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Short filmTranscript
00:00:00 (footsteps)
00:00:02 (eerie music)
00:00:06 (door creaking)
00:00:22 (eerie music)
00:00:27 (door creaking)
00:00:30 (door creaking)
00:00:33 (door slams)
00:00:40 (dogs barking)
00:00:54 - One thing I've learned in the last seven years,
00:00:57 in every game and con, there is always an opponent.
00:01:01 And there is always a victim.
00:01:03 The trick is to know when you're the latter
00:01:07 so you can become the former.
00:01:09 (thunder rumbling)
00:01:13 (door slams)
00:01:21 (door slams)
00:01:24 Just gotta take care of one little problem
00:01:27 and it's yours.
00:01:28 - I don't want this to haunt me, Paul.
00:01:30 Bury that shareholder deep.
00:01:34 - Today is the last you'll hear of it.
00:01:37 Soon it will be yours by morning.
00:01:38 Oh, and by the way, Jake Green got out today.
00:01:45 - Seven years goes by quick, doesn't it?
00:01:51 - I'll have someone keep an eye on him for a while.
00:01:53 (thunder rumbling)
00:01:56 - Dorothy Mecca, a man responsible for the time I served.
00:02:07 A man who'll pass a death sentence
00:02:11 quicker than you'll pass the salt.
00:02:12 - How deep did you bury that shareholder, Paul?
00:02:16 - Deep.
00:02:19 (dramatic music)
00:02:23 - Are you sure this is a good idea?
00:02:25 - He has to pay us something, doesn't he?
00:02:27 - You got more money than you could ever spend.
00:02:29 That's what you think about nowadays.
00:02:32 - He owes me and he owes you.
00:02:34 Now he has to pay.
00:02:36 It's cause and effect.
00:02:38 But he still has to pay.
00:02:42 He has to pay something, anything.
00:02:46 I need to see him squirm.
00:02:50 Every man has a weakness.
00:02:52 His.
00:02:54 He'll eat the yarn of his own shit
00:02:56 before it'll look bad in public.
00:02:58 Mecca's been busy building himself an empire
00:03:06 and he's done well, very well.
00:03:10 He hasn't seen me for nine years,
00:03:12 but he'll know I'm here
00:03:14 before I've crossed the starting line.
00:03:16 (dramatic music)
00:03:19 French Paul, he's Grape Digger to the stars.
00:03:27 I'll tell him to throw me out the door I came in.
00:03:29 But I know Mecca, he won't send me packing
00:03:33 till he's shown his audience that he's still the boss.
00:03:36 I'll give him me a mouth full of words
00:03:39 that taste like bullets.
00:03:45 Sorry, sir, this table is closed.
00:03:47 Send him up.
00:03:50 I'm not sure that's a good idea, Mr. D.
00:03:51 He's got better, a lot better.
00:03:53 All the tables are closed.
00:03:55 Send him up, Paul.
00:04:01 Like I said, every man has a weakness.
00:04:04 Mine, I don't like tight spaces.
00:04:08 20.
00:04:09 Hold on.
00:04:11 Then we'll take the stairs, eh, Billy?
00:04:12 You wanna walk 20 floors, Jake?
00:04:15 Don't be silly.
00:04:16 I like to feel trapped.
00:04:17 Never did, never will.
00:04:19 Why should a man do what he doesn't like to do?
00:04:23 Look, Jake, if you wanna take the stairs,
00:04:27 we'll take the stairs.
00:04:28 There's always a choice.
00:04:29 What's wrong with the stairs?
00:04:32 Come on, be all right.
00:04:36 (dramatic music)
00:04:39 (dramatic music)
00:04:42 (dramatic music)
00:04:45 Now I've got to spend the next two minutes
00:04:51 shaking and sweating like a crack whore
00:04:54 clucking for a fix.
00:04:56 Should have taken the stairs,
00:04:58 'cause it's getting very, very tight in here.
00:05:03 (dramatic music)
00:05:06 (dramatic music)
00:05:09 I'm afraid it's only two at the table, Mr. Green.
00:05:23 Freddy, you're done.
00:05:29 Have a seat, Mr. Green.
00:05:36 (dramatic music)
00:05:38 I hear you've done very well for yourself.
00:05:40 Against all the odds.
00:05:43 - Well, they do say,
00:05:45 the harder the battle, the sweeter the victory.
00:05:48 - I've been warned if I let you sit down at this table,
00:05:49 I might regret it.
00:05:50 They say you've become very ambitious in your maturing.
00:05:55 And you now wish to acquire yourself a business?
00:05:59 A business like my business?
00:06:02 But we both know what you are, don't we, Jake?
00:06:05 You're a man who needs a master.
00:06:07 You're an employee.
00:06:09 So what's in it for me?
00:06:11 The pleasure of doing an old employee a favor
00:06:15 by reminding him of the position nature chose for him.
00:06:20 - Rod, I'm a seeker.
00:06:24 - What's that got to do with you?
00:06:28 - Sushi for it.
00:06:29 - He's got you there, Rod, eh?
00:06:35 - I'm not a fish.
00:06:36 I'm a man.
00:06:37 I'm a man.
00:06:37 - You're a man.
00:06:38 - I'm a man.
00:06:39 - You're a man.
00:06:40 - I'm a man.
00:06:41 - You're a man.
00:06:42 - I'm a man.
00:06:42 - You're a man.
00:06:43 - I'm a man.
00:06:44 - You're a man.
00:06:45 - I'm a man.
00:06:46 - You're a man.
00:06:47 - I'm a man.
00:06:48 - You're a man.
00:06:48 - I'm a man.
00:06:49 - You're a man.
00:06:50 - I'm a man.
00:06:51 - You're a man.
00:06:52 - I'm a man.
00:06:53 - You're a man.
00:06:53 - I'm a man.
00:06:54 - You're a man.
00:06:55 - I'm a man.
00:06:56 - You're a man.
00:06:57 - I'm a man.
00:06:58 - You're a man.
00:06:58 - I'm a man.
00:06:59 - You're a man.
00:07:00 - I'm a man.
00:07:01 - You're a man.
00:07:02 - I'm a man.
00:07:03 - You're a man.
00:07:03 - I'm a man.
00:07:04 - You're a man.
00:07:05 - I'm a man.
00:07:06 - You're a man.
00:07:07 - I'm a man.
00:07:08 - You're a man.
00:07:09 - I'm a man.
00:07:09 - You're a man.
00:07:10 - I'm a man.
00:07:11 - You're a man.
00:07:12 - I'm a man.
00:07:13 - You're a man.
00:07:14 - I'm a man.
00:07:14 - You're a man.
00:07:15 - I'm a man.
00:07:16 - You're a man.
00:07:17 - I'm a man.
00:07:18 - You're a man.
00:07:19 - I'm a man.
00:07:19 - You're a man.
00:07:20 (suspenseful music)
00:07:23 - There's no problem, is there, Mr. D?
00:07:27 - You got a big mouth and a small head, sunshine.
00:07:32 - I'll take purple.
00:07:34 - You're on.
00:07:46 (upbeat music)
00:07:48 - Come on.
00:07:49 - Mr. Green.
00:07:51 Mr. Packer would appreciate it
00:07:54 if you came back to the table.
00:07:55 - I haven't finished with him yet.
00:08:00 - Now would be a good time.
00:08:04 - I think he's starting to fly on you, Jack.
00:08:09 - Excuse me.
00:08:15 - Hey, buddy, we're coming through here.
00:08:16 - Relax.
00:08:17 You're in trouble, Mr. Green.
00:08:19 We can help.
00:08:20 Thank you.
00:08:23 - Take the stairs.
00:08:29 (choral music)
00:08:33 (choral music)
00:08:35 (choral music)
00:08:38 (choral music)
00:08:41 (choral music)
00:08:44 (choral music)
00:08:47 (choral music)
00:08:50 (choral music)
00:08:57 (choral music)
00:09:11 (choral music)
00:09:13 - But he's not listening to the brain no more.
00:09:28 Should feel pain, but the mind's been frozen.
00:09:32 Caught by a puzzle that it can't solve.
00:09:36 Who's the man with the card?
00:09:39 (choral music)
00:09:41 How did he know?
00:09:42 Why he couldn't know?
00:09:43 - He got lucky, Mr. D, that's all.
00:09:47 - Luck, the man's a danger.
00:09:49 - Since he's been out, he's made a fortune, Mr. D.
00:09:51 He's fat and comfortable.
00:09:53 He's got what he wanted.
00:09:54 I'm sure he won't be hearing from him again.
00:09:56 - He ate seven years, Paul.
00:09:58 Seven years doesn't taste nice.
00:10:00 Not to mention the accident with his brother's wife.
