A ranch owner fires his ranch hands and brings in women to replace them. The owner's daughter wants the male hands back and comes up with a plan to do it.
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#hollywoodclassics #classichollywood #hollywoodclassicmovies #oldhollywoodclassicfilms #classichollywoodmovies #hollywood #classic
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00:00:00This is a production of the U.S. Department of State.
00:00:30This is a production of the U.S. Department of State.
00:01:00This is a production of the U.S. Department of State.
00:01:30This is a production of the U.S. Department of State.
00:02:00I met you.
00:02:04I've stomped it a buggin'
00:02:07In favor of moonlight huggin'
00:02:10With you, baby, my hobby is love.
00:02:15To prove my affection
00:02:18I'm selling my stamp collection
00:02:21With you, baby, my hobby is love.
00:02:26I used to spend my time
00:02:29Up on a tennis court
00:02:32But now I like my courting
00:02:35On a Davenport.
00:02:38You've changed all my habits
00:02:41I've even quit raising rabbits
00:02:44With you, baby, my hobby is love.
00:02:57I've stomped it a buggin'
00:03:00In favor of moonlight huggin'
00:03:03With you, baby, my hobby is love.
00:03:07I used to spend my time
00:03:11Up on a tennis court
00:03:14But now I like my courting
00:03:17On a Davenport.
00:03:20You've changed all my habits
00:03:23I've even quit raising rabbits
00:03:26With you, baby, my hobby is love.
00:03:33Well, well, quite a pleasant little gathering.
00:03:36There's one thing I like about this country,
00:03:38the folks are never too busy to be sociable.
00:03:40You mean you aren't mad, Cyclone?
00:03:42Mad? Why should I be mad
00:03:44because my men sit around fiddling
00:03:46when they should be doing their work?
00:03:49Of course I'm not mad.
00:03:52I'm sore as a hoot owl.
00:03:55When I get sore, I'm a human cyclone.
00:03:57Come on, wake up.
00:03:58What do you think I'm running here, a rest home?
00:04:00Why I ever come to this place is beyond me.
00:04:03For two cents I'd chuck the whole thing
00:04:05and go back to Maryland where a man can...
00:04:07A grab! A grab!
00:04:13A grab!
00:04:15Now what's the matter?
00:04:17The fence in the upper pasture is down
00:04:19and all the horses are out.
00:04:21They are?
00:04:25You hear that?
00:04:26If you men were on the job,
00:04:28instead of the backs of your necks,
00:04:30you might find a few of these broken fences
00:04:32before the horses do.
00:04:33I'm sorry, men,
00:04:34but I think you'd better pack your bedrooms.
00:04:36You're not gonna fire them, are you, Dale?
00:04:38You leave me no choice, Betty Lou.
00:04:40Oh, gosh, we were just practicing
00:04:42for the Days of 49 celebration.
00:04:44It starts tomorrow, you know.
00:04:45If it isn't one excuse, it's another.
00:04:47Look, I've warned you men repeatedly
00:04:49not to let Betty Lou interfere with your work.
00:04:51Now, I guess you'd better look for other jobs.
00:04:54You're daggone tooting.
00:04:58Oh, gee, I'm sorry, fellas.
00:05:02That didn't go for us, did it?
00:05:04Why not? You were loafing, too, weren't you?
00:05:06But we were only waiting for them.
00:05:07From now on, you can wait for them on your own time.
00:05:10If you were 30 years younger,
00:05:11I'd pull out every hair in your head.
00:05:13When I was 30 years younger, my wife beat you to it.
00:05:16Come on, Dusty.
00:05:19Betty Lou, why can't you play with Oliver
00:05:21and stop interfering with the operations of this ranch?
00:05:24Oh, Oliver's too juvenile.
00:05:26I'm as old as you are.
00:05:28I wasn't speaking of age.
00:05:33Women sure are hard to understand.
00:05:39Where are you going?
00:05:40I think you'd better run along home, Oliver.
00:05:43I wish to be alone with my sorrow.
00:05:45What sorrow?
00:05:46You wouldn't understand.
00:05:48Understand what?
00:05:49How a girl feels when she loses six men.
00:05:52All at once.
00:05:59Gramps, we've got to do something about Betty Lou.
00:06:03Why, there ain't nothing to worry about, honey.
00:06:06All fillies go through that stage.
00:06:08But Betty Lou is not a filly.
00:06:10She's a very attractive and highly romantic girl.
00:06:13She might do something foolish.
00:06:16I think we'd better send her away to school.
00:06:18Not on your life.
00:06:19You two are all I've got left,
00:06:21and I ain't letting neither one of you leave me.
00:06:24I know how you feel, but she's...
00:06:27Wait a minute.
00:06:28There may be another solution.
00:06:31Get a crew of ranch hands who won't interest her.
00:06:34Why, they'd have to be so old and decrepit
00:06:36they wouldn't be able to sit on a horse.
00:06:38Not at all.
00:06:39That celebration at Pendleford will attract a lot of good riders.
00:06:44I'll go in tomorrow and see what I can pick out.
00:06:57Go home for the old forty-niners
00:07:00Go home for the old pioneers
00:07:03They've traveled a million and forty-nine miles
00:07:06In a thousand eight hundred and forty-nine years
00:07:09Gold miners and old forty-niners
00:07:12Get out all your rigging and gear
00:07:15There's no use in waiting, let's start celebrating
00:07:18One thousand eight hundred and forty-nine years
00:07:21One thousand eight hundred and forty-nine years
00:07:24It took them to come all the way
00:07:27They dug and discovered the gold they uncovered
00:07:30In old California A
00:07:32Go home for the old forty-niners
00:07:35Go home for the old pioneers
00:07:38They've traveled a million and forty-nine miles
00:07:41In a thousand eight hundred and forty-nine years
00:07:45I joined up with Carson and said,
00:07:48Why, I'm one of the old pioneers
00:07:51It bandaged and shot them, but I finally got them
00:07:54In a thousand eight hundred and forty-nine years
00:07:57One thousand eight hundred and forty-nine years
00:08:00It took them to come all the way
00:08:03They dug and discovered the gold they uncovered
00:08:06In old California A
00:08:09Go home for the old forty-niners
00:08:12Go home for the old pioneers
00:08:15They've traveled a million and forty-nine miles
00:08:18In a thousand eight hundred and forty-nine years
00:08:23All right!
00:08:35Step right up, ladies and gentlemen,
00:08:37and prove Daniel Boone was your cousin
00:08:39and can I have a change of your ass?
