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00:00With the reader's favorite, Honami Suzuki,
00:03DOKUSHO ENTERTAINMENT finds the next book you want to read.
00:07Did you read that book?
00:11Let's find a book that makes you want to read from a maniacal project.
00:17Well, today...
00:20Books and Horror
00:25About a place in the Kinki region where the number of books published in just one year has reached 200,000.
00:33Setsuji, the author, who rarely appears in the media, appears on TV for the first time.
00:39I'm sorry. I'm afraid you're forced to come out.
00:43I'm a little shy, so I don't usually appear on TV.
00:46Honami, do you like curry?
00:49I like curry. I eat curry.
00:51I thought you might like horror, too.
00:55What's the relationship between curry and horror?
00:58It's a common point.
01:00We introduce you to the charm of horror novels that you can enjoy even when you're scared.
01:05In addition,
01:07Do you know that Mizuki Tsujimura, the author of the bestseller,
01:11Do you know that Mizuki Tsujimura, the author of the bestseller,
01:16Do you know that Mizuki Tsujimura, the author of the bestseller,
01:22I really cry when I read Tsujimura's works.
01:28The bookstore clerk, who is addicted to Mizuki Tsujimura,
01:32The bookstore clerk, who is addicted to Mizuki Tsujimura,
01:35I cry when I read Mizuki Tsujimura's works.
01:42There is also a famous scene where she always cries.
01:48What is the popular documentary horror on the Internet?
01:52It's a horror novel that you can enjoy even when you're scared.
01:57Honami, when it comes to summer, it's horror.
02:00When it comes to summer, it's somen.
02:04Do you like horror?
02:06I avoid horror as much as possible.
02:09I can't watch horror movies.
02:11Why?
02:13Because I'm scared.
02:15I'm scared.
02:17I'm not good at it either.
02:19I'm scared.
02:20There are many horror novels that even people like you can enjoy.
02:32Let's take a look.
02:34This time, we will ask these people about the charm of horror novels.
02:38First of all, the author of the topic,
02:40Sesuji, a novelist who wrote about places in the Kinki region.
02:45Nice to meet you.
02:48My name is Sesuji. Nice to meet you.
02:50I'm sorry, you forced me to come out.
02:53I'm a little shy, so I don't usually show up.
02:57Today, I wore a mask to let you know the good things about horror.
03:06Sesuji, a novelist.
03:09From January to April 2023,
03:13he started his career as a novelist in a place in the Kinki region
03:17where he posted on the web novel site Kakuyomu.
03:22The average page view is 23,000 in Kakuyomu,
03:26and the number of pages in a place in the Kinki region is over 19 million.
03:33The number of books published is 200,000 for the first book.
03:38He is currently a very popular horror author.
03:42And this is Mr. Takafumi Miyamoto,
03:46who is in charge of the short stories in Kadokawa.
03:49Nice to meet you.
03:50I'm Miyamoto from Kadokawa. Nice to meet you.
03:52Nice to meet you.
03:53Mr. Miyamoto, I'm a little scared of your T-shirt.
03:56I'm a little nervous.
03:58I also love horror, so I joined the company.
04:03You love horror in the first place.
04:05I've always loved horror,
04:07and I've been making more and more horror since I joined the company.
04:12By the way, after today's meeting,
04:14do you think you'll like horror novels?
04:17Before that, I have a question.
04:19Do you like curry?
04:21Yes, I like curry.
04:23You eat curry, right?
04:24Yes, I do.
04:25I think you might like horror, too.
04:31What is the relationship between curry and horror?
04:34It's a common point.
04:36I think people generally think of curry as spicy.
04:40But not all the curries in the world aim for extremely spicy curry.
04:45Not all the horrors in the world aim for extremely scary.
04:50I think that's why the story is filled with depth
04:55when you express the story through the spice of fear.
05:03You enjoy the spice.
05:05When I eat curry, I get sleepy.
05:09I'd like you to tell us about the charm of curry.
