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Transcript
00:00We're not supposed to worry about personal problems, are we?
00:15That's right. We need to worry about this amazing lasagna and our beauties.
00:20You see, you're right. Thank you, guys, for the invitation. It's really nice of you.
00:25We haven't gathered since we came back from Milan, so we had to.
00:29I agree, it's nice, but we need to get back to Milan as soon as possible.
00:33What's the rush? He said it's nice, we'll wait for him to say it all.
00:38I'm just saying we need to get back as soon as possible.
00:41I'm just saying you need to stop worrying.
00:43I can't stop worrying.
00:45How can you think he doesn't worry? He wouldn't be Alex if he didn't worry.
00:48He needs to worry.
00:49Okay, cut it out. If this situation cools down, we're out of contracts.
00:53If this lasagna cools down, I'm going to be a rock.
00:56You've become a robot again.
00:58I'm not a robot, I'm a professional.
00:59You've become a professional robot.
01:01I'm telling you, you're a professional robot, sir.
01:03Stop worrying, man, let us eat.
01:05I'll stop worrying when we go to Milan.
01:08What's wrong with this man?
01:10What did he tell you? He told you he would do everything in his power.
01:13And that you have a little trust in him.
01:15I have more trust in us.
01:17Okay, I have trust in this wine that we cooled down for tonight.
01:21And I think that's the only trust we need to talk about.
01:24I have...
01:25Someone has to open the wine.
01:26I'm going to open it. I also have a lot of trust in this wine.
01:29And you have to calm down.
01:32Where is it?
01:33Here.
01:35This is the wine of God.
01:43What happened?
01:45Nothing in particular, but something is.
01:48What kind of answer is that to God?
01:50Either something happened, or it didn't happen.
01:53I don't know.
01:54You don't know either?
01:55Who would know if you don't know?
01:58You know what?
01:59Now I'm going to call Trivanović, and he's going to explain to me what happened.
02:03Don't call him.
02:06Okay, I won't call him.
02:09And then you're going to have to explain to me what happened.
02:13It was Gala.
02:15Who?
02:16Gala, that's her.
02:18Wait a minute, wait a minute. Gala?
02:20Is that the blonde with the moustache?
02:22She.
02:23What do you have to do with her?
02:25She has something with me.
02:27Because she's circling around me like a boy.
02:29Come on, please.
02:31There's nothing like that, believe me.
02:34There's nothing like that.
02:36Yes, there is.
02:37I feel like there is.
02:39Okay, I'm telling you that there isn't.
02:41And you feel something like that.
02:43Yes, because it's a woman's intuition.
02:45I know I'd turn him over right away.
02:47Come on, please.
02:49She's going to give it all.
02:51I know what he's like.
02:53He's not bad.
02:54Congratulations.
02:57Did you talk to him about Gala?
03:00Yes.
03:01And what did he say?
03:03He's not crazy to say he likes her.
03:06And you know what?
03:07I'm not crazy.
03:09I see that he really likes her.
03:11Ljubinka.
03:12He has nothing to say.
03:14Because he has nothing with her.
03:16She was with him in Kosmaj and in Belgrade.
03:19He broke the door while running to see you.
03:22Dad, you don't understand.
03:25I don't understand?
03:26No.
03:27Okay, I don't understand.
03:29I'm not a man.
03:31I don't know how men think.
03:34I'll see with him anyway.
03:36We'll sit face to face and talk nicely.
03:39Come on, don't worry.
03:41Don't worry.
03:42Everything will be fine.
03:50Let's go.
03:51To a new life.
03:53Cheers.
03:56It would be great if we could push this new life to the end.
03:59Okay, we can't force it.
04:01I feel like we're wasting time here while fate is turning its back on us.
04:06Alex, you're doing the best you can.
04:09We just need to wait for the house to be renovated and the news.
04:13Ljubinka is right.
04:15If we call them, we lose the negotiating position.
04:17Yes, and we look like poor people who will come to work later.
04:20We don't need that.
04:21But we want to work with them.
04:23That's our only chance.
04:24They don't know that.
04:25They shouldn't know.
04:27I don't know.
04:28I just don't feel at ease.
04:30You're even worse, man.
04:32I have to work.
04:33Let's have a snack.
04:35Yes.
04:36Come on, I'm telling you nicely.
04:37Relax a little.
04:39Okay, come on.
04:40You fought against me like this.
04:42Pour me another glass, please.
04:44Here you go.
