PROJECT RUNWAY S20E07
Category
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TVTranscript
00:00Any clues anywhere?
00:07What?
00:08What?
00:09Fabulous.
00:10Hello.
00:11Hello.
00:12It's the pants.
00:13It's the boot.
00:14It's the shirt.
00:15It's the shoes.
00:16It's the size.
00:17Any more?
00:18Giving you a little something.
00:19Good morning, designers.
00:20Good morning.
00:21Good morning.
00:23So for this challenge, I think it's a little more effective to look at a visual.
00:28Okay.
00:29Okay.
00:30Oh, models.
00:31Wow.
00:32Wow.
00:33Wow.
00:34Wow.
00:35Wow.
00:36Wow.
00:37Wow.
00:38Wow.
00:39Wow.
00:40Wow.
00:41Wow.
00:42Wow.
00:43Wow.
00:44Wow.
00:45Wow.
00:46Wow.
00:47Wow.
00:48Wow.
00:49Wow.
00:50Wow.
00:52Fabulous piece.
00:53Gucci, underwear as outerwear is everywhere.
00:54Men, women.
00:55It's on the streets and all over the runways in Paris and Milan.
01:00Literally every show.
01:01Gucci walked models in couture briefs with blouses.
01:03Balenciaga had men in bustiers with cargo pants, and breaking news, the jockstrap is
01:10back.
01:11Oh.
01:12Tom Browne incorporated the jockstrap as outerwear over suits and sportswear.
01:16I'll take that for 300, judge.
01:18All right.
01:19Challenge, create a high fashion look
01:22showcasing couture-like undergarments.
01:26So it's not lingerie, it's really about taking
01:28undergarments and featuring them in a new, cool way.
01:32And designers, this is, of course, a one-day challenge.
01:35I knew it would be.
01:36Why not?
01:37Knew it was coming.
01:38And now for models.
01:40We're gonna have male models,
01:42female models, non-binary models.
01:44All right, so you'll have 30 minutes
01:45to sketch in the workroom.
01:46Okay.
01:47And then I'll meet you later at Mood.
01:50All right, get out of here, bye.
01:51All right, let's go.
01:53You look great today.
01:54Bye.
01:57What are you running for?
01:58You bitch me, no!
02:00Bitch me, no!
02:00Bitch me.
02:01No!
02:03Who do you have?
02:04Jill.
02:05That's tight.
02:06You got Mimi.
02:07You got Mimi?
02:08I got Mimi.
02:08I got the master of the runway.
02:09I have Jessica.
02:10It was lovely seeing you guys in the east.
02:13I'm going back to the west.
02:14My side of the room is the west coast.
02:16The other side's the east coast.
02:17East coast is naturally noisy.
02:19Undergarments.
02:20Couture undergarments.
02:22And there's a lot of clitter clatter and rah, rah, rah.
02:24That's crazy.
02:26I kind of like living in the west
02:27where I can hear my thoughts.
02:30Hi, neighbor.
02:31Hey, girl, hey!
02:32Welcome to the west side.
02:34I love it over here.
02:35Can you hear it?
02:36Listen, listen.
02:37Peaceful.
02:38Yes, yes.
02:39Honey.
02:40That's what we need.
02:41I'm gonna do a sketch.
02:47I'm making a suit, but the jacket is gonna be
02:51a remix of a suit jacket and bomber
02:53and a half of a corset.
02:56So it still looks masculine.
02:57It's easier to work on a male
02:59because the body's not curved like a woman.
03:01It's more straight.
03:03I think I'm gonna go with the jockstrap.
03:05Okay.
03:06Whenever you wanna brand it.
03:07The corset is gonna be white
03:09with the black boning,
03:11and then a trench bomber.
03:14Okay.
03:15In my own personal style,
03:16I don't think I would wanna have my underwear shown,
03:20but we're here to try new things.
03:22Are you a boxer or a briefs guy, Project X?
03:24I'm a none neither.
03:26Free.
03:29I am definitely gonna do my home fabric.
03:31It's like this tangerine orange.
03:35Since I'm doing my home fabric,
03:38the trip to move would be a lot smoother.
03:40Damn.
03:41I mean, I have-
03:42The bottom changed you.
03:43Sorry.
03:44So what I'm sketching right now
03:46are these really tiny brief underwear
03:49with sheer shorts over it,
03:51a camisole top, and a boxer's robe.
03:54I'm gonna do this skirt.
03:55This is so good.
03:57Yeah.
03:58Like a sportswear fabrication.
03:59But couture being-
04:01Right, couture construction.
04:01It's like little cups.
04:03Yeah.
04:03I like it.
04:04I'm so excited to work with a male model.
04:06My first time in real life.
04:08Okay, K.O.
04:09Oh, he's cute.
04:10He's very cute.
04:11I know you, girl.
04:12So well.
04:13Okay, so some beading, some just plain.
04:15Like it right here over the nipples?
04:17No, the nipples is different thing.
04:18When I first was breastfeeding my baby,
04:20I had breast infection,
04:23and my boob was like big,
04:24and then my nipples was inches longer than before.
04:28And this actually inspired me
04:29to create something unusual and avant-garde.
04:32So today, I'm making a beaded corset jumpsuit
04:36with bleeding nipples cones.
04:38Just like how my body and my boob has changed.
04:41It's not like lifted up anymore.
04:43It's just like dropping and long.
04:45Sound like a download.
04:46You ready?
04:47Yep.
04:48To go to the moon?
04:49I'm ready to move.
04:50Yeah.
04:51All right, are y'all done sketching?
04:52Yes.
04:52You have to go to the moon now.
04:53All right.
04:54All right, let's go to the moon.
04:55Let's go to the moon.
04:56Come on, girl.
04:57Okay.
04:57Okay.
04:58Okay.
04:59Okay.
05:00Well.
05:01I know who Chris is.
05:03Hi, designers.
05:03Hi.
05:05All right, guys.
05:06The idea here is to really show undergarments
05:08as a full look in some fabulous, very you way.
05:12Don't go rogue.
05:15Please.
05:16And La Ronce, since you won the last challenge,
05:19you win an advantage.
05:20Oh.
05:22It's an extra $100.
05:23Oh.
05:24Yes.
05:25Wow.
05:26So $550 for you.
05:28Nice.
05:29Nice.
05:31All right, guys.
05:32You have 30 minutes to shop.
05:34Oh.
05:35Yeah, I'll try it.
05:36Okay, go.
05:37Have fun, bye.
05:37Okay.
05:40Okay.
05:41All right, guys.
05:42Boom.
05:46Looking for different trims.
05:50Ah, you got them.
05:52I'm gonna wear my other fabric.
05:57Brittany, for someone who does really cool sporty things,
06:00that's a Christmas dress.
06:02He said no.
06:05Rami, you gotta kill it.
06:07That's the intention, Christian.
06:08Underwear may seem very simple,
06:10but really I think it requires a sense of imagination
06:13in order to elevate it and take it to the next level.
06:15Orange.
