"**One Four Three**" is an emotionally charged Hollywood feature film that delves deep into the complexities of love, identity, and self-discovery within the LGBTQ+ community. Set against a vibrant urban backdrop, the movie follows the journey of two women, both grappling with societal expectations and personal insecurities as they navigate the uncharted waters of their blossoming romance. The film explores themes of love, acceptance, and the courage to live authentically. With compelling performances, breathtaking cinematography, and a powerful narrative, "One Four Three" is a poignant tribute to the resilience of the human spirit and the transformative power of love.
**Hashtags:** #OneFourThree #LesbianLove #LGBTQFilm #LoveIsLove #QueerCinema #HollywoodFeature #LGBTQStories #RepresentationMatters #WomenInFilm #LoveAndIdentity
**Hashtags:** #OneFourThree #LesbianLove #LGBTQFilm #LoveIsLove #QueerCinema #HollywoodFeature #LGBTQStories #RepresentationMatters #WomenInFilm #LoveAndIdentity
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:10♪♪
00:00:20♪♪
00:00:30♪♪
00:00:40♪♪
00:00:50♪♪
00:01:00Thanks.
00:01:03You sure you don't mind me going to Paul's show tonight?
00:01:05Of course not.
00:01:07I'm surprised he invited me, if I'm honest.
00:01:09Why do you think he did?
00:01:11Dunno. Took a load.
00:01:13Showed me what I've been missing.
00:01:15And have you?
00:01:17What?
00:01:19Missed him.
00:01:21Do we even need to ask?
00:01:31We should get married.
00:01:33What, to appease my insecurities?
00:01:35No, because I love you.
00:01:37You don't need a piece of paper
00:01:39to validate our near-blissful relationship.
00:01:41Near?
00:01:43Did I say near? I'm imperfect.
00:01:45But seriously, I don't see the point in marriage.
00:01:48When I'm dead, you'll be well covered.
00:01:50You're seven years older than me, not 50.
00:01:52Besides, I could always pay you first.
00:01:54That's not gonna happen.
00:01:56Then how do you know?
00:01:58Because I love you.
00:02:00Besides, life wouldn't be that cruel.
00:02:07You nearly ready yet?
00:02:09Give me a sec.
00:02:18Vanity aside,
00:02:20that is the most beautiful photo you've ever taken.
00:02:22And modesty aside, I agree.
00:02:24Let's just say I was inspired by my muse.
00:02:26Why did it take me so long
00:02:28to figure out what you meant by these numbers?
00:02:30Because it was too obvious.
00:02:32We need to go. Now.
00:02:34Fine.
00:02:36But you don't know what you're missing.
00:02:38I do. That's the problem.
00:02:40Fine.
00:02:42But you don't know what you're missing.
00:02:44I do. That's the problem.
00:02:46I really love you.
00:02:48Okay.
00:02:50Are you planning on making some sort of confession?
00:02:52No, of course not.
00:02:54It's just important to me.
00:02:56I love you.
00:02:58I love you.
00:03:00I love you.
00:03:02I love you.
00:03:04I love you.
00:03:06I love you.
00:03:08I love you.
00:03:10I love you.
00:03:12I love you.
00:03:14No, of course not.
00:03:16It's just important that you know.
00:03:20Ignore me. I'm being silly.
00:03:22Go on, go. I'll see you tonight.
00:03:24Make sure you wait up for me.
00:03:26So you don't want a lift?
00:03:28No, I feel like walking today.
00:03:44Okay.
00:04:08Have fun returning to the scene of the crime.
00:04:14I love you.
00:04:16I love you.
00:04:18I love you.
00:04:20I love you.
00:04:22I love you.
00:04:24I love you.
00:04:26I love you.
00:04:28I love you.
00:04:30I love you.
00:04:32I love you.
00:04:34I love you.
00:04:36I love you.
00:04:38I love you.
00:04:40I love you.
00:04:42I love you.
00:05:12Most of the people I met sleeping rough
00:05:14weren't doing so through choice.
00:05:16It was out of necessity.
00:05:18They're playing devil's advocate here,
00:05:20but if they choose to reject all support services
00:05:22to house them, then surely it's voluntary.
00:05:24From what I've witnessed,
00:05:26that view is too simplistic.
00:05:28For some people, life on the streets
00:05:30becomes so ingrained that they find it difficult
00:05:32to fit back into what would be considered
00:05:34a normal environment.
00:05:36It's a catch-22 situation then, isn't it?
00:05:38Personally, I think more needs to be done
00:05:40to prevent homelessness happening in the first place.
00:05:42And you are?
00:05:44Rebecca Sheldon.
00:05:46Oh, the art critic.
00:05:48Your photo doesn't do you justice.
00:05:52That's a powerful message.
00:05:54It's true.
00:05:56We never know what's going to happen
00:05:58from one day to the next.
00:06:00I want the viewer to understand
00:06:02the individual as a human being,
00:06:04not label them a homeless person
00:06:06or a drug adult.
00:06:08There you are, Jen.
00:06:10Paul, Rebecca. Rebecca, Paul.
00:06:14Nice to finally meet.
00:06:16I've heard lots about you.
00:06:18And read your critiques, of course.
00:06:20Are you an artist as well?
00:06:22I'm sorry, but I'm going to have to steal Jen for a while.
00:06:24Everyone wants to know the date.
00:06:26You've got to make an honest man out of me.
00:06:28Come on.
00:06:30Well, nice to meet you.
00:06:32Please be gentle. This is my first time.