04:45Here you go, I'm sorry.
04:46That's it.
04:47I think I can do it.
04:49Enough, enough.
04:51Go and have fun.
04:52A little more.
04:53A little more?
04:54Come on.
05:10It's not a problem.
05:11Then?
05:15What?
05:16I mean, I don't know what the point is to talk about Jovan.
05:20I'm generally interested in your attitude towards cheating.
05:23What do you think my attitude is?
05:25No, I'm asking you.
05:29I don't support cheating.
05:31I mean, sometimes I do.
05:33Why is that so important?
05:35It's important to me.
05:36I'm interested.
05:37I allow it.
05:38I don't know.
05:40I don't know what to tell you.
05:42Things aren't usually black and white.
05:44What exactly does that mean?
05:47I thought we were going to talk in general.
05:51Well, not exactly.
05:54I think the past should be left aside.
05:59I'm not questioning you.
06:00You're free to do so.
06:01No problem.
06:02That's not the point.
06:03Why is it such a problem to simply answer if you've cheated or not?
06:08What's the biggest problem?
06:10The fact that you women don't know what you're doing.
06:13We're women.
06:15What does that mean to you?
06:18You always get what you want from men.
06:21I'm sorry?
06:23That's the truth.
06:26You know what?
06:28I'm going to bed.
06:43I'm going to bed.
06:48You're a bit drunk.
06:50We've had a bottle of wine.
06:52That's enough.
06:53When you drank three bottles, that wasn't enough.
06:55No, no.
06:56I haven't had anything for a month.
06:58Okay, okay.
06:59I don't know what to do.
07:00What can I do?
07:01It's the first time with Lula.
07:03It's not right to get lost.
07:05Lula's been smoking for six months.
07:07Lula, what are you doing?
07:08I'm not going to sleep.
07:09Thank you all.
07:10Thank you all.
07:11It was wonderful.
07:13See you.
07:14See you.
07:18Bye.
07:19Bye.
07:20See you.
07:27I'm glad we got together.
07:31It was great.
07:35What's wrong?
07:37Nothing.
07:40What's wrong?
07:42I don't know.
07:43It's just...
07:44It's unreal.
07:45Unreal?
07:46That I'm cleaning the dishes?
07:48No, it's super real and super natural.
07:50That's natural and real.
07:51What's unreal and unnatural to you?
07:53Well...
07:55No, I mean...
07:56Tell me.
07:57We...
07:58We?
07:59We?
08:00You never thought we'd be cleaning the dishes?
08:03No, we're together again.
08:05Yeah.
08:06It's going to be real.
08:08It's going to be real.
08:09Yeah, it's going to be super real.
08:10Super real.
08:12Super.
08:37Vanya?
08:38Hmm?
08:40I need your help.
08:41Uh-huh.
08:42Tell me.
08:43The invoice for Radula Design has been issued,
08:45so I need you to find me the phone number.
08:47Yes, of course, of course.
08:49I'd also like to ask you not to tell anyone about this.
08:52Oh God, Jovana, you don't have to emphasize it anymore.
08:56Yes, yes, I know.
08:57That's why I'm telling you.
08:59Here.
09:00Here's the copy and here's the number.
09:02Uh-huh.
09:03Yes.
09:04I'd also like to ask you something.
09:06Can you leave the office for a bit?
09:10Uh-huh.
09:11Yes, yes, yes.
09:12Yes, I can.
09:23Hello, good afternoon.
09:24Is this Radula Design?
09:26Yes.
09:27Who is this?
09:28This is the market inspection.
09:30Yes, go ahead.
09:32You have 15 minutes to sign up for the Cannes Capital business club.
09:36What is it about?
09:38We'll talk in person.
09:40I don't know if I can make it.
09:42Okay, then I'll send you the application.
09:45What application? No, I'm on my way.
09:47Of course.
10:03Mido, talk to me.
10:05How are the Maldives?
10:07It's okay.
10:08It's nothing.
10:09Pancetta, everything is under control.
10:11And you?
10:12How are you?
10:13I'm fine.
10:14But the people around me don't seem to be okay.
10:17Nothing is good about it.
10:19Come on, talk.
10:20Let me think for a bit.
10:22It's better to listen to someone else's trouble than your own.
10:26Mujtuluk, Pancetta.
10:29My beautiful daughter-in-law.
10:31She found someone she adores.
10:33Not someone, but Miki Tambur,
10:35and now she's going to punish him.
