Igra sudbine, Epizoda 1176,Igra sudbine 1176 ,Igra sudbine 1177,Igra sudbine Epizoda 1176, Igra sudbine Epizoda 1177,Epizoda 1176 Igra sudbine ,Epizoda 1177 Igra sudbine
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00:00We're not supposed to worry about personal problems, are we?
00:15That's right. We need to worry about this amazing lasagna and our beauties.
00:20You see, you're right. Thank you, guys, for the invitation. It's really nice of you.
00:25We haven't gathered since we came back from Milan, so we had to.
00:29I agree, it's nice, but we need to get back to Milan as soon as possible.
00:33What's the rush? He said it's nice, we'll wait for him to say it all.
00:38I'm just saying we need to get back as soon as possible.
00:41I'm just saying you need to stop worrying.
00:43I can't stop worrying.
00:45How can you think he doesn't worry? He wouldn't be Alex if he didn't worry.
00:48He needs to worry.
00:49Okay, cut it out. If this situation cools down, we're out of contracts.
00:53If this lasagna cools down, I'm going to be a rock.
00:56You've become a robot again.
00:58I'm not a robot, I'm a professional.
00:59You've become a professional robot.
01:01I'm telling you, you're a professional robot, sir.
01:03Stop worrying, man, let us eat.
01:05I'll stop worrying when we go to Milan.
01:08What's wrong with this man?
01:10What did he tell you? He told you he would do everything in his power.
01:13And that you have a little trust in him.
01:15I have more trust in us.
01:17Okay, I have trust in this wine that we cooled down for tonight.
01:21And I think that's the only trust we need to talk about.
01:24I have...
01:25Someone has to open the wine.
01:26I'm going to open it. I also have a lot of trust in this wine.
01:29And you have to calm down.
01:32Where is it?
01:33Here.
01:35This is the wine of God.
01:43What happened?
01:45Nothing in particular, but something is.
01:48What kind of answer is that to God?
01:50Either something happened, or it didn't happen.
01:53I don't know.
01:54You don't know either?
01:55Who would know if you don't know?
01:58You know what?
01:59Now I'm going to call Trivanović, and he's going to explain to me what happened.
02:03Don't call him.
02:06Okay, I won't call him.
02:09And then you're going to have to explain to me what happened.
02:13It was Gala.
02:15Who?
02:16Gala, that's her.
02:18Wait a minute, wait a minute. Gala?
02:20Is that the blonde with the moustache?
02:22She.
02:23What do you have to do with her?
02:25She has something with me.
02:27Because she's circling around me like a boy.
02:29Come on, please.
02:31There's nothing like that, believe me.
02:34There's nothing like that.
02:36Yes, there is.
02:37I feel like there is.
02:39Okay, I'm telling you that there isn't.
02:41And you feel something like that.
02:43Yes, because it's a woman's intuition.
02:45I know I'd turn him over right away.
02:47Come on, please.
02:49She's going to give it all.
02:51I know what he's like.
02:53He's not bad.
02:54Congratulations.
02:57Did you talk to him about Gala?
03:00Yes.
03:01And what did he say?
03:03He's not crazy to say he likes her.
03:06And you know what?
03:07I'm not crazy.
03:09I see that he really likes her.
03:11Ljubinka.
03:12He has nothing to say.
03:14Because he has nothing with her.
03:16She was with him in Kosmaj and in Belgrade.
03:19He broke the door while running to see you.
03:22Dad, you don't understand.
03:25I don't understand?
03:26No.
03:27Okay, I don't understand.
03:29I'm not a man.
03:31I don't know how men think.
03:34I'll see with him anyway.
03:36We'll sit face to face and talk nicely.
03:39Come on, don't worry.
03:41Don't worry.
03:42Everything will be fine.
03:50Let's go.
03:51To a new life.
03:53Cheers.
03:55Just to push this new life to the end.
03:58That would be great.
03:59Okay, we can't force it.
04:01I feel like we're wasting time here while fate is turning its back on us.
04:06Aleksa, you're doing the best you can.
04:09We just need to wait a little bit and then we can go home and have fun.
04:13Ljubinka is right.
04:14If we call them, we lose our position for the negotiation.
04:18Yes, and we look like some poor people who will come to work later.
04:22We don't need that.
04:23But we want to work with them.