00:06:34But I look forward to reading your review.
00:06:38Bye.
00:06:58So you're leaving without saying goodbye.
00:07:00You looked busy.
00:07:02I'm not busy now.
00:07:04Can we go somewhere private?
00:07:26Wine?
00:07:28Please.
00:07:54So, you're engaged?
00:07:56Sort of.
00:07:58Look, I'm going to be honest with you.
00:08:00I don't know why I'm here.
00:08:06I just wanted to...
00:08:12I've never felt...
00:08:16Yeah.
00:08:22I'd better get that.
00:08:28Bye.
00:08:54Genevieve?
00:08:58I'm in here.
00:09:28I love you.
00:09:58I love you too.
00:10:28Oh, my God.
00:10:52I'm here to see Genevieve Simmons and Rebecca Sheldon.
00:10:54I just got a call to say she'd been brought here.
00:10:56I'm afraid she's being seen by the doctor at the moment.
00:10:58If you take a seat... I'm sorry, you can't go in there.
00:11:00I want to see her. I need to know she's OK.
00:11:02I'm sorry, the doctor won't be long.
00:11:04She's in the best place.
00:11:08Miss Sheldon is here to see Miss Simmons.
00:11:10What happened? How bad is she?
00:11:12Miss Simmons was attacked and has suffered trauma to her head.
00:11:15We've had to put her in a medically induced coma.
00:11:18It's just to prevent neurological damage and to...
00:11:20I want to see her.
00:11:22OK, but be prepared.
00:11:24She's hooked up to a lot of machines,
00:11:26so it may appear scarier than it really is.
00:11:42Have the police been informed?
00:11:44Yes. I don't know much, but I'm sure they'll be contacting you at some point.
00:11:55PHONE VIBRATES
00:12:08Let me guess.
00:12:10Paul.
00:12:12He's called how many times now?
00:12:15Too many to count.
00:12:17You don't like talking about him, do you?
00:12:20Given the circumstances, it doesn't really seem appropriate.
00:12:23Besides, my life with Paul already feels like ancient history.
00:12:27Another time.
00:12:31I nearly didn't follow you to your car the other night, you know.
00:12:34I'm glad you did.
00:12:40I guess it's time to face the music.
00:12:42No use putting off the inevitable.
00:12:54Any regrets?
00:12:56Yes.
00:13:02But I didn't meet you years ago.
00:13:19So you've decided to come back?
00:13:23I think we should talk when you're sober.
00:13:27Are you fucking joking?
00:13:33You stay out all weekend like a fucking alley cat on heat
00:13:38and have the gall to dictate to me when we can talk?
00:13:53SIGHS
00:13:55You're drunk, and if you think you're going to intimidate me...
00:13:58Oh, just fuck off, you fucking dyke!
00:14:03Yeah.
00:14:05That's right.
00:14:07Dyke.
00:14:11The whole fucking gallery was talking about you two.
00:14:16The famous lesbian art lover and the star-struck photographer.
00:14:22Have you any idea how fucking small you make me feel?
00:14:29Not to mention your poor parents
00:14:33hearing about their fucking pussy-loving dyke of a daughter.
00:14:40SIGHS
00:14:59Leaving her?
00:15:01No.
00:15:03No.
00:15:05No.
00:15:08Leaving, are you?
00:15:11Good.
00:15:13Saves me the trouble of throwing you out.
00:15:17Here.
00:15:19Let me get the door.
00:15:25Wherever the gentlemen...
00:15:37DOOR SLAMS SHUT
00:16:07DOOR SLAMS SHUT
00:16:14BEEP
00:16:16You have one new message.
00:16:18Message received from Mum.
00:16:21Today at 8.47pm.
00:16:25BEEP
00:16:29Is it true?
00:16:31Please, Genevieve, Paul called and he said...
00:16:34Is that her?
00:16:36Give me that phone.
00:16:38I demand that you bloody call us and let us know where you're playing at, Genevieve.
00:16:41Do you hear me? Have you lost all sense of...
00:17:15I do not want another dog.
00:17:17Oh, but they're cute, though.
00:17:23Is that her?
00:17:31What do you want?
00:17:33You want us to talk, so let's talk.
00:17:35Please, Genevieve, don't be brainwashed by these people.
00:17:38People? You mean degenerates.
00:17:41Degenerates? You mean like Ellen?
00:17:44What?
00:17:45She's a famous American lesbian. I thought you might be...
00:17:47You find this amusing?
00:17:49No, I find it pathetic.
00:17:51She's a good girl. It's not her fault.
00:17:53It's this... Whatever her name is, she's messed with her head.
00:17:57Her name is Rebecca, and she's not done anything to me.
00:18:01I was looking for at least some understanding when it came to my happiness.
00:18:03My mistake.
00:18:07What happened to you?
00:18:09One minute you're a normal girl getting married, and the next you're off with God knows who.
00:18:13If you don't snap out of this, girl, we'll have nothing more to do with you. Do you hear me?
00:18:16How could I not? And the feeling is totally mutual.
00:18:19Don't you dare walk away while I'm speaking to you.
00:18:21Genevieve!
00:18:25How have you lived with him all these years?
00:18:28Why have I never asked before?
00:18:58What the hell happened, Elsie?
00:19:18You've got ten seconds to get out of here, or you'll be the one needing intensive care.
00:19:29Can someone call me when they leave, please?
00:19:37Miss Sheldon?
00:19:39Yeah.
00:19:40I'm D.C. Smith. This is D.C. Simpson.
00:19:42We'd like to talk to you about Miss Simmons.