05:13First of all, I'd like you to tell us about a place in the nearby area.
05:18What made you want to write a novel?
05:21I've loved horror since I was a kid.
05:25I grew up with horror.
05:29I didn't like just one genre.
05:31I liked all genres of horror.
05:36I wanted to make a dark hot pot.
05:43That's a scary expression.
05:45Does that mean all the ghosts and aliens will appear?
05:49Yes, if you read it.
05:53The protagonist, a writer named Setsuji,
05:56made an occult magazine with his friend, the editor, Ozawa.
06:02They made a hypothesis that there was a place in the nearby area
06:06related to some creepy stairs.
06:10They continued to investigate.
06:12But one day, Ozawa left a message and disappeared.
06:18Setsuji looked for Ozawa.
06:22He collected stairs related to a place in the nearby area.
06:26But there was a scary fact hidden there.
06:30Is there a specific place in the nearby area?
06:36Yes, there is.
06:39How about Kansai?
06:41Kansai is a bright place.
06:44But Kinki is a mountainous area.
06:48You're right.
06:50It's like Shime.
06:52Kinki is a mountainous area.
06:57It's a place with a lot of nature.
07:01So I named it Kinki.
07:08Mr. Setsuji, what did you pay attention to when you wrote this novel?
07:14Personally, I focused on the expression that can't be shown in the video.
07:19If I'm going to write a sentence,
07:22I wanted to pursue that kind of expression.
07:26The expression that can't be shown in the video.
07:30You mean you can't see it, right?
07:32You can't see the picture.
07:34That's great. You're right.
07:37In the story I wrote,
07:39there is a scary story that a man who passed by in a place in the nearby area
07:44comes back to his hometown far away.
07:49I hated that story the most.
07:52Because it's likely to happen.
07:54It's a bit of a stalker story.
07:56The appearance of a man,
07:59his age,
08:01and his hair
08:03I didn't dare to write the first part of the story.
08:08I believe that a novel increases one's imagination.
08:14So rather than writing down the details of a man,
08:20if I only wrote about a man,
08:23I wanted to write about a man I hated in my head.
08:28The man you hated the most.
08:30I don't want to hear it.
08:32When I opened the door and tried to enter the house,
08:36I heard the door of the next room open.
08:40I thought the person next to me was going out,
08:43and when I tried to say hello,
08:45the man's face came out,
08:47and only his face was facing this way.
08:52I entered the innermost room of the three houses.
08:56When I went out,
08:58the next room was closed.
09:01I didn't hear anyone coming in,
09:04and I had a very bad feeling.
09:08When I tried to pass by in a hurry and stepped out,
09:11the door of the room slowly opened in front of me,
09:14and the man's face came out.
09:18The man's face staring at me
09:20became a smile.
09:25Please come again.
09:30I'm glad you're down.
09:32Mr. Onami.
09:33The door opens slowly.
09:36It's not a bang.
09:37That's right.
09:38That's what I'm going to do.
09:40The man's face came out.
09:42It looks good on you.
09:44Mr. Onami, the last part.
09:46Please come again.
09:49What do you think?
09:50I don't like the fact that it's all hiragana.
09:53Normally, you can write in kanji,
09:56but I don't like the fact that it's all hiragana.
09:59This is a novel-only expression.
10:01It's not human.
10:03What do you think is attractive about this place?
10:09This time,
10:11there are a lot of posts on the monthly magazine,
10:14and a short story written by the author.
10:17The works are connected and composed.
10:22If it's a long story,
10:24it's hard to remember who this character was
10:27and what this was.
10:29By connecting the short stories,
10:31it's easy to read,
10:33and it's effective in getting a wide reader.
10:36It's like reading a weekly magazine.
10:38That's right.
10:42For example, articles in the weekly magazine,
10:46posts from viewers,
10:50and SNS exchanges.
10:53Various short stories are connected and composed.
10:59There was a picture on the desk.
11:02Wow.
11:05Is this a dead child?
