, I'm fine.

00:40:22Just too much nightlife, I guess.

00:40:26Well, cheers.

00:40:31Cheers.

00:40:37So come away and don't follow me

00:40:41Let time swallow me as time will do

00:40:46In my lonely world

00:40:49There's no place for you

00:41:20It's today the day Hook found his mothership, did they?

00:41:26How many?

00:41:28And it's not the law.

00:41:34Have a drink, Mr. Hook.

00:41:37Prepare to do battle.

00:41:49Answer to a prayer.

00:41:55Open up the door, Mr. Wagner.

00:41:58We know you're in there.

00:41:59We don't intend to break in.

00:42:01If you cooperate, there will be no trouble.

00:42:03You have nothing to be afraid of, Mr. Wagner.

00:42:06Open up the door.

00:42:09No!

00:42:10No!

00:42:11No!

00:42:12No!

00:42:13No!

00:42:14No!

00:42:15No!

00:42:16No!

00:42:17No!

00:42:18No!

00:42:19No!

00:42:20No!

00:42:21No!

00:42:22No!

00:42:23No!

00:42:24No!

00:42:25No!

00:42:26No!

00:42:27No!

00:42:28No!

00:42:29No!

00:42:30No!

00:42:31No!

00:42:32No!

00:42:33No!

00:42:34No!

00:42:35No!

00:42:36No!

00:42:37No!

00:42:38No!

00:42:39No!

00:42:40No!

00:42:41No!

00:42:42No!

00:42:43No!

00:42:44No!

00:42:45No!

00:42:46No!

00:42:47No!

00:42:48No!

00:42:49No!

00:42:50No!

00:42:51No!

00:42:52No!

00:42:53No!

00:42:54No!

00:42:55No!

00:42:56No!

00:42:57No!

00:42:58No!

00:42:59No!

00:43:00No!

00:43:01No!

00:43:02No!

00:43:03No!

00:43:04No!

00:43:05No!

00:43:06No!

00:43:07No!

00:43:08Mr. Wagner, let me commend you.

00:43:12A formidable bit of resistance.

00:43:18But now that this is all over, I want you to tell me where your friend Trevor is.

00:43:26I'm going to kill him.

00:43:28Mr. Wagner, I do not want you to endure more pain.

00:43:35Trevor has something I am interested in, and for which I have a customer.

00:43:43You cannot win out, Mr. Wagner.

00:43:47This pain will pierce your mask of thought.

00:43:53When I get out of here, I will get what I want from you.

00:44:00Foolish, Mr. Wagner.

00:44:02Foolish.

00:44:32Thank you.

00:44:56That's a beautiful plant, sir.

00:44:58Beautiful.

00:44:59No, it's a... it's a word I haven't used in a long time.

00:45:06Why?

00:45:07Because I'm just proud of it, for one certain thing.

00:45:18You're a strange man, Mr. Knightley.

00:45:25I think I might.

00:45:30Show you what?

00:45:55May I see your I.D., please?

00:46:20That's the way it is. I need the money.

00:46:27Mr. Masseter, strange meeting you here.

00:46:32Coincidence, no doubt.

00:46:34What happened?

00:46:36A battle, obviously.

00:46:39If you miss Walker, this is a bit much for your stomach.

00:46:42You can wait in the car.

00:46:47Okay, Cruz, how'd you find out about...

00:46:49Routine investigation.

00:46:51The dossier on Trevor was most interesting.

00:46:55It revealed a naval history.

00:46:58We cross-checked it with a list of Americans who live here in Manila,

00:47:01and we came up with one man who served with him,

00:47:04Carl Wagner,

00:47:06a winner of the Navy Cross for Gallantry in Action.

00:47:10Gallantry, still after.

00:47:13You know what the word means?

00:47:18Who can afford gallantry these days, Cruz?

00:47:21You may be right, of course, it is an old word.

00:47:24But not everyone has forgotten it.

00:47:26Where is he?

00:47:28Outside.