00:10:06 - And what the (beep) does I haven't finished
00:10:09 with him yet mean?
00:10:10 Get rid of him.
00:10:17 I don't want any mistakes.
00:10:21 No crackheads with sharp sticks
00:10:23 acting like silly (beep) gangsters.
00:10:24 You take sorter and slim biggins.
00:10:26 You do it quickly, you do it quietly.
00:10:28 - We don't know what caused the blackout.
00:10:31 But we've run some blood tests
00:10:34 and we'll have the results within a few hours.
00:10:37 It's a miracle you didn't sustain any damage from your fall.
00:10:42 - Can I go now?
00:10:43 - You put your clothes back on.
00:10:46 We'll call you back with the results.
00:10:47 - All right, Luck, I'll take your man back.
00:10:51 Billy, you can go home.
00:10:54 It's late.
00:10:55 - Go easy now, yeah?
00:10:59 (car engine rumbling)
00:11:04 (car engine roaring)
00:11:07 (car engine roaring)
00:11:10 (car door slamming)
00:11:21 (car engine roaring)
00:11:24 (guns firing)
00:11:43 (guns firing)
00:11:46 (men shouting)
00:11:48 (guns firing)
00:11:52 (men shouting)
00:12:00 - Get in the car.
00:12:15 - If I wanted you dead, I would've shot you already.
00:12:17 (guns firing)
00:12:20 Sit back and be quiet.
00:12:25 (dramatic music)
00:12:28 - And here he is again,
00:12:30 following disasters, not pain, follows pleasure.
00:12:33 - What?
00:12:39 This?
00:12:44 This is what I never (beep) misses.
00:12:46 - I don't know what happened, son.
00:12:49 Something went wrong.
00:12:50 I had him in my sights.
00:12:53 Three times.
00:12:55 - You never miss, let alone three times.
00:13:00 - Somebody told him he was coming.
00:13:03 Something is very wrong here.
00:13:09 - Yeah, something's (beep) wrong.
00:13:13 - Don't make me angry, son.
00:13:14 I might've missed him, but I ain't gonna miss you.
00:13:17 I'm not at this range.
00:13:19 Maybe it's better you just drive.
00:13:25 - Lorraine, Mr. Green.
00:13:31 Mr. Green, Lorraine.
00:13:33 - Good morning, Mr. Green.
00:13:35 - Bobby.
00:13:39 Mr. Green.
00:13:42 Mr. Green.
00:13:44 - Ovey.
00:13:45 - Sit down.
00:13:46 I gather you're quite the player.
00:13:55 I'm a bit of an enthusiast myself.
00:13:59 I thought maybe we could have a few games.
00:14:01 - I think you should tell them what's going on, don't you?
00:14:04 - They have your medical results from the hospital.
00:14:11 It's not important how we got them.
00:14:13 What is important, however, is what it has to say.
00:14:17 You will die within three days
00:14:23 from a very unpleasant ailment
00:14:25 that contaminates your blood and organs.
00:14:27 - Thanks, fellas.
00:14:37 Get back to you on this one, yeah?
00:14:40 - Mr. Green.
00:14:41 30 seconds, and you can be on your way.
00:14:46 - I'll give you a listen and a sweet pitch.
00:14:50 - 30 seconds.
00:14:52 - We've already saved your life once.
00:15:06 The next time will not be for free.
00:15:09 We shall assist you under two conditions.
00:15:11 These conditions are not negotiable.
00:15:14 - Oh, I'm being grafted.
00:15:16 - Condition one.
00:15:18 We will bleed you dry.
00:15:23 - You have to find a pet shop
00:15:24 before you bleed me dry, my friend.
00:15:26 - You will give us every penny you have got.
00:15:30 - This is a con.
00:15:31 - It's only natural that you think
00:15:34 that you are somehow being conned,
00:15:36 but think a little harder,
00:15:38 and you'll realize that this is not a trick.
00:15:41 Now, condition two.
00:15:43 You will do as we tell you without argument.
00:15:49 This includes answering any questions that are asked.
00:15:54 - You don't have a lot of time,
00:15:55 and in reality, you don't have a choice.
00:15:59 Now, the most sensible thing to do
00:16:03 would be to get a second opinion.
00:16:06 - MAGA has unleashed its legions.
00:16:08 We can protect you from the dangers you face.
00:16:11 That is our deal.
00:16:12 You have three hours to decide.
00:16:18 After that, you will be beyond our help.
00:16:20 - Think I'm gonna part with my hard-earned cash
00:16:22 for a set of homemade hospital results?
00:16:24 I don't think so.
00:16:26 Not today.
00:16:29 (ominous music)
00:16:32 - I don't have good news, I'm afraid, Mr. Green.
00:16:46 - I thought this one through all right.
00:16:49 Oh, they're smart.
00:16:51 Smart as a pair of little boy's shoes.
00:16:54 She has to be in on it.
00:16:57 That's how they got the results.
00:16:58 Gotta find someone they couldn't have got to.
00:17:02 - Well, Jake,
00:17:05 we,
00:17:08 there's no easy way to tell you this.
00:17:12 You have a rare blood disease.
00:17:15 (ominous music)
00:17:18 - Did they get to him?
00:17:22 Is he in on it?
00:17:26 - He's in the picture.
00:17:27 - How much they pay you?
00:17:30 - What?
00:17:31 I, who? - How much?
00:17:33 - What are you talking about?
00:17:34 I have no idea what you mean.
00:17:35 - You've got five seconds.
00:17:37 Five.
00:17:39 - I have no idea what you're talking about.
00:17:42 - Four.
00:17:42 - No, I-- - Three.
00:17:44 - I don't know what you mean.
00:17:45 - Two. - I have no idea
00:17:46 what you're talking about.
00:17:46 - No, no, no!
00:17:47 - When you're winning, who thinks about losing?
00:17:53 But when you're faced with what I'm looking at,
00:17:56 a new and cold reality dawns.
00:18:00 A fact that we like to ignore.
00:18:05 You can not win.
00:18:08 The only prize they guarantee when you play this game
00:18:12 is that you will lose.
00:18:14 It's only a question of when.
00:18:21 - I, I, I, I, I made a mistake.
00:18:25 - You never miss, so why now?
00:18:28 And why three times?
00:18:29 - Well, I, I, I, I, I had a bad feeling.
00:18:34 - Feeling.
00:18:40 I'm not sure if I paid you to have feelings,
00:18:44 now did I, Sorter?
00:18:48 I paid you because you're the best in the business.
00:18:51 Why would you let feelings confuse that relationship?
00:18:55 Hmm?
00:18:58 Listen to me.
00:18:59 Urgency has become something of an issue.
00:19:03 So if you could restrain those feelings
00:19:08 until you've completed the mission,
00:19:10 I would be most grateful.
00:19:12 Do you think you could do that for me?
00:19:18 - Uh, sure.
00:19:19 - I'd appreciate it.
00:19:20 If there's one thing I've learned about experts,
00:19:40 they're experts on (beep) all.
00:19:43 If there's a rule, you can bend it.
00:19:47 If there's a law, it can be broken.
00:19:49 And from now on, I'm breaking all the rules.
00:19:53 Because desperate men do desperate deeds.
00:19:58 Cash just seems to remain king, doesn't it?
00:20:03 New bills.
00:20:05 Not too many of them in this town.
00:20:07 Mm-mm.
00:20:16 (sighs)
00:20:17 I love a new bill.
00:20:19 Represents so much hope.
00:20:21 Look how clean and stiff it is.
00:20:23 It even smells proud.
00:20:26 - Your work starts now.
00:20:29 You'll be driving.
00:20:31 - We are, and I apologize for the unnecessarily
00:20:39 dramatic moniker, loan sharks.
00:20:42 People who hate and fear us just like you
00:20:45 will learn to hate and fear us.
00:20:47 We know how much you love a dollar bill.
00:20:49 And it won't be easy watching them fall through your hands.
00:20:54 Because it will be your money that we will be loaning.
00:20:57 - Don't say a word.
00:21:08 Just hold the bag, and if we nod, leave it on the table.
00:21:14 There is nothing left.
00:21:16 - It's a very sad story, Mr. Horowitz.
00:21:18 My sympathies are with you and your colleague.
00:21:21 - Maybe I am being conned.
00:21:24 Maybe I am being fooled.
00:21:26 - Excuse us for having to know the reason for your loan,
00:21:29 but we have to assess our clients very carefully.
00:21:32 - They say the sentence has been passed,
00:21:34 the certificate signed.
00:21:36 So, what's the point?
00:21:38 The point is, this is the only option.
00:21:43 - I'm not gonna let you do this.
00:21:45 I'm not gonna let you do this.
00:21:47 I'm not gonna let you do this.
00:21:50 I'm not gonna let you do this.