11:07It's kind of scary.
11:09Seriously, stop it.
11:11It's too dangerous.
11:12It's too scary.
11:14Why is this picture of a suicide child
11:16on the desk of a suicide child?
11:19Actually,
11:21Miyazawa is a big fan of Setsuji.
11:24He's watching this program.
11:26Thank you for finding this book.
11:29I'm scared.
11:31Do you have a motif for this book?
11:34I have a persimmon, too.
11:36No, I'm scared.
11:38I have a persimmon, too.
11:40No, please don't.
11:42I'm not good at horror movies.
11:45I'm not good at being surprised.
11:48But when I saw this book,
11:50I was awakened by horror.
11:53I could only read horror in the first half of last year.
11:58You must have been possessed by something.
12:00This book has a lot of short stories.
12:05Each one is really scary.
12:08But after reading all of them,
12:11the fun of the composition as a novel
12:14I was moved by the beauty beyond fear.
12:23I recommend this book to everyone.
12:25It's hot. Thank you.
12:28Setsuji, why did you make this short story?
12:33I wanted to write a lot of short stories.
12:37I wanted to use a larger container
12:41to convey the essence of the short story.
12:46I was conscious of how to make a variety show.
12:50A variety show?
12:52Yes.
12:53In a drama, there is a story from the first episode,
12:58and the characters meet,
13:00and the story progresses with emotional changes.
13:04In a variety show,
13:07there is a food section,
13:10and a travel section.
13:12Each section is divided,
13:14and the show continues as the host progresses.
13:19That's how it works.
13:21I wanted to make a variety show
13:24that doesn't bore the reader
13:27by connecting the short stories in a series.
13:31I used that as a reference.
13:34Horror and variety are two different things,
13:37but you used them as a reference.
13:40In the story,
13:42the creators try to entertain the reader.
13:46I think that's how they make the story.
13:50That's what I understood.
13:53I was curious about this.
13:55How true is this story?
13:58How much is it a lie?
14:00You can't tell when you read it.
14:02It's like a mockumentary.
14:05A mockumentary?
14:07What does that mean?
14:09It's a compound word.
14:11It's a mockumentary.
14:13A mockumentary?
14:15It's a mockumentary.
14:17It's a mockumentary.
14:19It's a mockumentary.
14:21It's a mockumentary.
14:23You like horror,
14:25and you work in the publishing industry.
14:28What's the latest trend in mockumentaries?
14:31Recently, a movie and comic book
14:34was made by a creator named Uketsu.
14:37It's a story about a strange house.
14:40It's a story about a strange house
14:43that appears in a map of a house.
14:46It's a story about how to find it.
14:49It's a story about how to find it.
14:52It's a story about how to find it.
14:55It's a horror story about a genre
14:58that's hard to find.
15:01that's hard to find.
15:03You get pictures.
15:06Why do you get pictures?
15:08You get pictures.
15:10I don't think you get pictures.
15:12I don't think you get pictures.
15:14When you see a picture,
15:16it becomes real.
15:18It's like a reference document
15:20for the curse in the story.
15:22for the curse in the story.
15:24for the curse in the story.
15:26I opened the last card.
15:28I haven't opened the card yet.
15:30I haven't opened it yet.
15:32But I looked at it.
15:34Then I saw a picture.
15:36Then I saw a picture.
15:38Then I saw a picture.
15:40I think it's more about
15:42showing an attraction
15:44than a novel.
15:46I think it's more about
15:48showing an attraction
15:50than a novel.
15:52I think it's more about
15:54Onami-san, how do you feel after listening to all this?
15:57Why do people laugh when they're scared?
16:00But aside from the horror,
16:04I feel that Setsuji-san has really devised a lot of entertainment.
16:10In that sense, I think it's very interesting.
16:15Thank you, I'm very happy.
16:16Right now, it's a battle between fear and entertainment.
16:20I hope you can overcome it.
16:24The next day
16:26Wow, it's the same as before.