00:47:43What are you going to do about this?

00:47:45About Alok and his associates from Hong Kong?

00:47:48At the moment, nothing.

00:47:52How did he find out about Wagner?

00:47:55How did you find out about Wagner?

00:48:14Operator, I've been trying for half an hour.

00:48:17Wagner. Wagner, W-A-G-N-E-R.

00:48:23That's right, that's the number.

00:48:27Disconnected when?

00:48:31All right, fine, thank you.

00:48:43Thank you.

00:49:00Is something wrong?

00:49:02I'm sorry.

00:49:04I didn't mean to wake you.

00:49:06No, there's nothing wrong.

00:49:08Just trying to contact an old friend, but it's okay.

00:49:12Don't you sleep?

00:49:14Old habits, hard to break.

00:49:20You've seen much trouble, haven't you, Mr. Ryder?

00:49:24A little.

00:49:27You have no monopoly on that.

00:49:29On what?

00:49:31Trouble.

00:49:32I know that too, but I'm a little concerned about my own, though.

00:49:36Yes, because you know them best.

00:49:40You want much in life.

00:49:43I mean, of life.

00:49:47Not much.

00:49:49All I know is I don't want what I've had anymore.

00:49:54And I don't know what's up front.

00:49:57I'm not used to that.

00:50:00I feel like a kid, weak inside.

00:50:06And if I cashed out tomorrow,

00:50:09not a single person would ever know I existed.

00:50:13Really, I'd just be another dead soldier.

00:50:16I think that what I want

00:50:19is someone who really cares

00:50:22that I've been alive.

00:50:25Someone I can trust.

00:50:28Someone who would trust me.

00:50:31A woman.

00:50:34It's love you want.

00:50:37Same as I.

00:50:39Oh, who the hell knows what they want,

00:50:42or who the hell knows anything?

00:50:47I am but one,

00:50:49and you want many things.

00:50:52Well, you see how foolish I am.

00:50:57No.

00:50:59Dreaming is not foolish.

00:51:05I will dream with you.

00:51:08And if you also want,

00:51:11I will love you.

00:51:29Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh.

00:51:49That was Trevor. Hurry, let's go.

00:51:59Come on.

00:52:02Come on.

00:52:27Hold on.

00:52:29I think we've got company.

00:52:59Hold on.

00:53:29Let's go.

00:53:51Mr. Kruger asked me to join you this morning.

00:53:54Oh, first things first.

00:53:56A letter from your agency.

00:53:58Priority one, Mr. Kruger.

00:54:00Excuse me.

00:54:01Pardon me, Chief Inspector Cruz.

00:54:03Yes?

00:54:04You have a telephone call on our private phone.

00:54:06Urgent, please.

00:54:07Thank you.

00:54:08Excuse me.

00:54:14Have you been in counselor service long, Miss Walker?

00:54:17Four years.

00:54:18Dedicated?

00:54:19Well, of course.

00:54:22This is a secret priority one message I've read,

00:54:25and I understand it.

00:54:26What should I do with it? What would you do with it?

00:54:29Well, shred it and burn it.

00:54:31I can't do that here.

00:54:34I don't understand what you're getting at.

00:54:36Well, if you're really dedicated, you'd grab it and eat it.

00:54:39Then you wouldn't use a public toilet for two weeks.

00:54:44We just got some information on your friend.

00:54:47What?

00:54:48One moment.

00:54:49Mr. Cruz, go ahead.

00:54:51We have just confirmed the report that Mr. Trevor was in this morning.

00:54:55Accompanied by a Chinese woman along the vicinity of Tahal Lake Lodge.

00:55:00There is also a report on the highway patrol

00:55:02that the same vehicle was involved in a high-speed racing along the lake highway.

00:55:08Where is he?

00:55:09There is no further report, sir,

00:55:11except that the vehicle was not apprehended and has not been sighted since.

00:55:15How far is this lake, Tahal?

00:55:17Just a short trip by rail.

00:55:19Why don't we get out there, like, right away?