00:19:44If we may.
00:19:47I'm sorry we need to do this now.
00:19:50But we need to piece together Miss Simmons' movements prior to her attack this morning.
00:19:55I understand you share a flat with her.
00:19:57Yeah, I do.
00:19:59And how long have you been living together?
00:20:02I'm sorry, but what relevance does this have to do with anything?
00:20:06I'm sorry if this seems personal, but it's just procedure.
00:20:10I'm sure you can appreciate that we're starting this case off on a blank canvas,
00:20:14and we need to learn everything we possibly can about Miss Simmons.
00:20:21We've been living together for four years.
00:20:24Could you go through this morning's events?
00:20:26And if possible, Miss Simmons' timetable for the day, please.
00:20:29I'm sorry, but I can't.
00:20:31We've been living together for four years.
00:20:34Could you go through this morning's events?
00:20:36And if possible, Miss Simmons' timetable for the day, please.
00:20:41Nothing else Miss Simmons had mentioned.
00:20:45Okay. We'll leave it. For now.
00:21:01For now.
00:21:31For now.
00:22:01For now.
00:22:31For now.
00:22:38There's no need to be afraid.
00:22:40I'm Dr. Simmons.
00:22:42Are you okay?
00:23:01Better?
00:23:06Yes.
00:23:09How did I get here?
00:23:10Attacked? By who?
00:23:13We don't know. And at the moment, your health is our main concern.
00:23:17Now, just let me check something.
00:23:29Very good.
00:23:32Do you know what year it is?
00:23:36It's...
00:23:38Do you know who the Prime Minister is?
00:23:41The Prime Minister, yes. It's...
00:23:44Um...
00:23:45Do you know your name?
00:23:53It's okay. Try and relax.
00:23:57We're here to see Genevieve Simmons.
00:24:02If you're feeling up to it, you've got visitors who want to say a quick hello.
00:24:08Come in.
00:24:14Doctor?
00:24:15Yes?
00:24:16I don't know these people.
00:24:18It's okay. The blow to your head has just left you a bit forgetful.
00:24:22This is your mum and dad, and this is Paul.
00:24:25Your boyfriend.
00:24:31Try not to stress too much. You've nothing to worry about. You're in safe hands.
00:24:36We thought we'd lost you.
00:24:39I'm glad you're okay.
00:24:41How are you feeling?
00:24:44My head hurts.
00:24:48I'm afraid I'm going to have to ask you all to leave now.
00:24:52We must make sure Genevieve gets plenty of rest.
00:24:57How long have I been here?
00:24:59Four days.
00:25:03Four days of sleep, and I still feel like crap.
00:25:10This is risky, Eddie. What if Jen remembers?
00:25:13God has done this for a reason. He won't let us down.
00:25:17Paul's right, Eddie.
00:25:19So, about her memory.
00:25:21The good news is that a CT scan has ruled out anything serious.
00:25:26As a result, I believe she has disassociative amnesia, which is psychological in nature.
00:25:33Recovery can be measured in weeks, months and even years.
00:25:37We must ensure she has plenty of rest.
00:25:40I'm afraid I'm going to have to ask you all to leave now.
00:25:44Recovery can be measured in weeks, months and even years.
00:25:48We must ensure she has plenty of rest and no stress.
00:26:00Hello?
00:26:02Yeah, speaking.
00:26:05Yeah.
00:26:07Yeah, of course.
00:26:23Wakey, wakey, sleepyhead.
00:26:25How are you feeling?
00:26:30Do I know you?
00:26:32Jeanie, it's me.
00:26:36I'm sorry, I don't remember you.
00:26:40Jeanie, that's not even funny.
00:26:42I don't remember anyone.
00:26:44Please leave. I'm sick of people trying to make me remember stuff. I just want to be left alone.
00:26:51Leave me alone.
00:27:12Leave me alone.
00:27:42Leave me alone.
00:28:01Why don't I make us some tea?
00:28:03I think I'll go straight to bed if that's OK. I'm lacquered.
00:28:06Oh. Well, come on then. I'll show you your room.
00:28:10You're going to get an early night in.
00:28:12Thanks for everything.
00:28:32Can I help you?
00:28:34I'm looking for Genevieve.
00:28:36I've changed. My parents and boyfriend are over the moon.
00:28:41Boyfriend?
00:28:43Yeah.
00:29:04What's going on out there?
00:29:06Oh, nothing for you to worry about.
00:29:09What the fuck is going on?
00:29:11Did you tell Jeanie you're her boyfriend?
00:29:13I don't know what you mean.
00:29:16I want to see Jeanie. Now!
00:29:18Listen to me carefully.
00:29:20Turn around, get in your car and don't show your face around here again.
00:29:23Now fuck off while you still have the chance.
00:29:25Oi! I think you made your point, mate, don't you?
00:29:29Yeah, just like I thought.
00:29:31This isn't over. Not by a long shot.
00:29:34This isn't over. Not by a long shot.
00:30:04I love you.
00:30:34I love you.
00:30:58Thanks for coming over.
00:31:00You said it was urgent on the phone that you're concerned about Genevieve's welfare.
00:31:04Jeanie's parents have been lying to her about who I am.
00:31:07They've told her Paul's her boyfriend.
00:31:11I know.
00:31:13When I went to question her, the family asked me not to mention your relationship
00:31:16so as not to confuse her.
00:31:21Look, I shouldn't even be discussing this case with you.
00:31:25But we're under direct orders not to mention you.
00:31:29How is that even legal?