06:16Orange.
06:17Will it be here?
06:18Yeah.
06:19Nothing safe or boring at all.
06:23We got that, Nemo.
06:24You got it.
06:26Are you getting this?
06:27I love it.
06:28Fab.
06:29I want the model to still look classy, but sexy.
06:32I'm thinking of some sort of a negligee
06:34with either a jacket or a skirt.
06:37I hope you get to see all the bits and things underneath.
06:40Oh, yes.
06:41Yes, I want this.
06:42Is it black?
06:43Yes.
06:44Really?
06:45You got a problem with black, Christian?
06:45Don't say nothing that you got a problem with that.
06:47I have a problem with all black fabric.
06:51What's up with no white button?
06:52Charison, you're done?
06:54Almost.
06:55What are you gonna make?
06:56A modern version, kind of 20s.
06:59My model, Shanae, she's just very strong.
07:02The goal is to make this 1921 dress, but modern.
07:08And this narrative that I created
07:10comes from the Tosa massacre of 1921.
07:13So if you don't know this story, please look it up.
07:17It was not a riot.
07:18It was a massacre.
07:19Think of thousands of black professionals,
07:22their own business, their own banks, their own schools,
07:26in this area of Tosa called Black Wall Street.
07:30Because of the success,
07:32this whole community was leveled to the ground.
07:37And so I am here to honor
07:39and represent the women of Black Wall Street.
07:41Designers, 10 minutes.
07:44Oh, I need...
07:45So hurry up.
07:48I do find a cool leather
07:50that actually would match this suit pretty good.
07:52The men in the pink suits, that's beautiful.
07:56Really?
07:56Yes.
07:57This color?
07:58Wow.
07:59It's for men.
08:00Okay, now I like it.
08:01I love it.
08:06Thank you so much.
08:07I'll see you next time.
08:08Ah!
08:09I wanna sleep.
08:10How much is this?
08:11How much?
08:12I'm classless, excuse me.
08:14Bye.
08:15Bye.
08:16Coming up.
08:17You just gotta go for it.
08:18I'm trying.
08:19My mom has that blouse.
08:21She wore it last week.
08:21She's 75.
08:23How do you feel being in a jock strap?
08:25I knew it.
08:26That's way too high, Laurence.
08:27You nut.
08:28No, no, no, I know.
08:29I'm gonna...
08:30Don't cover it all up.
08:30Mm-hmm.
08:37So sweet.
08:38Thank you so much.
08:39You are such a gentleman.
08:40Okay, I love you.
08:41Oh, wow.
08:42No, no, no, it's not that.
08:43Let's do this.
08:44Oh, I got a new pair of scissors today.
08:45I'm thankful.
08:46I am happy.
08:47I'm smiling.
08:48We're having fun.
08:49I'm joyful, having fun.
08:51I used to always wanna wear my underwear.
08:53My mama would not have it.
08:54Oh, please.
08:55You kidding?
08:56She'd say, where do you think you're going?
08:57Mm-hmm.
08:58Just one turn of the neck.
08:59And sometimes she wouldn't even ask the question.
09:01She'd just say my name.
09:02Everybody calls me babe.
09:02She goes, babe?
09:05Where you going?
09:05It was a tone.
09:06I'm from a straight African family.
09:08So at 16 years old, my family left Liberia
09:11because there was a war in my country.
09:12We escaped and were able to go to Canada.
09:15Being away from Liberia for so long
09:17and being in exile for so many years after the war,
09:20it made me really hold my culture closest to me.
09:23In my house, that was Liberia.
09:25My mom never let go of any of that.
09:26She never let us forget who we were.
09:28And I appreciate that.
09:30And now, like with my daughter, you know, being 18,
09:32that's all they do, girl, is stomach out all day.
09:35And it takes everything in me not to say anything.
09:37They're like, you better shut up,
09:38because that was you.
09:39That was me too.
09:40Payback is a mother.
09:42Mm-hmm.
09:46This is real cute.
09:48Kiara-san.
09:49Oh, my God.
09:51This is my grandma on the machine
09:53that used to be my bedroom.
09:54I was not expecting to find these pictures
09:57in my home fabric bag.
09:59And this is my mom.
10:00These are coolots.
10:02I grew up in Brazil in a household
10:04that's very matriarchal.
10:06My mom was away.
10:08She was actually here in America
10:10giving me a better quality of life.
10:11And I was raised by my grandmother.
10:13And I was raised by my mom.
10:15And my grandma, obviously, she never went to school,
10:17so she learned how to sew.
10:19And you brought your home fabric today.
10:20I did.
10:21You can stand for real, for real, by your home fabric.
10:25Like, it gives me, like, life.
10:28The idea of using this home fabric
10:30was to actually tap back into my roots.
10:32And the fact that I have this picture of my grandmother
10:34in this sewing machine,
10:35which is a sewing machine that I learned how to sew,
10:38I just feel energized.
10:41The orange color is so beautiful.
10:44The orange is everything.
10:46They might not like it this time,
10:47but it won't be boring.
10:49Hi, everybody.
10:50Hi, Christian.
10:51Hi, Christian.
10:52This is a fast one.
10:54Woo!
10:55Rami, you done?
10:56No.
10:57No, all right.
10:58Who am I coming to see first?
11:00Hi, Christian.
11:01Hi.
11:02How's it going?
11:03It's going pretty well.
11:04So the undergarment really is this, like,
11:06underwear piece under this sheer.
11:08And the camisole top that it's a nod to women's wear.
11:12I like that idea.
11:13That this is quite feminine on his body type.
11:16Yeah.
11:17Will be cool.
11:18But I think we might be in the same place of
11:23that the shape isn't that exciting.
11:28Nina really wants something cool and exciting.
11:32It could be sporty.
11:33It could be harnesses.
11:34It could be, it could be so many things.
11:36Maybe it's not a top.
11:37Maybe it is a harness that looks like a top.
11:39That's cool too.
11:40Okay.
11:41You just gotta go for it.
11:43This little drapey top,
11:44this looks like Doris Day on the island.
11:47Get out of here.
11:48My mom has that blouse.
11:50She wore it last week.
11:50She's 75.
11:51Okay.
11:52Got it.
11:53Bye.
11:54Oh mama.
11:58Brittany.
11:58Hey.
11:59I see a lot of white.
12:00What are you making?
12:01This is getting very sexy nurse.
12:04My thought immediately was sexy tennis.
12:07I like the tennis idea.
12:09Is there other white fabric or no?
12:10Yeah.
12:11I have this really cool like meshy.
12:13Oh, that's cool.
12:14Yeah.
12:15And I was thinking.
12:16That's way more tennis.
12:17Yeah.
12:17Sporty.
12:19Like tennis couture.
12:19Tennis couture.
12:20Okay, great.
12:21Okay, cool.
12:22Fab.
12:23Y'all should cut me a check today.
12:26All right, Rami.
12:27Yes.
12:28How's it going?
12:29Hi.
12:30Good.
