Salón de té La Moderna - Ep 212
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00:00A FEW HOURS EARLIER
00:03Let me know as soon as you hear anything.
00:04I'll come with an arrow.
00:10Oh, and Marta, if you see anyone on the street, let me know immediately.
00:15If I see anything suspicious, I'll let you know.
00:22Hi, Marta. Are you visiting?
00:25Yes, but I was leaving. Bye.
00:28Bye, Marta.
00:29Bye.
00:36Do you really think there's someone spying on you on the street?
00:39Well, I have a feeling. I don't know why.
00:43But maybe it's another one of my hallucinations. You don't have to worry.
00:47I can't stop worrying about you for a moment, Matilde.
00:50I know.
00:52And this will be solved very soon.
00:55And I'm still determined to enter that sanatorium as soon as Clarita comes back.
01:01Jaquecan is in bed. I need to go to the terrace to get some fresh air.
01:24CLARITA IS IN BED
01:41I suppose your mother has told you about my conditions to keep quiet.
01:45Yes.
01:47She has explained it to me with meridian clarity.
01:50And? What do you have to say?
01:54That I don't accept them.
01:56I'm not going to flee the country like a plague.
01:59And are you aware of the danger you're in?
02:02And what do you make your mother do if you don't accept that treatment?
02:05Yes. She's not talking to any idiot.
02:08Darling, put aside your pride and think with coldness.
02:12You have no other choice. You have to accept Fabio's demands.
02:18Considering the magnitude of the deception I've been victim of all this time,
02:22I think my conditions are the most reasonable.
02:27I see.
02:29Fabio, but it's not about what you think.
02:33It's about what I want.
02:35Then I have no choice but to go to the police.
02:39And not only because it's my duty as a decent citizen,
02:43but also so as not to look like an accomplice to the eyes of justice.
02:47Listen to us, daughter, please.
02:50You won't be short of anything when you're out of Spain.
02:53You'll be able to have the same opulent life you have here.
02:57That's right.
02:59Your mother has taken care of preparing you a good economic mattress.
03:02The Swiss bank account is well filled.
03:05That's what facing justice is about.
03:07And I guarantee you that you will lose.
03:10You have to leave the country. You have no other choice.
03:12Now you just have to choose where you want to go.
03:15I'm not going to leave here.
03:16Not until I finish what my mother has not been able to finish.
03:20Matilde has to pay for everything she has done to me.
03:24No, that matter is over.
03:26I want you to set a date for your departure.
03:29And swear to me that you will leave that poor woman alone.
03:37Have you ever thought about leaving the basement since I discovered you?
03:41Of course not.
03:43I have no interest in being discovered.
03:46Well, that's better.
03:48You have to be very clear that this is another of my conditions.
03:51You will never be able to approach Matilde or Íñigo again.
03:54Otherwise, I will report you.
03:56That's my last word.
03:58Admit that you have been defeated and start a new life.
04:00I'm not going to give up.
04:03I'm going to finish what I started.
04:05Okay?
04:07Well, think about it.
04:09If you don't do what I ask of you,
04:11or you leave this house once,
04:13I will immediately go to the police.
04:16Do not hesitate.
04:18Your time here is running out.
04:24You are impossible, daughter.
04:26You are impossible, daughter.
04:37Estrellita Castro showed sympathy with her followers
04:41who came to Mass to greet such an illustrious actress and singer
04:45and get a record signed by her admired celebrity.
04:49But ... and they didn't say anything about the store?
04:52Yes, he named the store, the gallery where it is and the modern one.
04:54Because Estrellita Castro had a tea with pastas after signing it.
04:59But then it couldn't have turned out better, right?
05:02Besides, she was charming.
05:05And she told me that she wants to take some pictures in the studio when she returns from Toledo.
05:09We have to have everything ready.
05:11So that when she comes, she sees that ours is a vanguard photographic studio.
05:14You'll see how charming she is.
05:16I would love to talk to her again.
05:18Her words encouraged me.
05:20That's good, because you needed it.
05:21After what happened to Mrs. Juanes, you were a little discouraged.
05:26Yes, but Estrellita Castro was very nice to me.
05:30It is a blessing to know a woman who has always fought for her dreams.
05:34Thanks for taking her to the store.
05:36No, thank Celia.
05:39The merit is hers, my partner is a portent.
05:42Well, someone has to get the business going.
05:45Yes, and I have to apologize because these days I've been a little distracted.
05:49Yes, you were distracted.
05:51In your head you didn't have records, of course.
05:54Did you have anything more related to cinema, maybe?
05:59Yes, it is possible that lately I am more interested in the seventh art than music.
06:04And do you have anything else to tell us?
06:07No, what I have to tell you is that we have to have breakfast quickly because otherwise we will be late.
06:12Celia, ask Agustín if he tells you anything else.
06:16What am I going to ask him?
06:17Laura will tell us when she wants.
06:20I'm sure he tells you more things than friends and his sister.
06:25Well, we finish breakfast and go to the store.
06:28How good it is.
06:34No, no, no.
06:36What's wrong with you?
06:38Are you more nervous than an anarchist from the Vatican?
06:40Nothing happens to me, I just like to do my job well.
06:43Could you give me a hand?
06:44As soon as I read about Estrellita Castro.
06:46They talk about the gallery in all the press.
06:48You'll see how happy my father gets when he reads it.
06:50Well, not so much. She is not the first famous woman who passes through here.
06:53Nobody would tell her.
06:55Estrellita Castro is very famous.
06:58Yes, yes, you are right.
