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00:00If you take my daughter, I swear I will never marry you, never.
00:17It's okay.
00:19What?
00:21Martina will not have to go to the convent.
00:23I'm going to do it with Adolfito, mother.
00:25There will be some remedy, Virtute.
00:27But...
00:28Look, for now, you and I are going to go talk to the mayors, Simona.
00:33That last minute change?
00:36The Count is not going to let me go for free so suddenly.
00:40What do you mean, Mrs. Alcos?
00:42Well, at some point he will have to take care of the generous donation
00:46that has been given to the nuns to compensate them for the inconveniences.
00:49There is no one better than you to take such a delicate issue.
00:52No, Doña Pia, if you go, you will end up losing the trial.
00:58Of course, there is something there, but it is not very good.
01:01Well no, Hanna, it's bad.
01:03Requete, bad.
01:04But I don't want any more fights or more outbursts of tone.
01:07And I don't want Santos Peleo or Malencarado either,
01:10but the efficient street that has a bright future ahead.
01:15You will have that new Santos.
01:18I have to get out of here as soon as possible.
01:20That doesn't sound fun at all.
01:24I have already extended the moment too much.
01:26I don't gain anything by revealing your secret either.
01:30You have the right to live in peace.
01:33I'm not going to lie to you, Santos, I don't trust your words.
01:37And I don't intend for you to do it.
01:39Well then leave me alone once, it's not that complicated.
01:42She's so beautiful.
01:43But what kind of flowers are you going to wear, Maria? You haven't answered me.
01:46She hasn't answered you because she's been silent.
01:49She, who is the most interested in the wedding, doesn't say a word.
01:52Are you okay, Maria?
01:54It's just that there are so many things.
01:56Why can't I help but get excited?
01:59Why don't you take me to see Doña Pia before doing something that has nothing to do with it?
02:06To the cave?
02:08Yes.
02:10You have asked me how I feel about you.
02:14And I still don't know what you feel about me.
02:16Look, I don't want to think anymore.
02:20I've been hiding in a hangar for months.
02:22Without doing anything but think, I'm fed up.
02:27I want to propose something to you.
02:33And well, what is that proposal?
02:36There is something that I have made clear these days that we have been together.
02:41I don't know if I can answer what you feel, what I feel.
02:47Whether what happened between us is still alive or not.
02:49Catalina.
02:50But I don't want to lose you.
02:56So, are you staying here with me?
03:00Maybe.
03:02But on one condition.
03:05Whatever you want.
03:07Let's leave the past behind, please.
03:11If we are going to move forward, let it be from scratch.
03:14No lies.
03:15Yes, I don't want it to be otherwise either.
03:17I am fully aware that it will not be easy for us to bury everything we have lived.
03:22But if I keep going around, I'm going to go crazy.
03:27So I want to start rebuilding our relationship.
03:31From scratch.
03:35Like two old friends who meet after a long time.
03:40And they want to see what is left of what they shared.
03:44Without forcing anything that may come in the future.
03:47Trying to enjoy every moment we spend together.
03:56Do you think we will get it?
04:01I think it's worth trying.
04:06And if after a few days we see that there is nothing to save ...
04:10We will separate our paths again.
04:13That's right.
04:15Do you agree?
04:17Yes.
04:20It's your choice.
04:48I love you.
04:50Me too.
05:17I love you.
05:47I love you.
05:49I love you too.
06:18Martina.
06:20I guess ...
06:22You must have missed these animated family scenes a lot.
06:27Although, to tell the truth, in your absence,
06:30the topics of conversation were much more interesting.
06:34What do you think, Ayala?
06:36Lorenzo, stop being mysterious.
06:39I don't know what you're talking about.
06:42I don't know what you're talking about.
06:44Lorenzo, stop being mysterious.
06:47There is nothing that can be told here
06:50that could not be told to Martina.
06:53Honey, we are all very happy that you are feeling better.
06:56Thank you, aunt.
06:58I'm glad you say that because, to tell the truth,
07:02there is something that concerns me.
07:04Well, think very well, if it is not better for you to keep it to yourself.
07:08Since it affects us all, I see no reason not to talk about it.
07:11Instead of giving so many rounds, why don't you tell Clara?
07:15Okay.
07:18If we assume that we do,
07:22that Martina is not responsible for your poisoning,
07:26that means that we have a murderer among us.
07:29Lorenzo, please.
07:31I'm sure you've all thought about it.
07:33Maybe it was an accident.
07:36An accident? And how is that?
07:38Because cicuta poisoning is more common than we think.
07:42I was hoping you would say something smart.
07:45Lorenzo, don't blame the boy.
07:47An accident with a bottle of cicuta piling up around the house? Please.
07:51In any case, the best thing we can do with this unpleasant matter
07:55is to leave it behind once and for all.
07:58Besides, the count has not suffered any more attacks, right?
08:01Well then, the most plausible is the theory of the accident.
08:04Plausible? I didn't get it.
08:06No, Lorenzo, leave it now, please.
08:08You can discuss whatever you want,
08:10but I would like to know Ayala's opinion.
08:13Is he the main interested party?
08:18Yes.
08:20But not in the way you think.
08:23Ignacio.
08:27There is a possibility that he would never take that cicuta.
08:30But what are you saying?
08:32Do you want to be clearer and stop playing games?
08:35You have all labeled me insensitive and bad
08:40for the way I have managed this situation.
08:43But above all, due to Martina and Margarita's insistence,
08:48I decided to ask for the opinion of a different doctor.
08:54But when was that?
08:56Why didn't you say anything?
08:58I didn't want to generate false expectations
09:01until I knew exactly what happened.
09:03So?
09:05The first doctor made a mistake in his diagnosis?