12:31Just cutting, cutting, cutting.
12:31Cutting.
12:32This is so beautiful.
12:33I want to do like a very thin waist band
12:36where the skirt kind of just hangs off of.
12:38Love.
12:39It's super light and very flowy.
12:41And the top is really a bra encased in the chain mail.
12:45It's really romantic.
12:46Yeah, yeah, yeah.
12:47I agree.
12:48Rami, you need a moment.
12:49I know.
12:50I mean, what's going on?
12:51I don't know.
12:52You are too good.
12:54You're killing me.
12:54So far, it's been a little bit of a rocky road.
12:57To be honest, Rami, it felt dated.
12:59Everything about it just,
13:00it didn't help bring us into today.
13:03But I refuse to accept that dated
13:07is a description of my work
13:08because it's absolutely not.
13:09I design for women who appreciate
13:13things that are pretty and timeless.
13:15I mean, I really want to put everything into it.
13:18You have lots to do.
13:19I do.
13:20Okay.
13:21Hurry up.
13:22Thanks, Christian.
13:26Y'all need to sew faster.
13:30Hi, Anna.
13:31Hi, Christian.
13:32Lots of draping going on.
13:33The idea was combine the femininity and the masculine.
13:36So I'm going to put it into a very like a masculine shape.
13:39Wait, that's going to stick out?
13:41Like this.
13:43It's bleeding nipple corset.
13:45Really?
13:46Yeah.
13:47I don't know.
13:48No?
13:49No.
13:50That just looks like a dangly, weird thing.
13:51Yes.
13:52No.
13:53That bleeding nipple is the cute idea element,
13:57but without that, I still have the cage
13:59and I think that's avant-garde as well.
14:01Bitch me.
14:02What are you doing?
14:03I decided to do a cargo pant.
14:05I have a pinstripe with lace on the side.
14:07It will be sheer.
14:08It'll be sheer right here.
14:09I'll make the bra with the lace
14:11and I'm like this dramatic over-the-top jacket.
14:14You love this shape of the sleeve?
14:16Mm-hmm.
14:17I love it.
14:17So last time I went really intense
14:19and did details and they didn't even see it.
14:21Yeah.
14:22So I'm just like, you know what?
14:23You got a lot to sew.
14:24What are you going to fit?
14:24You got nothing for her fitting.
14:25Yeah, I could fit her in my thoughts.
14:29Coming up.
14:30Very tits out, okay.
14:31So my style is the tits out.
14:33This is very sexy.
14:35I'm taking my pants off.
14:36I'm not adjusting.
14:38Ah!
14:39Are we completely losing our shit?
14:41I think so.
14:42So I'm not the only one stressed out, right?
14:59All right, Carison.
15:00How's it going?
15:01Tell me.
15:02She's very 20s and I have something for you today
15:03that I usually don't have, which is a sketch.
15:05A sketch?
15:07Who should I call?
15:09Carison has a sketch, everybody.
15:11First time all season.
15:14All season long.
15:15You have nothing.
15:17And your sketch is naked.
15:18And my sketch is naked.
15:19Like literally, you've got nothing.
15:22What are you doing?
15:23It's a full sketch.
15:24Yes.
15:25What's it going to be then?
15:26It's a dress with a 20s vibe.
15:28So you're going to have like a full bra,
15:31panty, and then with this overlay dress.
15:33This is the skirt.
15:34Yeah.
15:35That's it.
15:35I mean, it's quite literally lingerie.
15:37So I think you have to make sure that the dress
15:40is a dress, you know?
15:41For sure.
15:42Don't go too costumey though.
15:44Oh, no, no, no, no, no.
15:44It won't be a costume.
15:46Goodbye.
15:47Bye.
15:54All right, Proje.
15:55Tell me about this waistband.
15:58So my idea is to be a little scandalous.
16:02It's going to be a jockstrap with a corset
16:04in the black and white boning.
16:06That's why this is black and white.
16:07And I'm going to do a kilt over this with a dropped low.
16:10A dropped low kilt.
16:11Yeah.
16:12I'm going to do an oversized bomber jacket
16:14with all those fabrics that goes over.
16:17What if the kilt didn't get done
16:18and the jacket is the shining moment?
16:22With a jockstrap.
16:23I know.
16:24I guess you need the kilt.
16:26I'm just going to pleat.
16:27It's just going to be a pleated chiffon skirt.
16:28So I'm going to have a corset, the jockstrap, pleated skirt.
16:31Good luck, because you have so much to make.
16:32Yeah.
16:33Goodbye.
16:34Bye.
16:40I'm really reconsidering pockets.
16:42You think they're going to say something?
16:43You want to do it or you don't want to do it?
16:51Oh, my god.
16:52You look like a 50-year-old woman doing this.
16:56Stop it.
16:56Stop it.
16:57Stop it.
17:02Make it mother-fucking work.
17:06I don't know how you make undergarments couture.
17:08Why is it going to have crystal?
17:10Somebody pass me a glue gun.
17:13All right, designers.
17:14Is everybody ready for models?
17:16Yes.
17:16No.
17:18Men and model fitting, my favorite fitting of the year.
17:21Let's get them in.
17:23Hey.
17:24Hey.
17:25Hi.
17:27Oh, is that sexy lingerie?
17:29OK.
17:33First thing, how do you feel being in a jockstrap?
17:36I knew it.
17:37I knew it.
17:37I knew it.
17:38I've never made one of these before,
17:39so this is the first time.
17:40Yeah.
17:41RJ, that little cup, is that going to fit?
17:46It's a jockstrap.
17:47It's too short.
17:48Well, I haven't measured it yet.
17:51OK.
17:52I can cut another one.
17:53It's an underpiece.
17:56OK.
17:57There is no measurement for crotch
17:58and no tags in this card.
18:01And if I use this measurement for these underwears,
18:03you'll be wearing a diaper.
18:05All right, let's try this.
18:07How is it going?
18:08Going great.
18:09All right.
18:09Don't look.
18:10Oh.
18:11Hey.
18:12Hold on.
18:23It's scary.
18:24I can see boy naked.
18:24You can see?
18:25Listen, I can't even.
18:27I was supposed to do more work, so I can see boy naked.
18:30I don't know.
18:31All these straps are obviously adjustable.
18:37Nips out.
18:38I love the top.
18:39Oh, Christian.
18:41You just have to make sure this little floral short
18:43works with it.
18:44I think it does.
18:45OK.
18:49All right, Rami.
18:50Let me show you the back.
18:51It's going to have all the straps.
18:53And you're going to fix that front ripply seam.
18:55Oh, for sure.
18:56It's going to have all the boning, because it doesn't
18:58No, I'm talking about the front of that skirt.
19:00Oh, yes.
19:00That's all I'm looking at.
19:03This is going to have a seam, because it's literally
19:07just hanging off of a pin.
19:08Look.
19:09Yeah.
19:09They're, like, uneven.
19:11Wait.
19:12I'm going to go nitpick this.
19:12OK.