00:21:52 I'm not gonna let you do this.
00:21:55 I'm not gonna let you do this.
00:21:57 I'm not gonna let you do this.
00:22:00 I'm not gonna let you do this.
00:22:02 I'm not gonna let you do this.
00:22:05 I'm not gonna let you do this.
00:22:07 I'm not gonna let you do this.
00:22:10 - It's a strange thing,
00:22:12 but I still don't like to give it away.
00:22:15 I know I can't take it with me.
00:22:21 So, why the pain?
00:22:22 Why the (beep) does it still hurt?
00:22:27 (door slams)
00:22:30 (door creaks)
00:22:37 (wind whistling)
00:22:40 And greasing the sheaths of these two pricks
00:22:45 isn't making it any easier.
00:22:47 What did I sign up for?
00:23:05 I tried to make sense out of it.
00:23:07 But now, as it doesn't make sense,
00:23:10 hang the old brain up for a while.
00:23:13 It's just been getting me into trouble anyway.
00:23:17 Just know, if you start a job, then finish it.
00:23:20 - In three days, we'll have it.
00:23:24 I promise.
00:23:25 - Yes, you will.
00:23:26 Goddamn right.
00:23:35 - Your idea of discretion is to choose a motel
00:23:38 whose only clients are blood, cum, and afroshade.
00:23:41 - Here, make yourself at home.
00:23:44 You'll be hearing from us.
00:23:46 - We can see gold.
00:23:55 - What are you talking about?
00:23:56 I've been here for an hour.
00:23:57 There's nothing we don't ask for this (beep) meeting.
00:23:59 - Apparently, no one sees gold
00:24:01 without one of his representatives, Walker.
00:24:04 - Billy Walker?
00:24:05 - That's right.
00:24:06 (choral music)
00:24:13 - Hi.
00:24:33 - Mr. Macker, I don't think we've met.
00:24:34 - I'm Miss Walker.
00:24:35 I work for Mr. Gold.
00:24:36 Do you mind if we walk?
00:24:38 - Uh, no, no.
00:24:39 - I understand you've been commissioned
00:24:42 to do some work for us.
00:24:44 I thought it might be a good idea if we had a little chat.
00:24:48 Make sure you understand the gravity
00:24:50 of the endeavor you've undertaken.
00:24:51 - Oh, yeah, yeah, I do.
00:24:53 I understand.
00:24:55 Everything's set.
00:24:56 Date hasn't changed.
00:24:57 It's out by Friday.
00:24:58 - Good.
00:24:59 Mr. Gold has put his faith in you,
00:25:02 and he has people to please.
00:25:04 We've heard you might be having some problems.
00:25:07 - No, no, no, no.
00:25:09 - We don't like publicity, Mr. Macker.
00:25:11 - No, neither do I.
00:25:12 I won't let you down.
00:25:13 I won't let Mr. Gold down.
00:25:15 (choral music)
00:25:24 (choral music)
00:25:27 - So we're clear.
00:25:44 Mr. Gold doesn't give more time
00:25:50 or second chances.
00:25:52 Good day.
00:25:54 Good day.
00:25:55 (choral music)
00:26:02 (choral music)
00:26:12 (choral music)
00:26:15 (choral music)
00:26:43 - Here's your money.
00:26:45 What now?
00:26:46 - Have a seat.
00:26:48 We need to know how much time you did
00:26:59 and who you did it with.
00:27:01 - Why?
00:27:02 - Why?
00:27:04 The deal is we ask the questions.
00:27:07 (choral music)
00:27:09 Had two choices inside.
00:27:16 14 years normal time or seven years solitary.
00:27:20 I chose the solitary.
00:27:24 I spent 20 hours a day locked up
00:27:34 in between two salty convicts.
00:27:37 I've been down there for more years
00:27:38 than I care to remember.
00:27:40 One was a chess master,
00:27:41 the other a master con man.
00:27:43 Never seen or spoken to each other,
00:27:44 but they might as well have been married
00:27:46 and knew so much about one another.
00:27:49 Once a day, the library on wheels
00:27:50 would be pushed around by a pair of ax-murdering twins
00:27:53 that pushed the trolley for 22 years.
00:27:56 My neighbors used to write down chess moves,
00:28:02 concepts of the con,
00:28:03 and the back pages of books
00:28:05 based on subjects like
00:28:07 theoretical astrophysics, part four,
00:28:11 and the mathematics of quantum mechanics.
00:28:14 They just used them for the con.
00:28:17 I used to intercept the books
00:28:18 because there was sandwiches in between their cells.
00:28:21 Dangerous combination.
00:28:23 Chess and cons.
00:28:24 These boys were locked up on their own
00:28:27 for 10 years with no distractions.
00:28:29 Nothing to do but think about
00:28:30 how to steal one another's pieces.
00:28:33 Oh yeah, they thought.
00:28:37 They really thought.
00:28:40 I was under the impression
00:28:41 that I was the clever bastard before I went in,
00:28:43 but these boys were a completely different class.
00:28:46 Head tricksters of the premier division.
00:28:49 Their sole ambition was to create the ultimate con
00:28:51 and win the ultimate game.
00:28:53 Always thinking quicker, always thinking bigger.
00:28:56 Gradually, they thought they'd found a formula to the con.
00:28:59 Check.
00:29:00 A formula to win the ultimate win.
00:29:03 The formula.
00:29:04 I couldn't understand the depth of it,
00:29:06 but they were confident it was real.
00:29:09 I believed them.
00:29:10 After all, I'd have been right on everything else.
00:29:15 So now they felt they'd had their moment,
00:29:18 and it was time for them
00:29:19 to leave the confines of their cell.
00:29:22 The concrete and steel wasn't even mentioned.
00:29:24 I didn't even doubt them.
00:29:26 They got whatever they wanted anyway.
00:29:28 I could smell their food through 12 inches of concrete.
00:29:31 Bastards knew it used to drive me mad.
00:29:35 Oh, she (beep)
00:29:36 We were all gonna go together.
00:29:38 They swore to me, "You're coming with us, Jake."
00:29:41 I trusted them.
00:29:43 Never for a second did I doubt them.
00:29:44 Next day, they were gone without a trace.
00:29:47 For the next week, the authorities tore the place apart.
00:29:50 Couldn't find evidence of their existence,
00:29:52 let alone their exit.
00:29:53 They just evaporated.
00:29:57 Check.
00:29:58 Two years later, I was out,
00:30:00 but those two knew everything about me.
00:30:04 Everything.
00:30:07 My dirty little secrets, how much money I had,
00:30:11 where I kept it,
00:30:13 hustling bastards cleaned me out.
00:30:15 They didn't leave so much as a pair of socks,
00:30:18 only a note.
00:30:18 Rule one, you only get smarter
00:30:22 by playing a smarter opponent.
00:30:26 (door slams)
00:30:28 But I had their formula, and it worked.
00:30:31 It really worked.
00:30:34 Not doing you much good now, is it?
00:30:38 Checkmate.
00:30:43 He needs to get moving.
00:30:46 Give him the addresses.
00:30:47 (suspenseful music)
00:30:55 (guns firing)
00:30:58 Why are they dragging this on?
00:31:01 Just clean me out in one hit.
00:31:04 They want me to suffer.
00:31:08 These twisted bastards are making me pay.
00:31:19 Pay for my own pain.
00:31:21 (suspenseful music)
00:31:25 A part of me dies every time I think about it.
00:31:28 They found a weakness,
00:31:31 called me fair and square, cross-haired, blindfolded,
00:31:34 wrapped and packed, cooked, hard-boiled, well done.
00:31:38 Stick a fork in me and see if I bleed.
00:31:40 Checkmate.
00:31:41 - You're quite good at this game, Mr. Green.
00:31:43 (suspenseful music)
00:31:46 - Still not enough.
00:31:52 (door slams)
00:31:54 Stuck in a trance,
00:31:55 somewhere between hell and a hard place.
00:31:58 All I want now is a little peace.
00:32:06 - Where are you?
00:32:12 - The old lady's house.
00:32:14 - Does she have it?
00:32:15 - Of course she doesn't have it.
00:32:17 She's barely got a heartbeat.
00:32:19 - Where the hell is this woman gonna get that kind of money?
00:32:22 - That's what she owes.
00:32:23 Any furniture?
00:32:24 - No.
00:32:27 - Take the dog.
00:32:30 - I'm not taking the dog.
00:32:32 - Then take the TV.
00:32:35 - TV don't work.
00:32:36 - Then get your ass over here.
00:32:38 - Now do you sleep at night?
00:32:39 - How we do?
00:32:43 - Ask the man.
00:32:45 - No thanks, Donny.
00:32:49 (suspenseful music)
00:32:52 - Time's up, let's go.