09:08No, he was not wrong.
09:10But it was an incomplete diagnosis.
09:13Apparently, there are other diseases
09:17that can give the symptoms I suffered.
09:20And when were you going to say this?
09:22I just found out.
09:24Believe me, I have no interest in hiding it
09:26now that I know you are innocent.
09:28And that's why, in front of everyone,
09:32I wanted to apologize.
09:36I let myself be conquered by fear
09:39and made wrong decisions.
09:43And you paid the consequences, Martina.
09:46I'm sorry.
09:53It's okay.
09:55It's okay?
09:59No.
10:04Well, Martina, I guess this is good news
10:08and we should toast to it.
10:14Bring champagne.
10:43The dessert is here.
10:45The champagne can go up.
10:47And be careful with your hands.
10:49I've even counted the glasses of the mountain girls.
10:55It hasn't come out yet.
10:57No, I should have come in and not her.
11:00You let your mother do it.
11:02Because she has a very good hand with Mr. Rómulo.
11:04It doesn't matter what hand she has, Candela.
11:06The rules are clear. They will say no.
11:08They will say yes.
11:10Because this is an emergency.
11:12And besides, we are not asking for the impossible.
11:14Well, I don't know what to think anymore.
11:16Because lately I have very bad luck.
11:18Victoria, you have to calm down.
11:20Mr. Rómulo is a very understanding man.
11:22Yes, I don't worry about Mr. Rómulo.
11:24And you scare me, Mrs. Petra.
11:26And very well that he does.
11:28Because that one, you have to be afraid of her,
11:30because she is a nobody.
11:32But in this case, she will have no more damage than to accept
11:34what the Mayor says.
11:36Mrs. Arcos already told me very clearly that I wouldn't even think about it.
11:38And if she goes with the story to the Marquis?
11:40She won't.
11:42And how do you know that?
11:44That?
11:46Have you forgotten about Feliciano?
11:48Mrs. Petra was hiding that he was her son for months.
11:51But a son of his own.
11:52He's not someone else's son, López.
11:54Mrs. Candela, a mother is a mother.
11:56She's not going to do it.
11:58Well, I'll see myself out.
12:01Because if Mrs. Arcos has a bad day,
12:04she'll even feel bad that we asked her.
12:07Shut up, girl.
12:09Maybe López has a point.
12:12Because if there is an opportunity to tear
12:15a feeling from that stone heart,
12:17it is precisely Feliciano.
12:19Victoria, you don't have to get into the worst,
12:20because everything is going to be fine.
12:22If not, why has your mother gone to talk to the heads of the service?
12:25To see you that no one is going to be here enjoying with your Adolfito.
12:29Do you think?
12:31No.
12:33It's something exceptional.
12:35Otherwise, I wouldn't have come to talk to you.
12:37And as something exceptional, we are going to judge it.
12:40You said it's a few days.
12:42Yes, of course.
12:44Until my daughter finds a job
12:46with which she and the child can stay.
12:47A child?
12:49I really can't believe
12:51that we are so much at odds with the possibility.
12:53Doesn't your daughter have other relatives
12:55with whom she can leave the child?
12:57As I have already told you,
12:59the other grandfathers cannot take care of him.
13:02This creature only has my daughter and me.
13:05Well, if I understand it well,
13:07this is not a charity house,
13:09being the Palace of the Marquises of Lujan
13:11and as such it has its rules.
13:13What does your daughter have to do
13:14with the fact that she cannot combine
13:16the work with the upbringing
13:18is to leave one of the two things?
13:20I'm sure we can find a solution, Mrs. Arcos.
13:22Well, I don't see how.
13:24Either Virtudes leaves here
13:26or entrusts the care of her son
13:28to a hospice.
13:30No.
13:32That for nothing in the world.
13:34Well, for nothing in the world,
13:36the child can remain in the promise.
13:38Mrs. Marquesa is very clear
13:40and sharp about that matter.
13:42Or don't you remember the case of Mrs. Darre?
13:44Yes, we remember, yes, we remember.
13:46And you do very well remembering
13:48that in this house there are some rules.
13:50Yes, I don't understand.
13:52Yes, but it is no less true
13:54that those in charge of applying those rules
13:56down here are us, Mrs. Arcos.
13:58You won't be insinuating
14:00what I think you're doing, will you?
14:02It's only a few days.
14:04Mr. Baeza, this is not ...
14:06this is not a hotel,
14:08much less a school.
14:10Well, I am convinced that Mrs. Carranza
14:12will be able to take care of her child
14:14and, of course,
14:16it would be as if the child were not there.
14:18Yeah.
14:20And what will be next?
14:22Open the doors to the nuns
14:24just for charity?
14:26No, I think it has become clear
14:28to all those present
14:30that it is an exception.
14:32Do you really think
14:34I'm going to sit idly by
14:36while they disobey
14:38a direct order from Mrs. Marquesa?
14:40Mrs. Arcos, I ...
14:42Don't insist, Mr. Baeza.
14:44The only thing we could do
14:46would be to forget her.
14:48Mrs. Petra,
14:50you have also been a mother.
14:52You hid that Feliciano was your son,
14:55even from Mrs. Marquesa.
14:57And I don't judge you
14:59because I know it was for the best
15:01for him and for you.
15:03I'm sure you can do something
15:05for my daughter and my grandson.
15:10I can.
15:12Against my principles
15:14and my recommendations.
15:16And I thank you, Mrs. Arcos.
15:18What I can do,
15:20Mrs. Martínez,
15:22is raise your case
15:24to Mrs. Marquesa
15:26and arrange a meeting with virtue.
15:28That's what I can do for your daughter.