00:08:41Fine shot!
00:08:43The head part of a dollar
00:08:45is beaten in every cool side
00:08:47Now look, Trigger, you go on back to the hitching rack
00:08:49I'll see you later
00:08:52The head part of a dollar
00:08:54Try it again, stranger
00:08:56You can't miss all the time
00:08:58and I pay a dollar for every bullseye
00:09:00Nothing doing
00:09:02This is a racket
00:09:03Those peashellers don't shoot straight
00:09:05They shoot where you point them, stranger
00:09:07Yeah?
00:09:08Maybe you can hit the bullseye
00:09:09Nothing to it
00:09:11Okay, then I'll bank the game and you do the shooting
00:09:13Only let's make it interesting
00:09:15I'll pay you ten bucks for every bullseye
00:09:17and you pay me a dollar a shot
00:09:19That's fair enough, ain't it?
00:09:21Sure, that's all right
00:09:49Straight shooting a little gun
00:09:51Thanks, stranger
00:09:52Here's your five
00:09:57Now, stranger, if you'd just kind of step aside
00:10:00Oh, but I'm not through yet
00:10:02Keep loading
00:10:14That's a hundred bucks you've taken me for
00:10:17Tell you what I'll do
00:10:19I'll match that pile in an even bet you miss the next shot
00:10:22Put down your money
00:10:25Only got eighty
00:10:27Wait a minute
00:10:28This nugget I'm a lucky piece
00:10:30It's worth twenty bucks
00:10:31That'll make it an even hundred
00:10:33It's a bet
00:10:35Rabbit's foot, don't fail me now
00:10:48Here you are
00:10:50One shot, winner take all
00:10:59Uh, I think I'll use this one
00:11:08Thanks
00:11:12That's all, folks
00:11:13Shooting gallery's closed
00:11:15The stranger here shot me plumb out of business
00:11:18Cheeto, I'm surprised at you
00:11:21Pulling that blank shell gag on me
00:11:23A guy'll try anything when he's desperate
00:11:25Even on a pal?
00:11:26If you was a pal, you wouldn't have busted up my business
00:11:29Busted it up?
00:11:30Now, that's gratitude for you
00:11:32If I hadn't have dealt myself in, your money'd be riding in that other fellow's pocket by now
00:11:36Oh, one pocket's the same as another as long as it ain't mine
00:11:39But he wasn't gonna give it back
00:11:41You mean you're going to?
00:11:43When we get back to the ranch
00:11:45Well, why not give it to me?
00:11:46After all the money you've lost trying to run a concession, you ought to get wise to yourself
00:11:50I tried to, Roy, but it's in my blood
00:11:52I guess I'm just a carnival man at heart
00:11:54You might have the heart for it, but you certainly haven't got the head
00:11:58Hot dog, mister?
00:11:59No, thanks
00:12:00Give me one
00:12:01Sure enough
00:12:04There you are
00:12:06Uh-huh, thank you
00:12:07Hot dog, they are delicious, the best in the world
00:12:11Hey, there ain't no hot dog in this
00:12:14That's another reason why we ought to head back to San Fernando Valley
00:12:17Gather up your stuff and meet me at the liver stable in ten minutes
00:12:21Roy, look out!
00:12:24Roy, are you hurt?
00:12:26No, I'm all right
00:12:33Oh, my goodness, the poor man
00:12:37He stepped right in front of me
00:12:40Well, don't just stand there
00:12:42Get some water, get a doctor quick
00:12:44I reckon we'd better find out who he is first
00:12:46He may not be worth saving
00:12:47I'll take care of this till he comes to
00:12:49No, you don't
00:12:50Shame on you picking an unconscious man's pocket
00:12:55Oh, oh
00:12:58Ouch
00:12:59The idea of pretending you're hurt
00:13:01I thought it was a good idea
00:13:03Well, I hope you got bumped hard enough to learn to look where you're going
00:13:06Oh, but I'm afraid I've been bumped harder than you realize
00:13:09May I, uh, have your name and address?
00:13:12You may not
00:13:13But I have an internal injury I'd like to come around and talk to you about
00:13:17You have a colossal nerve
00:13:19It takes nerve in a competitive world
00:13:22I'll bet I have a lot of competition
00:13:24Unless you're married
00:13:25No
00:13:27Yes, I am
00:13:28I'm married and I have five children
00:13:31And I have a wife
00:13:33Yes, I am
00:13:34I'm married and I have five children
00:13:36But I heard you the first time
00:13:38Well, I'm not interested in what you heard nor in standing here talking to you
00:13:41And furthermore
00:13:42You're under arrest
00:13:43You're under arrest
00:13:44What for?
00:13:45For arguing in the street
00:13:46That's against celebration rules
00:13:49Well, I have some business to attend to
00:13:51I guess that'll have to wait
00:13:52Take us away, Sheriff
00:13:53Come on
00:13:54Uh-oh
00:13:55Look who's next
00:13:57Well, this is one time she won't fire us for playing
00:14:04Climb in
00:14:06You mean ride in that?
00:14:07Sure
00:14:09I won't do it
00:14:10Then you'll have to run along behind
00:14:19I certainly hope I run into you again sometime
00:14:22Thanks
00:14:23At 60 miles an hour
00:14:25Get up, kid
00:14:34How long do we have to stay in here?
00:14:36Till you boys do some charpin'
00:14:39Help them out, boys
00:14:42Fun, isn't it?
00:14:45Oh, I'm packing my grill
00:14:48And I'm leaving today
00:14:50Can I depend on that?
00:14:51Cause I'm taking a trip
00:14:54California way
00:14:57I'm gonna settle down
00:14:59And nevermore roam
00:15:03And make the San Fernando Valley my home
00:15:09Oh, I don't wanna sing
00:15:12Cause I'm not feeling gay
00:15:14Why?
00:15:15And where you're concerned
00:15:18Just be on your way
00:15:21I hope you settle down
00:15:23And nevermore roam
00:15:26I will
00:15:27And make the San Fernando Valley your home
00:15:31Why, sure
00:15:32You've been acting too smart
00:15:34Who, me?
00:15:35Then it's time that it ends
00:15:38All lady have a heart
00:15:41Can't we just be friends?
00:15:43We cannot
00:15:44There's only one thing more that I have to say
00:15:49What's that?
00:15:50Go to the San Fernando Valley and stay
00:15:56I think that I'm safe in Staten
00:16:00Someone is waiting
00:16:02Where?
00:16:03And I've been away for so long
00:16:07Well then, if someone is waiting
00:16:11Then why all this hesitating?