07:00Why don't you go to the back store to unpack the excursion tickets that have just arrived?
07:05If it doesn't suit you, you send me to work.
07:08That's called abuse of power, did you know?
07:14Go away.
07:16Did you get her on the train?
07:18Have you checked with your mother?
07:20My mother is not a suitcase.
07:22Yes, sorry, I mean if she is already on her way from Guadalajara.
07:24Well, yes.
07:26And she even said goodbye to me from the window, with the handkerchief in her hand.
07:29Thank goodness.
07:31A couple more days and she will discover all the mess we have set up in our jobs.
07:34The further away she is, the less danger there is that she finds out.
07:37Yes, the apocalypse would have come earlier if suddenly my mother finds out
07:41that we have told everyone that we are single
07:42and that we are preparing a fake wedding.
07:45Yes, we should have finished this farce a long time ago.
07:48Well, yes, but now it's too late.
07:50We can't tell the truth anymore.
07:52I don't think our bosses would be very excited to know
07:55that we have been deceiving them for so long.
07:57Well, let's see what we do.
07:59Elías is still committed to organizing the wedding.
08:01Now, on a break, we have to go talk to the priest.
08:03Yes, well, you'll have to tell him something,
08:05because the truth is, we can't get married twice.
08:07That would be bigamy.
08:09And that, apart from being a sin, is a crime.
08:10I don't think so.
08:12If you marry the same woman, I don't think they'll tell.
08:15Well, you'll have to come up with something.
08:17And that's it.
08:19Okay, I'm going to work.
08:21Yes, yes, see you later.
08:25What a mess your wife and you have set up.
08:29Well, you're already telling me what's going on.
08:37Well, I think, Cañete,
08:38that it's time for you to come back.
08:40I'll be there the day after tomorrow.
08:42We'll see what happens.
08:44Well, has it been worth it for you
08:46to spend a few days in town?
08:48I think so.
08:50When I arrived, my grandfather was in the basement,
08:52and he went to see me, and I went up the stairs
08:54running like a kid.
08:56He was so excited to see me in town.
08:58Well, I'm glad, I'm glad.
09:00And what are they saying out there?
09:02Have they got Mrs. Lázara to fire me for going to the fairs?
09:04Well, look, at the moment I don't know anything.
09:06But here we all hope
09:08that Mrs. Lázara will come back.
09:10There's no point in worrying now.
09:12Well, how are you?
09:14How are you feeling?
09:17Well, look, you're going to be left out.
09:20Mrs. Lázara has asked me to make peace,
09:22and she has offered me a kind of deal.
09:25If I stop investigating her,
09:27she stops pressuring me to fire me.
09:30And look, I don't know
09:32if I should tell all this to Mr. Fermin.
09:34That's very risky, Teresa.
09:36If Mr. Fermin doesn't believe you
09:38then you're going to have to face
09:40a rabid manager with no power.
09:42Yeah, I don't know if it's very naive,
09:44but what if he believes me, Cañete?
09:46What if he believes me
09:48and we can get rid of her?
09:50Well, you'd still have her as an enemy
09:52and you'd have made Mr. Fermin lose
09:54the only sentimental relationship he remembers.
09:56Come on, let him do what he wants,
09:58I'll get lost.
10:00Mrs. Teresa, are you talking to Cañete?
10:02Well, give him the memories
10:04and tell him that we're here without him
10:06like cattle without heads,
10:08which is a way of speaking
10:10that I don't want to compare with the animal.
10:12Cañete, what memories of Elias?
10:14What do you want?
10:16Nothing, I just wanted to tell him
10:18if I could sit in my break,
10:20if there's no problem.
10:22I'm sorry, Cañete, but I have to go.
10:24We'll talk later.
10:26Bye, bye, bye.
10:29Teresa, well,
10:31I'm very happy to see you both together.
10:33So you'll find out too.
10:35Elias, from this moment on
10:36when Cañete returns,
10:38you'll be in charge of his position.
10:40That way you, Teresa,
10:42will get rid of the extra burden
10:44you have to cover the head of the waiters.
10:46I appreciate it.
10:48As you can see,
10:50I'm very concerned about the well-being
10:52of the employees in my position.
10:54Mrs. Laza, I hope I'm up to the job
10:56and I won't let down the people
10:58I trust
11:00to do this extraordinary job.
11:02It's a pleasure for me,
11:03to be the head of the waiters.
11:05What a triumph!
11:07The head of the extra waiters, Elias.
11:09Please, don't make a scene.
11:11But I think it's better
11:13to be the head for a day
11:15than never to be the head.
11:17Mrs. Laza, I think we should
11:19get the team together
11:21to announce my appointment.
11:24Congratulations on your new position.
11:26Thank you very much, Mrs. Teresa.
11:28Head of the waiters?
11:30Me?
11:31No.
11:33Me?
11:36And this is the whole story.
11:38In short,
11:40I've been married to Trini for a long time
11:42and we've been hiding it
11:44to keep her job.
11:46But now she's pregnant
11:48and we have to pretend it's a wedding.
11:50Yes, I can see that.
11:52Single and with a child.
11:54It's not very well seen.
11:56I'm desperate to continue
11:58with this mess.
11:59Well, I don't want to put you in a worse position,
12:02but if my father finds out
12:04you cheated on him,
12:06he won't forgive you.
12:08And look, he's going to give you a wedding present.
12:10I don't know what's going to happen to us.
12:12Don't get like that, man.
12:14I'm not going to say anything.
12:16I'll be a grave.
12:21Well,
12:23I don't know how to thank you.
12:25It's very easy.