00:31:31I mean, how can Jeanie's parents lie to her and just get away with it?
00:31:34If I had my way, I'd tell her the truth.
00:31:37But the family have made it clear to my superiors
00:31:39that anybody caught with any kind of information
00:31:41that might cause a setback to her rehabilitation
00:31:44would result in action being taken against them.
00:31:46So until she remembers something...
00:31:48I'm basically fucked.
00:31:59SIGHS
00:32:06Look...
00:32:08I know this must be...
00:32:10tough.
00:32:12But...
00:32:14she seems perfectly happy.
00:32:16She's not being held against her will.
00:32:18So they get to erase me out of her life and I've just got to sit here and take it?
00:32:22I said that I can't tell her the truth, but there's nothing to stop you from telling her.
00:32:25I don't want to confuse her more than she already is.
00:32:29SIGHS
00:32:34I sent over a box of her belongings today.
00:32:37Let's see how her parents explain why I had them.
00:32:42Genevieve thinks you're flatmates.
00:32:44Flatmates?
00:32:46Are you kidding me?
00:32:48SIGHS
00:32:51Maybe this is the universe trying to right a wrong.
00:32:56I was, um...
00:32:58I was going over your notes
00:33:00and something struck me as not being quite right.
00:33:02You said that Genevieve was on her way to a meeting at London Bridge at 10am, right?
00:33:07Yeah.
00:33:08OK, so it would seem strange that she would have been in another part of London
00:33:11when she should have been at her meeting, don't you think?
00:33:16I can't believe Jeannie would lie to me.
00:33:19Did you check to see if she had a meeting with the gallery owner?
00:33:22Yeah, and he confirmed their appointment,
00:33:24but Genevieve called him to put it back an hour.
00:33:26Obviously, something happened from the time she left you to make a change of plans.
00:33:31And even though we haven't located her phone yet,
00:33:33we have checked her call logs,
00:33:35and the last call she received was from a phone box on the South Bank.
00:33:44And this, um, this situation with Paul,
00:33:47I don't quite get the connection.
00:33:52Jeannie dated him a few years ago,
00:33:54and then she met me and they split up.
00:34:01A few days after he proposed to her.
00:34:04Ouch.
00:34:05Yeah, ouch.
00:34:08Anyway, things got nasty, people took sides,
00:34:11mostly Paul's, especially most of Jeannie's family.
00:34:15Especially most of Jeannie's family and friends.
00:34:20In the end, she stopped calling them.
00:34:23Then, out of the blue, we get Paul's invitation and...
00:34:30On the very same day Genevieve gets attacked.
00:35:15It's Jeannie! Lunch is ready!
00:35:45Shh, shh, shh, shh, shh, shh.
00:36:12Paul.
00:36:14Your mum sent me to check up on you.
00:36:17Are you OK?
00:36:19Fine. Just thought I'd try out my camera.
00:36:21See if it jogs my memory.
00:36:24Any luck?
00:36:30Seriously, if my mum tells me what an amazing person I am one more time,
00:36:33I think I'll scream.
00:36:36It's the truth.
00:36:38So you're saying I have no negative traits?
00:36:40I find that hard to believe.
00:36:41It's true.
00:36:43Unless you count doing things before really thinking them through
00:36:46and being impulsive as a negative.
00:36:49You make me sound like a rebellious teenager.
00:36:52You asked.
00:36:56I was thinking of visiting that therapist the hospital recommended.
00:36:59No!
00:37:02Look, I'm sorry, Jen, but do you know I just don't trust those quacks?
00:37:05They could put anything in your mind.
00:37:06Well, I have to try something.
00:37:07I need to remember who attacked me.
00:37:09They could be stood right in front of me and I wouldn't even know.
00:37:16Well, I won't let anything happen to you.
00:37:19We'll get through this.
00:37:21Together.
00:37:23Thanks, Paul.
00:37:24You're a good friend.
00:37:27I hope I'm more than just a friend.
00:37:33Speaking of friends, that woman who visited me in the hospital,
00:37:35mum said she's my flatmate.
00:37:37I feel awful. I was really rude to her.
00:37:39Don't.
00:37:40You two aren't exactly best friends.
00:37:42Really?
00:37:43She seemed genuinely concerned.
00:37:45Well, that's Rebecca for you.
00:37:47Always putting on a front of some kind.
00:37:50So you're not a fan of her either?
00:37:52Not especially.
00:37:56I tell you what,
00:37:57why don't you come back to mine and I'll cook dinner?
00:38:00And you can be the first to see my new work.
00:38:06No pressure, just dinner.
00:38:10Okay then, just dinner.
00:38:13That's my girl.
00:38:19This is delicious.
00:38:22Did I overcook?
00:38:25Those are boiling on egg count.
00:38:27Oh, it's that bad?
00:38:28It's that bad.
00:38:34This is just like old times.
00:38:38I'm sorry, I can't remember.
00:38:40No, don't be.
00:38:42I have more than enough memories for the both of us.
00:38:45They'll just have to do for now.
00:38:47That's sweet of you to say.
00:38:59I'm sorry.
00:39:01No, I'm sorry.
00:39:04I shouldn't have done that.
00:39:07Please, sit and enjoy your meal.
00:39:10I will, I just need to use the loo.
00:39:19Jesus, Genevieve, what are you, a virgin?
00:39:23Yeah, are you alright?
00:39:24Yeah, I'll be out in a minute.
00:39:26Yeah, are you alright?
00:39:27Yeah, I'll be out in a minute.