00:16:13Oh, I don't know
00:16:14Don't you think that you should move along?
00:16:19Well, I'm a hitting the trail
00:16:22To the cow country
00:16:23And that's for you
00:16:25You can forward my mail
00:16:28Care of RFD
00:16:31And if you ever feel a longing to roam
00:16:36Yeah, I know
00:16:37The San Fernando Valley is my home
00:16:49Well, that wasn't so bad, was it?
00:16:51Would have been nicer if I could have picked my own company
00:16:55You can pick my company anytime, Sheriff
00:16:57Well, what do you know about that?
00:16:59I lost my keys
00:17:00Lost the keys?
00:17:01Yeah
00:17:02Sure, how careless of you
00:17:04One of my deputies has a duplicate
00:17:05I'll be back in a minute if I can find him
00:17:07Now, don't go away
00:17:10Very funny
00:17:12This is my lucky day
00:17:13That's more than I can say
00:17:15You mean you'd really like to get out of here?
00:17:17I certainly would
00:17:19Well, I'll tell you how you can do it
00:17:21By going to the street dance with me tonight
00:17:24How did you get those?
00:17:26I'm a pickpocket
00:17:27Well, unlock this
00:17:29How about the dance?
00:17:32All right, you win
00:17:34That's the spirit
00:17:36I knew you could be nice if you wanted to be
00:17:38Say, if you have a girlfriend, bring her along
00:17:41I have a pal with me
00:17:48Oh, where will I meet you?
00:17:50Now, you're not that simple
00:17:52You didn't really think I'd keep that date, did you?
00:17:54Why, yes
00:17:57Let me out of here
00:17:59I'm not that simple
00:18:02Let me out of here
00:18:04Help, help, help
00:18:07How about that date?
00:18:09No, let me out of here
00:18:13Help
00:18:19Help, let me out of here
00:18:21I'm a mammoth
00:18:23How about the date?
00:18:25No, never
00:18:27Come on, boy
00:18:34Oh, you
00:18:36I'll get even with you if it's the last thing I ever do
00:18:43Help
00:18:48You let me out of this cave
00:18:50Let me out of this cave right now
00:18:56Get up
00:19:00Stop this thing, please
00:19:02It's good, isn't it?
00:19:04Stop
00:19:09Stop
00:19:11Stop it, I give up
00:19:13I'll keep the date, please
00:19:22Woo-hoo
00:19:24Did I hear you right?
00:19:26I'll go to 20 street dances with you, but please let me out of this cage
00:19:30Well, now, that's more like it
00:19:35Woo-hoo
00:19:40Excuse me
00:19:46Where will I meet you tonight?
00:19:48Well, I guess you'd better pick me up at the house
00:19:50It's the second house on the left-hand side as you come into town
00:19:54And there's a picket fence around it
00:19:56That ought to be easy enough to find
00:19:58At 8 o'clock?
00:20:00I'll be ready for you
00:20:02At 8 o'clock?
00:20:04I'll be ready for you
00:20:06Come on
00:20:32Stick them up
00:20:36Come on
00:20:46Get up
00:20:51You'd try anything, wouldn't you?
00:20:53I had to, Roy
00:20:54I need a hundred bucks right away
00:20:56What for?
00:20:57I got a chance to buy a ball-throwing concession
00:20:59It's a great money-maker
00:21:01Yeah, then why does a guy want to sell it?
00:21:03Because I talked him into it
00:21:05I talked you out of it
00:21:07I was only trying to break you
00:21:23Well, I asked for it
00:21:31All right, take it easy and hand over that money
00:21:34Now look, Keno, this is getting...
00:21:36Oh, you're not Keno
00:21:38Come on, Nadeau
00:21:40I thought you were a friend of mine
00:21:42He just tried the same thing
00:22:04Now let's see who you are
00:22:35Shh
00:22:43That bracketing, bracketing, four-legged outlaw
00:22:46Come back here
00:22:48Willie, give me that pipe
00:22:50Come back here
00:22:52I'm going to twist your tail, you...
00:22:55Twist whose tail, you peeping coyote?
00:23:04Bark, bark, bark
00:23:09Ain't you got no better manners than to come
00:23:11Busting into a lady's blue door without knocking?
00:23:14You lopsided old cue ball
00:23:22What in the name of Maryland's going on around here?
00:23:25Dale!
00:23:27Lopsided old cue ball, am I?
00:23:30What is it, Gram?
00:23:31That's what I want to know
00:23:32What's that bunkhouse doing full of females?
00:23:34That is your new crew
00:23:36New crew?
00:23:37You mean to say you're trying to saddle me
00:23:39with a covey of women wranglers?
00:23:41Now don't get excited
00:23:42What am I running here, a horse ranch or a harem?
00:23:45I don't like them either, Gramps
00:23:47What we need is men
00:23:48You're darn tooting
00:23:50You keep out of this
00:23:52Women wranglers, you're crazy
00:23:54No, I'm not
00:23:56They're the answer to our problem
00:23:57Well, I don't like the answer
00:23:58I'm going to chase them out of there pronto
00:24:03What's all the bellering about?
00:24:06Who is this half-pint, moth-eaten galoot, honey?
00:24:09I ain't half-pint, I ain't moth-eaten, and I ain't a galoot
00:24:12I'm the owner of this ranch
00:24:14Owner?
00:24:19My mistake
00:24:20We're there, boss
00:24:21I'm Hattie O'Toole, your foreman
00:24:23No hard feelings, I hope
00:24:25Go on, Gramps, tell them
00:24:27Don't rush me
00:24:28Tell us what
00:24:29Well, I just wanted to tell you to ride out and check the fences
00:24:34No sooner said than done, boss
00:24:36Girls, hit the ladder
00:24:51Well, see you later, boss
00:25:00Go!
00:25:06Well, I guess I'll go to town and get a beer
00:25:10Maybe two beers
00:25:11Better get a new cook, too, Gramps
00:25:13Fry pan, quit
00:25:15Quit?
00:25:16Yeah, he didn't like all those women either
00:25:18That does it
00:25:19It ain't enough to have a ranch house full of women
00:25:21Now I gotta sit in the middle of them and starve to death
00:25:25Go on, take it! Take the whole shebang!
00:25:32This is a fine employment service
00:25:34A starving man comes in here to hire a cook and you ain't got any
00:25:37Well, when you get one, send him right out to the ranch
00:25:42Hot dog, mister?
00:25:43No
00:25:46Hey
00:25:48How many?
