Second Fiddle To A Steel Guitar (1965) Arnold Stang, Pamela Hayes, Leo Gorcey | Hollywood Classics movie

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This country music jamboree is noteworthy for being the last time that Leo Gorcey and Huntz Hall starred in a movie together.
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Transcript
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00:02:02Dubo? Dubo?
00:02:05Hey, Crystal, what are you doing?
00:02:11When it comes to getting started in the morning,
00:02:13he has got to be the slowest man in the world.
00:02:23Jubal, I'm not talking to myself.
00:02:25I asked you a question.
00:02:29Just reading, dear.
00:02:33Aren't you ready yet?
00:02:35We've got to be at committee headquarters in 20 minutes.
00:02:38Oh, my big night.
00:02:40I'm so thrilled.
00:02:42Just imagine.
00:02:44La Pasquale Opera.
00:02:46Cochere to Italy, coming all the way to Nashville
00:02:49to play for my favorite charity.
00:02:52I'm all over the society, can't you see?
00:02:55Petiti Gold Standard's going to be green with envy.
00:02:59Oh, that's a pity.
00:03:00Green's one of her better colors.
00:03:04Come along, Jubal.
00:03:09Opera, yuck.
00:03:12What are you doing in there?
00:03:14What are you doing in there?
00:03:16Up the stairs, we're fixing the...
00:03:18Oh, buckle up, you wuss!
00:03:20I'm a little busy.
00:03:21You're a wuss.
00:03:22What are you talking about?
00:03:24I'm a wuss.
00:03:26You're a wuss.
00:03:28I'm a wuss.
00:03:29You're a wuss.
00:03:31You're a wuss.
00:03:32You're a wuss.
00:03:33You're a wuss.
00:03:35You're a wuss.
00:03:36I'm a wuss.
00:03:38I'm a wuss.
00:03:39You're a wuss.
00:03:40You fuck-a-brain baboon!
00:03:42What do you think you're doing?
00:03:44You told me to fix the, uh, the sign, didn't you?
00:03:46Yeah, I told you to fix the sign!
00:03:47Don't give me an argument!
00:03:49What's the matter? You flippin' your leg?
00:03:50I told you to put the sign up!
00:03:52You, you pig!
00:03:53Now get the sign up!
00:03:55Get out. Get out.
00:03:56I gotta fix the sign.
00:03:58Pesky.
00:04:01He's nuts also.
00:04:07I gotta get a little more rush.
00:04:10Oh, Chief.
00:04:11Oh, uh, uh, sir.
00:04:12Chief, uh, um.
00:04:13Look at my artwork.
00:04:14Chief.
00:04:15Chief, Chief.
00:04:16You callin' the Santa Fe, Chief?
00:04:18I brought my headlight with me.
00:04:19Let me see what you got here.
00:04:21You can't even tell it's about four miles down.
00:04:22Ah, that's beautiful.
00:04:24That's beautiful.
00:04:25In fact, I would say that is pink!
00:04:28You love it.
00:04:29In fact, I would say that is pink!
00:04:30You love it.
00:04:31In fact, I would say that is pink!
00:04:33You love it.
00:04:34You love it.
00:04:35You love it.
00:04:36You love it.
00:04:37You love it.
00:04:38You love it.
00:04:39You love it.
00:04:40Piping.
00:04:41Piping.
00:04:42How do you spell piping?
00:04:43Anybody can spell piping.
00:04:44P-O-I-F-E-C-T.
00:04:45Piping.
00:04:46I majored in spell in a reform school.
00:04:48I can spell any word.
00:04:49That's beautiful.
00:04:50Hey, by the way.
00:04:51Hey!
00:04:52What?
00:04:53One more time with the alphabet.
00:04:54Hey, give me an idea.
00:04:55What?
00:04:56The barber.
00:04:57The barber.
00:04:58You're covering the sign.
00:04:59The barber.
00:05:00I'm gonna take you to one.
00:05:01You're gonna where?
00:05:02I'm gonna take you to a barber.
00:05:03To a barber?
00:05:04Yeah.