00:55:21Everything has been arranged for, Mr. Lassiter.

00:55:24You have 45 minutes, sir.

00:55:26Give me a few minutes.

00:55:27I'll throw a few things in my bag and I'll be right down.

00:55:30She had 45 minutes.

00:55:32If you had taken proper security measures to begin with,

00:55:34that phone conversation never would have happened.

00:55:36Time is getting short.

00:55:38I'm aware of the time limit.

00:55:40Nine days is all we can expect.

00:55:41I know. What?

00:55:42But he's already gone 10 days.

00:55:44He's beyond normal restraints.

00:55:47But, sir, I have another hot tip for you.

00:55:49Somebody took my medication.

00:55:50And your last injection?

00:55:51About 30 hours.

00:55:53I assume it was in your attache case.

00:55:55Did they steal that, too?

00:55:56Yeah.

00:55:57You get Trevor.

00:55:58What happens if I don't get to him in time?

00:56:00What happens if he goes completely off the deep end?

00:56:02If you are still capable of handling the operation quietly with no publicity,

00:56:06we can alleviate the...

00:56:07Personally, sir, I don't give a damn about the publicity.

00:56:09What about the man?

00:56:11What do I do?

00:56:12What do I do?

00:56:14This is a priority one situation with serious international implications.

00:56:17You may have no choice.

00:56:18Bring him back or eliminate him.

00:56:22I just wanted to hear you say it, sir.

00:56:29Miss Walker, who authorizes this trip?

00:56:33I told you before, I can take care of myself.

00:56:36I authorize my own trips, and I go where I feel I have to go.

00:56:41And let me give you a bit of advice, mister.

00:56:44Pull any more of your superiority gimmicks,

00:56:47and this is one Radcliffe girl who can have you deported

00:56:50as an undesirable and nothing flat.

00:56:53Oh, really?

00:56:54That's right.

00:56:55And I mean it.

00:56:56All right.

00:56:57By all means, be my guest, Miss Walker.

00:57:08I'd like to remind you, gentlemen.

00:57:11We have no way of finding out how many, if any,

00:57:14of the Hong Kong faction are still in the Taal vicinity.

00:57:18So this trip is primarily one of investigation.

00:57:23Sergeant, please take your seats.

00:57:25Yeah.

00:57:27Buster, you ready?

00:57:28Not really, Cruz.

00:57:30I can't get used to the heat out here.

00:57:33Something you'll have to bear.

00:57:34Let's go.

00:57:44Let's go.

00:58:15Come on.

00:58:18Watch it!

00:58:27Everybody, get down!

00:58:38Get those things out of here.

00:58:39Damn!

00:58:40Damn!

00:58:46How's our chief?

00:58:48He's not serious.

00:58:51No major organs damaged.

00:58:52He'll be back in less than a couple of weeks.

00:58:54Dr. Antonis,

00:58:55do you want an extension?

00:58:57He reacted very quickly.

00:58:59Could have been worse.

00:59:02Okay, okay.

00:59:03So I'm a terrific person.

00:59:06What about Trevor?

00:59:08Well, since the attempt was made before we left the depot,

00:59:11I assume that the pilot is still in Manila.

00:59:14Which leads me to conclude that Trevor is also here.

00:59:17He'll be located.

00:59:19Hey, wait a minute.

00:59:21Please call an extension for...

00:59:23What if your assumption is wrong?

00:59:25What if he doesn't have the time?

00:59:27And what if he bumps the car in the meantime?

00:59:30There are only so many people on the zone

00:59:32who could or would help him off the island.

00:59:34And we know all of them.

00:59:36We'll find him.

00:59:38And Alok doesn't know those people, too.

00:59:41Look, we're not dealing with a moron.

00:59:43Alok knows his business. He's a pro.

00:59:46Listen,

00:59:47he'll be of greater help to us

00:59:49if you were to cooperate fully

00:59:51and stop withholding information intentionally.

00:59:56Come on, we're back to that one, huh?

