Johnny Jarvis (1983) (Episode 6)
Part 6 of 6 of the 1983 drama. Johnny and Stella move in with Alan in his new flat, but it's an awkward menage a trois. Alan is still reeling from the shocking revelation of the last episode, as well as witnessing a murder and decides that justice must be done in some way. And his preocupation with this threatens his friendship with Johnny and Stella, as old recriminations rise to the surface and each one's circumstances widen ever further.
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00:00You
00:30I
00:32I
00:58Where is he?
01:02I
01:05Love me two pounds, please
01:08Wife keeps a bank
01:23Well, I'll find something love even if it's washing dishes
01:26Johnny and Stella had finally had enough of mrs. Jarvis senior. I had one of those nice new flats with lots of carpet and no furniture
01:37So they came to me
01:40Menage a trois they call it in this case. At least it was comfortable courtesy of Stella and my checkbook
01:48This is like it used to be
01:50Is it?
01:52Nothing to do days our own
01:56Certainly let them
01:59All right, I'm off way to jobs
02:04Oh
02:20Now give her a fade yeah, I know I know and get around my mom's 412 I
02:29See that everyone
02:32Okay, now don't say any rubbish Johnny
02:36Company director
02:42The black economy was doing fine Paul Turner and Kenny's firm had got itself brand new offices
02:47I must say I never thought that Kenny's approach to business would be well
02:53Acceptable Kenny. You're not really gonna call yourself dog leash. Oh, yeah, I am
02:59I've got serious stats about that being legal Kenny
03:03Which is why it is necessary to have a different name for business purposes
03:11There's a certain gentleman called Kenneth Don Cannon who owes the revenue a considerable amount of money
03:20Those damn bureaucrats
03:23Them have no respect for real work, you know
03:29Is
03:31That your real name in Kenny Don Cannon
03:34Is a name I borrow sister for a previous company. I still think dog leash is ridiculous
03:40I have great respect for the ridiculous
03:52Hi guys
03:54We bank in too much cash these days
03:57The accountant informed me
04:00He ain't no cannon in no an accountant right, right
04:06One two, one, two, three four
04:26Oh
04:40Yeah, why don't you replace butter deep deep down with that
04:49Surprise surprise, it's another little song about your mate Johnny. It's going on Lipton. Is this love affair? No, it's a trilogy
04:55Trilla what it's another big words allowed uses it these days
04:59Anyways to say that that Johnny's my Johnny. Oh, it's my Johnny. Now. Is it I'm telling you this is a love affair
05:04I'll go
05:06So you'll make Johnny does he like this? It doesn't know he can't stand it. He thinks it's a load of shit actually
05:12Well, well, well
05:17Johnny
05:19You ought to learn the way to stop them taking over
05:23Some people here are living it up like pigs in traditional clover
05:29You know your right arms good for a job
05:32And if you can't find one that suits
05:35Go down the market take what you want with a couple of good right boots
05:42Listen guy what that song could work. I'm not saying the words are great, but it could work
05:48So just sing it properly song isn't just a lyric
05:52Sing it properly boys and girls
05:55Right. What we have there is a song
05:58Written by Anna Lipton telling us to go down the road kick in a few windows nick a couple of TV sets
06:03Prove to the world just how oppressed you are. You want me to sing this properly come off it lips
06:07I didn't know you was in a decorum. Well, I am into decorum in music guys. So bloody well sing it decorously. Okay?
06:12Yes, sir master
06:14Right verse two of this extremely dangerous rubbish written by Anna Lipton working-class boy make good
06:21Do it again right same tunes before
06:24one two, one two, three four
06:38Johnny gets a gyro Monday morning Johnny gets a girl on a check
06:44Johnny gets a fix from the politician, which is turning Johnny into a wreck
06:49Johnny reads the papers Johnny reads the news and they're hoping it's gonna get better
06:54It's like waiting for a lover who's a long time dead to write you a begging letter
06:59You take it. What's this is yours? Why don't you take what's yours is theirs you take it?