00:33:03 (suspenseful music)
00:33:06 - Mr. Green, you took your time.
00:33:15 - Did you get anything from the old lady?
00:33:18 - No.
00:33:19 - Did you get anything from Horwoods?
00:33:21 - No.
00:33:22 - Why not?
00:33:23 - Because he didn't have it.
00:33:26 - Listen, pal, either he pays or you pay.
00:33:29 - I'll pay anyway.
00:33:31 - Don't be a (beep)
00:33:34 - Look, man, we're not sending you out to polish door knobs.
00:33:38 You gotta get with it, man.
00:33:40 Doreen, take his car.
00:33:44 Come with us.
00:33:48 - What is this?
00:33:48 Where was security?
00:33:51 - They gassed him, we found him tied up.
00:33:53 - Hold tight, Mr. Green.
00:34:00 - 12 ton Herman and Ziegler safe, Mr. D.
00:34:08 It was impossible to break into.
00:34:09 - Well, obviously it wasn't (beep) impossible to move,
00:34:13 now was it, Paul?
00:34:14 (car engine roaring)
00:34:18 - What did anyone take it for?
00:34:20 We don't even use that safe, do we, Paul?
00:34:22 - Checkmate.
00:34:29 - How in the hell did you do that?
00:34:34 - Paul, not usually, no.
00:34:39 Sam Gold's powder was in there, it came in yesterday.
00:34:43 - No, Paul.
00:34:48 You're wrong.
00:34:48 Try again.
00:34:53 You stupid mother (beep)
00:35:03 - That should've rattled him.
00:35:10 - What the (beep) was you doing on one of our properties?
00:35:13 Why don't you just (beep) rape me, Paul?
00:35:16 Pull the troops together,
00:35:18 break some bones, hurt some people, results.
00:35:21 You hear me?
00:35:22 - I'll take care of it.
00:35:23 - You're damn straight you're gonna (beep)
00:35:24 take care of it.
00:35:26 The word excuse does not exist in Sam Gold's lexicon.
00:35:29 We're the walking dead until you (beep)
00:35:31 remedy the situation, you understand?
00:35:33 - I'll take care of it.
00:35:35 - No, I said, do you understand?
00:35:39 - Yes.
00:35:40 - You better.
00:35:41 In the meantime, get some more powder.
00:35:44 I don't care where it comes from or how much it costs.
00:35:47 Just get it.
00:35:47 - There's only one man that can get us that amount
00:35:50 on such short notice.
00:35:52 - Who?
00:35:53 - Lord John.
00:35:56 - No way.
00:36:03 I'm not nourishing the competition.
00:36:06 - That's twice the market price.
00:36:10 (soft music)
00:36:13 (speaking in foreign language)
00:36:17 - Sorry, we can't help Mr. Paul.
00:36:29 Help me show you a way out.
00:36:30 - All right, okay.
00:36:36 I am prepared to talk.
00:36:41 (speaking in foreign language)
00:36:45 - What do you want to talk about?
00:37:09 - Okay, get it.
00:37:11 - What?
00:37:12 - Am I having deja vu, Paul?
00:37:16 Didn't I just say get it?
00:37:18 This is Sam Gold I found myself chained to.
00:37:26 Mr. Black Magic.
00:37:28 Mr. I run this game Gold.
00:37:30 That's a plastic gangster with a pocket knife for backup.
00:37:33 Gold doesn't give second chances, Paul.
00:37:36 I want in and I want rewards.
00:37:40 (soft music)
00:37:42 Got it?
00:37:43 Paul?
00:37:46 - When you make the deal,
00:37:49 keep both eyes on that untrustworthy, greedy mother (beep)
00:37:53 (soft music)
00:37:56 - If anyone asks, you don't speak the language.
00:38:03 (soft music)
00:38:05 - After you, Mr. Green.
00:38:13 - I'm taking the stairs.
00:38:16 - What's the problem, Mr. Green?
00:38:17 - Don't like elevators.
00:38:20 - What are you scared of?
00:38:21 - (beep) death.
00:38:22 I said I just don't like them.
00:38:24 - Well, tough, 'cause you're getting in.
00:38:26 - Jimbo.
00:38:33 (soft music)
00:38:35 - Everything?
00:38:38 (soft music)
00:38:40 - He wants a (beep) war.
00:38:45 I'm gonna give him a (beep) war.
00:38:46 - I don't think it was Lord John, Mr. D.
00:38:48 He knows you'd come looking for him.
00:38:49 - Well, he's not far from wrong, is he there, Paul?
00:38:51 'Cause that is exactly what I'm gonna (beep) do.
00:38:54 (speaking in foreign language)
00:38:58 - It's understands.
00:39:01 - Before we do anything, Mr. D,
00:39:03 we have to get Sam Gold as powder.
00:39:05 Don't pull the trigger on the Lord.
00:39:06 - Shut your (beep) mouth.
00:39:08 - I'm getting out.
00:39:09 - You ain't going nowhere.
00:39:10 (speaking in foreign language)
00:39:13 I said you're staying right here.
00:39:15 Get rid of the Lord, there will be consequences.
00:39:19 - Do I look like I'm afraid of the consequences?
00:39:24 (speaking in foreign language)
00:39:27 I'm taking the stairs.
00:39:28 - You ain't going nowhere.
00:39:29 - Get out!
00:39:30 (speaking in foreign language)
00:39:31 - Listen, (beep) me.
00:39:32 You think I'm afraid of the (beep) consequences?
00:39:34 - I'm taking the stairs.
00:39:35 - You listen to me.
00:39:36 (speaking in foreign language)
00:39:38 - You open your mouth one more (beep) time,
00:39:40 I'll blow your (beep) head off.
00:39:42 (speaking in foreign language)
00:39:44 - (beep) the consequences.
00:39:45 (speaking in foreign language)
00:39:49 Do I look like I'm afraid?
00:39:52 - No.
00:39:53 - Do you understand me?
00:39:54 Do you?
00:39:54 (dramatic music)
00:39:57 (speaking in foreign language)
00:40:01 - Lou, what's going on?
00:40:05 - We're here.
00:40:06 (speaking in foreign language)
00:40:08 - How many are there?
00:40:09 (speaking in foreign language)
00:40:11 - We're doing the deal in the next room.
00:40:12 (speaking in foreign language)
00:40:16 - When do you make the trade?
00:40:17 (speaking in foreign language)
00:40:19 - 10 minutes.
00:40:20 - 10 minutes?
00:40:21 - 10 minutes.
00:40:22 - Don't trust those yellow dogs.
00:40:24 - I don't trust anyone.
00:40:25 (upbeat music)
00:40:28 (sighing)
00:40:44 (drilling)
00:40:46 (alarm buzzing)
00:41:04 (thudding)
00:41:06 (dramatic music)
00:41:17 (drilling)
00:41:19 - Lou.
00:41:36 - Talk to me, you mother (beep).
00:41:38 - I'll kill you myself.
00:41:41 (drilling)
00:41:45 (dramatic music)
00:41:47 - The consequences can kill my black (beep).
00:41:58 (guns firing)
00:42:02 (dramatic music)
00:42:04 (alarm buzzing)
00:42:07 (guns firing)
00:42:28 (dramatic music)
00:42:31 (speaking in foreign language)
00:42:57 (growling)
00:43:00 (gun firing)
00:43:16 (dramatic music)
00:43:22 (gun firing)
00:43:24 - This has become a large problem, have it?
00:43:32 - There's no such thing as problems, Mr. Green.
00:43:35 Only situations.
00:43:37 (speaking in foreign language)
00:43:42 - Didn't you take off?
00:43:45 (dramatic music)
00:43:48 - Wake up, Mr. Green.
00:44:04 - Checkmate.
00:44:15 - How?
00:44:16 - Now what?
00:44:17 - We've kept you alive, now you can tell me.
00:44:21 How do you keep winning?
00:44:23 - Very simple.
00:44:24 You do all the hard work, I just help you along.
00:44:28 The odds is for me to feed pieces to you
00:44:34 and make you believe you took those pieces
00:44:37 'cause you're smarter and I'm dumber.
00:44:40 In every game and con, there is always an opponent
00:44:44 and there is always a victim.
00:44:45 The more control the victim thinks he has,
00:44:48 the less control he actually has.
00:44:52 Gradually he will hang himself
00:44:54 and I as the opponent just help him along.
00:44:56 - So, is that the treasured formula?
00:45:00 - The formula has infinite depth
00:45:02 in its efficacy and application,
00:45:04 but it is staggeringly simple and completely consistent.
00:45:08 Rule one of any game or con,
00:45:10 you can only get smarter by playing a smarter opponent.
00:45:13 - Rule number two.
00:45:15 - The more sophisticated the game,
00:45:17 the more sophisticated the opponent.