00:59:58We never left that, Mr. Lassiter.

01:00:01Look,

01:00:02if I were to accept your government's excuse for wanting Trevor,

01:00:05I'd have to ask many more questions.

01:00:07I don't think that's necessary.

01:00:09If Alok wanted those plates,

01:00:11he'd have bought them.

01:00:13But if what he wants is the man,

01:00:15then that's quite a different thing.

01:00:16What's different?

01:00:19Hmm?

01:00:20Mr. Lassiter, let me tell you.

01:00:22The difference

01:00:23is that if you want to play the killing game,

01:00:26you can go do it somewhere else, not in my country.

01:00:30I think you forget.

01:00:32I am here by accident.

01:00:35Not choice or design.

01:00:37That's precisely my point.

01:00:40Look,

01:00:41the stupidity,

01:00:42the stupidity with which this operation has been handled

01:00:44has been nothing but complicated situations from the start.

01:00:47I agree.

01:00:48Because I'm not directing it.

01:00:49I know.

01:00:50But while you're in the Philippines, I am.

01:00:53And, Mr. Lassiter,

01:00:55you whistle to operate,

01:00:56or you can get the hell out.

01:01:36I wasn't there.

01:01:37I was dealing with him.

01:01:38I spoke to other people.

01:01:48What are you doing for him?

01:01:50He calls me.

01:01:51That is all.

01:01:53That is not all.

01:01:55Tell us.

01:01:56What arrangements did you make with him?

01:01:58None.

01:01:59He's supposed to contact me again.

01:02:01Why?

01:02:02He's supposed to contact me again.

01:02:04What does he want from me?

01:02:09Did he ask for that?

01:02:10No, no.

01:02:11Wagner called.

01:02:12He sent it out.

01:02:14So.

01:02:16You lied about Wagner.

01:02:18Please.

01:02:19Please.

01:02:20I just sell services.

01:02:21That is all.

01:02:22You are going to tell us everything about this.

01:02:26Do you hear me?

01:02:27Everything.

01:02:29Do you understand?

01:02:30No.

01:02:31No, I...

01:02:47Do you have a friend named Wagner?

01:02:49Yes.

01:02:52So do I.

01:02:54What can I do for you?

01:02:57I have a business proposition for you.

01:02:59You might come in and talk about it.

01:03:01Yes.

01:03:02That's exactly what I have in mind.

01:03:14They work for L.R. Lee, an international dealer from Hong Kong.

01:03:17Who is this?

01:03:19My secretary.

01:03:20They killed the poor man.

01:03:22He couldn't tell them what he didn't know.

01:03:26And you?

01:03:29They mentioned Wagner.

01:03:31And the man named Trevor.

01:03:33You?

01:03:35What about Wagner?

01:03:37He's dead.

01:03:39What?

01:03:40He's dead.

01:03:54Can I look at you?

01:03:55Yes.

01:03:57Pour two drinks.

01:03:59Pour them where I can see you.

01:04:20I need a boat.

01:04:22I know.

01:04:23All right.

01:04:25Out of the question.

01:04:26Impossible.

01:04:27It would take at least a week.

01:04:28I'll give you $50,000.

01:04:30Two days.

01:04:32$75,000.

01:04:33Three days.

01:04:34Best I can do.

01:04:36All right.

01:04:37It's a deal.

01:04:42There's $50,000.

01:04:45And I'll call you tomorrow.

01:04:47There'll be two of us.

01:04:48Two?

01:04:49In that case, the price will be...

01:04:50$75,000.

01:04:52Well...

01:04:55Mr. Wagner and I have done much business over the years.

01:04:58Profitable business, I might add.

01:05:00Yeah, I know all about it.

01:05:03Here's to fools.

01:05:06And sailors.

01:05:21Well, uh...

01:05:22Miss Walker, if you don't stop following me, I'm gonna call the police.

01:05:25I'm working with the police.

01:05:26Oh, yeah, I forgot. I'm sorry.