07:06What's this is yours? Why don't you take what's yours is theirs? What's this?
07:12Is yours and what's yours is theirs? So why don't you just take it?
07:23You just take it. I like Joe
07:28Alright
07:31I'll get the coffee nice
07:34Nice
07:37What hey just a song
07:42It's a song I yeah, I don't know it's money in it. Yeah
07:49I'll get a coffee two sugars there wasn't cut out to be a swipe. I don't know about that
08:00Just shy guy
08:04I
08:09Can't find anything
08:23What time do I tell Johnny's mom you'll pick her up about four
08:27She's not breakable. You know Alan is she oh for God's sake Helen out
08:34Oh
08:53I'll put it asleep. Helen's taken her to your mom's
08:57Oh, she's coming don't be pathetic Johnny. I can't stand it when you're pathetic
09:09Who said I was pathetic
09:11Honey said I like me daughter's company. Is that wrong? She's a baby Johnny. She's a little baby. So what's wrong with babies?
09:18I make a lot more sense a lot of big people
09:20I
09:23Just look okay
09:25What?
09:26Because Lipton's taking me to the rehearsal after I won't worry if it's just a rehearsal
09:32She got your arm one of them other later bats. Oh spare me Johnny
09:37Why are you so ready to take offense these days still no way to get there? Yes, if you must know
09:42I can't wait. I enjoy it. I like going out with him
09:46We're supposed to be married so what so I thought that I thought I wouldn't mind
09:52But if you don't like it, you know what you can do. Don't you what what could I do? You can piss off out of it
10:09Wait
10:11For God's sake Johnny what's happened to your spine?
10:15You've only been out of work six months he was gonna try anything but now you don't even try do ya
10:22Can't you see? I'm only trying to get some life into you
10:26I'm trying to wake you up Johnny, but you've given up you don't even try
10:31Why why should I try?
10:34Listen to your voice. I hate to say this, but it isn't very attractive
10:38Well, it isn't very attractive. Is it not unless you're writing songs about it. Well, that's his job in it
10:44Sudden cushy number isn't all I don't know so much
10:48He uses me still
10:51He even uses my name he can't be bothered to change my sodding name
11:00Some people might be made for this still but I tell you I ain't I had one thing I could do and now I can't
11:05even do that
11:08I'm gonna have to go. Yeah
11:11Will you stay I think so. Yeah
11:17Will you be careful still before he starts using you
11:42Oh
11:54I'm sorry Johnny, but you know what it is. I don't know where he is. It's interesting
12:03It's not that Johnny it's that way you sit and look at me that I can't stand
12:08Well, it's like he was a dog or something and I took your bone
12:11I can't take it no more
12:13If you want to go you go
12:16So to your precious bloody mum, that's where
12:29What your final liquor
12:41Once Johnny had gone my mind went back as it tends to even today to the subject of fathers
12:48To be more precise to Jake Lipton and the man. He'd shot right there in front of me the colonel
12:54He addressed the colonel had given Jake had stuck in my mind
12:57Two weeks later after one simple phone call I was there
13:04Lipton
13:06Couple of thousand quid in a long chat would do
13:10More of a goodbye chat, mr. Green
13:37Oh
13:56Quite a few people want to have a chat with Jake Lipton. Yeah, I'm sure
14:02We could talk to him together
14:08Thanks, I don't see why not
14:12Chop his hands off and throw him in the river. I what have you been watching?