00:45:19 - If the opponent is very good,
00:45:23 you will place his victim inside an environment
00:45:25 he can control.
00:45:26 - Bigger the environment, the easier the control.
00:45:30 The toss the dog a bone, find their weakness,
00:45:34 give them just a little of what they think they want.
00:45:37 - Check.
00:45:42 - So the opponent simply distracts their victim
00:45:45 by getting them consumed with their own consumption.
00:45:48 - Check.
00:45:54 - The word snake springs to me.
00:45:58 - Don't knock it.
00:45:58 You only get smarter by playing a snake.
00:46:01 The bigger the trick, the older the trick,
00:46:06 the easier it is to pull.
00:46:07 Based on two principles,
00:46:11 they think it can't be that old,
00:46:12 and they think it can't be that big
00:46:14 for so many people to have fallen for it.
00:46:16 Eventually, when the opponent is challenged or questioned,
00:46:22 it means the victim's investment
00:46:26 and thus his intelligence is questioned.
00:46:28 No one can accept that, not even to themselves.
00:46:34 - Checkmate.
00:46:41 - I ain't playing you again.
00:46:43 - You will always find a good opponent
00:46:45 in the very last place you would ever look.
00:46:47 - You got more tricks than a clown's pocket,
00:46:51 don't you, Mr. Green?
00:46:52 (knocking)
00:46:57 - Everything all right?
00:47:07 (phone ringing)
00:47:10 - Can I hear you?
00:47:19 - Two minutes.
00:47:22 Now you're okay.
00:47:26 - Get out, Jack, as soon as you can.
00:47:29 I had to dig very deep to find someone who'd talk.
00:47:32 They're the last resort.
00:47:34 - The last resort?
00:47:35 - When no other loan sharks will lend 'em.
00:47:38 Your boys move in.
00:47:41 - They've stepped on gold's toes
00:47:42 and he wouldn't touch 'em.
00:47:44 - Gold?
00:47:44 - Yes, the gold.
00:47:46 Some gold.
00:47:48 - Mr. Clandestine?
00:47:51 Mr. Amiguous?
00:47:54 - Mr. Mystery.
00:47:55 - Get out of there.
00:47:59 Get out of there, Jake.
00:48:04 - No one lives.
00:48:05 And this pleases gold.
00:48:07 - No one but your two friends.
00:48:10 - Gotta be something wrong with 'em
00:48:11 if gold won't touch 'em.
00:48:13 - Gotta be something wrong
00:48:13 if the gold father won't touch 'em.
00:48:15 - No one sees gold,
00:48:18 but gold sees everything.
00:48:21 The smoke signals say,
00:48:23 dodge 'em like an angry bullet.
00:48:26 Tell your friend to get out of there.
00:48:30 - Jake, get out of there.
00:48:32 - Get out of there.
00:48:34 - Get out of there.
00:48:36 - Tomorrow.
00:48:48 - You're worse than a stuck record.
00:48:59 Tomorrow, tomorrow.
00:49:00 Tomorrow's never gonna come, is it?
00:49:03 - Hello, it's warming up.
00:49:05 - Say I kick him, see if that jogs him off.
00:49:07 - You want me to play, mother?
00:49:10 - I took care of Horowitz, it's your turn.
00:49:12 (coughing)
00:49:14 (gun firing)
00:49:16 Change of plan.
00:49:19 - I can see what's coming.
00:49:21 - Give it to Mr. Green.
00:49:23 Mr. Green.
00:49:33 - Shoot Fred for me.
00:49:34 Not dead stupid, just in the back of the knee.
00:49:40 - I ain't shooting Fred, Saint.
00:49:43 Sometimes a little voice
00:49:45 tells you to think about number one.
00:49:47 - Told you, Harvey.
00:49:48 Never had the gumption.
00:49:52 Never gonna have what it takes.
00:49:54 It's easier than you think.
00:49:55 Just one little squeeze.
00:49:57 Just like a tube of toothpaste.
00:50:01 - Who the (beep) are you two?
00:50:03 - You can't see what's right in front of you.
00:50:06 You're supposed to be stiff,
00:50:08 cold and horizontal.
00:50:09 And you still don't trust us.
00:50:12 Shoot him in the kneecap, the debt has to be paid.
00:50:16 - Sometimes it's best to listen to it.
00:50:21 Get your ass up, Fred.
00:50:25 Come on, get out.
00:50:30 (dramatic music)
00:50:32 - He can't do that, Jake.
00:50:35 - Then why don't you stop him, Harvey?
00:50:37 - What the (beep) do you know?
00:50:39 Shoot that toad now.
00:50:40 - One more step, Harvey.
00:50:45 Just like a squeeze of toothpaste.
00:50:49 - You realize what you're doing, Mr. Green?
00:50:54 - Hold on, Jake.
00:50:55 This isn't a plan.
00:50:58 This won't have a happy ending.
00:50:59 One more step, Harvey.
00:51:03 (gun clicking)
00:51:09 - Wake up, Mr. Green.
00:51:21 (gun firing)
00:51:26 (wind blowing)
00:51:29 (phone ringing)
00:51:43 (phone ringing)
00:51:46 - Yeah.
00:51:59 - Congratulations, Mr. Green.
00:52:01 It's past the third day and you have risen.
00:52:03 I think you're due for a checkup.
00:52:05 - Thank you.
00:52:07 (wind blowing)
00:52:10 - Did the bad guys get you?
00:52:18 - There's no such thing as bad guys, Rachel.
00:52:20 - Yes, there are.
00:52:21 That's why Daddy's friends are looking after us.
00:52:23 - Never mind about that.
00:52:25 You should be a good girl.
00:52:26 Go and get your Uncle Jake a cold drink.
00:52:28 (gun firing)
00:52:36 (wind blowing)
00:52:38 - It's a bit of a mess, isn't it?
00:52:40 - Things will sort themselves out.
00:52:42 - Is she all right?
00:52:45 - Don't you worry about her.
00:52:46 You just look after yourself.
00:52:48 - Well, Mr. Green, I don't know how to tell you this.
00:52:55 Our first results, well, they must have been wrong.
00:53:03 I cannot apologize enough for this error.
00:53:06 Now, you're not a well man, but I think we can't--
00:53:10 (eerie music)
00:53:12 (groaning)
00:53:31 - We have to assess our clients very carefully.
00:53:33 - There is something about yourself that you don't know.
00:53:48 Something that you will deny even exists
00:53:54 until it's too late to do anything about it.
00:53:59 (gun firing)
00:54:02 It's the only reason you get up in the morning.
00:54:06 The only reason you suffer the shitty boss,
00:54:11 the blood, the sweat, and the tears.
00:54:13 This is because you want people to know how good,
00:54:18 attractive, generous, funny, wild, and clever
00:54:22 you really are.
00:54:24 Fear or revere me, but please think I'm special.
00:54:29 We share an addiction.
00:54:31 We're approval junkies.
00:54:33 We're all in it for the slap on the back
00:54:38 and the gold watch.
00:54:40 The hip-hip who (beep) raw.
00:54:42 Look at the clever boy with the badge,
00:54:45 polishing his trophy.
00:54:47 Shine on, you crazy diamond.
00:54:49 Because we're just monkeys wrapped in suits,
00:54:55 begging for the approval of others.
00:54:58 If we knew this, we wouldn't do this.
00:55:02 Someone is hiding it from us.
00:55:06 And if you had a second chance, you would ask why.
00:55:12 - Why what?
00:55:14 - Why am I still alive?
00:55:15 Why did you give my money away?
00:55:18 Why didn't you want them to know?
00:55:19 Why didn't you want me to know?
00:55:23 - You'll find out soon enough.
00:55:25 - Whilst I've been digging around on Lord John,
00:55:31 came across a couple of cash-talking shit-sniffers
00:55:34 who came up with a name.
00:55:35 - Green.
00:55:36 That's right, Jake Green.
00:55:40 - Go on.
00:55:40 - I'm working for his brother.
00:55:42 - Patrick.
00:55:43 - Couple of opportunists,
00:55:45 looking after his older brother.
00:55:47 A little bit greedy.
00:55:48 Want to impress you.
00:55:49 - Right, you take sorter and slim biggins
00:55:52 and enough men to avoid an excuse.
00:55:54 - It's about (beep) time.
00:56:00 (door slams)
00:56:03 Oh, now that is a big jump.
00:56:05 - You took your (beep) time.
00:56:08 I'm starting to get bored.
00:56:10 - Should've kept yourselves busy with the swim.
00:56:12 - Connie used to say that.
00:56:14 Zack's quite a swimmer, aren't you, Zack?
00:56:16 - 20 lengths in 10 seconds.
00:56:18 We thought it might be a record.