10:38You're really lucky.
10:40A thief and a criminal.
10:42You probably didn't get scared because of that.
10:45I don't care what they tell you.
10:47I'm a big man, Pancetta.
10:49Don't worry, please.
10:51Everything will be fine in the end.
10:53It will, it will, Pancetta.
10:55Just come back to us.
10:57Let me ask you.
10:58How are you?
10:59How is it going with Tic?
11:01It's a disaster for you, Mido.
11:03Disaster.
11:04What a shame.
11:06Such a woman.
11:08Just like you.
11:11I don't know what to say.
11:13It's not clear to me either.
11:15Pancetta, we look like orphans to our marital friends.
11:23Pancetta, we'll see each other.
11:25We'll see each other, come on.
11:29How was work?
11:41Radula?
11:43Yes, it's me.
11:45Are you the inspector?
11:47I am.
11:49Is there a problem?
11:51Do you really think I would spend time with you if there wasn't a problem?
12:00I think everything is fine.
12:02My job is clean, trust me.
12:04I don't have to trust you, and I don't trust you.
12:08What is the matter then? Tell me.
12:11I'm interested in an invoice you issued.
12:14Which one?
12:17For Andrija Bošnjak.
12:20Yes, I issued it.
12:22Do you have a receipt for that invoice?
12:25Yes, of course.
12:26Are you sure?
12:27Yes, yes.
12:29So, you sold Andrija Bošnjak your clothes?
12:32Well, you see, I sold him a suit, but I also sewed him one.
12:40Was it a suit or was it clothes?
12:43Both.
12:46Radula, do you think I'm a fool?
12:50Well, it's all regular.
12:52I always work on PS.
12:55Okay.
12:56If you don't want to talk to me, you'll talk to my lawyer.
13:00Sit down, sit down, wait, please.
13:02Sit down.
13:04You're dressed up nicely, Spongebob.
13:07You're posing like a nightclub girl.
13:10Really? Me?
13:12And what do you do for a living, huh?
13:15You want to show off with that Mickey?
13:18Do you know what that looks like?
13:20That's a dick, that's disgusting.
13:22Oh, come on.
13:23What's it called, what you do?
13:25What do I do for a living, Spongebob?
13:27I only do Spongebob for my job.
13:29I don't have a job.
13:31I don't have a job.
13:33It's none of your business.
13:35It's my business.
13:36You talk to each other like two dicks.
13:39Spongebob, when you mention that dick, that weirdo,
13:43make me look like a nightclub girl, please.
13:46Wait, wait.
13:47So this is a public space,
13:49and I don't want any fights here, is that clear?
13:53It's the perfect place to talk about people.
13:56Spongebob, give me a nose.
13:58Go away, don't bother us, do you hear me?
14:00Get us a flat in Belgrade, and we're done.
14:03Don't worry, Spongebob,
14:05until I get rid of this dick.
14:07Forget the dick,
14:08get us a flat in Belgrade,
14:10and you'll see how it all works out
14:12while you're at it.
14:13Oh, woman's brain.
14:14Does your chicken brain have the same thing
14:16that you're thinking about,
14:17except how to make me look like a dick, Spongebob?
14:19You'll make me look like a dick with all your energy.
14:22I won't, Spongebob, don't worry.
14:24Even if I drain your energy,
14:26you'll still have the strength
14:28to argue with me.
14:30Oh, Mido,
14:31I'll come to your nightmares.
14:33I'll come to your nightmares
14:34until I get what I asked for.
14:36Are you out of your mind?
14:37I'm not coming to your nightmares.
14:39I'm not coming to your nightmares.
14:41I'll be dead, do you hear me?
14:43I won't even look at you.
14:45I'll fuck you in the eyes.
14:46Is that so?
14:47Yes.
14:48All right,
14:49I'll go where I want to go.
14:51Go where you broke your leg.
14:54Hey.
14:55What hey?
14:58I like this.
15:08So?
15:09I'm listening.
15:10What can I say?
15:11I sold Andrija Bošnjak's clothes.
15:14That's what I thought.
15:18What's the problem?
15:20Well, it wouldn't be a problem
15:22if your company was registered
15:24to sell clothes,
15:25but it wasn't.
15:26It was registered to sell materials.
15:29Well, you see,
15:30that happened only once.
15:32Yes,
15:33I'm sure it happened only once.
15:37Could you check my fingerprints
15:39this time?
15:41I could,
15:42if you don't tell anyone
15:44that we met.