14:18warehouses and the local police force
14:23The local police force old son is the least of our problems. Yeah
14:27Suits them very well to have the fat man out the way why no
14:36You don't feel the same way I take it no
14:39No, I was at a particular stage of a business relationship
14:44It wasn't just that Jake walked off with the fat man share
14:48He took mine and all
14:50Yeah, well, um, I want to see him for any number of reasons number one he happens to be my father
14:59Close were you
15:02Thought we might be once I
15:05Think you may change your mind about a late friend the colonel. I
15:09Think you may find a little bit of good in him after all
15:14I
15:16Know I think you may find a little bit of good in him after all
15:21That's my theory. You know, there's a little bit of good in all of us
15:29Why might I do that then because he was your father
15:40Life stopped for me when I found out who my father was
15:44I don't remember anything for the three months after green told me
15:49Somebody let me know johnny was living rough, but I didn't pay any attention
15:55There just didn't seem to be anything to say about anything really
16:13I
16:17Don't know
16:20Where have you been
16:26Come on
16:40You haven't been near me have you
16:44It's been hard man
16:46Is it
17:13I
17:31Left that
17:38You shouldn't have done that I
17:41I couldn't take no more man. What?
17:46Her and him
17:48Lipton I
17:50Thought I could but I couldn't
17:54You left the baby, too
17:59Yeah
18:02Well
18:05You're home anyway, I suppose yeah
18:11I put the decorations up then. Well, I thought I would
18:19I'm off to bed man still in there
18:40I
18:50We're going to see your daddy
18:52We haven't seen your daddy in a long time, have we?
18:55No, we haven't.
19:04Where is she then?
19:06Can't you two use each other's names?
19:08Where is she?
19:09Is that a shock then?
19:22Hello.
19:26You can pick her up, you know.
19:28Wash your hands first.
19:31So how are you then still?
19:33Well, I'm down for a cup of tea.
19:35Yeah.
19:36Certainly, madam.
19:45So how you been?
19:47Not so bad.
19:50I missed you.
19:51Yeah, yeah.
19:55She's missed you.
19:56Has she?
20:01You could have come to see her, you know.
20:04Nah.
20:05I didn't like to.
20:09He's missed you.
20:11A genius.
20:11Yeah, a genius.
20:13You working?
20:16It keeps on at me to pack my job in, but I won't.
20:19It's my independence, isn't it?
20:20Mm.
20:23And, uh, as?
20:26OK.
20:27OK.
20:31Don't be so bloody nice about it, Johnny.
20:33I'm sorry.
20:34We're together, OK?
20:35I know.
20:36I know.
20:40Was he always a reader?
20:41He lived and, yeah, I suppose he was.
20:46He was generally reckoned to be a bit thick.
20:48Something else now, I can tell you.
20:51Well, it's natural, isn't it?
20:52When a person gets a bit of confidence, he...
20:54He what?
20:56Well, he gets more confident, I suppose.
20:58And when he don't?
20:59He gets less.
21:00Oh.
21:02Nice to see you, Johnny.
21:04It's nice to see you still.
21:07Sometimes he scares me.
21:09I don't understand what he says.
21:11I don't know what he's thinking.
21:14Well, try.
21:15Sometimes he goes on at me all day.
21:18He doesn't speak.
21:19He just sits there in silence and goes on at me.
21:22Yeah, I know.
21:26Will you come and see her?
21:27Yeah.
21:28Of course I will.
21:32Well, I, eh?
21:35I feel...
21:36Look, maybe I was never your sort of person still.
21:40I'm a safe sort of goose, all right?
21:43He makes me feel so bad sometimes.
21:46Yeah?
21:47And other times, so good.
21:50Don't rub my face in it, Stella.
21:53I've got to get to the shops.
21:55No.
21:56Stella.
21:57What?
21:59Can I keep her with me while you're out?
22:01Of course.
22:02Of course you can.
22:05Well, at least we get on, eh?
22:07Yeah.
22:08Yeah.
22:10See ya.
22:11See ya.
22:14Well.
22:15Yeah.
22:16Well, I suppose we better get your dinner, eh?
22:19And what would madam like for first course?
22:22Goulash.
22:23Fried or boiled?
22:26Just be natural, all right?
22:28How can I be natural?
22:31My god, I'm panicked, you know.
22:33We'll lead up to it.
22:34Yeah?
22:35Gradually.
22:36Yeah.
22:37But you should have introduced me before.
22:40If I'd have introduced you before, it'd have been no good.
22:43Well, why not, Paul?
22:44It just wouldn't have been.