00:25:49Five
00:25:50Five?
00:25:51Five
00:25:52How many?
00:25:54Can you cook?
00:25:56What makes you think I can't?
00:25:58I didn't say you can't, I asked you if you could
00:26:00It's the same thing
00:26:01You got a lot of nerve doubting my ability
00:26:03I don't doubt your ability, I'm just trying to get a cook for my ranch
00:26:06Underhanded, huh? Trying to get me away from my boss
00:26:09I ain't trying to get you away from anybody
00:26:11Oh, so now you don't want me, that's a fine thing
00:26:13You get me to quit my job and then you double-cross me
00:26:16Nobody's double-crossing you, you're crazy
00:26:18That's right, insult me, insult me
00:26:20Just because you're an employer and I only belong to the working class
00:26:22Wait a minute, if I've insulted you, I'm sorry
00:26:25So now you're sorry, I can stand anything but pity
00:26:28All right, never mind, never mind, forget it
00:26:32You bet I'll forget it, I didn't want your job in the first place
00:26:36Hot dog?
00:26:37Hiya, fellas
00:26:42Say, how'd you like to get your jobs back?
00:26:44Are you kidding?
00:26:45On the level
00:26:46How about that sister of yours?
00:26:48Yeah, ain't she so at us anymore?
00:26:49I'm sure getting homesick for the old place
00:26:51Me too
00:26:52And don't tell me that she's canned those girls already
00:26:54We'll give her a chance and she'll tell you about it
00:26:56She hasn't canned the girls and she doesn't exactly want you back yet
00:26:59But I'm sure she will if you do what I tell you
00:27:01Well, what's that?
00:27:03Steal some of Gramps' horses
00:27:05Oh, no, no, no
00:27:07Well, I didn't mean exactly steal them, just hide them away somewhere
00:27:11Then when the girls can't find them and Gramps is going crazy
00:27:14You fellas bring them in and say you took them away from some rustlers
00:27:17Then he'll be so pleased, he'll be glad to give you your jobs back
00:27:20Well, if that ain't the darndest idea I ever heard of in my life
00:27:23Yeah, and I don't want no part of it
00:27:25I'm afraid not
00:27:26I think the little lady's got something
00:27:28I'm for it
00:27:29Me too
00:27:30We can't get in a jam with her in on it
00:27:31That's right
00:27:32When everything's okay, I'll let you fellas know and it'll be a cinch
00:27:35Come on, fellas, please
00:27:37Well, I don't know, honey
00:27:39Gee, that's swell
00:27:40Oh, here comes Gramps
00:27:42Gee, if he sees me talking to him, he's liable to get suspicious
00:27:45You fellas play something and I'll pretend I just came to sing, huh?
00:27:48Right
00:27:59I droddled a drit drit
00:28:00You, uh, droddled a what what?
00:28:02I graddled a grot grot
00:28:03Say, what does that mean?
00:28:05He wiggled a pran, diggled a tran
00:28:07Biddy daddy, it could happen to you
00:28:12I droddled a drit drit
00:28:13She's blowing her top top
00:28:15I graddled a grot grot
00:28:16Say, what does that mean?
00:28:18He muggled a woo, huggled me too
00:28:20Biddy daddy, it could happen to you
00:28:25Now, what is a drit drit?
00:28:26I had a hunch you'd be asking
00:28:28And maybe you're knuckle, you rattle a lottle
00:28:30And don't even know what it means
00:28:32It's simply noose language
00:28:34Meaning I got a guy and he's right on the beam
00:28:38I droddled a drit drit
00:28:39Oh, she's dropping her, hmm?
00:28:41I graddled a grot grot
00:28:42That's confusing, ain't it?
00:28:44He wiggled a pran, diggled a tran
00:28:46Biddy daddy, just wait till it happens to you
00:28:51Now, what is a drit drit?
00:28:52I had a hunch you'd be asking
00:28:54And maybe you're knuckle, you rattle a lottle
00:28:56And don't even know what it means
00:28:58Must be a noose language
00:29:00It means I got a guy and he's strictly on the beam
00:29:04I droddled a drit drit
00:29:05She droddled a penis or a bodysat
00:29:07I graddled a grot grot
00:29:08There she goes again
00:29:10He wiggled a pran, diggled a tran
00:29:12Biddy daddy, just wait till it happens to you
00:29:24Gramp, I'll bet you're mad at me
00:29:27I'll bet I am, too
00:29:31I can see the look on old Cyclone's face now
00:29:34When those cowgirls fizzle out, we bring them coyotes in
00:29:37Bring what coyotes in?
00:29:40Say, it's unnatural, ain't it?
00:29:44Looks like that rabbit's foot's gonna be good luck for us
00:29:48Hey, come back here
00:29:50I'll let him go
00:29:51He's only got the rabbit's foot
00:29:53I've still got the nugget
00:29:57Hey, that dog
00:29:59It was in her car when she bumped you yesterday
00:30:01It was?
00:30:02Sure
00:30:03Here, boy
00:30:04Here, here, boy
00:30:09Here, boy
00:30:10Let's see where you're from
00:30:13Willie, Kenyon Ranch
00:30:15Now we're getting someplace
00:30:16Yeah, and when we find her, we'll find my money
00:30:19Oh, quiet, will ya?
00:30:20She had nothing to do with it
00:30:22How do you know?
00:30:23Because she's not that kind
00:30:24Okay, okay, I won't say another word
00:30:27Only when some strange girl sends me to an empty house
00:30:29And I get waylaid and lose all my pal's money
00:30:32That I had no business taking in the first place
00:30:34Not to mention his lucky piece
00:30:36I'd say it was plain as cow tracks in the mud
00:30:38All right, I guess we might as well follow up every angle
00:30:41And she ain't a bad angle
00:30:43Is she in town, Willie?
00:30:45Go find her
00:31:05Ah, that wasn't her
00:31:07No, but thanks to Willie, she won't be hard to find
00:31:14Hey
00:31:15Here, Willie, come on
00:31:18Hey, what have you got in your mouth, you little pack rat?
00:31:23A rabbit's foot
00:31:25Well, thanks
00:31:27For the luck I've been having lately, I need it
00:31:30Here, boy
00:31:37Boy, some spread
00:31:40Yeah, and that's all the evidence I need
00:31:42To see we're barking up the wrong tree
00:31:44A girl like that...
00:31:57Did you say a girl?
00:32:02Whoever heard of female drivers?