19:13OK, Christian. All right.
19:14You see it?
19:15Yes, yes.
19:16Don't you miss me?
19:16I do.
19:18You stress me out, though.
19:19Don't you miss me?
19:21Like this, all these two fingers always come out.
19:22And it's like he starts patting himself on the shoulders.
19:25And the neck starts to roll.
19:26Who's the queen?
19:26They're all gorge.
19:30That's the Christian move.
19:34Is it gorge?
19:35Yeah, I think the vision is coming together.
19:38Oh, yeah.
19:41But other elements are going to hang, right?
19:44I'm going to add more pieces.
19:46I just wanted to make sure this fit.
19:47OK.
19:49Or should I just cut it off?
19:51Let me do something real quick.
19:52Should I just move that and bring it back?
19:54I just think you can't just have the one in there.
19:56If you have them hanging in the front and the back,
19:58that is just a recipe for torture from Brandon.
20:03So just envision.
20:04He won't know what to say.
20:06OK.
20:07Come here.
20:08Stand with me.
20:10They're going to think it's a mess.
20:21I think I need to move this down over here.
20:28I love the garters on the inside.
20:30OK.
20:31I love that.
20:32OK.
20:33This is all going to be pleated.
20:34The whole thing?
20:35I'm going to pleat it.
20:36You guys have six and a half hours
20:38total tonight and tomorrow.
20:41You could only have pleating at the top,
20:43and the rest could be beautiful organza, draped bishop's sleeve,
20:46or something like that, right?
20:48I'm just going to tell you, it's not
20:49enough time to finish this dress.
20:51I don't have my pleated sleeves.
20:53I have not finished the panty.
20:55So there can be no errors, or there could be nothing.
20:59I'm going to design on you, so don't be scared, OK?
21:01All right.
21:02That's way too high, Laurence.
21:04You nut.
21:04No, no, no. I know.
21:05I'm going to.
21:05Don't cover it all up.
21:06No, no, no.
21:07I'm not.
21:08See, they're making my job hard right now.
21:12Little cuties up in here today.
21:14Coach O, mind your business.
21:16I love male model day.
21:19Oh!
21:21Is it fabulous?
21:24That cloak over that.
21:26Relax.
21:27I'm just trying all the elements together.
21:30Yeah.
21:31This is not even, it's not cut.
21:33I mean, this beaded short with a kimono and a harness.
21:37I mean, no.
21:38I actually love the top with the shorts.
21:40I am obsessed with the bottom half of the look.
21:42You can see the underwear through the shorts.
21:44The shorts made out of this beaded tool are impeccable.
21:47It's just a matter of making the top
21:49actually go with the bottom.
21:51What can you do?
21:53All those fabrics together over a coat is going to work.
21:56It makes sense.
21:57We talked about this earlier.
21:58I know we did, but now I'm seeing you've got a lace
22:00like Victorian corset.
22:01And then this is very, like, modern.
22:03There's a lot of ideas in one.
22:05All right. Let's get you out of this jock.
22:07Okay. Whatever we're calling it.
22:09Oh, this way.
22:10Oh, you have sleeves.
22:11Oh, that's good.
22:13I'm going to calm down.
22:15Mm.
22:16And, uh, what if it's very, very modern
22:19with all the applique and the beading and the cutouts?
22:22Good idea.
22:24And it will save hours.
22:26All right, designers. Say goodbye to your models.
22:28All right, girl. I'll have it tomorrow.
22:31Bye.
22:33Bye.
22:34All right, designers.
22:35Remember, the undergarments are the star of the show.
22:38I'll see you tomorrow.
22:39Okay. Bye, Christian.
22:40It's going to be gorgeous.
22:41Bye.
22:42At least my pants looking good.
22:44Just made a whole skirt.
22:46You did?
22:46I tanked the little jacket thing.
22:48Started from scratch.
22:49This is a lot in a one day.
22:52I'm going to a new direction.
22:54Right now?
22:55I think the idea of the jockstrap
22:57may not be my favorite anymore.
22:59Oh, you're not jockstrapping her?
23:01No. I want to give some lace with the same ribbing.
23:03Like a boxer lace.
23:05It's no longer a jockstrap.
23:07I'm just making some briefs.
23:08Still featuring the name on the top.
23:10I don't know why I didn't think about this at first.
23:12I was so caught up on showing some cheeks on the runway.
23:14Now, I don't really care anymore.
23:15I just want to get a look done.
23:17Are you still making the shorts?
23:19I don't know.
23:20That's dope.
23:21I don't know.
23:23How are you?
23:24Annoyed.
23:25Annoyed?
23:26Yeah.
23:27I feel defeated.
23:29But to feel defeated on something
23:31that you truly believe in, it's a mind...
23:36Ugh.
23:37What's your stress level like?
23:39It's past the point of stress.
23:40This is like...
23:41Panic?
23:42No. Psychological damage.
23:43Are we completely losing our s***?
23:45I think so.
23:46We're at that point.
23:47So I'm not the only one stressed out, right?
23:48No.
23:49Okay, great.
23:50Everybody is.
23:52I'm thinking about throwing this whole top away
23:53and starting over.
23:54Oh, wow.
23:55That lace got me messed up.
23:57I'm saying bye-bye to the G-string.
24:00Wow, don't we all just love one-day challenges?
24:03Are you having fun?
24:06They're delirious.
24:08Y'all, 30 minutes.
24:09Ugh.
24:12I feel like I'm just making dumb mistakes.
24:13I'm tired.
24:14This challenge is not gonna break my soul.
24:17It's like he said,
24:18ain't nobody about to break my soul tonight over this.
24:20My man gonna be sexy tomorrow.
24:22Will you come in my room and spoon me tonight?
24:24What? Don't say that out loud.
24:27Why not?
24:28That's scary.
24:29Dish me.
24:30Yes, I need a...
24:31No, I really need a hug, like after this s***.
24:33Hey, guys, that's time.
24:35We'll be back tomorrow.
24:36Stem time.
24:37Let's go.
24:38I'm coming, I'm coming.
24:40Go, go, go.
24:42Cheers.
24:44You wanna try a strawberry?
24:45Cheers.
24:46I'm flat.
24:47Cheers.
24:48Delirious ain't even a word.
24:51I came here to prove to myself
24:54that I'm on the path
24:55and I keep bettering myself.
24:58But the way that I am feeling right now,
25:01there's something that's sitting heavy in my soul right now
25:05that is just...
25:06I don't know if I want to finish it.
25:09Do you think you maybe just need some sleep to think on it?
25:11Maybe, maybe.
25:12Just let go of that worry one day
25:13and then reset and come back tomorrow
25:15and see how you feel.
25:16Yeah.
25:28I feel like sometimes all you need
25:30is a good night's sleep away from your garment.
25:33I didn't realize what the actual power is
25:37in being reminded of exactly where you come from.
25:42My family, they're all looking at me and saying,
25:45we believe in you.
25:47I am a fighter.
25:49I am the son and the grandson of fighting women
25:54and I'm gonna do it for them.