22:47I'm embarrassed.
22:48I told you, we'll lead up to it gradually, all right?
22:58Hi, mum.
22:59This is Rose.
23:00We're getting married.
23:02Ain't you the hardback man?
23:04All of a sudden.
23:05Yeah.
23:06Yeah?
23:06Who says?
23:08Married?
23:09What do you know about marriage?
23:10All you know is you're spending all your money.
23:12You can't help it, love.
23:14No, you just have to wait.
23:16OK.
23:17All right, superstar?
23:19Where's Paul?
23:20In the shop.
23:23Well, well.
23:24It's the celebrity.
23:26What you doing here?
23:27Getting lunch.
23:36Visitor for you, Paul.
23:38Lipton.
23:39All right?
23:40All right.
23:41I didn't know you worked here.
23:43I'm company secretary.
23:44I thought I was company secretary.
23:46Not today, you're not.
23:48We rotate.
23:50Oh.
23:51What can we do for you, then?
23:53Show of hands for your gold discs?
23:56Not really.
23:58I was wondering if you could tell me where I could find Manny.
24:03Look, I was a bit stroppy with you last time.
24:06Think nothing of it.
24:09Right, then.
24:10How many of them are in on it?
24:13How many of what?
24:15Coppers.
24:17Ah.
24:19Look, if I can find Jake, I think I can get him to talk.
24:23Give us names and numbers.
24:25Why would he talk?
24:28He might not want me to introduce him to some other people,
24:31if you know what I mean.
24:33I think so.
24:35All right.
24:36I'll call for you here.
24:41I'm really glad you came by.
24:43Let's get it sorted.
24:45Look after yourself, all right?
24:47All right.
24:49See you.
24:52Now, he's a greatly improved young man.
24:56His career must be going badly.
25:37I wish you'd do something.
25:43You've gone really bloody weird, I tell you.
25:47Oh, Stella.
25:49You've got to be joking.
25:50Where have you been?
25:52You've got to be joking.
25:54I never knew you were such a tough nut to crack.
25:57Get off me.
25:58Get off me.
26:00You know you were always a tough nut to crack.
26:02Get off me!
26:04Oh, Stella, I thought you were gone.
26:06Look.
26:08No, no, no, no.
26:09I'm not going anywhere.
26:10I'm not going anywhere.
26:11No.
26:13I could take it once, but I'm too old for it now.
26:16You sit there with that look on your face and I can't stand it.
26:19Why can't you stand it? It's my face, innit?
26:24You know why I can't stand it.
26:26Why can't you stand it?
26:27Because I'm stuck with it.
26:29And why are you stuck with it?
26:32Do you like to hear me say this?
26:34Is it just because I'm old and I can't stand it?
26:37I don't know what you're talking about.
26:39I don't know what you're talking about.
26:41Do you like to hear me say this?
26:43Is it just a cruel way of getting me to say it again?
26:46Say what again?
26:47That I love you.
26:48That you were what I always wanted,
26:50even when you were an ignorant little bastard with different glasses.
26:53I love you, if you want to know.
26:55But I don't know if you love me, or if you love anybody,
26:58or if you love anything.
27:00But I'm frightened of you, Alan.
27:02I've got frightened of you.
27:04I'm frightened of that cold look in your eyes,
27:06like you was taking notes on me or something.
27:08You're too far outside of everything.
27:12Maybe.
27:13Maybe what?
27:14Maybe it was a cruel way...
27:15Oh, for God's sake, don't you do it to me at all!
27:22Look, I don't understand, Stella.
27:26I'm wiped out.
27:31My mum...
27:35You should have stuck with Johnny.
27:37Should I?
27:41He's all right.
27:42He's not, you stupid fool!
27:43That's why I'm not with him, if you must know.
27:49Well, what do you want?
27:50All I want's a man, but there ain't too many around.
27:55I'm sure Johnny will come through for you.
27:58He's the solid type.
28:01Good family background.
28:07Do you remember Manning?
28:09I remember.