16:28This is going to be a hit.
16:30It is, isn't it?
16:31It is.
16:32This is going to be a hit on the train.
16:35Are you going or are you going home?
16:37I'm going.
16:38Are you going or are you still going?
16:40Is there a work that you're working on right now?
16:45Yes, it's going to be released on September 3rd.
16:48It's called, Preparation for a Dirty Planet.
16:50Dirty is a scary word, isn't it?
16:52I'm writing a story.
16:54Do you two believe in ghosts?
16:56No.
16:57I don't believe in ghosts.
16:59You answered right away.
17:00I don't believe in ghosts, but what about you, Honame-san?
17:02Ghosts? I think there are some ghosts.
17:07There may be a common perception that ghosts are scary,
17:12but I think it depends on the person whether they believe it or not.
17:16In this story, I focused on the people who are against the dirty planet.
17:25There are three main characters.
17:29One of them doesn't believe in ghosts,
17:31one of them sees ghosts,
17:33and one of them is like you, Honame-san.
17:35One of them is like you, Honame-san.
17:38When the three of them talk about the haunted spots,
17:42they talk about what they see and what happens.
17:45That sounds interesting.
17:47The main character is a person, right?
17:49Yes.
17:50Do ghosts appear during the conversation?
17:53A lot, yes.
17:55A lot?
17:56If the story changes, then...
17:59In order for Honame-san to feel the charm of horror,
18:03we'd like to introduce a horror novel that even a scared Honame-san can enjoy.
18:10First, we'd like to hear Miyamoto-san's recommendation.
18:14What is it?
18:15I'd like to introduce you to Koutarou Tsunekawa's novel, Yoichi.
18:19Yoichi.
18:20It's a horror novel,
18:22and it's a novel where you feel different emotions than fear.
18:28It's a genre called dark fantasy.
18:32On a certain day,
18:34Yoichi, a mysterious market where youkai sell anything, is held.
18:39Yuji, who got lost in Yoichi when he was young,
18:42instead of giving his brother to the youkai,
18:45he got the talent of a baseball player.
18:48Yuji grew up as the ace of the baseball team,
18:52but he was always tormented by guilt.
18:56The 12th Japanese Horror Novel Award Winning Novel
19:02It was a work that became a candidate for the Naoki Award as soon as it debuted,
19:06and it was very well-received literally.
19:08I recommend it to people who don't like horror.
19:13In the case of fantasy,
19:15I think it's a story of another world,
19:19so I don't think there's a nut here.
19:24I think I can read it because it has a strong role.
19:29Now, Mr. Sessuji, please.
19:31I've talked about curry many times,
19:35and I think that the combination of curry and spice
19:38will change the depth and depth of the story,
19:41and the horror will change the depth and intensity of the story.
19:49I'd like to introduce it from the point of view of what's being mixed up.
19:58The first book I recommend is this one.
20:01When you walk on the road at night, you don't feel like she's next to you.
20:06It's written by a person named Shosetsu Wada.
20:09As you can see from the cover, it's very beautiful.
20:12It's cute.
20:13Yes, it's cute.
20:14It's youthful.
20:15That's exactly what it says.
20:17It's a story that combines the elements of youth and love in a horror theme.
20:25Yoneda, a college student who works part-time at a serial publisher,
20:29is a staircase writer who writes articles for Jitsuwa Kaidan.
20:34One day, Yoneda meets a woman named Noa during an interview.
20:39She is an occultist and dreamed of going to the other world someday.
20:44At first, Yoneda didn't want to get involved with her,
20:47but through occult spots late at night,
20:50the distance between her and Noa gradually shrinks.
20:53However, she has a painful past related to occultism.
20:59A new genre of horror x youth x love that makes you want to meet someone you care about.
21:06The new style that combines horror and youthful is
21:10going to settle down in a place that doesn't settle down in a normal love story.
21:16And it gives a lot of comfort to the reader.
21:20I think this is the starting point of a story that can only be expressed
21:25in the format of horror, such as loneliness and sadness.