12:27You just have to tell my father
12:29about the progress he's making
12:31with his son and the bookshop.
12:33I guess I have no other choice.
12:35I hope you don't abuse this.
12:37Only what's fair.
12:39Well, thank you.
12:41Now I just have to solve
12:43the interview with the priest
12:45Elias asked me for.
12:47If it's over, it's over.
12:49I'm not going to get out of this one.
12:51Why not?
12:53You just have to ask the priest for confession
12:55before bringing up the wedding.
12:57Confession? For what?
12:59I have the feeling
13:01that you don't end up being aware
13:03of the seriousness of the situation.
13:05And what makes you think that?
13:07That you consider it a priority
13:09to wait for the patient's sister to return.
13:11We are running an unnecessary risk.
13:13In addition, the meeting with the girl
13:15may further destabilize
13:17the precarious mental situation
13:19in which Matilde is.
13:21For her it is important to explain to her
13:23what is happening right now
13:25so that she does not find out about other people
13:27and that creates more anxiety for her.
13:29Her condition worsens at times.
13:31With all sincerity,
13:33I think for her own good
13:35we should bring her in as soon as possible.
13:37I'm sure she's showing new symptoms.
13:40That's right.
13:42Now she says that
13:44she's being followed,
13:46that she's being watched.
13:50What's going on?
13:52Do you have anything to tell me about it?
13:55In this case, it's not a patient's way.
13:57I have to admit
13:59that I have ordered some guards
14:01to follow your wife.
14:03I don't understand why you did that.
14:05It's just precaution.
14:07A common measure in these cases.
14:09We must protect the patient
14:11from herself and everyone around her.
14:13A psychotic outbreak
14:15can have fatal consequences.
14:17Keep it in mind, Mr. Peñalver.
14:19I don't like to be watched by my wife.
14:21And much less to find out
14:23how I'm doing it.
14:25All this is for your wife's safety.
14:27There are only a few hours left
14:29for her to come back
14:31and we can start with Matilde's recovery.
14:33I still don't like what you've done.
14:35You should have consulted me.
14:37I didn't think it necessary
14:39to give the characteristics of this case.
14:41And I thought you would agree
14:43to take the appropriate measures.
14:45Yes, I can agree with you
14:47while I'm aware of your plans.
14:49I apologize.
14:51But I assure you
14:53that I'm the first person interested
14:55in your wife recovering her sanity.
14:57Until she comes back,
14:59these guards will keep an eye on your wife.
15:04All right.
15:10But let this be the last time
15:12I take a step without my consent.
15:15Count on it.
15:19Come with me to the door.
15:28I've been here more hours than a clock
15:30and when something interesting happens,
15:32I was on my way to my house.
15:34What are you going to do, Esperanza?
15:36You're not lucky.
15:38Well, the security guard told me
15:40that there was a fight
15:42and everyone was asking for an autograph.
15:44And Mr. Fermin took her to the reserve
15:46to take a walk.
15:48It's a crime to lose it, isn't it?
15:50If I had money,
15:52I would have bought a car
15:54and taken her home.
15:55If I had money,
15:57I would have bought a car
15:59and all her records.
16:01Don't you like Estrellita Castro?
16:04Maybe you're more into jazz
16:06or swing,
16:08the modern music
16:10that comes from America, right?
16:12Well, I'll tell you one thing.
16:14Youth has no idea about music
16:16because good music is the same as always.
16:20What's wrong with you, girl?
16:22For God's sake,
16:23the way she talks to you
16:25is like she talks to a broom.
16:27She drives it wherever she wants
16:29but you don't answer her.
16:31No, nothing's wrong with me, Esperanza.
16:33I'm thinking about something.
16:35You're not in trouble, are you?
16:37No, it's a study thing
16:39that I've got in my head.
16:41Oh, well, look, that's fine.
16:43It's better to fill your head
16:45with letters and numbers
16:47than with birds.
16:49Oh, don't leave it
16:51and look for a future.
16:53Don't tell anyone.
16:57Marta, I need you
16:59to clean the reservation thoroughly.
17:01A cycling association
17:03is coming to do their annual meeting.
17:05It seems they want to organize
17:07a bike ride around Spain.
17:09Good morning, first of all.
17:11There are more people here.
17:13Good morning, Esperanza.
17:15What?
17:17Is your break over
17:19or are you going to stay here forever?
17:21No, ma'am.
17:23It's my birthday.
17:25And I'm glad.
17:27But, Mrs. Lázara,
17:29my shift ends at noon.
17:31Yes, I know.
17:33Don't worry.
17:35We'll pay the extra hours.
17:37Is there a problem?
17:39What problem could she have?
17:41She's going to leave the reservation
17:43like the goldfish.
17:45I wasn't expecting less.
17:47You had other plans for this afternoon, right?
17:50Yes, and if I stay to clean,
17:52I won't have time.
17:54Why is that so important?
17:56If you don't tell me,
17:58I can't help you.
18:00I can't tell her much
18:02because I promised Matilde.
18:04I'll tell her,
18:06but she'll forget right away, okay?
18:08And she promises
18:10she won't tell anyone.
18:12It seems she doesn't know
18:14who she's talking to.
18:17Matilde needs help
18:19so she won't get into the sanatorium.
18:21What?
18:23But I thought she was fine.
18:25No, she's fine.
18:27She just needs a cable to prove it.
18:29Well, that's it.
18:31I'll clean the reservation this afternoon.
18:34What if Mrs. Lázara finds out?
18:37Don't worry about that.