15:32It is true that the rules of this house
15:34are very clear, Mrs. Martínez.
15:36If you want,
15:38we can go talk to Mrs. Marquesa.
15:39No.
15:41It is not necessary, Mr. Baeza.
15:43Thank you very much for your time.
16:10Give me such a dish.
16:12How delicious are Lope's torrijas.
16:14A child never dislikes a dessert.
16:16And mine less than any.
16:18Even I am eager to try them.
16:20I had thought of Adolfito
16:22to prepare it with a little less sugar
16:24and with fruit in thin slices.
16:26Come on, stop fruiting.
16:28It's a torrija, not a king's roscón.
16:30Fruit and fruit.
16:40I'm very sorry, daughter.
16:42Mr. Romulo has also refused.
16:44But he has convinced Marimandra, right?
16:46More or less.
16:48Bad viper.
16:50If you bite, you poison.
16:52But Mrs. Simón has said no and that's it.
16:54There is nothing we can do.
16:56There is something.
16:58But what? Are you going to get us out of there with it?
17:00They have offered
17:02to ask the Marquesa to receive you
17:04and that you ask her face to face.
17:06But if Mrs. Cruz does not even know who I am.
17:08Mrs. Simón is going to refuse.
17:13I'm not going to try, it doesn't make sense.
17:16That's why I didn't say no to Clara.
17:18Because what she clarified
17:20is that Mrs. Marquesa does not want a child here in the service.
17:23The reality is that Adolfito
17:25can't keep his promise.
17:33Andela.
17:34Andela.
17:36It's better to leave her alone.
17:44And who could imagine
17:46that those two maidens united by chance ...
17:50Chance?
17:52Does it have H or does it not have H?
17:56Well, I better put it with H,
17:58which is always better to remove than to put.
18:02And who could imagine
18:04that those two maidens united by chance
18:07would find love
18:09in the same palace where they lived.
18:13The first fell in love with a man,
18:15son of a Marquess,
18:17a young, brave priest,
18:19capable of flying through the sky.
18:25And the other fell in love with a lackey.
18:28And now that I write about Salvador,
18:30next to this lackey
18:32a mindundi is going to appear.
18:35Well, I'm going to talk about the wedding,
18:37which has more H in it.
18:41The two maidens organized their wedding.
18:44The first in intimacy,
18:46because no one could find out about their romance.
18:50But they did it with excitement.
18:53And the second,
18:54because no one could find out about their romance.
18:56But they did it with excitement.
18:58And that same excitement
19:00infected the other friend
19:02who couldn't wait to tell her
19:04that she loved her beloved lackey.
19:16What are you doing? You're not asleep.
19:24Who?
19:27Are you working on one of your stories?
19:31More or less.
19:33What do you mean, more or less? What's going on?
19:35Nothing, I can't do it today.
19:39Well, don't worry,
19:41it happens to the best writers.
19:43Sometimes the muses aren't on their side.
19:45I don't know who the muses are,
19:47but if they're the ladies
19:49who tell you what to write,
19:51they're not here with me.
19:54And where are you coming from so late?
19:57Did María Mandrajo ask you for something?
19:59No, no.
20:03I was in the yard because I needed
20:05to think alone.
20:09Sometimes those muses were with you,
20:11flirting with you.
20:14Are you okay?
20:17Well...
20:19No, I don't know.
20:21It's just that Manuel...
20:22It's just that Manuel what?
20:24What's going on with Manuel?
20:26Well, he asked me for something
20:28that I can't grant him.
20:30And that thing is?
20:35He wants to go see Doña Pia.
20:38Doña Pia?
20:41But...
20:44Does he know anything about Doña Pia?
20:48I had to tell you, María.
20:50But, Ana, my dear,
20:52you don't know how dangerous that is.
20:54Of course I do.
20:56I know, but he wanted to go to his grave
20:58and take some flowers,
21:00and he got very insistent, so I...
21:02Did you have to tell him everything?
21:04Yes.
21:06You'll see how Mr. Baeza finds out.
21:08He's going to make a scene at San Quintín.
21:10But Mr. Baeza won't find out.
21:12Okay?
21:14Anyway, if he finds out,
21:16I'll make sure to give him an explanation.
21:22Of course, Ana.
21:43No, but that doesn't make sense.
21:45Manuel?
21:47Good morning.
21:48Good morning, cousin.
21:50We were just talking about
21:52the dinner you missed.
21:54A dinner at Los Bujando?
21:56There's nothing to talk about.
21:57Of course.
21:58That's something new.
22:00Don't tell me more.
22:02My mother has changed her ways.
22:04The count of Ayala confessed
22:06that there was a possibility
22:08that she would never take psychosis.
22:10What?
22:11What you heard.
22:13She talked to another doctor
22:15and he said that those symptoms
22:17could have been caused by something else.
22:21Well, I hope that after what she did,
22:23my parents threw her out of the palace without a second thought.
22:25No, no.
22:27In fact,
22:29everyone was relieved, to be honest.
22:31So, what did she say?
22:33How did she say it?
22:35Did she say it so happily?
22:37I need a little help.
22:39From the captain?
22:41I think she started saying
22:43that there was a poisoner among us.
22:45And in the end,
22:47the count of Ayala ended up telling her everything.
22:50So she knew.
22:53And she fell like a rat.
22:55Yes, but according to him,
22:57he had found out a short time ago.
22:59No, but that doesn't make much sense.
23:01Yeah, because we also suspect
23:03that he already knew all this
23:05when the nuns came for me.
23:07If not, what would Santo
23:09have said in that way?
23:11Why don't you give me
23:13some more information about that matter?
23:15I've been told what happened,
23:17but since I'm not here, I'm missing details.