04:24That's our only chance.
04:25They don't know that.
04:26They shouldn't know.
04:28I don't know.
04:29I just don't feel at ease.
04:31You're even worse.
04:33I have to work.
04:34Let's have some fun.
04:36Yes.
04:37Come on, I'm telling you.
04:38Relax a little bit.
04:41Okay, come on.
04:42You fought against me like this.
04:43Pour me another glass, please.
04:45Here you go, I'm sorry.
04:46That's it.
04:47I think I can do it.
04:49Enough, enough, enough.
04:51Let's have some more fun.
04:53Let's have some more fun.
04:54Let's have some more fun.
05:10It's not a problem.
05:11Then?
05:15What?
05:16I mean...
05:17I don't know what the point is to talk about Jovan.
05:20I'm generally interested in your attitude towards treason.
05:23What do you think my attitude is?
05:25I'm asking you.
05:29I don't support treason.
05:31I mean, sometimes I do.
05:33Why is that so important?
05:35It's important to me.
05:36I'm interested.
05:37I allow it.
05:38I don't know.
05:40I don't know what to tell you.
05:42Things aren't usually black and white.
05:44What exactly does that mean?
05:47I thought we were going to talk in general.
05:51Well, not exactly.
05:54I think the past...
05:57...should be left aside.
05:59I'm not questioning you.
06:00You're free to do so.
06:01No problem.
06:02That's not the point.
06:03But why is it such a big problem?
06:05You're just answering me.
06:06Are you a traitor or not?
06:08What's the biggest problem?
06:11The fact that you women don't know what you're doing.
06:13We're women.
06:15What does that mean to you?
06:18You always get what you want from men.
06:21I'm sorry?
06:23That's the truth.
06:26You know what?
06:29I'm going to bed.
06:43A few days later...
06:47You're a bit drunk.
06:49We've had a bottle of wine.
06:51That's enough.
06:52When you drank three bottles, that wasn't enough.
06:54No, no.
06:55I haven't had anything for a month.
06:57Okay, okay.
06:58What are we going to do?
06:59What can we do?
07:00It's the first time with Lule,
07:02so it's not right to get lost.
07:04Lule, how long?
07:05Six months, Dima.
07:06Lule, what are you doing?
07:07Okay, I won't bother you.
07:08Thank you all.
07:10Thank you, guys.
07:11It was wonderful.
07:12Thank you, Dima.
07:13See you.
07:14I'll say goodbye.
07:15See you.
07:17Bye.
07:18Bye.
07:19See you.
07:26I'm glad you all got together.
07:31It was great.
07:34What's wrong?
07:37Nothing.
07:40What do you mean?
07:42I don't know.
07:43It's just...
07:44It's not real.
07:45It's not real that I'm cleaning the dishes?
07:47No, it's super real and super natural.
07:49Oh, that's natural and real.
07:51What's not real and not natural?
07:53Well...
07:55No, but this...
07:56Tell me, what's this?
07:57We...
07:58We?
07:59We?
08:00You could never imagine that we would be cleaning the dishes.
08:02No, but we're together again.
08:05And?
08:06That would be something real.
08:08That would be something real.
08:09Yes, that would be something real.
08:10And dreamy.
08:12Yes.
08:37Vanya.
08:40I need your help.
08:41Yes, tell me.
08:43The invoice for Radula Design has been issued,
08:45so I need you to find me the phone number.
08:47Yes, of course, of course.
08:49I would also like to ask you not to tell anyone about this.
08:52Oh God, Jovana, you don't have to emphasize it anymore.
08:56Yes, yes, I know.
08:57That's why I'm telling you.
08:59Here's the copy, and here's the number.
09:03Yes.
09:04And one more thing.
09:06Can you leave the office for a while?
09:10Aha.
09:11Yes, yes, yes.
09:12Yes, I can.
09:23Hello, good afternoon.
09:24Is this Radula Design?
09:26Yes.
09:27Who is this?
09:28This is the market inspection.
09:30Yes, go ahead.
09:32You have 15 minutes to go to the Cannes Capital business club.
09:36What is this about?
09:38We'll talk in person.
09:40I don't know if I can make it.
09:42Okay, then I'll send you a request.
09:45What request? No, I'm on my way.
09:47Of course.
09:48I'm on my way.