01:05:29You've been drinking.

01:05:32Man, I wish I could.

01:05:35Hey, could I offer you a...

01:05:38We can't be machines all the time, you know.

01:05:42I don't drink on duty.

01:05:43Don't rust your gears.

01:05:45No, thank you.

01:05:48Miss Walker...

01:05:49For someone who's done so much for the country, you deserve a little enjoyment.

01:05:53Well...

01:05:55There is one little bit of enjoyment I will allow myself.

01:05:59Okay.

01:06:08Before I left for the train today,

01:06:10I received a message from my director asking me to call off this thing.

01:06:15You arranged that, didn't you?

01:06:17No, I didn't.

01:06:18No, I didn't.

01:06:19But it's cool.

01:06:20Because you don't belong here and I don't want you here.

01:06:23Oh, man's work. Is that it?

01:06:26Golly, you guessed it.

01:06:28It was all right a few seconds ago when you wanted a few creature comforts.

01:06:32You guessed it again.

01:06:39You are a son of a bitch.

01:06:48Oh, my God.

01:07:18Please.

01:07:42Forgive me.

01:07:46Why?

01:07:48Why, Mitchell?

01:07:50Please.

01:07:52Believe me, I can't help it.

01:07:55I don't understand.

01:07:59I take drugs.

01:08:03I take drugs.

01:08:11What I mean is...

01:08:13That I'm part of a military program.

01:08:17And I train them to kill.

01:08:20I train them and I am one of them.

01:08:23And we use drugs in the program.

01:08:25I've taken myself off the drugs.

01:08:28They're part of my control.

01:08:30Without them, my responses become dangerous.

01:08:34I probably got mad at them.

01:08:37But I need the damn stuff.

01:08:39The program doesn't need it.

01:08:42The devil.

01:08:43I wrote it.

01:08:44Where?

01:08:47Give it to me.

01:08:55Water.

01:08:58Fire.

01:09:14Fire.

01:09:28It's not the same anymore for me.

01:09:33I don't know where it's different.

01:09:37But it is different for me now.

01:09:41And when all of this is out...

01:09:44The pills attack you.

01:09:46Yeah.

01:09:49The pills.

01:09:50That's something different.

01:09:52That's never happened before.

01:09:54Interesting.

01:09:58So...

01:10:02I'm not programmed for love.

01:10:11I'm not programmed for love.

01:10:29Remember what I said.

01:10:32Tell him no more, no less.

01:10:36But get him here.

01:10:40Yes?

01:10:43Yes, it is.

01:10:46I have it all arranged this afternoon.

01:10:52At the old wharf, near the dry dock.

01:10:54And bring the rest of the money.

01:10:59Very well.

01:11:01I'll be waiting for you.

01:11:05Excellent.

01:11:07Excellent.

01:11:08Excellent.

01:11:09Very well done.

01:11:11Now may I...

01:11:22The most interesting analysis.

01:11:27The attache case we found in Mr. Lassiter's room was quite interesting.

01:11:32Malleable, manipulative, mind drugs.

01:11:38And yet in Mr. Lassiter's attache case...

01:11:44Tell me, old friend.

01:11:45Did Trevor appear ill when you saw him?

01:11:48No.

01:11:50Did his hands shake?

01:11:51I don't know.

01:11:52His eyes, how did his eyes look?

01:11:54I don't know.

01:11:55I don't know.

01:11:56You are not very observant.

01:11:58I was so certain you wouldn't have much to tell me.

01:12:02I told you I would pay you for your services, didn't I?

01:12:08No.

01:12:09Wait.

01:12:10I helped you.

01:12:11I did as you asked.

01:12:13We burned some incense for you, dear friend.

01:12:15No.

01:12:16No.

01:12:17You promised me.

01:12:18We had a deal.

01:12:19No, no.

01:12:20Please.

01:12:21Help.

01:12:22Help.

01:12:23Help.

01:12:24Help.

01:12:25Help.

01:12:26Help.