23:19Well, the count of Ayala
23:21was taking Martín to the car
23:23he was going to take to the convent.
23:25And your father and Curro tried to stop him.
23:28But I was honestly giving him
23:30everything for nothing.
23:32And what happened?
23:35Suddenly, the count of Ayala
23:37decided that
23:39he could stay.
23:42And why?
23:44Apparently because of my mother.
23:46Because she threatened him
23:48not to marry him.
23:51So he did it out of love.
23:54Or not.
23:56As we were telling you before,
23:58we suspect that he already knew
24:00that there was no poison.
24:02But Martín, that doesn't make any sense.
24:05Because if not, Santo would have to
24:07ride all those shoes knowing
24:09that no one had poisoned him.
24:11Yes.
24:13Maybe
24:15only once more it has been proven
24:17that the count of Ayala is a rat.
24:20Well, yes, but I'll be able
24:22to breathe peacefully
24:24after all this nightmare.
24:26Maybe.
24:28But I would be calmer
24:30if the count of Ayala paid for what he did.
24:32And me too, but
24:34I'm happy to be able to enjoy
24:36spending time with you
24:38without being afraid
24:39of going against my will.
24:42Although there is a doubt that still
24:44has me thinking.
24:47What happened to the nuns?
24:59Come in.
25:05Ignacio.
25:09What is this?
25:11If you read it, it explains itself.
25:19A donation from Alonso
25:21to the nuns of the convent.
25:23What does this have to do with me?
25:25As you will see, the exact figure
25:27of what the Marquis paid
25:29to the religious order is detailed.
25:31And what does he want?
25:33An applause for his charity?
25:35No.
25:37Take it.
25:39And for my part, I will forget
25:41this affront to the Marquis.
25:43That donation, Ignacio,
25:45covered the troubles of the poor nuns
25:47who moved here to take Martín
25:49to the convent.
25:51And since it was all
25:53on your initiative ...
25:55I didn't ask him to pay anything.
25:57Yeah, but the Marquis has
25:59his own commitments
26:01and he won't be left out
26:03for a bad management of yours.
26:07They beat you, Ignacio.
26:09We beat you.
26:14Absolutely.
26:16I have Margarita
26:18totally at my mercy.
26:20But that can vary
26:22when I tell Margarita
26:24why you changed your mind
26:26at the last minute
26:28and decided not to take Martín
26:30with those nuns to the convent.
26:32Because Margarita asked me to.
26:33You turned your back on me
26:35the moment you saw me appear.
26:37And no matter how hard you try, Ignacio,
26:39to hide it behind that bravado
26:41and arrogance of yours,
26:43I know that deep down you fear me, Ignacio.
26:45You fear the moment
26:47when I can speak.
26:49And your actions have revealed
26:51what you have tried so hard
26:53to hide with your words.
27:04That's all.
27:06You can tell him if you want.
27:08I'm sure it won't be necessary.
27:10The Marquis
27:12does trust you.
27:34Daughter,
27:36where were you?
27:38With Manuel and Curro.
27:40Why don't you sit with me
27:42and keep me company?
27:45Is something wrong?
27:48No.
27:50For the first time in a long time,
27:52I'm fine.
27:54I feel good.
27:56And you?
27:58How can I be
28:00if they just gave me back my freedom?
28:01I want to scream,
28:03to dance.
28:05I haven't slept so well in a long time.
28:07It's a relief
28:09that all this nightmare has passed.
28:11You've had the worst part, daughter.
28:13No, I don't want to talk about the past.
28:15I want to forget everything
28:17and enjoy what I have.
28:19That's fine.
28:21Otherwise, I'd only bring you resentment.
28:23That's what happens to me.
28:27Is that why you're like this?
28:28I can't help it, daughter.
28:30Now that we know
28:32that all the suffering you've suffered
28:34and the suffering I've suffered as a mother
28:36has been Ignacio's fault.
28:38And I know he didn't do it
28:40out of bad intentions, but out of fear.
28:42Because I thought you'd tried to kill him,
28:44poisoning him, but
28:46it's true that
28:48that has made me see his darker side.
28:50I don't know if I'll be able to forget it.
28:53And what are you going to do?
28:56I don't know.
28:58Are you going to break your relationship with the Count?
29:00No.
29:02Not for now.
29:04Because
29:06I still love him.
29:08And I know you'd think your mother has lost her mind.
29:10No.
29:12No.
29:14What I think is that you're
29:17human
29:19and that you're in love.
29:22And I don't understand why
29:24you're still putting the wedding on hold
29:26if the Count doesn't take me to the convent.
29:28Before
29:30the poisoning episode
29:32and its horrible consequences,
29:34that wedding was what I was most looking forward to.
29:37And I know that the Count doesn't care about your devotion,
29:40but
29:42he takes care of my situation.
29:44Widow,
29:46with more years than I'd like behind my back.
29:48Don't say that because you're young.
29:50No, Martina.
29:52Not for love.
29:54And Ignacio's love was
29:56honest and
29:58selfless.
30:00I know you can't understand it because you're too young,
30:03but one day the right man will come
30:05and you'll leave my side.
30:07Again with that? Stop it, please.
30:09No, Martina. It's the law of life.
30:11It's the law of life.
30:13That's why the man leaves his father and mother
30:15and joins his wife
30:17and they'll be together
30:19for only one night.
30:22I have to admit that
30:24when I think
30:26of the loneliness that will be left afterwards,
30:28I get a bit emotional.
30:31But it was supposed to be
30:33alleviated by Ayala.
30:39Are you talking about the past?
30:43Well,
30:45don't venture into my words more than I've said,
30:48because
30:50I haven't made a decision yet.
30:59So?
31:01I'll tell you when I tell you.