10:07Mido, tell me, how are the Maldives?
10:10It's okay, nothing to worry about.
10:11Everything is under control.
10:14And you, how are you?
10:15I'm good, but the people around me don't seem to be okay.
10:19Nothing is good about it.
10:20Come on, talk and think.
10:23It's better to listen to someone else's trouble than your own.
10:26Mujtuluk, Pancheta.
10:29My beautiful daughter-in-law seems to have found someone she admires.
10:32Not someone, but that Miki Tambur, so now she's going to punish him a little, you know?
10:37You're really lucky.
10:39A thief and a criminal.
10:41You probably didn't get scared because of that.
10:44I don't really care what they tell you.
10:46I'm Pancheta, the big guy.
10:49Don't worry, everything will be fine in the end.
10:53It will be, it will be, Pancheta.
10:54You know what, just come back to us.
10:57I just wanted to ask you, how are you?
10:59How is it going with Tic?
11:01That, Mido, is a disaster.
11:04Disaster.
11:05How embarrassing for such a woman like you.
11:11I don't know what to say, it's not clear to me either.
11:14Well, Pancheta, we look like orphans with our marital friends.
11:23Well, Pancheta, I'll see you in two days.
11:25Come on, let's talk.
11:29What was nice with you?
11:41Radula?
11:42Yes, it's me.
11:44Are you the inspector?
11:46Yes, I am.
11:48Is there a problem?
11:51Do you really think I would spend time with you if there wasn't a problem?
12:00I think everything is fine, my message is clear, trust me.
12:04I don't have anything to trust you with, and I don't trust you.
12:08So, what's the matter? Tell me.
12:11I'm interested in an invoice you issued.
12:14Which one?
12:16For Andrija Bošnjak.
12:20Yes, I issued it.
12:22Do you have a receipt for that invoice?
12:24Of course I do.
12:26Are you sure?
12:27Yes, I am.
12:29So, you sold your work to Andrija Bošnjak?
12:32Well, you see, I sold him my work, but I also sewed it.
12:40Was it your work or was it a dress?
12:43Both.
12:46Radula, do you think I'm a fool?
12:50Well, it's all regular, I always work on PS.
12:55Okay.
12:56If you don't want to talk to me, you'll talk to my lawyer.
13:00Sit down, please, sit down.
13:11I like the way you dress, Pancetti.
13:14You look like a nightclub girl.
13:17Really? Me?
13:19And what do you do, Ljeposan?
13:22You want to hook up with that Miki?
13:25Do you know what that looks like?
13:28Oh, come on. What do you call what you do?
13:31What do I do, Ljeposan? I just do my job, Pancetti.
13:34Oh, that's a tough job.
13:36You're talking to each other like two gouges.
13:39Ljeposan, when you mention that slut, that madman,
13:43don't talk to me like a girl, please.
13:46Wait, wait.
13:47So, this is a public space.
13:49And I don't want any arguments here, is that clear?
13:53A perfect place to talk about people.
13:56Ljeposan, give me a nose, a nose, a nose.
13:59Do you hear me?
14:01Get a flat in Belgrade and you're done.
14:04Don't worry, Ljeposan, until I get this over with with Ljubinka.
14:07Forget Ljubinka.
14:09Get us a flat in Belgrade and you'll see how it all works out.
14:13Oh, woman's brain.
14:15Does your chicken brain have anything to do with what you're thinking?
14:18Except how you're going to get me a flat, Ljeposan.
14:20You're going to get me all my energy.
14:23I won't, Ljeposan, don't worry.
14:25I'm going to get all your energy.
14:27And you'll still have the strength to argue with me.
14:31Oh, Mido, I'm going to get you into a nightmare.
14:34A nightmare, until I get what I asked for.
14:37Are you crazy, Ljeposan?
14:38I'm not getting into a nightmare.
14:40Ljeposan is not getting into a nightmare.
14:42I'm going to kill you, do you hear me?
14:44I'm not going to see you.
14:46I'm going to fuck you up.
14:47Is that so?
14:48Yes.
14:49Well, okay.
14:50I'm going where I want to go.
14:52She broke her leg.
14:54Hey.
14:55What hey?
14:58Do you want to see this?
15:08Yes, I'm listening.
15:10What can I tell you?
15:11I sold the model to Andrija Bošnjak.