00:56:20 You want to try to beat it?
00:56:21 Come on in and join us.
00:56:23 - I'll just pop upstairs,
00:56:25 grab me trunks and we down in a jiffy.
00:56:27 - I wouldn't do that if I were you.
00:56:29 - Oh, and why's that, Evvy?
00:56:30 - Why do you think we're sitting
00:56:31 in this ice cold bird bath
00:56:32 and we could be upstairs toasting
00:56:34 and cozy watching the naughty channel?
00:56:36 - Oh.
00:56:37 - How long can it take to get five coffees
00:56:41 and a couple of pizzas, huh?
00:56:42 - You're on your own, jiggy boy.
00:56:52 (gun cocks)
00:56:54 (gun fires)
00:56:56 - Move!
00:56:57 (glass shatters)
00:57:01 (tires screech)
00:57:06 (gun fires)
00:57:15 (dramatic music)
00:57:18 (gun fires)
00:57:31 - You gotta tell the boss.
00:57:44 - Why me?
00:57:46 Because you're the one who ordered the pizza.
00:57:48 - Elvis, come here.
00:57:55 If I wanted vinegar, I would have ordered French fries.
00:58:01 Get me something with a price tag on it, okay?
00:58:04 Hey, Amish?
00:58:14 (dramatic music)
00:58:16 It's okay, we're among friends.
00:58:20 Come on, what have you got for me?
00:58:21 - What am I gonna tell him?
00:58:26 That's your problem.
00:58:27 But it better be good.
00:58:29 I turned up to pick them up.
00:58:34 (dramatic music)
00:58:37 And that is what I saw.
00:58:51 - That's a fascinating story.
00:58:56 I have one question for you.
00:58:59 How?
00:59:04 - How what?
00:59:05 - How what?
00:59:06 There were six of us,
00:59:10 plus Slim Biggins, who counts as another six.
00:59:13 How many were there of him?
00:59:14 - One.
00:59:18 - One.
00:59:19 (gun fires)
00:59:20 So how exactly did this one manage to disarm
00:59:24 and overpower a four-time National Bodybuilding Champion?
00:59:33 - Drag him half a block,
00:59:34 throw him over a six-foot wall,
00:59:37 and then get him to shoot his own gun.
00:59:39 (gun fires)
00:59:42 (woman screams)
00:59:48 (man shouts)
00:59:51 (woman screams)
00:59:53 - Move, move!
00:59:55 Move!
00:59:58 What the (beep) is going on?
01:00:00 (man shouts)
01:00:03 - I don't know!
01:00:04 (people scream)
01:00:07 - I don't wanna look pretty!
01:00:11 - Don't fuck me, man!
01:00:12 - He's nuts.
01:00:13 (woman screams)
01:00:16 - Take the (beep) bus down!
01:00:23 (people scream)
01:00:26 (soft piano music)
01:00:29 (soft piano music)
01:00:32 (soft piano music)
01:00:35 (soft piano music)
01:00:38 (man speaks in foreign language)
01:00:42 (soft piano music)
01:00:45 (man speaks in foreign language)
01:01:06 (man speaks in foreign language)
01:01:10 (man speaks in foreign language)
01:01:25 (man speaks in foreign language)
01:01:36 (soft piano music)
01:01:39 (man speaks in foreign language)
01:01:48 (soft piano music)
01:02:03 (knocking)
01:02:05 (tires screech)
01:02:30 (crashing)
01:02:31 - Oh!
01:02:33 Oh, she shot my finger off!
01:02:35 The bitch shot my finger off!
01:02:37 (phone rings)
01:02:39 (man speaks in foreign language)
01:02:44 (phone rings)
01:02:47 - Who is it?
01:02:49 - Tony.
01:02:51 (phone rings)
01:02:53 Have happy Tony, Lord John's man.
01:02:55 - Not looking so happy now, is he?
01:02:59 (man speaks in foreign language)
01:03:01 (gun fires)
01:03:02 - Check, check, check, check, she's dead.
01:03:04 (gun fires)
01:03:05 - Kree, get some wall in the end.
01:03:06 (gun fires)
01:03:08 (man speaks in foreign language)
01:03:12 - Now shoot straight, sorter.
01:03:15 Glad to see you got those feelings in check.
01:03:17 Find a couple of Lord John's boys
01:03:27 and persuade them to tell you where my powder is.
01:03:29 (drumming)
01:03:35 (man speaks in foreign language)
01:03:43 (man speaks in foreign language)
01:03:49 (man speaks in foreign language)
01:03:53 (gun fires)
01:04:11 (gun fires)
01:04:13 (drill whirs)
01:04:39 (man speaks in foreign language)
01:04:43 (gun fires)
01:04:47 - What is the first rule of any game, Mr. Green?
01:05:01 - The only way to get smarter
01:05:05 is by playing a smarter opponent.
01:05:08 - What's rule two of any game?
01:05:10 - The more sophisticated the game,
01:05:12 the more sophisticated the opponent.
01:05:14 - Well, almost the same, but where does it stop, Mr. Green?
01:05:18 Where does this game stop?
01:05:21 - It stops when you start to give me answers.
01:05:25 Don't let them play head games with you, Jake.
01:05:27 - Is it me that's playing head games with you, Mr. Green?
01:05:29 (gun fires)
01:05:38 - You've heard their voice for so long,
01:05:39 you believe it to be you.
01:05:40 - You should have taken the stairs.
01:05:44 This is a con.
01:05:45 - Hold on, Jake.
01:05:46 This isn't the plan.
01:05:49 This won't have a happy ending.
01:05:51 - You believe it to be your best friend.
01:05:53 - They should believe their opponent
01:05:56 to be their best friend.
01:05:57 - Where's the best place an opponent should hide?
01:06:00 - The very last place you would ever look.
01:06:03 - Do you know who Sam Gold is, Mr. Green?
01:06:08 - The Gold.
01:06:09 Sam Gold.
01:06:11 - Mr. Clandestine.
01:06:13 - Mr. Mystery.
01:06:15 - He's all up here,
01:06:18 pretending to be you.
01:06:21 - No one sees gold, but gold sees everything.
01:06:26 - You're in a game, Jake.
01:06:29 You're in the game.
01:06:30 Everyone's in his game, and nobody knows it.
01:06:36 And all of this,
01:06:37 this is his world.
01:06:40 He owns it.
01:06:41 He controls it.
01:06:44 - I've had enough of this shit starting to do my head in.
01:06:47 Tell me you've had enough.
01:06:48 - He tells you what to do.
01:06:50 - Look, that's enough.
01:06:52 - And when to do it.
01:06:53 - Tell him.
01:06:53 - I said that's enough, Harvey!
01:06:55 - Eventually, when the opponent is challenged
01:06:57 or questioned,
01:06:58 it means the victim's investment,
01:07:01 and thus, his intelligence is questioned.
01:07:05 - No one can accept that.
01:07:07 Not even to themselves.
01:07:08 - He's behind all the pain there ever was.
01:07:12 Behind every crime ever committed.
01:07:18 - How can I be behind all the pain, all the crime,
01:07:28 if I don't even exist?
01:07:31 - And right now, he's telling you that
01:07:35 he doesn't even exist.
01:07:36 - No one lives and displeases gold.
01:07:41 - No one but your two friends.
01:07:44 - We just put you to war with the only enemy
01:07:47 that ever existed, and you.
01:07:50 You think he's your best friend.
01:07:52 - And they will protect their best friend
01:07:54 with everything they've got.
01:07:57 - Where's the best place an opponent should hide?
01:07:59 In the very last place you'd ever look,
01:08:04 he's hiding behind your pain, Jake.
01:08:06 Embrace the pain, and you will win this game.
01:08:14 How radical are you prepared to be, Mr. Green?
01:08:22 - You got more money than you could ever spend.
01:08:27 So what do you think about it nowadays?
01:08:30 (dramatic music)
01:08:33 - Cash just seems to remain king, doesn't he?
01:08:47 (humming)
01:08:51 (dramatic music)
01:08:53 - The more power you think you have in gold's world,
01:09:10 the less power you have in the real world.
01:09:14 You are still in prison, Jake.
01:09:20 In fact, you never left.
01:09:22 - Remember who they are, Jake?
01:09:24 Head tricksters, word slicksters.
01:09:27 You wanted answers and they gave you riddles.
01:09:29 You know the rules.
01:09:30 The longer you listened, the sweeter the pitch.
01:09:33 - He's got all the tricks and all the right answers.
01:09:36 - Don't let them do this to you, Jake.
01:09:40 Don't let them turn you against you.
01:09:42 - You don't give because it's good.
01:09:46 You give because it hurts him.