18:39I'll tell her you felt uncomfortable
18:41and I gave you permission to go home.
18:43That's why I'm the cleaning lady.
18:47Come on.
18:49Thank you, Esperanza.
18:51You're welcome.
18:53Matilde will do anything for you.
18:56Good luck.
18:58I'm sure everything will be fine.
19:00I'm going to need it.
19:02Come on.
19:04Give me a hand.
19:17What bad luck we have.
19:19What's going on?
19:21This light bulb has broken.
19:23I need it for the session with Estrellita Castro
19:26and it's not as bright as a two-cent candle.
19:29But you can use another one.
19:31No, I need one anyway.
19:33And I can't order another one for tomorrow
19:35because all the spare parts come from Barcelona.
19:37But maybe with a light bulb.
19:40I don't know.
19:42I don't know.
19:44Maybe with a light bulb or an exterior light.
19:48Or I can make a portrait of Carboncillo.
19:51No, Laura, no.
19:53We have to cancel the session.
19:55No, Celia, we can't cancel it.
19:57It would be terrible.
19:59It's a business that's just starting.
20:01It would be horrible.
20:03We have to think of an option.
20:05I know, Laura.
20:07But without this light bulb,
20:09the studio can't be well lit.
20:10But cancelling it isn't an option.
20:12Let's do it.
20:16What's going on?
20:18What's with those faces?
20:20You should be happy after yesterday's success.
20:23Happiness doesn't last long.
20:25We've lost the main light bulb of the studio.
20:29We're going to have to cancel
20:31Estrellita Castro's photo shoot.
20:33Don't you have spare parts?
20:35No.
20:37Listen,
20:38now that I think about it,
20:40you have several plays.
20:42Maybe you could lend us a light bulb?
20:45Yes, of course.
20:47If I don't have one,
20:49I have a similar one.
20:51I can check it today.
20:54You've saved our lives.
20:57I'm sorry.
20:59Maybe I've taken too many liberties.
21:01No, no, no.
21:03It doesn't matter.
21:05You know you can count on me whenever you want.
21:06I'll keep that in mind.
21:10I'm going to the studio.
21:12I have to select the photos
21:14I have to show Estrellita Castro.
21:16I'll stop by the warehouse this afternoon.
21:19Thank you very much.
21:24Well,
21:26the problem is solved.
21:28Tomorrow we can go see Estrellita Castro
21:31at the Madrid-Baret.
21:33It's a great plan.
21:34They say it's fun when you get involved.
21:37We could get to know each other better that way.
21:40I don't know what you mean by getting to know each other better,
21:43but I'd like to go little by little in this story.
21:47I have my reasons.
21:49Any bad experiences?
21:51I don't feel like talking about it.
21:56No problem.
21:58Really.
22:00We have all the time in the world
22:02to be sure of our relationship.
22:04Yes.
22:24The books you asked me for are still in the back room.
22:27Are you going to pick them up today?
22:29I don't know. I have a lot to do today
22:31and I can't carry them.
22:32I can't carry them with me.
22:34I'll take them wherever you want and we'll talk.
22:36No, I have to go somewhere today
22:38and I don't need company.
22:40I'll take them home and that's it.
22:42No, don't insist.
22:44I'll take them tomorrow.
22:46As you wish.
22:48It's been hard for me to get them together.
22:50I know and I appreciate it,
22:52but I can't today.
22:54Don't insist, please.
22:56Hey, did you stand in line when Estrellita Castro came?
22:59Why would I?
23:00I don't have a CD of his
23:03to sign or money to buy it.
23:05Well, I don't know, a photo or a piece of paper.
23:09A signature doesn't feed you.
23:13Well, it's a nice memory.
23:15That's for whoever wants it.
23:17Besides, yesterday I...
23:20Yesterday I had to go to a place
23:22that a friend of mine asked me to go.
23:24The same place as today?
23:26Yes, the same place as today, but you don't care.
23:28It's a bit of a hassle, isn't it?
23:30It's a nice place,
23:32but it's so mysterious
23:34that you can't say anything about it.
23:36I can't.
23:38And stop getting involved with people who don't know you.
23:40I've met guys like you who want to know everything about you.
23:42Like me?
23:44We're back to square one.
23:46We're not back to square one.
23:48You'd better not go crazy with me.
23:50I've proposed to Elías
23:52that he be in charge of the waiters
23:54until Cañete comes back.
23:56But if you don't like it,
23:58we can find someone else.
24:00I don't see why I should not like it.
24:02It's a decision that you, as manager,
24:04should make.
24:06Well, since we haven't been in agreement
24:08on the decisions I've made lately,
24:10I've preferred to comment.
24:12I suppose you're referring
24:14to Teresa and Cañete's dismissals, right?
24:16Look, Mr. Fermin,
24:17I don't want to bother you.
24:19So from this moment on,
24:21I'm going to inform you of every step I take.
24:23I don't want to be a burden
24:25and you have too much to handle in this room.
24:27It's not convenient or practical
24:29for me to ask for an opinion for everything I do.
24:31Mrs. Lázara, believe me,
24:33if I've named you manager,
24:35it's because I fully trust you,
24:37in your ability to work and organize.
24:40You don't know how important those words are to me,
24:43Mr. Fermin.
24:45Well, I thought I'd lost your trust.
24:48Very badly done.
24:50Mrs. Lázara, believe me,
24:52when I tell you that I'm very sorry
24:54if at any time you've felt questioned by me,
24:57it wasn't my intention,
24:59I appreciate you
25:01in everything that matters.
25:03In everything.
25:06You have a heart of gold.