15:46Because if you do,
15:47you'll end up as an accused
15:49of commercial crime
15:50and tax evasion.
15:53Don't worry,
15:54no one will know.
15:55Mr. Bošnjak,
15:56why are you rushing him?
15:58That's my business.
16:01Okay, I'm always a debtor.
16:03Just a moment,
16:04you've already said that.
16:05One moment.
16:08There.
16:09Easy.
16:10What?
16:11To take a selfie?
16:12That's right.
16:13Well...
16:14For the memory and long memory.
16:16There.
16:17You're free.
16:26What's going on with you?
16:28Are you mad at me?
16:30No, I'm not.
16:31Mido told me that you refused
16:33the apartment he found for you.
16:35I have a strong reason.
16:36No, no,
16:37there's no strong enough reason
16:39to refuse an apartment in Belgrade.
16:41I think I don't want to move in
16:43with Trivanović.
16:44And why is that?
16:45I don't know.
16:46I don't know.
16:47I don't know.
16:48I don't know.
16:49I don't know.
16:50I don't know.
16:51I don't know.
16:52I don't know.
16:53I don't know.
16:54Did you have a fight?
16:56A little.
16:57And?
16:58And what?
16:59Nothing.
17:00I just think
17:01I wouldn't be happy with him.
17:03Unbelievable.
17:04How did I raise you?
17:06To be selfish?
17:08What do you mean selfish?
17:10You should think about your mother
17:12and not just yourself.
17:13We need that apartment.
17:15You think you need it?
17:17If I move out with him,
17:18he won't need it either.
17:20Ljubinka,
17:21we worked on this.
17:22Why do you want to travel every day
17:24by bus from Kosmaj
17:26to Belgrade and back?
17:28If you want,
17:29I won't,
17:30but I won't let a kid's fight
17:32between you and Trivanović
17:34ruin everything.
17:35It's not a kid's fight.
17:37Then what is it?
17:39Come on,
17:40tell your mother
17:41to give you some advice.
17:46I don't want to talk about it.
17:49I don't want to either,
17:50so I have to.
18:03Are you sure
18:04you're keeping everything under control?
18:15Tell me,
18:16why are you mad at him?
18:20Okay,
18:21let's find out who's mad at me.
18:23I knew it.
18:25What did you know?
18:26That you don't know
18:27how to choose a man
18:29and that Trivanović
18:30is going to end up
18:31as a loser.
18:32How did you know
18:33when he was so handsome?
18:35Come on,
18:36I don't know
18:37why you were flirting
18:38with that cop.
18:40You shouldn't have
18:41been flirting with him.
18:42He seems so manly and confident.
18:45It's not an experience.
18:46Besides all the handsome guys
18:48in Belgrade,
18:49you were the first
18:50to fall for him.
18:52When I liked him.
18:54Your mother
18:55has to teach you something
18:56about men.
18:57You should never
18:58fall in love with them.
18:59They always disappoint you.
19:02He really disappoints me.
19:04Okay,
19:05don't worry.
19:06Your new girlfriend
19:07is waiting for you.
19:19I recognized you, Rado.
19:41What's up?
19:43I'm afraid I have
19:44a bad feeling about this.
19:47I'm afraid I have
19:48a bad feeling about this.
19:52What do you mean?
19:54Based on everything
19:55I've seen.
19:57I can see that you like
19:59to touch
20:00private things.
20:02I don't like it,
20:03I just have to react
20:04when I see
20:05those private things
20:06all over the cafe.
20:07Yes.
20:08Okay, I got it.
20:09So what?
20:10What?
20:11I know that Panchetta
20:12left you to lead
20:13this place,
20:14but I guess
20:15you have something
20:16to do with Luka too.
20:17Me too.
20:18And Mila.
20:19Okay.
20:20The woman
20:21I had an affair with
20:22is my wife.
20:23I mean,
20:24ex-wife.
20:25I just think that
20:26private things
20:27have to stay private.
20:28It's not right
20:29to solve it here
20:30because of the guests
20:31and everything.
20:32Okay,
20:33you're right about that,
20:34but it's sometimes
20:35hard to control
20:36a pretty girl.
20:37Yes, I know.
20:38It can happen
20:39to everyone.
20:40You didn't do it
20:41on purpose,
20:42did you?
20:43To everyone.
20:44It can happen
20:45to everyone,
20:46but especially to me.
20:47It happens to me
20:48every day.
20:49Really?