01:09:49 (dramatic music)
01:09:52 (dramatic music)
01:10:04 (dramatic music)
01:10:07 (dramatic music)
01:10:10 (dramatic music)
01:10:12 (dramatic music)
01:10:15 (dramatic music)
01:10:35 (dramatic music)
01:10:42 (dramatic music)
01:10:44 (dramatic music)
01:10:47 (dramatic music)
01:10:58 (dramatic music)
01:11:11 (dramatic music)
01:11:13 - Everything all right, Mr. D?
01:11:21 - It will be when you take care of my security, Paul.
01:11:25 I'll be holding the papers for you.
01:11:28 - Because you're in the cover of half of them.
01:11:32 If you don't mind me asking,
01:11:37 what is Kamovia, Mr. D?
01:11:38 (dramatic music)
01:11:41 - Take the credit.
01:11:51 (dramatic music)
01:11:54 This feels quite good.
01:12:01 Take the credit.
01:12:04 I'm gonna take the credit, they'll never know.
01:12:08 - I come as a surprise to you, Paul.
01:12:10 But I do have a heart.
01:12:14 - I have some news about Green.
01:12:19 - What?
01:12:22 - Whilst you've been sleeping, we've been busy.
01:12:24 (dramatic music)
01:12:27 If Lord John's boys knew where the powder was,
01:12:33 they took it to the grave.
01:12:35 (dramatic music)
01:12:38 We know Green's behind everything.
01:12:44 - Get Green or you won't!
01:12:47 - Hey, tell him to (beep)
01:12:48 - Fuck!
01:12:49 - He took your powder, not Lord John.
01:12:54 He's been playing games with us,
01:12:55 and he's playing games with you.
01:12:57 - He's laughing at me.
01:12:58 They're all laughing at me.
01:12:59 They don't fear me.
01:13:00 - Shut up!
01:13:03 The drums have been talking.
01:13:05 - He'll kill me.
01:13:13 Sam Gold will kill me.
01:13:15 I'm a dead man.
01:13:16 No one gets away from Sam Gold.
01:13:18 What are they saying?
01:13:19 - They've been saying what Sam Gold's been hearing.
01:13:23 - The word excuse does not exist in Sam Gold's lexicon.
01:13:26 - Sam Gold I found myself chained to.
01:13:29 Mr. Black Magic.
01:13:31 Mr. I run this game Gold.
01:13:34 - You're losing it.
01:13:36 You're losing it.
01:13:37 - Hearing about the little problems
01:13:42 Mr. Green has been giving us, that's embarrassing.
01:13:46 We have an address for his brother.
01:13:50 We can take care of him.
01:13:51 - Get him to talk.
01:13:52 Do whatever it takes.
01:13:53 Take Sorter and an army.
01:13:55 If they give any trouble, hurt 'em.
01:13:57 Let me read about that in the paper.
01:14:00 Get a hold of Green and get my powder.
01:14:02 Go!
01:14:05 - We expecting anyone?
01:14:24 - I'll get it.
01:14:28 - I said are we expecting anyone?
01:14:29 - Shouldn't you check first?
01:14:32 - If you love your daddy, be a good girl.
01:14:47 Hide in that cupboard.
01:14:49 Now.
01:14:52 (door opens)
01:14:54 (door closes)
01:14:57 (door closes)
01:14:59 (door opens)
01:15:17 - Check the house.
01:15:26 - Know why we're here?
01:15:27 - Sir.
01:15:33 - I said, do you know why we're here?
01:15:43 - I've some kind of an idea, yes.
01:15:47 - Are you gonna tell me?
01:15:51 - Oh, I swear to you,
01:15:54 I haven't got a fucking clue where he is.
01:15:57 He's been moving about.
01:16:05 I swear to you, I've no idea where he is.
01:16:09 (yells)
01:16:11 - Shh, it's all right.
01:16:16 It's all right.
01:16:18 That's it, that's better.
01:16:21 That's better, all right?
01:16:24 (door opens)
01:16:26 - I still don't believe you.
01:16:41 - You can't trust anyone.
01:16:52 - I can't trust anyone.
01:16:52 They're out to destroy me.
01:16:53 - They're out to destroy you.
01:16:55 - They're out to destroy me.
01:16:55 - You can't trust anyone.
01:16:57 - Can't trust anyone.
01:16:58 I'll let go of doubt.
01:17:01 Finish the business.
01:17:04 I'll finish me.
01:17:08 He's coming.
01:17:12 I won't see it coming.
01:17:13 He's coming.
01:17:20 I won't see it coming.
01:17:22 - There's a woman here to see you, Mr. D.
01:17:24 Says she cannot wait.
01:17:28 - Don't tell me her name.
01:17:32 - Says she works for Gold.
01:17:34 - Don't tell me her name.
01:17:35 Anyone but her.
01:17:36 What's her name?
01:17:37 - Walker.
01:17:39 - Anyone but her.
01:17:40 - And everybody thought you were such a disgusting man,
01:17:43 Mr. Macker.
01:17:44 - Here it comes, here it comes.
01:17:48 - Mr. Gold wishes to extend his respect
01:17:51 for such a magnanimous gesture.
01:17:53 But he was wondering.
01:17:54 - That's a wreath, it's a (beep) wreath.
01:17:57 - If you can afford the time to give so generously,
01:17:59 why haven't you had time to conclude our business?
01:18:02 - Everything's under control.
01:18:03 I just need a little more time.
01:18:04 - It's anything but under control, isn't it, Mr. Macker?
01:18:07 Mr. Gold doesn't give more time.
01:18:11 And he doesn't give second chances.
01:18:15 You'll be hearing from him.
01:18:21 - Good day.
01:18:22 - Good day?
01:18:24 What the (beep) does that mean?
01:18:25 What does that mean?
01:18:26 Who the (beep) do you think you're talking to?
01:18:30 The (beep) street hustler?
01:18:32 He wants to meet me?
01:18:33 Yeah, send him here and we'll see what he has to say!
01:18:36 - I'll kill him.
01:18:39 - I'll kill him.
01:18:39 - I'll kill all of them.
01:18:40 - I'll kill all of them.
01:18:41 - I'll kill him first.
01:18:42 - They'll (beep) kill us first.
01:18:44 - They'll (beep) kill us first.
01:18:45 - Beg, beg, beg.
01:18:46 - Take it back, beg, beg.
01:18:47 - Take it back, beg.
01:18:48 - Take it back.
01:18:49 - Beg, beg, beg.
01:18:50 - Take it back, beg.
01:18:50 - Beg, beg, beg.
01:18:51 - Beg, beg, beg.
01:18:52 - Wait, wait, wait, I didn't mean what I just said!
01:18:55 - Good day.
01:19:03 What the (beep) does that mean?
01:19:05 That means he's going to end my game
01:19:07 and I won't see it coming.
01:19:10 (water running)
01:19:13 I'm gonna make this fair.
01:19:37 This is for you.
01:19:42 These are for me.
01:19:50 One good job and you'll make the sink.
01:19:56 Oh, okay, that's enough.
01:20:05 Question me again, Soda, and we will have a falling out.
01:20:08 - It's all right, baby.
01:20:29 It's okay.
01:20:30 Your daddy's fine, it's gonna be okay.
01:20:34 I'm so sorry, baby.
01:20:35 Your daddy loves you so much, you know that, don't he?
01:20:41 It's all gonna be okay.
01:20:43 Stay with me.
01:20:45 (ominous music)
01:20:48 (gun firing)
01:21:14 (gun firing)
01:21:16 - Listen, listen, listen to me, sweetheart.
01:21:28 None of this is real, okay?
01:21:29 It's just a game that the grownups are playing.
01:21:32 Now, what I want you to do,
01:21:35 I want you to get in the cupboard
01:21:36 and I want you to put your fingers in your ears
01:21:39 and it'll be all over before you know it.
01:21:41 - That's what I do as a man, sir, sir.
01:21:44 - Put your fingers in your ears in the cupboard.
01:21:46 - Soda!
01:21:46 Pull yourself together, man!
01:21:50 Soda!
01:21:52 We're gonna have to take the girl.
01:21:54 - Of course you have.
01:21:56 Now all you gotta do is come and get her.
01:21:58 (gun firing)
01:22:01 (ominous music)
01:22:04 (gun firing)
01:22:14 (ominous music)
01:22:16 (gun firing)
01:22:32 (gun firing)
01:22:35 (gun firing)
01:22:40 (gun firing)
01:22:52 (ominous music)
01:22:55 (gun firing)
01:23:05 (gun firing)
01:23:09 (gun firing)
01:23:21 (gun firing)
01:23:23 - What we doing here?
01:23:29 - One last treat.
01:23:31 (ominous music)
01:23:35 (ominous music)
01:23:38 - You have a meeting.
01:24:03 (ominous music)
01:24:05 Give him what he wants.