01:12:27Help.

01:12:28Yes, you are being paid.

01:12:31Have no fear.

01:12:33I leave you in very experienced hands.

01:12:37It will be a beautiful thing.

01:12:40He's an artist.

01:12:58Good morning, Mr. Walker.

01:13:00Headache, Mr. Lassiter?

01:13:02Monday.

01:13:28Get out.

01:13:30Kittones, who lives here, specializes in procurements of all kinds.

01:13:35Either he or Trevor left two bodies here yesterday.

01:13:39And...

01:13:40Him.

01:13:58Help!

01:14:10Are you going to tell me where Trevor is?

01:14:13Help!

01:14:15Help!

01:14:16Help!

01:14:18Help!

01:14:20Help!

01:14:21Help!

01:14:23Help!

01:14:24Stop it!

01:14:25Stop it!

01:14:26We can use him!

01:14:35Inspector.

01:14:37I didn't throw one killing punch.

01:14:39Well, it's a good thing you didn't, because he knows a lot.

01:14:42We'll make him talk.

01:14:44He'll talk.

01:14:45I promise you, you can finish him off.

01:14:59Well, Cruz, I hope that dude was telling the truth.

01:15:06How far is it, Kittones?

01:15:08Just a few minutes.

01:15:10Our surface unit should be closing in now.

01:15:12Quietly.

01:15:13No sirens.

01:15:15I'm against this.

01:15:17You know, if we go retching in there like a squad of Marines,

01:15:20Trevor might...

01:15:25Might break.

01:15:27Thank you, Mr. Matthews.

01:15:29It's unfortunate your superiors didn't give you another option.

01:15:32It's unfortunate your superiors didn't give you another option.

01:15:38Frank!

01:15:47I know what you're going to do.

01:15:50You're going to try to take him along, aren't you?

01:15:54The only thing I can do.

01:15:56But what if he doesn't listen to you?

01:15:59What if he resists?

01:16:02What if he doesn't listen to you?

01:16:32What if he doesn't listen to you?

01:17:03All right.

01:17:04No matter what happens, you stay here in the car.

01:17:07Now, it's going to be all right.

01:17:09But don't you move until I get back to her.

01:17:16Mr. Adams?

01:17:20Will you kiss me?

01:17:32Will you kiss me?

01:18:02Will you kiss me?

01:18:32Will you kiss me?

01:19:02Will you kiss me?

01:19:25Mr. Trevor!

01:19:27We are about to meet at last!

01:19:30There is no need to hide from me.

01:19:34You are completely surrounded.

01:19:36Cut off!

01:19:39And we have the girl!

01:19:48Who are you?

01:19:49That doesn't matter, does it?

01:19:52You have something I want.

01:19:55And I have something you want.

01:19:57All right.

01:20:01What do you want?

01:20:02Come out!

01:20:04Without your weapon!

01:20:06And I'll come out without mine!

01:20:10We can settle this with no further trouble!

01:20:21Come, Mr. Trevor!

01:20:27Come on!

01:20:48Here is Mr. Lassiter's after she dies!

01:20:52Relief for you!

01:20:54Frank Lassiter is here?

01:20:57Come closer! I do not want to shout!

01:21:01This is what you get.

01:21:03Now what?

01:21:05Very well!

01:21:07Project Kill is what I want!

01:21:10I want to know everything about it!

01:21:14I will trade you the girl's life!

01:21:17That and a considerable sum of money!

01:21:21In any currency you name!

01:21:24Where is my boat?

01:21:25Your contact had an accident!

01:21:28You can have this boat!

01:21:30If you agree to my request!

01:21:33The girl will be returned to you!

01:21:35You have my word!

01:21:38Who are you?

01:21:41Just a businessman!

01:21:43Let the girl go now!

01:21:47I can not do that, Mr. Trevor!

01:21:49I have invested a large sum in you!

01:21:54If I want to do one more!

01:21:57To get what I want, I will!

01:21:59You've been following me for a long time, haven't you?