21:31It doesn't seem to be that scary.
21:35I feel like I can always see salvation.
21:39It's right next to you.
21:41I'm scared now, but I'm sure it's okay.
21:44I feel a little relieved.
21:50Setsuji-san, please read the second book.
21:53It's a story called Yamihara written by Tsujimura-san.
21:56I'm scared of the word Yamihara.
21:59It's not Yamibarai, it's Yamihara.
22:01That's right.
22:03Tsujimura Mizuki, the winner of the Naoki Prize and the Honya Prize.
22:07The first full-fledged horror mystery feature film.
22:10Kaname Shiraishi, who came to Miyo's high school as a transfer student.
22:16Miyo is kind to Kaname, who is not familiar with the class,
22:20but Kaname's reaction was,
22:22Can I go home today?
22:26Something's wrong with this transfer student.
22:29Kaname, who repeatedly acts suspiciously like a stalker,
22:33Miyo, who felt a sense of danger,
22:35asks Kanbara, a senior she admires, for help.
22:40A shocking essay written by horror and Tsujimura Mizuki.
22:47The way I read this is a little tricky.
22:52It says Yamihara.
22:55Harassment?
22:57Yes, that's right.
22:59In the world, there are many words about harassment,
23:03such as sexual harassment and power harassment.
23:08There are several characters in this film.
23:12All of them are being harassed and hurt.
23:18It's a kind of hatred that people have.
23:21But that's not the end of this film.
23:24It's a story about the influence of something
23:29that doesn't belong to people behind the harassment.
23:37It's a combination of horror and harassment.
23:41It's not just about being afraid of people you don't like,
23:44but it's about being a bigger person behind it.
23:47It's a fun and wonderful film
23:50that raises the level of fear one more time.
23:55It's different from the fear of Setsuji's mockumentary.
23:58It's different.
24:00As I listened to your story today,
24:03I was moved by your love for Setsuji
24:06and his politeness and his desire to entertain viewers.
24:12Thank you for saying that.
24:15I'm going to do my best in the Kinki region.
24:21I want to do my best.
24:23I want to do my best.
24:25I want to do my best.
24:27TSUJIMURA MIZUKI
24:29Naoki Naoki is a novelist,
24:32and he is a fan of Tsujimura Mizuki.
24:35His novels are published one after another.
24:38He is a hit maker in Japan.
24:42Why do people like his novels?
24:45I'm going to ask him why he is so popular.
24:53Here are the guests.
24:57This is Chieko Hirano, the manager of Kiba store.
25:02Nice to meet you.
25:04Nice to meet you.
25:06This is Saeko Miyazawa, the bookstore clerk.
25:12Nice to meet you.
25:14Nice to meet you.
25:15Your apron is cute.
25:19Both of you are a fan of Tsujimura Mizuki.
25:24I think there are many fans of Tsujimura Mizuki in the bookstore.
25:28I think there are many fans of Tsujimura Mizuki not only in Japan, but all over the country.
25:32Writer, Tsujimura Mizuki
25:35He made his debut in 2004 with the novel,
25:39and won the 31st Mephisto Prize.
25:43In 2012, he won the Naoki Prize with the novel,
25:48and won the Honya Prize at Kagamino Kojo in 2018.
25:54The book, Goman to Zenryo, was released in 2022,
25:59and it was a big hit with more than 1 million copies.
26:04There are 11 works in the film,
26:08and he is a hit maker in the modern world.
26:13Honomi, why did you invite these two guests?
26:17I heard that you found something that Hayashi, the producer of Goman to Zenryo, has.
26:23Yes, I did.
26:25Actually, I work at a bookstore called Itoyokado in Kiba.
26:32I know a lot about Hayashi's life.
26:36One day, there was a special section,
26:40and I was like, what is this?
26:42Then I found all the sections of Tsujimura Mizuki.
26:45There is also a positioning map.
26:48I made it bigger for today's show, but there is a smaller one.