15:14That's what I thought.
15:18What's the problem?
15:20Well, it wouldn't be a problem if your company was registered for the sale of clothes.
15:25But it wasn't.
15:26It was registered for the sale of materials.
15:29Well, you see, that only happened once.
15:32Yes, I'm sure that only happened once.
15:37Could you take a look through my fingers this time?
15:41I could, if you don't tell anyone that we've met.
15:46Because if you do, you'll end up charged with business crime and tax evasion.
15:53Don't worry, no one will know.
15:56And why are you chasing Mr. Bošnjak?
15:58That's my business.
16:01All right, I'm always a debtor.
16:03Just a moment, when you've already said that.
16:06One moment.
16:08There.
16:09Easy.
16:10What?
16:11To take a selfie?
16:12That's right.
16:14With a souvenir and a long memory.
16:17There.
16:18You're free to go.
16:36What's going on with you?
16:39Are you mad at me?
16:41No, I'm not.
16:42You said that you rejected the apartment that he found for you.
16:45I have a strong reason.
16:46No, no, there's no strong enough reason to reject an apartment in Belgrade.
16:51I think that I don't want to move in with Trivanović.
16:55Did you get a divorce?
16:56A little.
16:57And what then?
17:00Nothing, I just think that I wouldn't be happy with him.
17:04Incredible.
17:05How did I raise you?
17:07To be selfish, huh?
17:08How do you mean selfish?
17:10You could at least think about your mother, not just yourself.
17:14We need that apartment.
17:16You think you need it?
17:18If I move in with him, he won't need it either.
17:20Come on, honey, we worked on this.
17:23Why do you want to travel every day by bus from Kosmaj to Belgrade and back?
17:28If you want it, and I thank you,
17:30but I won't let a kid's fight between you and Trivanović ruin everything.
17:35It's not a kid's fight.
17:37Then what is it?
17:39Come on, tell your mother to give you some good advice.
17:46I don't want to talk about it.
17:49Well, I don't like it either, so I have to.
18:03Are you sure you're keeping everything under control?
18:09Yes.
18:15Come on, say something.
18:17Why are you mad at him?
18:20Okay, let's find out who he's messing with.
18:23I knew it.
18:25What did you know?
18:27That you don't know how to choose a man,
18:29and that Trivanović is going to turn out to be a jerk.
18:32How did you know when he was so beautiful?
18:35Come on, please.
18:36I don't even know why you were flirting with that cop.
18:40You shouldn't have been flirting with him.
18:42He seems so manly and confident.
18:45It's not an experience.
18:46Besides all the wonderful guys in Belgrade,
18:49you were the first one he found.
18:52When I liked him.
18:54Your mother has to teach you something about men.
18:57You should never fall in love with them.
18:59They always disappoint you.
19:02He really disappoints me.
19:04Okay, don't worry.
19:06Wait, I'll get you a new one.
19:24I knew it, Radola.
19:34What's up?
19:36I'm afraid I have bad news.
19:41What do you mean?
19:43Based on everything I've seen.
19:46I can see that you like to mess around.
19:49You carry a lot of personal stuff.
19:52I don't like it, I just have to react.
19:54I don't like it, I just have to react.
19:57I don't like it, I just have to react.
20:00I don't like it, I just have to react.
20:03I just have to react when I see you
20:05spreading those personal stuff around the bar.
20:08I had a good argument.
20:10What?
20:11I know you were left by Panchetta to lead this place,
20:14but I think we're asking about Lukaj.
20:16Me too.
20:17Me too.
20:18Okay.
20:20The woman I had an argument with is my wife.
20:22I mean, ex-wife.
20:24I just think that personal stuff
20:26has to stay personal.
20:28It's not okay to solve it here for guests.
20:31You're right about that,
20:33but sometimes it's hard to control personal stuff.
20:37I know.
20:38It can happen to everyone,
20:40and you didn't do it on purpose.
20:42To everyone.
20:43It can happen to everyone,
20:45but especially to me.
20:46It happens to me every day.
20:48Really?
20:49I'm going for a walk.
20:50I'll see you later.
20:52Okay.
20:53Go for a walk.
21:01I'll see you later.
21:07Where did that come from?
21:10It doesn't matter, but that's how it happened.
21:13That's how it happened.