25:10Yes?
25:13Mr. Del Moral, come in.
25:15Don Fermin is waiting for you.
25:17Good morning.
25:19Don Fabio, thank you for coming so soon.
25:21It's always a pleasure to get close to the modern.
25:23Congratulations on the success
25:25you've had with the visit of Estrellita Castro.
25:27It has had a lot of repercussions.
25:29Exclusive success of my niece and her partner,
25:31who is a very good friend of mine,
25:33who is a very good friend of mine,
25:34and an exclusive success of my niece and her partner
25:36who work hard
25:38to plan events
25:40to promote the gramophone shop.
25:44But sit down, please.
25:46I like to boast of partners,
25:48but I can't tell you why.
25:50What can I help you with?
25:52Look, there is something
25:54that keeps bothering me,
25:56because I know well
25:58that they still sell assets
26:00of the Morkonde company.
26:02That's true.
26:04and a lot. I would even say that it even takes away my sleep, because in addition there are certain rumors that are not
26:10nothing of the sort. What is it that you have heard? That they intend to put the gallery up for sale,
26:20so that the tenants do not know what to expect, and neither do I. Well, pay attention to everything
26:27that you hear. Rumors always sin of alarmists. Yes, but it is true that they continue to sell
26:32the company's assets. That's right, we are trying to clean up the company. What happens is that
26:40we are having to get rid of more companies than we expected. The accounts are not as good
26:45as we thought. So you guarantee me that the gallery is not going to be put up for sale?
26:52The gallery is one of the most profitable businesses of the Morcone company. Our intention
26:56is to keep it. Well, you don't know how happy I am to hear that. But know that I cannot guarantee it
27:03one hundred percent. I am only the provisional manager. The owner is Mrs. Bárbara, she is the one
27:08who has the last word. Although, at the moment, she is delegating all the decisions to me. And she is
27:14very lucky to have you to help her, because I imagine that after the death of her daughter,
27:19Mrs. Bárbara will not have the head for these businesses. It has to be very difficult to overcome
27:25something like that. There is no doubt about it. What happened to Carla is a tragedy for any mother
27:34and for those of us who are close to her.
27:36Daughter, you shouldn't get close to the window. Someone might see you.
27:54Don't worry, mother, no one can see me from here. I'm just enjoying the sun's light a little bit.
28:00Staying locked up here is a torture. Well, that could end when you want.
28:06You just have to tell me what country you want to travel to. And that way you would be free and you would prevent Fabio from reporting you to the police.
28:12I'm very sorry, mother, but none of that goes into my plans.
28:15Besides, I don't think Fabio has the guts to do it. Not for you, not for me.
28:21I'm not so sure. I should give in to your demands.
28:25No, we should have been more determined and eliminated that problem a long time ago. Remember I told you?
28:31Not at all. And I have a little bit of a head before making a request as out of place as that.
28:37Oh, mother, please. You don't have to get like that. I'm just asking you to think about it.
28:41There's not much to think about to realize that it would be a mistake. If Fabio disappeared now, or if he died in an accident,
28:47it would cause such a stir that it would be of no use to us.
28:50It depends on how it's done. We know people who could take care of that job.
28:55No. No, because sooner or later they would suspect me. And that would only lengthen your imprisonment a little more.
29:02And in that case, you couldn't even leave the country anymore.
29:06Mother, I understand, but you have to understand me.
29:10I can't stay here and I don't want to leave without having finished my business first.
29:14So we have to find another solution.
29:16Oh, daughter, please. You're right.
29:19Understand that we are in the hands of Fabio and that you have to accept all the conditions that he has imposed on you.
29:26Okay. I agree. I have no choice but to swear not to get close to Matilde again.
29:36Are you being completely honest with me?
29:38Yes. I will accept Fabio's conditions. I assume that I have lost this hand, but not the game.
29:46What do you mean?
29:48That I will leave Spain. But first I want Matilde to end up locked up in the sanatorium.
29:53So I leave it in your hands. In yours and in Dr. Mendoza's.
29:58It seems reasonable to me. We will not let you down. But I hope you do your part.
30:05I have given him my word.
30:18How's it going? How did it go with the priest?
30:21Bad, bad. We have run into the church, friend Salvita.
30:24I don't know what happened, but the priest has refused to marry Trinidad Miguel.
30:27Even if they were, don't let them.
30:30And he didn't tell you why?
30:32No. And if I insist more and ask for explanations, he is capable of condemning us to the stake.
30:37Because you have to see what a bad genius our father has here.
30:40For me, he already had the date committed and he has been brave enough to admit his mistake.
30:45Yes, it could be. But he could have chosen another date.
30:47Because he has said that there is no wedding and there is no wedding.
30:50As they continue to be so capricious, the priests are going to lose all their devotees.
30:53What is clear is that this church is discarded.
30:55Yes, but we will find another one. Because I will not stop until I see these two married as God commands.
30:59Of course, if they leave us their jobs.
31:01You don't need to put so much effort in it, Elias.
31:04But how? I find another church like my name is Elias Tejada.
31:07And I'm as sure as the amount of work I have for my new position.
31:11Chief of the substitute waiters.
31:13Which is like being a general. An army without him is lost.
31:16So, well, I'm going to lead the attack against the snacks.
31:20Good luck, Napoleon.
31:22Goodbye.
31:28How has everything gone around here?
31:30Good, good, good. I have put the new guides of expulsionism in the showcase and we have sold a couple.
31:35You should take a look.
31:36Yes, it looks good. Then I'll take a look.
31:39All you want, but first tell me how is the church?