01:22:03Do not use the word following!

01:22:06Investigate is a better word!

01:22:10It started with Mr. Gwanter and...

01:22:23Mr. Trevor!

01:22:54I want to get to work!

01:22:56Everything is a waste!

01:22:58For the first five minutes!

01:23:01Keep your fire on fire!

01:23:03Tell the chopper to stop the boat at the end of the wire!

01:23:07Yes, sir!

01:23:09It's your show!

01:23:23I did not do anything!

01:23:24I left the bag there!

01:23:26I left the bag there!

01:23:27Mr. Trevor, please!

01:23:28Please!

01:23:29I'm begging you for the last time!

01:23:31Please!

01:23:32I beg you!

01:23:33I beg you, Mr. Trevor!

01:23:35Mr. Trevor, please!

01:23:36Please, Mr. Trevor!

01:23:37Please, Mr. Trevor!

01:23:52This is for an old friend!

01:23:56And this is for Sarah!

01:24:07Please, Mr. Trevor!

01:24:37No!

01:24:58John, you have to come back with me!

01:25:01I'm not going back, Frank!

01:25:04I'll have to take you!

01:25:08I'm going around you!

01:25:11If you think you can take me, go ahead and try!

01:25:15Otherwise, step aside!

01:25:37Frank!

01:26:08No!

01:26:16You know what I have to do.

01:26:18You taught me.

01:26:20Priority one and all that.

01:26:23But that's your problem, isn't it, Frank?

01:26:37John!

01:26:52John!

01:27:07John!

01:27:38Frank!

01:28:02What's wrong, Frank?

01:28:04Come back, John.

01:28:06What's the matter?

01:28:12I need some help.

01:28:35Frank!

01:29:05Now they're going to come after you.

01:29:35Frank!

01:30:05Your briefcase, Mr. Lassiter.

01:30:36Frank!

01:30:42Now they're going to come after you.

01:31:05Frank!

01:31:35Frank!

01:32:05Frank!

01:32:36Frank!

01:32:37Frank!

01:32:38Frank!

01:32:39Frank!

01:32:40Frank!

01:32:41Frank!

01:32:42Frank!

01:32:43Frank!

01:32:44Frank!

01:32:45Frank!

01:32:46Frank!

01:32:47Frank!

01:32:48Frank!

01:32:49Frank!

01:32:50Frank!

01:32:51Frank!

01:32:52Frank!

01:32:53Frank!

01:32:54Frank!

01:32:55Frank!

01:32:56Frank!

01:32:57Frank!

01:32:58Frank!

01:32:59Frank!

01:33:00Frank!

01:33:01Frank!

01:33:02Frank!

01:33:03Frank!

01:33:04Frank!

01:33:05Frank!

01:33:06Frank!

01:33:07Frank!

01:33:08Frank!

01:33:09Frank!

01:33:10Frank!

01:33:11Frank!

01:33:12Frank!

01:33:13Frank!

01:33:14Frank!

01:33:15Frank!

01:33:16Frank!

01:33:17Frank!

01:33:18Frank!

01:33:19Frank!

01:33:20Frank!

01:33:21Frank!

01:33:22Frank!

01:33:23Frank!

01:33:24Frank!

01:33:25Frank!

01:33:26Frank!

01:33:27Frank!

01:33:28Frank!

01:33:29Frank!

01:33:30Frank!

01:33:31Frank!

01:33:32Frank!

01:33:33Frank!

01:33:34Frank!

01:33:35Frank!

01:33:36Frank!

01:33:37Frank!

01:33:38Frank!

01:33:39Frank!

01:33:40Frank!

01:33:41Frank!

01:33:42Frank!

01:33:43Frank!

01:33:44Frank!

01:33:45Frank!

01:33:46Frank!

01:33:47Frank!

01:33:48Frank!

01:33:49Frank!

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Project Kill | Full Movie | William Girdler | Leslie Nielsen, Gary Lockwood, Nancy Kwan

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