28:14He practically done him in.
28:16Two yards away from me, in front of me.
28:19Who?
28:22Daddy.
28:23Who?
28:25That fat man I was playing cops and robbers with.
28:29He was my father.
28:31They shared my mother a long time ago.
28:33She went backwards and forwards between them like a yo-yo.
28:37Bit like you, me and Johnny, innit?
28:39How do you know all this?
28:41A geezer who was in with him calls himself Green.
28:46Had letters from my dad.
28:50He had my birth certificate.
28:53He kept everything.
28:57My name isn't Lipton.
28:59It's Shannon, or Cannon or something.
29:07I wonder why he kept everything.
29:10Well, what difference does it make?
29:19What difference does it make?
29:21Who your father is, or your daughter?
29:25I don't know. You tell me. What difference does it make?
29:28What are you gonna do?
29:30I'm gonna find Jane.
29:32Stick one on him, will you, for trifling with your affections?
29:36I won't, but somebody will, I expect.
29:40Vindictive little bastard, aren't you?
29:42Yup.
29:46I miss Johnny still.
29:51Hope one of us makes out anyway.
29:57Rock-a-bye, Yvonne, on the treetop
30:03When the wind blows, the cradle will rock
30:07Mum, leave her alone. She's tired.
30:09When the car breaks, the cradle will fall
30:15Down will come Yvonne, cradle come
30:25They're still her now, Johnny.
30:27Yeah.
30:29Sorry I'm late, Mrs Jarvis.
30:31Thanks for looking after her. She been OK?
30:34No trouble. She just dropped off.
30:37Have I missed much? No, it's just starting.
30:40Well, that was New Wastrels, with their latest single,
30:43Friday to Monday. It was taken from the album Too Good To Lose,
30:46which everybody, and I think quite rightly, is playing a lot.
30:50I have New Wastrels with me at the moment,
30:52and the man who has been responsible for most of the songs,
30:55Alan Lipton. Turning to you first, Alan. Yeah?
30:58Any new songs? None.
31:01You too busy? Not enough talent.
31:04I'm tired.
31:06Alan, a lot of your songs have expressed... What?
31:09Frustration. The frustration of young people.
31:12I'm not young. Well, no-one said you was, Cloughears.
31:18No, it's just my frustration, I suppose.
31:23Yeah?
31:26Very dull subject.
31:29So you don't have any plans to write... Guy is writing a lot of stuff these days.
31:35Alan, can I ask you if... No.
31:38You can't.
31:41You can't ask me anything at all.
31:47Sorry.
31:52Well, let me turn to you, Guy. You've been...
31:55Sorry.
32:20Sorry. What's up?
32:23Something's up with him. What?
32:26Oh, nervous breakdown, I expect.
32:30Something like that.
32:33I'd better go and see him.
32:36He'd like that.
32:39Is he really jacking it in?
32:42Looks like it. Doesn't write any more.
32:45Just sits in that brand-new place of his, staring at the wall.
32:48Well, well, well.
32:53Thanks, Mrs Jarvis.
32:56I like it when everyone's with you. Yeah?
32:59I have to find someone for her while I'm out.
33:02I don't think Alan Fernsey's been a dead much.
33:05Leave her whenever you like.
33:12Come off it.
33:14You like having her as much as I do.
33:16Do I?
33:18And stop sniffing.
33:21I didn't know I was sniffing.
33:24Well, you were, Mum.
33:27Now, what's between me and Stella is no concern of yours, right?
33:30And it never has been.
33:32If you really want to know, if you hadn't poked your nose in quite so much,
33:35perhaps things might not have got this bad.
33:37Now, you get the baby to play, we're all well and good,
33:40but I won't have Stella upset.
33:43And if you want your granddaughter to stay,
33:46you'd better start learning that, right?
33:50Long speech.
33:52Long speech.
33:56Look, Mrs Jarvis,
33:58nobody could be sorrier than me for what's happened.
34:01Honestly, nobody. No.
34:04Don't let's fight, eh?