00:39:56So, how are you feeling today?
00:40:00Restless.
00:40:02Suffocated.
00:40:04Like I'm living under a microscope.
00:40:07What's making you feel like that?
00:40:14I don't know.
00:40:16I don't know.
00:40:18I don't know.
00:40:20I don't know.
00:40:22I don't know.
00:40:23I don't know.
00:40:32It's been a few weeks now.
00:40:34How do you feel about Paul?
00:40:38I don't know.
00:40:40I can imagine I would be attracted to someone like him,
00:40:42but he just doesn't reach me.
00:40:46We don't have the connection, I think we should.
00:40:49And Rebecca,
00:40:52have you made contact with her yet?
00:40:55I don't see the point.
00:40:57If we were true friends she would have made the effort to see me by now.
00:41:00She even sent my stuff via courier rather than delivering it herself.
00:41:05Just shows Paul was right, we weren't that close.
00:41:08But do you feel as though you were?
00:41:10I did, but I was obviously wrong.
00:41:13Could it be possible that she's giving you some space to find yourself?
00:41:21You think?
00:41:23What do you think?
00:41:32Do you know why your parents and Paul don't like her?
00:41:37I've tried to ask, but they get evasive every time they hear her name.
00:41:40Oh, I see.
00:41:45And do you feel the need to please your parents and Paul?
00:41:51Your life was in London, right?
00:41:54Do you feel drawn to Rebecca because you think that she can help you get your memory back?
00:42:05I'm wondering if you could return to London.
00:42:09It may stimulate your memory.
00:42:15Genevieve, what's important to you right now?
00:42:21Obviously getting my memory back, but at the same time I don't want to hurt my parents.
00:42:26Yeah, I understand that, I do.
00:42:29But first we need to focus on your memory loss and uncover who you are.
00:42:38You're saying I should go back to London?
00:42:40That's your choice.
00:42:42But in my experience, if you want to get over this, you need to go back and go through it.
00:42:52Are you awake, love?
00:42:54Yes.
00:42:56It's just that you've been up here since you came back from your therapist.
00:42:59Are you feeling ill?
00:43:01No.
00:43:03Well, Paul's downstairs and he's waiting to see you.
00:43:22So is someone going to tell me about Rebecca, then?
00:43:26How am I going to get my memory back if you're keeping secrets from me?
00:43:29Can someone please tell me why you all have such a problem with her?
00:43:32Or do I need to call her and ask her myself?
00:43:38Well?
00:43:40Is anyone going to speak?
00:43:46No.
00:43:47Why?
00:43:52It's a bit of a sore subject, really.
00:43:57A sore subject for who?
00:44:01For me.
00:44:03The two of you have been living together for some time,
00:44:06and she basically ruined my chances of getting an exhibition
00:44:10by writing a really bad review about me.
00:44:14Why would she do that?
00:44:16Your work's amazing.
00:44:20Because, um...
00:44:23I'm not a good writer.
00:44:25I'm not a good writer.
00:44:27I'm not a good writer.
00:44:29I'm not a good writer.
00:44:30Because, um...
00:44:32Because she was jealous of our relationship, Jen.
00:44:35We had words and things got a little out of hand.
00:44:38Why would she be jealous?
00:44:43She's a lesbian, Jen.
00:44:46I was always under the impression she liked you and...
00:44:51We didn't want to tell you because we didn't want to upset you.
00:44:54Can you forgive us?
00:44:56Me?
00:45:01Yes, of course.
00:45:03It's awful to think she'd give you a bad review for personal reasons.
00:45:09Look, I'd appreciate it if we kept this between us.
00:45:12I mean, things have worked out for the best,
00:45:14and I think it's best we leave it in the past where it belongs.
00:45:19Speaking of the past,
00:45:21I've decided I'm moving back to London.
00:45:23What?
00:45:24I'm moving back to London.
00:45:26My therapist thinks it will help me get my memory back.
00:45:27She says...
00:45:28Did you not hear a word Paul said?
00:45:30She's a lesbian.
00:45:32You should be disgusted at the idea of being in that sort of environment.
00:45:35That's not the way we raised you.
00:45:37But I don't remember how you raised me, do I?
00:45:40All I know is what I believe now.
00:45:42And Rebecca being a lesbian doesn't put me off at all.
00:45:45Live and let live, right?
00:45:50You don't need to worry about me.
00:45:52I have my own mind.
00:45:53It's not going to be warped by anyone.
00:45:55Tell her, Paul. Tell her she's making a big mistake.
00:45:57This decision has nothing to do with Paul.
00:46:02Mum, Dad.
00:46:04I'll be careful, I promise.
00:46:07But don't fight me on this.
00:46:09Support me.
00:46:25Please don't worry about me, Mum.
00:46:27I just want you to be happy.
00:46:32I know.
00:46:36The more we try to prevent her from seeing Rebecca,
00:46:39the more she's going to fight against us.
00:46:42Rebecca.
00:46:45Let's just hope she doesn't remember anything once she gets back, though.
00:46:57I love you.
00:47:27I didn't expect you so early.
00:47:29No, I was awake, so I didn't see the point in hanging around.
00:47:31Is that what you brought with you?
00:47:33The rest of my stuff's arriving later.
00:47:35Okay, well, let me show you around so you can familiarise yourself with everything.
00:47:43So, this is your bedroom.
00:47:46And this is the kitchen, obviously.
00:47:50I'm guessing that's mainly your domain, so here I'm not much of a cook.
00:47:53You could say that.
00:47:55Do I have a workspace?