26:52This is amazing.
26:53There is light.
26:54The vertical axis is light and darkness.
26:56On the left is family, mother and daughter.
26:58Youth and friendship.
27:00Kiba's staff has created a group of people.
27:03That's right.
27:05Positioning map.
27:07When I read it for the first time, I thought, what should I read?
27:09I thought it would be helpful.
27:12I've always wanted people to come.
27:14That's what I realized today.
27:17When did you create that section?
27:20It was around September of last year.
27:23I see.
27:25There are pictures of the section.
27:27Please take a look.
27:31There is everything, right?
27:32Yes, all the works.
27:34Bookstores have shelves for literary works,
27:38and bookshelves are arranged by publisher.
27:42When I want to follow a writer,
27:46it's hard to find a fan.
27:50I see.
27:51That's the current situation.
27:53When a writer comes from a different publisher,
27:58I have to find each one.
28:00It's quite difficult.
28:02I put them together in one place.
28:04There is a Tsujimura Mizuki Fair above.
28:07I sell a lot and sell a lot,
28:10and Tsujimura-san comes to visit me.
28:13That's my ultimate goal.
28:16I saw it without thinking.
28:18Did he come?
28:20I don't know if he heard my story,
28:22but Tsujimura-san came to visit me.
28:26He even gave me a comment.
28:30Here it is.
28:31I put it in the corner and displayed it in the middle of the room.
28:35I can see that you are a big fan of Tsujimura.
28:39By the way, Honami-san, are you a fan of Tsujimura's works?
28:43Well, I'm obsessed with them.
28:45Not obsessed with them, but...
28:48I'm obsessed with them.
28:51To the left.
28:52This is about family, mother, and daughter.
28:55It's a little dark.
28:56It's a little dark.
28:58I think it's quite dark.
29:01More?
29:02Yes, I think so.
29:04I think it depends on the person.
29:06For example, I read this, but it's not here.
29:08Oh, I see. The classification changes.
29:11Yes, I think so.
29:12I think that's interesting.
29:15I think this is here.
29:19I think that's the interesting part of Tsujimura's works.
29:23I think that's the interesting part of Tsujimura's works.
29:26I'd like to know why you fell in love with Tsujimura's works.
29:33At that time, I had a colleague who introduced me to an interesting book during the break.
29:41He introduced me to a book called My Major Spoon.
29:48It's very youthful, but it's quite addictive.
29:52Yes, it's youthful, but addictive.
29:55The protagonist is me in the fourth grade of elementary school.
29:59One day, there was a rabbit murder case at the elementary school I attended.
30:05The first suspect was Fumi-chan, a childhood friend who loved rabbits more than anyone else.
30:11Fumi-chan was so shocked that she closed her heart and lost her words.
30:17I, who had a special power, went to the teacher who had the same power to take back Fumi-chan's heart by taking revenge on the culprit.
30:27I learned how to use my power correctly.
30:30The chance really comes only once.
30:32My revenge begins.
30:35What I always feel about Tsujimura's works is that he punishes the culprits.
30:43The theme is who should be punished.
30:51A 10-year-old boy learns how to use his power for his childhood friend.
30:58It's only a seven-day story, but at the end of the story, he makes a choice.
31:04It really makes me cry.
31:09The word at the end of the story is a spoiler, so I can't introduce it.
31:16When I read the sentence after knowing that the boy chose the scene the day before,
31:27I can't help but feel how heavy the word was.
31:31That's why I chose this scene.
31:36If I were to...
31:39She takes a deep breath and says it out loud.
31:44If the result of her voice resonates with the teacher's heart,
31:49will the teacher help Fumi-chan again?
31:54When I read this after knowing everything,
31:58I wonder how she felt when she said it.
32:02I need to explain this.
32:04The teacher has the same ability.
32:07Not everyone has it, but it's a family.
32:10The teacher and I have it, but we can't use it twice.
32:13I'm using it to Fumi-chan.