34:07If you say so.
34:09I say so, Mum!
34:14I never thought I'd hear you
34:17say those things to me, Johnny.
34:22I should have said them a long time ago.
34:25Now, we're having an important conversation.
34:27If your dad...
34:29My dad's dead and I'm 21 years old.
34:32Now, get in there.
34:34In!
34:36Oh, Johnny.
35:06Which way?
35:08Which way?
35:10Which way?
35:12Which way?
35:14Which way?
35:16This is a riddle to my brilliant mind
35:18Now, when you call me boy, you won't know me far
35:20When you talk, you stammer
35:22Once upon a time before I ever heard your tammer
35:24I sounded like this
35:26It's quite odd, really, all right?
35:37MUSIC PLAYS
35:49Since then I've sounded a little sweeter
35:51If the Queen came round, I'd be an ugly reader
35:54I wouldn't have stuck one on a dead starved reader
35:56I sounded like this
35:58Don't say you've a lover, boy. You don't, mate.
36:00Now, Johnny's hung, things are a little hotter
36:02There's perfectly nothing left to eat in Atlanta
36:04The dumbest little girl's got a number in her garb
36:07And so I sounded like this, screamin' a bit on the choir
36:10Everybody's talkin' about younger vandals
36:34They make the bottles off an old lady's sandals
36:37And what they do to policemen is a national scandal
36:40So I'm soundin' like this
36:41Look, I'm hard, I'm one of the lads, you know what I mean?
36:43But on the other hand, who's the little bleeder?
36:45His mum ain't got nobody to feed her
36:48Just about the summer, this is Dorothy Torpedo
36:51So I'm soundin' like this
36:52Oh, I'm sorry for the poor little unemployed bastard
36:54But I'm fine, things are gettin' harder
36:56I'm Johnny and a little girl and now he hasn't got her
36:59So I'm soundin', yes, I'm soundin'
37:01Yes, I'm soundin' like this
37:03Yes, I'm soundin' like this
37:13Well, it ain't commercial, is it?
37:15It's dead catchy
37:16What's commercial?
37:18It's personal, Dave
37:19I mean, everything we're livin' is personal, isn't it?
37:23Alan?
37:26Well, come on, Alan, share your problems
37:28Go
37:34I can't
37:36I can't
37:39How's her name?
37:43Just do what you want with it, all right?
37:54So who's gonna write her material now, then, eh?
37:58Alan?
38:18I wanted revenge on Jake Lipton for wasting six years of my precious time
38:23The only person who could lead me to him was Manning
38:25All those years ago at Bella Glen School
38:28Had been my exquisite tormentor
38:30Well, you know what the Italians say
38:32Revenge is a dish best served cold
38:40How's it goin'?
38:42It's not really
38:44No
38:47I had a hell of a job to find you
38:52Yeah
38:53Well, don't you wanna know how I did it?
38:57No
39:01Manning, none of us got done any favours
39:07Young people
39:10You know, you ever heard about young people?
39:14Oh, yeah
39:17They nearly killed me
39:20That's what I wanted to talk to you about
39:23Look, I just stand here
39:26And sometimes I look at tickets
39:28That's all
39:34He killed him, you know
39:37What?
39:38The colonel
39:39He's dead
39:41Jake shot him
39:43I don't know nothing about that
39:45I don't even wanna think about that
39:48Look, all I do is stand here
39:50And watch hands coming out of windows
39:51That's all
39:55Listen, Manning
39:57We both got done over
39:59Good and proper
40:01They used us
40:03That's all
40:05All of us
40:08We come out of Bella Glen fighting
40:11And they screwed all over us
40:18So what do you want me to do about it?
40:21I wanna find him
40:24I wanna find the bastard that wasted so much of my time
40:28I wanna find Jake
40:30Your dad?
40:32He wasn't my dad
40:33He was never my dad
40:35He was nothing, OK?
40:39Look, I don't...
40:47You're not a bad bloke, Lipton
40:51Take this number
40:53Are you staying about with him?