31:03I can't.
31:05I have to go.
31:07I'm going to the bathroom.
31:09You'll have to stay with me.
31:11I'll stay with you.
31:13You'll stay with me.
31:15I'll stay with you.
31:17I'll stay with you.
31:19I will.
31:21I will.
31:23I will.
31:25I will.
31:26And the shame...
31:35Have you left me alone?
31:37I've lost the urge to sing.
31:39All of a sudden?
31:40Yes, all of a sudden.
31:42Well, then...
31:44Do you want me to help you?
31:45Mr. Ricardo and Mr. Rómulo are bothering me at the moment.
31:49How's the morning in town?
31:52Well, it's never-ending, really.
31:54Besides, you know how tricky Lope is with everything he does.
31:57And half of the things he wrote on the list were not in the file.
32:00What a job.
32:01Well, yes.
32:03And besides, I don't know what happened today,
32:06but everyone in Lujan has agreed to go shopping
32:08at the same place and at the same time.
32:10Poor Venancio didn't make it clear.
32:12He didn't have enough money for so many things.
32:13As if it were a market.
32:15Well, yes. Just like you said.
32:18Thank goodness you got peace later.
32:20At the church.
32:22At the church? It's not Sunday.
32:24Salvador Almadecantaro, you had to talk to the priest
32:27about our wedding.
32:28Yes, I went to heaven.
32:30Yes, to heaven, and it's a sin not to go to church.
32:33I'm very sorry, María.
32:39Well, don't worry.
32:40He's talked to Petra and he's going to agree with Mr. Rómulo
32:44to talk to the Marquesas.
32:46He hasn't put it as a priority,
32:47so you have time to talk to the priest.
32:49It's impossible today, but tomorrow I promise
32:51I'll talk to him before the mass.
32:53Do you know what I'm telling you? I'll take care of it.
32:57No, no, María.
32:58I've made a commitment and I'm going to do it.
33:05I'm meeting Lope and Vera to go to Luján this afternoon
33:09to help Virtudes with the job.
33:12So, being there, it's not hard for me.
33:15Well, okay.
33:17But you should know I didn't do it because I didn't want to.
33:21There's nothing I want more in this world than you.
33:23How was I going to think that, Sascandin?
33:27You're the nicest person I've ever met.
33:30And that's why you're marrying me, right?
33:32Well, that and many more things.
33:34Really? Many more things?
33:50SATURDAY
34:02Good afternoon, Mother.
34:04Manuel, son. Wait.
34:06Do you want something?
34:08They're bringing me a snack, why don't you share it with me?
34:14Thank you for the invitation,
34:15but I can't be late.
34:17Are you going to hide once again in your studio?
34:21No. The truth is that I'm not. I'm going to Lujan.
34:24And can't you wait a few minutes to spend some time with your mother?
34:29I see you're still avoiding me.
34:32Mother, I'm not avoiding you. It's just that I can't be late. That's all.
34:36And what is that so urgent that you have to do in town?
34:39Have you met someone?
34:41You know, you could say yes.
34:44Look, I have to get to the store before they close.
34:46My order of mines and papers for my designs has arrived.
34:50I already knew it had to do with your planes.
34:54And why don't you send it here?
34:56Because I want to personally check the order.
34:59Can you check it when I bring it to you?
35:01Yes, I could do it, but in that case, if you see any error, I couldn't subsan it until tomorrow,
35:05which is when they reopen the store.
35:07I don't see the problem.
35:09Mother, the problem lies in that I like to work from the first hour. You know that.
35:13And without this material, it's impossible to do it.
35:15Manuel, why do I have the feeling that you only make excuses and more excuses?
35:19I don't know. If you don't want to spend time with me, tell me straight.
35:23Mother, that's not true.
35:25Well, it seems so.
35:27You don't even respect family dinners.
35:29All day locked up with your drawings.
35:32These drawings are the plans for my future plane.
35:35Well, you make it worse for me.
35:39Forgive me, son.
35:41I don't know, I had made illusions that things would have changed after your return.
35:47What illusions?
35:49Well, I don't know.
35:51What's left of that wonderful feeling of well-being, of having me by your side and all that you said.
35:56Have you forgotten or what?
35:58No, I haven't forgotten.
36:01And if I told you, it's because ... I'm sorry, it came out of my heart.
36:05Well, these are love affairs and not good reasons.
36:08Tell me at least that you will have dinner with the whole family tonight.
36:11I can't promise it either.
36:15But I promise to spend more time with you.
36:17Well, I hope so.
36:19Because we have the conference with Don Lázaro Milla.
36:22Who?
36:23The history teacher.
36:25The one who comes to talk about trips and jewels of the last century.
36:28You promised to go with me.
36:31Well, technically I didn't promise. I just said I could go with you, but ...
36:37Mother.
36:39I commit myself now.
36:41I will accompany you.
36:43Well, I'm glad.
36:45Mother, excuse me, I can't be late. Enjoy the marina.
36:51Goodbye.
37:07Hello.
37:12I would like to talk to you about your son.
37:15Sit down.
37:20What has he done this time?
37:22Nothing bad.
37:24Precisely the opposite.
37:26Lately, his work has been impeccable.
37:31And that's what I'm here for. To congratulate me on his performance.
37:35In part.
37:36I think your efforts should translate into some kind of reward.
37:43And I understand that you have a proposal.
37:45Well, yes.
37:46I thought you could take care of Mr. Curro's personal care.
37:53Well, a very specific favor.
37:56And quite far from the competencies of the key master.
38:00I know.
38:01But I also know, Mr. Pellicer, that your son has never exercised the aid of a chamber, of any man.
38:08And without those competencies, it would be impossible for him to reach the first rank.