00:47:57Yeah, follow me.
00:48:12Well, I'll leave you to get settled in.
00:48:15If you need anything, give me a yell, okay?
00:48:18I will. Thanks, Rebecca.
00:48:27Bye.
00:48:44Rebecca?
00:48:46Rebecca?
00:48:48Rebecca?
00:48:50Are you alright?
00:48:52I thought I heard a noise.
00:48:54It's probably next door dragging their garden furniture.
00:48:56How about I make us some breakfast?
00:48:58Have you eaten?
00:49:00That'll be why you're looking so pale.
00:49:03You never could go on an empty stomach.
00:49:16I'm going to get dressed, okay?
00:49:18I'll be back in a sec.
00:49:25Okay.
00:49:56It's delicious.
00:49:58Must have been my favourite.
00:50:00Actually, it was.
00:50:02You know, you could say that about anything you whip up and I wouldn't know if you were messing with me or not.
00:50:06You're actually very fond of my haggis.
00:50:08God, please tell me you're joking.
00:50:12I'm sorry if I freaked you out earlier.
00:50:14I guess I'm still a bit anxious about being back in London.
00:50:16It's perfectly understandable.
00:50:18But I promise you, you're safe here.
00:50:20So, are you going back to work?
00:50:22Paul thinks it's for the best.
00:50:24He thinks I'll lose my creative ability if I don't use it.
00:50:30Couldn't help but notice your reaction when I mentioned Paul.
00:50:33Oh, I just...
00:50:35It's fine.
00:50:37I understand.
00:50:39You do?
00:50:41About the animosity between you two.
00:50:44I don't know.
00:50:46It's just...
00:50:47I don't know about you two.
00:50:49He's agreed to bury the hatchet and I'd be really grateful if you'd do the same.
00:50:53Don't want any bad feelings when he comes round.
00:50:56Yeah, of course.
00:50:59That'll be him now.
00:51:01Paul.
00:51:03Yeah, we can go and see an art exhibition.
00:51:10I told you I'm squeamish.
00:51:13That was ridiculous.
00:51:15I know, I know.
00:51:17Let's go.
00:51:47I love you.
00:52:17Here.
00:52:27Very nice.
00:52:29Can't take any credit, I'm afraid.
00:52:31Picked them up from the supermarket.
00:52:43What?
00:52:45You hate tuna.
00:52:46Yeah.
00:52:53So, what have you been up to today?
00:52:55Nothing special.
00:52:57I went to a little French place on Shaftesbury Avenue with Paul.
00:53:05Do you know it?
00:53:07That was our favourite hall.
00:53:09We went there most Sundays.
00:53:11That's probably why it felt like I recognised the place.
00:53:14That's encouraging.
00:53:16Yeah, it was more of a feeling than anything else.
00:53:19Like a déjà vu moment.
00:53:21What were you two talking about when it happened?
00:53:24You.
00:53:26Oh.
00:53:31Don't worry, it was nothing bad.
00:53:34I've just realised I hardly know anything about you.
00:53:38What do you want to know?
00:53:40I don't know. Where did you grow up?
00:53:42Hampstead.
00:53:44How long have you been an art critic?
00:53:46Four years.
00:53:49Must be tough.
00:53:51Being in a position where you have the power to ruin an artist's career.
00:53:55I would never do that to someone.
00:53:57I have the utmost respect for artists.
00:54:00Even if their work was mediocre, I'd still write a balanced review.
00:54:12So, do you have a partner?
00:54:13I mean, I can make myself scarce when you need to be alone.
00:54:18I'd better see who that is.
00:54:32Paul's here to see you.
00:54:34He's just getting something out of his car.
00:54:36I only saw him a few hours ago.
00:54:39Thanks for the sushi.
00:54:40But I think I'm going to get on with some work.
00:54:53Guess who's just sold a shitload of paintings for top dollar?
00:55:04Glasses, please.
00:55:11Err.
00:55:18Wahey! Celebration!
00:55:21Okay.
00:55:25For you, my darling.
00:55:27And one for me.
00:55:29Okay.
00:55:32Here's to the future.
00:55:34Couldn't be happier for you.
00:55:36For us, you mean?
00:55:41You know,
00:55:43there's only one thing that could happen tonight that would make me happier than I already am.
00:56:10I love you.
00:56:41No.
00:56:43I want to see you.
00:57:11What's the matter?
00:57:13It's you. You look different.
00:57:15I can't do this.
00:57:17What the fuck is wrong with you?
00:57:26Open the fucking door!
00:57:28I want you to leave now. Rebecca will be home soon.
00:57:30I don't care if she's coming back.
00:57:32I'm not going to let you do this to me again. Do you hear me?
00:57:33I'm not going to let you do this to me again. Do you hear me?
00:58:03Fuck.
00:58:34Fuck.
00:58:45One, two, three.
00:58:48One, two, three.
00:58:52One, two, three.
00:58:57I
00:58:59love
00:59:01you.
00:59:03I love you.
00:59:13What the fuck?
00:59:22Rebecca, Rebecca, Rebecca.
00:59:23Fuck.
00:59:33Fuck.
00:59:37Fuck.
00:59:42Rebecca?
00:59:46What's going on?
00:59:47Are you okay?
00:59:50Where's Paul? Have you two had an argument?
00:59:52Are you serious?
00:59:53Do you expect me to believe you actually give a fuck about what happens to me?
00:59:56I don't understand what you mean.
00:59:58You leave your girlfriend with a man who's trying to fuck her while you run off in the middle of the night.