21:15Yes, but that doesn't matter now.
21:17What matters is what I found out.
21:20What did you find out?
21:25Everything you doubted was for a reason.
21:28What's the reason?
21:31Radula told me that Andrija
21:33banned Zoran from buying a piece of work from him.
21:36He didn't have cash, so he paid with an invoice.
21:40He gave you an invoice?
21:43Yes.
21:44Now it's all clear.
21:46What's clear, Jovana?
21:58Don't you think that this Mido is a bit...
22:01picturesque for these Belgrade conditions?
22:03Picturesque, yes.
22:05And lively.
22:07And, so to speak, a bit moody, you know?
22:11We'll have to keep him under control
22:13and his family,
22:14so that he doesn't destroy the local,
22:15even if he doesn't return the concert.
22:17I'm on the right track.
22:18I'll tell you that right away.
22:20As far as I can see,
22:21they made a fireman next to the road from Moldova.
22:24You just turn him over like that,
22:26and you're just standing there.
22:28Alexey Konstantinov,
22:30and I'm here,
22:31inhaling the smell of pork sausages,
22:34without chocolate, that's nothing.
22:36Okay, you're right.
22:37I can feel it.
22:38What do you mean, you can feel it?
22:41People are used to coming home,
22:43to the smell of cigarettes,
22:45of alcohol,
22:46and now they get this for free.
22:48Okay, I'm not sure
22:49that they'll really be delighted.
22:51They were alive, so they saw it.
22:53Do you like your job?
22:55Yes, but I'm working class,
22:57and no one asks me anything.
22:59Then find a way
23:00to neutralize this smell.
23:02Yes.
23:03You know, when it's hard,
23:05Milo, that's an advertisement.
23:07You'll find a solution.
23:09I'm at the end of my breath.
23:11Come on.
23:12A month later
23:21Oh, this is bad news.
23:23The investors won't sign the contract.
23:27They won't?
23:28What can I tell you?
23:30Okay, that's for sure.
23:32They told me
23:33that we'll call them in a month,
23:36so we might have another chance.
23:38But honestly,
23:39I doubt they'll agree.
23:41It's probably game over.
23:44I know that from experience.
23:46So, it's over.
23:47It's over, bro.
23:50Is it about Laura again?
23:52Probably.
23:53You can imagine.
23:55I have a friend
23:57in that fashionable house.
23:59He told me
24:00that he saw Laura there.
24:03What kind of bullshit is that?
24:05I don't know what she told them,
24:07but she convinced them
24:08not to cooperate with us.
24:11Okay, bro.
24:12Thanks for calling.
24:13You're welcome.
24:14Talk to you later.
24:15Bye.
24:26Hey, bro.
24:27Hey, where are you?
24:28In the cafe.
24:29I'll be there soon.
24:40I don't know.
24:46I don't know what evidence you need.
24:49I don't know.
24:52Andrija found himself
24:53in an unprotected grove.
24:55He had to get out somehow.
24:57He left early in the morning
24:59at Radula Design's
25:00and took his work,
25:01paid the bill,
25:02what's not clear?
25:03Jovana, how do you think I believe you?
25:05You wanted to destroy me.
25:07You don't have to believe me.
25:09Just think logically,
25:10and you'll see
25:11that I'm the only one
25:12who wants what's good for you here.
25:14Okay, I'm not that naive.
25:18Here's the evidence.
25:22See?
25:23I met Radula.
25:27I don't know.
25:29It seems that all women
25:30with Andrija
25:31have the same fate.
25:34It seems.
25:36I don't know what to tell you.
25:38If you need anything, I'm here.
25:40I've been through this
25:42many times.
25:46How strange.
25:48You and I sit
25:49and talk about Andrija
25:52who cheated on me.
25:56Yes.
25:57Somehow
25:58misfortune brought us together.
26:01Yes.
26:02Yes.
26:05I feel like I don't know him.
26:07What should I do?
26:08I know.
26:11He was always wonderful.
26:13Sensitive.
26:16I felt safe and calm
26:17next to him.
26:20I know everything.
26:22That's why I have to tell you something else.
26:33Luka?
26:35Where are you?
26:36Hey, Andrija.
26:37I know it's a surprise.
26:39Can I see you tonight?
26:42See me? You and me?
26:43Yes, you and me.