38:12Much less to the majordom.
38:14That's right.
38:16And Mr. Curro is the right person to train with.
38:19Because he is young, not very demanding and therefore indulgent with the faults.
38:24If you don't continue, I know perfectly well the needs of the young man.
38:28Then you will agree with me on the relevance of my proposal.
38:32Well, I am.
38:34I just have one question.
38:36What do you gain by driving my son this way?
38:39Absolutely nothing.
38:41As I have already told you, I only intend to reward your effort.
38:45But you are still my son.
38:47Understand that at least it surprises me.
38:49And more taking into account the difficult beginnings of our work relationship.
38:52Mr. Pellicer, I only do it thinking about Santos.
38:57But since you mention him, he could also serve as a symbol of amnesty for our past disagreements.
39:09Okay.
39:11Well, it is evident that Santos has shown with growth,
39:14the ability to assume new responsibilities.
39:17It would be a mistake not to take advantage of them.
39:21I want to thank you for your proposal, Mr. Arcos.
39:25Mr. Pellicer.
39:27I would like to ask you one more thing.
39:30Tell me.
39:34I would like to be the one to tell you.
39:43As you wish.
39:46But insist that this new position does not exempt you from your usual tasks.
39:50You will have to organize to combine all your responsibilities.
39:54Be careful.
39:55I will do so.
39:58You will not regret it.
40:00I assure you.
40:14Can you tell me where Lope is?
40:16Because I arrived very late, they are going to lock him up and the trip is going to be a mess.
40:19Do you want me to go look for him?
40:21No, no. You stay here.
40:22Yes. If he does not arrive, we will go together.
40:24He will come now. Calm down, Maria.
40:25As if that were possible.
40:27Virtue needs that job to breathe.
40:30I had thought of asking in the bakery.
40:32Well, look, it's a good place to start.
40:34Also, there was always Emma.
40:36Making bread doesn't have to be very complicated, does it?
40:38A little flour, water, salt and baking.
40:41Bread? Bread is more complicated than it seems.
40:43Well, don't count it on the way.
40:45Otherwise, they will lock us up and we will only find the tavern and the church open.
40:50But wait a minute.
40:51One moment.
40:52Have you thought about what we are going to do?
40:54Well, there is not much to think about.
40:55We call all the doors and when they open, we ask for work.
40:58Well, why don't we split up?
41:00Yes, it will be better that way. We can see more businesses.
41:03I can start with the bakery.
41:05I don't know if the bakery is a good place.
41:07Is it so complicated to make bread?
41:09Well, learn the virtue of Releña that we are not here to reject opportunities.
41:12I don't say it for that, Maria.
41:14I say it because Adolfito will have to be with his mother, right?
41:16And I don't know if it's a good thing that a child is playing in a business
41:19where the ovens are bigger than this corridor.
41:21Well, tell Pili.
41:23Pili? Who is Pili?
41:24The baker.
41:25Well, tell her if she needs someone to be in the showroom,
41:28attending to people.
41:30That may be.
41:31Yes.
41:32In addition, we are not here to close the doors to virtue, but to open them.
41:35And we are going to ask everywhere.
41:37In the boutique, to the seamstress, in the tavern.
41:40Even in the blacksmith's without Menester.
41:42But virtue needs a job to be with her child.
41:45And we are going to help her.
41:47Of course we are going to help her.
41:49And we are not only going to find her a job.
41:51We are going to find two.
41:52Well, don't overdo it.
41:54The point here is that virtue is with Adolfito.
41:56And if he has two jobs, he won't even have hair.
41:59So if we all agree, let's go now.
42:01Come on.
42:16Knock, knock.
42:19It has been difficult to find you.
42:24In the end, it has been a great afternoon.
42:27Do you want to take a walk in the gardens?
42:30Now I'm busy, Alonso.
42:32Choosing the jewel that you are going to wear tonight.
42:39Actually, I was ...
42:41I was selecting the jewel that I am going to give to Maria Antonia.
42:46And it has to be one of yours.
42:49Why?
42:51Well, it's clear.
42:53To show her gratitude for her neglect while Manuel was at the forefront.
43:00Look, what do you think of this necklace?
43:05It has to be that one, precisely.
43:07Don't you like it?
43:10On the contrary, I think it's beautiful.
43:12That's why I think it would be a good gift.
43:15Yes, it is.
43:16Because I gave that necklace to you.
43:21Don't take it as a gift, dear.
43:24You have given me almost all the jewels I have.
43:26What alternative would you have if not?
43:29Buy it?
43:31No, not even talk.
43:34I want it to be mine.
43:35It is a special gift, not just any gift.
43:39Anyway.
43:41It is clear that I should not have asked you for your opinion.
43:44Cruz, I agree to show our gratitude to Maria Antonia.
43:49I know all the good that her company did to you while Manuel was at the forefront.
43:56And besides, in those dark moments ...
44:01I sometimes paid for her care with ...
44:04with screams and bad ways.
44:07But you shouldn't blame yourself for it.
44:09It was your way of dealing with suffering.
44:12It may be, but she stayed by my side.
44:15She has proven to be much more than a friend.
44:19Yes, she is a great woman.
44:21True.
44:23Not only does she have a great heart,
44:26she is also ...
44:28she is patient, she is intelligent.
44:32She is sweet, she is ...
44:35beautiful.
44:38She does not lack virtues.
44:42We are very lucky that God put her on the path.
44:47I was just considering the possibility of giving her another gift.
44:51Alonso.
44:53After everything we have talked about, do you still insist that I give her a cheap one?
44:57It doesn't have to be a cheap one.
44:58Well, it doesn't matter. Maria Antonia is my friend, so I will decide which is the best gift to give her.