00:32:08We'll show this bald-headed galoot how to run a race
00:32:11Come on, that's our boy
00:32:13City boy, go on
00:32:15Come on, Milly, old girl, come on
00:32:17We'll show that pickle-puss boss of ours
00:32:19That we're just as clever as any man that he's got on this track
00:32:23We can't let a female driver beat us
00:32:25Come on, come on, Milly
00:32:37Oh, that's a girl, that's a girl
00:32:40Whoa!
00:32:43Hey, you were wonderful, Milly
00:32:47You beat you, didn't you, boss?
00:32:49You didn't beat me
00:32:51The horse did
00:32:53Hold him, Cyclone, hold him
00:32:59Whoa, whoa, whoa
00:33:02Oh, boy
00:33:11Oh, boy
00:33:13Oh, Milly
00:33:15Oh, boy
00:33:17Milly
00:33:18Oh, Milly
00:33:19Whoa!
00:33:31Whoa!
00:33:32Whoa, Milly
00:33:43Oh, boy
00:33:49Oh, I wish I was back in Maryland
00:33:52Oh, Milly
00:34:09Are you all right?
00:34:10Of course I'm all right
00:34:12I was born on one of these go-karts
00:34:14Sort of looked like you might die on one, too
00:34:16Well, I wouldn't mind that either
00:34:17If I was sure there wasn't any women where I'd go
00:34:20You're having woman trouble, too, huh?
00:34:22You can say that again
00:34:23If I didn't own this outfit, I wouldn't stay here any longer than the cook did
00:34:28You boys just come out from town?
00:34:30Yes, sir, we're looking for...
00:34:31Well, you don't have to look any further
00:34:34You're hired
00:34:35You won't have to cook any different for the women than you would for the men
00:34:38Cook for them?
00:34:40I'm sorry, but you got us wrong
00:34:41Now, wait, wait a minute, wait a minute
00:34:43Before you say no, I'll give you 25 a month more than I told the agency
00:34:48Now, look, mister, you're making a mistake
00:34:50Well, maybe so, but a man as hungry as I am can't be choosy
00:34:55Well, what about it?
00:35:01We'll take the job
00:35:02Good! Follow me
00:35:04Hey!
00:35:13What's the idea?
00:35:14I thought we came here to check on that girl
00:35:16Can you think of a better way to do it?
00:35:27Well, this is it
00:35:29Nice-looking kitchen
00:35:31Yeah
00:35:32Hello, grandfather
00:35:33Hello
00:35:34Now, if there's anything you boys...
00:35:36Oh, this is my granddaughter Betty Lou
00:35:39This is Roy Rogers, the new cook
00:35:41And his helper
00:35:42Howdy
00:35:43How do you do, Mr. Rogers?
00:35:45How do you do?
00:35:47This is her boyfriend, Oliver
00:35:49Howdy
00:35:50How are you?
00:35:51Grandfather, please
00:35:53Oliver is not my boyfriend
00:35:55He's merely the little boy who lives on the next ranch
00:35:58Is that so?
00:35:59Well, just for that, you can wash your own dishes
00:36:02You sure were right, Cyclone
00:36:04Women?
00:36:05Phooey!
00:36:08He's so juvenile
00:36:10Well, you can pitch right in
00:36:11You'll find everything here that you need
00:36:13And cook plenty of food
00:36:14I'm as hungry as a she-bear
00:36:16Come along, Betty Lou
00:36:18See you at dinner, Mr. Rogers
00:36:20Until then...
00:36:21Come on, come on
00:36:25What's the matter with her?
00:36:27Nothing she won't grow out of
00:36:29Well, shall we get started?
00:36:31Don't count on me for no help
00:36:32I don't know nothing about no fancy cooking
00:36:34You can read, can't you?
00:36:35Sure I can read
00:36:37I think
00:36:38Well, cooking, my boy, is merely the art of following a recipe
00:36:41The bride's Bible
00:36:42Ten thousand tantalizing tasty treats
00:36:45Now, let's see what we're gonna have
00:36:47Meats, meats, meats, meats
00:36:49Ah, paprika cream schnitzel
00:36:51Sounds good
00:36:52Never mind how it sounds
00:36:53How's it gonna taste?
00:36:54Here, you pick something to go with it
00:36:58Popovers
00:36:59Popovers?
00:37:00Never heard of them
00:37:01Well, they're biscuits that turn somersaults
00:37:03Now, there's your recipe, so get busy
00:37:06Uh, veal steak
00:37:08Flour
00:37:09Bacon
00:37:10Eggs
00:37:11Sour cream
00:37:13Salt
00:37:14Tomato sauce
00:37:16Milk
00:37:17And paprika
00:37:19Sugar
00:37:20And chopped onions
00:37:22Well, let's get them
00:37:31Here's your eggs
00:37:33Now to...
00:37:34What'd you do with the cookbook?
00:37:36I didn't take it
00:37:38Well, it was right here
00:37:42Well, that's funny
00:37:44What are we gonna do?
00:37:46Go ahead without it
00:37:48We've got the ingredients
00:37:49We'll have to make it, don't we?
00:37:51We'll have to make it
00:37:52We'll have to make it
00:37:53We'll have to make it
00:37:54We'll make it
00:37:55We'll make it
00:37:56We'll make it
00:37:57We'll make it
00:37:58We'll make it
00:37:59We've got the ingredients, nothing to putting it together.
00:38:03There ain't?
00:38:04No, simple.
00:38:06OK.
00:38:07But I feel more at home, Brandon can't.
00:38:29Good evening to you stranger, I'm Sheriff Eli Brown.
00:38:48I'm a looking for the barman that held us up in town.
00:38:52They robbed the bank this morning.
00:38:54No!
00:38:55And carried off the dough.
00:38:56So pardon me, could you tell me, which way did they go?
00:39:00Why sure, they went that-a-way, they went that-a-way.
00:39:04I seen them with my money, and they went that-a-way.
00:39:10I'll just surround those critters, and with my .45.
00:39:14As sure as shooting stranger, I'll fetch them dead or alive.
00:39:18I'm a heading up the mountain, to spot them down below.
00:39:22But in the meantime, mister, which way did they go?
00:39:26They went that-a-way, they went that-a-way.
00:39:30I hope that you can fetch them, and they went that-a-way.
00:39:38I'll hang them in the courtyard, the law will have its way.
00:39:42Then I'll be re-elected on next election day.
00:39:46You bet!
00:39:47So if there is a shortcut, please tell me if and you know.
00:39:51How many of them was there, which way did they go?
00:39:55They went that-a-way, they went that-a-way.