00:05:05To have my hair cut?
00:05:06Nope.
00:05:07To get your throat cut?
00:05:08That's where we go.
00:05:09Come this way, son.
00:05:10I like the barber here.
00:05:22Ma'am, your sign is now confirmed to the wall.
00:05:25I just nailed it up myself.
00:05:26You nailed it up?
00:05:27Well, I'd like to thank you both very much for all you've done.
00:05:31I don't know what I would have done without you.
00:05:33I don't think you understand that.
00:05:35We come into theater.
00:05:37Your very order is our command.
00:05:39Any job you gotta do, whether it be big or little,
00:05:42just call me.
00:05:43I'll see to it he does it.
00:05:44Well, sir.
00:05:45You've worked so diligently.
00:05:47You must have a cause.
00:05:49I know.
00:05:50You're true lovers of the opera.
00:05:52What do you think?
00:05:53We're peasants?
00:05:54Tore!
00:05:55Tore!
00:06:03Why, Jubal, you're listening to the opera, too.
00:06:06Now, isn't that better than that silly old country music?
00:06:10As I always say, a little culture never hurt anyone.
00:06:15If you think I'm listening to the opera,
00:06:18you're out of your rebel-loving mind.
00:06:20I'd sit all day and bring my youth away
00:06:36Mr. Leo, I think we ought to get a count on those receipts.
00:06:39Why don't you go down to the box office and bring the money up?
00:06:42Certainly, Miss Bristol.
00:06:44I regard you take.
00:06:45Your very order is our command.
00:06:47We'll go down and get your money,
00:06:48and we'll come back and give a count down.
00:06:50Yeah, let's get the money.
00:06:51Money, money.
00:06:52I love money.
00:06:53Let's get the money.
00:06:57Jubal?
00:07:02Jubal, eh, Bristol?
00:07:03What are you listening to in the presence of this...
00:07:06When the air is virtually perfumed with culture,
00:07:09you sit there listening to that ridiculous country music.
00:07:14Took us a little time to find the money.
00:07:16This bum had it hidden under his bed.
00:07:18A few telegrams in your box.
00:07:19Most of them are collect.
00:07:20Oh, thank you.
00:07:21I'll read the telegrams.
00:07:22You count the money.
00:07:24Oh, look at this.
00:07:26From the cream of Nashville society.
00:07:29Listen.
00:07:30Mrs. Jubal A. Bristol,
00:07:31chair of National Theater, Nashville, Tennessee.
00:07:33This is a wonderful night for you and for Nashville.
00:07:36You are truly a woman of accomplishment.
00:07:38Signed, Dr. and Mrs. Amos T. Mongoose.
00:07:42That was one of the collect ones.
00:07:44Now, about this monetary remuneration.
00:07:47See, these guys are coming a long way.
00:07:48I think they're coming by sled or something.
00:07:50That's the stack for that.
00:07:51That explains that, see?
00:07:52Now, these guys are a bunch of gluttons.
00:07:54They got to eat.
00:07:55Lunch, supper, dinner, whatever they call it over there.
00:07:57And I'm sorry, Miss Bristol, about the last part of this.
00:08:00That was all that was left for charity for children.
00:08:02Oh, thank you.
00:08:04All that work and only one dollar?
00:08:07Well, I tell you, they're coming from Italy.
00:08:09I could have imported three opera companies from Kentucky
00:08:11for six barrels of sour mash.
00:08:13Oh, peasant.
00:08:15Well, at least it'll be a great cultural success.
00:08:20Listen to this.
00:08:22The idea of bringing the opera to Nashville was a gem.
00:08:25You are the toast of society.
00:08:27Petty tea gold standard.
00:08:29Here's another.
00:08:30Oh, it's Reggie Van Anderstand.
00:08:32Can you imagine Reggie Van Anderstand sending me a telegram?
00:08:36Oh, if only the folks back on the farm could...
00:08:39I mean, if only Mother were here to enjoy this.
00:08:43Here's another.
00:08:44Can't make the opera tonight.
00:08:46Stuck in New York pizza parlor washing dishes to pay the bill.