45:02Of course.
45:04Well, let's not talk anymore.
45:06I've seen that you're not going to help me.
45:08Please, leave me alone.
45:11I don't know why you're angry.
45:13Well, it's what you've achieved with your attitude.
45:16It seems a lie.
45:18With what Maria Antonia has helped me and ...
45:20you too.
45:21Or have you already forgotten it?
45:23No.
45:25I haven't forgotten it.
45:41No.
46:02Gregorio.
46:11Gregorio.
46:18Mr. Pío, Mr. Pío.
46:20But what is he doing here, Hanna?
46:22He came to help us.
46:23Do whatever you can.
46:28How are you, Corina?
46:30Fine, fine, sir.
46:32Sir, I'm very sorry.
46:35I thought it was Gregorio.
46:37There is no need to justify yourself.
46:39Everything is fine.
46:41I brought you some canned goods.
46:43Bread, some cheese and sandwiches.
46:45And water.
46:47Please, you are very well hydrated.
46:49Yes.
46:51Sir, I'm very happy about your visit.
46:55Are you okay?
46:57Yes, yes, perfectly.
46:59And your cousin Curro told me, Maria,
47:01that he had also come back.
47:03He is also very well.
47:05I'm very happy.
47:08Mr. Pío.
47:09Nothing, nothing.
47:11It was just a simple dizziness.
47:13That's all.
47:15Does this happen to you often?
47:17The truth is, yes.
47:19Sometimes I feel that the walls of the cave
47:22fall over me.
47:24And the only remedy I can find is
47:27to close my eyes.
47:30Well, don't worry.
47:32Because soon we will get rid of Gregorio
47:35and you will be back.
47:36Or maybe it won't be necessary.
47:40Listen, I promised I would help in everything I could
47:44and that's what I'm going to do.
47:46But now that we have the car at home,
47:49maybe it's better if I take you with your son.
47:52No.
47:54No.
47:56I would love to hug Diego,
47:58but it's not possible yet.
48:01And why is that?
48:02I'm sure what Hanna told me.
48:04He is very far from here.
48:06I'm sure they would both be safe in Extremadura.
48:09Safe.
48:11I'm never going to be safe from Gregorio.
48:13So I can't be with my son
48:15because I would put him in danger.
48:18Okay.
48:20Well, it's okay.
48:22We're not going to take him with his son.
48:24But we are going to get her out of here.
48:25But we are going to get her out of here.
48:47Come in.
48:51Did you call me?
48:53Yes.
48:55Come in.
49:00You must go up to Mr. Curro's bedroom
49:03and help him get dressed for dinner.
49:06But that task doesn't belong to me.
49:08But from now on,
49:10you will help Mr. Curro's room
49:12every time he needs it.
49:14Me?
49:16But Mr. Curro has never existed.
49:19I know, I know.
49:21And that is precisely why I have assigned you to Mr. Curro.
49:23Come on, his youth doesn't have the same mania
49:26as other men in the house.
49:28And with time,
49:30when you get to know his tastes,
49:32his favorite shirts,
49:34his schedules...
49:36I could anticipate his wishes
49:38and be a good room helper.
49:40Much more than that.
49:44When you gain his trust,
49:48you will be the guardian of his confidences.
49:51And from that moment on,
49:53you will become essential.
49:58But what if I screw up?
50:00What's the point of so many repairs, Santos?
50:02You should be happy.
50:04This is a unique opportunity for you.
50:06That's precisely why.
50:08If I screw up, I won't have another one.
50:10But you have me by your side.
50:12I will advise you every time you need it.
50:14For now,
50:16but I suppose you know how to tie a little bird's knot, right?
50:18Of course.
50:19That's enough.
50:22And go upstairs.
50:24Don't make Miss Curro wait.
50:27But...
50:29there's one thing I don't understand, Mrs. Arcos.
50:32Why are you proposing this to me?
50:34Does my father know?
50:36Yes, of course he does.
50:38But well, he has had the tendency
50:40to allow me to inform you.
50:42So he agrees?
50:44He totally agrees
50:46that you deserve recognition
50:47and for your dedication.
50:51Well,
50:53I admit that he has needed a little push,
50:56but he is totally in favor of you
50:58taking on new responsibilities.
51:02And the old ones?
51:04Should I go and brush the gentleman's clothes now?
51:07No, you will do that once you have finished with Mr. Curro.
51:09This new assignment of yours
51:11is your priority for now.
51:13But don't get tired of the rest of the tasks.
51:15You lack perspective, Santos.
51:18If what you're insinuating is that I'm afraid of work,
51:20you're wrong.
51:22Well, I'm glad to hear you
51:24because ambition is sustained by effort
51:26and the seed you sow today
51:28will be the shadow that covers you tomorrow.
51:33Today is a great day, Santos.
51:35Please don't let me down.
51:38And now go.
51:40Miss Curro is waiting for you.
51:41Miss Curro is waiting for you.
52:05Look, I don't know what reasons you have
52:07to throw him in front of me.
52:09Well, it's very clear.
52:11This is a moment as favorable as any other.
52:13It was Martina's first dinner with us.
52:15You had to talk about poisoning.
52:17It's not that.
52:19I just said what we all thought.
52:21It's very strange that Ayala let it pass,
52:23that someone attempted to kill her.
52:25Well, if that was your intention,
52:27the three of us could have met in my office.
52:29Yes, we could.
52:31Look, I don't know why you're so angry.
52:33In any case, what I deserve is gratitude.
52:35Why?
52:38If I hadn't brought up the subject,
52:39Martina would have confessed
52:41that she could not have been poisoned.
52:43That man is stunned.
52:45With Martina in the spotlight,
52:47he didn't need to sing.