00:39:59Rode off in all directions, and they went that-a-way.
00:40:13Don't smell bad.
00:40:15Not too bad.
00:40:20What was that?
00:40:22I don't know.
00:40:37No wonder they call them popovers.
00:40:40Come and get it!
00:40:47Howdy boss, how you feeling?
00:40:49Can't you say anything without using your hands?
00:40:51Sure, but it doesn't carry as much weight.
00:40:57Good evening everybody.
00:40:58Well, where have you been all day?
00:41:00Out of that auction.
00:41:01Oh, oh yeah.
00:41:10What in the name of Chesapeake are you made up for?
00:41:13One is supposed to dress for dinner, isn't one?
00:41:16Yes, I suppose one is, especially when we have a new cook.
00:41:20Isn't that right, Gramps?
00:41:21Yep, two of them.
00:41:22But I thought-
00:41:23I know, I know, but they're all I could get.
00:41:25Bring on that grub!
00:41:36Good evening, Mr. Rogers.
00:41:37Hello.
00:41:38Would you care for some paprika cream schnitzel?
00:41:45How about a popover, toots?
00:41:50Kind of thin plates, ain't they?
00:41:54What did you call this, Mr. Rogers?
00:41:56Paprika cream schnitzel.
00:41:59A new experience for me.
00:42:01I hope it's a pleasant one.
00:42:07They're sure heavy.
00:42:08That's so they'll sink down the gravy.
00:42:10They're used to cooking for he-man, not softies.
00:42:14Do you really think I'm feminine, boss?
00:42:18Well, we're all at the starting gate.
00:42:20Let's go!
00:42:37Where are they all going in such a hurry?
00:42:56So, when you mistook us for cooks,
00:42:58I took advantage of it because I thought Miss Kenyon just worked here.
00:43:02How much did you say you lost?
00:43:03About $400, all told.
00:43:05And my good luck piece, a rabbit's foot with a nugget on a chain.
00:43:08It was worth about $20.
00:43:10I'm sorry my little joke turned out to be so unfunny.
00:43:15I hope you find those men.
00:43:17I'm afraid there isn't much of a chance.
00:43:20Well, Keno, I guess we'd better head back for San Fernando Valley.
00:43:23If you ever back our way again, look us up.
00:43:26I certainly will, Miss Kenyon.
00:43:56Help!
00:43:57Help!
00:43:58Dale Gramps!
00:43:59Help!
00:44:01Betty Lou, where are you?
00:44:04Help!
00:44:05Help!
00:44:06Sounded as if it came from near the pool.
00:44:08There she is!
00:44:10Help!
00:44:11Help!
00:44:13Dale Gramps!
00:44:14What's the matter, Betty Lou?
00:44:15What happened?
00:44:16Don't let him get me!
00:44:17Don't let him get me!
00:44:18Don't let who get you, honey?
00:44:20Men.
00:44:21Men?
00:44:22What men?
00:44:23Well, I was walking out here and I heard a noise.
00:44:26When I came to see what it was, well, two men grabbed me.
00:44:29Two men?
00:44:30Yes.
00:44:31They tried to take me to their horses, but I kicked and screamed, and they got scared
00:44:33and rode away.
00:44:34Oh, you poor kid.
00:44:36What'd they look like?
00:44:37Oh, I don't know.
00:44:38They had their faces covered.
00:44:39But I nearly tore the shirt off of one of them.
00:44:41Maybe there's a piece of it lying around here that'll help you find them.
00:44:44We'll take a look.
00:44:50There ain't no pieces of shirt around here.
00:44:53What's this?
00:44:57That's my rabbit's foot.
00:44:58The nugget's gone.
00:45:04They must have been the same two fellas who robbed me.
00:45:06Don't let them get me!
00:45:07Don't let them get me!
00:45:08They'll come back.
00:45:09I know they will.
00:45:10If you don't mind, Miss Kenyon, I'd like to stick around a little while longer.
00:45:12If those fellas do come back, I want to be here.
00:45:14Why, certainly.
00:45:15But not as a cook.
00:45:17Oh, Mr. Rogers, that's wonderful.
00:45:19You don't know what it means to me to have you near.
00:45:22Come on, let's go back to the house.
00:45:25Did I ever tell you how beautiful you are?
00:45:27Many times.
00:45:30Oh, excuse me.
00:45:31Uh-huh.
00:45:33Hey, is that Dale up there with Mr. Rogers?
00:45:35Yeah, it looks like them.
00:45:37I didn't know she rode to town with him.
00:45:39Well, what difference does it make?
00:45:41It makes a lot of difference.
00:45:43Oh, so that's it.
00:45:45That's why you wanted to ride out this way to hunt ground squirrels.
00:45:48I figured on meeting him and riding back to the ranch with him.
00:45:50Don't be juvenile.
00:45:52I'm not so juvenile I can't see you're stuck on him.
00:45:54So what?
00:45:56So I'm through playing second fiddle, that's what.
00:45:58No girl's going to waste 10 years of my life and get away with it.
00:46:01Come on!
00:46:02Come on.
00:46:07Come on.
00:46:11Help!
00:46:13Help!
00:46:24Help!
00:46:35Help!
00:46:38Help!
00:46:54I'll take the horses.
00:46:55Thanks.
00:47:02Come on, boy.
00:47:04Betty Lou, I don't know what I'm going to do with you.
00:47:07Yeah, I don't know what I'm going to do with you either.
00:47:10How'd you happen to be with Roy today?
00:47:12Oh, I met him by accident as he was returning from town.
00:47:15Accident.
00:47:16What did you talk about?
00:47:18Now, wait a minute, young lady.
00:47:19You're the problem child around here, not me.
00:47:22And I want you to stop throwing yourself at Mr. Rogers.
00:47:25Oh, afraid of competition, huh?
00:47:28Competition.
00:47:30Yeah, there's no need to deny it.
00:47:32It's the age old story.
00:47:33Two women and one man.
00:47:35For heaven's sake, Betty Lou, where do you get all this nonsense?
00:47:38I want you to forget it, do you understand?
00:47:40And if I don't?
00:47:42There isn't any if about it.
00:47:44Oh, honey, don't you see it isn't right?
00:47:47Roy's a grown man, you're just a little girl.
00:47:50You'll only make yourself look ridiculous.
00:47:52Not half as ridiculous as you'll look when Roy puts a ring on my finger.
00:47:56You wait and see.
00:48:09Mr. Rogers, I wonder if you'd do something for me.