20:50I'm going for a walk.
20:51I'll see you later.
20:52Okay.
20:53Go, go.
20:54Go for a walk.
21:07Where did that come from?
21:10It doesn't matter,
21:11but it just happened.
21:13It just happened.
21:15Yes,
21:16but it doesn't matter now.
21:17What matters
21:18is what I found out.
21:20What did you find out?
21:25Everything you doubted
21:26was for a reason.
21:28And what is that?
21:31Radula told me
21:32that Andrija
21:33asked Zoran
21:34to buy a piece
21:35early in the morning.
21:36He didn't have cash,
21:37so he paid with an invoice.
21:39An invoice?
21:41Yes.
21:42Now it's all clear.
21:44What's clear, Jovan?
21:56Don't you think
21:57that this Mido is a bit
21:59picturesque
22:00for these Belgrade conditions?
22:01Picturesque?
22:02Yes.
22:03And lively.
22:05To put it that way,
22:06he's a bit out of place,
22:07you know?
22:10We'll have to keep him
22:11under control
22:12and his family
22:13so that he doesn't destroy
22:14the locals,
22:15even if he doesn't return the money.
22:16I'm on the right track.
22:17I'll tell you that right away.
22:18Yes.
22:19As far as I can see,
22:20they made a bakery
22:21next to the road from Moldova.
22:23Yes,
22:24and you just return it
22:25and keep it that way.
22:27Come on,
22:28Alexey Konstantinov,
22:29what I smell here
22:30is the smell
22:31of pork sausages
22:32without chocolate,
22:33that's nothing.
22:34Okay,
22:35you're right,
22:36I smell a lot.
22:37What do you mean,
22:38you smell a lot?
22:40People are used to
22:41coming home
22:42and smelling cigarettes,
22:44alcohol,
22:45and now this
22:46comes to them for free.
22:47Okay,
22:48I'm not sure
22:49that they'll be satisfied.
22:50They've been here
22:51and they've seen it.
22:52Okay,
22:53Bile,
22:54do you like your job?
22:55Yes,
22:56but I'm a worker,
22:57and no one
22:58asks me anything.
22:59Okay,
23:00well,
23:01find a way
23:02to neutralize
23:03this smell.
23:04It's hard,
23:05Bile,
23:06it's a commercial.
23:07You'll find a solution.
23:08Come on.
23:09I'm at the end of my breath.
23:10Come on.
23:22Oh,
23:23bad news.
23:24The investors
23:25won't sign
23:26the contract.
23:27They won't?
23:28What can I tell you?
23:31Okay,
23:32definitely.
23:33We'll let them know
23:34in a month,
23:35so maybe
23:36we'll have
23:37another chance.
23:38But honestly,
23:39I doubt
23:40they'll sign it.
23:41It's very likely
23:42to be game over.
23:44I know that
23:45from experience.
23:46So, it's over.
23:47It's over, bro.
23:50Is it about Laura again?
23:52Very likely.
23:53You can imagine.
23:55I have a friend
23:56in that fashionable house.
23:58He told me
24:00that he saw
24:01Laura there.
24:02What the fuck
24:03did he tell you?
24:04I don't know what she said,
24:05but she convinced them
24:06not to work with us.
24:09Yeah.
24:10Okay, bro.
24:11Thanks for calling.
24:12You're welcome.
24:13Talk to you later.
24:14Okay, bye.
24:25Hey, bro.
24:26Hey, where are you?
24:27In the cafe.
24:28Okay, I'm on my way.
24:32Okay.
24:46I don't know
24:47what evidence you need.
24:49I don't know.
24:52Andrija found himself
24:53in a dead end.
24:55He had to get out of there.
24:57He went to Radula Design
24:58early in the morning
24:59and took a portion
25:00of the invoice.
25:01What's not clear to you?
25:02Jovana, how do you think
25:03I believe you?
25:04You wanted to destroy me
25:05until yesterday.
25:07You don't have to believe me.
25:09Just think logically
25:10and you'll see
25:11that I'm the only one
25:12who wants what's good for you.
25:13Okay, I'm not
25:14that naive.
25:18Here's the evidence.
25:22See?
25:23I met Radula.
25:27I don't know.
25:29It seems that all women
25:30have the same fate
25:31with Andrija.
25:34It seems so.
25:38I don't know what to tell you.
25:39If you need anything,
25:40I'm here.
25:42I've been through this
25:43many times.
25:47How strange.