52:54You know,
52:56I'm starting to like being a judge.
53:00I'm thinking when
53:02would be the best time
53:04to make my next good deed public.
53:06What good deed do you mean?
53:10You don't know?
53:12No.
53:14To denounce
53:16the manifest injustice
53:18your wife is committing
53:20by throwing Maria Antonia in such a bad way.
53:22As far as I know,
53:24she's doing it on her own.
53:26Don't play with me.
53:28You're behind all this.
53:30Your wife is working for you.
53:32Cruz may have shown her the convenience to leave,
53:35but she would never throw her out of this house.
53:37Shapes don't hide the bottom, Alonso.
53:41You know,
53:43no matter how much I think about it,
53:46I don't understand
53:48why you're so hostile to Maria Antonia.
53:50I'm not hostile to Maria Antonia.
53:52Do you think I'm an idiot
53:54for what this woman has done for you?
53:56Especially for your marriage.
53:58Stop meddling in my house
53:59or you'll be two people
54:01who leave the promise.
54:03You're not threatening me
54:05because you think I'm an idiot.
54:07You know, I'm right.
54:09All I'm doing is defending Maria Antonia.
54:11Her only flaw is having a big heart.
54:15Have you spoken to Cruz?
54:17About what?
54:19About Maria Antonia.
54:21Of course. Why wouldn't I speak to her?
54:23Don't take me for a fool.
54:25You've traced word for word
54:27what she told me a while ago.
54:29Maybe you've filled her head
54:31with the theory that there's something
54:33between Maria Antonia and me.
54:35You don't know me, do you?
54:37Do you think
54:39I'd put your marriage at risk
54:41in such a bad way?
54:43Seeing how respectfully
54:45you live your own life, yes.
54:47So you should stop pretending
54:49to be a judge
54:51and get down to business.
54:59Get down to business.
55:30Mr. Baeza, I have to speak to you.
55:35I've come to speak to Mrs. Darrio.
55:37Has something happened to her?
55:39Yes, something I've been warning her about for a long time.
55:41Well, calm down, Ms. Expósito.
55:43And try to explain calmly
55:45what has happened to Mrs. Darrio.
55:47The same thing that always happens to her,
55:49but this time it's worse.
55:51Calm down.
55:53I can't calm down.
55:55Mrs. Pia is not able to maintain
55:57a conversation with me.
55:59It's incoherent.
56:01Besides, she suddenly gets dizzy
56:03and needs to close her eyes and lie down.
56:05That's the only way she'll recover.
56:07Besides, she tried to attack me
56:10because she thought it was Gregorio.
56:12Mr. Baeza, I think we have to do something for her
56:14and not wait for Mr. Márquez to take care of her.
56:16Mr. Márquez is very busy.
56:18He has his worries.
56:20We're talking about Mrs. Darrio's life.
56:23I think we have to get her out of there.
56:25We have to take her to a place
56:27with some sunlight
56:29but I don't think that's possible
56:31because it's very dangerous.
56:33Then I don't know. What are you going to do?
56:35Leave me alone.
56:37I'll organize it so that María Fernández
56:39and you can go visit her tomorrow afternoon.
56:42In fact, I don't think it's going to be enough.
56:44We don't have an alternative.
56:46We can't back out.
56:48We all knew that the price to pay
56:51for faking Mrs. Darrio's death
56:53to free Mr. Castillo
56:55was going to be very high.
57:00Pía is alive?
57:03Mr. Manuel, what are you doing here?
57:05Can I help you with something?
57:07Yes.
57:09Of course you can, Mr. Baeza.
57:11Answering my question.
57:13Is she alive?
57:26Have you ever thought
57:27about leaving your moustache?
57:29I think it would look great on you.
57:31Do you think so?
57:33Yes, I do.
57:35And I also think that a little longer hair
57:37would look better on you.
57:39I don't know. I've always had it like this.
57:41Well, but there's always a time for change.
57:43And I think it's yours.
57:45Then nothing.
57:47Not a single house where my virtues
57:49can take a few hours.
57:51Not even that, Simona.
57:53But don't despair, Mrs. Simona.
57:55We've only been here for a few hours.
57:57There are things that are true
57:59and we don't preach them out there.
58:01Well, let me tell you how long
58:03you haven't visited your wife.
58:05Very well, now it's time to talk about poor Eugenia.
58:07As you would say, isn't it true?
58:09What is true is that you are a cynic.
58:11Unable to assume his own actions.
58:13It gives me the feeling
58:15that he's going to marry a connoisseur, not them.
58:17Notice that Maria has gone to town
58:19and forgets to talk to the priest.
58:21It's a very strange thing like that.
58:23I don't know, it's not like he goes to the market
58:25and forgets to buy tomatoes.
58:27They're never perfect.
58:29I don't know, it's nothing.
58:31That's right.
58:33Because they're the same.
58:35But the imperfect is unique, different.
58:37Then I must be quite unique.
58:40Well, yes.
58:42You are.
58:44If you were to marry me,
58:46I hope you wouldn't stop thinking about that
58:48until the wedding day.
58:50Are you proposing that we get married?
58:52You were just an example,
58:54but now that you say it,
58:55I think we should get married.
58:57Of course, let's get married.
58:59For me, everything is more than forgotten.
59:01Does that mean you're going to stop seeing
59:03our future wedding with bad eyes?
59:05I understand that everyone needs to make mistakes
59:07throughout their life,
59:09and if she wants to make that mistake,
59:11I can't do anything.
59:13It's a mistake.
59:15Yes, for me it is a mistake.
59:17I hope I can make her happy.
59:19I'll make her happy.
59:21If I agree to marry you, yes.
59:25Yes.