25:57I have four hours of energies left in me.
26:00Yeah, I literally have-
26:01Just four.
26:03All right.
26:04Every minute counts.
26:05You know, this morning,
26:06I think I might have had a bad dream
26:08about an underwear G-string choking me.
26:10The dream tried to kill me and I said, no.
26:12We already killed the G-strings anyway.
26:15I'm taking my pants off, not adjusting.
26:18Your actual pants?
26:19Yep.
26:20Very fitting for the challenge.
26:21I am going to finish them underwears
26:23and then I am going to finish the jacket.
26:26I think this is more me.
26:28And then put the kilt together, the last piece.
26:30Ah, goddammit.
26:32Oh, Lord.
26:34So I'm starting all the way from scratch
26:35and I'm putting together this bralette
26:38using the beautiful lace I got
26:39and showing the beautiful shapes.
26:41I'm just worried about making sure I get it done
26:42in time for the runway.
26:44Hi, everybody.
26:45Hi, Christian.
26:47Show day.
26:47I love show day.
26:49It is, indeed.
26:50All right, who's ready for a model?
26:53I need one, please.
26:54All right, here they come.
26:55Send them over.
26:56I just came to say hello, you know?
26:59Are you kidding me?
27:00I am.
27:01It's an illusion like you have your underwears
27:03but it's attached to the pants.
27:05Got it.
27:06And I might have you take off the jacket.
27:10I have to take this off.
27:11Okay.
27:12I have to wear it.
27:13Okay.
27:14This morning, I'm wearing my tour bobble cage
27:17but I just cannot work in this.
27:20I have to take this off and give my underwear
27:23a little moment.
27:24Very tits out.
27:25Very tits out.
27:26Very tits out.
27:26Okay.
27:27So my style is the tits out.
27:28The titties out.
27:30After the baby, I'm so comfortable to show my body
27:33and my body shape definitely looks different.
27:36Oh, perfect.
27:37You got this.
27:38Yes.
27:39I know it.
27:40This is very sexy.
27:42I think I'm the most beautiful
27:45and a confident women in the world.
27:47Okay.
27:47Okay.
27:48Arms.
27:49Okay.
27:50Okay.
27:51Okay.
27:52Arms through.
27:53Mm-hmm.
27:56All different now.
27:57It's a skirt, honey.
27:58It's a totally different thing.
27:59It's a skirt and it's a whole new outfit.
28:01It's a whole new look.
28:03I had to come to Jesus meeting with myself when you left.
28:05Oh, good.
28:06I made her a little bralette.
28:07Cute.
28:08Is there anything under?
28:09Like a little lace?
28:10Uh-huh.
28:11I'm putting that.
28:12A little lace panty thing?
28:13Uh-huh.
28:14Okay, great.
28:14Yeah.
28:15Fab.
28:16So, yeah.
28:17I feel good.
28:18Excited.
28:19Yay.
28:20All right, designers.
28:20When you're ready,
28:22bring your models to the makeup studio
28:23and the TRESemmé hair salon.
28:25Hi, ladies.
28:26How you doing?
28:27How are you?
28:31I love her curls, so maybe an inbred net.
28:33Yeah, I want to keep it very edgy, but balanced.
28:35Yeah.
28:36So, I wanted to fill in the brow with like an auburn
28:39or maybe like a terracotta color.
28:45The rose.
28:46Mm-hmm.
28:47How are you looking for the last 40?
28:49That's all we got?
28:50That's it?
28:52Stop playing.
28:59It is about that time.
29:05Good?
29:06Yeah.
29:07Okay.
29:10I love that it's just so many of y'all
29:12black queens up in here.
29:13Oh, there's a lot of, yes.
29:15We are a sister circle.
29:16I love that.
29:17Yeah, I know.
29:18I love that for y'all.
29:19Like, we are true sisters.
29:21Representation matters.
29:23Queen Carousel paved the way
29:25for so many African-American designers
29:27that came after her.
29:28Because of a carousel, they could be a meme.
29:31All right, designers, 20 minutes.
29:33That's it, 20 minutes left.
29:35Oh, damn.
29:37It'll be fine.
29:38Everybody's gonna be fine.
29:38We just gotta work really fast.
29:42Anna.
29:42Yeah?
29:43Do you have any safety pins?
29:44Yes, go ahead.
29:46They look so cute on you.
29:47I just gotta hand them.
29:50How's that feel, good?
29:51Ooh, can you breathe?
29:55All right, designers, five minutes.
29:57Wait, what?
30:02Yeah, I love it.
30:04Okay, I'm happy.
30:05I can defend it.
30:06Yes, work.
30:08All right, designers, that's it, that's time.
30:10What?
30:12Let's go.
30:13Come on, everybody.
30:16All right, designers, last looks.
30:19Time is racing.
30:20I am throwing and sweating like a horn on the dirt.
30:25You have like a minute left.
30:30All right, designers, that's it, that's time.
30:33Oh, it's gonna be a great show.
30:35Go take your seats.
30:36Coming up, it just wasn't that innovative.
30:38It's a little visually confusing.
30:41It's unfortunate because that's where you're at.
30:43It was covered by so many things
30:44that I didn't know what it was.
30:45Yeah, I just want to like cut that out.
30:47Me too.
30:54Hi.
30:57Wow.
30:58Hi, designers, how's everyone doing?
31:00Hi, designers.
31:02Designers, unfortunately, Nina couldn't be here tonight,
31:05but we are very lucky to have in her place
31:09one of the best designers in the world,
31:11and we are very lucky to have in her place
31:13one of the hottest designers,
31:15and I think one of the best designers of all time.
31:18He dressed Michelle Obama and Kamala Harris
31:21for the inauguration.
31:22He has dressed J.Lo, Beyoncé.
31:25Serena.
31:26We could be here all night long.
31:28A fellow Southerner and my dear friend, Sergio Hudson.
31:32Hey, Sergio.
31:36Nice to meet you all.
31:37I see a lot of familiar faces,
31:40and I'm fans of you.
31:41He's an OG Project Runway fan.
31:43He's a big one.
31:44He knows some of you.
31:46Whoever gets to just design for Michelle Obama,
31:48when she came in, it was like,
31:50I don't care who's becoming president today,
31:51I'm giving the look, but kudos to him.
31:53Like, you always want to see people of color shine,
31:56and to shine on such a huge stage, like, so proud.
32:00We are also excited to introduce
32:02your guest judge for this challenge,
32:04iconic international supermodel
32:06who is on a mission to prove that beauty is ageless.
32:09Yes.
32:10Paulina Porizkova.
32:13Hello, everybody.
32:14Very nice to meet you.
32:18Absolute model icon.
32:19Paulina can give us a different point of view
32:22because, you know, she wears the clothes on the runway.
32:25Yay.
32:26I'm so pleased to be here and see your art.
32:32Let's start the show.
32:37I'm very impressed of this look.
32:39I love everything that he's giving me.
32:41Love my kilt.