32:16So Fumi-chan wants to help her.
32:20But I can't use it, so I want the teacher to use it.
32:24But the teacher refuses it.
32:27That's when the word came out.
32:29As Hiran said, if you look at it again later, you'll see it.
32:37Did you want to read it?
32:38Yes.
32:40Miyazawa-san, can you tell us about your favorite Tsujimura work?
32:45It's a work from the book, Asa ga Kuru.
32:49It's a story about a couple who chose a special foster family
32:55and a girl who was pregnant and gave birth in middle school.
33:00The couple is in the middle of a civil society,
33:03and they are going to adopt a boy born by a girl.
33:07The girl, who was named Asato, grew up until she went to kindergarten
33:12and spent a happy life with her parents.
33:16One day, the couple received a phone call.
33:20It was a call asking them to return their son, Asato.
33:26I'm raising three boys now.
33:29I read the proof of this work to my eldest son when he was in kindergarten.
33:35When I was working, I couldn't read the book,
33:40so I was reading it while I was working.
33:43In one scene, I couldn't stop crying on the train.
33:50Asa ga Kuru is a story about a family.
33:54It's right in the middle of light and dark.
33:56That's right.
33:57So there are both?
33:58That's right.
34:00What was the most memorable scene?
34:03The girl named Hikari was pregnant in middle school.
34:08She was pregnant in middle school and couldn't get her family's approval.
34:13She lives in a facility in Hiroshima that introduces a special support group.
34:21On her way home from the hospital, she sees a sunset.
34:26When she sees the sunset,
34:29she calls the baby in her belly, Chibitan.
34:37She knows she can't be a mother,
34:40so she never calls the baby Chibitan.
34:45But when she sees the sunset, she says Chibitan.
34:49That's the most memorable scene for me.
34:55Please show us that scene.
34:58It's beautiful, isn't it, Chibitan?
35:01When she realized it, her voice came out.
35:04Chibitan was the name of the baby in her belly that was written in the letter.
35:10She is now secretly naming her unnamed baby.
35:17She had never named her baby before,
35:21and she thought she would never name her baby again.
35:25That name came out of her mouth.
35:30When it came out, she wanted to call it more.
35:34It's beautiful, isn't it, Chibitan?
35:39It was the first time for me to use words like an adult woman.
35:47When I did it, I felt like a mother.
35:52I felt like a mother.
35:58It's beautiful, isn't it, Chibitan?
36:01It's beautiful, isn't it, Chibitan?
36:03It came out of her mouth.
36:08It came out of her mouth.
36:12I was very emotional.
36:17And I was like, hey, hey.
36:20It's like a middle school girl suddenly becomes her mother.
36:29I don't know.
36:33I think I'll have a snack on the train.
36:36Are you going or going home?
36:38I'm going.
36:39Are you going or going home?
36:41I have to work.
36:42You have a lot of work to do.
36:44I changed my mind and worked.
36:50What do you think is the charm of Tsujimura-san?
36:54I think she is kind to her readers.
37:00Tsujimura-san is often depicted as having a hard time breathing or having a hard time in a relationship.
37:09But at the end of the day, it doesn't mean that bad things will be improved.
37:14But it gives us hope that we can still live tomorrow.
37:18Even in the work of darkness, it gives us hope.
37:23I think it's very kind to us who read it.
37:28What do you think is the charm of Tsujimura-san?
37:31She is our Tsujimura Mizuki.
37:34That's what I think.
37:35You're a big fan of her.
37:38Can I introduce one?
37:41Yes, please.
37:42There is a work called Whale of Ice.
37:45When her friend Mia comes to her house,
37:50she only uses my bedroom and living room.
37:54She can't open the bookshelf where books and manga are stored.
37:58It's because she's attracted by her youth and spirit.
38:03That's exactly me.
38:05I don't want other people to see the bookshelf in my room.
38:10I feel like I'm being peeped at.
38:13I don't want to be seen.