25:50You and I sit
25:51and talk about Andrija
25:54who cheated on me.
25:57Yes.
25:58Somehow
25:59misfortune struck.
26:02Yes.
26:05It feels like
26:06I don't know him.
26:07What should I do?
26:08I know.
26:11He was always wonderful,
26:13sensitive.
26:16I felt safe and secure
26:17next to him.
26:20I know everything.
26:22That's why I need
26:23to tell you something else.
26:30Hello?
26:32Hello?
26:34Hello?
26:36Luka?
26:38Where are you?
26:39Hey, Andrija.
26:40I know it's a surprise.
26:42Can I see you tonight?
26:44See me?
26:45You and me?
26:46Yes.
26:47You and me.
26:48Why?
26:50I can't answer the phone.
26:52Okay.
26:54Let's go to the business club
26:55tonight, okay?
26:57Great.
26:58Business club.
27:00See you.
27:07Bobo, come to me, please.
27:20Tell me, Andrija.
27:21Tell me,
27:23did you mention anything
27:25about
27:26what's going on?
27:29Yes, I did.
27:30We almost had a fight
27:31because of you.
27:34Really?
27:36How did that happen?
27:39She decided
27:40to go all the way.
27:42What does that mean?
27:43I don't know.
27:47You better tell me.
27:49I mean, I'll find out anyway.
27:51She called Radula Design.
27:54And?
27:56I don't know.
27:58Did she mention Luka?
28:01Luka?
28:02No, she didn't.
28:06Okay.
28:08Well,
28:09that's it.
28:11You can go.
28:23Here you are.
28:24Where are you?
28:27Where's Mila?
28:29She's at the magazine.
28:31What's she doing?
28:32Is she fishing?
28:33No, she's not.
28:34What's going on?
28:37There's nothing going on.
28:42What do you mean?
28:44Pavlo called me
28:45to tell me
28:47that he'll call me
28:48in a month,
28:49but it doesn't matter.
28:56I'm sorry.
29:02Wait,
29:03is it possible
29:04that you're telling me this now?
29:06Well, I've already told you
29:07that this happened to me
29:08several times,
29:09so I know
29:10that now,
29:11after this,
29:12there's a nice phase.
29:13You know what I need to do?
29:14I need to sit down
29:15and wait for him
29:16to go through
29:17this crazy phase of his.
29:18And if you really
29:19like him,
29:20accept him
29:21the way he is.
29:23Are you saying
29:24that I have a problem?
29:26Yes.
29:37Can I ask you something?
29:38Go ahead.
29:39Are you crazy?
29:40What?
29:41How can you call
29:42Andrija Bošnjak
29:43and not know
29:44if he can help us?
29:45Do you think I can?
29:48What's the problem
29:49when I have to call
29:50Andrija Bošnjak?
29:51There's nothing to lose.
29:52We have to react quickly.
29:53Otherwise,
29:54the whole effect
29:55will be ruined.
29:56It will be like
29:57it never happened to us.
30:12He's going to kill me.
30:18I'm sorry
30:19for bothering you.
30:21Believe me,
30:22I like this guy.
30:26I came to see
30:27how you're doing.
30:40He's a bastard.
30:42Fine,
30:43so what?
30:44I can't believe
30:45he stopped
30:46that thing
30:47with the apartment in Belgrade.
30:48He won't,
30:49he'll get angry.
30:50When will I get angry?
30:52Your husband
30:53is a very stubborn man.
30:54Ex-husband.
30:56Fine,
30:57ex-husband,
30:58that's just temporary.
31:00It's not temporary,
31:01it's permanent.
31:02Ex-husband.
31:16Are you coming out?
31:18Do you have something
31:19to tell me?
31:21No.
31:23About what you called
31:24Radova Design?
31:26Excuse me?
31:27Don't act crazy,
31:28I'm begging you.
31:29I know everything.
31:31You're going around
31:32humiliating people.
31:44I changed my mind.
31:47Why wouldn't I tell you?
31:49Listen.
31:51Mido has
31:54350,000 euros.
32:12I have an idea.
32:13Huh?
32:14I have an idea.
32:15Let's pour some brandy first.
32:16Who do you want to hear it from?
32:18I want to hear it from
32:19my great-grandfather.
32:20Don't talk.
32:23Do you know
32:24who we're going to hire
32:25for your aunt from Australia?
32:42Tell me,
32:45what's the subject
32:46of our conversation?
32:49Laura.