31:41Well, it seems that my plan has worked.
31:43Yes, this time yes.
31:45I asked the priest for confession, as you told me.
31:49And when we were in the confessional, I told him that we were already married.
31:53And how did the priest take it?
31:55Bad, very bad.
31:57He told me that the sacrament of marriage is not to be taken lightly.
32:00And that he was doing a very big offense to the church.
32:04I don't know if there is any commandment that says that you can't marry the same woman twice.
32:09I tried to explain to him that we were doing it for a good cause.
32:12But when I told him the deception we had made to our bosses and co-workers, he got even more angry.
32:19Sure, maybe you could have saved that.
32:22Well, yes, because he put me as a liar, fake and perjurer up to the top.
32:25Come on, I already noticed the flames of hell burning my calves.
32:28Don't worry, no one can tell you the secret and confession.
32:31Yeah, but I got away with it.
32:33I sent 500 of our priests and 1,000 of penance.
32:36Are you going to spend two days praying?
32:39At least I haven't told him anything, Elias.
32:42And that, that he has been insisting for a long time that we had to get married.
32:49Well, I'm glad the problem has been solved.
32:52Well, yes, yes.
32:54And I thank you for the idea you had.
32:57But you've heard, Elias, it won't be for nothing.
33:01I won't do this trick in the other parishes if I don't want to be excommunicated.
33:04Have you thought of something better?
33:06Well, I hope it's soon, because I'm fed up with this.
33:09And Trini can't cover her pregnancy for much longer.
33:12And it's not read in working hours.
33:25It was a privilege to meet Estrellita Castro.
33:29She's so independent, like a woman of so much fame.
33:32It can't be that simple.
33:34Yes, the truth is that her words encouraged me a lot to continue with my recovery.
33:38So I understand that you are going to continue the specialist's treatment.
33:42Yes, yes.
33:44I have already done the exercises of Mrs. Juanes.
33:47And today I will call one of the specialists that she recommended me.
33:50That's the attitude, honey.
33:52Because I warn you that in this family we are not to give up to the slightest adversity.
33:58Yes, we just have to see what you have achieved.
34:00And how hard it is for me to maintain it.
34:02So please don't fail.
34:04Because you have plenty of talent to get what you propose.
34:08I'm going to put all my energy in singing again as before.
34:12Yes?
34:15Come in, come in, Mrs. Lester.
34:18Is there a problem?
34:20No, no, no, no, everything is the opposite.
34:22Everything is going well.
34:25I want to tell you that Teresa is working diligently, as always.
34:28And we have a good rapport between the two of us again.
34:31Wow, that's great news.
34:33Yes, I also want to tell you that the appointment of Elias
34:36as deputy chief of staff has been very well accepted by his colleagues.
34:41I knew it was a good decision on your part.
34:45I am very happy to hear you say that, Mr. Fermin.
34:48I don't want to make a mistake again that would be against you.
34:51Don't worry about that.
34:53You already know that I am very satisfied with your work.
34:56Thank you very much.
34:58Well, I won't bother you anymore.
35:06Is something wrong, Mrs. Gaza?
35:09Thank you, darling.
35:11Maybe ...
35:13Maybe I overdid it
35:15when I questioned the dismissals he proposed to me the other day.
35:20Well, if he doesn't agree, it's normal that he doesn't allow it.
35:23I even came to consider
35:25that it would not have been a good idea to put him as manager.
35:28Yes, it is clear that he has a lot of interest in the company.
35:31But do you still have doubts?
35:33No, no, no, I think he does an excellent job.
35:38But I feel that all this has distanced us personally.
35:41And I'm very sorry.
35:44And why don't you propose a plan outside of work?
35:48What kind of plan?
35:50Well, I don't know, anything that has nothing to do with work
35:53and where they can express themselves freely.
35:55Darling, I spend all day here.
35:57I can't think of anything.
36:00I don't know, we could all visit together
36:03some place in the Sierra de Guadarrama, right?
36:07An excursion?
36:12Well, it's not a bad idea.
36:16Maybe, maybe I propose it.
36:19I'm sure he will accept and fix his relationship.
36:21He will.
36:23An excursion.
36:26An excursion.
36:31Marta is going to come back later.
36:33Well, yes.
36:35It seems so.
36:37She has confessed to me that she is doing some errands for Matilde.
36:40Yes, that's why she can come back whenever she wants.
36:43Even if she is going to get lost,
36:45it's hard to get lost with the carbonara I'm preparing.
36:47Well, yes, to help our friend, whatever.
36:49Apparently, she is doing some investigations
36:51to prevent her from entering the sanatorium.
36:54And what does she have to investigate?
36:56She didn't want to tell me
36:58and she asked me not to ask her.
37:01What a pity that this matter returns.
37:03I thought they had already closed it.
37:05Me too.
37:07Inigo had promised that he was not going to enter it,
37:10but I don't know.
37:12Maybe he has seen that they have made it worse.
37:14I don't know.
37:16In my country, these sanatoriums are not worth much.
37:20The horses make them sick
37:22and the sick make them worse.
37:25You are encouraging me a lot.
37:28I don't think Inigo will lock it and then throw the key, right?
37:31Yes, yes, of course.
37:33If he wants to enter it, it will be a sanatorium of trust
37:35where they will treat the body of the queen, but ...
37:37Well, he better be at home.
37:40He is doing his normal life.
37:42I'm going.
37:50Hello. Is Marta here?
37:52No, no.
37:54We don't know when she will return.
37:57Come in, come in.
38:01Hello.
38:03I brought you a Genoese.