00:08:49You'll have to get along without us, the Pasquale Opera Company.
00:08:53The Pasquale Opera Company.
00:09:00Can't make the opera tonight.
00:09:04Stuck in New York pizza parlor washing dishes to pay the bill.
00:09:10You'll have to get along without us, the Pasquale Opera Company.
00:09:18What am I going to do?
00:09:21I'm ruined.
00:09:22I'll be the laughing stock of national society.
00:09:27What am I going to do?
00:09:30I got it.
00:09:31Instead of giving them operatic opera,
00:09:33why not give them country and western opera?
00:09:36Oh, I'm afraid not.
00:09:38Why? What's wrong with that?
00:09:40Well, these people expect finer things.
00:09:44Well, what's finer than country and western music?
00:09:47And the people who sing it.
00:09:48And the people who write it.
00:09:50And the people who sing it.
00:09:51And the people who write it and play it.
00:09:53I mean, just because some words of music can't be understood,
00:09:56that doesn't mean it's wonderful.
00:09:58You know, country and western music is the American way.
00:10:01That's our heritage.
00:10:03It was born right here in the hills.
00:10:06Our fathers used to sing it and love it.
00:10:08And so did our grandfathers.
00:10:10And our great-grandfathers.
00:10:12They saved this music for us.
00:10:14And now, today, they give it to us.
00:10:18It's this music we love.
00:10:20It's sung in the language we love.
00:10:23Sung so that we can understand it.
00:10:25You know something?
00:10:26If you really want to do something for your society friends,
00:10:28you tell them to try to understand this music
00:10:30before they try to understand opera.
00:10:32If you really want to do something for your society friends,
00:10:35you would give them an evening of country music.
00:10:39What's he doing?
00:10:40Putting on a country show or running for office?
00:10:42And I'll beg you that I could put together
00:10:44a great country music show to fill in tonight.
00:10:47And as long as it's for a good cause,
00:10:49well, they'll all be glad to do it.
00:10:51And then, instead of one measly dollar,
00:10:54your charity will have lots of money.
00:10:56And your audiences, your audiences will just love it,
00:10:59just as millions of other Americans do.
00:11:02Because nobody ever walks out on country music
00:11:06the way it's played in Nashville.
00:11:09Way down
00:11:11Columbus stockades
00:11:14My friends, they've turned their backs on me
00:11:18You can go and leave me if you want to
00:11:24Never let me cross your mind
00:11:28For in your heart
00:11:30You love another
00:11:34Leave me, darling, I don't mind
00:11:39Leave me, darling, I don't mind
00:11:43Last night
00:11:45As I lay sleeping
00:11:48I dreamed I held you in my arms
00:11:52You got the money, honey
00:11:54I got the time
00:11:56You got the money, honey
00:11:58I got the time
00:12:00You got the money, honey
00:12:02I got the time
00:12:04I got the money
00:12:06You got the time
00:12:08Hey, Da Vinci!
00:12:10Reverend!
00:12:12Hush!
00:12:13Oh, my barber's calling.
00:12:21Looks like everyone showed up.
00:12:23I didn't think they would
00:12:24after they heard the program changed.
00:12:26Yeah.
00:12:27We'll know soon enough if they're gonna stay.
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00:14:55Everybody's got a costume but me.
00:14:58I look like a peasant.
00:15:00Oh, oh, there's one for me.
00:15:02Like that.
00:15:03Let's see.
00:15:08Oh, oh, look at that!
00:15:10That's beautiful.
00:15:12I look so sharp, they won't believe it.
00:15:16You think I'm a peasant, huh?
00:15:18Man, how are you?
00:15:19Fine, Jimmy.
00:15:20Nice to see you.
00:15:21Pull up a chair and sit down
00:15:22where I can talk to you.
00:15:23No, you pull up a chair and sit down.
00:15:25Everybody thinks I'm sitting down anyway, man.
00:15:27It don't make any difference.
00:15:28Hey, it's little Jimmy Dickens
00:15:30and Sleeping at the Foot of the Bed.
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