26:45Why?
26:48I can't answer the phone.
26:49Okay.
26:51How about business club tonight?
26:54Great.
26:55Great.
26:56Business club.
26:57See you.
27:02Bye.
27:07Bobo, come to me, please.
27:20Tell me, Andrija.
27:21Tell me,
27:23did you mention anything
27:25about
27:26what's going on?
27:29What do you mean?
27:30Well, we almost had a fight
27:32because of you.
27:34Did we?
27:37How did that happen?
27:39She decided to go all the way.
27:43What does that mean?
27:44I don't know.
27:47You better tell me.
27:49I mean, I'll find out anyway.
27:52She called Radula Design.
27:55And?
27:56I don't know.
27:58Did she mention Luka?
28:01Luka?
28:02No, she didn't.
28:06Okay.
28:08Well,
28:09that's it.
28:11You can go.
28:23Here you are.
28:24Where are you?
28:28Where's Mila?
28:29She's doing something in the magazine.
28:31What is she doing?
28:32Is she fishing?
28:33No, she's not.
28:34What's going on?
28:38There's nothing going on.
28:42What do you mean?
28:44Pavlo called me
28:45to tell me
28:47that he'll call me in a month.
28:49But it doesn't matter.
28:58Wait.
28:59Is it possible
29:00that you're telling me this now?
29:02Well, I've already told you
29:03that it happened to me several times.
29:05So I know that now,
29:06after this,
29:07a beautiful phase is coming.
29:09You know what I have to do?
29:10I have to sit and wait
29:11for this crazy phase of his to pass.
29:14And if you really like him,
29:16accept him as he is.
29:19Do you want to see
29:20if he has any problems?
29:27I don't know.
29:37Ask me something, Pavlo.
29:38Ask me.
29:39Are you crazy?
29:41Why?
29:42How can you call Andrija Bošnjak
29:43and we don't know
29:44if he can help us at all?
29:45Do you think I can?
29:48What's the problem
29:49when I have to call Andrija Bošnjak?
29:51We have nothing to lose.
29:52We have to react quickly.
29:53Otherwise, the whole effect
29:54of what we did
29:55on this fashion week
29:56will be ruined.
29:57It will be like
29:58it never happened to us.
30:12He's going to kill me.
30:18I'm sorry
30:19for bothering you.
30:21Believe me,
30:22I like this guy.
30:26I came to see
30:27how you are.
30:40He's a scumbag.
30:42Fine,
30:43so what?
30:44I can't believe
30:45he stopped
30:46that thing
30:47with the apartment in Belgrade.
30:48He won't,
30:49he'll get angry.
30:50When will I get angry?
30:52Your husband
30:53is a very stubborn man.
30:54Ex.
30:56Well,
30:57ex
30:58is just
30:59temporary.
31:00It's not temporary,
31:01it's permanently
31:02ex.
31:16Are you coming out?
31:18Do you have something
31:19to tell me?
31:21No.
31:23About what you called
31:24Rado's design?
31:26I'm sorry?
31:27Don't act crazy,
31:28I'm sorry.
31:29I know everything.
31:31You're going around
31:32humiliating people.
31:44I changed my mind.
31:47Why didn't I tell you?
31:49Listen.
31:51Mido has
31:54350
31:55thousand
31:56euros.
32:12I have an idea.
32:13Huh?
32:14I have an idea.
32:15But first,
32:16let's have a drink.
32:17Who do you want to hear it from?
32:18I want to hear it.
32:19I have a great idea.
32:20Don't talk.
32:23Do you know
32:24where we're going
32:25to put your aunt
32:26from Australia?
32:42Tell me,
32:45what's the subject
32:46of our conversation?
32:49Laura.
32:54Laura.
32:55Laura.
32:56Laura.
32:57Laura.
32:58Laura.
32:59Laura.
33:00Laura.
33:01Laura.
33:02Laura.
33:03Laura.
33:04Laura.
33:05Laura.
33:06Laura.
33:07Laura.
33:08Laura.
33:09Laura.
33:10Laura.
33:11Laura.
33:12Laura.
33:13Laura.
33:14Laura.
33:15Laura.
33:16Laura.
33:17Laura.
33:18Laura.
33:19Laura.
33:20Laura.
33:21Laura.
33:22Laura.