38:06It is a typical dessert of our land.
38:09It is very good, Genoese.
38:11Yes, it is very good.
38:13And what is it for?
38:15The other day I was chatting with her
38:17and I wanted to thank her for worrying about me.
38:21It looks good, huh?
38:23You always loved how I prepared it.
38:26It is the only sweet that came out better than me.
38:29But you have always had a good hand in the kitchen.
38:32Yes, Pietro, I did what I could.
38:34Having a cook at home,
38:36one has to make a lot of effort to please him.
38:39Well, I'll give it to you on your behalf.
38:43It can be seen that you are a very good girl.
38:45Yes, I have no doubt about that.
38:47She is a girl who has had everything against her in life
38:49and she has come out ahead
38:51thanks to her kindness, precisely.
38:54By the way, do you remember anything
38:56about the dream you had yesterday?
38:58No, I don't remember anything.
39:00But it's just a dream, it doesn't matter.
39:02Well, I'll leave you.
39:04I don't want to be unfortunate.
39:06See you later.
39:09Bye.
39:14You don't want to be unfortunate?
39:16Well, it would be better to be at his house, right?
39:18He's visiting.
39:20Understand her, she's been alone for a long time, right?
39:23Yes, yes, I understand.
39:25But another reason for you to speed up the procedures
39:27is for her to return home.
39:31It's what I do every day.
39:33Well, maybe you have to do it a little more.
39:39Bye.
39:49Working at the gramophone store
39:51is sometimes exhausting.
39:53How was your day?
39:55Well, Celestina's birthday.
39:57Our dear uncle is very interested
39:59in Mrs. Lázara and I don't mean
40:01his work as a manager.
40:03But what's wrong? Don't you think it's good?
40:05Well, the truth is that
40:07I don't like the name Vampira.
40:09Oh, Laurita, really,
40:11stop calling her Vampira.
40:13Maybe one day you'll have to call her Aunt Lázara.
40:15God doesn't want it.
40:17Well, look, today I proposed to the uncle
40:19to go on an excursion to the mountains,
40:21all together, and he thought it was very good.
40:23But you're coming too.
40:25Don't leave me alone with them.
40:27Well, the truth is that I don't think it's the best plan,
40:29but well, I'll go and make you company
40:31to watch her.
40:33I'm coming.
40:37Agustín, come in.
40:39Good news.
40:41In the end, I had several spotlights
40:43like the one you need in my warehouse.
40:45Tomorrow I'll send it to you with the waiter.
40:47That's great. I knew we could trust you.
40:49Sit down.
40:51You know I can't make any mistakes.
40:53I'm at your disposal.
40:55Well, don't hesitate to take advantage of me.
40:57Oh, and why not?
40:59Well, I don't know.
41:01I don't know.
41:03I don't know.
41:06Oh, and why don't you take advantage of me now?
41:08Well, I'm leaving
41:10because this is getting very embarrassing.
41:12No, no, no, no.
41:14I wanted to talk to you.
41:16Yesterday I saw that you were very happy
41:18after chatting with Estrellita Castro.
41:20Yes, it encouraged me a lot
41:22and I want to speed up my recovery.
41:24I've already done Mrs. Juanes' exercises
41:26and I've got a date with Amancio Estrada,
41:28one of the specialists she recommended to me.
41:30Look, I'm very glad
41:32that you've decided to take that path again,
41:35but I advise you to take it easy.
41:37It's not good for you to force yourself too much.
41:39Yes, I'll be careful,
41:41but the sooner I recover,
41:43the better for everyone, right?
41:45You can't wait for me forever either.
41:47No, I'm not in a hurry.
41:49I promised I would wait
41:51to do the court function with you
41:53and that's what I'm going to do.
41:55Agustín is right.
41:57It's better not to run.
41:59Yes, but nothing will happen to me
42:01to speed up my recovery a bit.
42:03It's not a matter of being a coward or being brave.
42:05Look, I know from experience
42:07that shortcuts
42:09are not good.
42:11If you're really interested in something,
42:13you don't mind
42:15going little by little.
42:17Yes, but I'm dying to
42:19get on a stage.
42:21That's going to happen.
42:23You, for now, follow Mrs. Juanes' instructions
42:25and her new specialist.
42:27And when she wants to realize it,
42:29she's going to recover.
42:31Well, I don't promise anything.
42:33And I'm leaving so you can
42:35keep talking about focus.
42:51Cheer up. It's not that terrible.
42:53Let's see, that Salvatore finds out
42:55about all this, the truth is
42:57a pain in the ass.
42:59It's a good help.
43:01It was his idea to confess to Ancura
43:03that we were already married.
43:05Salvatore is on our side.
43:07Until I change my mind,
43:09the truth is that for me it's a bad loss.
43:11He's interested in keeping the secret.
43:13That's how he makes sure
43:15that I'm going to give him good reports
43:17about his father.
43:19Well, maybe we can stay a little calm
43:21but then there's Elias.
43:23Elias, who looks like a dog with an ankle.
43:25When he picks a prey, he doesn't stop.
43:27I doubt he's going to stop
43:29until they give us Toledo's catalogue.
43:31If only we had Cañete here
43:33to help us with his subordinate.
43:35He'll be back in two days,
43:37a whole eternity.
43:39It's just that we have to
43:41think of something,
43:43something quick,
43:45a place where we can get married
43:47but where they can't get there.
43:49Where?
43:53What's that?
43:55An excursion guide
43:57they brought to the bookshop.
43:59Salvatore told me it was great
44:01and I wanted to take a look.