40:57Maybe he can help you
41:01Thanks
41:08So what you been doing?
41:11Not a lot
41:13See ya
41:15Yeah
41:32This is the one, Kenny
41:33Find something to match this, man
41:34What do you wanna do that for?
41:40Hello, hello, hello
41:41What do you think of that?
41:42Great, you're counting in
41:43Benny, this is right, man
41:45Come on, find something I like
41:46I don't care what he says
41:47Find something for this
41:50Benny?
41:51Aye
41:52Aye
41:54Listen, I've got some good news
41:56Yeah?
41:57I've found him
41:58Well done
41:59And I think I can get him to talk
42:01By?
42:02There's some other guys that want to meet him, remember?
42:05Well...
42:09I think we should see him right now
42:11Now?
42:13Now
42:14I'm coming
42:15Aye?
42:16You heard
42:18Hey, Paul
42:19He's one of the guys that set me up
42:26Now what are you two going to do about it?
42:28Just drive
42:31Driving is a risky business
43:01That's him
43:10I'm staying
43:11Yeah?
43:13It's not a game, Lipton
43:15These people kill, you know
43:18Yeah, I know
43:20If you're not back in five minutes, I'll get help, right?
43:47I can't offer you a drink, I'm afraid
43:50Never mind, bad
43:52Well, what's the matter with you?
43:54I met a man called Green
44:00What do you want, money?
44:02Why did you lie to me?
44:04About being my father
44:06Why did you deliberately lie to me?
44:09It's what you wanted to believe
44:11It's what she wanted to believe, actually
44:14And how about you, then?
44:17Maybe
44:19You had a fine time playing dad's with me, didn't you?
44:24What do you want, money?
44:45All right
44:47I want you to tell this geezer all you know about it
44:51How many of the law are mixed up in it?
44:58Now, you just sit there, son, quietly
45:02And your friends will be OK
45:04Otherwise...
45:13What's Green?
45:14Does he bring the stuff in?
45:16Yeah, he was the importer
45:18The gentleman and I did the distribution
45:22Well, he wants to see you very badly, this Mr Green
45:25I went to see him
45:27He's expecting me to call
45:29And there's a bloke outside in a van with his telephone number
45:32Now, if you won't talk to my friend, he's going to get called sooner than I planned
45:37I see
45:39Otherwise I get a chance to get on a plane
45:42Yeah
45:44OK
45:46You want a few copper's names, yeah?
45:48I've got nothing against policemen
45:50They're no more spent than anybody else
45:52You, for example
45:53Car
45:55Weight
45:56You won't be able to use any of this
46:00He will, though
46:02Why are you pointing Green in my direction?
46:04Because you started it, that's why
46:08Because you lied to me from start to finish
46:12You used me, that's all
46:15OK
46:17Right
46:19There was a D.I. named Taylor
46:21He, er...
46:27Afternoon, Jakey
46:31Out!
46:32Out!
46:42For Christ's sake, come on!
47:43Where will you go?
47:46You are still going
47:48I'm going to see Johnny, see if it'll work out
47:51How will you know?
47:53By a look in his eye
47:54There's not much to go on
47:56You'll find someone, Alan
47:58Christ, why am I making you feel good about it?
48:01You're the one giving me the shove
48:04Do you love him, like you say you do me?
48:08No
48:09I love him in a different way
48:11But you wouldn't understand that
48:15I hope he gives you the right look
48:17I've got a feeling he will
48:20Get my stuff
48:22The country and eventually the area of low pressure
48:41Alan, Alan, just got to say, in all seriousness
48:43In dead earnest, I'm being...
48:45This is my earnest...
48:46Get off my face!
48:47This is my earnest face now
48:49Just like to say thanks a lot
48:50For everything you've done over the last couple of years
48:52That's goodbyes, all right?
48:54This is me, all right?
48:55I'm having fun!
48:56Cheers, Lippy, all right?
48:57God bless, man
48:58See you soon, all right?
48:59Lippy!