32:42Completely love the jacket.
32:44You can see the details.
32:45Corset looks amazing.
32:46Everything pops.
32:50I didn't know day yesterday,
32:51I didn't know where we were going to go with this,
32:52but I'm Project Oscar for God's sake,
32:54and this year I'm selling everything.
32:56I like to see the jacket on one,
32:58and then the other one,
32:59and then the other one,
33:00and then the other one,
33:00and then the other one,
33:01and then the other one,
33:02and then the other one,
33:03and then the other one,
33:04and then the other one,
33:05and then the jacket on one,
33:05and then come off.
33:06Correct.
33:07Brandon, I want to see you in that bustier.
33:09You would be at the muffin store for sure.
33:18I feel like I pulled it out of a hat at the last hour.
33:22Normally I'm able to do more curated, expensive looks.
33:29Had I had more time,
33:30the top would be more cultured and cultivated.
33:33So that's just my own personal standard
33:35that I hold myself to.
33:36Maybe they'll let me slide,
33:37maybe they won't.
33:50Oh, excuse me.
33:52Okay.
33:53I'm feeling sexy as hell
33:54because Mimi is showcasing the vibes
33:58that I need her to pull off in this garment.
34:03It's hot.
34:06You better bite it.
34:08Okay.
34:09Oh yeah.
34:12She's showcasing the bralette properly,
34:14and those exaggerated shoulders
34:16are showcasing what I need them to do.
34:18Mimi is here and she's not playing any games.
34:23Yes.
34:24It's hot in here.
34:25Okay.
34:26Girl, I'm fully unprepared.
34:27Okay.
34:32I am really glad that I pushed through
34:35because not only this represents me,
34:37this is something that I would like to wear.
34:39I know my clients are gonna love.
34:44This is for being the runway, huh?
34:45I like how he drops it and just leaves it on the runway
34:48because you can actually see the underwear
34:50a lot more from the back.
34:54All of the orange is actually beaming.
34:56So I'm really excited with my color choices.
34:59He left it all on the runway, literally.
35:01Yes, exactly.
35:02Can we get someone to get...
35:03Okay.
35:14Costume design is fashion.
35:17And this dress is couture.
35:19This dress shows range.
35:23I don't believe 12 hours.
35:25I don't believe it either.
35:26That's crazy.
35:33It shows that I can dive into the 1920s.
35:38But make it couture without it looking
35:40like a flapper costume.
35:43It just looks like a piece of habit.
35:52This is the high fashion runway moment
35:54for undergarments.
35:57The skirt and the corset look clean.
36:00Yes, girl.
36:05Okay, body.
36:06There's some good bit of modeling going on there.
36:08Yeah.
36:09If this is safe again,
36:12I will be speechless.
36:25Oh my God.
36:27This look is all me.
36:29Like DNA thumbprint, period.
36:34It is active.
36:36It is couture.
36:37I'm starting to see my mission of mixing
36:41high fashion ready to wear with active wear.
36:45Oh, I feel so rewarded.
36:46I feel fulfilled.
36:47My heart is full.
36:48I am living.
36:54Okay.
37:01It looks unique.
37:02I love the delicate details of the lace and the silk
37:04and the skirt is just gliding on her
37:07and it's moving really beautifully.
37:11This look exudes femininity, modernity,
37:14chicness, it's effortless,
37:17it's wearable and it's fabulous.
37:25I'm hoping that they see my vision,
37:27you know, with the boxer
37:30and the corset.
37:31I'm looking at what I was able to achieve in one day.
37:37And I am pretty happy with what I was able to do.
37:47I'm so proud of myself.
37:48I'm so proud of my team.
37:50I'm so proud of my team.
37:51I'm so proud of my team.
37:53I'm so proud of my team.
37:55All right, designers, saw some good work out there.
37:57Oh, thank you.
37:59Designers, that was great.
38:01It was nice to see some innovation on the runway
38:04and something different.
38:07As you know, we have to discuss
38:10and there was lots to discuss, honestly.
38:13Man.
38:19We've scored your designs.
38:21Brittany, Bishme, and Anna,
38:25you are all in.
38:30Bishme, well done, but we have a no.
38:33What, no?
38:34Your look might have ended up in the top
38:37if it weren't for those shoulders.
38:39We keep seeing those shoulders from you
38:41and it's just time to refresh it, remix it.
38:44You have to be open to allowing your signature
38:47to change over time.
38:48Don't get stuck.
38:50Thank you, Sergio.
38:51All right, good job to the three of you.
38:52You may all leave the runway.
38:54Nice meeting you.
38:55Nice job.
38:56Bye, y'all.
38:57Yeah.
38:59Run to the next.
39:00Ooh, what a one day.
39:01What a one day challenge.
39:03The six of you had the highest
39:05and lowest scores of the evening.
39:07One of you will be the winner
39:09and one of you will be out.
39:12Let's start this off
39:13with one of our top looks of the night.
39:20Rami, first time in the top in this competition.
39:22How do you feel?
39:23I feel good.
39:25Romance was in the air in the design
39:27in spite of the sweat and the sewing
39:30and the very short time window.
39:32It's like, you walked right into mood
39:34and just chose every wrong thing
39:36that went right.
39:39Tell us about your look.
39:41The idea was to exude sexiness and femininity
39:44and something light,
39:45but at the same time, we wanted to show
39:47I was highly impressed by the craftsmanship of the skirt.
39:50There was very little puckering.
39:51And so to me, that was the first thing
39:53from a technique point of view that stood out to me.
39:55Thank you so much.
39:56I appreciate that.
39:57I think it's amazing what you did in 12 hours
40:00because I know how hard that fabric is just to even cut.
40:04Yes.
40:04It's kind of like a whisper of lingerie.
40:07The sense of a boudoir,
40:09but it's not hitting you over the head.
40:11This is a very, very, very, very, very, very, very,
40:15but it's not hitting you over the head.
40:16This is effortless.
40:18And that's something that's missing
40:19from the lingerie market.
40:21I really appreciate that there's no underwire.
40:23There's no rigid structures.
40:25And at the same time, she looks supported and beautiful.
40:29Well, thank you, Rami.
40:32Unfortunately, the next look was one of our least favorites.
40:40Fabio, tell us about your look.
40:42This is my home fabric.
40:43I bought this from Brazil.
40:44It's a silk, organza, and cotton fabric.
40:46I wanted to play with blurring gender lines,
40:48basically ideas that would go together,
40:50but then clashing between the male and the female.
40:53The fabric specifically make me feel a little bit
40:55like I'm looking at a shower curtain caught
40:58in a fishing net.
40:59It's a little visually confusing.
41:03I love the nod to lingerie.
41:05It's like a boxer short with a brief.
41:08I just feel like maybe if we lost the stomach piece,
41:10we would be having a different conversation.
41:12It could have been this really beautiful coat
41:14over something that's really overtly sexy.
41:17Got it.
41:18Can you lift up the little stomach piece?
41:20Yeah, I just want to cut that off.