44:03It talks about places I didn't know existed.
44:05Love?
44:07What if we get married
44:09in a place where even bears can't get?
44:11Of course!
44:13Of course!
44:15It's a fabulous idea
44:17and I think I've read about
44:19the perfect place for that.
44:21It's a place far from here
44:23Peña... Peña...
44:25Here, here.
44:27Peña...
44:29Peñalba de Santiago.
44:31Peñalba de Santiago is a beautiful town
44:33at the foot of the Aquilian Mountains.
44:35Its difficult access
44:37the last 20 km you have to walk
44:39makes the town,
44:41despite its beauty,
44:43unknown to travellers from that region.
44:45I think it's a perfect place.
44:47Well, perfect,
44:49unless we have to get there,
44:51and Elías
44:53isn't coming either.
44:55No, no, of course not.
44:57We'll tell them you wanted
44:59to get married in the church of that town.
45:01We'll ask for a couple of days off
45:03and we'll lock ourselves here in Calicanto.
45:05Of course, and then we'll come back
45:07like a couple of newlyweds
45:09and we'll invite them to a cecina
45:11which is what they eat there, and...
45:13See? Problem solved.
45:15In the end, the solution is always in the books.
45:17Well,
45:19you've been mine.
45:21So have I.
45:31You were right.
45:33Dr. Mendoza has confirmed your suspicions.
45:35He was watching you.
45:37I knew it.
45:39I knew it wasn't a fantasy.
45:41I was sure of it.
45:43Dr. Mendoza ordered
45:45two guards to follow you.
45:49That man doesn't trust me.
45:51After everything he's done,
45:53do you still trust him?
45:55I don't know.
45:57He made that decision for your sake.
46:03Matilde,
46:05he did it so you wouldn't hurt yourself.
46:07So you wouldn't hurt
46:09the others.
46:11All we want is for you to get well.
46:13I'd like you to be sure
46:15of what you're going to do
46:17and what you think I'm going to do.
46:23Matilde, you're not well.
46:27When your sister arrives, you'll have to go
46:29with those men.
46:31But I'm not going to leave you alone.
46:33I swear.
46:35No, I'm not going to do it.
46:37Not when Clarita arrives, never.
46:39Matilde, don't make it harder.
46:41Don't change your mind.
46:43You need help.
46:45Knock, knock, knock.
47:01You did it.
47:03She did it.
47:05What are you talking about?
47:09Matilde.
47:11Matilde, Brigida did it.
47:13I went back to the confectionery
47:15and I asked around.
47:17The waitresses told me they knew her.
47:19What else?
47:21They told me she was a client of hers
47:23and that she worked at a nearby mercery.
47:25I asked for her address
47:27and I was able to talk to her.
47:29Marta.
47:31I knew it.
47:33I knew it was real.
47:35I'm not crazy.
47:43I can't stand this silence anymore, please.
47:45I'm dying of jealousy.
47:47I can't tell you anything else.
47:49If you had any doubts,
47:51I'd tell you.
47:53I really value Lucia
47:55and I'll always have her.
47:57I'm really scared.
47:59It's getting clearer and clearer.
48:01They set us up.
48:03One where your dear Dr. Mendoza
48:05was trapped.
48:07What did that woman tell you exactly?
48:09She told me her name wasn't Brigida,
48:11that she was a student and needed money
48:13to pay for her classes.
48:15Thank you for not doubting me.
48:17Not everyone can say the same thing.
48:19I'm being cruel to you
48:21but I need more time.
48:23Take the time you need.
48:25I thought things would be
48:27more difficult for me,
48:29but you had your back.
48:31Even if I had thought it through,
48:33I wouldn't have gotten anything.
48:35Gentlemen,
48:37Mrs. Bárbara has decided to sell
48:39the gallery's premises.
48:41So imagine what that could mean.
48:43They'd fall into the hands of speculators.
48:45They'd treat the gallery
48:47as a simple and cold business,
48:49without soul.
48:51I want to start studying.
48:53I can't wait.
48:55You can't wait to study?
48:57Yes, because I miss you.
48:59That's never happened to me.
49:01Maybe it's never happened to you
49:03because you've never had to stop studying
49:05to get a job, but I have.
49:07What can I do to please you?
49:09I couldn't find another priest
49:11to marry you.
49:13I'm so ashamed.
49:15You don't have to find anyone.
49:17We've decided to get married
49:19in a remote village
49:21lost in the mountains.
49:23Another wedding that goes to hell.
49:25I'm so unlucky.
49:27If it's not for one thing,
49:29it's for another.
49:31Mine will have a happy ending.
49:33Look at the other wedding.
49:35That woman has come
49:37to try to get her husband back.
49:39Everything I do
49:41answers to one question.
49:43It's protecting Carla from an injustice.
49:45What injustice are you talking about?
49:47She did what she did.
49:49And you insist on defending the indefensible.
49:51What a shame.
49:53I'm afraid it won't be possible.
49:55I thought I had convinced
49:57her husband, but that young woman
49:59has more influence on him than I thought.
50:01Listen to me.
50:03You have to do something.
50:05And you have to do it now.
50:07Because every minute Matilde is on the street,
50:09our situation gets worse.
50:11Iñigo called me before you did.
50:13And what did he say?
50:15No, but it was something important
50:17and we had to meet as soon as possible.
50:19I'm afraid he's starting to suspect.
50:21He didn't leave any loose ends, did he?
50:23Tonight Matilde Garcés will sleep in the sanatorium.
50:27That's what I wanted to hear.
50:33That's what I wanted to hear.