01:24:10 I'm sure he'll be very happy.
01:24:15 We'll see you soon.
01:24:19 (ominous music)
01:24:25 (ominous music)
01:24:28 - What are we doing here?
01:24:34 - He's the enemy, Jake, not me.
01:24:38 - Use your perceived enemy to destroy your real enemy.
01:24:42 - Do not listen, Jake.
01:24:43 - You've got a gun.
01:24:45 Use it!
01:24:46 - Don't wake him up.
01:24:48 Suffocate him.
01:24:49 - Put the pillow over his head.
01:24:50 - Pillow over his head.
01:24:51 - And suffocate him.
01:24:53 - He'd do it to you, Jake.
01:24:55 - If you can't do it, then you're not a free man.
01:24:59 You are controlled.
01:25:01 - Controlled?
01:25:02 Free men?
01:25:04 Jake, wake up!
01:25:06 (heart beating)
01:25:08 - Look, Mr. Mecca, I'm very sorry to have woken you.
01:25:18 Please listen to me.
01:25:19 - Who's that?
01:25:23 Mr. Green?
01:25:25 - Mr. Mecca, please.
01:25:27 Sorry to have woken you.
01:25:28 Listen to me.
01:25:29 - Sorry, sorry, listen to how you sound.
01:25:31 - Came to apologize.
01:25:35 Forgive me for the things I said
01:25:36 and for cheating you out of your money.
01:25:38 I couldn't think clearly.
01:25:40 - Shut up.
01:25:41 - Oh no, that's too much.
01:25:43 - Shoot that (beep)
01:25:44 - I can't watch him.
01:25:45 - He's been trying to kill you.
01:25:46 He killed your friend.
01:25:47 - Shut up, like a (beep) dog.
01:25:49 - That's better, Jake.
01:25:52 In control again.
01:25:54 Do the right thing.
01:25:55 Take care of your enemy.
01:25:57 Take care of business.
01:25:58 - Use any means possible to induce head pain
01:26:02 and engage the enemy.
01:26:03 - Shut up!
01:26:04 - No.
01:26:06 - Wake up, Jake! - No.
01:26:07 - What are you (beep) doing, Jake?
01:26:09 - Leave it, Jake!
01:26:10 - You're groveling.
01:26:12 - I now realize you're a man to be feared and respected.
01:26:16 (Jake laughs)
01:26:19 I now realize you're a man to be feared and respected.
01:26:23 Stop groveling.
01:26:24 Where's your pride?
01:26:28 Where's your pride, Jake?
01:26:37 I made a big mistake, Mr. Macker.
01:26:39 - Shut up!
01:26:40 - I underestimated your power and your intellect.
01:26:42 I want you to-
01:26:45 - Shut up!
01:26:46 - I want you to forgive my stupidity.
01:26:49 (ominous music)
01:26:52 (ominous music)
01:26:54 (ominous music)
01:26:57 (ominous music)
01:27:00 (ominous music)
01:27:28 - Wherever you don't want to go is where you will find him.
01:27:33 What is it that you're afraid of, Mr. Green?
01:27:36 (ominous music)
01:27:47 (ominous music)
01:27:50 (ominous music)
01:28:19 - Are you doing this to yourself, Jake?
01:28:21 You're too tight, Jake.
01:28:24 You've got to get out.
01:28:26 You're gonna die in a tiny space, Jake.
01:28:30 Jake.
01:28:35 - I have to get out!
01:28:37 - You've got to get out. - No, no, no, no.
01:28:39 - Oh, it's moving in, Jake.
01:28:41 - It's stuck, stuck.
01:28:42 - It's moving in.
01:28:43 It's tight, Jake.
01:28:47 I'm scared.
01:28:48 - You've got to get out.
01:28:49 You've got to get out.
01:28:50 - I can hear you.
01:28:51 - It's too tight.
01:28:52 - I can hear you.
01:28:57 - What?
01:28:58 - I can hear you.
01:28:59 I'm onto you.
01:29:02 (laughing)
01:29:12 You've been listening to the other side, haven't you, Jake?
01:29:14 Listening to people that want to hurt you, Jake.
01:29:16 - New people, new!
01:29:18 - Not old friends like me.
01:29:19 - People you shouldn't trust.
01:29:21 - But best pals, Jake.
01:29:23 You want to get rid of me.
01:29:24 You know life without me?
01:29:25 - You know no life without me.
01:29:26 - Do you know life without me?
01:29:28 No, because it doesn't exist.
01:29:31 Get rid of them, Jake.
01:29:33 - Forever.
01:29:34 - They're the enemy, not me.
01:29:35 - They're new, I'm old.
01:29:37 I stay, they go.
01:29:39 I say, you do.
01:29:40 - You're weak without me.
01:29:41 Weak.
01:29:42 It's us against them, Jake.
01:29:43 It's us against them.
01:29:47 - I'm coming to get you.
01:29:49 - You want to get rid of me, do ya?
01:29:51 Do ya?
01:29:52 You want to get rid of me?
01:29:55 Me, me, me?
01:29:56 Boom.
01:29:57 (gunshot)
01:29:59 (laughing)
01:30:10 Still here, Jake.
01:30:11 Can't win this one without me.
01:30:17 - No, no, no, no.
01:30:19 - No what?
01:30:20 - I am you.
01:30:24 You ain't me.
01:30:29 - The greatest Khan that he ever pulled
01:30:34 was making you believe that he is you.
01:30:40 - You ain't me.
01:30:43 - I am you!
01:30:44 - You're not me.
01:30:47 - Come on, let's fight.
01:30:49 You're best (beep) brain.
01:30:54 I am you!
01:30:58 - You don't control me.
01:31:11 I control you.
01:31:14 (dramatic music)
01:31:18 (dramatic music)
01:31:20 (dramatic music)
01:31:48 - You come to my house with a loaded gun?
01:31:52 You speak to me like I'm a (beep) idiot?
01:31:57 What's your game?
01:32:01 What's your game?
01:32:04 Speak to me.
01:32:07 Speak to me or I'll kill you
01:32:14 like the (beep) dog that you are.
01:32:16 (dramatic music)
01:32:19 - Fear me.
01:32:24 - Fear me.
01:32:38 Fear me.
01:32:45 (dramatic music)
01:32:49 Fear me.
01:32:49 Fear me.
01:32:57 Fear me.
01:33:03 Fear me.
01:33:06 Fear me.
01:33:11 (dramatic music)
01:33:14 (dramatic music)
01:33:17 (dramatic music)
01:33:19 - You know what's so elegant about this little game, Jake?
01:33:45 It's a game where you can't tell who's the enemy.
01:33:48 You can't tell who's the enemy.
01:33:50 You can't tell who's the enemy.
01:33:52 You can't tell who's the enemy.
01:33:55 You can't tell who's the enemy.
01:33:57 You can't tell who's the enemy.
01:34:00 You can't tell who's the enemy.
01:34:03 You can't tell who's the enemy.
01:34:06 Because they think they are him.
01:34:09 Oh, it's beautiful, man.
01:34:16 You have to admire the opponent's elegance.
01:34:21 Check.
01:34:23 You're quite good at this game, Mr. Green.
01:34:29 I know 'cause I'm quite good at this game.
01:34:32 (dramatic music)
01:34:35 Check.
01:34:40 Check.
01:34:50 Check.
01:35:00 (dramatic music)
01:35:03 The odds is for me to feed pieces to you
01:35:12 and make you believe you took those pieces
01:35:15 'cause you're smarter and I'm dumber.
01:35:18 (dramatic music)
01:35:20 (dramatic music)
01:35:23 Wake up, Mr. Green.
01:35:33 (dramatic music)
01:35:36 You can't see what's right in front of you.
01:35:47 I never saw or spoke to those boys in all those years.
01:35:51 You know, I'd have died for either one of 'em.
01:35:54 One was a chess master, the other a master con man.
01:35:57 Dangerous combination, chess and cons.
01:36:00 Those two knew everything about me,
01:36:05 all my dirty little secrets, how much money I had,
01:36:08 where I kept it, how slim bastards claimed me out.
01:36:12 (dramatic music)
01:36:15 My neighbors used to write down chess moves
01:36:20 and concepts of the con in the back pages of books
01:36:23 based on subjects like the mathematics
01:36:26 and quantum mechanics.
01:36:27 Wake up, Mr. Green.
01:36:29 We were all gonna go together, they swore to me.
01:36:32 You're coming with us, Jake.
01:36:34 We were always going to take you with us, Jake.
01:36:37 You just weren't ready to hear how hard
01:36:39 that was going to be.
01:36:40 (dramatic music)
01:36:43 Checkmate.
01:37:01 (dramatic music)
01:37:04 [BLANK_AUDIO]