01:00:04That's right, Rebecca.
01:00:05I remember.
01:00:08How could you not tell me?
01:00:11How could you let me go back with my parents, let me think Paul was my boyfriend?
01:00:16How could you do that to me?
01:00:18They threatened me and told me not to contact you.
01:00:21I couldn't exactly turn around and say, oh, by the way, I'm your lesbian lover.
01:00:24You wouldn't have believed me and then I might never have seen you again.
01:00:26You should have taken the fucking risk.
01:00:28I didn't want to hurt you. I love you.
01:00:30Bullshit!
01:00:31So you'd have let me sleep with Paul last night because that's how much you love me.
01:00:34You'd have let me roll around with him, kiss his neck the way you like it because that's all I can remember to do.
01:00:41That's how much you love me.
01:00:43You have to understand.
01:00:44The only thing I understand is the people who are meant to care about me don't give a shit.
01:00:49I was attacked. I lost everything.
01:00:52I didn't know who I was.
01:00:55And you all just started lying to me.
01:00:57You let them use my suffering to manipulate me.
01:00:59Do you realise how fucking sick that is?
01:01:02Ginny, I'm so sorry.
01:01:03It's way too late for that.
01:01:05Ginny, I'm sorry!
01:01:11God!
01:01:12God!
01:01:43Nothing but insults and lies.
01:01:46I want to leave with the remainder of my sanity.
01:01:50So bye bye.
01:01:54I'll find better than you.
01:02:00I'll find better than you.
01:02:04Even though I'm broken now.
01:02:08I want nothing from you.
01:02:11You can have it all.
01:02:14I'll find better than you.
01:02:29So where do we go from here?
01:02:31All we can do is stay in the quarters.
01:02:32Things are sure to...
01:02:36Fuck you!
01:02:37Now see here...
01:02:38And fuck you too!
01:02:40Is anyone going to tell me why you've all been lying to me?
01:02:42Lying to you about what exactly?
01:02:45Well where shall we start?
01:02:46My sexuality?
01:02:47Rebecca?
01:02:48Him?
01:02:49I don't know what you're talking about.
01:02:51I see.
01:02:52More lies.
01:02:53I know the truth, Dad.
01:02:54And what do you know, Genevieve?
01:02:57That he is not my partner and hasn't been for years.
01:02:59And you know this how?
01:03:01Did she tell you?
01:03:02Does it matter?
01:03:05You don't even feel ashamed of yourselves, do you?
01:03:07Well?
01:03:08Everything's about you, isn't it?
01:03:11You couldn't care less about the consequences your actions have on other people.
01:03:15As long as you get what you want.
01:03:18You've brought nothing but shame on your family.
01:03:21Not to mention making me the laughing stock of the art world.
01:03:25While you waltz around with that thing.
01:03:27So is that it then?
01:03:28You're just humiliated because I left you for a woman?
01:03:31What?
01:03:32Paul.
01:03:33What were you all going to do when I got my memory back?
01:03:36Did you even want me to?
01:03:37Of course we did.
01:03:38What is so wrong with me, Mum, that you had to lie?
01:03:40You're our daughter.
01:03:42And we love you, even though you are a...
01:03:44That you've made mistakes.
01:03:46Mistakes?
01:03:47Did you say mistakes?
01:03:49She's a filthy lesbian.
01:03:51The Lord does not forgive that, ever.
01:03:53I don't need forgiveness for who I am.
01:03:56And after what you've done, you bring up God.
01:03:59You're the ones who need forgiveness.
01:04:00What kind of people are you?
01:04:02You come into your parents' house and have the audacity to ask them what kind of people they are?
01:04:07Well, we know what kind of person you are.
01:04:09Someone so self-obsessed that you actually thought I'd pick you over Rebecca.
01:04:13That thing you're with.
01:04:16She turned you.
01:04:17She took you away from us and we were only taking you back for your own good.
01:04:20Well, it didn't work.
01:04:22Now I'm going to check on Mum, and then I am done with you.
01:04:26Now, if you're being real, go and tell her that I put you through someone else's hand.
01:04:32That's not it.
01:04:33Rebecca!
01:04:34Rebecca!
01:04:35Rebecca!
01:04:36Rebecca!
01:04:37Rebecca!
01:04:38I'm so sorry.
01:04:39I'm sorry.
01:04:40I'm sorry.
01:04:41I'm sorry.
01:04:42I'm sorry, Rebecca.
01:04:43I don't know what to say.
01:04:44It's okay.
01:04:45It's okay.
01:04:46You're okay.
01:04:47It's okay.
01:04:48Really.
01:04:49It's okay.
01:04:50You're okay.
01:04:51I can't lose you now.
01:04:53♪♪
01:05:03♪♪
01:05:13♪♪
01:05:22Ginny?
01:05:37Ginny?
01:05:39What the fuck are you doing here?
01:05:41To put an end to all this?
01:05:43If I were to ask you to leave Genevieve alone, would you?
01:05:46It doesn't matter what I do.
01:05:47She's with Paul now.
01:05:48She doesn't want to be in a relationship with me anymore.
01:05:51Nice try, but I know you told her the truth.
01:05:55And don't you fucking use the word relationship
01:05:57as though it's normal.
01:05:58A relationship is something human beings have,
01:05:59not fucking animals like you.
01:06:01Ah!
01:06:02Ah!
01:06:03♪♪
01:06:13Ah!
01:06:14♪♪
01:06:20Yeah.
01:06:21♪♪
01:06:29Ah.