38:14I don't want to be seen by people like Riaju.
38:17On the contrary, there are people who want to show their bookshelf.
38:21I want to show off.
38:23I also want to show off my bedroom.
38:30I also want to show off my living room.
38:36I want to show off my bookshelf.
38:39Can you show off your bookshelf?
38:42I can show off my bookshelf.
38:46Don't you feel embarrassed?
38:49I don't feel embarrassed.
38:52I've already passed that age.
38:55What do you mean?
38:57I'm like this.
39:00If you think I'm weird, laugh at me.
39:05I think there are times when I'm really worried about that.
39:09I think I'm really stuck at that time.
39:13From now on, I would like you to recommend Tsujimura's works to Ms. Honami.
39:22Ms. Honami, can you read mysteries?
39:26I don't hate mysteries.
39:30What I want to recommend is the mystery of becoming a tire today.
39:38On the day of the wedding, the bride, the younger sister of the twins.
39:44The groom is in trouble with the wedding planner.
39:48The groom is in trouble with the wedding planner.
39:54The groom is in trouble with the wedding planner.
40:01This is a mystery that no one knows.
40:06When this work was serialized in a magazine,
40:09It is said that the families of the four groups were written one chapter at a time.
40:16When Tsujimura made it into a book,
40:20It is said that it will be more interesting if it is reconstructed at the same time.
40:28It's thrilling.
40:31The last chapter of the book is a great start.
40:37It's warm and gentle.
40:42Some people may think it's a mystery like a murder case.
40:48I think the image will change.
40:50If you are a person who has the experience of making a work with all the staff,
40:58I think there is something that always pierces.
41:01It's a common feeling.
41:03It's a common feeling in the industry.
41:08What is Miyasawa's recommended book?
41:11It's a story of the animation industry called Haken Anime.
41:18What do the workers who work in the work in front of them in the harsh field of time pursue?
41:26It is an exciting work novel written by Tsujimura Mizuki, who was also a drama and movie maker.
41:35If you are a person who has the experience of making a work with all the staff,
41:42I think there is something that always pierces.
41:46It was serialized in An'an.
41:49When I decided to write a work novel for serialization in An'an,
41:53Tsujimura Mizuki thought about which industry he wanted to cover.
41:58Tsujimura likes anime, so he wanted to cover the anime industry,
42:02so he wrote a work novel in the anime industry.
42:07It's a story that Konami can understand.
42:12It's a common feeling in the industry.
42:15You are laughing.
42:17Is Haken Anime here?
42:19It's Hikari.
42:21It was decided quite early.
42:25There is no darkness.
42:30Sweat, sweat, tears.
42:32By the way, is there a work that you were worried about where to put it?
42:36It's difficult.
42:38I was worried about the lower part.
42:41The darkness may be different depending on the person.
42:47There are people who have darkness even in a bright story.
42:53Even in a difficult situation,
42:57it's not just painful.
43:02If there is hope in it,
43:05the light suddenly becomes stronger.
43:09It was a very heavy story until now,
43:13but if there is no hope,
43:17I was worried about where to put it.
43:22The story of the bookstore is interesting.
43:25Thank you very much.
43:27You read books carefully,
43:30and your love is amazing.
43:34I made this bigger for TV,
43:37so if you like, please take it home.
43:40Please display it in the store.
43:42Thank you very much.
43:45From tomorrow, they will visit Kibaten, a bookstore in Kinokuniya.
43:49They will tell people that they read the book,
43:52and give the book to the first 50 people who buy the book.
44:02Have you found the next book you want to read?
44:06The book that Honami-san met in the program.
44:08Recommended books on the bookshelf.
44:11I hope it will be helpful for you to meet wonderful books.
44:15Did you read that book?
44:18I'm glad you noticed it.
44:20I didn't expect you to come all the way here.
44:22Next week, the popular program in May,
44:26Encore Broadcast of Kouetsu no Shigoto.
44:28If you wait 5 minutes,
44:30your soba will grow.

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