00:48:12Just name it.
00:48:15Well, it concerns Betty Lou.
00:48:18I suppose you've noticed she's quite infatuated with you.
00:48:21She has been a little obvious.
00:48:24I tried to make her see how impossible the situation is,
00:48:27but she's jumped to the conclusion that my objection is prompted by jealousy.
00:48:32She refuses to listen.
00:48:34Kids do get funny ideas, don't they?
00:48:36I want you to help me kill her interest in you
00:48:39by pretending you care for someone else.
00:48:45Like who, for instance?
00:48:47Well, one of the girls.
00:48:49How about Doris, the blonde?
00:48:51I don't like blondes.
00:48:54Well, and Helen. She's quite pretty.
00:48:57It wouldn't work.
00:48:59I haven't even spoken to her.
00:49:01Besides, Betty Lou would know it was a put-up job.
00:49:04You're the only one for the part.
00:49:06Me?
00:49:08Sure.
00:49:09She already suspects you of being a rival.
00:49:12It's a natural.
00:49:14Perhaps you're right.
00:49:16Good.
00:49:18When do we start?
00:49:20Well, let's see.
00:49:22How about tonight, right after dinner?
00:49:24Would that be all right?
00:49:26That'll be perfect.
00:49:28I'm much more convincing in the moonlight.
00:49:31Thank you, Mr. Rogers.
00:49:33I do appreciate your help.
00:49:35This is a pretty serious matter to me.
00:49:38Oh, uh, I might suggest,
00:49:40just to help the deception, of course,
00:49:42that you drop the Mr. Rogers and just call me Roger.
00:49:45That's a very good suggestion.
00:49:47I'll do it, Mr. Rogers.
00:49:53Willie?
00:49:54I think we're gonna like this.
00:50:01Okay, now watch the nut closely.
00:50:04See? There it is.
00:50:06Now keep your eye on it.
00:50:14Okay, which one is it under?
00:50:17Doggone it, you've done it again.
00:50:19That's eight bucks I owe you.
00:50:23Jim!
00:50:25I'll be a Baltimore Oreo.
00:50:27I never saw such luck.
00:50:29Look!
00:50:31Bosh, you nearly killed me.
00:50:33Someday I'll finish the job.
00:50:35So help me.
00:50:37I thought Roy was out here.
00:50:39I ain't seen him around, dear.
00:50:41Oh, boy.
00:50:43I thought Roy was out here.
00:50:45I ain't seen him around, dear.
00:50:47Hello, Betty Lou.
00:50:49Oh, hello.
00:50:51Look what I brought you.
00:50:53Oh, for me?
00:50:54Uh-huh.
00:50:55But I thought you, um...
00:50:57Oh, that was this afternoon.
00:50:59A fella says a lot of things in the daytime,
00:51:01he doesn't mean at night.
00:51:03Yeah, says a lot of things at night,
00:51:05he doesn't mean in the daytime, too.
00:51:07How could anyone be sweeter than you?
00:51:16You're the sweetest one that I ever knew.
00:51:25Why, I adore you.
00:51:29It's easy to see.
00:51:34More and more you mean everything to me.
00:51:42How could anyone have so much appeal?
00:51:51Is it any wonder you are my ideal?
00:51:59Really, sincerely, you're too good to be true.
00:52:08How could anyone be sweeter than you?
00:52:16Mmm, la-dee, la-da-doo.
00:52:24All my future dreams are wrapped up in you.
00:52:32Why, I adore you.
00:52:36It's easy to see.
00:52:41More and more you mean everything to me.
00:52:50How could anyone have so much appeal?
00:52:59Is it any wonder you are my ideal?
00:53:07Really, sincerely, you're too good to be true.
00:53:16How could anyone be sweeter than you?
00:53:32Make it even better now.
00:53:34Don't worry, I will.
00:53:36Dale, do you believe in love at first sight?
00:53:40I don't know, Roy.
00:53:41I suppose it can happen.
00:53:43I know it can.
00:53:44Because that's the way it's been with me ever since the day you ran me down.
00:53:48It was your own fault, you stepped right in front of me.
00:53:50Don't argue, make love.
00:53:53When you knocked me for a loop, you did it in more ways than one.
00:54:03Looks like we put it over.
00:54:05Yeah, I guess we did.
00:54:07You're quite an actress.
00:54:10But I wasn't acting.
00:54:15Boy, oh boy, give me!
00:54:23Hello, Bob.
00:54:24This is Betty Lou.
00:54:27Are you fellas ready to swipe those horses?
00:54:30Yes.
00:54:32Tomorrow night at nine o'clock.
00:54:36Goodbye.
00:54:39Yahoo!
00:54:41Yahoo!
00:54:43Yahoo!
00:54:47Yahoo!
00:54:49Yahoo!
00:54:54What's going on here?
00:54:57Hello, Hattie.
00:54:58Hello, Harry.
00:55:03What are you balloons up to?
00:55:05Can't you see we're up to our ears in romance?
00:55:07Can't you see the look in our eyes?
00:55:09Oh, just a bunch of moonstruck wolves, eh?
00:55:12That's right, and this is our night to howl.
00:55:15What's all this racket about?
00:55:17Hello, Miss Kenyon.
00:55:18Why, we came down to serenade the gals.
00:55:20I hope you don't mind.
00:55:21Serenade the gals?
00:55:23Well, I guess I can stand it if they can.
00:55:34Over the rainbow trail we'll ride
00:55:39After the day is done
00:55:44We'll find the golden rainbows and
00:55:49We'll be the lucky ones
00:55:54There'll be millions of things
00:55:57A pony with wings to ride on
00:56:04There's a gold-encrusted saddle
00:56:07And a pair of diamond spurs to wear
00:56:12So won't you meet me there
00:56:16Down past the waterfall we'll ride
00:56:22From the river's bend
00:56:27Across the rolling plains so wide
00:56:32We'll find the rainbow's end
00:56:37There's a castle so high
00:56:40It touches the sky
00:56:43And dreams that are made to come true
00:56:48For me and you
00:56:55Over the rainbow trail
00:57:10What's that?
00:57:14Somebody's stealing the horses!
00:57:16We'll get him!
00:57:18Let's go!
00:57:26Come on, Dino.
00:57:45I guess that puts us out of the running.
00:57:48And out of the walking, too.
00:57:53If there hadn't been so much fiddling going on,
00:57:55we'd have heard them rustlers in time to stop them.
00:57:59Now, don't tell me they got away.
00:58:01Well, they started shooting at us, and we didn't have any guns.