41:22Me too, because that's so dope.
41:24Okay, so the underwear is the undergarment, correct?
41:27Okay.
41:28What was the choice to do that?
41:29I just felt like it was the moment
41:30to actually go all out.
41:32Nina is on here this evening.
41:34I know she has told you to turn up the volume.
41:36We've blown my eardrums out.
41:38There's a lot of volume here.
41:40And I think she would have told you now
41:42at this point to edit.
41:43The short was the star.
41:44Unfortunately, the star was covered by so many things
41:46that I didn't know what it was.
41:48Fabio, thank you.
41:49Tyce, you can leave the runway.
41:52Next, we're going to bring out
41:53one of our favorite looks of the night.
41:54♪♪♪♪
42:01Project, you have been in the top four
42:04out of the six challenges.
42:05Most of the things you're seeing right now
42:07are things I've learned from my season 19
42:09that I've went home and kind of expand on.
42:11Every time you say something to me, I take notes.
42:13I take notes from everybody's critiques,
42:14top and bottoms, trying to not be in the bottom.
42:18Tell us about your look.
42:19So my look was inspired by the boyfriend shirt,
42:22but the girlfriend's corset.
42:24And of course, he's a cool guy,
42:26probably have a bike,
42:27and he has this cool bomber jacket.
42:29It was so wonderfully gender neutral,
42:32and yet it had all the elements of gender.
42:35And that, to me, is a statement.
42:38You're an original.
42:38Thank you. Coming from you, that's huge.
42:42Project, these are all pieces that we've seen before,
42:47but you understand what you do well,
42:49and you figure out ways to remix it and keep it fresh.
42:53This is what happens when styling goes right.
42:55I love the idea of the corset with the kilt,
42:58with the showing underwear.
43:00It spoke to an urban sensibility,
43:02but back to a high fashion sensibility,
43:05which I think is very current.
43:06I'm going to be honest with you.
43:07This was not my favorite look,
43:09and I'm going to tell you why.
43:10The jacket was on the shoulders,
43:12and I don't think of all your pieces.
43:14Your undergarment piece was your strongest piece.
43:17Yeah.
43:18Thank you, Project.
43:20Congratulations.
43:22The next look is one of our favorites of the night.
43:24Let's bring out the model.
43:26♪♪♪♪
43:31Hey.
43:33Carisson.
43:34Yes.
43:35Tonight, you were on top.
43:36How do you feel?
43:37I always build my designs based on a fashion narrative
43:40and a story and my model.
43:42So I was thinking 1920s and the Tulsa massacres
43:45and Black Wall Street.
43:47I was thinking of how strong Black women in that era were,
43:50and they had their own businesses,
43:52and how beautiful the fashion was.
43:54A very modern version of 1920s.
43:58Oh.
44:00Just the restraint and the luxeness of the look
44:04when it came out.
44:05You made that panty out of silk wool,
44:07which has absolutely no stretch in it,
44:10and it lays like it's a spandex panty.
44:12I love when a designer takes a chance on a color
44:15that, like, shows everything.
44:17This was in a league of its own.
44:19I have to tell you that your costume design background
44:22really served you in this challenge.
44:24I love the Tulsa inspiration.
44:26Thank you for sharing that story.
44:29As soon as you said that, you put it into this.
44:29Yeah, you saw it?
44:30I totally saw it.
44:31Like, you gave that cultural context.
44:33You gave us a backdrop.
44:34I felt like I was looking at some beautiful movie star,
44:38and I had somehow gotten accidental x-ray vision,
44:41and I could see through her dress.
44:44And it was incredibly titillating, actually.
44:47Without it being risque, right?
44:49Without it being vulgar, in the least bit.
44:53Sinead, you can leave the runway.
44:57Unfortunately, the next look
44:58was one of our lowest scores of the night.
45:05La Ronce, tell us about your look.
45:07I wanted to make a suit and play with the bomber.
45:12And the lingerie part of it is the corset
45:15and a boxer brief top that I incorporated into the pants.
45:19It's not bad at all.
45:21I felt like it wasn't a shining moment for you.
45:24I don't know whether that'd be the fabrication choice
45:26or the color choice, but I would wear the suit.
45:29You know what I mean?
45:30I would wear the suit.
45:31I would wear the suit.
45:32I would wear the suit.
45:33I would wear the suit.
45:34You know what I mean?
45:35It's a nice suit.
45:36The undergarment part was like sort of an afterthought.
45:39Was it an afterthought?
45:40No, it wasn't.
45:42I love the critiques with you, La Ronce.
45:44Because every, when you're like asking a question,
45:46you're always like, nope.
45:48What was frustrating for me about it
45:50is that like that would have won another challenge.
45:52Yeah.
45:53Unfortunately, it's not a suiting challenge.
45:54It's an undergarment challenge.
45:55And I think that we struggled to see
45:58what the undergarment was.
46:00I was like, what is that?
46:01Is that a girdle on a six pack?
46:04It is a girdle on a six pack.
46:05I was debating about him taking off his jacket
46:08because I don't want you to be distracted
46:09by all this gorgeousness.
46:11I'm in.
46:12La Ronce, thank you so much.
46:14Torian, you can leave the runway.
46:15Okay, our last look of the night,
46:17another one of our least favorite looks.
46:19Uh-oh.
46:29Cuddle, good to see you.
46:31Thank you, good to see you guys.
46:32Good to see you on the bottom first time.
46:34Well, it happens.
46:36Tell us about the look.
46:37So this is not my original look.
46:39About an hour before we ended last night,
46:42I had to edit a look.
46:44So it was that pivot moment.
46:46What can you do in five hours to save the look
46:47and still do what you're supposed to do?
46:49I kind of love what's going on with a skirt.
46:52I think that the folding and the draping
46:53is really interesting.
46:54And the fabric has joie a vivre to it, a joy of life.
46:59And then I get to the top and I go, huh?
47:03It's just kind of like she got
47:05like a really old table napkin stuck across her chest.
47:08For a challenge that's really about focusing
47:11on the undergarment and making the undergarment the star,
47:13it's hard to ignore that the top feels ill-fitting.
47:17It's unfortunate because that's where
47:19your eye immediately goes.
47:21And it felt overwhelming.
47:29The top feels ill-fitting.
47:31It's unfortunate because that's where
47:32your eye immediately goes.
47:34It was that pivot moment.
47:35What can you do in five hours to save the look
47:37and still do what you're supposed to do?
47:39It isn't something that I haven't seen before.
47:42It just wasn't that innovative, really.
47:44Have I done better?
47:45Yes, I've done greater.
47:46So you've been able to make that turn that quickly.
47:49Everybody can't do that.
47:50So I think you should be proud of yourself in this moment.
47:53Yes, the outfit maybe didn't make the mark today,
47:55but it doesn't mean I'm not the bomb.
47:56I am.
47:58I know my worth.
47:59Watching Project Runway, I was in college the first season.
48:03And seeing you, seeing Karrason, it gave me a light
48:06because there was none of us in this industry.