01:06:44Can you stop talking about my eating?
01:06:58Becca?
01:07:00Becca?
01:07:01Becca!
01:07:04Oh my god, talk to me, Becca!
01:07:06Becca, talk to me!
01:07:07Come on Becca!
01:07:14Do you need an ambulance? Now!
01:07:18Fuck.
01:07:25Fuck.
01:07:27Please, just leave me alone.
01:07:29She's going to be fine. She's going to be okay.
01:07:33Thanks, baby.
01:07:45Oh, no.
01:08:02What the hell happened?
01:08:05I don't know. I found Becca in our flat, unconscious.
01:08:09Any sign of a break-in?
01:08:10No, because he had my keys.
01:08:15I think the person who attacked Rebecca is the same person who attacked me.
01:08:32What is it? Is it Genevieve? Has she been hurt again?
01:08:35No, she's fine. May we come in?
01:08:45Is your husband here?
01:08:46Yes, but why?
01:09:01Mrs Simmons, you are under arrest for the grievous bodily harm of Genevieve Simmons and Rebecca Sheldon.
01:09:09So she's alive, is she?
01:09:12Stand up.
01:09:17Do you know what it's like to try and prevent your only daughter from being condemned to eternal suffering in hell?
01:09:23I don't, but I promise you, you won't be seeing her there any time after you.
01:09:29What did you do, Eddie? What did you do?
01:09:31Now shut up, you stupid bitch. Do you think I don't know about your past?
01:09:36I don't care what you think of me anymore. You're a monster.
01:09:39And I've been so weak and so guilty. For what? Our daughter's a lesbian. So fucking what?
01:09:45This is all your fault. It must be in your genes. Mother like daughter.
01:09:51Take him to the car.
01:10:16It was my dad, wasn't it?
01:10:24I'm so sorry.
01:10:28I love you so much.
01:10:31Did you say you loved me?
01:10:39Yeah.
01:10:44It just goes into the nose, doesn't it?
01:10:46We're not.
01:10:47Are we actually getting out of bed today?
01:10:51No.
01:10:52We're not.
01:10:56I just heard about your father.
01:11:00I can't believe that's what he got, what he did to you.
01:11:07All of us.
01:11:10All of us.
01:11:14And I...
01:11:19I know it's worth nothing, but...
01:11:23I really did love you.
01:11:40Hello?
01:11:41Hello?
01:11:42Yes?
01:11:44Nancy?
01:11:48It's Elsie.
01:11:51I knew you would call one day. It was only a matter of time.
01:12:09I love you.
01:12:39I love you.
01:13:09I love you.
01:13:11I love you.
01:13:39I love you.
01:14:09I love you.
01:14:10I love you.
01:14:11I love you.
01:14:12I love you.
01:14:13I love you.
01:14:14I love you.
01:14:15I love you.
01:14:16I love you.
01:14:17I love you.
01:14:18I love you.
01:14:19I love you.
01:14:20I love you.
01:14:21I love you.
01:14:22I love you.
01:14:23I love you.
01:14:24I love you.
01:14:25I love you.
01:14:26I love you.
01:14:27I love you.
01:14:28I love you.
01:14:29I love you.
01:14:30I love you.
01:14:31I love you.
01:14:32I love you.
01:14:33I love you.
01:14:34I love you.
01:14:35I love you.
01:14:36I love you.
01:14:37I love you.
01:14:38I love you.
01:14:39I love you.
01:14:40I love you.
01:14:41I love you.
01:14:42I love you.
01:14:43I love you.
01:14:44I love you.
01:14:45I love you.
01:14:46I love you.
01:14:47I love you.
01:14:48I love you.
01:14:49I love you.
01:14:50I love you.
01:14:51I love you.
01:14:52I love you.
01:14:53I love you.
01:14:54I love you.
01:14:55I love you.
01:14:56I love you.
01:14:57I love you.
01:14:58I love you.
01:14:59I love you.
01:15:00I love you.
01:15:01I love you.
01:15:02I love you.
01:15:03I love you.
01:15:04I love you.
01:15:05I love you.
01:15:06I love you.
01:15:07I love you.
01:15:08I love you.
01:15:09I love you.
01:15:10I love you.
01:15:11I love you.
01:15:12I love you.
01:15:13I love you.
01:15:14I love you.
01:15:15I love you.
01:15:16I love you.
01:15:17I love you.
01:15:18I love you.
01:15:19I love you.
01:15:20I love you.
01:15:21I love you.
01:15:22I love you.
01:15:23I love you.
01:15:24I love you.
01:15:25I love you.
01:15:26I love you.
01:15:27I love you.
01:15:28I love you.
01:15:29I love you.
01:15:30I love you.
01:15:31I love you.
01:15:32I love you.
01:15:33I love you.
01:15:34I love you.
01:15:35I love you.
01:15:36I love you.
01:15:37I love you.
01:15:38I love you.
01:15:39I love you.
01:15:40I love you.
01:15:41I love you.
01:15:42I love you.
01:15:43I love you.
01:15:44I love you.
01:15:45I love you.
01:15:46I love you.
01:15:47I love you.
01:15:48I love you.
01:15:49I love you.
01:15:50I love you.
01:15:51I love you.
01:15:52I love you.
01:15:53I love you.
01:15:54I love you.
01:15:55I love you.
01:15:56I love you.
01:15:57I love you.
01:15:58I love you.
01:15:59I love you.
01:16:00I love you.
01:16:01I love you.
01:16:02I love you.
01:16:03I love you.
01:16:04I love you.