00:58:04Well, if that don't beat anything that ever happened in Maryland,
00:58:07stealing a bunch of horses right out from under my nose,
00:58:11I'd sure like to get a beat on them rustlers.
00:58:15My trigger fingers just eat ya!
00:58:22Now, who put shells in the shotgun?
00:58:32Just as I thought.
00:58:33It was Betty Lou who tied her saddles last night.
00:58:36It don't make sense.
00:58:37A kid like her working with a bunch of horse thieves.
00:58:40It is a little confusing, but she knows who they are, and so does Willie.
00:58:43Willie?
00:58:44Yeah.
00:58:45If they'd have been strangers, he would have barked,
00:58:47and there wasn't a peep out of him.
00:58:48He was the same way the night they tried to kidnap her.
00:58:51There's something phony about this, Kino.
00:58:53Phony?
00:58:54Well, what about finding my rabbit's foot?
00:58:56That's a question I can't answer.
00:58:58Yet.
00:59:12Any luck?
00:59:13No.
00:59:14Confounded.
00:59:16They took to the rocky country where we couldn't track them.
00:59:19I found some very interesting tracks over by the fence.
00:59:22You did?
00:59:23Yeah.
00:59:24I think they might lead to something.
00:59:27I, uh, I think I'll go put some coffee on.
00:59:30I'll make some sandwiches.
00:59:39Did you find them, Mr. Kenyon?
00:59:41No, we didn't find them.
00:59:42Well, that's too bad.
00:59:44Maybe we could trail them.
00:59:45You couldn't trail a tractor.
00:59:47Why, Ken here is the best trailer in the state of Texas.
00:59:49Yeah, but this ain't Texas.
00:59:51You sound like you don't want them coyotes back.
00:59:53I don't, huh?
00:59:55I'll give 500 bucks to the party that finds them.
00:59:58Would you give us our jobs back?
01:00:01Yes, I'd even do that.
01:00:03It's a deal.
01:00:04Come on.
01:00:12Hey, wait a minute, boys.
01:00:15We'd better stall around a bit.
01:00:17If we bring those horses in too fast, it might look suspicious.
01:00:20Hey, you might have something.
01:00:21I think that's a good idea.
01:00:22Hey!
01:00:23Hey, you fellas!
01:00:25It's Matt and Dusty.
01:00:34What happened?
01:00:35Plenty.
01:00:36We was taking it easy waiting for you fellas,
01:00:38and a couple guys sneaked up and got the drop on us.
01:00:41Then they hogtied us and loaded the horses and trucks and drove away.
01:00:45We never saw the guys before,
01:00:47but they sure worked like they knew their business.
01:00:49Well, I'll phone the office and have the highways covered.
01:00:51Well, of all the cockeyed, idiotic, harebrained schemes I ever heard,
01:00:55this one takes the blue ribbon.
01:00:57Do you know those horses are worth $15,000?
01:01:04You guitar-picking polecats tried to do us girls out of our jobs.
01:01:09Well, Hattie, it's nothing personal.
01:01:11It's just that women in this kind of work, it ain't ethical, that's all.
01:01:14Stealing horses ain't ethical either.
01:01:16And if I don't get them back, I'll put you men so far in jail,
01:01:19it'll take a week to get bread and water to you.
01:01:21But they're not to blame, Gramps.
01:01:23What do you mean, not to blame?
01:01:25I put them up to it.
01:01:27You?
01:01:28Betty Lou.
01:01:29And you calling me juvenile?
01:01:31Well, I don't care.
01:01:32What we need is men on this ranch.
01:01:34I know what you need.
01:01:36Gramps, what are you gonna do?
01:01:37I'm gonna get at the seed of this trouble.
01:01:39I'll hold her for you, cyclone.
01:01:41Well, I guess we ain't doing any good standing around here.
01:01:45Come on, Dusty.
01:01:54Well, we'll see you later, Dale.
01:02:08How'd you make out?
01:02:09We're in the clear.
01:02:10Did you get the money for them?
01:02:11Yeah.
01:02:13Here's your cut.
01:02:29Do you mind if we ride along with you?
01:02:31Well, it's a public road.
01:02:33Couple of good-looking horses you got there.
01:02:35Not as good-looking as the one you're riding.
01:02:37No, but they're good enough to steal if a fellow's doing a little rustling.
01:02:40Meaning what?
01:02:41Meaning I can't figure out why the fellows who jumped you and took Cyclone's horses didn't take yours.
01:02:45That's right.
01:02:47Reckon how he happened to slip up like that?
01:02:50I don't know.
01:02:51That's something you'll have to ask the rustlers.
01:02:53That's what I'm doing.
01:02:56You've butted your nose into my business a couple times, cowboy, and I'm getting tired of it.
01:03:00You ought to try a business you wouldn't be so touchy about.
01:03:02Okay.
01:03:03Think what you like.
01:03:04Our word's as good as yours.
01:03:05That's right.
01:03:06What I need is proof.
01:03:07Something like the money you received for the job.
01:03:10Now, I've got a hunch it's right in your pocket.
01:03:17Get his gun, Kino.
01:03:27Get off your horses and turn your pockets inside out.
01:03:33Don't move.
01:03:37Drop those guns.
01:04:02I got it.
01:04:18Hey, where you going?
01:04:19Wait until I get my hands on you.
01:04:28Wait till I get my hands on you.
01:04:32Take me for a boat ride, will you?
01:06:02Get back!
01:06:05Whoa, Trigger, whoa!
01:06:09All right, get up.
01:06:21Watch him, Trigger.
01:06:25Watch him, Trigger.
01:06:31Get up.
01:06:38This is what I'm looking for.
01:06:44There wasn't nothing on this guy, Roy.
01:06:46There's plenty on this one, including this.
01:06:48My nugget!
01:06:50Yeah, we really got a prize in this package.
01:06:52Come on, you two.
01:06:55You can send your men and meet women in for your horses in the morning.
01:06:58They'll be there.
01:07:00On your way.
01:07:06Bob, I'd like to keep you and the boys here.
01:07:08And the girls, too.
01:07:09So would I.
01:07:10There's work enough for everybody.
01:07:13Now, just a minute.
01:07:15I said I'd like to.
01:07:17But I can't, on account of Betty Lou.
01:07:19Well, that's no problem.
01:07:20I know how to get her out of here.
01:07:22Well, that's no problem.
01:07:23I know how you can keep the boys here, and Betty Lou won't pay any attention to them.
01:07:27Oh, Bob!
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