48:09Nobody that looked like me was doing it.
48:11To see you in that finale, like this is possible.
48:15And I don't think people really realize
48:16how hard it is for us in this industry.
48:19So to see you on this stage,
48:22it just brings me so much joy
48:23because I know Sergio wouldn't be able to sit here
48:25and be a judge if I didn't see you on the show.
48:27Thank you so much.
48:28We stand on your shoulders, my dear.
48:30That means everything to me.
48:32And this is history.
48:33Do you know there's five of us here?
48:35I mean, it's beyond being on this show.
48:38It's about opening doors and letting the others know
48:40that, hey, you can do it.
48:41It's amazing.
48:43Deedee, you can leave the runway.
48:44Thank you, designers.
48:45We have a lot to discuss and we will call you back.
48:49Bye.
48:50Ooh.
48:52You are one of a kind.
48:54I'm good, Rummy.
48:55Don't look at me like that.
48:57Okay, well, we have a tall task tonight.
48:58So let's kick it off by picking our winner.
49:01Shall we?
49:03I always like to do the fun part first.
49:05Yeah.
49:05For me, I can say Praja's look was great.
49:08Very forward and very cool,
49:11but he had some technical issues.
49:12It was not executed beautifully.
49:15I think Praja was unique and original, but not mature.
49:17Yeah.
49:19Carisson, y'all.
49:20This look was so expensive looking,
49:23so beautifully constructed.
49:25It answered the call of the challenge.
49:27She has been in the trenches in fashion.
49:30She knows who she is as a designer.
49:32That was evident walking out here tonight.
49:35Her look tonight was spectacular.
49:38The undergarment was perfectly visible underneath it all.
49:41It looked like a million bucks.
49:43While Carisson's was absolutely beautiful
49:45and stunning and exquisite,
49:47Rummy went right tonight, I think,
49:49because he took the idea of the undergarment
49:51and showed it to us in a way that we hadn't seen.
49:54And it also was a very wearable garment.
49:57It's something that I would wear.
49:58I can see like Bella Hadid wearing that.
50:01Yeah.
50:02Like coming out of the nightclub wearing that.
50:04Okay, so we have a winner?
50:07I think so.
50:08All right, let's move on to the tough part,
50:11which is to choose who will be going home tonight.
50:15Loose.
50:15Can I volunteer?
50:17I'm gonna go home and leave them all here.
50:21Because I have no other choice.
50:24And this hurts because I think there's aspects of this
50:27that I thought were fabulous, but I guess Fabio.
50:31There were really great elements there.
50:32It was just too many things piled on top of each other.
50:35And you couldn't see the main ingredient
50:37for what the challenge was.
50:38And it's so unfortunate that one thing
50:41could have changed the whole trajectory
50:42of what he was doing.
50:44If you take that piece off of the stomach,
50:46this look would have not been in the bottom.
50:48I 100% agree.
50:49I had to sit back and go, oh, that was pre-made fabric.
50:53So then where did your time go?
50:55Also, it was not Coteau's night either.
50:57All the motivational speaking aside,
51:00that bra was ill-fitting and the cups were lopsided.
51:04The skirt was tacked and gathered.
51:06It was very reliant on the fabric.
51:08And I don't know that the design really said anything.
51:11And why are all of those things going together?
51:14I feel like Coteau's look was uninspired.
51:17What are my grandma's lace napkins doing on her breast?
51:22I know that we're talking about Coteau and Fabio,
51:24but there is also Laurence.
51:26She took a basic corset waist center
51:28and put it on a beautiful suit.
51:29And on a beautiful set of abs.
51:30That was my problem.
51:33What I think Nina Garcia would sit here and say
51:35is, did Laurence have a bad night?
51:37Yes.
51:38You sound just like her.
51:40It's really about the look today and the challenge today
51:43and who delivered.
51:45Fabio is, he is a brilliant designer.
51:47But I definitely see the potential
51:49But I definitely see the passion in Coteau.
51:52So when you look at these two looks side by side,
51:54which one is worse?
51:57I know my decision.
52:00So I think we all know who's going home.
52:02Sadly.
52:03OK, let's get the designers out here.
52:20Kharison, Prajay, and Rami.
52:23You all wowed us with totally unique looks that showcased
52:28couture undergarments.
52:30Prajay, you are in.
52:35Great job.
52:36You may leave the runway.
52:41Kharison and Rami.
52:44The winning look tonight showed excellence in execution
52:48and perfectly showcased undergarments in high fashion.
52:53The winner is Kharison.
52:58Yes.
53:00Oh my god, thank you all so much.
53:04I think what really put you over the top
53:06was the astounding confidence in your aesthetic.
53:10When she walked out, I knew this
53:12was a seasoned designer that knows exactly who her woman is.
53:17Rami, you are also in.
53:20Thank you so much.
53:21And you may leave the runway.
53:22Love you.
53:23Great, great job.
53:26Who won?
53:29I love my design.
53:31Everything was just perfect, from the model, to the fabric,
53:36to the design.
53:37And I was really excited to win this challenge.
53:43It's really for all of us, but it's about culture.
53:46It's about ancestors.
53:47It's everything.
53:51Fabio, Kato, and Laurence, unfortunately,
53:55none of you created successful looks that
53:58showcased your undergarments.
54:01Laurence, you are in.
54:05You may leave the runway.
54:07I love you.
54:08I love you too.
54:13Fabio and Kato, one of you will be
54:16in, and one of you will be out.
54:20Fabio, your look had too many ideas.
54:25It was unfocused, and it didn't highlight the undergarment.
54:30Kato, we didn't understand your fabric choice.
54:35The fit of the bra felt a bit off.
54:38And just overall, the look was not cohesive.
54:47Fabio, I'm so sorry, but you are out.
54:53This journey for me started 10 years ago,
54:56which was the first time I walked into this runway.
54:59And right now, it feels like I'm completing a circle,
55:01because I just feel really blessed
55:04that I got another opportunity to showcase my work
55:07and to be able to share this with you guys.
55:09Thank you so much, Fabio.
55:10Of course.
55:11It's been such a pleasure to be reintroduced to your work.
55:15Thank you so much.
55:15You can both leave the runway.
55:17Can I give Sergio a hug?
55:19You can.
55:20I'm so proud of you, baby.
55:22My love.
55:29I was what?
55:31I'm going home, guys.
55:32Love you.
55:33That's all I'm going to say.
55:35I've done all that I can, but most of all,
55:38I was glad to share the work room with you guys.
55:40Yes.
55:41You guys are going to kill it.
55:42I'm going to miss you, babe.
55:43Don't stop. Don't be sad.
55:44Love you.
55:45Don't be sad.
55:47I'm going to miss you, too.
55:49There's something so magical about challenging yourself
55:52and coming into this roller coaster ride.
55:54I'm leaving wanting to still be here.
55:56I'm coming to Brazil.
55:57OK.
55:58We're all coming to Brazil.
55:59We are coming.