49:00Cheers, Alan, cheers, Alan
49:01Thanks for everything
49:02Thanks for being the only one of these bastards
49:04Who didn't think I'd just come off the boat, right?
49:06Not me
49:07Cheers, mate, all right?
49:08Take care
49:09Righto
49:10Sincerity now
49:11Stretching right across Scotland
49:13And into Ireland
49:15Let's get this...
49:45My friend Johnny from across the road
49:56At school he did it properly
49:58He never was a boy who quarrelled with the world
50:01He was the kind who'd always wait and see
50:04He'd never give you trouble in a lesson or a class
50:07But live out every school day
50:10In a natural and reasonable health
50:12Your brother on his way
50:15But Johnny, I said to him
50:18It's getting late, I said to him
50:21We're running out of reasonable people
50:23Yes, Johnny, I said to him
50:26This is a bad time
50:29We're running into bad times
50:32I can't see any other than bad times
50:34On the way ahead
50:37And don't you know that bad times
50:39Require bad, bad people
50:42For the bad times
50:45And this is what I said
50:47Yeah, this is what I said
50:50And this is what I said
50:53Yeah, this is what I said
51:03Well, I'm looking for somewhere
51:05Do you want to come back?
51:06I don't know
51:07Think about Yvonne
51:08Yeah, I'll think about Yvonne
51:10And I'll think about you
51:11Oh, me?
51:14Well, you should think about you
51:16They didn't do right by you, Johnny
51:18Nobody did
51:19They give you all these promises, all this training
51:22You go to the ends of the earth to find something suitable
51:25And at the end of the day they wash their hands of you
51:27And say, no, or sorry, mate, that's you finished
51:30I mean, you're 21 years old, Johnny
51:33Why should you take it?
51:35Why should you lie down and take it?
51:39Please don't
51:40I'll stand it when you're like that
51:42Like what?
51:43Beaten
51:44I'll try, but...
51:45I don't know whether I want someone that's beaten
51:48Look, I will, I'll find something
51:50I don't want to hurt you again
51:52I'll get a job, I'll be all right
51:54Where are you going to get one?
51:55Off the bloody trees, I don't know
51:58I'm trying still
52:01Come back
52:04All right, then
52:06I don't know
52:08Sometimes I think I've had it beaten out of me and all
52:11All the fight
52:12Nothing left
52:14Nothing
52:15Don't say that still
52:21I'm coming back
52:33I'm coming back
53:04Well?
53:05Can't get rid of me
53:08Stay in
53:12I've just been to see the old lady
53:14Yeah?
53:20Well, I never gave her a chance, did I?
53:22You told me
53:24Now I'm off
53:25To?
53:26The unknown
53:28The unknown
53:30To?
53:31The unknown
53:33Sounds interesting
53:35You writing songs again?
53:37No, not songs
53:38No?
53:39But I'm writing something
53:41Probably won't come to anything
53:44You working, Johnny?
53:45No
53:49Something will turn up
53:50You reckon?
53:53You working?
53:54I work 24 hours a day
53:57He looks...
53:58Like somebody died?
53:59Yeah
54:05Look, come on, I'll buy you a drink
54:07No, it's all right
54:08Look, you don't have to buy it
54:09You said it's all right
54:10Thanks all the same
54:12We're on the same bloody planet, aren't we?
54:14Are we?
54:16Well, where are you going?
54:17To sleep
54:18I don't charge for that
54:22Johnny?
54:24Johnny?
54:29Stella?
54:53...and self-respect
54:55We have regained the regard and admiration of other nations
55:00We are seen today as a people with integrity, resolve and the will to succeed
55:07Britain is once more a force to be reckoned with
55:11Formidable difficulties remain to be overcome
55:14But after four years of Conservative government
55:18National recovery has begun
55:22We have returned to free enterprise many state firms
55:26We have cut income tax rates
55:29We have strengthened the police and armed forces of the Crown
55:34The bravery, skill and determination with which Britain's taskforce recaptured the borders
55:41reverberated around the world